Original subtitles

Downloaded from YTS.MX

[Ethereal melody; Soothing, bell-like percussion]

[Delicate violin plucking]

Official YIFY movies site: YTS.MX

[Sustained, warm violin tone joins]

[Music fades]

[Seagulls squawk; Wind howls]

[Young girl] I think I got to, like, 16. So I guess it was ok.

But you know that move that you're really good at, but I can't do it?

[Young girl 2] I always tip over too hard.

[Young girl] Yeah. Can you show me?

- How do you do that? - [Young girl] Tap your feet.

[Young girl 2] OK, what, I've got to lift up?

[Young girl] Yeah. Right, like this.

[Seagull cries]

[Seagull chatters]

[Bug] Hey! Bailey!

- Hey! - [Seagull chatters]

[Subtle, pulsating music]

- Bailey. - [She sighs]

Let's go. Hop on. Let's get home.

- [Bailey] What? - I've got a surprise for you at home.

- [Bailey] What is it? - It's a surprise.

Here, take this.

Careful with that. It's my cash cow, yeah?

It's not an actual cow, but you know. Let's go. Let's go.

Let's do it.

[Pulsating, punk rhythm music]

Let's go.

Let's go, let's go!

There we go. We're good, we're good!

Yeah!

Yo! God bless ya!

[They scream for joy; Music intensifies]

♪ None can pull the passion loose

♪ From youth's ungrateful hands

♪ As I stand I'm about to make a lot of money

♪ Gold harps in the pan

♪ None can revolution lead With selfish needs aside

[Bug sings along] ♪ As I cry I'm about to make a lot of money

♪ Gold harps on the side ♪

Whoo!

♪ Is it too real for ya?

♪ Is it too real for ya?

♪ Is it too real for ya?

♪ Is it too real? ♪

[Children shout]

♪ The bruised and beat up open sky Six o'clock

♪ The city in its final dress

♪ And now a gusty shower Wraps the grimy scraps

♪ Of withered leaves All about your feet

♪ And then the ringing Of a twitching hand

♪ Six o'clock, six o'clock ♪

[Music and motor fade]

Hey. Hey. Put a smile on your face, darling.

Oh, feck me.

- Hi, guys. - [Bug] Hi, brother.

[Music in the distance]

It's a beautiful day!

Hey, where's them feckin' snakes? They better be in the...

Leave my snakes alone.

[Bug] Hey, they better be in that fuckin' cage, man.

Or wherever you keep them in, eh?

Dad, why are you in such a good mood?

Uh, you're about to find out, innit?

Kayleigh!

Oh, Kayleigh.

Hey, give me the bag.

Careful with the bag.

Kayleigh!

I've got Bailey here.

[Kayleigh] Hang on, babe. I'm just coming.

[Bug] Hey, hey, hey.

Give her a chance, please, alright? Hey, hey, hey, look at, for me.

- Alright? For me, yeah? - Yeah, sure.

[Bug] Look at those pretty eyes. Look at those pretty eyes.

Kayleigh!

Oh, beautiful!

Oh, two beautifuls, eh?

Beautiful one and beautiful two.

Hello, hello, hello.

Well, hello, hello.

Hey, you wear the special hat for me, eh? How are we?

- I missed you. - [Kayleigh] I missed you too.

[Bug] No, I did miss you though.

We got big news.

OK, yeah?

[Bug] We got big news. Show her.

I'm excited, look at that.

What do you think?

What do I think, eh?

So?

So what?

What do you mean, so what?

- [Bailey] I don't know what's going on. - The catsuit!

She got it made for you. Especially for you. For Saturday.

What's Saturday?

[Bug] What's Saturday? What's Saturday?

What's Saturday?

We're getting married on Saturday.

We're getting married, it's proper.

She wants matching bridesmaids,

so she got this made for you. You and Couchee.

[Kayleigh] Told you she wouldn't like it.

She does like it. She's gonna try it on.

- Come on, try it on. - [Bailey] No.

Try it on, will you?

So I can take it back if it don't fit, in time.

[Bug] Yeah, yeah. Come on. Try it on.

[Bailey] I don't like it.

[Bug] Try it on.

I'm not trying it on.

- What are you being feckin' mean for? - [Bailey] I'm not wearing it.

What do you mean? You are gonna wear it.

- [Bailey] No, I'm not. - Yes, you are gonna wear it.

- I don't wear stuff like that. - I told you she wouldn't like it.

[Bug] No, no. She does like it. Hey, hey, listen.

Let me sort this out with her. Seriously.

[Bailey] Why have you kept it from me?

I mean, I only asked her last week.

Why am I the last to know?

Why can't you be chuffed for me?

Hmm?

Why can't you be chuffed for me?

[Bailey] How come you suddenly got money for this?

The toad. This drug toad.

See this fecker? This little fecker's gonna pay for everything.

Hmm?

- Does that mean she's moving in? - Uh, I'm right here.

[Bug] Hey, don't do this. Look, eh.

She makes me happy, alright?

[Bailey] You've only known her two minutes.

Not only two minutes. Three months. I've known her three months.

- [Kayleigh] Have you been counting? - [Bug] Of course I've been counting.

- Oh, sweet! - I count every single minute.

- [Bailey] Ugh. - Three months and one minute.

Where are you going? Where are you going? What are you doing?

- [Bailey] Why do you care? - You're gonna try this on.

- No, I'm not. - Try it on.

- No, I'm not trying it on. - Try it on.

- No. - Don't fucking do this.

Stop it.

Look at me. Look it. Stop it.

- [Kayleigh] Bug, it doesn't matter. - Stop it. Hey. Hey.

Look at me. Look. Hey. Stop it!

Oh, Bug, it don't matter.

[Bug] You gonna try the feckin' thing on or not?

- No! - Do you want me to dress you like a baby?

Do you want me to dress you like a fucking baby? Stop it.

[Bailey] Get off me now!

- [Bug] Put the fucking dress on. - [Kayleigh] Bug, it don't matter.

[Bug] Dress on!

- [Bailey] Get off me! - [Bug] Put it around you like that.

I'm trying to put it around you. Look, it's beautiful on you.

You look gorgeous. Hey, you look gorgeous, Bailey.

Aye! For God's sake.

[Bailey] Get off of me, I hate you.

[She grunts]

[Bug] You know you're gonna try it on, yeah?

[Bailey cries]

[Bailey] Go away!

[Wind chimes clink]

[Dreamy synth music]

[Music concludes; Hip hop music on TV]

♪ Had to run man down real quick

♪ For giving me lip Are you taking the piss?

- [He sings along] - ♪ They flex in vids, don't bus no stick

♪ Bunch of liars, they ain't no shit We lurk on foot, peds or whips

♪ The truth man speak no fibs

♪ Got links for the war Got links to the tools

♪ Don't come round dere

♪ Get whipped Had to run man down real quick

♪ For givin' me lip Are you taking the piss?

♪ They flexin' in vids Don't bus no stick

♪ Bunch of liars, they ain't on shit Yeah, we lurk on foot, peds or whips

♪ The truth man speak no fibs

♪ Got links for the war Got tools on the streets

♪ Don't come round here Get whipped

♪ Told my bro go get 'em Hands on my heart, any opp get wetted ♪

It's another one of his crazy schemes that come to nothing.

- He says he's booked The Merry Chest. - Cor, he must be serious, then.

[Bailey] He's just trying to show off, trying to impress her.

- He ain't got the money for that. - He reckons the toad will pay for it.

- Slime's drugs. - Ugh, a toad?

[Hunter] It's their drug toad.

But she'll be moving in with the kid, telling us what to do,

acting like she means something to us,

eating our food, and playing Harry Styles.

Does she like Harry Styles?

I don't know. I bet she does.

Tell you what, she won't be telling me what to do.

Well, you're all done. I think it suits you.

- Do you? - Yeah.

- You look like a proper vigilante. - Do I?

- So I look good, yeah? - [Moon] Yeah.

What's a vigilante?

[Camera shutter clicks]

He's got some business tonight.

He's helping a kid.

He's doing business the Old Bill should be doing.

- Who's the kid? - [Hunter] Don't say anything, Bailey.

Just forget that, man.

[Music continues in the background]

Forget you heard anything, Bailey.

- [Bailey] Can I come? - I'm not telling you anything.

- Why can't I come? - 'Cause I said no kids.

I'm not a kid. I'm 12. And I'm not even a virgin.

Is that true, Bailey?

Nothing that comes out of her stupid mouth is true.

Can you do me?

- Don't be silly. - [Bailey] I'm being serious.

What about Saturday? Don't you want to look good for your dad's wedding?

I don't care.

- What do you think, Hunter? - He don't get a say about my hair.

- [Moon] Are you sure? - [Bailey] Hundred percent.

[Moon] Bug will kill me.

He won't even notice. I'll say it's me.

I wish I was like you, Bailey.

So sure of yourself.

Mum said I was born looking for trouble.

[Sirens blare in the distance]

[Clippers buzz]

Hunter, look! I'm gonna be just like you!

[Bailey laughs]

[Music stops]

[Indistinct chatter in the distance]

[Moon] I don't want you to get hurt.

[Hunter] Don't worry, I'll be alright.

[Indistinct chatter]

[TV presenter speaking Spanish]

[Bug clears throat]

What the fuck you doing? Get up off the floor.

What the fuck you do to your hair, man?

[Bailey] I cut it.

- Did you do it on purpose? - [Bailey] Yeah.

Ah, you got ask me when you do stuff like this. You can't do this.

Move out of the way, I've got shit to do.

You have to ask me. I'm your father, darlin'.

- You didn't ask me about getting married. - 'Cause I'm an adult! You're feckin' 12!

So what?!

[He sighs] What do I...

You're gonna be an ugly bridesmaid, you know that?

I ain't gonna be a bridesmaid.

I'm sorry?

I am not gonna be a bridesmaid.

Yes, you are, if it's over my dead body, you're gonna be a bridesmaid, yeah?

You and that baby's gonna be matching. That is our dream.

I don't care about your dream.

What do you mean you don't care about my dream?

[Indistinct chatter on TV]

Eh?

Hey, I'ma talk to you later!

[Fast-paced hip hop music]

Careful, Bailey!

[Music continues]

[Indistinct chatter]

[Indistinct chatter]

Aye, you're looking sick, man. The hair is cold.

What are we doing, man?

- Bailey, man, just go away, fam. - [Bailey] Shut up.

Why, what are you doing? I wanna come.

- [Ghost] How we getting in there? - Listen, man.

Aye, so basically, fam, man, Kelvin knocks, we hide.

When they open the door, boom, we go in. Simple as that.

[Ghost] Let's do it, bro.

What are you doing? What do you mean by 'boom'?

[Hunter] We're not doing anything, man. Let's roll.

Come on, bro, let's go.

Oh, Bailey, you're not coming. You're not coming.

- Shut up. - [Hunter] You're not coming. Go home.

- You're not coming. - Yes, I am.

- You're not coming. - I'm coming, man.

I told you this earlier. You're not coming, bro.

- Shut up, man. - [Hunter] You're not coming.

- You argue with your dad, fam. - I want to help the kids, bro.

[Ghost] Bruv, listen, maybe it's best you don't come there,

'cause we're seriously gonna fuck him up bad.

- Why, what did he do? - He try to mess with my cousin, you know.

I set up this thing here, anyone in trouble, or any type of abuse here,

we're going there, bruv, you understand?

Listen, take that, yeah?

Make sure you don't come.

Ugh.

[People scream for joy]

[Funfair rattle]

[Young boy] Let's get this guy, bro.

[Tense, menacing music]

[Boys rap]

[Passing train roars]

[Music subsides]

[Seagulls squawk]

[Indistinct chatter]

[Boy] Ay, boys, come, come, come!

Go, go! Stay close! Stay close!

[Tense music resumes]

[Incoherent urgent shouting]

[Doorbell rings]

- [Door bangs open] - [Thudding]

[Shouting; Music intensifies]

[Thudding]

[Boy] Slice him, bro, slice him!

[Ghost] Hey, this is so the fucking youths know to stay away from you, bro.

[Bug] Get off me!

[Police sirens blare in the distance]

[Boy 2] Police! Go, go, go!

[Music fades; Tires screech]

[Dogs bark]

[She pants]

[Wind howls]

[She yells] Come on!

Come on!

[Thunder rumbles]

[Birdsong]

[Insects buzz]

[Horse snuffles]

Hey.

[Snuffling continues]

[Bug on phone] Bailey, where the feck are you? It's gone midnight.

What are you playing at?

Is this about Kayleigh and the wedding?

[Phone chimes]

I don't need your shit this week.

I've got the wedding on my plate. Come on, man, I need it.

I don't need your shit on my plate as well.

Where are you?

[Phone chimes]

[Urine streams]

[Wind howls]

What are you doing?

Don't come nearer.

OK.

Whatever you want.

I've got this, so don't try anything.

I won't try anything.

[Bailey] I'll film you and send it to my brother.

So if I do anything, he will see me?

Yeah.

- Would you like me to do anything? - [Bailey] Just need to see your face.

OK.

[He chuckles]

I'm Bird.

Who are you?

It's none of your business.

[Bird] It's beautiful, isn't it?

What is?

[Birdsong]

The day.

What are you doing out here so early?

I was going to ask you where I am.

I'm looking for someone who lives here.

Do you know where it is?

[Bailey] It's down there, by the river.

It's the tall building.

[Bird] Are you going that way?

No.

No?

- See you again, maybe? - [Bailey] No, you won't.

No?

No.

[Delicate, drone-like music]

♪ Love is a strange thing

♪ A strange thing

♪ So stop looking ♪

[Children laugh]

[No audible dialogue]

[Music fades; Indistinct chatter]

[Door opens]

- [Bird] Did they live here? - [Woman] Your parents?

I'm really sorry. It's just me and my son and my girlfriend. Sorry.

- [Bird] Thank you. - No worries.

[Children laugh, yell]

[Motorcycle engine revs]

[Wind whistles]

[Bug] Hey, you!

Hey! Where are you going? Come here, you.

No, no, no, no, no. Come here.

Hey, where were you last night, huh? I was up all night worrying about you.

Where you going? Where you going?

Where were you? Hey, where were you?

Where were you? What were you doing there?

- Nothing! - What were you doing there?

- In there with a boy, were you? - No, I wasn't!

Get back over there. Back over there, man.

What were you doing in there? You were with a boy, weren't you?

No, I wasn't!

See, I know you were in there with a boy.

I'm gonna fucking kill you. Did you hear me?

- Yeah. - Did you hear me now? Look at me.

- Alright. - Did you hear me?

Yeah, like your ma. Like your fucking ma.

Yeah, I should have left you with her. Hey.

Home. Let's go home, now. Home. That way.

Leave the girl alone.

[Bug] You keep your fucking dogs under control, love!

Home!

You're fucking grounded, yeah? Till after the wedding.

That's my week. It's my fucking week. You're not gonna ruin it.

Make a show of me in there.

Now! Get home, now!

[Drone-like music resumes]

[Music continues]

[Bird, on video] Would you like me to do anything?

[Chuckles]

[Birdsong]

It's beautiful, isn't it?

[Bailey, on video] What is?

[Bees buzz]

[Wind chimes clink]

The day.

[Meditative electronic music]

♪ You don't care

♪ Who you love

♪ You don't care

♪ Who you love ♪

[Music subsides]

[Train chugs]

[Music plays - The Universal, by Blur]

- [Bug and men sing along] - ♪ This is the next century

♪ Where the universal's free

♪ You can find it anywhere

♪ Yes, the future's been sold

♪ Every night we're gone

♪ And to karaoke songs

♪ How we like to sing along

♪ Though the words are wrong

♪ It really, really, really could happen

♪ Yes, it really, really Really could happen

♪ When the days They seem to fall through you

♪ Well, just let them go! ♪

That way, that way!

Get out of the way!

♪ Yes, it really, really Really could happen ♪

This song ain't working.

- [Man] Yeah, I think... - No, it's not!

Fucking Jay told me, he said you gotta play some cheese.

- Apparently they like the cheese. - Nah, nah, look at this, man.

It says here, they slime when they don't like something.

We gotta give them something they don't like.

- [Bug] What? And play a shit song? - [Man] What's a shit song?

- [Bug] Well, play a shit song then. - [Man] What shit song?

[Man 2] Murder on the dance floor. That's shit.

[Laughter]

[Bug] Hey, I actually like that song.

I do. I like it.

[Church bells ring]

Ai, is that Bailey? Let me talk to you quick time.

Aya, I beg you, tell me you got the video.

- Yeah, yeah, the X thing, yeah. - [Tense, delicate music]

[Grunting]

[Vigilante, on video] I'm fucking pissed off, yeah.

[Ghost] We're making the world a better place one cunt at a time, bro.

Listen, I've got another thing lined up.

Imagine this mum, yeah?

She tied her fucking child up outside,

and the child's got a first-degree burn.

- What the fuck, man? - Yeah, man.

Ai yo, come do the mum with us.

I want to. Maybe. Shout me.

Say nowt. Aye, Bailey.

Your hair looks sick, man.

- Come on. Bang! - Bang!

Love.

[Music concludes]

[Slow-paced hip hop music]

[Music fades; Sirens blare in the distance]

I had a feeling we would meet again.

What are you doing up here?

Did you worry about me?

No.

I wanted to see where I was.

I come from here, but have little memory of it.

I was trying to soak it up.

[Bailey] Did you find your people?

No.

They don't seem to be here any more.

[Bailey] Who was it?

[Bird] My family.

My parents.

I like to think this is what they looked at every day.

Are you hungry?

[Bug] Hey, what are you doing?

Come on, my little princess.

[Bug] You going to wait on daddy? Wait on me?

I know someone.

Maybe she can help you.

She used to live here on the same floor as your family.

I'll take you to her.

I knew there was a reason we met.

I was waiting to see what I should do next.

Can I take your number?

- [Bird] Number? - Telephone.

Telephone, I don't have a telephone.

You're proper weird, you know?

I'll take you to see her tomorrow.

Tomorrow is perfect.

[Wind blows]

[Chuckles]

[Woman] So I noticed some blue the other day,

so I just sprayed the tank, dampened it down.

- Bob's your uncle. - [Man] How long does it take?

About two weeks.

[Man] Nice, two weeks. What do you mean? What do you do with the skin?

[Woman] Nah, man. Dash it in the bin.

[Man] You dash it in the bin? Do you know how big that snake is?

Bailey, Sinead's shed.

Come on. Krr-pow!

[Man] You don't know! Skidi-pop-pop!

[Joyful yelling and dance music in the background]

♪ I engraved my name On the pillars of the arch

♪ So that when I left I'd always leave my mark

♪ Everything I am, I just owe to you

[Kayleigh chuckles]

♪ The soundtrack of the summer Getting played by the sirens

♪ We found laughs In the middle of the violence

♪ I'd be nothing without you

♪ I find comfort when I'm feeling blue

♪ Wrapped in the curves Of your avenue

♪ Will you always have me like I do you? ♪

- So, they're moving in? - I mean, what's it look like?

- [Bug laughs] - [Bailey] You didn't ask me.

Wait, so I have to ask you for permission to live?

Nah!

Why did you do that to your hair, Bailey?

[Bailey] I don't have to ask you nothing.

[Bug] Hey, don't cheek her!

Watch your lip.

[Kayleigh] What, did you do it to spite me?

You had such beautiful hair.

So what?

Well, I've got a mate who does braiding.

I'm sure she'll sort you out for Saturday.

Don't gas yourself, he ain't got money for Saturday.

Nah, who hasn't got money?

The toad! That fecker's started to slime now.

[Bailey] What did you do to it?

[Bug] Sincere music, would you believe?

Found out it slimes to sincere music.

Well, if Saturday happens, I ain't going.

[Bug] Hey! Come here! Come here!

[Knocks on door]

Bailey Taylor, I am marrying Kayleigh, OK?

On Saturday, and you will be there and you will see it.

I will drag you there myself and I will peg your eyes open.

You are going to be there.

Don't ruin this for me.

[Coughs]

[Growls]

[Dance music stops]

[Dogs bark in the distance]

[Bug] Wahey!

[Indistinct chatter]

[Hunter] What?

Are you serious?

When was the last time you were on your period?

Why didn't you say anything? Like, why didn't you say anything?

Did you do a test?

What do you mean am I happy?

You don't understand, I'm shaking right now.

[Birdsong]

Your parents won't do anything.

[He sighs] We need to talk face to face, like, now.

Can you get out, can you meet me at the stop?

Please, now, we have to, like...

Ah, babes, you don't understand how happy I am.

I'm getting ready right fucking now. I'm getting ready.

I'll wait for you.

[Couchee burbles to her doll]

What? What's the matter?

Oh, what you done to your face?

Oh, your first time?

Oh. Go on, just chuck me bag up here.

I've only got tampons. Is that alright?

- I know what to do. - Yeah?

Have you got cramps? Yeah?

They're prescription though, so only take one.

But they should get rid of your bellyache.

Don't tell him.

[Kayleigh] I won't. I've got you, don't worry.

Bailey,

you'll live.

[Chuckles]

[Delicate song] ♪ You were mine

♪ More beautiful than the stars

[Music fades; Birdsong]

Something different about you today.

Less ugly?

You're not ugly.

- Mum says I'm pig-ugly. - You know that's not true.

[Horse neighs]

[Children laugh, yell]

[Keesha] Watch me!

[Bailey] Peena! Keesha!

[Peena] Bailey, I missed you.

Come watch me.

[Bailey] I'll watch you.

Good, good, good, good. Watch me.

Bailey, look.

[Bailey] Do it then. Be careful.

[Peena] Did you see me?

[Bailey] Yeah, brilliant. Come down.

- [Keesha] I'm already sweating. - [Bailey] Are you hot, baby?

[Keesha] I'm already sweating.

Who's that?

That's Bird.

You can say hi.

Hi, Bird.

Hello.

[Keesha] Hi, Bird.

My name is Peena. This is Keesha, my little sister.

- Well, my and Bailey's little sister. - [Bird] Hi.

Where's Mum?

In bed with Skate.

- [Bailey] Who's Skate? - Her new boyfriend.

Come, Bird.

Come on, Bird.

[Bailey] Who are you?

[Man] I'm the gas man, darling.

Come to check the meter.

[Bailey] No meter in here, mate.

That's why I couldn't find it.

I've been here the last three days looking.

[Bailey] You coming, Bird?

[Girls chatter indistinctly]

Lew! Are you OK?

Can I have a hug?

I missed you.

You looking after Keesha and Peena?

You promise?

- I'll come play with you in a minute, OK? - OK.

Mum?

What did you do to your hair?

[Bailey] Cut it.

- You were always ashamed of it. - No, I wasn't.

You been crying?

- Did Bug make you do it? - No, I did it myself.

- I'm in a gang. - [Peyton] A gang?

[Skate] Babe, shh. Come on. Keep it down.

Shh, come on now, be a good girl. I'm trying to sleep.

[Peyton] This is my oldest.

[Skate] Great.

The one you got rid of.

- You the naughty one, yeah? - Yeah, watch your tone.

[He chuckles] Ooh, I'm dead scared.

- Should be. - Oh, yeah.

Yeah?

Peena!

Peena, me little angel face!

Do us a cup of tea, will ya? Do you want one?

Mm?

I brought someone to see you.

Who?

Bird?

[Skate] Fucking hell. It's like the M25 in here.

Do you recognise him?

- Good to meet you. - [Skate] What?

What are you doing with my kid?

His family used to live in Tyler House.

Do you remember them?

On the same floor as you and Nan?

Well, wait, does Bug know you two are hanging out?

He doesn't care. He has business going on.

With his fiancée.

- Kayleigh? - [Skate] Peena!

Peena, where's that tea, darling?

Get your own tea.

[Skate] Shut up, you.

If I get out of bed,

you'll see a load of morning cock.

- Small cock. - What?

You could wear some clothes.

Put on a T-shirt, underwear, socks. It's not that hard.

[Skate] Listen, lad.

Listen, watch what you say next, you, you freak.

I'll smash your head in.

You need to get rid of that thing.

- I remember... - [Snake] Get the fuck out of this house.

[Peyton] I remember a woman.

She had dark hair.

And a kid.

- A boy. - That's you.

[Peyton] She lost him.

Well, that's what my mum said.

Said he went out one day and he just disappeared.

They never found him.

[Kettle whistles]

You know where she went?

Her name?

No.

I do remember a bloke, though.

I think he must have been your dad.

She said he'd gone to live down in Leysdown.

[Skate] Oh, aye, here she is, my little angel face.

You're a good girl. See?

Come here.

Peena. Come here.

Buddy, you touch her, I'll kill you. Peena, come here.

- Shut your mouth. - [Bailey] Peena, come here.

Behave yourself, you little girl. Peena, come here.

[Bailey] Don't listen to him. Listen to me.

I'm not going to hurt you. Come here.

I remember his name.

Your dad.

It was Fred Lamb.

[Skate] Peena.

Fred Lamb.

[Skate] Hey, look at me.

Peena, there's no sugar in this, girl.

- There's no sugar left. - [Skate] What?

- Don't listen to him, he's a wasteman. - What?

- I said you're a wasteman. - Yeah?

Come here and say it. What are you going to do?

Bailey, your hair looks really ugly like that.

She's not ugly.

I wouldn't, like, you know...

[Tense, muffled music]

[Dog barks]

Shut the fuck up, Dave. Fucking stinks.

That thing needs putting down.

[Dog growls]

Aah, you fucking bastard! I'm gonna fucking kill that dog.

I'm gonna kill it. I'm gonna fucking snap it.

What are you doing?

Film ya. I'm gonna send it to the Old Bill.

What?

Give me the fucking phone.

You send that to the police and I'll fucking kill her.

I'll slice her throat.

You smelly little cunt, give me the phone.

Give me the phone.

- You ain't taking my phone. - Bailey, leave it. Bailey, just go!

- Just go! - No, get off! Get off!

Peena, stay!

- I'll be back, Peena! - [Skate] Come here!

[Shouting continues]

Are you OK? I'm gonna sort this out, OK?

I love you.

[Loud bang]

Stay safe, baby.

[Shouting]

Oi!

Oi!

Can you hear me?

Oi, where are you going?

[Sniffles]

[Sighs]

Hunter?

Hunter?

[Line out ringing]

Hunter here, I'm not active right now. Shout me later.

I've been trying to call you for ages. Answer me.

I need to tell you something. Just call me when you can, please.

Four, five and back.

♪ This is the next century

- Where the universal's free... ♪ - [Bug] Four, five and...

Back.

[Bug sings along] ♪ You can find me anywhere

♪ Yes, the future's been told

♪ Every night we're gone

♪ And to karaoke songs

♪ How we like to sing along

♪ Though the words are wrong

♪ It really, really, really could happen

♪ It really, really, really could happen ♪

[Song stops; Fast-paced electronic music]

Give me that phone.

Give me the phone, you little rat. I said give me the phone!

[Music continues]

[Lift doors shut, lift moves]

[Raven caws]

[Music fades]

I might not be who you think I am.

Some kind of hero.

Did I disappoint you?

It's not your situation, is it?

It's not your problem.

And plus, I've sorted it.

How do you sort someone like that?

I can't say.

You're used to sorting it, aren't you?

Taking care of things yourself.

[Muffled reverberation]

I can take you to Leysdown.

Maybe you can find your dad.

I've been thinking about it.

- Let's go tomorrow. - [Phone rings]

Hello?

[Hunter, on phone] Bailey, I need your help now, it's urgent.

[Bailey] Hunter, calm down, where are you?

[Hunter] They've taken Moon's fucking phone.

Where are you?

[Hunter] Meet me at the bridge near Moon's house, now, please.

[Tense, electronic music]

They won't let me fucking see her. Please come now.

[Bailey] OK, I'm on my way.

- See you tomorrow. - [Bird] See you tomorrow.

[Music continues]

- What took you so long? - [Bailey] What's going on?

Get on, I'll explain later.

[Music continues]

Bailey, listen. They've taken her phone away.

[Music stops]

It's number 12. Go to the door, say you're a friend of Moon's.

Get her to the door and give her this note.

Make sure her dad doesn't see. Do you understand?

Do they know about the baby?

How do you know?

I do live with you. I can hear.

God, Bailey. Alright, listen.

If they don't answer the door, get Moon on the intercom

and hold the note up for her, do you understand?

- [Bailey] Yeah. - Don't fuck this up for me.

Please!

Bailey!

Don't read the note!

[Raven caws]

Scotland?

[Raven caws]

[Doorbell chimes]

[Raven caws]

[Moon's mum on intercom] Hello? Hello?

Is Moon in?

[Mum] Why, who is it? What do you want?

I'm a friend.

- [Dad] Who is it? - [Mum] Dunno, some kid for Moon.

Well, tell them to fuck off. She ain't here!

- I'm looking at her! - [Dad] Moon! Get inside!

Get away from that window.

- [Mum] Babe, get her down here now. - [Dad] Alright!

- [Mum] Keep her away from that window! - [Dad] Shut your noise I'm working on it.

- [Mum] Shut up! - [Dad] Moon!

[Raven caws]

[Mum] Keep away from this house!

[Wind blows]

[Raven caws]

[Raven caws]

[Dad] Moon! Moon, get inside.

[Mum] Moon! Get down here now!

[Hunter] Come, come, come.

What the fuck just happened?

[Bailey] You're gonna run away to Scotland?

[Hip hop music] ♪ Let's laugh At local record plants

♪ Elitist hippies, arrogant cunts Ian Beale, tight trunks

♪ Tight pants, grammar wanker Walk the plank, pirate mankey

♪ Sixty kids, where's mine? Wasting money On shit coffee all the time

♪ Fish fingers, take the batter off I can't believe you had kids, fuck off

♪ Jolly Fucker! Jolly Fucker!

♪ Jolly Fucker! Mr Jolly Fucker!

♪ Lamp Light Boogier re-press, re-press

♪ Bus cunt, move then, mate Move for fuck's sake

♪ The machine goes bleep Ticketless sheep

♪ Baa, baa crack sheep Have you any rock?

♪ EDL twat Tommy used to work on the dock

♪ Union went all white He fuckin' loved it

♪ Take it down, there Take it down, there

♪ Camouflage, Humpty Dumpty, Crusades

♪ Blood on the hands of Working class rage

♪ He's a Jolly Fucker! Jolly Fucker!

♪ Jolly Fucker! Oi, oi, oi! Mr Jolly Fucker! Oi, oi, oi, oi!

♪ Jolly Fucker! Oi, oi, oi! ♪

[Bailey shouts] Peena, I'm coming back!

♪ Why do I walk on City and gilded splinters?

♪ Digital time boards... ♪

[Cheering, laughing]

[Bug] I want you to give a warm welcome to this little darling.

All the way from Colorado.

[Cheering]

Hey, listen, listen, listen.

So she likes a little bit of a slime, if you know what I mean.

You know what I mean?

But when she slimes, she gives off this, um...

- Fucking... - [Man] Hallucinogenic.

There you go, there you go.

So I need her to slime for the wedding.

I need a bit of cash, man, you know what I mean?

Ah, yeah, yeah.

[Bug] She wants a DJ. What Kayleigh wants, Kayleigh gets.

You're gonna sing a little song to her, come on.

It needs to be sincere.

Honestly, and she slimes. Sincere.

A bit of sincerity.

She likes Coldplay. She likes Yellow from Coldplay.

[Bug] Sincere. Sincere.

I want her to slime on me hand, you know what I mean?

Bit of slimage on the hand.

Get in here. Get that beautiful voice of yours in.

[Yellow starts]

Make my knees go weak.

You're making me fucking slime, you beggars, yeah.

Little sing. Little sing. Go on.

What do you mean, you don't care about my dream?

Look it, for me.

♪ Look at the stars

♪ Look how they shine for you

♪ And all the things you do ♪

That's beautiful, that's beautiful.

♪ And it was all yellow

♪ I came along, I wrote a song for you

♪ And all the things you do

♪ It was all yellow

♪ So then I took my turn

♪ Oh, what a thing to have done

♪ And it was all yellow ♪

[Music continues in the background]

♪ Your skin, oh, yeah Your skin and bones

♪ Turn into something beautiful

♪ You know, you know I love you so ♪

[Music fades]

[Phone chimes]

[Whispers urgently] Hunter! Hunter!

[He grunts, sighs]

Fucking hell, Bailey.

What d'you want?

Are you going to Peyton's house with Ghost?

Yeah, it's sorted.

We're going this afternoon. Why?

I was just asking, for the kids.

I'm gonna take them somewhere for the day.

You look like your mum.

Funny, I can't see it.

You look like your mum and Bug mixed together.

I guess.

See you later.

[Seagull squawk]

[Flies buzz]

[Snoring]

Peena, Peena. Wake up.

Go get dressed.

- What happened to Dave? - Skate booted him.

He's killed.

[Sighs]

Come on.

Keesha, go get dressed.

Keesha. Lew, come on.

Get up and get your clothes on. OK? We're going to the beach.

We'll go to the beach, OK?

Come on, let's go.

[Lewis chuckles]

[Children shout]

[Keesha] How are you?

[Bird and Keesha laugh]

- Bird! Hello. - Hey!

How are you?

[Delicate music]

[Music fades]

[Bird makes funny voices]

[Bailey] One, two, three, seaside!

One, two, three, seaside! Lewis! Lewis!

[Bird] Seaside, let's go. Let's go.

Peena, come on. Cheer up.

- Come on. - [Bird] Come on.

Let's go to the beach!

Come on, son. Come on, son.

Come on, son.

- What is it? - I got a baby lady bug.

Ooh. Very pretty.

[Arcade rattle]

[Seagulls calling]

[Keesha] Look, there's grass growing.

[Gentle, electric guitar music]

- Put me down. - OK.

[Inhales sharply]

Fish! Fish! Peena, there's fish!

[Lewis] Fishing! I'm going fishing!

[Keesha] I'm going with you.

[Dog barks]

[Seagulls crying]

He looks like you.

[Fred] Hello.

Are you Fred?

- Why? - We've been looking for you.

- Can we talk? - We are talking, aren't we?

Sit down and talk.

I'm sorry, I don't let strangers in the house.

We're not strangers. We're family.

He's your family.

[Debs] Fred? What is it?

I think I'm your son.

- [Debs] What's going on? - It's alright.

No, I don't have a son.

[Bailey] Yes, you do. He's right here.

- Who are these people? - [Bailey] Family.

[Fred] You've got the wrong bloke.

We haven't. Look at him.

- He's your son. You look alike. - [Debs] Fred?

- You've got the wrong bloke. - No, no, no. What's going on?

[Fred] My mum lived in Tyler House.

What are they talking about?

I don't know.

- My son died a long time ago. - No, he didn't! Look, he's here!

You got the wrong bloke. You need to leave.

[Debs] What's going on?

- [Debs] What's she talking about? - [Fred] I don't know.

[Bird] I have this.

[Fred] What's that?

[Debs] Don't film me.

[Bailey] I ain't filming you, I'm filming him.

[Bird] Turn it over.

[Fred laughs]

- She had a thing for birds. - [Debs] Who did?

Kelly.

- What was she like? - Oh, she was fucking mad.

She didn't, um, she didn't care for what people thought of her.

- How did you meet? - In the marshes.

Both of us about 16, I think.

Um, she fell pregnant shortly after that.

We had a boy. We got a place together.

But she was impossible. So I left her.

[Debs] You never told me any of this.

[Fred] I don't care for the past, do I?

[Debs] I thought you didn't want kids. You don't even like kids.

You don't even like kids.

- You don't even like kids. - [Fred] Alright, alright. So we...

- You didn't tell me any of this, Fred. - [Fred] It wasn't fucking important.

- [Debs] Well, it fucking is now. - [Fred] It was out of my mind.

And in my mind, it had all fucking gone.

What happened to Kelly?

Someone said they'd seen her down at the marshes

and thought she'd jumped in the river.

I don't know. I'm sorry.

- [Grunting] - [Birds squawk]

[Keesha] The horn on the bus goes beep-beep-beep, beep-beep-beep

♪ Beep-beep-beep ♪

Do you know what a Chinese burn is?

It's to prove you're real.

[Bird] I am real.

Give me your arm.

Ow!

- Did that hurt? - You know it did.

- [Peena] Stars! See, look. - [Keesha] The moon!

[Lewis] Whoa!

[Lewis] Look, one, two, three, and four. They're moving.

I'll take her now.

I can take her right to her bed.

No, it's fine, I'll do it.

- Can you take me? - Ooh, OK.

Keisha, come on.

You promised me.

- Come on, Peena. Come on. - I don't want to go home.

- It's fine. Skate won't be there. - Yeah, but I don't want to go home.

- He and Peyton broke up today. - I'm happy to hear that before I leave.

- [Bailey] You're leaving? - Yeah.

I feel it's time.

Go away then.

- Will I see you tomorrow? - My dad's wedding's tomorrow.

I would like to say goodbye.

I don't like to say goodbyes.

- [Bird] Bye. - [Keesha and Peena] Bye!

Go on upstairs. Get ready for bed.

Mum? Mum?

[Keesha crying]

[Keesha] I hurt my head.

[Bailey] Get dressed, come on. It's OK, it's OK.

Come on.

- Put it this way. - [Keesha coughs]

Cover your mouth when you cough.

[Keesha continues crying]

[Bailey] Shh. Shh. Stop.

Goodnight, trouble. I love you.

Be safe.

- Stay there. - [Pounding on door]

[Peyton] Go away!

[Incoherent shouting]

Mum?

- [Banging] - [Skate] Don't lock me out!

- Bailey, are the kids up there? - Yeah.

Keep them up there, OK? Go away!

- Open the door, I just want to talk. - No!

[Skate] I'm sorry, he was asking for it. Come on, you saw it.

I'm scared, Bailey.

Peena, stay here, make sure the kids are safe.

Go back to bed. I'm relying on you. Love you.

[Banging]

- You touch her and I'm calling the feds! - [Skate] What?

- Listen, you little cunt... - Bailey, stop!

I'll fucking set fire to this house with the lot of youse in it!

Hey, come here! Say that you're sorry, you hear me?

Get fucking in there! Come here! Don't move!

[Bailey] Get off her! Do you hear me?

I'll fucking kill ya! I'll kill ya!

[Shouting and screaming]

Get off her! Get your hands off her! I hate you!

I fucking hate you as well, you little rat!

I fucking hate you, Bailey. Stay there, you!

Babe, babe, babe, babe, I'm sorry, baby.

You need to understand me. I'm sorry.

- Are you OK? - [Skate] Hey, what the fuck do you want?

What the fuck do you want?

- What are you doing here? - Leave him alone!

Peyton! Peyton, this is your fault.

Just leave him alone!

- Go home! Go home! - Go away! Go away!

Peyton!

Babe, babe, baby, I'm so sorry.

- Go away! Get away from me! - I'm so sorry. I'm really sorry.

[Bird screams]

[Bird makes animal callings]

[Skate] I'll slice your fucking throat, you rat! Come on then!

Come on! Fuck! Ah! Ah!

[Fighting noises]

[Skate] Help! Peyton, Peyton! You freak!

I'll kill you! Get off! Get off!

Get off!

[Guitar music]

[Fighting noises]

[Skate] Get off!

Come on!

[Bird makes bird cries]

[Dog barks]

- Dave? - [Dave whines]

Hello, hello.

Oh, Bailey.

[Bailey] It's OK, mum.

Dave!

[Children laugh happily]

He licked his tongue!

♪ Life ain't always empty

♪ Life ain't always empty

♪ Life ain't always empty

♪ Life ain't always empty

♪ Don't get stuck in the past

[Bug sings along] ♪ Say your favourite things at mass

♪ Tell your mother that you love her ♪

- [Phone rings] - and go out of your way for others

♪ Sit beneath a light that suits ya

♪ And look forward to a brighter future

♪ Life ain't always empty

♪ Life ain't always empty

♪ Life ain't always empty

♪ Life ain't always empty

♪ Life ain't always empty

♪ Life ain't always empty

♪ Sink as far down As you can be pulled up

♪ Happiness isn't really about luck

♪ Let your demeanour Be your deep down self

♪ And don't sacrifice your life For your health

♪ When you speak, speak sincere ♪

[Hunter's voicemail] Hunter here. I'm not active right now.

♪ Life ain't always empty

♪ Life ain't always empty ♪

[Bailey] Dad! Turn the music off! Dad!

♪ Life ain't always empty ♪

Dad! Turn the music off.

I need your scooter.

- I need your scooter! - I can't fucking hear anything.

- I need your scooter! - It's not a toy, darling.

Hunter's going to Scotland with Moon. They're running away.

- Scotland? Are you fucking serious? - I'm being serious.

- Who's going to Scotland? - Hunter!

- No, he's not going to Scotland. - Yes, he is!

Scotland? Aye? For what?

Nah, nah, he's not going to Scotland.

- He's going now! - Not today!

The fuck is he going to Scotland for anyways?

He's trying to save his baby.

Whose fucking baby? Who's having a baby?

Moon's parents don't want her to have it.

Oh, fuck that, man. I'm not fecking ready to be a grandad.

He's getting such a wallop, I tell you. Such a fucking wallop, man.

Are you fucking serious, man? They expect poor people to get around, man.

You know what? Fuck you and your fucking e-scooters, yeah?

Scotland, where's Scotland? Come on, come on, come on.

Scotland, Scotland, Scotland? Where the fuck is anyone, eh?

Hey, hey, where's Scotland on this fucking thing, man?

- Platform Two. Platform Two. - What?

- Platform Two. - Platform Two. Change at St Pancras.

Yeah, yeah. Number Two is what we want. Cheers, yeah?

- [Platform staff] Oi! - [Bug screams]

- Go, go, go! - Oi! Get back here!

Well, well, well. Two, two, two, two, two.

Check in there! Check in there.

- He's not in there. - Nah?

Hey! Hunter!

Hunter!

Fuck's sake, man.

They've gone. We've missed them.

[Bug] On me wedding day, eh? The selfish prick, man.

It's not gonna be the same without him, is it?

Selfish cunt.

It's not gonna be the same without him.

- I can't believe he's done that. - [Bailey] He's there!

- [Bug] Where? - [Bailey] Down there.

[Bug] Oh, you fucker, you.

Oh, see, you two, man!

Yeah!

Sometimes I just wish, you know what, I'm better off without youse.

But I love youse. Hey!

[Bailey] You're here!

[Hunter sniffles]

Hey. Hey.

- What? - Sh...

Come here. Listen, hey.

The baby, man. You could tell me that.

You can tell me that. Eh?

We're good. We're good.

You're good.

She didn't come.

They're gonna make her get rid of it.

[Bug] Hey, no one's getting rid of anything, yeah?

[Hunter] It's my kid, and I have a fucking right to be involved in it.

She's 14, alright? She's 14, man.

You had me when you were 14. Are youse fucking forgetting that?

No, I don't forget it. I don't regret it either.

But it's fucking hard, man. Eh? It's fucking hard.

- You don't want to do this. - I do.

Just listen to me. I do. I want to do this, Dad.

[Bug] Yeah.

Listen, I don't regret you. Do you hear me?

I hope you know that.

I don't regret it, son, eh? I don't regret it, right? Yeah?

Come on. Let's go.

- That's the fucking train. - Yeah, fuck the train, man. Let's go.

Fuck Scotland. They're all feckers anyways.

All cunts.

Fucking haggis. D'you like haggis? Eh?

You know it's fecking cold up there?

[Hunter] Why do you think I'm wearing three hoodies?

We went to Peyton's last night. There was no one there.

- It's OK. A friend of mine sorted it. - Who?

No one. Don't worry.

No one's no one, Bailey.

Let's go, you two. Come on. Let's go!

[Melancholy music playing]

- [Bailey] What's going on? - What do you mean?

- You're playing dad music. - So?

You don't usually listen to dad music.

Uh, true, yeah, but tell you what, I've been playing dad music

for the toad lately and the toad likes it, so...

I discovered I like dad music.

There's nothing wrong with it.

Maybe I'm getting old.

[Dad music plays]

♪ Happiness, more or less

♪ It's just a change in me Something in my liberty

♪ Oh, my, my

♪ Happiness, coming and going

♪ I watch you look at me And watch my fever growing ♪

I'm getting fecking married today!

♪ How many corners do I have to turn

♪ How many times do I have to learn

♪ All the love I had was in my mind?

♪ 'Cause I'm a lucky man

♪ With fire in my hands ♪

So again, repeat after me.

I promise to give you my love and friendship.

I promise to give you my love and friendship.

[Woman] To support and comfort you.

[Bug] To support and comfort you.

[Woman] To care for you with love and Patience.

[Bug] To care for you with love and Patience.

[Woman] To respect and cherish you.

[Bug] To respect and cherish you.

[Woman] And to be faithful always.

[Bug] And to be faithful always.

[Cheering and applause]

All me single ladies, all me bridesmaids. Ready?

- One... You ready? - Two...

Aah...

[Cheering]

♪ If it hadn't been for Cotton-Eye Joe I'd been married long time ago

♪ Where did you come from Where did you go?

♪ Where did you come from Cotton-Eye Joe?

♪ If it hadn't been for Cotton-Eye Joe I'd been married long time ago

♪ Where did you come from Where did you go?

♪ Where did you come from Cotton-Eye Joe?

♪ If it hadn't been for Cotton-Eye Joe I'd been married long time ago

♪ Where did you come from Where did you go?

♪ Where did you come from Cotton-Eye Joe? ♪

[Fiddle music, dancing, cheering]

♪ He came to town like a midwinter storm

♪ He rode through the fields So handsome and strong

♪ His eyes was his tools And his smile was his gun

♪ But all he had come for Was having some fun

♪ If it hadn't been for Cotton-Eye Joe I'd been married long time ago

♪ Where did you come from Where did you go?

♪ Where did you come from Cotton-Eye Joe?

♪ If it hadn't been for Cotton-Eye Joe I'd been married long time ago

♪ Where did you come from Where did you go?

♪ Where did you come from Cotton-Eye Joe?

♪ If it hadn't been for Cotton-Eye Joe I'd been married long time ago

♪ Where did you come from Where did you go? ♪

♪ Where did you come from Cotton-Eye Joe?

[Cheering and applause]

[DJ] Well, ladies and gentlemen. We have a little something special for you now.

Could we have Kayleigh on the dance floor, please?

Have we got a chair for her? Brilliant. Right, Bug.

I know you've got something a little special for the new wife.

[Applause]

[Piano introduction]

♪ This is the next century

♪ When the universal's me

♪ You can find it anywhere

♪ Yes, the future's been sold

♪ Every night we're gone

♪ And to karaoke songs

♪ How we like to sing along

♪ Though the words are wrong

♪ It really, really Really could happen

♪ Yes, it really, really Really could happen

♪ When the days They seem to alter you you

♪ Well, just let them go

♪ No one here is alone

♪ Satellites in every home

♪ Yes, the universal's here

♪ Here for everyone

♪ Every paper that you read

♪ Says tomorrow's your lucky day

♪ Well, here's your lucky day

♪ It really, really, really could happen

♪ Yes, it really, really Really could happen

♪ When the days They seem to fall through you

♪ Well, just let them go ♪

Don't you worry.

♪ It really, really Really could happen ♪

Everything will be OK.

♪ Yes, it really, really Really could happen ♪

Bye-bye.

♪ If the days They seem to fall through you

♪ Well, just let them go

♪ Yes, it really, really, really could happen

♪ Yes, it really, really Really could happen

♪ When the days They seem to fall through you

♪ Well, just let them go ♪

[Cheers and applause]

[Meditative electronic music]

♪ You don't care who you love

[Upbeat guitar music]

[Indistinct chatter]

Yeah!

♪ None can pull the passion loose From youth's ungrateful hands

♪ As it stands I'm about to make a lot of money

♪ Gold harps in the pan

♪ None can revolution lead With selfish needs aside

♪ As I cried I'm about to make a lot of money

♪ Gold harps on the side

♪ Is it too real for ya?

♪ Is it too real for ya?

♪ Is it too real for ya?

♪ Is it too real?

♪ The winter evening settles down

♪ The bruised and beat up open sky Six o'clock

♪ The city in its final dress

♪ And now a gusty shower Wraps the grimy scraps

♪ Of withered leaves all about your feet

♪ And then the ringing Of a twitching hand

♪ Six o'clock, six o'clock

♪ Is it too real for ya?

♪ Is it too real for ya?

♪ Is it too real for ya?

♪ Is it too real?

♪ Is it too real for ya?

♪ Is it too real for ya?

♪ Is it too real for ya?

♪ Is it too real for ya?

♪ Is it too real for ya?

♪ Is it too real for ya?

♪ Is it too real for ya?

♪ Is it too real for ya?

♪ Is it too real for ya?

♪ Is it too real for ya?

[Music concludes]