All language subtitles for El.ministerio.del.tiempo.S02E02.El.tiempo.en.sus.manos.720p.BluRay.DD5.1.x264-SbR_track5_[eng]

This guy is a phenomenon.

One of the most important figures of our history

could be in doubt.

I see that you are very well informed

And not by you precisely,

who is the one that should do it.

So we have a mole in the Ministry.

We have filmed the death of the Cid.

Bloody hell! Do you know what you have done?

What is it, are there two Cids?

That is what you have to find out.

I am Rogelio Buendía Ortiz.

Agent 185, patrol 23.

Lock them up.

The real Cid died because of you?

Yes, 20 years earlier than expected.

The story is getting out of hand.

And I won't win the battle once I am dead

I will win it for you.

I won't ask you for forgiveness,

because I know very well that forgiveness is not easily given.

But I will prove you that you can trust me again.

I have seen witches burned at the stake that were less hated than you.

- I forbid you going out to fight.
- I have promised,

- and what I promise, I keep it.
- and I will fight by your side.

- For James!
- For James!

Do not make a mistake...

that could turn into a nightmare all your life.

- What is wrong, Angustias?
- Julián.

He has gone through one of the doors.

Don't look for me.

You only need to know that I am going
wherever I can help others.

I am going where nobody knows of my past
or my problems.

♪ Our... ♪

♪ Our love is destiny. ♪

♪ When life was ca... ♪

♪ was called freedom. ♪

♪ When it was was free, free, free ♪

♪ like the sea. ♪

♪ Rosa, Rosa, Rosa, ♪

♪ take me with you. ♪

♪ You are the most beautiful... ♪

Is it them?

Yes, it's them.

♪ Lailo, lailo, lolailo, lailo. ♪

♪ Lailo, lailo, lolai. ♪

Fuck.

♪ Rosa, Rosa, Rosa, ♪

♪ take me with you. ♪

♪ You are the most beautiful... ♪

What are you doing? Why do you run?

Aren't we mates?

But you are a cop, dude.

And one thing is that we are narks
and another that everyone knows.

- Narks?
- Snitches.

You need to learn languages.

Is he new?

Yes, of course
brand new.

Look, rookie,
el Pesicolo and el Bocas

C'mon to the car!

Look if they have anything.

- We don't have anything, eh?
- And what were you doing

- the other day dealing in South Park?
- Us?

- You are mistaken.
- Mistaken?

Look, who's this?
Los Pecos?

Pacino.

And this? What did I tell you?
What did I tell you?

That who works with you,
no drugs.

Ah, sure. C'mon the crikets.

- Eh... the crikets?
- The bloody handcuffs.

Do I need to bring you a translator?

"Altercation. Woman.
Grilo street, number 10"

- Altercation. Woman. Grilo street..."
- Pacino, we can give you a big shot...

- Go away.
-"Domestic altercation with violence.

Any patrols close to Antonio Grilo street number 10?

- Repeat: domestic altercation..."
- Central, unit 27.

- We are going.
Repeat: we are going.

- Are we going to leave them here?
- Fuck, c'mon!

Asshole.

What are you doing with the gun?
Don't you think it's too much?

You stay here and
ask for reinforcements, eh?

- What's going on here?
- Shut up and do what I said.

Central, here car 27.

Here car 27.

I ask for backup in
Antonio Grilo number 10.

Yes, quick.

Good evening, mam.

- Who called?
- It was me.

- Oh my god.
- Did anyone go upstairs?

No, I was taking the garbage out.

Ah! No!

- Third floor left, right?
- Yes, sir, yes.

Everyone home!

Police, open the door!

Open!

"I am then going without
anyone asking me to do it

not listening to the
petition and the pressure

that is asking me to stay in my position,

and I leave convinced that this behaviour

although it might look
little understandable at first sight

is the one that my homeland needs now.

I am not leaving because of tiredness,

I am not going because I have
suffered a greater setback

than what I can stand.

I am not going because of being afraid of
the future".

Politics...

They are all the same.

- "I am leaving because the words.."
- And it's not going to get any better,

- I promise.
- "It's now necessary to prove..."

- I like it.
- "...What we are".

I think I am going to retire the knife.

Eh, let them go.

Don't move. This is not about you.

Go.

I think I will have to be quick.

"...that will also pretend to serve the state,

must also know when

the price that people have to pay
for his continuance

- is superior to the price...".
- Goodbye.

"...that always implies the change of
person

that embodies the greatest
executive responsibilities

of the political life of the nation.

I think I know it.
I have the conviction...".

- Hey, kid. There is a policeman downstairs.
- Tell him to ask for an ambulance.

C'mon, c'mon, go.

- Go.
- "...and that is why my decision

is as firm as carefully thought-out

I have suffered an important burnout
during my almost five years..."

Fuck, not again.

Not the bloody same again.

"...of the last 150 years,

stayed such a long time
governing...",

Get out of there!

"...my personal burnout has served

to articulate a
freedom system.

a new model of social coexistence

and a new state model.

Therefore, I think it was worth.

But, as often happens
in history...".

- Don't move. Throw your weapon.
- On the floor.

- Relax, I'm a cop.
- On the floor

That's it. I'm a policeman, relax.

- And the badge?
- Ok, ok, relax.

- Don't move.
- Fuck, I'm following a murderer.

- I'm a bloody cop!
- Don't move.

- Look at the bloody badge.
- Where is it?

Left pocket. There
Look at the badge and let me go.

"...his prestige,
and reserve...",

Another crazy.

Yes it's from 81

Have you bought it in the flea market or what?

"... first anniversary of the King Felipe
as head of the state.

On 19th of June it is a year
since his proclamation..."

...

...

Do you know anything about Mr. Martínez?

No. I have sent his picture
to all the Ministries.

There is an arrest warrant, but nothing.

Aha, have you found anything at his place?

No. I have checked the agenda,
the computer, and he has deleted everything.

We should try again.
Maybe we can recover the hard disk.

I'm on it. I haven't forgotten
the procedures, Ernesto.

Actually, I wrote
the last ones myself.

I'm sorry. I will continue working.

- Your relation hasn't improved.
- Not really.

We need to look forward, Ernesto.

Yes, sure.

Have you told Irene that there
is a mole in the Ministry?

No, that's between you and me.

Any news about that?

Brilliant.

I remember when people used to
knock before coming in.

I'm sorry, but it's
very urgent.

Our contact in the Ministry of Interior
has called.

A murderer that they had been looking for
since 1981 has been arrested

...

And what does that have to do with us?

You tell me.

It's been 34 years and
there he is, exactly the same.

So handsome and such a murderer.
What a pity, God.

I'm convinced he has gone
to be with Maite.

I don't think so.

My father had a dog.

It's name was Jarete

He was loyal, affectionate like a son
and fast as a lightning

When my father died

I don't know who felt it more,
me or the dog.

The day after, it disappeared.

Nobody knew where it was

Do you know where it went?

To my father's grave.

It would go everyday.
It wouldn't stop barking.

Like if it wanted to wake him up
so that he would continue stroking it.

And Julián is like that dog.

He has gone back there, I'm sure

If it was like that, he wouldn't have written
that he wants to start a new life

Whatever it is,
hope that he is happy.

even if we don't see him again.

Well I want to see him again.

- Ah, so Julián and you...
- No, no. Julián and me nothing.

Thank Goodness! I though the wedding picture was true.

And I don't know what it would
have annoyed me more

you not telling me

or to be so silly
not to realize.

- There is another picture.
- Another?

- But you have a baby?
- Or not, what if it's false?

- Has Julián seen that?

Thank God.

That's good, because that means he is
not running away from you.

The boss.

We'll talk.

But there is another thing I want
to tell you.

Your problems are also mine.

You will never be alone.

Eh?

It has come to us

the existence of a door
not registered by the Ministry.

- It won't be the first.
- Or the last one.

but this one has a surprise.

A murderer has come through it
to our time.

What's our mission, to catch him?

No, no that won't be necessary.

- Where am I?
- In my office.

- Do you like it?
- Stop the foolishness.

There is a murderer out there.

- Are you sure about that?
- It's the only thing I am sure about.

2016.

What's up, have I travelled
to the future?

Aha.

Yes, sure, and I am Colombo.

No, you are not Colombo.

You are Jesús Méndez.

Jesús Méndez, detective
in the narcotics brigade

of the district of Usera
in Madrid in 1981.

Called Pacino by your colleagues

- Chapino?
- No, Pacino.

It's Pacino, because of the movie

Serpico,
the one of the infiltrated agent.

Pacino, Pacino.

What a fucking future
if they don't know Al Pacino.

Is he so important so that
we need to know him?

Well he's an actor, pretty,
the best in the world.

I prefer Lawrence Olivier,
but we are not discussing that.

We are not here to talk about cinema.

It's a lie, I'm innocent.
I have a witness, there was a kid.

If you are talking about the victim's son
he suffered a shock because of the trauma.

He couldn't remember anything.

I have more witnesses.

The caretaker, the neighbours,
they saw me go upstairs.

They heard the victim screaming.

According to the police, no neighbour
saw any other man going in or out.

- that wasn't you.
- My partner was in the car

- while I was going upstairs.
- Your partner backs the version

that you have in front.

The bullet that killed that woman
came out of your regulation firearm.

I'm innocent, I swear.

There was another guy in the house,
he hit me,

he took my gun and shot her,
that's why it coincides in ballistics.

Where is the person who hit you?

I don't know,
I only followed him here.

This is a set up.

Or I am in a coma because of
the hit that fucker gave me.

I am dreaming. This is a dream, isn't it?

No, it's not.

How did you get here?

Goodbye

Get out of there!

Tell me where you came from.

"Fuck, not again.

Not the bloody same again."

Through a wardrobe.

I know that it looks like out
of "Mortadelo and FIlemón"

but it's true, I swear.

And where was that wardrobe?

In Antonio Grilo street, number 10,
third floor left.

Let's go there, and we will know
if he is lying or not.

No, a wardrobe can be easily moved.

What's interesting is the door
he came through.

Aha. We have to go to that bar.

Ernesto, please go with
Amelia and Alonso.

Am I not going? I am the only one
who can identify the killer.

That's why you are not going.

Irene, please go to the viewing room
and make sure everything is ready.

If he is telling the truth

we will know.

Good morning

Health Department

- Are you the owner.
- Fuck, this is harassment, man.

Yesterday that weirdo and the police
and now the Health Dpt. again.

- What do you mean again?
- Yes

Some inspectors came last week.

Yes. Yes, we are the supervisors who check
on those inspectors

to make sure they are doing
a good job.

And they say there aren't enough
civil servants in this country.

For now you are going to do two things;

first, give me the documents about the place

- and then you are going to shut up.
- Ok, ok.

Don't get angry, man.

I can't stand people talking bad about civil servants.

- Here you go
- Very good.

While I am checking,
the technicians are going to inspect

the kitchen and the back room.

The bathrooms and the warehouse
are downstairs.

Ah, you will see that there's a blocked door.

Blocked?

Yes, well, when I got the bar
it was already like that.

We will need some help.

But this is amazing.

You can see everything from here.

You control people's lives.

You are like a secret organization
from the government.

Something like that. Do you remember at what time did you get to the bar?

The news was on...
It must have been around 8pm.

There he is. That's him.

Freeze the image.

Zoom in.

Take a screenshot so that Irene
can send it to the patrol.

- I can't see the gun.
- It will be in the coat.

- Or maybe he threw it away at the bar.
- The place was registered

and nothing was found.

Wait a moment, one moment.

He was telling the truth.

I always tell the truth,

if I can.

Yes?

Well, here, reading "El Quijote".

Check the bin that is outside on the right.

The gun will be there.

Well, that's if the bin men have not passed yet.

The door could not be opened.
I had to call Cosculluela.

Ready, boss. I have never seen something like it: a security door

- installed backwards.
- Very good. Thanks

They are there already.

What should we do when they come back?

Well, we leave everything how it was

so that nobody can tell that we have opened it.

Let's see what they have found out.

Thanks

I think it's time to tell him the truth.

Yes, we have no option.

He neither.

Chapino was not lying.

Not about the wardrobe.

But this doesn't mean that
he is not the killer.

He's not, I promise.

He was hopeless,
and a hopeless man doesn't lie.

And if he is, he's a great actor.

Killing a mother in front of her son.

How can a human being
do such an atrocity

Whoever has done this
is not a human being

is a beast.

- It's amazing.
- That's the same I said

the first time I saw it.

Come, I wil show you the time doors.

But, are we going downstairs walking?

- Don't you have an elevator?
- Yes, of course there is,

behind the gallery,
but it's always out of order.

Ah, and be careful, don't trip over.

There is a bigger fall than in the IBEX 35.

- And what is that?
- An absolute torment.

Each door takes to the specific day
of our past.

But here the doors are fixed and
I have travelled through a wardrobe.

There are fixed doors and mobile ones,

and doors that we know of
and others that we don't, like your wardrobe.

- Hello boss.
- Hello Antúnez. Good morning.

This agent comes from Cádiz.

- From the Carnival?
- No, no,

from 68 B.C

We have him keeping an eye on Julio César,

who was around there when
he was young collecting taxes.

We have been told that somebody
is trying to assasinate him

and if he dies before he's supposed to,
imagine;

nor the Spanish history, neither the
European one would be the same.

Here.

This is our essential mission, make sure
that History doesn't change.

It's a pity, because our history has
many bad things.

Who tell us that if we change it,
it won't be for worse?

It's like the joke:
"Virgin Mary, Virgin Mary,

make sure I stay like this."

- Good afternoon.
- Hi Moyano.

Hi

Are the doors not in chronological order?

- No, no.
- What a mess, isn't it?

There is a list that indicates
where does every door go.

- Ah
- And it's updates every week.

Ah, and there is also a mobile app.
It's easier.

Well it will be easier but I have no idea
what you are talking about.

- Have I said something funny?
- No no, God forbid.

I was thinking how fast times change nowadays.

We had to explain Alonso the same

mobile phones, computers,
whatsapps...

And he was coming from the XVI century.

- Any other questions?
- Yes

No, don't insist,
you can't travel to the future.

But I have already done that,
I come from 81.

Yes, and you can go
to the past and come back.

Like a return train journey,
but this is the last station.

From 2016 there are no tracks.

I don't understand.

Look, time is what what it is
and what it has been.

Nobody has come to say hello from the future.

That only happens in detergent adverts.

We don't travel to the future either
to see little aliens.

That's only in the movies or
in television.

Because this Ministry is
very serious, mister.

Look, that's Quincoces,
a football figure.

- Hello
- Hello

And that's Angustias,
my secretary.

I'll have to stay here, right?

Indeed.

That's the price for knowing
about the Ministry, I guess.

You suppose well.

We can't tell the police of your time

That the killer is a time traveller

and that you also are.

But it's the truth.

There are such incredible truths

that sometimes it's best
to continue lying

And my honour

or my father's.

And what does your father
have to do with this?

The murder that I was investigating
was not the first one in that house.

There was another one in 1946.

How do you know?

Because my father took that case.

20th March 1946

at 9pm.

Goodbye.

Stop!

It's not recorded in our files.

No, neither in yours
nor in the ones from the police.

It was 1946.

Get out or I will shoot.

It that time everything
was perfect, you know.

And the police also.

I will count to three.

One...

Did your father tell you
about the wardrobe?

No, I was just only a kid.

I found out later, when I entered
the police department.

Do you know how the called me?

The son of the crazy.

You can imagine why.

Look, my grandfather was a policeman,

my father, my mother was the
daughter of a policeman

For us it was a real torture.

My father didn't mention the wardrobe in the report.

He said that the killer escaped
through the roof of the building.

But he couldn't take the image off his head.

and he told one of his partners.

At a bad time.

Everyone knew.

Everyone was laughing behind his back.

And his bosses didn't lose time
in giving him a sick leave

And you know what's the worst?

That I never believed him either.

Did you father get better?

No.

Not really.

7th May 1950.

I was five.

My mother never got over his death,

and I lost her five years later.

I'm sorry.

I have to catch that son of a bitch.

Whatever the cost.

I think I have found something.

I think i'm not an expert in these things,

but if we are now in 1981,

there are books here that don't correspond.

"Dynamic yearbook.
Season 73-74.

The updated story of Spanish football."

40 years of sport results.

Football. I cannot understand
how people like that game so much.

I have found something else.

It's receipts.

They go from the 40s until...

- december 2015.
- what are they for?

It's donations for the same orphanage.

A lot of money during several decades.

all of them with the same name.

- Francisco Morán.
- Exactly,

the owner of the estate agent who
owns the building of Antonio Grilo

Angustias has provided me evidence.

In the 90s,

they renovated the building.

They turned it into flats
for rent for weeks and months.

Of course, then no neighbour will know him.

The bar with the exit door is
also from the same state agent.

Since 1945.

We have also found these books.

May I?

Yearbooks of sport results,

lottery numbers...
up to last year.

I'm not surprised he
had a estate agency.

He knew by heart all the sports lotteries

and the Christmas lotteries that would win.

- Like in "Back to the Future".
- Aha.

We need a film library in this Ministry.

He has become a millionaire with
the sports lottery.

Indeed. We had a similar case, right?

He was our treasurer.

We found strange he was going
so often to ski to Switzerland,

so...

Well, it will be best to go back to the case.

There's something I don't understand.

The killer had devised a plan since 1945,

but we only know one victim, the one
that Méndez couldn't save in 1981.

There are more victims.

And our friend Pacino..

knows of a similar homicide.

Carmen Salgado,
also a single mother, 29 years old.

1946.

- Like the woman that he killed in 1981.
- Aha.

Then there must be more
deaths, I'm sure.

Call our contact in the Ministry of Interior,

make him investigate the basement of the Antonio Grilo street, number 10.

I think what we are going to find there is not going to be nicce.

- And I hope we are wrong.
- What should we do with the wardrobe?

- Should we block it?
- No.

I have a better idea.

If the mountain doesn't go to Mahoma,

Mahoma will go to the mountain.

Don't forget this face.

- Good morning. Do you live here?
- Yes

Well, since a couple of weeks
because of work

Yes, do you know the owner or if there
is a caretaker?

The owner? No, the company takes care
of the rent,

and there isn't a caretaker.

A cleaning company comes once a week.

Sorry I cannot help much.
What are you looking for?

I'm sorry, I cannot give you any
information.

Of course, of course.

Thanks.

He's going there.

That son of a bitch if going.

Perfect. He's ours then.

- Everything ready?
- Ready.

Let's go.

Did you cross the door?

Yes, and now I am going
to cross your face.

Thanks.

- My pleasure.
- Well, I almost miss the best part.

How did you know about the wardrobe?

Excuse, but here we are the ones making the questions.

Although I am going to propose a deal.

We help you with your questions

and you help us with ours.

- Quid pro quo.
- Exactly.

I see that you are a man of law.

Why do you smile?

We have found 8 bodies
in the basement at your house.

Are you proud of killing those women?

Of leaving those children orphan?

- I have always taken care of them.
- Yes...

Making donations to an orphanage.

Funny way of clearing your conscience.

Do you know what it is to leave a child orphan?

Alone in the world, without knowing
what he is going in it?

Without love?

You know what you are talking about.

You are also an orphan, aren't you?

Well, let's get straight to the point.

Since when are you travelling in time?

I don't remember.

How many women did you kill?

How did you get that wardrobe?

Why single women?

Why did you kill them
in front of their children?

Ernesto

Hit me if you want, hit me.

I'm not scared of anything or anyone.

I see that you are brave.

I hope that you are not very sensitive
to the cold

because you are going to have
a hard time in our favourite prison.

A medieval castle in the
Pyrenees in Huesca.

A medieval castle?

Yes, with magnificent views.

It's a pity that the cells have no windows.

From here you can travel
to other times.

The conversation is over.

I wish you a bloody

long life, Mr. Morán.

I will talk!

But not with you.

- Then, you would be...
- 146 years old.

You look much younger.

Well, I would have said 85 at the most.

- Can I make you a question?
- Shoot.

Shoot, now you want me to shoot you.

No, it's a manner of speaking.
I mean that...

Ok, why did they call you Chapino?

Were you a shoemaker?

What are you talking about?

The chapin was a shoe for women
in the XV century.

It's not Chapino, it's Pacino.
How many times do I have to say it? Pacino

"We never had here a stranger guy than you"

It's from the movie, Serpico.

In my times, it was a very famous movie.

They said I look like the protagonist,
who was a unique cop.

And the actor who portrayed
him was Al Pacino.

- And that's where the name comes from.
- Ah, and that Serpico.

- was a good agente.
- the best.

Who doesn't give a shit about orders.

He would fight against corruption and against the established power.

- What power?
- The ones in charge.

And according to you, that is common of a good officer.

Well... that depends on how things turn out.

You need to come with me.
The killer wants to talk to you.

- That son of a bitch wants to talk to me?
Fine by me

- Promise me that you won't hurt him.
- I swear.

This one is for my father, son of a bitch.

You had something to tell me, didn't you?

You have answered me already
without having to make you the questions.

The policeman that came in the house
in 1946 was your father.

That's why you had the guts to come into the wardrobe.

Because you knew it had
happened before.

Your father told you.

But he didn't have the guts that you had.

- This foolishness is over.
- Wait!

- Don't go.
- Tell me whatever to need to tell me.

What happened with your father?

He committed suicide.

Because of you.

I left you orphan too.

We are all victims.

You are not a victim.

The women you killed and their children are.

How many did you kill?

Many.

Many? All mothers of a boy.

Why?

Because all that pain

cannot be endured alone.

I want to make a deal with you.

You are not in a position to
make any deals.

I think you are.

I will help you solve this case completely.

I will give you the names
of the women, the dates

and even the rent contracts.

In exchange I only ask
you for one favour.

I'm all ears.

You can travel in time, right?

Like you.

No, it's not the same.

They are going to send me
to a medieval castle.

That means that yo can travel from here to other places.

And I thought only I could do it
from my wardrobe...

What do you want?

That you travel to the past.

To the 8th of May of 1886.

You want me to travel to the XIX century?

What for?

To kill my father.

20 murdered women.

- and we only found 8 bodies.
- ten.

Ten have been found already.
Thanks, Irene.

He's sick.

He investigated his future victims

to decide whether to rent them the flat.

They had to be single mothers or
women running from their husbands

They thought they would be safe with their children

and their savior would be their killer.

Could you leave me 5 minutes
alone with him?

With the beating from Mr. Méndez
he already had enough.

You promised you wouldn't hurt him.
Those are not our methods.

No, mine neither.

But one doesn't always
have the chance

to find the person who ruined your life.

Good, problem solved.
Congratulations everyone.

One moment. What do you mean
with problem solved?

We know where, how and when he killed in different times.

We could prevent the crimes, save
my father, clean his name.

That has already happen,
it cannot be changed.

OK, I know that history cannot be changed.

And I understand, I understand.

But I am not asking...

to kill Napoleón or
to save Kennedy.

I am talking about normal people,
people who won't influence history.

Everything influences history and
we know quite much about that.

And even if it hurts,
there are rules here.

Are you willing to follow the rules?

I have been a policeman
during the dictatorship.

I am used to putting up with orders that I don't like.

When do I start?

Tomorrow. It's a simple mission,
you will just need to watch.

Amelia and Alonso will
take care of the rest.

What is it about?

You have to go to Barcelona in 1997
and convince Pau Gasol.

that his future is not in medicine,
but in basketball.

Ernesto will give you tomorrow the
instructions at the door.

It's the 295.

- Here it is.
- I don't fully understand the mission.

Helping the Cid is something glorious.

Catching the killer of several women
is something... inexcusable

- But this?
- Pau Gasol is a glorious figure for Spain

And needs to continue being it.

Period.

- And where are you going to live?
- For now, here.

Tomorrow or the day after tomorrow they will
give me the keys of a flat of the Ministry

close to San Antonio de la Florida.
I cannot go back to my time.

I am the new Richard Kimball.

You haven't been here long, right?

I mean, because about movies and TV,
you have no idea.

And what will it it about your wife and your family?

SIngle and without kids, as far as I'm aware.

Nobody is waiting for me.

- I'm sorry.
- It's ok.

The good thing is that I don't have to go down the steps to go home.

If I take the 75 it should be ok, if it still exists, of course.

- But what is the 75?
- A bus.

It's also a mystery, you never know how long you need to wait at the stop.

- See you tomorrow.
- See you tomorrow.

- Go with God.
- Go with God.

- Do you trust him?
- I don't trust him or anyone.

Well, except you.

But what do you expect?
It's the human condition.

Everyone wants to cure their pain

and look for their own good and
the one of their people.

And more when you can go back
to live your past.

Say hello, Ernesto,
he needs to feel welcome.

Emotional intelligence.

Eh, but what is he doing?

He's going to smoke in a XV century cloister.

Out! Out! Out! Out!

- You are the guardian of the rules.
- The rules...

- are there to keep.
- I am sorry to disappoint you.

but I have smoked myself more than one
cigarette next to that well.

Yes, sorry, I'm not perfect.

Have you never broken the rules?

- Never
- I can't believe that.

I swear that it won't get out
of these four walls.

but have you never had a... debility?

Having a lover.

Signing up for a cooking class.

Go to the Tomatina in Buñol,
doing microtheatre.

Never.

I see that your private life is
as boring as mine.

I'm glad I'm not the only weird one in the universe.

- You can go.
- Sir.

Ah, Ernesto.

Where is Irene?

I think she is with Julián's computer.

Ah. Thanks.

Here he is.

Cuba, 1895.

Not a good moment to go on holidays, Julián.

Let's see what I am going to argue
about with my mother.

One shouldn't argue with a mother.

I lend you mine for a few days and
for sure you will change your mind.

Why are you looking at me like that?

I wanted to tell you that I had never met
a woman like you.

Don't worry Amelia, I am not
trying to court you.

It's more than that.

I admire you.

After everything that has happened, you
continue working like that.

I was taught that when you need to solve a problem of others

you should never think about yours.

I would like to meet that teacher.

You know that person well.

It's you.

- Nothing?
- Nothing

I have recovered the files

and there is no signal about where Julián could have gone.

That's strange. I never though he would
be an expert in computers.

Probably he isn't.

He might have improvised,
without planning anything.

No, I don't think so.
In his farewell letter

he mentioned that he would go
wherever he could help.

He's a nurse.

He will have looked for a place and a
time where his knowledge

could be useful.

- A war.
- That's what I always thought.

What a hint to find anything.

If there's anything not missing in Spanish history, it's wars.

What happens?

Didn't you have to be with Pau Gasol?

Mr. Méndez didn't come.
Nobody knows where he is.

I can imagine where he is.

The murder that I was investigating
was not the first one in that house.

There was another one in 1946.

- How do you know?
- My father was in that case.

20th March 1946, at 9pm.

He has gone to 1946

to stop the killer from
murdering that woman

and stop his father's suicide.

- His father committed suicide?
- Why?

- He went crazy when he saw that the killer disappeared through the wardrobe.

March, 1946...

- He has tore out the page.
- No doubt he has gone there.

- Time?
- 21:00

21:00

Door 175.
But we don't have much time.

If here it's 12:00, there it will be 20:00.

The door is in Cuatro Caminos, in front of the stadium Metropolitano.

- Is it far?
- Take a taxi.

In 1946 there was barely any traffic in Madrid.

- Let's go get changed.
- Yes

Wait. With all due respect,
I should go instead of Amelia.

It's a shock mission and I
have more experience.

If we get on time, nothing
needs to happen.

I will convince Pacino.

And if you don't?

Then I am more than enough.

We should have never trusted somebody who denies the authority.

- He is going to save his father.
- Wouldn't you do the same?

I have never seen anyone talking
so much as that taxi driver.

Who are you?

Do you want to tell me what
the fuck are you doing here?

- Help me, please, help me.
- Shut up, bitch.

Relax, calm down, don't hurt them.

And Pacino?

He should be here.

Go or I will kill her.

The police is about to get here.

It will be best that you throw the knife and go out.

We won't do anything to stop you.

I have the knife.

I give the orders.

Get off me.

You are not touching me again.

Stupid.

Coward.

Are you listening to me?
You are a coward.

You don't have the guts, coward.

Damn bitch.

You are not touching me again.

Get off her.

Get off her or I kill you.

Before you shoot, I kill her.

What are you dressed of?
Who are you?

Where did you come from?

Get off her.

If you keep pointing at me with that gun,
I will kill her.

I propose a deal.

If you leave that woman and her child

we will let you escape through
that wardrobe.

Do you know about the wardrobe?

We know everything.

Your name is Francisco Morán Ruiz.

And you kill single or separated mothers.

Throw the knife.

Throw your gun.

Look, I'm going to say this clear.

If you kill her, you won't leave from here alone.

Throw your weapon and kick it
so that it gets here.

Throw it and kick it
so that it gets to me.

Throw your weapon and kick it
so that it gets here.

I won't repeat it again.

Slow.

Stay still, eh? Still

Release.

Up.

- Don't do it.
- I like it.

I think I am going to retire the knife.

Take me as a hostage.

We can both escape through the wardrobe.

- Shit
- Escape through the wardrobe.

We won't follow you.

Come here, young woman.

Don't do it.

Come here.

Say goodbye to your friend.

If you kill her, I will follow you
to hell.

That's where you will go after her.

Do you think I will let you follow me?

Goodbye.

Francisco Morán, I suppose.

- How do you know my name?
- That doesn't matter anymore.

For heaven's sake!

What happened here?

Pacino.

Of course, when you disobey the
orders, you do it big.

Not only you have changed
history since 1946,

but you have done it since the
end of the XIX century

You fooled us by tearing out
the page

to make us think you went to 1946.

I'm a cop, I know these things.

I did it to make you think I was
in a different place.

I don't understand why did you
travel to far in time

and not to save your father in 1946.

Because of what Francisco Morán told me.

Do you want to save all
the women I killed?

All the children I left orphan?

Then killing my father you will get it.

Why would the killer want to kill his father?

He was a drunk and a sadistic.

He used to hit him and his mother.
One day he went to far.

He was only 11 and he saw
everything from the wardrobe.

When his father discovered him,
the poor thing panicked.

He pushed his back to the wardrobe
and activated the time door.

Morán was the first victim.

The first orphan.

Yes indeed. He suddenly appeared being 11 years old in 1921.

He was found in the street.

They took him to the orphanage of the Sacred Heart.

The same one that Morán helped with his money

during all those years.

But if Morán appeared in 1921 when he was 11,

how did he manage to get later the house?

Destiny wanted that a wealthy
family took care of him.

And the wardrobe?

That's the most curious thing about everything.

It never left the house.

There's something I don't understand.

Why did everyone disappeared like ghosts?

When saving his mother,

all the events happening
later, got modified.

Morán died in 1915,
because of tuberculosis

So in 1946, Morán didn't exist anymore

and he wasn't the owner of the house.

When you change history,

consequences can be unpredictable.

And now I wonder:

What would happen if we find the
killer of the president

and he turns out to be the great
grandson of one of those poor women?

But he saved Amelia.

- Does that not count?
- Ms. Folch

wouldn't have needed to be in danger

if Mr. Pacino wouldn't have tried to be

the time avenger.

Now everyone, please leave.

Ernesto, you stay.

- Tell me.
- There's...

There's one pending issue.

When changing history,

all the donations that
Francisco Morán

made to the orphanage of the
Sacred Heart have disappeared.

Indeed.

Bring me the yearbooks and the sports lottery results.

Let's see if we can do something.

What's this about wrapping food in plastic?

Bring it here.

- I already have experience in this.
- Thanks

I'm really sorry about putting you in danger.

- At the end you saved me.
- Yeah, but it was pure luck.

I won't do it again. I will always
follow the rules.

- I swear.
- I am very used to follow them.

This time you don't have to be sorry about what you did.

I am not sorry. Having the chance to save
the person you love the most

and not doing it wouldn't be human.

I would have gone crazy.

Our partner went through the same.

Take this.

For you.

- That's your weapon, father.
- I don't need it anymore.

And you deserve it.

Whatever they say, you are a good cop;
to me, the best.

Although I would like you to cut
those rats' tails.

Thnanks.

And you know.

- Shooting is always...
- ...the last resource.

I know, father, I know...

Grazing his cattle,

shouted a young man from the top the hill:

"Please! The wolf is coming, farmers!"

These, abandon their work, and go quickly

to find what is only a joke.

He shouts this again and
they fear the worst.

A second time he makes fun of them...
nice joke!

But, what happened the third time?

That the hungry beast actually came.

Then, the kid shouts his head off

and for more that he kicks, cries and shots

nobody moves.

And the wolf eats the cattle.

How many time turns out a from deception a greater harm against the one who deceives.

"... without anyone asking me..."

I thought you wouldn't come.

I never miss my dates.

How is the new acquisition
of the Ministry?

- Pacino.
- Yes.

- He's very good, although
more rebel than Julián.

- Another timebomb.
- That's what I fear.

Do you know anything about Mr. Martínez?

Yes, he has escaped to Cuba, 1895.

Definitely he hasn't gone on holidays.
Does the Ministry know?

No.

Good job.

You promised this was to
get a better Ministry.

Don't fail me.

I will never fail you.

Never.

- And that fortune?
- It will be yours

in exchange of the manuscript.

We have a problem

and a big one.

Cervantes has not taken the
manuscript to the print.

The future is in the theatre,

Cervantes must abandon his career as theatre businessman.

- and go back to the novel.
- you want us to sabotage the performances, right?

I want tears, feeling.

Hello. I was looking for
Mr. Miguel de Cervantes.

- You have him in front of you.
- I fear that this issue

- is worse than what I thought.
- Is is Walcott?

The American who was travelling in time.

The very same one.

Why do you call it "The baths of Argel"

- if here nobody is taking a bath?
- Ah, yes, you're right.

Alonso de Entrerríos.

You are alive!

El pendrive has information
about Lope de Vega.

They want to get some of his manuscripts.

Mr Felix Lope de Vega y Carpio.

Whoever is the child, I swear
I am not the father.

Pacino was with Lope and I wasn't informed?

This man and I served together in Flandes.

We had the same age then.

- Look at him and look at me.
- Lower your voice, fool.

- You will use Lope as a bait.
- There must be a fool.

The greatest playwright of our time?

Normally it's a junkie,
but today it's his turn.

You are Amelia Folch.

I see that you have not forgotten me.

...