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(SQUEAK OF A DOOR)
(TRACY CRIES)
(Tracy) No... please.
(GUTTURAL VERSES)
(SQUEAK OF A GATE)
(Tracy) Ah!
(TRACY CRIES)
(HAPPY MUSIC)
(HAPPY MUSIC)
(Tracy) Can I sit here?
- Excuse me? - Is this seat taken?
Oh, no. Of course. Excuse me, sit down.
- (Tracy) Thanks. - (Lisa) Do you think so?
(Tracy) Thank you.
Um... Are you from around here?
No, I'm originally from Philadelphia.
- I'm Tracy. - Oh, Lisa. Nice to meet you.
- I'm Tony. - Hi, Tony.
- Madison. - Nice to meet you, Madison.
- Where are you going? - To Sambuci.
- I'm going to Sambuci too. - Really? - (Lisa) Yes.
- What are you going to do there? - I'm a restorer.
Yes. I restore paintings.
- And you, instead? - Well, we are biologists.
We are going to study the local fauna.
- Fascinating! - I am their Italian guide and I take care of the technical matters.
What do I actually do? Um... I carry the luggage. Yeah!
- I understand! - Oh, yes!
(LAUGHING)
(HAPPY MUSIC)
- (Tracy) Give me, I'll help you. - (Lisa) Thanks.
I should go towards the center.
Follow us then, we will travel a stretch of the road together.
Okay. Great. (HOWLING)
You have to truly love what you do to be willing to come to a place like this.
Well, I could say the same thing about you.
Surely a white beach and a tropical sea were better.
Yeah, I can't blame you.
(CROAK OF A CROW)
Well, my hotel is over there. Where are you staying?
We'll set up tents at the edge of the woods, where we'll do some filming.
- So tomorrow we'll be there. - Exactly.
Well, if you have some free days and if you feel like it, maybe we can go out together.
Yes, we should be finished in a few days, then we can come visit you.
I would be happy to.
- (Tracy) Good luck. - (Lisa) Thank you.
- Good luck to you. - See you. - (Lisa) Bye.
- (Madison) Hi. - (Rocco) Hi. - (Lisa) See you soon.
(SOUND OF AN OWL)
Miss, look, the bus is no longer there.
- Excuse me? - Oh, you're not from here?
- No. - I'm sorry, but the bus doesn't pass by here anymore.
- Oh, really? - Yes, but... Where does he have to go?
Um... at Malvisi Castle.
Oh, well, I'm on my way to work right there. I could walk you, if you want.
- Oh, no, there's no need, really. - No, don't worry, I'll do it gladly.
- Okay. - Okay? - Yes, thanks. - Leave it, I'll take it.
Um... by the way, my name is Marcus.
- I'm Lisa. - Ah, nice to meet you.
- Nice to meet you. I can carry a suitcase. - No, no, of course not, I'll do it.
- Okay. - Let's go? - Yes. (BELLS RINGING)
(Marcus) Just curious. What did you come to do here in Sambuci?
- I have to restore a painting. - Oh, wow! Fantastic.
Then you are an important person.
Not exactly. My father is the important person.
- (Marcus) Ah! - (Lisa) The restoration studio is his.
We have arrived. Here is Palazzo Malvisi.
- (Lisa) And it's lovely. - It's true. Yes.
You should know that it is a very important and ancient residence .
In the past, the most powerful nobles of the entire region lived here.
- Seriously? - Yes, of course.
- It's beautiful, isn't it? - Yes.
(SPANISH MUSIC FROM A GUITAR)
Here we are. That over there is the entrance.
(Lisa) Gia.
Ok, I hope everything is fine.
Of course! Yes, it will go well, you'll see.
Widow Malvisi @ very kind.
And a woman from another time.
- And very elegant. - Okay. I'm glad to hear that.
Well.
- Well, thank you. - You're welcome. - That's very kind of you.
- Um... Maybe we'll see each other around. - Yeah, definitely.
I think it will happen because I run this pub.
So, when you have a moment, I'd be very happy to see you.
- Sure, if I find the time. - Oh, of course.
- Okay. - See you soon.
- (Lisa) Thanks again. - Bye.
HI.
(VERSES OF THE CROW)
Good morning. Nice to see you.
I'm Emma Fosca Malvisi. You must be Lisa.
- Yes, Lisa Gray. It's a pleasure to meet you. - The pleasure is all mine.
- Master Gray's daughter, right? - Yes.
- Did you have a good trip? - Yes. A little long, but it went well, thanks.
Alright, so... let's go. I'll show you the work that needs to be done.
- (Lisa) Sure. - (Emma) And upstairs. - (Lisa) Okay. - (Emma) Follow me. - Right away.
I'm coming. (VERSES OF THE CROW)
(SOUND OF A DOOR OPENING)
- You can leave your bags here. - Okay. Thanks.
So, this is the painting.
A fire broke out in the chimney, and luckily we acted quickly,...
..but even if it didn't burn, the painting was reduced to this state.
(Lisa) See. And who is the artist?
Arcano, an artist from the 1500s.
It is not very well known,...
..but he is revered by connoisseurs for his original way of painting the unknown.
(Lisa) "Bringing it back to light" won't be easy.
- The canvas is completely blackened. - That's why I turned to the best.
I'll do my best, but it will take time.
Normally, a painting of this size takes at least a month, so...
You see, time is our real enemy. It must be finished within two weeks.
It is due to take part in an exclusive auction in London and there are very large sums at stake.
Hadn't her father warned her of the urgency?
- Oh, yes, of course, I'll start right away. - Good.
Could I sleep in this room?
- It would help me get familiar with the painting. - Yes, of course.
- As you wish. - Good.
- See you later. - Thank you, Duchess.
(SOUND OF A DOOR CLOSING)
What did they do to you?
(LISA SIGHS) Okay, let's get back to shining again.
(DRAMATIC MUSIC)
(TICKING OF THE CLOCK)
(DRAMATIC MUSIC)
(SUSPENSE MUSIC)
(TICKING OF THE CLOCK)
(A GIRL HUMMING)
(Girl, in English) # Willy, Willy,... #
# ..e@ was taken into the woods. #
(Girl, in English) # He was tortured... #
# ..and he screamed until he died. #
(Girl, in English) # Willy, Willy,... #
# ..under the red moon. #
(Girl, in English) # He was... #
(CHIRRYING OF CRICKETS)
(SONG OF A UPHILL UP)
(CHIRRYING OF CRICKETS)
(SONG OF A UPHILL UP)
(CHIRRING OF CRICKETS AND SOUNDS OF OTHER ANIMALS)
(INTERFERENCE FROM THE RECEIVER)
(WHISTLE) What the fuck...
(INTERFERENCE FROM THE RECEIVER)
(CHIRRING OF CRICKETS AND SOUNDS OF OTHER ANIMALS)
(Tony) Who are you?
(TONY URLA)
- (Tracy) What's going on? - (Madison) It sounded like Tony.
(Madison) Tony?
(Madison) Tony!
(Madison) Tony?
(Madison) Tony! Tony?
- I'm going to look for him. - Okay. No, no, no... - Tracy. - Wait, wait... - Tracy!
Hey, hey, hey. Easy.
Here you go, okay?
(Madison) Tony!
(Madison) Tony!
(Madison) Tony!
(Madison) Is everything okay?
(SUSPENSE MUSIC)
(Madison) Tony!
(SUSPENSE MUSIC)
(Madison) Tony!
(SUSPENSE MUSIC)
(Madison) Tony!
(SUSPENSE MUSIC)
(DRAMATIC MUSIC)
What the fuck!
(ANIMAL SOUNDS)
(TRACY'S SCARY VERSE)
But what's happening?
- We have to go to the police. - Why, what happened to Tony?
- Something bad. - But what does it mean?
(MADISON'S SCARY VERSE AND TRACY'S SCREAM OF FEAR)
(TRACY SCREAMS IN FEAR)
Madi! Madi!
Madi! Madi!
(TRACY CRIES)
Madi!
(SUSPENSE MUSIC)
(MADISON SCREAMS)
(SUSPENSE MUSIC)
(SQUITTY)
(SOMEONE COUGHS)
(SQUITTY)
(METALLIC NOISE)
(SQUITTY)
(ROCCO'S REtching and COUGHING)
(ROCCO COUGHS)
Who is there?
(ROCCO'S REtching and COUGHING)
Where the hell are we?
(ROCCO'S COUGHING)
(TRACY JUMPS AND BREATHES HARDLY)
(Tracy) Madi... Madi...
(Tracy) Madi? Madi?
- (Tracy) Madi, where are you? - Tracy? Tracy! I'm here.
Oh... Oh...
What's going on?
Where... Where are we?
- Try to stay calm. - What is this place? - Stay calm. - Where are we?
Madi... (REATCHING)
(ROCCO'S COUGHS AND SQUEAKS)
(Tony) What...? (SQUEAKS)
(SQUITTY)
(Tracy) Tony! Tony... Tony, we're here. We're here!
Damn!
(KNOCKS ON THE DOOR)
(SOUND OF A DOOR OPENING)
- Am I bothering you? - No, not at all. Come on in. I'm almost done for the day.
Good! Great for a first day. I'd say we're on the right track.
- The colors look brighter than before. - Thank you.
The layer of soot is very thick, as you can imagine.
So I'm trying my best to remove it quickly, but carefully,...
..so as not to damage the painting with solvents.
I must confess that when his father said he couldn't come in person, I was worried.
But I was wrong. She @ truly lives up to her name.
- Thank you. I won't disappoint you. - I sure hope not.
Would you like to have dinner with us tonight? You can meet my daughter Giulia.
I think I met her today. Is she a girl with long hair?
- Yes, it's her. - She was... She was singing a nursery rhyme.
I tried to get closer, but she ran away.
I know, she's shy and... rather uncomfortable with people she doesn't know.
- You'll have to be a little patient. - Yes, of course.
- Dinner at nine, downstairs. - At nine.
(Emma) Would you like that?
- (Lisa) And delicious, thank you. - (Emma) I'm glad.
- When did you start working as a restorer? - I was very young.
I watched my father work on the paintings for hours,...
..admiring those beautiful works that were shining again.
- Observing is the best way to learn. - Absolutely.
So, Giulia, what grade are you in?
Did I say something wrong?
No, no, no, it's not his fault.
Unfortunately my daughter suffers from... a serious personality disorder...
..โฌ I had to stop sending her to school.
I'm so sorry, I had no idea.
If I may ask, what is he suffering from?
He doesn't get along with anyone his age.
And it's a difficult situation.
And it's as if he can't accept being 13.
Sure... But I understand her, I was like her when I was her age. I was in such a hurry to grow up.
There are people who want to grow and people who want to stop time.
Time has been incredibly kind to you, Duchess.
And it's beautiful.
Thank you dear.
- Well... I actually feel a little tired, so... - Oh...
I'm going to go to bed right now so I can get an early start tomorrow morning.
Oh, but... but of course. Good night and thanks for the company.
Thank you, Duchess.
(Tony) Who the fuck is this?
(GUTTURAL VERSES)
(GUTTURAL VERSES)
(Tony) Who the fuck are you?
(Tony) Open the door!
(VERSES OF FEAR)
(SUSPENSE MUSIC)
- (Madison) Don't look at him, don't stare. - (Tony) Open the door.
(Tony) Will you open the door for me?
Open the door for me. Open this fucking door for me!
OPEN THE DOOR! OPEN THE FUCKING DOOR!
- (Rocco) Shut up! - Fuck you, asshole!
Open this fucking door!
- Psychopath! - (Tracy) Shut up, are you crazy?
OPEN!
(SUSPENSE MUSIC)
(under his breath) Damn!
Damn!
(SUSPENSE MUSIC)
(VERSES OF FEAR)
(SUSPENSE MUSIC)
(GUTTURAL VERSE) Open the fucking door, you moron!
(GUTTURAL VERSE)
(Tony) Holy shit!
(Tony) April!
(SUSPENSE MUSIC)
(Tony) Open the door for me! Can you hear me, damn it? I'll kill you!
(GUTTURAL VERSES)
(Tracy) Oh my God! (GUTTURAL VERSES)
(GUTTURAL VERSES)
(TONY'S FIGHTING LINES)
(VERSE OF ARRUDA'S CONVERSATION)
(TONY'S PAIN LINES)
(ARRUDA'S GUTTURAL VERSES AND TONY'S PAIN VERSES)
(VERSE OF ARRUDA'S CONVERSATION)
(GUTTURAL VERSES BY ARRUDA)
Stop, stop, stop, stop..
No!
(TRACY SCREAMS)
- No! Tony! - (Tracy) No, stop. Stop, please.
(Tracy) Don't kill him, please!
(Tracy) No, please, stop! Stop!
(TONY RANTOLA)
(TRACY CRIES)
(ARRUDA'S GUTTURAL VERSE)
(Tracy) No! No... No!
- (Tracy) Please, please, please... - No!
Stop, please!
(GUTTURAL VERSES BY ARRUDA)
(TRACY SCREAMS) (Madison) No...
No...
Tony!
Tony!
(Madison) Damn!
(Madison) Damn fool!
(Madison) What's going on?
(TOWARDS)
(SUSPENSE MUSIC)
(SOMEONE'S CRY AND LISA'S PAIN-YEWS)
(LISA BREATHING HARDLY)
( LISA'S PAIN AND TROUBLED BREATHING SOUND)
(VERSES OF PAIN)
(VERSES OF PAIN)
(LISA BREATHING HARDLY)
Merdal!l
(THUNDER ROAR IN THE DISTANCE)
(VERSES OF INTOLERANCE)
(VERSE OF PAIN)
(VERSES OF PAIN)
(LISA BREATHES DEEPLY)
(THUNDER ROAR)
(SQUEAK OF A DOOR)
Hey... sir?
Sir, I'm sorry, you can't stay here.
Gentleman!
(THUNDER ROAR) Pope?
Dad?
(THUNDER ROAR)
I should never have trusted you.
(Lisa) What are you doing?
(Lisa) Dad...
No. No, dad.
Dad, what are you doing?
Dad, stop!
(VERSES OF PAIN) (Lisa) Pope...
(VERSES OF THE FATHER'S PAIN)
No, no... Stop!
(VERSES OF THE FATHER'S PAIN)
Papa...
(LISA CRIES)
- What are you doing? (Rocco) Shit!
- (Rocco) There's a passage! - A passage?
I was trying to force this grate, but... this fucking thing broke!
If I can get through here, I'll go get help.
Try this.
(SUSPENSE MUSIC AND ROCCO'S EFFORT VERSES)
Force!
(SUSPENSE MUSIC AND ROCCO'S EFFORT VERSES)
Come on, just a little more.
(SUSPENSE MUSIC AND ROCCO'S EFFORT VERSES)
(Rocco) Ok.
(SUSPENSE MUSIC AND ROCCO'S EFFORT VERSES)
After you...
(ROCCO'S EFFORT VERSES)
Come on...
(ROCCO'S EFFORT VERSES AND SUSPENSE MUSIC)
Tracy...
We'll get out of here...
..I promise you.
(SQUEAK OF A DOOR)
(SUSPENSE MUSIC)
(RUSHING)
(SUSPENSE MUSIC)
(WINDS)
(WINDS)
(WINDS)
(SUSPENSE MUSIC)
(LISA'S CHOKING VERSES AND GUTTURAL VERSES)
(LISA'S TERROR VERSES AND GUTTURAL VERSES)
(LISA BREATHING HARDLY)
(VERSE OF PAIN)
(ANIMAL VERSES)
(SUSPENSE MUSIC AND LISA'S WHEELING BREATHING)
(SUSPENSE MUSIC)
(INDISTINCT WOMEN'S VOICES)
(A CHILD'S CRY)
(SUSPENSE MUSIC)
(BABY'S CRY)
(SUSPENSE MUSIC)
- Run away... while you still can. - Giulia...
Jesus, you scared me!
This painting is cursed.
It contains evil.
What are you talking about?
Of the witch.
Her name is Dorka.
He has lived in this house forever.
Who told you all this?
If you bring that canvas back to life,
his curse will haunt you.
Forever.
(DRAMATIC MUSIC)
(INDISTINCT VOICE)
- You're welcome. - Thank you. - You're welcome.
You look worried. What is this, work?
- And something more. - What do you mean?
The painting... makes me feel very bad.
I've had horrible... nightmares.
So intense...
..so vivid...
..that seemed true, real.
(MELANCHOLIC MUSIC)
I believe...
..maybe you're just under a little pressure.
I mean, you're far from home,...
..you're tired,...
..and you also feel the weight of expectations on you,...
..but I'm sure you'll do great and your dad will be proud of you.
You'll see.
My father and...
It's difficult.
In what sense?
You see, he's always been demanding, very hard on me.
Maybe, but inside him there is certainty...
..that you are very good.
That's why you're here, right?
Otherwise he would have sent someone else.
There was no one else.
(GUTTURAL VERSE)
(GUTTURAL VERSE)
(GUTTURAL VERSES)
(GUTTURAL VERSES)
(GUTTURAL VERSE)
(GUTTURAL VERSES)
(GUTTURAL VERSES)
(METALLIC JINGLING OF KEYS)
(softly) Tracy.
If he dies... it's the end for everyone.
(Madison) Cow!
You're just a disgusting being, you just deserve to be killed!
(GUTTURAL VERSE)
No, no, no... No, no.
You don't scare me, you son of a bitch!
(RUE URLA)
(GUTTURAL VERSE)
No! No, please! Please, don't hurt her.
(GUTTURAL VERSES)
(MADISON'S CHOPPED VERSE)
(RUE URLA)
(MADISON COUGHS)
Please... no.
(MADISON COUGHS)
(MADISON SCREAMS)
(MADISON'S FEARFUL VERSES AND ARRUDA'S GUTTURAL VERSES)
(Tracy) No!
(Tracy) Enough! (MADISON SCREAMS)
(Tracy) No! No! (MADISON'S PAIN LINES)
(Tracy) No! (MADISON SCREAMS)
(MADISON'S PAIN LINES) (Tracy) Stop!
(MADISON SCREAMS) No!
(MADISON SCREAMS)
No... (MADISON SCREAMS)
No! (MADISON SCREAMS)
(MADISON'S FEAR VERSES)
(MADISON SCREAMS)
(VERSES OF FEAR AND SCREAMS OF PAIN BY MADISON)
No... No, please.
(MADISON SCREAMS)
(Tracy) Please!
Please stop! Please no!
(MADISON SCREAMS) (Tracy) Stop it!
(MADISON SCREAMS) (Tracy) Stop, no!
No! Madi!
(MADISON SCREAMS)
(GUTTURAL VERSES)
(MADISON SCREAMS)
(GUTTURAL VERSES)
(MADISON SCREAMS)
(MADISON'S PAIN VERSES)
(SCREAM AND THUNDING SOUND)
Oh... Madison.
(TRACY CRIES)
(SQUITTY)
(MADISON'S PAIN VERSES)
(MADISON CRIES)
(GUTTURAL VERSES)
(MADISON CRIES)
(MADISON SCREAMS)
No!
(COUGHS)
(MADISON CRIES)
No!
(VERSES OF PAIN)
(MADISON SCREAMS)
(GUTTURAL VERSES)
(VERSES OF PAIN AND COUGHING)
(GUTTURAL VERSE)
(COUGHS)
(BELLS RINGING IN THE DISTANCE)
(RINGING OF BELLS)
(GIULIA CRIES)
(KNOCKS ON THE DOOR)
What is it?
Giulia, I was...
Are you OK?
I was hoping we could talk about the painting,...
..but it's probably not a good time.
Maybe you'd like to talk about it.
As you like.
One day it will happen to you too, and... sooner than you think.
I really doubt it.
It will happen, you'll see. That's... how life works.
He has no intention of seeing me again. He doesn't want to anymore.
What's going on?
It happens that I will be alone forever! And it's all my mother's fault!
What do you mean?
She always thought only of herself, and she ruined my life, completely!
(SOUNDBITE OF A DOOR OPENING) Giulia, what are you saying?
Go away! You know I don't want you in my room!
- Don't you dare talk to your mother like that. - Okay, um... I'm sorry, really.
I don't know what's going on. Maybe it's better if...
- I know it's none of my business, but... - Lisa, please, come with me.
Right away.
(GIULIA CRIES)
And she's mad at me because she says I'm keeping her from having a boyfriend.
But the problem is that everyone she falls in love with is much older than her.
- What can I do? - Yes, I understand.
I can...
- Can I ask you something? - Yes, of course.
What?
Giulia told me some disturbing stories about the painting,...
.. I was wondering if you knew anything about it.
Her terrifying stories are one of the reasons I had to take her out of school.
Please don't listen to her.
He has the... most absurd fantasies.
Please, try to concentrate on your work now.
I'm sure your father told you about the penalty in the contract in case of delay.
- Of course, you don't have to worry. - Okay. Good.
We will see each other later.
(THUNDER ROAR)
(SQUEAK)
(TRACY CRIES)
(DRAMATIC MUSIC)
(TRACY CRIES)
(DRAMATIC MUSIC)
(FEARFUL VERSES BY LISA)
(LISA BREATHING HARDLY)
(LISA SCREAMS)
Please help us. (LISA SCREAMS)
(THUNDER ROAR)
At that time?
What do you want to do?
I do not know.
(LISA CRIES)
- I would like to leave. - Mm.
But if I did,...
..the studio would be destroyed by the penalty.
If I stay instead... it will be the end!
Hey, hey... Ssh, calm down, okay?
They're just nightmares, okay?
I assure you.
But they look so real.
I feel... I feel like I'm constantly threatened.
- Listen. - I don't feel safe. - Don't worry, everything's fine.
Don't worry, nothing ever happens in this place .
They're always the same people.
Every day. Really, nothing ever happens.
(THUNDER ROAR)
Did three tourists happen to come and go down to the pub?
No, I don't think so, I would have noticed for sure.
- Why do you ask me? - We traveled together.
They said they would come.
Well, maybe they had to leave. I don't know, maybe they had a setback.
Yes, maybe.
- I would have been happy to see them again, you know? - Sure.
Also because...
..I feel very lonely, you understand?
Listen, um...
What do you think about finishing the work...
..and then spend some time together?
If you like, of course.
- Yes. - And? - Yes.
(PEAK OF RAIN AND ROAR OF THUNDER)
(SOMEONE IS CRYING)
(SOMEONE IS CRYING)
(SOMEONE IS CRYING)
(SUSPENSE MUSIC)
(SOMEONE IS CRYING)
(SUSPENSE MUSIC)
(MADISON BREATHING HARDLY)
(DRAMATIC MUSIC)
(MADISON'S PAIN VERSES)
(FEARFUL VERSES BY LISA)
(EMMA'S SCREAM AND LISA'S FEARFUL LINES)
But what's going on here?
Oh, my God!
But what's your problem?
Are you taking any psychotropic drugs?
- (Lisa) No, it's just... - What...?
(Lisa) Wait.
(Lisa) Wait!
Are you running late for work and coming home at three in the morning?
No, it's just...
I... I'm sorry, believe me.
I wasn't feeling well,...
..so I went out to get some fresh air and...
Well, to tell you the truth, I don't think I can stay here any longer, you understand?
So maybe we could find a solution, I could go back or...
You can't leave, Lisa.
You have to finish the job!
If you try this, I give you my word, you will regret it!
(SQUITTY)
(ROCCO BREATHING HARDLY)
Great! Great, great!
(ROCCO BREATHING HARDLY)
(VERSES OF EFFORT)
Yes, I did it! I did it!
I'll come back to get you.
(ROCCO SCREAMS)
No!
(ROCCO SCREAMS)
No!
(ROCCO SCREAMS)
(DRAMATIC MUSIC)
(LISA SNUFFS)
(A WOMAN'S SCREAM)
(KNOCKS ON THE DOOR)
(KNOCKING ON DOOR) Yes, I'm coming.
(Giulia) I need to talk to you.
Okay, come in, but try to be quick because I have to finish by this evening.
No, no, if you finish it, you'll end up like the others.
Listen, Giulia, I don't have time for your stories now.
I'm telling you the truth, you have to believe me.
This painting was painted in 1493.
(Giulia) They sacrificed a child to attract that monstrous being.
(BARK OF A DOG AND CRIES OF A CROW)
(Giulia) That's how they captured Guron.
(GURON'S GUTTURAL VERSE AND DOG'S BARKING)
(Emma, โโin Latin) Guron, lord of time and son of the night,...
..your power is in my hands.
(Emma, โโin Latin) I will drink your blood to my heart's content as long as I live forever.
(DOG HOWLING AND WHISPERING)
(Giulia) It was my mother who invoked the curse.
(Giulia) To draw eternal youth from the blood of Guron.
Listen to what I tell you. You have to listen to me.
A red moon will rise tonight.
If he lights the painting by midnight,...
..the curse is renewed for 500 years, and this must not happen.
I beg you.
Listen...
You have a great imagination, okay? Seriously.
But please, go away now, I don't have any more time, do you understand?
- Yes, even the three new prisoners don't have any. - Three?
That's right, the last ones they caught.
I'm a boy... and two girls.
One black and one with blonde hair.
- Giulia... are you sure of what you're saying? - Of course I am.
- Where am I now? - Come with me.
(DRAMATIC MUSIC)
Ssh... (quietly) I'll take you to where they're keeping them imprisoned.
(DRAMATIC MUSIC)
(quietly) - (Giulia) Easy, don't make any noise, okay? - (Lisa) Yes.
(SUSPENSE MUSIC AND JINGLING OF KEYS)
(NOISE OF KEY IN LOCK)
(DOOR SQUEAKS)
(Emma) Giulia? Giulia, where are you!
I have to go, I'll make up an excuse.
What do you think you're going to do?
I have to help them.
Ok, but listen carefully, Lisa.
- You have to be very careful, okay? - Good. Okay.
(LISA BREATHING HARDLY)
(GUTTURAL VERSES BY ARRUDA)
(LISA BREATHING HARDLY)
(GUTTURAL VERSES BY ARRUDA)
(SUSPENSE MUSIC)
(SUSPENSE MUSIC)
(LISA BREATHING HARDLY)
(SUSPENSE MUSIC)
(DOOR SQUEAKS)
(LISA BREATHING HARDLY)
(SUSPENSE MUSIC)
(METALLIC NOISE)
(METALLIC NOISE)
(LISA BREATHING HARDLY)
(METALLIC NOISE)
(GUTTURAL VERSES)
(BUZZING OF FLIES)
(GUTTURAL VERSES)
(GUTTURAL VERSES)
(SUSPENSE MUSIC)
(SQUITTY)
(SUSPENSE MUSIC)
(METALLIC NOISE)
(SOUND OF A DOOR CLOSING)
(TRACY CRIES)
(GUTTURAL VERSES)
(GUTTURAL VERSES)
(NOISE OF KEY IN LOCK)
(GUTTURAL VERSES)
(ARRUDA MAKES SOUNDS SIMILAR TO MOANS)
(GUTTURAL VERSES)
(ARRUDA'S GUTTURAL VERSES AND TRACY'S FEARFUL VERSES)
(ARRUDA'S VERSE OF PAIN AND TRACY'S VERSES OF FEAR)
(BUZZING OF FLIES)
No no...
No...
No, wait, wait, wait... I...
(GUTTURAL VERSES)
(SIZZLING AND TRACY SCREAMS IN PAIN)
(FRIGOLY)
(TRACY SCREAMS IN PAIN)
(ARRUDA'S GUTTURAL VERSES AND TRACY'S SCREAMS OF PAIN)
(TRACY CRIES)
I beg you!
(TRACY SCREAMS)
(SUSPENSE MUSIC)
(TRACY SCREAMS AND CRIES)
Why not...
No, no, no... Please don't do it!
(Tracy) No! No, no... Please!
(LISA SCREAMS)
(SUSPENSE MUSIC AND FEARFUL VERSES BY LISA)
(LISA SCREAMS)
(LISA AND TRACY BREATHING HARDLY)
Tracy! Hold on! Hold on!
Hold on to me!
Come on up! (EFFORT VERSES)
(SUSPENSE MUSIC)
Run!
(SUSPENSE MUSIC)
(Lisa) I ran!
(TRACY SCREAMS IN PAIN) What's wrong with you?
Wait, I'm taking it off you now. Tracy, I'm taking it off you now. Calm down. Calm down!
I am sorry!
(TRACY SCREAMS IN PAIN)
Here we are, hold on!
(TRACY SCREAMS IN PAIN) Come on, come on! Come on! Courage!
(VERSE OF PAIN)
(VERSION)
(INDISTINCT NOISE AND ARRUDA'S SCREAM)
(GUTTURAL VERSES)
(DRAMATIC MUSIC)
(GUTTURAL VERSES)
(DRAMATIC MUSIC)
(SUSPENSE MUSIC)
(Lisa) Come on, don't give up! - (Tracy) I can't do it.
(Lisa) Let's go!
(Lisa) This way.
- (Lisa) Come on, let's go. - (Tracy) It hurts too much ! I can't walk.
(Lisa) Oh, Marcus!
Oh, Marcus, thank God! You have no idea what's going on in here!
(Lisa) What...?
(VERSES OF TERROR BY LISA)
- Go in! Now! - Yeah, okay, fine.
- In the painting room! - Ok.
- Quick! Quick! - Ok.
(DRAMATIC MUSIC)
Come on, hurry up, finish the job! Immediately!
Force!
(DRAMATIC MUSIC)
Fast!
- It's almost midnight! Hurry up! - All right!
(DRAMATIC MUSIC)
- You don't have to stop! - All right.
Go ahead, continue. That part down there too.
(DRAMATIC MUSIC)
(in Latin) Guron, lord of time and son of the night,...
..your power is in my hands.
After you!
(DRAMATIC MUSIC)
- If you don't hurry, you're dead! Do you understand? - Yes.
- (Giulia) This is gasoline, everyone move away! - Giulia... - Right away!
Put down the crossbow.
(DRAMATIC MUSIC)
Let no one touch the painting.
It's over now.
- Giulia, don't do it. - You've shed so much blood.
- I had to do it for all of us! - (Giulia) Not for me!
You kept me trapped in a child's body for centuries!
- (Giulia) I hate you! - Kill her!
(SUSPENSE MUSIC)
(MARCUS URLA)
(TICKING OF THE CLOCK)
(SUSPENSE MUSIC)
Damn!
(SUSPENSE MUSIC)
(MARCUS SCREAMS IN PAIN)
(SUSPENSE MUSIC)
(VERSE OF PAIN)
(Julia) Lisa!
Kill them.
(SUSPENSE MUSIC AND PAIN LINES BY LISA)
(SUSPENSE MUSIC)
(DRAMATIC MUSIC)
No!
(MARCUS SCREAMS IN PAIN)
(DRAMATIC MUSIC)
No!
(DRAMATIC MUSIC)
(VERSES OF PAIN)
(FEARFUL VERSES BY LISA)
(EMMA'S GUTTURAL VERSES AND PAIN VERSES)
(VERSES OF PAIN)
(FEARFUL VERSES BY LISA)
(VERSES OF PAIN BY MARCUS)
(EMMA'S VERSES OF PAIN)
(FEARFUL VERSES BY LISA)
(VERSES OF PAIN)
(DRAMATIC MUSIC)
(VERSES OF FEAR BY LISA AND CRYING BY GIULIA)
(GASPS)
(DRAMATIC MUSIC)
(FEARFUL VERSES BY LISA)
(GASPS)
(DRAMATIC MUSIC)
(EMMA RANTOLA)
(MARCUS RANTOLA)
(DRAMATIC MUSIC)
(VERSES OF FEAR BY LISA AND CRYING BY GIULIA)
(DRAMATIC MUSIC)
(SCREAM)
(VERSES OF FEAR)
(VERSES OF PAIN BY LISA)
(GIULIA COMPLAINS)
(VERSES OF PAIN BY LISA)
Hold on. You have to save yourself.
For me it is finite.
I have to go. I have to go...
(VERSES OF PAIN BY LISA)
(MELANCHOLIC MUSIC)
(GIULIA'S WORDS INAUDIBLE)
(MELANCHOLIC MUSIC)
(SIGH)
(MELANCHOLIC MUSIC)
(VERSES OF PAIN)
(LISA SCREAMS)
(VERSES OF PAIN)
(SUSPENSE MUSIC)
(LISA SCREAMS)
(FEARFUL VERSES BY LISA)
(GURON'S GUTTURAL VERSES)
(KNOCK ON THE DOOR AND LISA MAKES A FRIGHTENED NOISE)
(KNOCK ON THE DOOR AND LISA MAKES A FRIGHTENED NOISE)
(SUSPENSE MUSIC)
(KNOCK ON THE DOOR)
(KNOCK ON THE DOOR)
(SUSPENSE MUSIC)
(KNOCK ON THE DOOR)
(SUSPENSE MUSIC)
(KNOCK ON THE DOOR AND GURON'S GUTTURAL VERSES)
(KNOCK ON THE DOOR)
(SUSPENSE MUSIC)
(GUTTURAL VERSES)
(SUSPENSE MUSIC)
(in Latin) Guron, lord of time and son of the night,...
..your power is in my hands.
(Lisa, in Latin) I will drink your blood to my heart's content until...
..as long as I live forever!
(GURON URLA)
(FEARFUL VERSES BY LISA)
(GURON'S GUTTURAL VERSE)
(SUSPENSE MUSIC)
(PENDULUM CLOCK CHIMES)
(KNOCKING ON DOOR) (Lisa) Come in.
(Woman) The prime minister has arrived with his wife. He wants more.
I'll get it in five minutes.
(VERSE OF SUFFERING BY GURON)
(VERSE OF SUFFERING BY GURON)
We need to increase production.
(GURON SCREAMS IN PAIN)
(GURON SCREAMS IN PAIN)
(MUSIC FROM "THE WELL" PERFORMED BY GINNY VEE)
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