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ANNOUNCER: Here are some scenes from part one of "Emergency."
Hi.
Uh, I'm DeSoto. This is Gage.
We're from LA County. The driver said to report here.
Oh, sure. We-- we've been expecting you.
Hey, welcome to San Francisco. - Thank you.
Thanks a lot.
[screams]
MAN: Harry!
You all right?
Harry!
[alarm]
MAN [ON RADIO]: [inaudible] alarm.
OK, McCoy.
When the [inaudible] rescue unit gets here,
pull them in the yard.
[engine running]
Folks, the--
Pull me down a little bit more.
[bell ringing]
Oh boy, I didn't know we were gonna be in for that kind
of a civilian paramedic.
OK.
We got it?
Yep.
[siren]
[tires screeching]
Where are we?
[tires screeching] - Where are we?
What happened? Where are we?
- Frank? - What?
- Relax. - Wha--
We just had an accident. You're gonna be OK.
ANNOUNCER: And now part two.
[music playing]
Well, let me put it this way.
I was a little doubtful, but, uh, I've changed my mind.
Those women are good.
Relax, Roy.
That's the 10th time you've said that today.
I mean, they're not superhuman, you know.
I know, I know.
I-- I'm just very impressed by the way they do their job.
Did you ever stop to think that they
could get into something that they can't handle?
I mean, they're still women, Roy.
They could get hurt. Hurt bad.
Pete?
Am I reading more into this than just professional interest?
Well, Laurie Campbell and I, we
want to get married, except--
Except what?
I just can't get used to the idea of my wife
doing what Laurie does.
It's just-- it's too dangerous.
Oh, wait a minute now.
Uh, you're still going out with Laurie, right?
Yeah.
And Gail, she-- she's married, right?
Ha.
To a civilian who doesn't know where it's at as far as
her job's concerned. - Uh-huh.
Well, does knowing about it make it any more dangerous?
No, but what can I do?
I mean, Laurie's a big girl.
She makes her own decisions about everything,
including my hang-ups. Come on, I'll show you around.
All right.
[music playing]
Harvey, it's getting dark.
What I'm saying now is knock off for the day, huh?
First you tell me hurry up, Harvey.
Now I should stop everything. What do you want from me?
I don't want people to notice what you're doing.
Those torches are like signal flares.
Will you stop already?
- You only gave me two days. - That's your problem, Harvey.
Knock off now.
Give me an extension.
No.
No!
OK, everybody.
That's it.
Knock off!
I want everybody back at 6:00 AM sharp!
[whistle]
We'll never get it done.
Brother-in-laws, brother-in-laws.
Never trust your brother-in-law.
Plain drunk.
Couple of detox days, he'll be fine.
Let me get some supplies. Be right back.
OK.
Something's on your mind?
Yeah.
This is, what?
Five runs in two hours?
Boy, you're good.
You're really good.
Thank you.
It's nice to hear.
But, uh, that's not it, is it?
No, not really.
Listen, I was wondering if-- - [giggles]
You're a nice guy. - Oh, well--
[chuckles]
I am really flattered.
Mm.
But right now my life is kind of committed.
What do you mean, kind of committed?
[chuckles]
It's a long story.
Do you want to hear it? - No.
You might not have to.
Come on.
Ellen?
Ellen, hi.
I have a friend for you to meet.
This is John Gage.
He's a paramedic with the LA County Fire Department.
WOMAN [OVER PA]: Dr. Crawford, 3212.
Oh, that's nice.
Ellen Ankers.
WOMAN [OVER PA]: Dr. Crawford, 3-2-1-2.
Hi. How you doing?
Hi yourself.
So, uh, I think you two can get acquainted without me.
Uh, mm-- uh--
[sighs]
This-- she's really nice.
Uh, she's, uh-- listen, um, well, we're gonna be, in, uh--
in town, uh-- I-- I mean, I'm gonna be in-- in-- in San
Francisco for, oh, next, uh, couple
of days or-- and I was just wondering if, uh, you know--
I get off at 8:00.
You get off at 8:00.
Well, that's-- that's-- that's per-- that's perfect.
[chuckles]
Yes.
That's perfect.
Get this report back to me as soon as possible, would you?
Thank you.
Laurie.
Well, you weren't gonna walk by without saying hello, were you?
Oh, I'm sorry, Dick. I didn't see you.
[chuckles]
You are about the only woman in this hospital
who doesn't notice me.
I know.
They're all wild about you.
[chuckles]
[chuckles]
Look, for the 100th time, why don't you come
out and have dinner with me?
I'm sorry, Dick.
I can't.
It's that, uh, fireman again, isn't it?
You know, I don't understand how you can
prefer a mere fireman to me.
Well, take your time.
Take my time what?
Trying to understand.
Bye.
WOMAN [OVER PA]: Dr. Carr, 1881.
Dr. Carr, 1-8-8-1.
How did you hit it off with Ellen?
[chuckles]
No problem.
Gonna have dinner with her tonight at 8 o'clock.
You're gonna miss the busiest part of the night for runs.
Eh, there's always tomorrow. Hey, listen.
You guys gonna go by the hotel? - We could.
Why?
Well, I was wondering if you drop me off.
Psh.
Goof-off.
[music playing]
[sighs]
[chuckles]
[hums]
Hello, babe.
What are you doing here?
I live here.
Well, you could've knocked.
[knocks on door]
Uh-huh, very funny.
Thought you were gonna ride out with Rescue 2.
Thought you were gonna ride out with the ambulance.
Well, I was.
But I, you know, changed my plans.
[laughs]
Oh.
[sighs]
[chuckles]
You going any place special?
No, no place special.
You?
Well--
[chuckles]
--no.
No place special.
No.
Look, uh, if you got something going, I'll, uh--
No, no.
I-- that's OK.
I don't--
Look, look.
I just want you to have a good time.
This is San Francisco.
Why don't you just go ahead and go on without me?
Are you trying to get rid of me?
- Why do you say that? - What makes me say that?
Because it sounds like to me you're trying to get rid of me.
Uh, I mean, every word you're say--
look, if you want to be alone, that's fine.
Just tell me. I'll leave you alone.
It's fine. It's OK.
[chuckles]
OK.
OK?
OK.
I don't care.
I don't care.
Just remember, Roy, you're a married man.
[chuckles]
[whistles]
[music playing]
Well, being a paramedic isn't as exciting
as most people think it is. Not all the time, anyway.
I mean, sometimes we eat and it's pretty boring.
[chuckling]
I think it'd be fascinating, just like you are.
Oh.
well-- listen, you could be a paramedic.
Up here, anyway.
Mm.
Uh-uh.
It wouldn't be the same.
Besides, I don't think it's very feminine,
if you know what I mean.
Mm.
Well, um, in your case, I know what you mean.
You are so sweet.
Mm.
Here's to San Francisco--
[clink]
--and femininity.
Mm.
Johnny, you just make me so warm and tingly all over.
Oh, yeah?
That's the wine.
Uh-uh.
It's everything.
Oh?
You are the nicest, sweetest, most exciting
man I think I've ever met.
[laughs]
Go on.
Don't carry it too far.
No, I really mean it.
You're just not like the, uh-- all the others.
All the others?
Well, yeah.
You know, the, uh, kind that-- well, you know.
Oh.
Yeah, it's a real bummer, huh?
Oh, yeah.
There's something that seems to be much more solid about you,
more permanent.
Say what?
M-- m-- more permanent?
Mm-hmm.
I can see it in your eyes.
Oh, you can see that in my eyes?
Yeah. You know, the eyes tell all.
Well, um, what exactly do you see in my eyes?
I see you and me, Johnny.
Is that-- is that right?
I am so happy.
I just wish this, you know, could go
on forever and ever and ever.
Forever and ever and ever.
I've never felt like this before.
[laughs]
I know what you mean.
Sure is getting hot in here, isn't it?
You are such a kidder.
I know.
Boy, I'm a real kidder.
Oh, Johnny.
Here is to the story of something wonderful.
Yeah, here's to tonight.
[clink]
We sure have had fun, haven't we?
[laughs]
Here is to us forever, Johnny.
Forever. [clink]
Well--
[music playing]
[music playing]
I told you guys 6 o'clock.
Is it 6 o'clock?
No, it's not 6 o'clock.
It's going on 7 o'clock.
Where have you been?
OK.
Charlie, take those a-stern.
We're gonna cut all that stuff off there.
Frank, when you're finished with that winch back there,
I want you to get your tanks and bring 'em below.
We're gonna get all that junk out of the main engine room.
Mike and the rest you guys, get those barrels up.
Now let's move it. Come on.
All right, you guys. Let's go.
All right, you guys. You heard him.
He's trying to muscle us. Don't worry about it.
You two guys, go down below, take care of the barrels.
Help me with the winch.
[clicking]
[music playing]
DOMINIC: Hey!
Hey!
What are you guys doing over there?
Get that stuff out of here.
Hey, you guys crazy?
Watch what you're doing.
Harvey!
Charlie!
Come on and finish this.
Oh, what is it now?
Tell your goons to keep away from my merchandise.
They're gonna damage something. They're gonna cause trouble.
And they're gonna cost me money!
Dominic, I'm doing my best, OK?
24 hours, Harvey.
You got 24 hours to get this scow off my pier!
I can tell time. What do you think I am?
An idiot?
What's so funny?
Get it done!
And all the rest of you guys, move it!
[music playing]
Boy, am I bushed.
Yeah, it's been a long day.
Oh, I never was much of the tourist type.
Yeah.
Well, I never learned so much in such a short period of time
in my whole life.
I'm gonna go take a shower.
Hey.
Hey, uh, Roy? ROY: Hm?
- You got something going? - No, nothing special.
Other than going out?
- Yeah, for a while. - Oh, good.
I'll go with you.
Ah, it's OK.
You don't want me to go?
ROY: It's OK!
You sure?
ROY: It's OK!
Don't wanna go anyway.
[shower running]
Huh.
I wonder where he's going.
[phone ringing]
Hello?
Ah.
Hey, Ellen.
How are you doing?
Good.
A-- a home-cooked meal?
Oh.
Oh, no.
I'm just, um, eating a donut.
And I'm not-- I'm not really-- huh?
Sure.
I'd-- I'd, uh-- I'd love that.
When?
[sighs]
Sure, I'd-- OK.
All right.
[chuckles]
OK.
See you then.
Yeah.
[smooch]
Yeah.
Look, I gotta go.
Bye bye.
Oh boy.
How did I get myself into this?
[crickets chirping]
So the question remains, are the manifestations
of Doppler effect in [inaudible] with velocities
and the line of sight?
GORDON: Well, in the spectra of celestial bodies,
you have to consider the source of light.
SON: When it approaches the observer.
Exactly.
I see.
That's how we get the stars' radial velocities, then.
I would say that.
And, you know, you developed an interesting theory before.
Uh, excuse me.
Would anyone like some more coffee?
Yes, me.
[clears throat]
Mom?
Hm?
Can I be excused?
[chuckles]
Conversation's over our head.
Not that.
I'm just kind of bored.
Uh, well, maybe you two would like to watch some television,
huh? - Can't.
I'm using the picture tube to test a new dynacube design.
Oh, really? Have you worked on an approach?
Yeah, you should see it, dad. I--
Uh, maybe later, huh?
OK, mom.
Come on, Julie.
See you later, kids.
Gail, they're wonderful.
If you say so.
Gail tells me you two want to get married, but can't.
Gordon!
What?
Uh, did I miss something?
That is what you said, isn't it?
Uh, not exactly.
I--
You see, Gordon, there's nothing actually stopping us.
Well, that's good.
Pete wants me to give up my job.
Hm.
Makes sense, I guess. - You see that?
He's on my side.
Gordon, I'm a paramedic.
Wha-- what do you mean, that makes sense?
Well, that's right, Peter.
Gail and I have a perfectly good relationship.
Yeah.
And the kids, they're happy.
Let me ask you something, Gordon.
You worry about Gail a lot, don't you?
Oh, yes.
Yes, I do.
She never gets the proper iron intake.
Have you been taking those vitamins like I told you?
Gordon, we're talking about the dangers of the job.
Dangers?
Well, that job's not dangerous.
Is it?
What do you say we all go in the living room and have
an after-dinner drink, huh? - I'd say yes.
Good idea. Good dinner.
Dinner was really, really nice.
Oh.
Hey, get to it.
We've got a lot to get done.
[seagulls squawking]
[whistle]
[whistle]
[seagulls squawking]
- Good morning. - Good morning.
Hi, John.
Well, you guys trading off again, huh?
Yeah.
I kind of decided the less I show up at the hospital,
the safer I'll be.
[laughs]
I get the feeling that Laurie introduced you to Eager Ellen,
huh?
Eager Ellen?
[chuckles]
All right.
Eager Ellen.
[whistle]
[welding]
[whistle]
[seagulls squawking]
[whistle]
[creaking]
[whistle]
[engine running]
Hey, Charlie!
Hi, Charlie!
Come on, bud!
[engine running]
[whistle]
[whistles]
Hey, Harv, Frank, Len!
You guys coming up? HARVEY: All right.
All right. As soon as we're finished.
Hey, I'm gonna go eat.
See ya.
[whistle]
[explosion]
[shouting]
[explosion]
[shouting]
Stay away from there!
[shouting]
[explosion]
[explosion]
[alarm ringing]
[fire rumbling]
[explosion]
[beeping]
MAN [ON PA]: Engine 13.
Engine 16.
Engine 28.
Truck 13.
Truck 16.
Division 1.
Battalion 1.
Hose 1021.
Rescue 2.
Fire Boat 1.
Pier 5, Embarcadero opposite Pacific Avenue.
An explosion on the ferry.
[engine starting]
[engine running]
[siren]
[sirens]
[tires screeching]
[fire rumbling]
Anybody out there?
No, thank god.
They were all on their lunch break.
[fire rumbling]
Do you run this pier?
Yes, yes.
The chemicals-- there's chemicals out there.
All right.
I want from you a rundown on every chemical
that's laying on that pier. You got that?
- They're all right here. - Good.
Get your people out of there, and you get in there yourself.
Dave?
Start evacuating that floating office
there at the [inaudible].
[fire rumbling]
Control 2, Battalion 1.
Code 3 traffic.
DISPATCHER [ON RADIO]: Go ahead, Battalion 1.
CHIEF: Second alarm, Pier 5.
Also, dispatch underwater rescue unit.
DISPATCHER [ON RADIO]: Check, will do.
KMA 526.
Second alarm, box 905, Pier 5, units due.
Engine 2, Engine 38, Engine 41, Engine 1,
Truck 2, Battalion 3, Battalion 4, CB 1, Water Rescue Unit 1.
KMA 526.
[music playing]
[fire rumbling]
[shouting]
[fire rumbling]
[engine running]
[sirens]
Engine 13, lead a large line out onto the pier.
All units, Pier 5, 5, Battalion 1.
No apparatus on the fire pier.
Make leads from the street.
Hose 1021, Battalion 1, set up opposite the fire boat
in Pier 7.
Engine 16, Battalion 1, move out on Pier 7.
Supply Hose 1021 for [inaudible].
[sirens]
Rescue 2, Chief.
Hi, Pete.
Well, the owner says there's no people out there,
but-- wait a minute.
We've got firefighters down.
PETE: Let's go, guys.
[fire crackling]
All units, Pier 5 fire.
Battalion 1, respond with breathing apparatus.
[fire rumbling]
[shouting]
[fire rumbling]
I got him.
Take him down to the warehouse.
Come on, let's go.
[sirens]
[horns honking]
[shouting]
[fire rumbling]
Hold on.
Go!
[fire rumbling]
[siren]
[sirens]
[fire rumbling]
Oh!
Hey, Parks.
OK.
I've got ya.
Oh.
[fire crackling]
What's with the [inaudible] huh?
[groans]
It's my leg.
I think it's broken.
[groans] - OK.
OK. Take it easy.
We'll-- we'll get you taken care of.
Give me a hand.
Get him out.
Fine.
Now let's get him out of here.
[fire rumbling]
[siren]
Get the landing [inaudible] operation
on the north side of the pier.
Let's get staffed for under-pier fire.
[shouting]
[sirens]
[fire rumbling]
[engine running]
[fire rumbling]
10-4, [inaudible] 60.
Bye.
Chief?
Ferry boat's fully involved.
We got fire under the pier.
Chemicals and containers all over the pier.
They're exposed to the fire.
The owner says that we've got acetone, nitric acid, ammonium
nitrate-- enough organic phosphate to wipe out
half the people in the city.
Those Engine 13 firefighters were downed by toxic fumes
already.
STEVE: What are you doing about evacuating that, uh,
floating office over there? CHIEF: It's in order, Steve.
STEVE: Then I'm gonna set up a forward command
post on the roof. I can see better from up there.
In the meantime, you take care of things down here.
But first, call for a third alarm,
and then request the police department
to respond immediately in order to evacuate this entire area.
Right.
Let's go, Fred.
CHIEF: Control 2, Battalion 1.
Third alarm, Pier 5.
Dispatch police units to evacuate entire area.
Code 3 traffic.
[siren]
Yeah.
Smoke inhalation for sure.
They've been exposed to nitric acid easily.
How are you doing? Easily.
Take it easy.
[coughing]
Easy.
[fire rumbling]
[sirens]
OK.
Be sure and tell the doctor he may have been
exposed to nitric acid fumes. Get permission for an IV.
You got it.
OK?
[fire rumbling]
[crash]
FIREFIGHTER: Hey, man down.
You guys keep fighting the fire.
I'll take care of him.
OK.
Easy, Paul.
I've got you.
[music playing]
[fire rumbling]
[siren]
How many more can we expect, Pete?
I don't know, Laurie.
If those chemicals go, all the hospitals in town
won't be enough.
[siren]
What's the situation here?
Some boxes fell on his head.
He's got a pretty good bump there.
Can you hear me?
Mm-hmm.
[fire rumbling]
Pete! Pete!
Come here!
[fire rumbling]
Grab his legs.
[fire rumbling]
[grunts]
Relax, pal.
The paramedics will get to you in a minute.
Two guys.
Did you get them out? - Hold on.
What two guys and where? - There's one guy.
He's down below in the engine room.
Let's go, guys.
Can you help her?
[music playing]
Fire Boat 1, CP 1.
Fire Boat 1, CP 1.
Fire Boat 1, get in closer on the lee side
and start using those [inaudible]
streams on the containers in areas B and C.
[fire rumbling]
[inaudible] that one over there.
[fire rumbling]
How are you doing, pal?
HARVEY: Up here.
Get me out of here.
Hurry up.
There's fire coming out of that hole.
Hurry.
Relax, pal.
We'll have you out soon.
How are you guys doing upstairs?
FIREFIGHTER: [inaudible] one [inaudible] got him out.
Well, bring him on out of here.
Come on back and help us get everybody off this thing.
[inaudible] plywood.
[fire rumbling]
[siren]
[inaudible] just a little smoke inhalation.
We'll have you out on the next trip
Smoke inhalation, flash burns. I can take care of that.
Put him on an O2 right away.
Well, it looks like you got the rest of the day off.
[engine starts]
[horn honking]
[fire rumbling]
[explosion]
Fire!
Hey, you guys.
Give me a hand!
[explosion]
Grab the hose.
OK, I got it.
OK, guys.
Let's pull him up.
Come on, all together now.
Pull!
Pull!
[fire rumbling]
[inaudible] [inaudible].
[inaudible] this place is gonna blow!
OK.
Come on!
[fire rumbling]
Let's be careful this way.
FIREFIGHTER: All right.
Hurry up, you guys.
The fire's coming through.
HARVEY: [groans]
Hey, [inaudible].
[inaudible]
Got his-- got his legs?
Yeah.
FIREFIGHTER: It's a big [inaudible].
Now, watch it.
[fire rumbling]
OK, he's ready for transport.
[explosions]
[explosions]
[fire rumbling]
Fire Boat 1, CP 1.
Fire Boat 1, CP 1.
Fire Boat 1, start using your tower water stream
on the main body of the fire.
[grunts]
Give me your arm.
[pants]
[fire rumbling]
Watch where you step over here.
Let's go!
Let's go!
[fire rumbling]
[explosion]
[explosion]
[fire crackling]
Help!
[inaudible] [inaudible]
[fire rumbling]
[shouting]
[inaudible] you're OK.
You're OK.
[groans]
Let's get a Stokes over here!
[fire rumbling]
[shouting]
Command Post 1 to CB 1.
Command Post 1.
Fire is contained, but not as yet under control.
Stand by for a [inaudible] of injuries and extent of damage.
Well, we'll catch you all a little later.
PETE: Hey, John?
Yeah?
Thanks.
It's OK.
Hey lady, you qualified?
[chuckles]
Qualified enough to see you get to the hospital.
Hey, no way-- [groans]
You're going to the hospital.
Any other questions?
Take a new set of vitals, OK?
You sure take charge, don't you?
Wouldn't have it any other way.
[sighs]
[music playing]
Command Post 1 to CB 1.
Command Post 1.
This fire is now under control.
[music playing]
WOMAN [ON PA]: Dr. Shaw to room 106.
Dr. Shaw to room 106.
Well, they wouldn't let you out of here.
So we decided to come on down and say goodbye to you here.
Well, the reason I haven't been released is right here.
Anyway, it was great having you guys here.
Yeah, well, thanks for having us.
I guess you'll take good care of him.
- Oh, you can count on it. - Well, we'll catch you later.
- See you guys. - OK.
See you later. - OK.
Have a good day. - Take it easy.
- Bye. - Bye bye.
Laurie?
Hm?
I've been thinking about us since I've
been in here and, uh--
Hm, what about us?
Well, about your job and everything.
It seems that--
I've been doing some thinking about your job too Pete.
Mine?
Yes, I realized it yesterday.
It is far too dangerous.
It's 20 times more dangerous than mine.
So what about it?
Pete, I can't possibly consider
marrying a man who risked his life
every time he went to work.
You what?
Believe me, now I understand how you feel about my job.
It is really terrible always wondering.
Oh, come on, Laurie. You're just going--
No, Pete, it's OK.
You were absolutely right.
Considering our jobs, marriage is out
until we find other lines of work for both of us.
Both of us?
But Laurie, there's thousands of guys in firefighting
who are married.
You're kidding?
You mean just like in paramedics?
You--
[laughs]
- Careful. - It hurts when I laugh.
Well, then don't laugh.
[inaudible] home free.
Oh, man.
Just as long as I can get out the doors.
ELLEN: Johnny? - Ooh.
You're gonna stay here. [interposing voices]
You're gonna stay here. I want you to stay here.
ELLEN: Johnny? Johnny?
Hey, how are you doing?
You weren't leaving without saying good bye, weren't you?
No, we weren't leaving.
No, we were looking all over for you.
Where have you been? We got to catch a plane.
- Oh, no. - You're gonna introduce me?
Uh, yeah.
Uh, Roy, this is Eager-- this is Ellen.
[inaudible].
And, uh, Ellen, this is-- this is Roy.
Uh, so he's my partner. [chuckles]
Thank you for being so nice to me.
- Oh, [inaudible]. - I've got a surprise for you.
Oh, you do?
What kind of surprise you got?
My sister lives in LA.
And she says I can stay with her.
Is that right? Well, what-- what-- when is it?
When is that gonna-- - This coming weekend.
- This coming weekend. - I'm so excited.
- Right. - We can be together again.
Yeah, that is exciting.
Well, boy. - Sure.
And I've made all kinds of plans for us.
You did?
I thought that first of all, we could go to-- to Disneyland.
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