Original subtitles

ARE YOU PEASANTS READY FOR ANOTHER ASTOUNDING DEMONSTRATION OF SKILL?

Stoker: YEAH, YOU GOT ANOTHER ONE?

YOU BET. A CHET KELLY SPECIAL.

ORDINARY 50-CENT PIECE, RIGHT?

RIGHT.

NOW, HOUDINI TAUGHT ME THIS TRICK.

HE WAS THE MASTER OF ESCAPE.

BUT WHEN IT COMES TO MANUAL DEXTERITY,

HE'S GOT TO TAKE HIS HAT OFF TO OLD CHESTER B.

NOW, WATCH VERY CLOSELY.

YOU GUYS OUGHT TO HAVE GOOD EYES BEING FIREMEN, RIGHT?

OKAY, WATCH.

I'LL GRAB THE COIN WITH THIS HAND.

NOW, COUNT TO THREE.

ONE, TWO, THREE....TWO, THREE.

HEY, MIKE, DID YOU SEE HOW HE DID THAT?DIDN'T SEE A THING.

DIDN'T SEE A THING? I THINK YOU TWO GUYS ARE OVER THE HILL.

REALLY. I DON'T KNOW HOW YOU FIND YOUR WAY TO A FIRE.

YOU GUYS ARE BLIND AS BATS.

WELL, THERE GOES CHET KELLY

SPREADING GOODWILL AROUND THE STATION AGAIN.

Man: HEY, CHET, GIVE US ANOTHER ONE.

HOW ABOUT, UH, IF WE RECIPROCATE?

[ alarm sounding ]

Dispatcher: SQUAD 51. GUNSHOT WOUND.

922 OAKLAND AVENUE.

922 OAKLAND AVENUE. CROSS STREET, ROSE.

TIME OUT, 0930.

Stanley: SQUAD 51, 10-4. KMG 365.

[ siren wailing ]

[ siren wailing ]

MUST BE OUT HERE.

Roy: GIVE ME THAT DRUG BOX.

Vince: ROY.

WHAT HAPPENED HERE, VINCE?

WELL, THERE WAS A GUN IN HIS DRAWER.

WHEN HE REACHED IN FOR SOMETHING, IT WENT OFF.

Roy: .22?RIGHT. HARD-NOSED.

Roy: CALL AN AMBULANCE?YEAH, IT'S ON THE WAY.

100 AND WEAK.ALL RIGHT.

RAMPART, THIS IS SQUAD 51. HOW DO YOU READ?

STAND BY, SQUAD 51.

10-4 ON SODIUM BICARB, 14.

SQUAD 45, IF YOU CAN'T REMOVE IT...

CONTINUE CPR, SQUAD 14.

...INSERT AN ESOPHAGEAL AIRWAY. 10-4.

GO AHEAD, SQUAD 51.

RAMPART, WE HAVE A FEMALE, APPROXIMATELY 22 YEARS OLD.

SHE'S BEEN HIT BY A BULLET INTO THE ABDOMEN.

SHE'S CONSCIOUS, BUT SHE'S GROGGY.

THE PULSE IS 100 AND WEAK.

STAND BY FOR B.P.

100/80.

RAMPART, THE B.P. IS 100/80.

ALSO, RAMPART, SHE'S PREGNANT.

51, START AN I.V. WITH RINGER'S LACTATE,

AND GIVE ME MORE ON THE ANGLE OF THE BULLET.ALL RIGHT.

OKAY, VINCE,

YOU SAID SHE WAS SHOT THROUGH THIS DRAWER HERE?

RIGHT, RIGHT. GUN WAS IN THE DRAWER LIKE THIS.

HERE WE ARE. JUST LIKE THAT.

OKAY, SHE WAS SHOT THROUGH HERE,

SO SHE WAS STANDING, WHAT, RIGHT ABOUT HERE?

YEAH, ABOUT LIKE SO. RIGHT THERE.

OKAY, THEN SHE WAS SHOT HERE,

AND IT CAME OUT HERE. OKAY.RIGHT.

I'M GONNA CHECK FOR AN EXIT WOUND.

YOU SEE ANYTHING DOWN THERE?

NO, NO EXIT AT ALL.

NOTHING.

UH, RAMPART?

SHE WAS SHOT THROUGH THE RIGHT LOWER QUADRANT,

AND THERE IS NO APPARENT EXIT WOUND.

51, HOW FAR ALONG IS THE PREGNANCY?

SHE LOOKS LIKE SHE'S IN THE LAST TRIMESTER.

I WANT TO KNOW EXACTLY, 51.

10-4, RAMPART.

SIR? HOW FAR ALONG IS YOUR...

SIR? [ snapping fingers ]

SIR?

SIR, HOW FAR ALONG IS YOUR WIFE?

WHAT?

IF YOU'RE GOING TO HELP YOUR WIFE,

I NEED TO KNOW EXACTLY HOW FAR ALONG YOUR WIFE IS.

I THINK...

WELL, HE'S OUT.[ siren approaching ]

OH, GREAT.

RAMPART, WE CANNOT DETERMINE

THE EXACT DURATION OF PREGNANCY.

10-4, 51.

TRANSPORT, BUT GET ALL AVAILABLE INFORMATION.

10-4, RAMPART.

IS THAT STRETCHER COMING?Vince: IT'S ON THE WAY.

OH, HERE IT IS. OKAY.HERE WE ARE.

IS HER FEET IN THE WAY?

Vince: BETTER SLIDE HER DOWN A BIT.

Johnny: WATCH THIS OVER HERE. ALL RIGHT.

Vince: BETTER LET ME GET OUT OF YOUR WAY.

Johnny: HAROLD, CAN YOU GRAB HER MIDDLE? ANGIE, YOU GRAB HER FEET.

LET'S SEE IF WE CAN'T GET HER UP.

ALL RIGHT, I GOT HER.

OKAY, EASY DOES IT, NOW. EASY DOES IT.

THERE WE GO.

OKAY.

OKAY. OKAY.

Roy: JOHNNY?

ANGIE, HAROLD, WHY DON'T YOU JUST GO AHEAD AND CARRY HER ALL THE WAY OUT?

THERE'S TOO MANY BUMPS, TOO MANY CORNERS.

HEY.

DORA? WHERE'S DORA?

SHE'S ON HER WAY TO THE HOSPITAL.

YOU ALL RIGHT?WHERE IS SHE?

COME ON, WHY DON'T WE GET YOU UP?

WHERE'S MY WIFE?

VINCE, WANT TO GIVE ME A HAND HERE.

LISTEN TO ME...TO THE HOSPITAL?

LISTEN TO ME. YOUR WIFE NEEDS YOUR HELP.

I NEED TO HAVE SOME INFORMATION.

THE GUN WENT OFF.YEAH, I KNOW.

I NEED TO HAVE SOME INFORMATION

ABOUT YOUR WIFE'S PREGNANCY, UNDERSTAND?

SHE'S GONNA HAVE A BABY.YEAH, I KNOW THAT.

HOW LONG HAS SHE BEEN PREGNANT?

I... I SHOT HER.

LOOK, WHO'S HER DOCTOR?

UH, DOCTOR...

WAGNER, LILLIAN.OKAY.

WAGNER.ALL RIGHT.

DO YOU HAVE A TELEPHONE NUMBER AROUND HERE?

HER NUMBER, HER ADDRESS OR ANYTHING?

YES, IT'S AT THE PHONE.

OKAY. WHY DON'T WE GO OVER AND GET IT,

AND THEN I'LL TAKE YOU TO THE HOSPITAL WITH ME, ALL RIGHT?

YES.OKAY. COME ON.

[ siren blaring ]

51, CAN YOU HEAR FETAL HEART TONES?

RAMPART, I CAN BARELY HEAR THE FETAL HEARTBEAT.

10-4, 51.

ROOM THREE.

ALL RIGHT. HAROLD, TAKE THIS.

SHE SEEMS TO BE HOLDING HER OWN.

SHE WAS CONSCIOUS TWICE JUST BEFORE WE BROUGHT HER IN.

DIX. MR. BARLOW.

OH, YEAH. MR. BARLOW.

DORA'S DOCTOR, WILL SHE BE HERE?

YEAH. YEAH. WE REACHED HER.

WE HAVE ALL THE INFORMATION WE NEED.

BUT WILL SHE BE HERE FOR DORA?

YEAH. YEAH.WHERE'S DORA? SHE NEEDS ME.

I THINK HE NEEDS SOME COFFEE, DON'T YOU?

NO! DORA!NO, NO, A CUP OF COFFEE.

ALL RIGHT? A CUP OF COFFEE.

POSSIBLE SERIOUS KIDNEY DAMAGE.

WHAT ABOUT THE CHILD?

IT'S IN ITS EIGHTH MONTH.

THE CHILD'S HEART ISN'T ALL IT SHOULD BE.

THE BULLET MAY HAVE JUST COME CLOSE TO THE SAC,

OR PENETRATED IT AND MISSED THE CHILD, OR HIT THE CHILD.

WE'LL DO AN AMNIOCENTESIS TO SEE WHAT HAPPENED.

PETE?

PETE?

WHERE'S PETE?

I WANT TO TALK TO HER HUSBAND.

I'LL GET HIM.

PETE?

THAT GUY'S REALLY TORN UP ABOUT HIS WIFE.

WELL, THAT'S WHAT YOU GET

WHEN YOU KEEP A LOADED GUN AROUND THE HOUSE.

MR. BARLOW?WHAT IS IT?

DR. BRACKETT WOULD LIKE TO SEE YOU.

WHAT'S THE MATTER? IS THERE ANYTHING WRONG?

THE DOCTOR WILL TELL YOU.

WELL, THE FLUID FROM THE UTERUS IS BLOODY.

I'M AFRAID THE BULLET DID PENETRATE IT.

THE CHILD MAY BE IN TROUBLE.

THE MOTHER, TOO. MASSIVE KIDNEY DAMAGE.

[ sighs ]

CAROL, TAKE THIS UP TO THE LAB

FOR A FETAL HEMOGLOBIN ANALYSIS.

PETE.

PETE?

I HAVE HER HUSBAND.

GOOD.

ASK MIKE TO GIVE JOE A HAND, HUH?

MR. BARLOW? I'M DR. BRACKETT.

WHERE IS SHE?SHE'S IN THERE.

JUST A MOMENT. I HAVE TO TALK TO YOU FIRST.

SIT DOWN, PLEASE.

I SHOULD NEVER HAVE BOUGHT THAT GUN.

BEEN FIVE BURGLARIES IN THE NEIGHBORHOOD, AND...

WITH THE BABY COMING AND ALL...MR. BARLOW...

...SHE WANTED TO MOVE.

I KILLED HER. THE GUN JUST WENT OFF.

MR. BARLOW, LISTEN TO ME.

YOUR WIFE IS NOT DEAD.

SHE'S VERY MUCH ALIVE.

BUT I NEED YOUR COOPERATION. I NEED YOUR HELP.

HOW?

SHE ISN'T FULLY CONSCIOUS,

AND I NEED SOME ANSWERS.

FOR WHAT?

IF IT WERE A QUESTION OF EITHER SAVING

YOUR WIFE'S LIFE OR THE CHILD,

WHICH WOULD SHE WANT?

IT DOESN'T MATTER WHAT SHE WANTS.

SHE COMES FIRST. NOW, CAN I PLEASE SEE HER?

SURE.

COME ON.

SHE'S CONSCIOUS.

GOOD.

FETAL HEART TONES ARE DOWN TO 96.

YOU WANT TO DO A C-SECTION AND SAVE THIS CHILD?

IF WE DON'T REPAIR THE KIDNEY FIRST,

SHE MAY NOT SURVIVE TO HAVE THE CESAREAN.

I'M SORRY, DORA.

MY BABY.

PETE? WHERE'S PETE?

I'M RIGHT HERE, DARLING.

THERE'S NO TIME.

WE'VE GOT TO SAVE THE BABY.

MRS. BARLOW.

YOUR CONDITION REQUIRES AN IMMEDIATE OPERATION.

DOCTOR?

I WANT MY BABY TO LIVE.

BUT YOU, DORA...

THE BABY COMES FIRST.

I COULDN'T LIVE WITHOUT YOU, HONEY.

OUR BABY'S NOT GOING TO DIE,

FOR ME OR FOR YOU.

YOU HEAR ME, DOCTOR?

MRS. BARLOW,

THERE'S A REASONABLE CHANCE WE CAN SAVE YOU BOTH,

IF WE PERFORM SIMULTANEOUS OPERATIONS,

BUT WE'VE GOT TO BEGIN IMMEDIATELY.

JOE, I'LL REPAIR THE KIDNEY.

CALL THE SENIOR O.B. RESIDENT.

TELL HIM WE'RE TAKING HER UP TO SURGERY.

I WANT HIM TO SCRUB IN WITH ME.OKAY, KEL.

DOCTOR?

IF SOMETHING STARTS TO GO WRONG,

REMEMBER, OKAY?

OKAY.

HEY, JOHN, COME HERE, QUICK.

LOOK, YOU GUYS.

WE'VE GOT A FANTASTIC PRANK GOING ON WITH CHET.

OH, YEAH?YEAH.

HE'S IN THE WASHROOM, SHAVING.

SO WHY DON'T YOU GO IN,

AND NO MATTER WHAT HAPPENS WITH THE LIGHTS,

JUST PLAY IT STRAIGHT.

OKAY.OKAY.

NOW, ROY...

TROUBLE ON THE LINE SOMEWHERE.

[ tap running ]HUH?

THE LIGHTS. DIDN'T YOU SEE THEM GO ON AND OFF?

NO.

THERE THEY GO AGAIN. DID YOU SEE THAT?

OH, COME ON!

HEY, MAN, I'M NOT PUTTING YOU ON. THEY'RE GOING ON AND OFF.

[ sighs ]

NOW, DID YOU SEE THAT?

CHET, YOU CAN PULL THAT STUFF ON EVERYBODY ELSE,

BUT YOU'RE NOT GONNA PULL IT ON ME.

[ whispering ] NO MORE! NO MORE!

COME ON.

WHAT'S THE MATTER, PAL?

I DON'T KNOW. DID YOU GUYS NOTICE ANYTHING UNUSUAL

IN THE LAST COUPLE OF MINUTES?

GEE, I DON'T KNOW. COULD YOU BE MORE SPECIFIC?

YEAH, LIKE, IS IT ANIMAL, VEGETABLE, OR MINERAL?

Johnny: I DON'T THINK CHET KNOWS THE DIFFERENCE.

[ sighs dramatically ][ whistling ]

SHH!

DID YOU JUST SWAT A FLY?

WELL, WHAT DO YOU THINK THAT IS?

[ alarm sounding ]

Dispatcher: STATION 51. ACCIDENT.

MAN TRAPPED AT WORLD MOTION PICTURE STUDIOS,

WESTERN STREET.

PICKFORD AND DOUGLAS AVENUES.

PICKFORD AND DOUGLAS AVENUES.

TIME OUT, 1255.

STATION 51. KMG 365.

[ sirens wailing ]

[ horn blaring ]

[ horn blaring ]

Foreman: WE HAVE AN INJURED MAN TRAPPED.

WE WERE MOVING THE BOAT, AND IT STARTED TO TILT.

BILL WENT UNDER THERE TO CHECK IT OUT, AND THE WHOLE THING WENT.

WHY DON'T YOU GET THE PORTA POWER?

HE'S UNDER THERE.

MOVING THIS FLATBED CAN BRING THE WHOLE THING DOWN ON HIM.

Johnny: IS HE CONSCIOUS?

Foreman: HE MUMBLES AND MOVES AROUND EVERY ONCE IN A WHILE,

BUT HE'S ALIVE, ALL RIGHT.

Stanley: WELL, DON'T TRY TO FOOL WITH ANYTHING THAT ISN'T LOOSE IN THERE.

WE'LL BUILD A NEW UNDERPINNING.

Foreman: JERRY, TWO-BY-FOURS, ALL YOU CAN GET.

Johnny: I'M GONNA GO ON IN, CAP.

Roy: HERE, LET ME HOLD SOME OF THAT.

Johnny: OKAY.Roy: UH-HUH.

Roy: THIS THING IS SHAKY.

WATCH IT.

OKAY, YOU'RE CLEAR BACK HERE.

[ wood creaking ]ROY?

PULSE IS 120 AND WEAK.

HE'S LOST A LOT OF BLOOD. HE'S REAL SHOCKY.

RAMPART, THIS IS SQUAD 51.

GO AHEAD, 51.

WE HAVE A MALE VICTIM.

HE'S A CONSTRUCTION WORKER TRAPPED UNDERNEATH A BOAT.

VITAL SIGNS ARE AS FOLLOWS. WHAT'S THAT PULSE AGAIN?

UH, PULSE IS 120 AND WEAK.

HE'S LOST A LOT OF BLOOD. HE'S GETTING REAL SHOCKY.

THE PULSE IS 120 AND WEAK.

HE'S LOSING A LOT OF BLOOD, RAMPART,

AND IT LOOKS LIKE HE'S IN SHOCK.

10-4, 51. START I.V. WITH RINGER'S.

WILL STAND BY.

10-4, RAMPART. I.V. WITH RINGER'S.

WHAT'S GOING ON? WHAT HAPPENED?

ALL RIGHT, NOW, JUST TAKE IT EASY.

ALL THESE UNDERPINNINGS COLLAPSED.

LET'S GET OUT OF HERE.

ALL RIGHT, JUST TAKE IT EASY, NOW. CALM DOWN.

AS SOON AS THEY GET US UNTANGLED,

WE'RE GONNA GET OUT OF HERE.

NOW, I NEED A SWAB.

Roy: YEAH.

SWAB.[ moaning ]

Johnny: HEY, YOU JUST HANG ON.

WE'LL GET YOU OUT IN JUST A SECOND.

Roy: YOU WANNA HOOK HER UP, CHET?

CAN YOU BRING YOUR ARM TO ME JUST A LITTLE BIT

SO I CAN GET THIS NEEDLE INTO IT?

JUST RAISE IT JUST A LITTLE BIT.WHAT NEEDLE?

WELL, I'M GONNA HAVE TO START AN I.V.

THIS IS JUST TO KEEP YOU GOING

UNTIL WE GET YOU TO THE HOSPITAL.

YOU MEAN A TRANSFUSION? BLOOD?

SOMETHING LIKE THAT.

I DON'T GO FOR THAT STUFF.

WHAT DO YOU MEAN, YOU DON'T GO FOR IT?

I DON'T BELIEVE IN IT.

NOW LOOK, YOU'VE LOST A LOT OF BLOOD.

I'LL MAKE IT.

NOW LOOK, DON'T BE A FOOL!

NOW, GIVE ME YOUR ARM.NO!

CAP, SHE'S GOIN'!OKAY, DON'T MOVE!

LOOK, A FEW MORE OF THESE BEAMS HERE AND WE GOT IT MADE.

FIVE MINUTES.CAP, I DON'T THINK HE'S GOT FIVE MINUTES.

[ wood creaking ]

ALL RIGHT. RIGHT IN THERE.

LET'S GET THIS ONE HERE, TOO.

ROY?

Roy: YEAH?

BRACHIAL ARTERY'S BEEN SEVERED.

HE'S GOT TO HAVE THIS I.V.

NO NEEDLES.

Roy: OKAY, YOU'RE LIABLE TO KILL YOURSELF. YOU KNOW THAT?

THEY'LL GET ME OUT.

YOU'RE LIABLE TO RUN OUT OF BLOOD BEFORE THEY DO.

I'LL TAKE MY CHANCES.

[ wood creaking ]

NOW LOOK, YOU'RE ALREADY STARTING TO PASS OUT.

IF I PASS OUT, PROMISE,

NO NEEDLES.

CAP! WE GOTTA GET THIS MAN OUT OF HERE!

LISTEN, I DON'T WANNA KILL ALL THREE OF YOU.

NOW, DON'T MOVE HIM TILL I GIVE YOU THE WORD.

Johnny: ROY, HE'S PASSED OUT. I GOTTA GET HIM SOME OXYGEN.

CAN YOU GIVE ME SIX LITERS?

YEAH.

SIX LITERS.

JOHNNY, THE ONLY WAY TO DO THIS IS

YOU'RE GONNA HAVE TO GET IN THERE

AND TRY TO SEAL THAT ARTERY.

YOU THINK YOU CAN DO IT?

YEAH. OKAY.

[ sustained creaking ]

[ siren approaching ]

OKAY, YOU'RE ALL RIGHT OVER HERE.

OKAY.

JOHN, ROY, TWO MINUTES!

IS THERE ANYTHING I CAN DO?

NO, NOT RIGHT NOW.

[ wood creaking ]

ALL RIGHT. CAP, I GOT IT!

Stanley: ALL RIGHT. STRETCHER!

LOOK, THE THING'S SECURED NOW. LET'S PULL HIM OUT.

OKAY, CAP. I CAN MOVE THESE BOARDS, RIGHT?

YEAH, GO AHEAD. OKAY.

I'M GONNA HAVE TO LET GO OF THIS ARTERY.

WAIT A MINUTE. HANG ON.

SOMEBODY GET IN HERE WITH US.

OKAY.LIFT OUT HIS FOOT, ALL RIGHT?

LET ME GET HIS FOOT.

Johnny: YOU GUYS... NOW, HOLD HIM UP. SOMEBODY HOLD HIM UP.

MARCO, GET IN THERE. YEAH.

Johnny: YOU GOT HIS WAIST?

OKAY, I GOT THE ARTERY.

CHET, IS THERE ANY WAY YOU CAN GET IN HERE A LITTLE CLOSER?

OKAY.

ALL RIGHT, HIS FEET ARE FREE. NOW DRAG HIM OUT.

I GOT HIS BELT.OKAY.

ALL RIGHT.

LIFT HIM UP.OKAY.

OKAY.

Chet: OOH, WATCH IT. WATCH THE OXYGEN. GRAB THE OXYGEN.

[ panting ]

OKAY. YEAH. THERE YOU GO.

OKAY, YOU WANNA CHECK THE ARTERIAL FLOW, THERE?

YOU GOT IT?

RAMPART, SQUAD 51.GO AHEAD, 51.

WE'RE TRANSPORTING THE PATIENT TO YOUR LOCATION.

THE B.P. ON THE PATIENT IS 90/70.

THE PATIENT REFUSED TO HAVE AN I.V.,

SO WE'VE OCCLUDED THE ARTERIAL FLOW IN THE RIGHT ARM.

10-4, 51.

PHEW. TAKE THE, UH... OKAY, I GOT THAT.

TAKE HIM TO ROOM TWO. DR. MORTON WILL SEE HIM.

IS THAT THE ONE WHO WOULDN'T TAKE THE I.V.?

Roy: YEAH.

WELL, HE LOOKS LIKE HE MADE IT. ROOM THREE.

HOW'S MRS. BARLOW DOING?

MOTHER'S FINE, BABY'S FINE.

THE FATHER FAINTED. TWICE.

JUST THE LAST FOUR LINES?

LAST FOUR LINES.

HERE HE COMES.

Stanley: ALL RIGHT, MARCO.

"O,"

"F,"

"L."

"C,"

"T,"

"E."

NO, THE LAST ONE'S A "B," BUT THAT WAS PRETTY GOOD.

IT'S OKAY, MARCO. PRETTY GOOD ANYWAY.

HEY, WHAT'S GOING ON?

WELL, THERE'S BEEN SO MUCH TALK ABOUT POOR EYESIGHT AROUND HERE,

I FIGURED I'D BETTER CHECK EVERYBODY OUT. ROY?

Johnny: YOU'RE UP, ROY.

"T,"

"P,"

"E,"

"O," "L,"

"F,"

"D."

"Z."

TERRIFIC.

OKAY, JOHN.

OKAY, CAP.

OKAY.

OH, THAT'S A TOUGHIE. LET'S SEE NOW.

UH... "L,"

"P," "C,"

"T,"

"Z,"

"B," "D,"

"F,"

"E," "O."

THE MAN'S GOT THE EYES OF A HAWK!

WELL...

CHET!HUH?

YOUR TURN.OH.

TRY THIS ONE HERE.

UH...

WELL, COME ON, CHET, THAT'S AN EASY ONE I GAVE YOU.

ALL RIGHT, WELL, WHAT ABOUT THAT ONE?

UH, THAT'S, UH...

CHET, THAT'S AN EASY ONE.

I CAN'T READ IT, CAP, I CAN BARELY SEE THAT "E."

NO KIDDING, MAN? REALLY?

HERE. TAKE IT EASY. IT'S NOT THE END OF THE WORLD.

HAVE A CUP OF COFFEE.

YEAH, COME ON.

MIKE AND MARCO AND I'LL POINT YOU TO THE FIRE.

I DON'T THINK THAT'LL BE NECESSARY; I DON'T THINK I'LL BE AROUND.

WHAT DO YOU MEAN, YOU WON'T BE WITH US?

COME ON, WE'RE A TEAM.

YEAH? WELL, YOU KNOW, I COULD BE LAID OFF THIS JOB.

YOU CAN ALWAYS BECOME AN UMPIRE.

OR A BATTALION CHIEF.

LOOK, THE ONLY THING I EVER WANTED TO DO, ALL MY LIFE,

WAS BE A FIREMAN.

CHET, IT WAS JUST A JOKE.

YEAH, COME ON.

WE'RE JUST JOKING WITH YOU. WE WERE SETTING YOU UP.

YOU AREN'T SMART ENOUGH TO HAVE FOOLED ME.

WHAT... NOW WAIT A MINUTE. OKAY, IN THERE, IN THE BATHROOM,

I SAW THE LIGHTS GO ON AND OFF, TOO.

YEAH, AND THAT FLY? THERE WAS NO FLY.

ROY, YOU DON'T HAVE TO LIE TO ME.

YESTERDAY, I WENT DOWN TO THE MOVIE HOUSE

TO SEE A MOVIE.

I WATCHED THE WHOLE THING. IT WAS BLURRY THE WHOLE TIME.

WHERE'D YOU SIT?

WELL, IN THE FIRST ROW.

I WANTED TO MAKE SURE I COULD SEE IT.

THAT'S WHY IT WAS BLURRY.

ALL RIGHT, NOW, YOU CAN'T EXPLAIN THE EYE CHART.

YES, IT CAN BE EXPLAINED. LOOK, LET ME SHOW YOU...

NO, IT CAN'T BE EXPLAINED. I DON'T EVEN WANT TO HEAR IT.

NOW LOOK, CHET, IT CAN BE EXPLAINED, IF YOU'LL JUST HANG... WAIT...

[ sighs ]

WELL, HE'S THE HARDEST GUY IN THE WORLD TO COMMUNICATE WITH, ISN'T HE?

I'VE BEEN TELLING YOU THAT FOR YEARS.

WELL, WE'D BETTER THINK OF SOMETHING BEFORE...

[ alarm sounding ]

Dispatcher: STATION 51, ACCIDENT AND CAR FIRE.

5000 OLD HILL ROAD. TIME OUT, 0812.

Stanley: STATION 51, BMG 365.

[ sirens wailing ]

[ radio beeping ]

Dispatcher: ENGINE 51. INFORMANT REPORTS FIRE IS NOW OUT,

BUT THERE IS AN INJURY.

ENGINE 51.

I WAS UP ON THE HILL CHOPPING WEEDS.

OH, THE RAIN BRINGS THOSE THINGS UP BY THE TON.

BUT I WAS STANDING THERE

AND ALL OF A SUDDEN, I SEEN THIS FELLOW COMING DOWN THE ROAD, LICKETY-SPLIT,

AND HE TRIED TO MAKE THIS CURVE,

AND WHAM, BANG, RIGHT INTO THAT TREE!

UP AND OVER LIKE A PINWHEEL,

AND HIS GAS TANK WENT UP LIKE A TORCH.

I NEVER USED ONE OF THESE THINGS BEFORE. IT WORKED PRETTY GOOD.

HEY, THIS FELL OUT OF HIS POCKET.

HIS NAME IS MARSH. LOU MARSH.

HE JUST BEEN LYING THERE LIKE THAT, EYES OPEN, STARING UP AT THE SKY.

WON'T MOVE OR ANYTHING.

YOU THINK HE'S DEAD?

I'VE HEARD SOMETIMES THEY DON'T CLOSE THEIR EYES.

PULSE IS PRETTY RAPID AND STEADY.

RESPIRATION'S OKAY.

INTERNAL?

I DON'T KNOW.

RAMPART, THIS IS SQUAD 51.

GO AHEAD, 51.

RAMPART, WE HAVE A MALE VICTIM HERE, ABOUT 33, 34 YEARS OLD.

HE'S BEEN IN A MOTORBIKE ACCIDENT.

HE IS CONSCIOUS, NO APPARENT SIGNS OF INTERNAL INJURY.

THE VITAL SIGNS ARE,

THE PULSE IS 100, AND THE RESPIRATION 16.

STAND BY FOR B.P.

110/80.

B.P. IS 110/80.

10-4, 51.

ARE YOU IN ANY PAIN?

MR. MARSH, CAN YOU HEAR ME?

CAN YOU HEAR ME, MR. MARSH?

THAT'S THE WAY HE WAS WITH ME. WOULDN'T SAY A THING.

I THINK MAYBE HE'S IN SHOCK.

MR. MARSH?

I WANT YOU TO MOVE YOUR ARMS, OKAY?

CAN YOU MOVE YOUR HANDS?

MR. MARSH, TRY TO MOVE YOUR LEGS.

MOVE YOUR FEET, MR. MARSH.

RAMPART, THIS IS SQUAD 51.

GO AHEAD, 51.

PATIENT'S CONSCIOUS, HIS EYES ARE OPEN,

BUT WE'RE NOT GETTING ANY MOVEMENT OUT OF HIS EXTREMITIES.

NOW, HE'S GOT A FAIRLY BAD ABRASION ON HIS FOREHEAD,

SO WE SUSPECT THERE MIGHT BE SOME HEAD INJURY.

51, AGREE.

PROBABLY A HEAD INJURY,

BUT THE CERVICAL SPINE COULD ALSO BE INVOLVED.

MOBILIZE NECK AND TRANSPORT.

10-4, RAMPART.I'LL GET THE SUPPLY KIT.

JOHNNY, HIS PULSE HAS GONE UP!

RAMPART, SQUAD 51.

PULSE ON OUR VICTIM HAS GONE WAY UP TO 120.

WHAT'S HIS BLOOD PRESSURE?

STAND BY FOR B.P.

140/100.

B.P. IS 140/100.

51, START AN I.V. WITH D5W, TKO.

I.V. WITH D5W, TKO.

YOU TAKING HIM TO THE HOSPITAL?

YEAH, THAT'S RIGHT.

ROY?

WHEN WE JUST MENTIONED TAKING HIM TO THE HOSPITAL,

HIS HEART JUST STARTED RACING.

HE CAN HEAR US.

LOOK. LOOK, HE'S MOVING HIS THUMB.

HEY, MISTER, WHEN I FIRST GOT TO HIM,

HE WAS STILL MOVING A LITTLE BIT, AND HE WAS TRYING TO TALK.

I'M NOT SURE, BUT I THINK HE SAID SOMETHING ABOUT THE ROAD.

"UP THE ROAD."

MR. MARSH? CAN YOU MOVE YOUR THUMB AGAIN?

HE CAN UNDERSTAND.

MR. MARSH, ARE YOU TRYING TO TELL US SOMETHING?

IF YOUR ANSWER IS YES, I WANT YOU TO MOVE YOUR THUMB UP AND DOWN.

IF IT'S NO, I WANT YOU TO MOVE IT SIDEWAYS, ALL RIGHT?

EACH TIME WE MENTION THE HOSPITAL, YOU GET EXCITED.

ARE YOU AFRAID TO GO IN THE HOSPITAL?

DO YOU WANT TO GO TO THE HOSPITAL?

LOOK, YOU WERE TALKING TO THIS MAN HERE

ABOUT SOMETHING UP THE ROAD, RIGHT?

ARE YOU AFRAID OF SOMETHING UP THE ROAD?

IS THERE SOMEONE ELSE UP THAT ROAD?

CAP, THERE MAY BE ANOTHER VICTIM UP THE ROAD!

CHET, GO WITH ROY, PAL.

OKAY. MY PARTNER'S GONNA GO UP THE ROAD AND HAVE A LOOK.

DO YOU UNDERSTAND ME?

Roy: THERE IT IS.

NOTHING. LET'S CHECK THE BACK.

HE'S IN HERE!

GET ME A SPARE CUFF AND STETHOSCOPE, ALL RIGHT?

HERE. ROY?ALL RIGHT.

LET'S SEE.

I GOT SOME DEEP RESPIRATIONS.

THERE. WANNA TAKE THIS STUFF OUT OF HERE?

B.P.'s A LITTLE UNDER NORMAL,

BUT I CAN'T FIND ANYTHING WRONG WITH HIM.

ENGINE 51, THIS IS SQUAD 51.

10-4, SQUAD 51.

WE GOT A SECOND VICTIM UP HERE.

IT'S A BOY.

HE'S UNCONSCIOUS. HE'S INSIDE OF A CAMPER,

ABOUT A HALF A MILE SOUTH OF YOUR LOCATION.

I'M GONNA BE BRINGING HIM DOWN IN THE SQUAD.10-4.

OKAY, LET'S GET HIM OUT OF HERE.

WHY DON'T YOU TAKE THIS B.P. CUFF HERE?

ALL RIGHT.

LET ME TRY TO GET HIM OUT.

OKAY.

WHY DON'T YOU HOLD HIM FOR ME UNTIL I GET OUT HERE?

YOU GOT HIM?YEAH.

ALL RIGHT.

OKAY.

GOT HIM?YEAH.

MY PARTNER FOUND A CAMPER

WITH A LITTLE BOY IN IT.

IS THAT WHAT YOU WERE TRYING TO TELL US?

ENGINE 51, THIS IS SQUAD 51.

ENGINE 51.

THIS BOY IS STILL UNCONSCIOUS,

AND I CAN'T FIND ANY APPARENT INJURY.

CAN YOU ASK THE PATIENT AT YOUR LOCATION

IF HE KNOWS WHAT'S WRONG WITH HIM?

10-4.

Johnny: MR. MARSH, WAS HE HURT IN THE WRECK?

WELL, HE'S UNCONSCIOUS. DO YOU KNOW WHAT'S WRONG WITH HIM?

WAS IT A SNAKEBITE?

WAS HE WITH YOU ON YOUR TRIP? WAS HE SICK?

YOU GUYS WANNA BRING THAT STRETCHER ON IN HERE?

WAS IT SOMETHING HE ATE?

I CAN'T GET ANYTHING OUT OF HIM.ALL RIGHT.

LOOK. NOW, THE YOUNG BOY'S HERE,

AND HE'S GONNA GO TO THE HOSPITAL, OKAY? HE'S GONNA BE ALL RIGHT.

OKAY, THANKS.

I CAN'T GET ANYTHING OUT OF HIM.

ALL RIGHT.

RAMPART, THIS IS SQUAD 51.

GO AHEAD, 51.

RIGHT, WE GOT A SECOND VICTIM HERE.

HE'S A BOY, HE'S TEN YEARS OLD.

VITALS ON HIM ARE,

THE BLOOD PRESSURE'S 100/60,

PULSE IS FAST AND FAINT,

AND THE RESPIRATION IS, UH, DEEP.

THERE WAS NO APPARENT INJURY, AND THE SKIN WAS PALE.

OBSERVE AND TRANSPORT.

RIGHT, RAMPART, HE'S ON THE WAY.

Man 1: RAMPART, SQUAD 14.

GO AHEAD, 14.

RAMPART, THIS IS SQUAD 14. I HAVE A FULL ARREST.

I'VE DEFIBRILLATED ONCE, BUT PATIENT STILL IN V-FIB.

14, START I.V. D5W,

THEN ADMINISTER ONE AMP BICARB AND DEFIB AGAIN, 14.

SQUAD 14, 10-4.

Man 2: RAMPART, THIS IS SQUAD 45.

PATIENT IS NOT RESPONDING.

45, CONTINUE CPR.

GIVE ONE AMP OF 1:10,000 EPINEPHRINE, IC.

1O-4.CAN I HELP?

YEAH. ASK PROSTHETICS TO GET ME AN EXTRA PAIR OF HANDS.

DOC, THIS MAN IS PARALYZED, BUT HE IS STABILIZED.

PULL HIM TO ROOM FOUR TILL I EXAMINE THE BOY.

ALL RIGHT.

PULSE ON THE BOY HAS GONE UP, BLOOD PRESSURE IS DOWN.

EVERY NOW AND THEN, HE TAKES A DEEP INTAKE OF BREATH,

LIKE HE'S SUFFOCATING ON SOMETHING.

I CAN'T FIGURE IT.

HE SMELLS OF ACETONE. MAY BE DIABETIC.

YEAH. JOHNNY?

MR. MARSH? NOW, LISTEN TO ME.

IS YOUR SON A DIABETIC?

HE'S A DIABETIC.

DIX, GET HIM INTO THREE. DRAW BLOOD SUGAR AND GET IT TO THE LAB, STAT.

DOC, HE SEEMS TO BE PARALYZED ALL OVER.

THE ONLY THING THAT HE CAN MOVE IS HIS RIGHT THUMB.

WHEN DID THE ACCIDENT HAPPEN?

ABOUT, OH, 45, 50 MINUTES AGO.

LOOK, WILL YOU DO SOMETHING FOR ME?

TRY HARD,

TRY VERY HARD,

TO MOVE YOUR LEFT HAND.

YOUR LEFT HAND. OKAY?

IT'S A GOOD SIGN.

LET'S GET HIM INTO FOUR.OKAY.

HOW DID IT GO AT THE HOSPITAL?

IT LOOKS LIKE THEY'RE BOTH GONNA RECOVER.WOW, THAT'S GREAT.

WISH I COULD SAY THE SAME FOR CHET.

HE WON'T LISTEN TO ANYBODY.

[ sighs ] WHERE IS HE?

HE'S IN THE LOCKER ROOM,

TRYING TO DECIDE WHO HE'S GONNA GIVE HIS PIN-UP PICTURE TO.

[ sighing ] OH, MAN.

HI, JOHNNY.

HEY, LOOK, I'M GONNA LEAVE YOU MY FAVORITE POSSESSION,

BECAUSE I THINK WE'RE THAT TIGHT.

OH, SHUT UP!HUH?

JUST... JUST SHUT UP AND LISTEN TO ME FOR A SECOND, WILL YOU?

NOW LOOK, WE PLAYED A JOKE ON YOU,

AND YOU FELL APART.

NOW, YOU SAY YOU'RE TOO SMART TO BE FOOLED BY ME,

AND YOU THINK I'M JUST TRYING TO CHEER YOU UP.

WELL, IF YOU'RE SO SMART, HOW COME YOU CAN'T FIGURE OUT

THAT I DON'T REALLY LIKE YOU WELL ENOUGH

TO TRY TO PROTECT YOUR FEELINGS?

WELL...RIGHT?

YEAH, I KNOW THAT...

ALL RIGHT. NOW LISTEN TO THIS.

NOW, THE EYE TEST. THE EYE TEST, RIGHT?

WE ALL HAD THESE SO WE COULD READ OFF OF THEM.

I KNOW THAT!

WHAT?

I KNEW YOU GUYS WERE TRYING TO PLAY TRICKS ON ME.

I WAS PUTTING YOU ON!

WELL, YOU SURE HAD ME FOOLED.

WELL, YOU KNOW ME.

YEAH. THAT'S RIGHT.

I DO KNOW YOU.

WELL, COME ON, LET'S GO GET SOME COFFEE.

OH, BY THE WAY, IS THAT YOUR FIVE-DOLLAR BILL?

OH, COME ON, QUIT PUTTING ME ON.

I'M SERIOUS. A FIVE-DOLLAR BILL RIGHT DOWN BY MIKE'S' LOCKER.

COME ON. COFFEE.

I'M SERIOUS!