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1
00:00:01,626 --> 00:00:05,796
[eerie music]
2
00:00:05,880 --> 00:00:07,965
(narrator)
THERE IS A FIFTH DIMENSION
3
00:00:08,049 --> 00:00:10,467
BEYOND THAT WHICH
IS KNOWN TO MAN.
4
00:00:10,552 --> 00:00:13,387
IT IS A DIMENSION
AS VAST AS SPACE
5
00:00:13,430 --> 00:00:16,265
AND AS TIMELESS
AS INFINITY.
6
00:00:16,349 --> 00:00:19,977
IT IS THE MIDDLE GROUND
BETWEEN LIGHT AND SHADOW,
7
00:00:20,061 --> 00:00:22,229
BETWEEN SCIENCE
AND SUPERSTITION.
8
00:00:22,272 --> 00:00:25,566
AND IT LIES BETWEEN
THE PIT OF MAN'S FEARS
9
00:00:25,650 --> 00:00:28,569
AND THE SUMMIT
OF HIS KNOWLEDGE.
10
00:00:28,653 --> 00:00:31,113
THIS IS THE DIMENSION
OF IMAGINATION.
11
00:00:31,197 --> 00:00:35,409
IT IS AN AREA
WHICH WE CALL THE TWILIGHT ZONE.
12
00:00:58,850 --> 00:01:01,018
PORTRAIT OF
A MAN AT WORK.
13
00:01:01,102 --> 00:01:05,439
THE ONLY WORK HE'S
EVER DONE. THE ONLY WORK HE KNOWS.
14
00:01:05,482 --> 00:01:09,151
HIS NAME IS
HENRY FRANCIS VALENTINE, BUT HE CALLS HIMSELF ROCKY
15
00:01:09,235 --> 00:01:11,487
BECAUSE THAT'S THE WAY
HIS LIFE HAS BEEN.
16
00:01:11,571 --> 00:01:15,282
ROCKY AND PERILOUS
AND UPHILL AT A DEAD RUN ALL THE WAY.
17
00:01:15,325 --> 00:01:19,495
HE'S TIRED NOW, TIRED
OF RUNNING OR WANTING
18
00:01:19,579 --> 00:01:22,706
OF WAITING FOR THE
BREAKS THAT COME TO OTHERS BUT NEVER TO HIM.
19
00:01:22,791 --> 00:01:25,292
NEVER TO ROCKY VALENTINE.
20
00:01:25,335 --> 00:01:29,171
[Police sirens approaching]
21
00:01:45,146 --> 00:01:51,652
[gunshots]
22
00:01:56,825 --> 00:01:58,534
STOP! STOP
OR I'LL SHOOT!
23
00:01:58,618 --> 00:02:01,078
NOT THIS TIME,
YOU LOUSY SCREW.
24
00:02:01,162 --> 00:02:06,750
[gunshots]
25
00:02:11,381 --> 00:02:14,675
(narrator)
A SCARED, ANGRY LITTLE MAN.
26
00:02:14,759 --> 00:02:17,344
HE THINKS IT'S
ALL OVER NOW, BUT HE'S WRONG.
27
00:02:17,428 --> 00:02:21,473
FOR ROCKY VALENTINE,
IT'S JUST THE BEGINNING.
28
00:02:36,114 --> 00:02:38,699
MR. VALENTIN E.
29
00:02:38,741 --> 00:02:41,326
MR. VALENTIN E!
30
00:02:54,799 --> 00:02:56,383
WHO ARE YOU?
31
00:02:58,469 --> 00:03:01,138
MY NAME IS P I P.
CAN I H ELP YOU?
32
00:03:01,222 --> 00:03:03,891
HOW DO YOU
KNOW MY NAME?
33
00:03:03,975 --> 00:03:06,602
IT'S MY JOB TO KNOW
EVERYTHING ABOUT YOU.
34
00:03:06,686 --> 00:03:09,605
ARE YOU A COP?
35
00:03:09,689 --> 00:03:13,650
OH, NO, NO, I'M A--
I'M YOUR GUIDE, AS IT WERE.
36
00:03:15,820 --> 00:03:17,613
[chuckIes]
37
00:03:17,697 --> 00:03:19,907
G U I DE, EH?
38
00:03:19,991 --> 00:03:22,701
I NEED LIKE
A HOLE IN THE H EAD.
39
00:03:26,831 --> 00:03:29,082
WHOA.
40
00:03:29,167 --> 00:03:31,668
WHAT HAPPENED?
41
00:03:31,753 --> 00:03:35,797
YOU HAD A SLIGHT ACCIDENT.
BUT DON'T WORRY. YOU'LL BE AS F IT AS A NEW F I DDLE SOON.
42
00:03:35,882 --> 00:03:39,801
I'M SURE YOU'D LIKE TO CHANG E
OUT OF THOSE RU M PLED CLOTH ES, EH, MR. VALENTIN E?
43
00:03:39,886 --> 00:03:42,471
HOLD IT A MINUTE.
44
00:03:42,555 --> 00:03:44,640
I WANNA KNOW HOW
YOU KNOW MY NAME.
45
00:03:44,724 --> 00:03:45,974
I'VE ALREADY
TOLD YOU.
46
00:03:46,059 --> 00:03:48,644
YOU TOLD ME NOTHING.
47
00:03:48,728 --> 00:03:52,105
LET ME CLU E YOU, FATSO.
I DON'T LIKE GAM ES.
48
00:03:52,190 --> 00:03:54,608
OH, THAT ISN'T TRU E,
MR. VALENTIN E.
49
00:03:54,651 --> 00:03:58,487
WHY-WHY, YOU LIKE
ROU LETTE, BLACKJACK, POKER, CRAPS,
50
00:03:58,571 --> 00:04:00,822
AND BETWEEN THE AG ES
OF SEVEN AND TEN
51
00:04:00,907 --> 00:04:03,033
YOU WERE QU ITE FON D
OF M U M BLETY-PEG.
52
00:04:07,580 --> 00:04:09,957
WHAT ARE YOU
AFTER, ANYWAY?
53
00:04:09,999 --> 00:04:13,293
ONLY ONE THING,
MR. VALENTIN E. YOUR COM FORT.
54
00:04:13,336 --> 00:04:16,630
MY JOB IS TO SEE TO IT
THAT YOU GET WHAT YOU WANT, WHATEVER IT MAY BE.
55
00:04:16,714 --> 00:04:20,217
YEAH? IN
EXCHANG E FOR WHAT?
56
00:04:20,301 --> 00:04:24,012
NOTHING AT ALL,
MR. VALENTIN E. IT'S ABSOLUTELY FREE.
57
00:04:24,097 --> 00:04:27,641
DON'T PUT ME ON, FATSO.
NOTHING'S FREE. NOTHING!
58
00:04:27,684 --> 00:04:30,978
ANYTHING I EVER GOT
IN THIS LOUSY WORLD I HAD TO DRAG OUT OF IT,
59
00:04:31,020 --> 00:04:34,022
SO DON'T PUT ME ON.
60
00:04:34,107 --> 00:04:37,067
NOW, WHAT'S THE P ITCH?
YOU WANT ME TO DO A JOB FOR YOU, RIGHT?
61
00:04:37,151 --> 00:04:39,486
I'M AFRAI D YOU
DON'T UNDERSTAND.
62
00:04:39,529 --> 00:04:43,740
NO? ALL RIGHT, LET'S SEE.
GIVE ME YOUR WALLET, CRACKER. COME ON, COME ON.
63
00:04:43,825 --> 00:04:45,325
I DON'T HAVE A WALLET.
64
00:04:45,410 --> 00:04:46,994
COME ON, SANTA CLAUS.
65
00:04:47,036 --> 00:04:49,663
NO, HON ESTLY. WAIT,
WAIT, MR. VALENTIN E.
66
00:04:49,747 --> 00:04:54,293
IT ISN'T A WALLET
YOU WANT, IS IT? NO, NO. IT'S MONEY.
67
00:04:58,214 --> 00:05:00,882
THREE H U N DRED,
FIVE H U N DRED.
68
00:05:02,510 --> 00:05:04,094
SEVEN H U N DRED BUCKS.
69
00:05:04,178 --> 00:05:06,430
WILL THAT BE ENOUGH
FOR NOW, THEN?
70
00:05:06,514 --> 00:05:08,181
YOU GOT MORE?
71
00:05:08,266 --> 00:05:12,894
OH, YES, AS MUCH
AS YOU WANT. NOW, SHALL WE?
72
00:05:12,979 --> 00:05:15,689
HEY, FATS.
73
00:05:20,486 --> 00:05:24,031
NOW, DON'T TRY
ANYTHING FU N NY, HM?
74
00:05:36,210 --> 00:05:38,462
YOU LIKE IT?
75
00:05:38,546 --> 00:05:40,380
YEAH.
76
00:05:40,465 --> 00:05:43,300
YEAH, IT'S SOME
PAD, ALL RIGHT.
77
00:05:43,384 --> 00:05:46,553
WHO'S IT BELONG TO?
SOME PHONY POLITICIAN?
78
00:05:46,637 --> 00:05:49,389
WHY, IT BELONGS TO
YOU, MR. VALENTIN E.
79
00:05:49,432 --> 00:05:52,059
MM-HM.
80
00:05:52,101 --> 00:05:54,978
THAT IS IF, UH,
IF YOU APPROVE.
81
00:05:57,899 --> 00:05:59,983
YEAH, I APPROVE.
82
00:06:00,068 --> 00:06:02,819
OF COURSE,
WE CAN MAKE ANY CHANG ES YOU WISH.
83
00:06:02,904 --> 00:06:08,116
YOU SEE, I WASN'T TOO SURE
ABOUT THE H I-F I RIGHT OVER THERE, BUT--
84
00:06:08,201 --> 00:06:11,912
YOU MEAN, ALL THIS GETS
THROWN INTO THE DEAL?
85
00:06:14,707 --> 00:06:18,752
OH, IT'S ALREADY
IN THE DEAL AS YOU CALL IT, MR. VALENTINE.
86
00:06:18,795 --> 00:06:21,088
LOOK HERE.
87
00:06:27,428 --> 00:06:28,970
YOU SEE?
88
00:06:29,055 --> 00:06:30,972
AH.
89
00:06:38,398 --> 00:06:40,690
THAT IS THE
MASTER BEDROOM.
90
00:06:43,277 --> 00:06:45,779
AH, AH, AH,
AH. AFTER YOU.
91
00:06:49,534 --> 00:06:51,827
THERE.
92
00:07:02,630 --> 00:07:07,634
THE BATH ROOM'S IN THERE. I'M
SURE YOU'D LIKE A CHANG E OF CLOTHING AND FRESH EN UP A B IT.
93
00:07:07,677 --> 00:07:10,470
YEAH. YEAH, SURE.
94
00:07:13,474 --> 00:07:15,725
BUT FIRST OF ALL,
WHAT'S THE P ITCH?
95
00:07:15,810 --> 00:07:19,187
COME ON, THE P ITCH, THE CATCH
THE GI M M ICK. WHAT DO I GOTTA DO FOR ALL THIS?
96
00:07:19,272 --> 00:07:21,064
NOTHING, I CAN'T
TELL YOU MORE.
97
00:07:21,149 --> 00:07:23,024
I GET IT. YOU'RE
JUST A GOON, HUH?
98
00:07:23,109 --> 00:07:24,860
YOU WORK FOR
SOMEBODY ELSE, RIGHT?
99
00:07:24,944 --> 00:07:26,570
IN A WAY, YEAH.
100
00:07:26,654 --> 00:07:30,157
WHEN DO I MEET HIM?
THE BIG BOY, YOUR BOSS?
101
00:07:30,241 --> 00:07:32,742
[chuckIing]
I REALLY COULDN'T SAY.
102
00:07:32,827 --> 00:07:36,621
ALL RIGHT, GOON.
I CAN WAIT.
103
00:07:53,681 --> 00:07:57,184
ANY PARTICU LAR COLOR
OR STYLE, S I R?
104
00:07:57,226 --> 00:07:58,768
NO, YOU PICK IT.
105
00:07:58,853 --> 00:08:01,438
OH, I COULD HARDLY
PRESU ME TO DO THAT!
106
00:08:01,522 --> 00:08:05,859
HOWEVER, BEARING IN MIND
THAT YOU FAVOR A NICE CHECK, I THOUGHT PERHAPS--
107
00:08:09,071 --> 00:08:10,947
YEAH, THAT'LL DO.
108
00:08:11,032 --> 00:08:14,284
YEAH. WE HAVE QU ITE
A WI DE SELECTION OF TI ES HERE,
109
00:08:14,368 --> 00:08:18,246
AND I BELIEVE THAT YELLOW
IS YOUR FAVORITE COLOR.
110
00:08:18,331 --> 00:08:21,708
[chuckIes]
WHAT'S THE MATTER WITH YOU?
111
00:08:21,792 --> 00:08:24,377
YOU GOT NO TASTE?
112
00:08:27,215 --> 00:08:29,925
NOW, THAT'S A TI E, SEE?
113
00:08:31,260 --> 00:08:33,762
HEY. HUH?
114
00:08:33,846 --> 00:08:36,097
[Iaughs]
IT F ITS.
115
00:08:36,182 --> 00:08:37,891
[Iaughing]
OF COURSE.
116
00:08:37,975 --> 00:08:40,936
YES, VERY IMPRESS IVE, S I R.
117
00:08:41,020 --> 00:08:44,814
YEAH, WELL, I'LL SAY THIS,
YOUR GUY KNOWS CLOTH ES.
118
00:08:51,239 --> 00:08:53,156
MR. VALENTIN E.
119
00:08:53,241 --> 00:08:55,659
WHERE DID THAT
COME FROM?
120
00:08:55,743 --> 00:08:59,621
I THOUGHT YOU MIGHT BE A LITTLE
H U NG RY, SO I JUST ORDERED UP SOMETHING FOR YOU.
121
00:09:12,760 --> 00:09:16,179
U H-U H. YOU EAT IT.
122
00:09:16,264 --> 00:09:19,015
OH, BUT I DON'T EAT.
I HAVEN'T EATEN I N--
123
00:09:19,100 --> 00:09:21,268
IT MUST BE TWO
OR THREE CENTU RI ES.
124
00:09:21,310 --> 00:09:22,936
ANYTHING WRONG WITH IT?
125
00:09:22,979 --> 00:09:24,271
NO.
126
00:09:24,313 --> 00:09:25,689
THEN EAT IT.
127
00:09:25,773 --> 00:09:27,774
BUT I CAN'T.
I'VE FORGOTTEN HOW.
128
00:09:27,817 --> 00:09:30,694
I GET IT.
GIVE A GUY SOME N EW CLOTH ES AND A BATH
129
00:09:30,778 --> 00:09:33,863
AND THEN PO ISON HIM, HUH?
PRETTY SMART, PRETTY SMART, FATSO,
130
00:09:33,948 --> 00:09:35,824
BUT NOT SMART ENOUGH!
131
00:09:39,620 --> 00:09:43,123
A BU LLETPROOF VEST, HUH?
LET'S SEE HOW YOUR H EAD HOLDS UP.
132
00:09:43,207 --> 00:09:45,292
MR. VALENTIN E, PLEASE.
133
00:09:51,966 --> 00:09:54,884
I COULDN'T HAVE MISSED,
NOT AT THIS RANG E.
134
00:09:54,969 --> 00:09:56,970
MAYBE--
135
00:10:18,784 --> 00:10:20,827
HEY, WAIT A MINUTE.
136
00:10:20,870 --> 00:10:25,165
WHERE DID THIS COME FROM?
THIS WASN'T HERE BEFORE.
137
00:10:25,207 --> 00:10:28,084
WHAT'S GOING ON HERE?
138
00:10:28,169 --> 00:10:30,670
WHERE AM I?
139
00:10:30,755 --> 00:10:35,008
MR. VALENTIN E, DO YOU
REMEMBER WHEN WE MET EARLI ER TODAY?
140
00:10:35,092 --> 00:10:37,177
I TOLD YOU I WAS,
IN A SENSE, YOUR GU I DE,
141
00:10:37,261 --> 00:10:40,430
AND YOU SAID
YOU NEEDED A GU I DE LIKE A HOLE IN THE H EAD?
142
00:10:40,514 --> 00:10:44,684
AS A MATTER OF STRICT FACT,
YOU HAD A HOLE IN THE H EAD, ONLY A SHORT TIME BEFORE.
143
00:10:44,769 --> 00:10:47,187
A BU LLET HOLE.
144
00:10:47,229 --> 00:10:51,399
OH, YEAH, THAT'S RIGHT.
THE COPS, THEY--
145
00:10:52,818 --> 00:10:56,404
THEN IMUST--
I MUST BE DEAD.
146
00:10:56,489 --> 00:10:59,282
M M-H M.
147
00:10:59,367 --> 00:11:02,118
WELL, IF I'M DEAD,
148
00:11:02,203 --> 00:11:04,913
TH EN-THEN ALL OF THIS,
149
00:11:04,997 --> 00:11:08,541
THE JO I NT,
TH E-THE CLOTH ES, TH E-THE BOOZE.
150
00:11:08,626 --> 00:11:11,294
THEN IMUST
BE IN H EAVEN.
151
00:11:11,379 --> 00:11:14,130
YEAH, THAT'S IT. THAT'S
IT, I'M IN H EAVEN, RIGHT?
152
00:11:14,215 --> 00:11:16,800
YOU'RE MY GUARDIAN
ANGEL OR SOMETHING LIKE THAT.
153
00:11:16,884 --> 00:11:18,593
SOMETHING LIKE
THAT, YEAH.
154
00:11:18,678 --> 00:11:20,136
ANYTHING I WANT, EH?
155
00:11:20,221 --> 00:11:22,138
ANYTHING, ANYTHING.
156
00:11:22,223 --> 00:11:24,933
YEAH, BIG TALK, FATSO.
I WANNA SEE A LITTLE ACTION NOW.
157
00:11:25,017 --> 00:11:29,813
RIGHT NOW I WANT
A M I LLION BUCKS IN FIVE "G" NOTES.
158
00:11:29,897 --> 00:11:32,399
AN D, UH, AND A CH ICK
THAT WON'T QU IT.
159
00:11:32,483 --> 00:11:35,318
I MEAN, I MEAN,
JUST LIKE STACKED,
160
00:11:35,403 --> 00:11:40,073
LIKE, LIKE, LIKE,
LIKE, BEAUTIFUL, HUH?
161
00:11:42,910 --> 00:11:44,661
WELL?
162
00:11:44,745 --> 00:11:47,664
AS FOR THE M ILLION,
LOOK IN THAT DRAWER.
163
00:11:47,748 --> 00:11:49,457
THERE?
164
00:11:49,542 --> 00:11:50,583
M M-H M M.
165
00:11:52,169 --> 00:11:55,797
A M I LLION.
A M I LLION BUCKS!
166
00:11:55,881 --> 00:12:00,677
[Iaughs]
HEY, BUT WHAT ABOUT, UH, UH?
167
00:12:08,227 --> 00:12:10,937
[lively dance
music playing]
168
00:12:15,776 --> 00:12:17,694
NOW I KNOW
I'M IN H EAVEN.
169
00:12:17,778 --> 00:12:19,821
WILL THERE BE
ANYTHING ELSE, S I R?
170
00:12:19,905 --> 00:12:23,158
YEAH, THERE WILL BE,
FATS. THERE WILL BE, JUST STICK AROUND.
171
00:12:23,242 --> 00:12:25,160
H IYA, DOLL.
172
00:12:29,290 --> 00:12:31,499
OOO-HOO-HOO!
173
00:12:35,671 --> 00:12:38,840
YEE! OOO-HOO-HOO!
174
00:12:41,761 --> 00:12:44,637
YEE!
[Iaughs]
175
00:12:53,731 --> 00:12:56,608
(croupier)
PLACE YOUR BETS, LADI ES AND GENTLEM EN.
176
00:12:58,027 --> 00:13:00,487
NO MORE BETS, PLEASE.
177
00:13:00,571 --> 00:13:03,531
THIRTY-THREE BLACK.
178
00:13:03,616 --> 00:13:07,202
HEY, HOW ABOUT THAT.
I WIN AGAIN. HEY, FATS, COME HERE, COME HERE.
179
00:13:07,286 --> 00:13:10,371
PUT YOUR MONEY
ON THE TABLE, FATS. RIGHT THERE, NUMBER 1 4 RED.
180
00:13:10,456 --> 00:13:13,374
ROCKY IS HOT TONIGHT.
AM I RIGHT, DOLLS?
181
00:13:13,459 --> 00:13:16,336
I'M AFRAI D
I DON'T HAVE ANY MONEY, S I R.
182
00:13:16,420 --> 00:13:20,924
YOU DON'T HAVE ANY MONEY?
WHAT DO THEY PAY YOU, IN HALOS OR SOMETHING?
183
00:13:21,008 --> 00:13:23,885
PLACE YOUR BETS, LADIES
AND GENTLEMEN. PLACE YOUR BETS.
184
00:13:23,969 --> 00:13:25,929
[Iaughs]
185
00:13:26,013 --> 00:13:28,848
NO MORE BETS, LADI ES AND
G ENTLEM EN, NO MORE BETS.
186
00:13:33,354 --> 00:13:34,854
FOURTEEN RED.
187
00:13:34,939 --> 00:13:37,440
WHOO-HOO!
188
00:13:37,525 --> 00:13:40,276
[shouting joyfuIIy]
189
00:13:40,361 --> 00:13:43,947
THAT MAKES WHAT, WHAT,
HUH? 40 GRAND IN AN HOUR.
190
00:13:44,031 --> 00:13:46,574
HOW ABOUT IT?
IS ROCKY HOT OR IS ROCKY HOT?
191
00:13:46,659 --> 00:13:49,160
ROCKY'S HOT.
192
00:13:49,245 --> 00:13:53,540
GO TRADE THIS IN FOR GOLD,
BABY. AND I TELL YOU I'M GONNA BUY AND SELL THIS JO I NT.
193
00:13:53,582 --> 00:13:56,751
HERE, GO GET THEM.
HEY, HEY, HEY, BABY.
194
00:13:56,836 --> 00:14:00,296
THERE'S 40 GRAND IN THERE
AND I COU NT REAL GOOD. YOU KNOW WHAT I MEAN?
195
00:14:00,381 --> 00:14:03,216
ALL RIGHT. AH.
196
00:14:03,300 --> 00:14:07,637
I GOT THIS TABLE SPOOKED.
LET'S GO SEE WHAT'S SHAKING WITH THE CU BES, HUH?
197
00:14:07,721 --> 00:14:09,889
PLACE YOUR BETS,
LADIES AND GENTLEMEN.
198
00:14:11,392 --> 00:14:13,977
HERE, BABY, GO
GET ME SOME J U ICE.
199
00:14:27,575 --> 00:14:29,617
WHOO-HOO!
200
00:14:29,702 --> 00:14:31,661
HEY, LOOK AT THIS!
LOOK AT THIS!
201
00:14:31,745 --> 00:14:34,998
THERE MUST BE 600 BUCKS
HERE, HUH? HOW ABOUT THAT, FATS?
202
00:14:35,082 --> 00:14:38,042
HERE YOU ARE, SWEETHEART.
GO BUY YOURSELF A DRESS FOR FREE.
203
00:14:38,127 --> 00:14:40,753
A PRESENT
FROM ROCKY. [Iaughs]
204
00:14:40,838 --> 00:14:42,755
NEED A CAR, S I R?
205
00:14:42,798 --> 00:14:45,508
YES, A BIG CONVERTI BLE.
BE CAREFU L ON THE WAY, YOU KI D.
206
00:14:45,593 --> 00:14:47,093
YES, S I R.
207
00:14:53,934 --> 00:14:55,852
SOMETHING BOTHER YOU,
MR. VALENTIN E?
208
00:14:55,936 --> 00:14:58,646
YEAH, HIM.
LOUSY SCREW.
209
00:14:58,731 --> 00:15:02,483
THlNKS HE'S [inaudible]
JUST 'CAUSE HE'S GOT A COUPLE ON INCHES ON ME.
210
00:15:02,568 --> 00:15:04,694
OH, DEAR, THAT WAS
IN DISCREET OF ME.
211
00:15:06,071 --> 00:15:07,447
BETTER?
212
00:15:07,531 --> 00:15:09,365
YEAH!
213
00:15:09,450 --> 00:15:12,285
HEY, SCREW,
COME HERE.
214
00:15:12,328 --> 00:15:14,621
YOU GOT YOUR HAT ON,
CROOKED TROOPER.
215
00:15:14,705 --> 00:15:16,873
[Iaughs]
216
00:15:19,960 --> 00:15:21,878
READY, S I R.
217
00:15:21,962 --> 00:15:23,755
COME ON, GET I N, GIRLS.
218
00:15:25,174 --> 00:15:28,301
[grunts]
219
00:15:30,638 --> 00:15:33,848
HERE YOU ARE, KI D.
KEEP THE CHANG E.
220
00:15:33,933 --> 00:15:39,479
ALL RIGHT NOW, LET'S
OPEN THIS BABY UP AND SEE WHAT SHE CAN DO.
221
00:15:39,563 --> 00:15:41,731
[women squeal]
222
00:15:43,609 --> 00:15:46,402
[Iaughs]
ALL RIGHT, GIRLS. HERE WE GO, HERE WE GO.
223
00:15:46,487 --> 00:15:51,991
INTO THE CRACKER BOX.
ON E, TWO, THREE. IT'S MAGIC TIME.
224
00:15:52,034 --> 00:15:55,161
HEY, FATS, I WANT YOU
TO GET RID OF THAT H EAP I'VE BEEN DRIVING.
225
00:15:55,245 --> 00:15:57,330
IT GOES FAST ENOUGH.
IS SOMETHING WRONG?
226
00:15:57,414 --> 00:16:00,541
YEAH, THE
ASHTRAYS ARE FU LL.
227
00:16:00,626 --> 00:16:03,002
HEY, GIRLS, COULD YOU
WAIT IN HERE FOR A MINUTE?
228
00:16:03,087 --> 00:16:05,421
I WANNA TALK TO FATS
FOR A MINUTE, ALL RIGHT?
229
00:16:05,506 --> 00:16:09,384
IN WE GO.
230
00:16:09,468 --> 00:16:12,595
HEY, FATS, HOW ABOUT
TOMORROW WE LOOK UP SOME OF MY OLD BU DDI ES?
231
00:16:12,680 --> 00:16:15,598
LIKE MATT GORMAN
OR F IN K M ITCH ELL, S I LKY ARMSTRONG, HUH?
232
00:16:15,683 --> 00:16:17,725
WHAT'S THE MATTER?
THEY DIDN'T MAKE IT?
233
00:16:17,810 --> 00:16:20,061
OH, IT'S NOT THAT,
MR. VALENTIN E. IT'S, UH--
234
00:16:20,145 --> 00:16:23,064
IT'S RATHER DI FF ICU LT
TO EXPLAIN, REALLY. ALL OF THIS,
235
00:16:23,148 --> 00:16:25,024
ALL IT'S YOUR
OWN PRIVATE DOMAI N.
236
00:16:25,109 --> 00:16:28,111
IT WAS MADE ESPECIALLY
FOR YOU ALON E.
237
00:16:28,195 --> 00:16:32,073
OH, WHAT ABOUT THEM?
YOU MEAN THEY'RE PROPS LIKE IN A MOVIE?
238
00:16:32,157 --> 00:16:35,451
IN A SENSE, YES. EVERYTHING
HERE IS, EXCEPT OF COURSE, YOU AND ME.
239
00:16:35,536 --> 00:16:39,789
U H-HUH. LOOK, S IT DOWN
FOR A MINUTE, FATSO. I WANNA ASK YOU SOMETHING.
240
00:16:39,873 --> 00:16:42,750
IT'S BEEN KIND OF
BUGGING ME ANYWAY. I MEAN,
241
00:16:42,835 --> 00:16:44,794
HOW COME THEY
LET ME IN HERE, HUH?
242
00:16:44,878 --> 00:16:47,755
I THOUGHT THIS WAS ONLY
FOR SCHOOLTEACH ERS AND LIKE THAT.
243
00:16:47,840 --> 00:16:50,091
OH, WE HAVE SOME
SCHOOLTEACH ERS HERE.
244
00:16:50,175 --> 00:16:53,011
THERE M UST'VE BEEN
SOMETHING REAL GOOD I DONE SOMETIME,
245
00:16:53,095 --> 00:16:57,140
SOMETHING THAT MADE UP
FOR EVERYTHING ELSE, HUH? YEAH, THAT'S IT.
246
00:16:57,224 --> 00:17:00,727
BUT, UH, BUT WHAT?
247
00:17:00,769 --> 00:17:03,229
WHEN DID I EVER
DO ANYTHING GOOD?
248
00:17:05,065 --> 00:17:07,483
U H, WELL, LISTEN, HOW
DO IF IN D ABOUT TH IS, HUH?
249
00:17:07,568 --> 00:17:11,112
WELL, WE HAVE A HALL
OF RECORDS HERE. WOULD YOU LIKE ME TO TAKE YOU THERE?
250
00:17:11,196 --> 00:17:13,281
IS IT OPEN
AT THIS HOUR? IT'S ALMOST LIGHT.
251
00:17:13,365 --> 00:17:14,866
IT'S ALWAYS OPEN.
252
00:17:14,950 --> 00:17:17,452
WELL, ALL RIGHT,
LET'S GO. [Iaughs]
253
00:17:17,536 --> 00:17:20,580
HEY, DOLLS, DON'T
GO AWAY, WILL YA? I'LL BE RIGHT BACK.
254
00:17:20,622 --> 00:17:23,041
I JUST WANNA
GET SOMETHING CLEARED UP WITH FATS.
255
00:17:27,087 --> 00:17:29,088
COME ON, LET'S GO.
256
00:18:02,831 --> 00:18:04,248
AH.
257
00:18:06,794 --> 00:18:10,505
"HENRY FRANCIS VALENTIN E."
[chuckIes]
258
00:18:10,589 --> 00:18:13,549
"BORN 1 923,
BROOKLYN, NEW YORK.
259
00:18:13,634 --> 00:18:16,636
AG E OF SIX,
SLAUGHTERED SMALL DOG."
260
00:18:16,678 --> 00:18:18,805
WELL, WHY NOT?
HE BIT ME.
261
00:18:18,889 --> 00:18:23,976
"AG E OF SEVEN,
STOLE 1 4 TOYS FROM DI ME STORE.
262
00:18:24,019 --> 00:18:28,856
AG E OF EIGHT,
ORGAN IZED STREET GANG, THE ANGELS."
263
00:18:28,941 --> 00:18:32,985
HOW ABOUT THAT, HUH?
THAT'S WHAT WE CALLED OU RSELVES, THE ANGELS.
264
00:18:33,028 --> 00:18:35,905
THERE WAS A
G REAT LITTLE BU NCH.
265
00:18:35,989 --> 00:18:39,492
"AG E OF N IN E, BROKE
INTO B ICYCLE STORE."
266
00:18:41,328 --> 00:18:42,578
W-WHAT IS THIS ANYWAY?
267
00:18:42,663 --> 00:18:45,998
YOUR RECORD.
268
00:18:46,083 --> 00:18:48,668
YOU DON'T THINK
THERE'S BEEN SOME M ISTAKE, DO YOU?
269
00:18:48,752 --> 00:18:51,170
NOT LIKELY.
270
00:18:51,255 --> 00:18:55,675
I CAN'T F IG U RE IT. BUT I F
IT DON'T BOTHER HIM, I AIN'T GONNA LET IT BOTHER ME.
271
00:18:55,717 --> 00:18:57,885
WHAT ARE YOU GOING TO
DO NOW, MR. VALENTIN E?
272
00:18:57,970 --> 00:19:01,180
U H. GEE,
I DON'T KNOW.
273
00:19:01,223 --> 00:19:03,724
FOOL AROUND
WITH THE DOLLS.
274
00:19:03,809 --> 00:19:07,603
SHOOT SOME MORE
CRAPS, MAYBE. I DON'T KNOW.
275
00:19:07,688 --> 00:19:12,275
IF YOU NEED ME FOR ANYTHING,
MR. VALENTIN E, J UST DIAL P-I-P.
276
00:19:12,359 --> 00:19:15,444
YEAH.
277
00:19:26,707 --> 00:19:30,793
TH I RTEEN BLACK,
LADI ES AND GENTLEM EN. TH I RTEEN BLACK.
278
00:19:30,878 --> 00:19:32,587
THANKS.
279
00:19:32,671 --> 00:19:33,963
WHAT ABOUT
YOUR CH I P, S I R?
280
00:19:34,047 --> 00:19:36,424
MAI L 'EM TO ME.
281
00:19:53,984 --> 00:19:56,110
WHAT DO YOU GOT?
282
00:19:56,195 --> 00:19:57,987
STRAIG HT FLUSH.
283
00:19:58,071 --> 00:20:00,156
ROYAL FLUSH.
284
00:20:00,240 --> 00:20:02,408
YOU WIN AGAIN,
MR. VALENTIN E.
285
00:20:02,492 --> 00:20:05,661
YEAH, I KNOW.
THAT'S ALL I EVER DO IN THIS N UTTY JO I NT
286
00:20:05,746 --> 00:20:08,247
IS WI N, WI N, WI N.
287
00:20:08,332 --> 00:20:10,750
IS THERE ANYTHING
ELSE I CAN DO FOR YOU?
288
00:20:13,378 --> 00:20:16,339
YEAH, GET OUT OF HERE,
WI LL, YA? I'M S ICK OF LOOKING AT YOU.
289
00:20:16,423 --> 00:20:20,134
COME ON, OUT, OUT.
YOU, TOO. COME ON, OUT, OUT. LET'S GO.
290
00:20:20,219 --> 00:20:24,180
COME ON, GET OUT.
291
00:20:24,264 --> 00:20:27,683
COME ON, COME ON,
COME ON! KEEP MOVING. STEP IT UP.
292
00:20:27,768 --> 00:20:31,103
COME ON, COME ON.
OUT, OUT, OUT. DU M B BROADS.
293
00:20:31,146 --> 00:20:33,606
WHO NEEDS THEM?
294
00:20:57,422 --> 00:20:59,799
[chuckIing]
HEY.
295
00:21:28,620 --> 00:21:30,705
YES, MR. VALENTIN E?
WHAT CAN I DO FOR YOU?
296
00:21:30,789 --> 00:21:32,665
WILL YOU STOP
CREEPING AROUND?
297
00:21:32,749 --> 00:21:34,625
ANYTHING YOU SAY, S I R.
298
00:21:34,710 --> 00:21:37,169
ANYTHING I SAY.
ANYTHING I SAY. KNOCK IT OFF, WILL YOU?
299
00:21:37,212 --> 00:21:38,921
WHY, IS
SOMETHING WRONG?
300
00:21:39,006 --> 00:21:41,382
NO, NOTHING'S WRONG.
EVERYTHING IS JUST PEACHY!
301
00:21:41,466 --> 00:21:44,552
I'VE BEEN IN THIS DU M P
FOR A MONTH AND I CAN'T STAND IT ANYMORE!
302
00:21:44,636 --> 00:21:46,637
BUT I DON'T UNDERSTAND.
303
00:21:46,722 --> 00:21:50,182
ALL RIGHT, I'LL SPELL
IT OUT FOR YOU, FATS. I'M BORED, BORED!
304
00:21:50,225 --> 00:21:52,685
THERE'S NO
EXCITEM ENT AROUND HERE. NO KICKS!
305
00:21:52,769 --> 00:21:55,354
YEAH, BUT THE GAMBLING.
I THOUGHT YOU ENJOYED THAT.
306
00:21:55,439 --> 00:21:58,357
I DO, BUT WHEN YOU
WIN EVERY TIME,
307
00:21:58,442 --> 00:22:00,776
THAT AIN'T GAMBLING,
THAT'S CHARITY.
308
00:22:00,861 --> 00:22:04,447
I COULD ARRANG E FOR YOU
TO LOSE OCCAS IONALLY I F YOU'D LIKE. WOULD THAT H ELP?
309
00:22:04,531 --> 00:22:07,700
IT MIGHT.
NO, NO, IT'S NO GOOD. IT AIN'T THE SAM E.
310
00:22:07,743 --> 00:22:10,369
I WOULD KNOW.
311
00:22:10,454 --> 00:22:14,040
AH, PERHAPS YOU MISS
YOUR OLD VOCATION. IS THAT IT?
312
00:22:14,124 --> 00:22:16,125
NOW YOU'RE GETTING IT.
313
00:22:16,209 --> 00:22:18,586
THERE'S A BAN K
AT THE CORN ER THAT YOU COULD ROB.
314
00:22:18,670 --> 00:22:20,296
OR WOULD YOU PREFER
A J EWELRY STORE?
315
00:22:20,380 --> 00:22:21,922
NO, BAN K'S OKAY.
316
00:22:22,007 --> 00:22:24,383
F IN E, F IN E. AS TO
THE GETAWAY CAR,
317
00:22:24,426 --> 00:22:28,054
WE HAVE QU ITE A LARGE
VARI ETY TO CHOOSE FROM. SOMETHING I NCONSP ICUOUS.
318
00:22:28,138 --> 00:22:32,308
WAIT A MINUTE.
IS THERE A CHANCE THAT I COULD GET CAUG HT?
319
00:22:32,392 --> 00:22:35,603
OF COURSE, IF THAT'S WHAT
YOU'D LIKE. LET ME J UST MAKE A NOTE OF IT.
320
00:22:35,687 --> 00:22:37,938
COME ON, S IT DOWN,
FATS, S IT DOWN.
321
00:22:38,023 --> 00:22:41,984
NOW, LOOK, I DON'T KNOW
HOW TO EXPLAIN THIS,
322
00:22:42,069 --> 00:22:44,487
BUT IT JUST AIN'T
THE SAME THING.
323
00:22:44,571 --> 00:22:48,783
WHAT'S THE KICK KNOCKING
OFF A BAN K IF EVERYBODY KNOWS ABOUT IT, HUH?
324
00:22:48,867 --> 00:22:51,911
AND THE DAM ES. I--
325
00:22:51,953 --> 00:22:55,915
I NEVER THOUGHT
I WOULD GET BORED WITH BEAUTIFUL DAM ES, BUT--
326
00:22:55,999 --> 00:23:00,252
LOOK, I WOULDN'T
EXPECT AN ANGEL TO U N DERSTAND THIS, SEE?
327
00:23:00,337 --> 00:23:03,506
BUT-BUT BEING A BIG
GUY WITH A CH ICK,
328
00:23:03,590 --> 00:23:06,258
IT DON'T MEAN ANYTHING
IF IT'S ALL SET UP IN ADVANCE.
329
00:23:06,343 --> 00:23:09,178
AND I MEAN, EVERYTHING
IS GREAT HERE, SEE? REALLY GREAT.
330
00:23:09,262 --> 00:23:12,264
IT'S JUST THE WAY
I ALWAYS I MAG IN ED IT EXCEPT THAT, THAT--
331
00:23:12,349 --> 00:23:14,850
JUST BETWEEN
YOU AND ME, FATS,
332
00:23:14,935 --> 00:23:17,436
I DON'T THINK
I BELONG HERE. I DON'T THINK IF IT IN.
333
00:23:17,479 --> 00:23:19,605
OH, NONSENSE,
OF COURSE YOU DO.
334
00:23:19,648 --> 00:23:22,358
NO, I MEAN IT,
I MEAN IT. J UST SOMEBODY M UST'VE GOOFED.
335
00:23:22,442 --> 00:23:25,194
IF I GOTTA STAY
HERE ANOTHER DAY I'M GONNA GO N UTS!
336
00:23:25,278 --> 00:23:28,697
LOOK, LOOK,
I DON'T BELONG IN H EAVEN, SEE?
337
00:23:28,782 --> 00:23:31,158
I WANNA GO TO
THE OTHER PLACE.
338
00:23:31,243 --> 00:23:33,285
H EAVEN?
339
00:23:33,370 --> 00:23:36,705
WHATEVER GAVE YOU THE IDEA
YOU WERE IN H EAVEN, MR. VALENTIN E?
340
00:23:36,790 --> 00:23:39,834
THIS IS THE OTHER PLACE!
341
00:23:46,758 --> 00:23:51,053
[Iaughs maniacaIIy]
342
00:23:57,394 --> 00:24:01,147
(narrator)
A SCARED, ANGRY LITTLE MAN WHO NEVER GOT A BREAK.
343
00:24:01,189 --> 00:24:03,566
NOW HE HAS EVERYTHING
HE'S EVER WANTED,
344
00:24:03,650 --> 00:24:07,236
AND HE'S GOING
TO HAVE TO LIVE WITH IT FOR ETERNITY
345
00:24:07,320 --> 00:24:10,030
IN THE TWILIGHT ZONE.
346
00:24:13,076 --> 00:24:15,828
ROD SERLING,
THE CREATOR OF TWILIGHT ZONE
347
00:24:15,871 --> 00:24:21,667
WILL TELL YOU ABOUT NEXT
WEEK'S STORY AFTER THIS WORD FROM OUR ALTERNATE SPONSOR.
348
00:24:21,710 --> 00:24:24,044
AND NOW, MR. SERLING.
349
00:24:24,129 --> 00:24:28,174
NEXT WEEK, YOU'LL SPEN D
A FEW RATHER U N FORG ETTABLE HOURS IN THIS LIVING ROOM
350
00:24:28,216 --> 00:24:31,177
WATCHING MISS JANICE RU LE
AND MR. SH EPPERD STRU DWICK
351
00:24:31,261 --> 00:24:34,555
PARTAKE OF A DRAMATIC
DELICACY THAT IT IS ONE PART N U RSERY RHYM E,
352
00:24:34,639 --> 00:24:36,765
ONE PART TERROR.
353
00:24:36,850 --> 00:24:40,060
THIS IS DESIGN ED FOR THOSE
OF YOU WHO ARE GETTING TOO MUCH SLEEP.
354
00:24:40,145 --> 00:24:43,355
NEXT WEEK ON
THE TWILIGHT ZONE NIGHTMARE AS A CHILD.
355
00:24:43,440 --> 00:24:46,192
I HOPE WE'LL SEE YOU THEN.
THANK YOU AND GOOD NIGHT.
356
00:24:49,362 --> 00:24:52,323
[eerie music]
357
00:25:29,736 --> 00:25:32,071
BE SURE TO SEE
THE FUN-FILLED FAMILY LIFE
358
00:25:32,113 --> 00:25:35,491
OF ONE OF AMERICA'S
GREATEST ENTERTAINERS, THE DAN NY THOMAS SHOW.
359
00:25:35,575 --> 00:25:38,661
MONDAY NIGHTS OVER
MOST OF THESE STATIONS.
360
00:27:15,842 --> 00:27:19,678
THE TWILIGHT ZONE IS
BROUGHT TO YOU TONIGHT
361
00:27:19,763 --> 00:27:23,849
BY THE NEWEST
COFFEE SENSATION ON THE MODERN SCENE.
362
00:27:23,892 --> 00:27:28,354
NEW AROMA-ROAST
SANKA COFFEE.
363
00:27:32,359 --> 00:27:35,569
THE TWILIGHT ZONE
BROUGHT TO YOU TONIGHT
364
00:27:35,654 --> 00:27:38,530
BY THE COFFEE
WITH THE BEST OF THE COFFEE BEAN.
365
00:27:38,615 --> 00:27:42,284
AROMA, FLAVOR,
BUT NOT CAFFEINE.
366
00:27:42,369 --> 00:27:45,871
NEW AROMA-ROAST
SANKA COFFEE.
367
00:28:17,404 --> 00:28:20,239
AND THE PERFECT COFFEE
ON THE MODERN SCENE,
368
00:28:20,323 --> 00:28:22,908
BRAND NEW
AROMA-ROAST SANKA.
369
00:28:22,992 --> 00:28:25,452
GIVES YOU THE BEST
OF THE COFFEE BEAN.
370
00:28:25,537 --> 00:28:27,663
RICH, RARE AROMA,
371
00:28:27,747 --> 00:28:31,333
HARDY FULL-BODIED
FLAVOR AND NO CAFFEINE.
372
00:28:31,418 --> 00:28:34,837
YES, THE RICHEST AROMA,
THE HARDIEST FLAVOR.
373
00:28:34,921 --> 00:28:37,339
ALL THE BEST
OF THE COFFEE BEAN.
374
00:28:37,424 --> 00:28:41,009
AND GREATEST OF ALL,
YOU CAN DRINK ALL YOU WANT.
375
00:28:41,094 --> 00:28:46,306
NEW AROMA-ROAST SANKA IS
STILL 97% CAFFEINE FREE.
376
00:28:46,391 --> 00:28:51,603
SANKA COFFEE,
AROMA, FLAVOR, BUT NO CAFFEINE.
377
00:29:08,788 --> 00:29:11,540
SQU EEZE THE PACKAG E.
GO AHEAD.
378
00:29:11,590 --> 00:29:16,140
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