All language subtitles for The Twilight Zone s01e20 Elegy.eng

[eerie music]

(male narrator)
THERE IS A FIFTH DIMENSION

BEYOND THAT
WHICHIS KNOWN TO MAN.

IT IS A DIMENSION
AS VAST AS SPACE

AND AS TIMELESS AS INFINITY.

IT IS THE MIDDLE GROUND
BETWEEN LIGHT AND SHADOW.

BETWEEN SCIENCE
AND SUPERSTITION.

IT LIES BETWEEN THE PIT
OF MAN'S FEARS,

AND THE SUMMIT
OF HIS KNOWLEDGE.

THIS IS THE DIMENSION
OF IMAGINATION

IT IS AN AREA
WHICH WE CALL THE TWILIGHT ZONE.

THE TIME IS THE DAY
AFTER TOMORROW,

THE PLACE, A FAR
CORNER OF THE UNIVERSE.

THE CAST OF CHARACTERS, THREE
MEN LOST AMONGST THE STARS,

THREE MEN SHARING THE COMMON
URGENCY OF ALL MEN LOST.

THEY'RE LOOKING FOR HOME.

AND IN A MOMENT
THEY'LL FIND HOME.

NOT A HOME THAT IS
A PLACE TO BE SEEN

BUT A STRANGE, UNEXPLAINABLE
EXPERIENCE TO BE FELT.

[rocket sound]

I HEAR
THE ATMOSPHERE.

KEEP YOUR FING ERS
CROSSED, PETE. THIS MAY BE IT.

IT BETTER BE ;
WE'RE ABOUT OUT OF FU EL.

[vehicle decelerating]

20.95 PARTS OXYG EN

78.09 N ITROG EN.

I DON'T GET IT,
THAT'S AIR.

G RAVITY, U N IT ON E.

THAT'S I NCREDI BLE.
CON DITIONSIDENTICAL TO EARTH

AND YET WE'RE
655 M I LLION M I LES

AWAY FROM EARTH.

WAIT A MINUTE, PETE.

THESE I NSTRU MENTS
COULD BE WRONG.

WHAT'S
THE DIFFERENCE?

WE'RE NOT GOING
ANYWHERE NOW.

YEAH, I GU ESS
YOU'RE RIGHT.

HOW FAR DID YOU SAY
WE WERE FROM EARTH?

655 M I LLION M I LES.

WE'RE BACK
ON EARTH.

NO.

NO? WHAT DO
YOU CALL THAT, A MARTIAN?

HERE, BOY,
COME ON.

[suspense music]

WELL, ANYWAY, LOOK
AT THOSE TREES.

IT'S GOT
TO BE EARTH.

WELL, WHAT DO
YOU CALL THAT?

IT'S CALLED
A TRACTOR.

THEY WERE IN
USE ON EARTH

DU RING THE 20th CENTURY
BEFORE THE TOTAL WAR.

YOU MEAN,
WE'RE ON EARTH 200 YEARS AGO.

IT'S AN
I NTERESTING TH EORY, PETE

AND AS POSS I BLE
AS ANY OTH ER

EXCEPT THAT
TO MY KNOWLEDG E

EARTH HAS NEVER HAD
MORE THAN ONE SU N.

(Pete)
ALL RIGHT. YOU EXPLAIN IT.

THE ONLY THING
I'M CERTAIN OF

IS THAT WE'RE
NOT ON EARTH.

WE'RE
NOT ALON E.

EXCUSE ME,
S I R.

MY NAME
IS WEBBER,

WE HATE TO
BOTHER YOU--

(Pete)
WHAT'S THE MATTER WITH HIM?

SEEMS TO BE
IN SOME SORT

OF A TRANCE OR--

LET'S GET
OUT OF HERE.

HEY, LOOK,
THERE'S SOMEBODY!

HEY, MISTER!

MISTER!

[panting]
HOW ARE THEY B ITING?

MISTER?

HEY, WAKE UP.

[suspense music]

[band playing]

DO YOU HEAR THAT?

THE MUSIC, A BAN D,
DO YOU HEAR IT?

THERE'S SOMEBODY HERE.

IT SEEMS
TO BE COMING FROM OVER THERE.

[band music]

THE MUSIC'S COMING
FROM THAT LOU DSPEAKER.

IT'S BEING P I PED
IN FROM SOMEWHERE.

LOOK!

[music stops]

CONCERT'S
OVER.

WELL, ANY IDEAS,
PROFESSOR?

WELL, I SU PPOSE

IT COULD BE SOME
SORT OF I LLUS ION.

YES, MAYBE
WE'RE BEING MADE TO SEE AND HEAR

WHAT WE HOPE
TO F IN D

THE SIGHTS AND
SOU N DS OF HOM E.

NO, NO, THAT'S
ALL WRONG.

THIS IS MORE
THAN 200 YEARS

AHEAD OF OUR TIME.

OR IT COULD BE

THAT TIME ITSELF
IS SUSPEN DED HERE.

OR TIME MAY HAVE,
IN A SENSE

HAVE SPEEDED UP
FOR US

OR SLOWED DOWN
FOR THEM.

YOU MEAN, THEY MIGHT
ACTUALLY BE MOVING?

IT'S POSS I BLE.

THEN WHY CAN'T
WE SEE IT?

WELL, YOU DON'T
SEE THE MOVEM ENTS

OF A CLOCK'S HAN DS

N EVERTH ELESS
THEY DO MOVE.

WELL, THIS CLOCK
HAS NO HAN DS.

[suspense music]

CARL, DO YOU
REALLY BELIEVE

WHAT YOU'RE
SAYING?

NO, OF
COURSE NOT.

BUT THEY'RE NOT
JUST STATU ES.

THEY'RE FLESH
AND BLOOD

OR SOMETHING THAT FEELS
LIKE FLESH AND BLOOD.

IT'S
SOMETHING REAL.

IT'S GOT
TO BE HERE.

NOW, I SAY
SEPARATE

AND MEET BACK
HERE IN ONE HOUR.

WELL,
IT'S BETTER

THAN H U DDLING
TOG ETHER LIKE FRIGHTEN ED CH I LDREN.

(Webber)
REMEMBER, WE MEET BACK HERE

IN ONE HOUR.

[knocks]
HELLO.

ANYBODY THERE?

[romantic violin music]

OH, I'M TERRIBLY SORRY.

[vioIin music continues]

[distorted strings]

[pIeasant music]

YOUR MAJ ESTY.

I DON'T BLAM E
THE J U DG ES.

YOU'RE THE PRETTI EST
OF THEM ALL.

BUT TELL
ME SOMETHING, YOUR MAJ ESTY,

WHAT'S WRONG
WITH YOU? [distorted strings]

WHAT'S WRONG
WITH EVERYBODY IN THIS CRAZY PLACE?!

ANSWER ME!

CAN'T YOU TALK?

CAN'T YOU MOVE?

ANSWER ME!

[suspense music]

[mischievous music]

THIS IS THE WAY
IT WAS ON EARTH NOT SO LONG AGO.

MY GREAT
G RAN DFATHER SHOWED ME PICTURES OF IT.

QU I ET AND PEACEFU L.

YOU MEAN
YOU LIKE IT HERE?

I WOULD IF IT
WERE REAL,

IF I COULD BE SURE IT
WASN'T GOING TO VAN ISH IN A PU FF OF P IN K SMOKE.

[ring]

WELL, AS FOR ME, IT'S
A NICE PLACE TO VIS IT

BUT I WOULDN'T WANT
TO LIVE HERE.

LIKE IT OR NOT,
THIS IS HOM E FROM NOW ON.

CHARMING.

LOVELY, ISN'T IT?

IF YOU WANT IT,
IT'S YOURS.

YES, THAT'S TRU E
ISN'T IT?

YOU DON'T MIND

IF WE HAVE
A LOOK AROUND

DO YOU, S I R?

NOT AT ALL.

YOU'RE MOST WELCOM E.

MY NAME'S WICKWI RE,
J EREMY WICKWI RE.

G ENTLEM EN, THERE'S
NOTHING TO BE AFRAI D OF.

TRU LY, THERE ISN'T.

BUT, Y-Y-YOU'RE REAL.

BUT, OF COURSE, I AM.

ISN'T EVERYBODY?

I USED TO
THINK SO.

OH, YOU MEAN,
[chuckIes]

DO COME I NSIDE.

COME ON,
WON'T YOU?

COME ON,
COME I NSIDE.

THERE'S NOTHING
TO BE AFRAI D OF

I ASSURE YOU.

EH, DO YOU
LIKE IT?

WE BU I LT IT
FOR A M R., UH,

MR. J EN KI NSON.

BUT AT THE LAST
MOM ENT HE DECI DED

THAT THE ONE THING HE WANTED
TO BE WAS A KNIGHT IN ARMOR

SO HE'S OUT THERE
IN THE MEDI EVAL SECTION

SLAYING A DRAGON.

YOU MEAN THERE
ARE OTHER SECTIONS?

HM?

(Wickwire)
OH, YES, OF COURSE,

WE HAVE
MANY SECTIONS.

THERE'S
THE ROMAN,

THE EGYPTIAN,

THE WILD
WESTERN

BUT THIS IS
THE MOST POPU LAR

BECAUSE IT
REPRESENTS A PERIOD

IN AM ERICAN CU LTU RE

WHEN CREATU RE
COM FORTS WERE MOST ABU N DANT

AND BEFORE PEACE ON EARTH
BECAME IMPOSS I BLE.

NOW, LOOK,
M R., UH,

WICKWI RE.

WICKWI RE, WE
ARE FROM EARTH.

OH?

(Webber)
WE WERE ON A ROUTINE GEOLOGICAL MISSION.

WE RAN INTO
A METEORITE STORM.

SOME OF OUR EQU I PM ENT
WAS KNOCKED OUT.

WE GOT LOST.

NOW, THAT WAS
SIX MONTHS AGO.

WE SAW
THIS ASTERO I D AND WE LAN DED.

OUR FU EL
IS GON E.

WE'VE GOT
TO STAY HERE.

I SEE.

I SEE, THEN YOU'RE
NOT FROM THE GLADES.

THE WHAT?

BUT YOU ARE FROM THE EARTH.

TELL ME, DID THEY EVER
HAVE THAT ATOM IC WAR?

YES, IN 1 985.

MOST OF THE EARTH'S
SU RFACE WAS DESTROYED

AND IT'S TAKEN
US 200 YEARS

TO PICK UP
THE P I ECES.

OH, HOW SAD.

MR. WICKWI RE

NOW, YOU'VE
GOT TO EXPLAIN SOME THINGS

BEFORE WE
GO OUT OF OUR MINDS.

YES, BUT YOU LOOK H U NG RY.

LET ME F IX YOU LU NCH,
THEN WE'LL TALK.

(Pete)
WAIT A SECOND.

NOW, YOU TELL US
ONE THING RIGHT NOW.

WHERE ARE WE?

WHY, YOU'RE IN A CEM ETERY.

DIDN'T YOU KNOW?

[suspense music]

PLEASE, MAKE
YOURSELVES COM FORTABLE.

I'LL BE BACK
IN A FEW MOM ENTS.

CEM ETERY?

COFFEE WI LL
BE SERVED

IN A FEW MINUTES,
G ENTLEM EN.

MAY I PROPOSE
A TOAST?

TO PEACE,
MY FRIENDS

TO EVERLASTING
ETERNAL PEACE.

[suspense music]

EXCELLENT!

LI EBFRAU M I LCH,
ISN'T IT?

YES.

MISTER--

WICKWI RE.

WE'RE VERY
CON FUSED.

WE NEED H ELP.

WELL, S IT DOWN,
MY BOYS, S IT DOWN.

COME ON,
S IT DOWN.

WHAT IS IT?

NOW, YOU SAID

THAT WE WERE
IN A CEM ETERY.

WHAT DID
YOU MEAN?

J UST
EXACTLY THAT.

BUT BEFORE
I EXPLAIN

YOU MUST GIVE ME
SOME IN FORMATION.

IF YOU WERE GRANTED
YOUR DEAREST WISH

WHAT WOULD
YOUR WISH BE?

I'M NOT SURE I KNOW
WHAT YOU MEAN.

I MEAN, WHERE
WOULD YOURATHER BE

RIGHT NOW?

I'D LIKE TO BE ON THE SH I P
H EADED FOR HOM E.

AND YOU, CAPTAI N.

I'LL GO ALONG
WITH THAT.

SPLEN DID, AND J UST
ONE THING MORE.

WHEN YOU LEFT EARTH,
WHAT WAS THE DATE?

SEPTEM BER.

NO, NO, THE YEAR.

2 1 85.

2 1 85?
[chuckIes]

NOW I UNDERSTAND.

WELL, THAT'S N ICE.

WE DON'T!

WHEN YOU ARRIVED

I THOUGHT YOU WERE
FROM HAPPY GLADES.

BUT BY YOUR BEHAVIOR

OF COURSE, I SEE
YOU COULDN'T BE.

WE'RE STILL
NOT FOLLOWING YOU.

WHAT'S HAPPY GLADES?

THE WORLD'S
G REATEST MORTUARY.

AT LEAST, THAT'S
WHAT IT USED TO BE.

YOU SEE,
THE MANAG EM ENT H IT UPON THIS SCH EM E

AS A SERVICE
TO THOSE WHO COULD AFFORD IT.

"THIS SCH EM E"
BEING?

THIS LITTLE
ASTERO I D

WHERE WE WOULD RECREATE
THE EXACT CON DITIONS

U N DER WHICH
THE DEAR DEPARTED COULD BE MOST HAPPY.

FOR AN EXAM PLE,

IF THE DECEASED ALWAYS
WANTED TO BE ELECTED MAYOR

HE WOULD ACH I EVE
HIS AM B ITION HERE

FOR ALL ETERNITY.

YOU MEAN THOSE PEOPLE
ARE ALL DEAD?

NO, NO, NOT ALL OF THEM.
JUST A SELECT FEW.

THE OTH ERS ARE IMITATIONS.

(Professor)
IN OTHER WORDS, THIS IS THE PLACE

WHERE YOUR
DREAMS COME TRU E AFTER YOU'VE STOPPED DREAMING.

YES, THAT MIGHT
BE ONE WAY OF PUTTING IT.

YES, THAT'S
VERY GOOD.

YOU EXPECT
US TO BELIEVE THAT EXPLANATION?

I HADN'T THOUGHT OF THAT.

DON'T YOU?

IT'S TRU E, YOU KNOW.

WELL, I'LL ADM IT

WE HAVEN'T COME UP
WITH ANYTHING BETTER.

BUT A CEM ETERY
OUT IN SPACE.

M I LLIONS OF M I LES
FROM EARTH.

WHY?

YES, WHY?

NOW, YOUR BOSS
COULD HAVE BOUGHT A P I ECE OF DESERT.

OH, NO, NO

YOU DON'T
U N DERSTAND AT ALL.

HAPPY GLADES PROMISES
ETERNAL PEACE

EVERLASTING PEACE.

YOU COULDN'T
HAVE THAT ON EARTH

NOW, COULD YOU?

HE HAS A PO I NT.

U H, WHAT
ABOUT YOU?

ME?

YES, YOU, HOW
DO YOU F IG U RE IN ALL THIS?

WHY, I'M
THE CARETAKER.

IT'S MY JOB
TO MAKE SURE

THAT OUR GU ESTS
ARE NOT,

DISTU RBED.

WELL, WHEN DID
THIS MORTUARY-- OR WHATEVER IT IS-- BEG I N?

1 973, I BELIEVE.

YES, YES.

THAT'D MAKE
YOU A B IT

ON THE
ELDERLY SIDE

WOULDN'T IT,
MR. WI REWICK?

WICKWI RE.
[chuckIes]

NOW, I'M AFRAI D
YOU'RE FORCING ME

INTO A RATH ER
EM BARRASSING ADMISS ION.

YOU SEE, I'M NOT
ACTUALLY HUMAN,

OH, I AM NOW

BUT WHEN YOU'VE GON E

I SHALL GO BACK
TO SLEEP AGAIN U NTI L I'M NEEDED.

YOU SEE, I'M-- I'M MERELY
A SCI ENTIF IC DEVICE.

I GO ON AND OFF AGAIN
LIKE A MACHINE.

YOU UNDERSTAND.

YES, IT'S NOT
VERY COM PLICATED

IS IT, REALLY?

HE GOES
ON AND OFF.

YES, I THINK IMUST HAVE BEEN
OFF FOR ABOUT 200 YEARS.

LOOK, MISTER,
YOU THINK--

ALL RIGHT,
ALL RIGHT, PETE.

MR. WICKWI RE

WE'RE
STAYING HERE.

YES, I KNOW.

YES, BUT YOU
SAID SOMETHING

ABOUT OU R
BEING GON E.

OH, THAT'S A F IG U RE
OF SPEECH, CAPTAI N.

I MEANT "DEPARTED."

"GONE ON" AS IT WERE.

WELL, YOU KNOW
WHAT HE'S SAYING

DON'T YOU?

I TOLD YOU NOT
TO TRUST HIM.

I TOLD YOU!

WE MEANT YOU
NO HARM.

I REALIZE THAT AND I'M SORRY.

TRU LY I AM.

(Webber)
THE ANTIDOTE--

GIVE US THE ANTI DOTE.

(Wickwire)
THERE IS NO ANTIDOTE, CAPTAIN.

EVEN NOW THE
ETERNIFYING FLU ID

IS COURSING
THROUGH YOUR VEINS

BUT IT-- IT WON'T
BE PAIN FU L, I ASSURE YOU.

BUT WHY?

WHY US?

BECAUSE YOU ARE HERE

AND YOU ARE MEN

AND WHILE THERE ARE MEN

THERE CAN BE NO PEACE.

[mischievous music]

[humming]

(male narrator)
KIRBY, WEBBER AND MEYERS, THREE MEN LOST.

THEY SHARED A COMMON WISH,
A SIMPLE ONE REALLY,

THEY WANTED TO BE ABOARD
THEIR SHIP HEADED FOR HOME.

AND FATE, A LAUGHING FATE,
A PRACTICAL JOKESTER

WITH A SMILE THAT STRETCHED
ACROSS THE STARS

SAW TO IT THAT
THEY GOT THEIR WISH

WITH JUST ONE RESERVATION,

THE WISH CAME TRUE

BUT ONLY
IN THE TWILIGHT ZONE.

(male presenter, off)
ROD SERLING, CREATOR OF TWILIGHT ZONE

WILL TELL YOU ABOUT NEXT
WEEK'S STORY AFTER THIS WORD FROM OUR ALTERNATE SPONSOR.

AND NOW, MR. SERLING.

NEXT WEEK, I TRY
TO SETTLE AN ARG U MENT

TO THE EFFECT THAT I'M NOT
AT MY BEST WHEN WRITING SCRI PTS FOR WOM EN

MISS VERA M I LES
TAKES MY SIDE

IN A MOST U N USUAL AND U N IQU E
STORY WE CALLED M IRROR IMAGE.

I HOPE TO SEE YOU NEXT WEEK,
YOU IN YOUR LIVING ROOM

AND MISS VERA M I LES
AND THE REST OF US IN THE TWILIGHT ZONE.

(male presenter, off)
CAN WE HAVE DYNAM IC GROWTH, LOW UNEMPLOYMENT,

AND REASONABLY STABLE PRICES?
WRITE FOR THIS FREE BOOKLET

TO AMERICAN ASSEMBLY,
COLUMBIA UNIVERSITY NEW YORK CITY.

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