All language subtitles for The Twilight Zone s01e13 The Four of Us Are Dying.eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,004 --> 00:00:06,171 [eerie music] 2 00:00:06,214 --> 00:00:08,465 (male presenter) THERE IS A FIFTH DIMENSION 3 00:00:08,550 --> 00:00:10,676 BEYOND THAT WHICH IS KNOWN TO MAN. 4 00:00:10,719 --> 00:00:13,679 IT IS A DIMENSION AS VAST AS SPACE 5 00:00:13,722 --> 00:00:16,682 AND AS TIMELESS AS INFINITY. 6 00:00:16,766 --> 00:00:20,227 IT IS THE MIDDLE GROUND BETWEEN LIGHT AND SHADOW. 7 00:00:20,311 --> 00:00:22,604 BETWEEN SCIENCE AND SUPERSTITION. 8 00:00:22,689 --> 00:00:25,607 AND IT LIES BETWEEN THE PIT OF MAN'S FEARS 9 00:00:25,692 --> 00:00:28,527 AND THE SUMMIT OF HIS KNOWLEDGE. 10 00:00:28,611 --> 00:00:31,405 THIS IS THE DIMENSION OF IMAGINATION. 11 00:00:31,489 --> 00:00:35,284 IT IS AN AREA WHICH WE CALL THE TWILIGHT ZONE. 12 00:01:03,271 --> 00:01:05,731 HIS NAME IS ARCH HAMMER. 13 00:01:05,815 --> 00:01:09,401 HE'S 36 YEARS OLD. HE'S BEEN A SALESMAN, A DISPATCHER, 14 00:01:09,444 --> 00:01:12,446 A TRUCK DRIVER A CON MAN, A BOOKIE AND A PART-TIME BARTENDER. 15 00:01:14,616 --> 00:01:17,826 THIS IS A CHEAP MAN, A NICKEL-AND-DIME MAN 16 00:01:17,911 --> 00:01:21,622 WITH A CHEAPNESS THAT GOES PAST THE SUIT AND THE SHIRT. 17 00:01:21,706 --> 00:01:25,501 A CHEAPNESS OF MIND, A CHEAPNESS OF TASTE. 18 00:01:25,585 --> 00:01:28,587 A TAWDRY LITTLE SHINE ON THE SEAT OF HIS CONSCIENCE 19 00:01:28,671 --> 00:01:31,298 AND A DARK, GROOMED SQUINT IN A WORLD WHOSE SUNLIGHT 20 00:01:31,382 --> 00:01:33,634 HAS NEVER GOTTEN THROUGH TO HIM. 21 00:01:33,718 --> 00:01:37,429 BUT MR. HAMMER HAS A TALENT DISCOVERED AT A VERY EARLY AGE. 22 00:01:37,472 --> 00:01:39,932 THIS MUCH HE DOES HAVE. 23 00:01:40,016 --> 00:01:42,684 HE CAN MAKE HIS FACE CHANGE. 24 00:01:42,769 --> 00:01:45,437 HE CAN TWITCH A MUSCLE. 25 00:01:45,480 --> 00:01:48,023 MOVE A JAW. 26 00:01:48,108 --> 00:01:52,319 CONCENTRATE ON THE CAST OF HIS EYES. 27 00:01:52,403 --> 00:01:55,614 AND HE CAN CHANGE HIS FACE. 28 00:01:55,698 --> 00:01:59,243 HE CAN CHANGE IT INTO ANYTHING HE WANTS. 29 00:02:08,253 --> 00:02:11,130 MR. ARCHIE HAMMER, JACK OF ALL TRADES, 30 00:02:11,214 --> 00:02:13,966 HAS JUST CHECKED IN AT $3.80 A NIGHT 31 00:02:14,008 --> 00:02:16,802 WITH TWO BAGS, SOME NEWSPAPER CLIPPINGS, 32 00:02:16,886 --> 00:02:18,804 A MOST ODD TALENT, 33 00:02:18,888 --> 00:02:22,432 AND A MASTER PLAN TO DESTROY SOME LIVES. 34 00:03:34,380 --> 00:03:36,965 [playing jazz] 35 00:03:37,050 --> 00:03:41,386 ♪ SO THANKS FOR THE CHEER ♪ 36 00:03:41,429 --> 00:03:44,556 ♪ I HOPE YOU DIDN'T M IND ♪ 37 00:03:44,599 --> 00:03:48,518 ♪ MY BENDING YOUR EAR ♪ 38 00:03:53,399 --> 00:03:56,735 THIS TORCH THAT I'VE FOUND 39 00:03:56,778 --> 00:03:58,612 MUST BE DROWNED 40 00:03:58,696 --> 00:04:00,447 OR JUST-- 41 00:04:01,866 --> 00:04:03,992 IT JUST MIGHT EXPLODE. 42 00:04:07,121 --> 00:04:12,000 ♪ MAKE IT ONE FOR MY BABY ♪ 43 00:04:12,085 --> 00:04:14,419 ♪ AND ONE MORE ♪ 44 00:04:14,504 --> 00:04:18,340 ♪ FOR THE ROAD ♪ 45 00:04:23,513 --> 00:04:26,431 [applause] 46 00:04:29,435 --> 00:04:31,937 HEY, MAGGIE! [Iaughs] 47 00:04:32,021 --> 00:04:34,189 HEY, SPORT, UNRAVEL THE FLESH. 48 00:04:34,274 --> 00:04:36,441 COME ON, MAGGIE, HAVE A LITTLE DRINK. 49 00:04:36,484 --> 00:04:38,485 I'D LOVE ONE. 50 00:04:38,569 --> 00:04:42,781 VERY, VERY SOLITARY. ALL BY MY LONESOME IF YOU DON'T M IND. 51 00:04:42,865 --> 00:04:44,700 OH. 52 00:05:26,534 --> 00:05:28,910 IF YOU DON'T DRINK WELL, 53 00:05:28,995 --> 00:05:31,496 DON'T DRINK. 54 00:05:31,581 --> 00:05:33,290 JOHNNY! 55 00:05:34,667 --> 00:05:36,835 JOHNNY, ARE YOU A GHOST? 56 00:05:36,919 --> 00:05:39,671 SURE, A GHOST. 57 00:05:39,756 --> 00:05:43,967 I JUST CAME DOWN TO CHECK THE MOURNERS, READ THE OBITUARIES. 58 00:05:45,636 --> 00:05:48,180 HOW DID THEY FEEL ABOUT THE DECEASED, HUH? 59 00:05:48,264 --> 00:05:50,682 WHAT KIND OF TEARS? 60 00:05:50,767 --> 00:05:52,851 YOU CAME TO THE RIGHT PLACE, JOHNNY. 61 00:05:55,188 --> 00:05:58,690 I HAVE A ROOMFUL OF BUCKETS. 62 00:05:58,775 --> 00:06:02,277 I HEARD IT ON THE RADIO ONE NIGHT. JUST LIKE THAT. 63 00:06:05,365 --> 00:06:07,032 "DEATH AS IT MUST COME TO ALL MEN, 64 00:06:07,116 --> 00:06:11,203 "CAME TO TALENTED MUSICIAN JOHNNY FOSTER. 65 00:06:13,873 --> 00:06:16,833 TRAGIC ACCIDENT, TRAIN HITTING CAR." 66 00:06:18,836 --> 00:06:21,338 I JUST SAT THERE AND I CRIED. 67 00:06:22,673 --> 00:06:24,758 AND THEN I-- 68 00:06:28,388 --> 00:06:31,390 AND THEN I WASHED MY FACE AND-- 69 00:06:31,474 --> 00:06:33,892 PUT ON SOME MAKEUP AND WENT TO WORK. 70 00:06:37,230 --> 00:06:40,315 BUT EVERYTHING HAD CHANGED FOR ME. 71 00:06:40,400 --> 00:06:43,360 MY REPERTOIRE BECAME VERY LIMITED. 72 00:06:45,363 --> 00:06:48,156 ONLY BOOZE. 73 00:06:48,241 --> 00:06:52,828 ONLY SAD SONGS FOR PIANO OR BOURBON. 74 00:06:52,912 --> 00:06:55,080 OH, JOHNNY. 75 00:06:55,123 --> 00:06:57,499 I DON'T CARE IF YOU AREA GHOST. 76 00:06:59,210 --> 00:07:01,336 NAH. 77 00:07:01,421 --> 00:07:03,338 IT WAS ANOTHER GUY. 78 00:07:03,423 --> 00:07:05,799 MY CAR, MY SUIT. 79 00:07:05,883 --> 00:07:08,510 MAYBE WE EVEN HAD THE SAME DENTIST. 80 00:07:08,594 --> 00:07:10,345 WHY DIDN'T YOU TELL PEOPLE THAT? 81 00:07:10,430 --> 00:07:12,347 NAH. 82 00:07:12,432 --> 00:07:15,058 I WANTED TO GET WAY FROM THE WORLD. 83 00:07:16,436 --> 00:07:18,562 FROM THAT. 84 00:07:21,065 --> 00:07:24,443 I DECIDED TO TRADE IN THE OLD NAME. 85 00:07:24,485 --> 00:07:27,279 TURN IT IN FOR SOMETHING NEW, SOMETHING DIFFERENT. 86 00:07:28,906 --> 00:07:31,825 YOU WERE ALWAYS A FUNNY GUY, JOHNNY. 87 00:07:31,909 --> 00:07:34,286 WAY-OUT JOHNNY FOSTER. 88 00:07:39,083 --> 00:07:41,835 WELL, 89 00:07:41,919 --> 00:07:44,337 ARE YOU SATISFIED WITH THE REACTION? 90 00:07:45,965 --> 00:07:48,967 MOURNING BECOMES YOU, MAG. 91 00:07:50,386 --> 00:07:52,554 ME AND ELECTRA. 92 00:07:55,266 --> 00:07:57,559 SO HOW LONG YOU WITH US? 93 00:07:57,643 --> 00:08:00,479 IS THIS A STOP BETWEEN TRAINS, JOHNNY? 94 00:08:00,563 --> 00:08:03,315 IN A WAY, FOR ME, IT IS. 95 00:08:03,399 --> 00:08:06,526 FOR YOU, IT'S GET-OUT-OF-TOWN NIGHT. 96 00:08:06,611 --> 00:08:10,280 YOU'VE GOT TIME FOR SIX CHORUSES AND A CHECK-OUT? 97 00:08:11,866 --> 00:08:14,826 YOU'RE GOING WITH ME, MAG. 98 00:08:14,911 --> 00:08:18,330 WE'LL GO TO CHICAGO OR DETROIT. 99 00:08:18,372 --> 00:08:21,082 WE'LL GO TO SAN FRANCISCO, HUH? 100 00:08:21,167 --> 00:08:23,043 WE'LL HAVE A BALL, MAGGIE. 101 00:08:23,127 --> 00:08:27,839 EVERYTHING BY EAR. BUT GREAT, MAGGIE, I MEAN, GREAT. 102 00:08:27,882 --> 00:08:30,217 JUST THE TWO OF US. 103 00:08:30,301 --> 00:08:32,427 OH! 104 00:08:32,512 --> 00:08:35,722 OH, HEY, JOHNNY, I LOVE YOU. 105 00:08:35,806 --> 00:08:39,100 YOU NAME IT, JOHNNY, YOU'VE GOT IT. 106 00:08:39,185 --> 00:08:42,395 HEY, JOHNNY! 107 00:08:42,480 --> 00:08:45,941 YOU PUT ME BACK TOGETHER AGAIN, JOHNNY. AND I LOVE YOU. 108 00:08:46,025 --> 00:08:47,943 I LOVE YOU. 109 00:09:01,415 --> 00:09:03,708 YOU FINISH UP HERE. 110 00:09:05,169 --> 00:09:08,380 YOU TELL HIM YOU'RE CUTTING OUT. 111 00:09:08,464 --> 00:09:12,801 I'LL MEET YOU AT THE RAILROAD STATION. I'LL GET THE TICKETS. 112 00:09:12,885 --> 00:09:18,181 1 2:06, MAGGIE, WESTBOUND FOR CHICAGO. 113 00:09:19,850 --> 00:09:21,726 BE THERE. 114 00:09:24,897 --> 00:09:27,315 I'LL BE THERE, JOHNNY. 115 00:09:55,595 --> 00:09:58,847 JOHNNY! HEY, JOHNNY! 116 00:09:58,931 --> 00:10:01,600 [inaudibIe] 117 00:10:01,684 --> 00:10:03,977 MAN, I THOUGHT YOU WAS OUT OF THE WORLD. 118 00:10:09,400 --> 00:10:12,193 JOHNNY, WAIT. WE ALL GOT THE WRONG WORD. 119 00:10:12,278 --> 00:10:15,447 THEY SAID YOU WERE REMOVED BY A LOCOMOTIVE. [Iaughs] 120 00:10:15,489 --> 00:10:17,699 OH, JOHNNY, IT'S SO GREAT TO SEE YOU. HERE. 121 00:10:17,783 --> 00:10:19,659 LET ME LIGHT YOU A CIGARETTE. 122 00:10:21,621 --> 00:10:24,623 I'LL TAKE THE LIGHT BUT YOU GOT THE WRONG GUY. 123 00:10:32,214 --> 00:10:34,341 I'M REALLY SORRY, BUDDY, I-- 124 00:10:35,760 --> 00:10:37,969 I THOUGHT YOU WERE THE GUY 125 00:10:38,054 --> 00:10:40,388 I'D JUST SEEN IN THE BAR. 126 00:10:42,016 --> 00:10:43,850 I'M REALLY SORRY. 127 00:10:45,853 --> 00:10:48,521 WHY NOT A BEAUTIFUL DAME? 128 00:10:48,606 --> 00:10:51,149 WHY NOT? 129 00:10:51,192 --> 00:10:54,903 I NEVER HAD A DISH LIKE THAT. 130 00:10:54,987 --> 00:10:57,822 I'VE NEVER BEEN LOVED LIKE THAT. 131 00:10:57,865 --> 00:11:01,201 WHY SHOULDN'T I? 132 00:11:01,285 --> 00:11:04,829 (Maggie) ? IT'S ALL TOO WONDERFUL ? 133 00:11:04,872 --> 00:11:07,165 ♪ I'LL NEVER FIND THE WORDS ♪ 134 00:11:07,208 --> 00:11:09,668 YEAH, MAGGIE. 135 00:11:09,752 --> 00:11:11,670 YEAH! 136 00:11:11,712 --> 00:11:13,338 WHY NOT? 137 00:11:51,419 --> 00:11:54,045 HOW WAS THE WATER, BABY? WAS IT COLD? 138 00:11:54,088 --> 00:11:56,631 WHEN DID IT HURT? WHEN YOU LAUGHED? 139 00:11:56,716 --> 00:11:59,843 [Iaughs] 140 00:12:31,375 --> 00:12:34,169 EXCUSE ME, SIR. MR. PENELL IS NOT AT HOME THIS EVENING. 141 00:12:34,253 --> 00:12:36,337 [noise from TV] 142 00:12:36,422 --> 00:12:38,256 WHO IS IT, RAMON? 143 00:12:38,340 --> 00:12:40,759 IT'S ME, MR. PENELL. 144 00:12:46,307 --> 00:12:48,433 PICTURE TUBES ARE EXPENSIVE. 145 00:12:48,476 --> 00:12:51,436 YOU CAN ALWAYS GET YOURSELF ANOTHER BEER. 146 00:12:51,520 --> 00:12:53,146 IMPORTED, ISN'T IT? 147 00:12:53,230 --> 00:12:55,440 I ALWAYS LIKED YOUR TASTE, MR. PENELL. 148 00:12:55,483 --> 00:12:58,276 YOU ALWAYS HAD THE TASTE OF A VERY RICH MAN. 149 00:12:58,319 --> 00:13:00,361 NEAT BUT NOT GAUDY. 150 00:13:00,446 --> 00:13:04,783 PLEASE. DON'T. 151 00:13:04,867 --> 00:13:07,368 JUST SIT DOWN THERE AND WE'LL TALK, HUH? 152 00:13:09,497 --> 00:13:11,873 WE'LL HAVE A BUSINESS MEETING, YOU AND ME. 153 00:13:11,957 --> 00:13:14,167 VIRGIL. 154 00:13:14,251 --> 00:13:17,128 VIRGIL, THIS IS THE HAPPIEST DAY OF MY LIFE! 155 00:13:17,213 --> 00:13:19,130 [laughs] 156 00:13:19,173 --> 00:13:21,674 IF THIS IS THE HAPPIEST DAY OF YOUR LIFE, 157 00:13:21,759 --> 00:13:25,804 HOW COME YOU LOOK LIKE SOMEBODY JUST STUCK LEMON JUICE IN YOUR BEER, HUH? 158 00:13:25,846 --> 00:13:29,724 NO, MR. PENELL, YOU'RE NOT SO HAPPY. 159 00:13:29,809 --> 00:13:31,810 YOU GOT NO REASON TO BE HAPPY. 160 00:13:31,894 --> 00:13:34,813 BELIEVE ME, MR. PENELL, I KNOW. 161 00:13:34,855 --> 00:13:37,565 YOU'VE GOT NO REASON TO BE HAPPY. 162 00:13:37,650 --> 00:13:40,735 NO REASON AT ALL. 163 00:13:40,820 --> 00:13:43,655 NOW, IF YOU COULD HAVE KEPT ME IN THE RIVER, 164 00:13:43,739 --> 00:13:46,407 A COLD, CLAMMY LITTLE ITEM WITHOUT A VOICE, 165 00:13:46,492 --> 00:13:48,451 THEN YOU COULD HAVE BEEN HAPPY. 166 00:13:48,536 --> 00:13:51,704 BUT THIS IS ONE DOUBLE CROSS THAT CAME BACK TO BITE YOU. 167 00:13:51,789 --> 00:13:53,665 VIRG, VIRG, YOU GOT ME WRONG, VIRG. 168 00:13:53,707 --> 00:13:55,583 I HELD UP MY END OF THE BARGAIN, 169 00:13:55,668 --> 00:13:59,045 AND INSTEAD OF THE PAYOFF, ALL I GOT WAS THE RIVER. 170 00:13:59,129 --> 00:14:01,923 AND THAT RIVER WAS COLD, MR. PENELL. 171 00:14:02,007 --> 00:14:04,759 FAR TOO COLD FOR THIS TIME OF THE YEAR. 172 00:14:04,844 --> 00:14:07,345 LOUSY SWIMM ING, MR. PENELL, 173 00:14:07,388 --> 00:14:10,181 ESPECIALLY WHEN YOU'RE ALMOST OUT OF BLOOD. 174 00:14:10,224 --> 00:14:12,517 I BROUGHT BACK A SATCHEL FOR YOU, MR. PENELL. 175 00:14:12,601 --> 00:14:15,603 THERE WAS A LOT OF MONEY IN IT. IT WAS A REAL RISKY JOB. 176 00:14:15,688 --> 00:14:18,731 NOW, I FIGURE MY CUT IS MORE THAN A COLD SWIM! 177 00:14:18,816 --> 00:14:20,942 VIRG, PLEASE, LISTEN TO ME. 178 00:14:21,026 --> 00:14:23,194 VIRG, VIRG, I GOT YOUR CUT, KID. 179 00:14:23,279 --> 00:14:25,280 IT'S RIGHT OVER THERE IN THE DESK. 180 00:14:25,364 --> 00:14:29,576 I'LL TAKE CARE OF MY OWN CUT, MR. PENELL. WHAT DRAWER? 181 00:14:29,660 --> 00:14:32,787 IT'S IN THE CENTER DRAWER. THERE'S AN ENVELOPE FULL OF MONEY. 182 00:14:32,872 --> 00:14:34,622 WHY DON'T YOU LET ME GET IT FOR YOU? 183 00:14:34,707 --> 00:14:36,791 WHY DON'T YOU SHUT UP? 184 00:14:45,217 --> 00:14:47,594 YOU SAID THIS WAS FOR ME, DIDN'T YOU? 185 00:14:47,678 --> 00:14:50,054 TWENTY PER CENT OF IT, VIRG. 186 00:14:50,097 --> 00:14:52,724 THE CUT IS STILL THE SAME, MR. PENELL. 187 00:14:52,808 --> 00:14:56,477 I ALWAYS LIVE UP TO MY CONTRACTS. 188 00:14:56,562 --> 00:14:58,438 ONLY NOW THERE'S INTEREST. 189 00:14:58,522 --> 00:15:01,232 FOR FLOATING FACEDOWN IN THE RIVER I CHARGE INTEREST. 190 00:15:01,275 --> 00:15:05,069 FOR GETTING THREE BULLETS IN MY BELLY I CHARGE INTEREST. 191 00:15:05,112 --> 00:15:06,988 I'LL TAKE IT ALL. 192 00:15:08,574 --> 00:15:10,575 VIRG. 193 00:15:10,618 --> 00:15:12,493 YEAH? 194 00:15:12,578 --> 00:15:15,079 DID-DID SOMEBODY-- 195 00:15:15,122 --> 00:15:17,790 DID SOMEBODY FISH YOU OUT BEFORE-- 196 00:15:17,875 --> 00:15:20,251 DID SOMEBODY FISH ME OUT BEFORE I'D HAD IT? 197 00:15:20,336 --> 00:15:22,587 IS THAT THE QUESTION? 198 00:15:22,630 --> 00:15:26,424 NO, MR. PENELL. THAT'S NOT THE WAY IT HAPPENED AT ALL. 199 00:15:26,508 --> 00:15:29,218 I'M A GHOST. 200 00:15:31,513 --> 00:15:34,849 GET THAT GUY, HE'S A FAKE! GET HIM! 201 00:16:05,297 --> 00:16:07,715 I'VE GOT TO MAKE IT. 202 00:16:07,800 --> 00:16:10,301 CHANGE MY FACE. 203 00:16:10,344 --> 00:16:12,887 GOTTA LOOK DIFFERENT. 204 00:16:12,972 --> 00:16:16,265 THINK OF A FACE! THINK OF A FACE! 205 00:16:29,029 --> 00:16:30,822 WHAT THE-- 206 00:16:33,075 --> 00:16:35,493 WHAT DID I DO? 207 00:16:35,536 --> 00:16:38,329 WHY ARE YOU GUYS TRYING TO FINGER ME, HUH? 208 00:16:38,414 --> 00:16:39,998 I MEAN, WHAT GOES? 209 00:16:40,040 --> 00:16:42,750 I DIDN'T DO NOTHING TO YOU GUYS. 210 00:16:43,836 --> 00:16:45,545 NOTHING, BUDDY. 211 00:16:45,629 --> 00:16:48,214 WE THOUGHT YOU WERE SOMEBODY ELSE. 212 00:17:32,384 --> 00:17:34,093 ANDY. 213 00:17:35,512 --> 00:17:37,472 ANDY! 214 00:17:37,556 --> 00:17:40,058 WHO? 215 00:17:40,100 --> 00:17:44,479 ANDY! ANDY, WHAT'S THE MATTER WITH YOU? 216 00:17:44,563 --> 00:17:49,150 OH, UH, ANDY, YEAH. YEAH, I GET IT, YEAH. 217 00:17:49,234 --> 00:17:51,152 UH, WHAT'S NEW WITH YOU? 218 00:17:51,236 --> 00:17:54,405 HOW'S THE, UH, JOURNALISM BUSINESS, HUH? 219 00:17:54,448 --> 00:17:56,324 WHAT'S THE MATTER WITH YOU? 220 00:17:56,408 --> 00:17:59,660 SOMETHING WRONG WITH YOUR M IND? 221 00:17:59,745 --> 00:18:01,996 YOU PUNCHY, ANDY? 222 00:18:03,749 --> 00:18:05,750 YEAH, I'M PUNCHY. 223 00:18:05,793 --> 00:18:08,503 WHY, AM I SUPPOSED TO RECOGNIZE YOU? 224 00:18:08,587 --> 00:18:10,505 YEAH. 225 00:18:10,589 --> 00:18:13,257 I GUESS YOU WOULD. 226 00:18:13,300 --> 00:18:17,011 WE, UH, WE MET SOMEPLACE BEFORE, HUH? 227 00:18:17,096 --> 00:18:19,430 THAT'S RIGHT. 228 00:18:19,515 --> 00:18:21,766 IT WAS A LONG TIME AGO, THOUGH. 229 00:18:21,850 --> 00:18:25,228 I DON'T REMEMBER YOU, OLD MAN. HOW DO I KNOW YOU? 230 00:18:27,106 --> 00:18:29,774 HOW DO YOU KNOW ME? 231 00:18:29,817 --> 00:18:32,026 AS A SON SHOULD KNOW HIS FATHER. 232 00:18:33,779 --> 00:18:37,115 WHAT KIND OF A GAME ARE YOU PLAYING, ANDY? 233 00:18:37,157 --> 00:18:39,617 I'M YOUR SON? 234 00:18:39,701 --> 00:18:41,953 YOU WERE. 235 00:18:42,037 --> 00:18:43,830 YOU WERE BEFORE YOURAN OUT. 236 00:18:43,914 --> 00:18:47,625 YOU WERE BEFORE YOU BROKE YOUR MOTHER'S HEART. 237 00:18:47,709 --> 00:18:50,378 BEFORE YOU DID DIRT TO A SWEET, DECENT LITTLE GIRL 238 00:18:50,462 --> 00:18:52,797 WHO WOULD HAVE CUT OFF AN ARM FOR YOU. 239 00:18:52,881 --> 00:18:55,550 BUT NOW YOU AIN'T MY SON. 240 00:18:55,634 --> 00:18:57,969 NOW YOU AIN'T NOTHING TO ME. 241 00:18:58,053 --> 00:19:00,221 YOU'RE NOTHING. 242 00:19:00,305 --> 00:19:02,974 I HATE YOUR GUTS. 243 00:19:03,016 --> 00:19:07,145 DO YOU HEAR ME? I HATE YOUR GUTS. 244 00:19:09,565 --> 00:19:13,151 IF THINGS GO DOWN HARD, YOU JUST WALK AWAY, HUH, ANDY? 245 00:19:13,235 --> 00:19:17,697 PEOPLE GET IN YOUR WAY YOU JUST STEP ON THEM, JUST KICK THEM AWAY, HUH? 246 00:19:17,781 --> 00:19:21,409 HEY, EVERYBODY, LOOK, LOOK WHAT WE GOT HERE. 247 00:19:21,493 --> 00:19:24,412 ANDY MARSHAK! A DIRTY LITTLE PUNK! 248 00:19:24,496 --> 00:19:28,332 LOOK AT HIM, LOOK AT THE DIRTY LITTLE PUNK! EVERYBODY, LOOK! 249 00:19:28,375 --> 00:19:30,710 SPIT IN HIS MOTHER'S EYE, THIS ONE. 250 00:19:30,794 --> 00:19:32,587 RUINED A GIRL'S LIFE, THIS ONE. 251 00:19:32,671 --> 00:19:35,339 HURT PEOPLE, ALL THE TIME HURT PEOPLE. 252 00:19:35,382 --> 00:19:37,341 HEY, EVERYBODY, LOOK! 253 00:19:41,221 --> 00:19:42,847 LOOK AT HIM! 254 00:19:42,890 --> 00:19:45,516 LOOK AT THE PUNK. 255 00:19:45,559 --> 00:19:48,436 LOOK AT ANDY MARSHAK. 256 00:19:48,520 --> 00:19:51,022 LOOK AT THE MONSTER. 257 00:19:51,064 --> 00:19:55,026 LOOK AT...MY SON! 258 00:20:11,376 --> 00:20:13,878 [rattling of door handle] 259 00:20:34,733 --> 00:20:37,568 THAT WHERE YOU GENERALLY STAND, BEHIND THE DOOR? 260 00:20:37,611 --> 00:20:41,447 WHEN SOMEBODY I DON'T KNOW UNLOCKS MY DOOR, YEAH, THAT'S WHERE I STAND. 261 00:20:41,531 --> 00:20:43,824 ARCH HAMMER, HUH? DETROIT, M ICHIGAN. 262 00:20:43,909 --> 00:20:45,576 I NEVER BEEN THERE. 263 00:20:45,661 --> 00:20:47,787 OF COURSE YOU HAVEN'T. NEITHER WAS HENRY FORD. 264 00:20:47,871 --> 00:20:49,664 YOU'RE DOWN FOR A BUNCO RAP, HAMMER. 265 00:20:49,748 --> 00:20:51,582 I GOTTA PUT YOU ON THE BOOK. 266 00:20:51,667 --> 00:20:54,418 YOU CAN MAKE TWO CALLS WHEN YOU GET TO THE STATION. 267 00:20:56,171 --> 00:20:58,589 CAN I GET MY COAT? 268 00:20:58,632 --> 00:21:01,008 BE MY GUEST. 269 00:21:04,846 --> 00:21:07,473 WHERE IS IT, HAMMER? UP ON THE ROOF? 270 00:21:07,557 --> 00:21:10,559 IN THE CLOSET. 271 00:21:30,914 --> 00:21:32,623 LET'S GO. 272 00:21:52,686 --> 00:21:54,312 HEY, WAIT A M INUTE! 273 00:21:57,024 --> 00:21:59,191 WHAT DO YOU THINK YOU'RE DO-- 274 00:21:59,276 --> 00:22:02,653 I'M SORRY. DID YOU SEE A GUY COME OUT OF THERE? 275 00:22:02,738 --> 00:22:04,655 NO. 276 00:22:21,214 --> 00:22:22,757 HEY, OLD MAN. 277 00:22:22,841 --> 00:22:25,551 YOU'VE GOT SUCH A DEBT, ANDY. 278 00:22:25,635 --> 00:22:28,554 YOU OWE HER FOR SO MANY YEARS. 279 00:22:28,638 --> 00:22:31,182 YOU OWE HER FOR SO MANY THINGS. 280 00:22:32,517 --> 00:22:35,770 AND NOW, YOU PAY OFF, SON. 281 00:22:35,854 --> 00:22:38,189 HEY, NOW, WAIT A M INUTE. WAIT A M INUTE. 282 00:22:38,231 --> 00:22:41,400 YOU GOT THE WRONG GUY. I SWEAR TO YOU, YOU GOT THE WRONG GUY! 283 00:22:41,485 --> 00:22:43,277 I GOT THE RIGHT GUY. 284 00:22:43,362 --> 00:22:46,364 NO, PLEASE. PLEASE, WAIT. 285 00:22:46,448 --> 00:22:48,449 PUT THE-PUT THE GUN DOWN NOW. 286 00:22:48,533 --> 00:22:51,786 I'LL SHOW YOU. I'LL SHOW YOU, HONEST. 287 00:22:51,870 --> 00:22:55,456 BUT I GOTTA THINK! I GOTTA CONCENTRATE! 288 00:22:55,540 --> 00:22:58,542 JUST PUT THE GUN DOWN. YOU'LL SEE. 289 00:22:58,585 --> 00:23:00,628 I GOTTA CONCENTRATE! 290 00:23:15,936 --> 00:23:18,729 (male presenter) IT WAS ARCH HAMMER, A CHEAP LITTLE MAN 291 00:23:18,814 --> 00:23:21,232 WHO HAD JUST CHECKED IN. HE WAS JOHNNY FOSTER 292 00:23:21,316 --> 00:23:23,984 WHO PLAYED A TRUMPET AND WAS LOVED BEYOND WORDS. 293 00:23:24,069 --> 00:23:26,821 HE WAS VIRGIL STERIG, WITH MONEY IN HIS POCKET. 294 00:23:26,905 --> 00:23:29,407 HE WAS ANDY MARSHAK, 295 00:23:29,491 --> 00:23:33,327 WHO GOT SOME OF HIS AGONY BACK ON A SIDEWALK IN FRONT OF A CHEAP HOTEL. 296 00:23:33,412 --> 00:23:37,164 HAMMER, FOSTER, STERIG, MARSHAK. 297 00:23:37,249 --> 00:23:40,334 AND ALL FOUR OF THEM WERE DYING. 298 00:24:14,327 --> 00:24:17,037 (maIe presenter, off) ROD SERLING, THE CREATOR OFTWILIGHT ZONE 299 00:24:17,122 --> 00:24:21,083 WILL TELL YOU ABOUT NEXT WEEK'S STORY AFTER THIS WORD FROM OUR ALTERNATE SPONSOR. 300 00:24:23,253 --> 00:24:25,504 AND NOW, MR. SERLING. 301 00:24:25,589 --> 00:24:28,841 NEXT WEEK WE'LL GIVE YOU A LESSON IN ASTRONOMY. 302 00:24:28,925 --> 00:24:31,677 BUT A KIND OF LESSON NOT TAUGHT IN SCHOOLS. 303 00:24:31,761 --> 00:24:36,724 FRITZ WEAVER, EDWARD ANDREWS AND JOE MAROSS APPEAR IN THIRD FROM THE SUN. 304 00:24:36,808 --> 00:24:40,561 THIS IS A STORY THAT TAKES PLACE ON THE EVE OF DOOMSDAY. 305 00:24:40,645 --> 00:24:42,980 WE HOPE YOU'LL JOIN US ON THE TWILIGHT ZONE. 306 00:24:43,023 --> 00:24:45,274 THANK YOU, AND GOODNIGHT. 307 00:24:50,280 --> 00:24:53,449 [eerie music] 308 00:25:30,445 --> 00:25:33,614 (maIe presenter, off) KIMBERLY CLARK INVITES YOU TO WATCH STEVE McQUEEN 309 00:25:33,698 --> 00:25:36,200 INWANTED DEAD OR ALIVE. 310 00:25:36,243 --> 00:25:39,245 SATURDAY NIGHTS OVER MOST OF THE SAME STATIONS. 311 00:27:16,051 --> 00:27:19,219 TWILIGHT ZONE IS BEING BROUGHT TO YOU TONIGHT 312 00:27:19,304 --> 00:27:22,473 BY KIMBERLY CLARK, 313 00:27:22,515 --> 00:27:24,558 WHOSE HANDY KLEENEX PAPER PRODUCTS 314 00:27:24,643 --> 00:27:28,228 HELP YOU EVERY DAY IN SO MANY WAYS. 315 00:27:32,025 --> 00:27:35,152 TODAY, A WOMAN'S SUPPOSED TO BE A CHAUFFEUR, 316 00:27:35,236 --> 00:27:38,822 A MAID OF ALL WORK, A CIVIC-MINDED CITIZEN 317 00:27:38,865 --> 00:27:43,160 AS WELL AS THE FRESH YOUNG THING HER HUSBAND MARRIED, 318 00:27:43,203 --> 00:27:45,162 AND STILL GET DINNER ON THE TABLE. 319 00:27:45,205 --> 00:27:46,747 HELP. 320 00:27:46,831 --> 00:27:49,875 YOU CALLED, MADAM? THE NAME IS MANNERS. 321 00:27:49,959 --> 00:27:52,252 YOU LADIES DESERVE ALL THE HELP YOU CAN GET, 322 00:27:52,337 --> 00:27:54,922 ESPECIALLY AT YOUR THREE BUSIEST TIMES OF THE DAY. 323 00:27:55,006 --> 00:27:58,342 MEALTIMES HELP LIKE KLEENEX TABLE NAPKINS. 324 00:27:58,385 --> 00:27:59,843 EVEN THE BOX IS HELPFUL. 325 00:27:59,928 --> 00:28:01,679 JUST PRESS BACK IN THE CENTER 326 00:28:01,763 --> 00:28:03,806 AND YOU GET TWO NAPKIN SERVERS, 327 00:28:03,890 --> 00:28:07,184 WITH NAPKINS EASY TO GET AT, FOLDED, READY TO USE. 328 00:28:07,268 --> 00:28:09,728 SOFT, AREN'T THEY? 329 00:28:09,813 --> 00:28:13,357 AND KLEENEX TABLE NAPKINS HELP KEEP YOUR HUSBANDS HAPPIER, TOO. 330 00:28:13,400 --> 00:28:15,901 THEY WON'T SLIDE OFF YOUR LAP. 331 00:28:15,985 --> 00:28:18,278 THEY CLING LIKE CLOTH. 332 00:28:18,363 --> 00:28:22,408 YET, THEY'RE SO STRONG THEY'RE SPILL-PROOF. SEE? 333 00:28:22,492 --> 00:28:27,079 DO LET KLEENEX TABLE NAPKINS GIVE YOU A HELPING HAND AT MEALTIMES. 334 00:28:27,163 --> 00:28:30,541 THEY'RE ANOTHER GOOD VALUE FROM KLEENEX. 335 00:28:44,097 --> 00:28:47,307 PARDON ME, MADAM. WE'RE INTERVIEWING YOUNG HOMEMAKERS 336 00:28:47,392 --> 00:28:49,977 AND I'D LIKE TO ASK YOU A FEW QUESTIONS. 337 00:28:50,061 --> 00:28:54,314 FIST, IS YOUR FAMILY FUSSY ABOUT LITTLE EVERYDAY THINGS AROUND THE HOUSE? 338 00:28:54,399 --> 00:28:56,358 BATHROOM TISSUE FOR INSTANCE? 339 00:28:58,945 --> 00:29:03,407 MM-HM. WELL, WE'D LIKE TO GIVE YOU THIS BOROUGH PACKAGE OF OUR PRODUCT, 340 00:29:03,491 --> 00:29:06,827 DELSEY BATHROOM TISSUE, AND GET YOUR REACTIONS. 341 00:29:06,911 --> 00:29:09,621 NOTICE HOW EACH ROLL IS WRAPPED 342 00:29:09,706 --> 00:29:12,082 TO KEEP IT NICE AND CLEAN. 343 00:29:14,127 --> 00:29:16,253 I SEE YOU LIKE THAT SHADE OF PINK. 344 00:29:16,337 --> 00:29:19,673 DELSEY ALSO COMES IN AQUA, YELLOW AND WHITE, YOU KNOW. 345 00:29:19,758 --> 00:29:22,593 I KNEW YOU'D NOTICE DELSEY'S SOFTNESS. 346 00:29:22,677 --> 00:29:25,596 YOU SEE, DELSEY IS SOFT LIKE KLEENEX TISSUES. 347 00:29:25,638 --> 00:29:29,057 AND YOU'LL FIND DELSEY TEARS EVENLY, TOO. 348 00:29:29,976 --> 00:29:32,436 SEE? 349 00:29:32,520 --> 00:29:36,523 WOULD YOU AGREE THEN THAT DELSEY IS THE NICEST NECESSITY OF ITS KIND? 350 00:29:36,608 --> 00:29:39,109 THANK YOU FOR YOUR COOPERATION, MADAM. 351 00:29:39,152 --> 00:29:40,736 GOOD DAY! 352 00:29:40,786 --> 00:29:45,336 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 25521

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