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These are the user uploaded subtitles that are being translated: 1 00:00:03,503 --> 00:00:05,963 [eerie music] 2 00:00:06,047 --> 00:00:08,632 (male presenter, off) THERE IS A FIFTH DIMENSION 3 00:00:08,717 --> 00:00:10,801 BEYOND THAT WHICH IS KNOWN TO MAN. 4 00:00:10,885 --> 00:00:13,554 IT IS A DIMENSION AS VAST AS SPACE 5 00:00:13,638 --> 00:00:16,223 AND AS TIMELESS AS INFINITY. 6 00:00:16,307 --> 00:00:20,227 IT IS THE MIDDLE GROUND BETWEEN LIGHT AND SHADOW 7 00:00:20,311 --> 00:00:22,646 BETWEEN SCIENCE AND SUPERSTITION 8 00:00:22,731 --> 00:00:25,899 AND IT LIES BETWEEN THE PIT OF MAN'S FEARS 9 00:00:25,984 --> 00:00:28,235 AND THE SUMMIT OF HIS KNOWLEDGE. 10 00:00:28,319 --> 00:00:31,280 THIS IS THE DIMENSION OF IMAGINATION. 11 00:00:31,364 --> 00:00:34,867 IT IS AN AREA WHICH WE CALL THE TWILIGHT ZONE. 12 00:00:42,917 --> 00:00:44,626 [jazzy piano music] 13 00:01:15,116 --> 00:01:17,534 YOUREADY FOR ANOTHER? 14 00:01:17,619 --> 00:01:18,869 I'M FINE. 15 00:01:18,953 --> 00:01:22,456 YOU BEEN FINE FOR AN HOUR. 16 00:01:22,540 --> 00:01:26,585 WE SELL BOOZE HERE, MISTER. WE DON'T JUST RENT SPACE. 17 00:01:26,669 --> 00:01:28,754 IS THAT A FACT? 18 00:01:28,838 --> 00:01:30,631 THAT'S A FACT, BUDDY. 19 00:01:34,761 --> 00:01:37,888 HOW WOULD YOU LIKE TO TAKE A FLYING JUMP AT THE MOON? 20 00:01:41,101 --> 00:01:44,436 ALL KINDS. WE GET ALL KINDS. 21 00:01:46,898 --> 00:01:49,733 (Rod Serling, off) YOU'RE LOOKING AT MR. FRED RENARD, 22 00:01:49,818 --> 00:01:51,485 WHO CARRIES ON HIS SHOULDER 23 00:01:51,569 --> 00:01:54,446 A CHIP THE SIZE OF THE NATIONAL DEBT. 24 00:01:54,531 --> 00:01:57,574 THIS IS A SOUR MAN, A FRIENDLESS MAN 25 00:01:57,659 --> 00:02:00,494 A LONELY MAN, A GRASPING, COMPULSIVE, NERVOUS MAN. 26 00:02:00,578 --> 00:02:02,871 THIS IS A MAN WHO HAS LIVED 27 00:02:02,956 --> 00:02:07,084 36 UNDISTINGUISHED, MEANINGLESS, POINTLESS, FAILURE-LADEN YEARS 28 00:02:07,168 --> 00:02:11,839 AND WHO AT THIS MOMENT LOOKS FOR AN ESCAPE, ANY ESCAPE. 29 00:02:11,923 --> 00:02:15,384 ANY WAY, ANYTHING, ANYBODY, TO GET OUT OF THE RUT. 30 00:02:18,888 --> 00:02:25,060 AND THIS LITTLE OLD MAN IS JUST WHAT MR. RENARD IS WAITING FOR. 31 00:02:43,329 --> 00:02:47,249 SOMETHING FOR YOU, MISS? 32 00:02:47,333 --> 00:02:49,168 I GUESS I NEED SOME MATCHES. 33 00:02:53,965 --> 00:02:56,258 [musical burst] 34 00:02:59,554 --> 00:03:02,139 YOU DON'T NEED MATCHES, MISS. 35 00:03:02,223 --> 00:03:04,850 I'LL TELL YOU WHAT YOU NEED. 36 00:03:04,934 --> 00:03:08,812 YES, I THINK I KNOW WHAT IT IS YOU NEED. 37 00:03:12,150 --> 00:03:13,150 WHAT IS IT? 38 00:03:13,234 --> 00:03:14,610 CLEANING FLUID-- 39 00:03:14,652 --> 00:03:16,653 OH, VERY GOOD CLEANING FLUID. 40 00:03:16,738 --> 00:03:19,865 GUARANTEED TO REMOVE SPOTS OF ANY AND ALL KINDS. 41 00:03:22,285 --> 00:03:24,328 IT'S WHAT YOU NEED. 42 00:03:37,717 --> 00:03:39,843 (bartender) THAT'LL BE 80 CENTS, LEFTY. 43 00:03:49,020 --> 00:03:50,187 WHAT DO YOU GOT, POP? 44 00:03:52,357 --> 00:03:55,317 MANY THINGS, MANY ODDS AND ENDS-- 45 00:03:55,360 --> 00:03:56,693 THINGS YOU NEED. 46 00:03:56,778 --> 00:03:59,029 THINGS I NEED? 47 00:03:59,113 --> 00:04:00,989 WELL, WHAT DO YOU THINK I NEED, POP? 48 00:04:01,074 --> 00:04:05,577 WELL, SHOELACES PERHAPS, OR MATCHES. 49 00:04:07,997 --> 00:04:11,250 UH--NO, I'M AFRAID NOT, POP. 50 00:04:11,334 --> 00:04:13,877 THEY WOULDN'T HELP ME. 51 00:04:13,962 --> 00:04:17,923 NO, WHAT I NEED YOU HAVEN'T GOT. 52 00:04:18,007 --> 00:04:21,510 TELL HIM, LEFTY, TELL HIM WHAT YOU NEED. 53 00:04:21,594 --> 00:04:23,220 THE OLD COOT COMES IN HERE EVERY NIGHT 54 00:04:23,304 --> 00:04:25,681 BUGGING EVERYBODY HE'S GOT WHAT THEY NEED. 55 00:04:25,765 --> 00:04:27,849 TELL HIM WHAT YOU NEED. 56 00:04:27,934 --> 00:04:29,935 TELL HIM WHAT YOUREALLY NEED. 57 00:04:30,019 --> 00:04:33,397 WHAT DO YOU NEED? 58 00:04:33,481 --> 00:04:35,691 A NEW LEFT ARM. 59 00:04:35,775 --> 00:04:38,694 A NEW LEFT ARM? 60 00:04:38,778 --> 00:04:40,904 YEAH, LEFTY WAS QUITE A PITCHER IN HIS TIME. 61 00:04:40,989 --> 00:04:44,283 HE PITCHED FOR A COUPLE OF YEARS FOR THE CUBS. 62 00:04:44,367 --> 00:04:46,535 THEN HIS ARM WENT SOUR. 63 00:04:46,619 --> 00:04:49,204 DIDN'T IT, LEFTY? 64 00:04:49,289 --> 00:04:51,039 I OUGHT TO KNOW. 65 00:04:51,124 --> 00:04:53,292 I DROPPED A BUNDLE ON HIM ON A SUNDAY 66 00:04:53,376 --> 00:04:55,627 A COUPLE OF YEARS AGO. 67 00:04:55,712 --> 00:04:57,212 WHAT DO YOU DO NOW? 68 00:04:57,255 --> 00:04:59,256 WHAT DOES HE DO NOW? 69 00:04:59,340 --> 00:05:02,050 HE COMES IN HERE SEVEN NIGHTS A WEEK, 70 00:05:02,135 --> 00:05:04,052 LOOKING FOR A BASEBALL CAREER 71 00:05:04,137 --> 00:05:07,723 AT THE BOTTOM OF A BOTTLE. 72 00:05:07,807 --> 00:05:11,101 OF COURSE, THERE ARE ALTERNATIVES. 73 00:05:11,185 --> 00:05:15,647 THERE ARE THINGS INSTEAD. 74 00:05:15,732 --> 00:05:17,733 INSTEAD? 75 00:05:17,817 --> 00:05:19,901 INSTEAD OF PITCHING? 76 00:05:19,986 --> 00:05:22,529 INSTEAD OF BASEBALL? 77 00:05:22,613 --> 00:05:26,158 LET'S GO BACK TO SHOELACES, POP. 78 00:05:26,242 --> 00:05:29,828 I THINK I KNOW WHAT IT IS YOU NEED. 79 00:05:29,912 --> 00:05:32,331 [musical burst] 80 00:05:32,415 --> 00:05:34,166 GO AHEAD, TAKE IT. 81 00:05:41,257 --> 00:05:42,341 A BUS TICKET. 82 00:05:42,425 --> 00:05:44,509 THAT'S RIGHT. 83 00:05:44,594 --> 00:05:49,097 THAT'S WHAT IT IS, A BUS TICKET. 84 00:05:49,182 --> 00:05:55,437 A BUS TICKET TO SCRANTON, PENNSYLVANIA. 85 00:05:55,521 --> 00:06:00,359 NOW, WHAT'S IN SCRANTON, PENNSYLVANIA, OLD MAN? 86 00:06:00,443 --> 00:06:03,528 ONE NEVER KNOWS. 87 00:06:03,613 --> 00:06:07,324 COAL M INES, THAT'S WHAT'S IN SCRANTON, PENNSYLVANIA. 88 00:06:07,408 --> 00:06:09,951 NICE, LOVELY, BEAUTIFUL COAL M INES. 89 00:06:09,994 --> 00:06:12,371 YOU CAN'T PITCH WITH THAT ARM ANYMORE, LEFTY, 90 00:06:12,455 --> 00:06:13,705 [telephone rings] 91 00:06:13,790 --> 00:06:15,123 MAYBE YOU CAN DIG WITH IT. 92 00:06:15,208 --> 00:06:16,208 (man) LEFTY. 93 00:06:16,292 --> 00:06:17,292 YEAH? 94 00:06:17,377 --> 00:06:18,418 TELEPHONE. 95 00:06:31,391 --> 00:06:41,358 [no audio] 96 00:06:50,576 --> 00:06:52,869 WHAT-- DEAD RICH UNCLE? 97 00:06:52,954 --> 00:06:54,162 OR YOUR HORSE COME IN? 98 00:06:54,205 --> 00:06:56,498 NO, CRAZY, REAL CRAZY. 99 00:06:56,541 --> 00:06:57,999 OLD MANAGER OF M INE. 100 00:06:58,084 --> 00:06:59,543 BEEN LOOKING FOR ME FOR THREE WEEKS. 101 00:06:59,627 --> 00:07:01,878 GOT ME A JOB, COACHING JOB. 102 00:07:01,963 --> 00:07:06,258 M INOR LEAGUE CLUB IN SCRANT-- [musical burst] 103 00:07:06,342 --> 00:07:10,387 SCRANTON, PENNSYLVANIA. 104 00:07:10,471 --> 00:07:12,139 WANTS ME TO TAKE A BUS THERE. 105 00:07:12,223 --> 00:07:13,849 HE WANTS ME TO TAKE A BUS THERE. 106 00:07:13,891 --> 00:07:15,308 HOW ABOUT THAT? 107 00:07:17,437 --> 00:07:19,187 HOW'D YOU KNOW, POP? 108 00:07:19,272 --> 00:07:21,398 COINCIDENCE MAYBE. 109 00:07:21,482 --> 00:07:23,275 OR JUST GOOD FORTUNE. 110 00:07:23,359 --> 00:07:25,694 BUT WHY QUESTION IT? IT'S THERE FOR YOU. 111 00:07:25,778 --> 00:07:27,946 YOU JUST TAKE IT. 112 00:07:28,030 --> 00:07:32,451 I DON'T GET IT. 113 00:07:33,953 --> 00:07:35,245 WOW. 114 00:07:37,707 --> 00:07:40,208 GEE, I WISH I COULD GET THAT THING OUT. 115 00:07:40,251 --> 00:07:41,960 I'D LIKE TO LOOK HALFWAY DECENT 116 00:07:42,044 --> 00:07:44,379 WHEN I MEET THE GENERAL MANAGER. 117 00:07:44,464 --> 00:07:47,424 THAT'S WHO I'M GONNA MEET, THE GENERAL MANAGER. 118 00:07:47,508 --> 00:07:51,386 I'D HATE TO LOOK LIKE A TRAMP. I CAN GET A SHAVE. 119 00:07:51,471 --> 00:07:52,971 IT'S THE ONLY COAT I GOT. 120 00:08:00,188 --> 00:08:01,480 EXCUSE ME. 121 00:08:01,564 --> 00:08:03,648 I COULDN'T HELP BUT OVERHEAR. 122 00:08:03,733 --> 00:08:05,567 WHY DON'T YOU TRY THIS? 123 00:08:05,651 --> 00:08:07,903 IT'S SUPPOSED TO BE VERY GOOD FOR THAT SORT OF THING. 124 00:08:07,987 --> 00:08:09,946 OH, I DON'T WANT TO BOTHER YOU, MISS. 125 00:08:10,031 --> 00:08:11,239 OH, NO, LET ME TRY. 126 00:08:11,282 --> 00:08:12,574 ALL RIGHT. 127 00:08:17,622 --> 00:08:25,045 [musical burst] 128 00:08:30,968 --> 00:08:32,677 NOW, WHEN THIS DRIES, 129 00:08:32,762 --> 00:08:36,681 YOU WON'T EVEN KNOW YOU HAD A SPOT THERE. 130 00:08:36,766 --> 00:08:38,016 THANK YOU, MISS. 131 00:08:38,100 --> 00:08:39,476 THAT'S ALL RIGHT. 132 00:08:39,560 --> 00:08:41,978 I WAS LUCKY YOU WERE AROUND. 133 00:08:42,063 --> 00:08:43,396 OH, NOT REALLY LUCKY. 134 00:08:43,481 --> 00:08:45,232 THE OLD GENTLEMAN OVER THERE-- 135 00:09:09,423 --> 00:09:13,385 [shaky voice] SOMETHING FOR YOU, SIR? 136 00:09:15,721 --> 00:09:18,640 SHOELACES, MAYBE? 137 00:09:18,683 --> 00:09:21,810 IS THAT WHAT I NEED? 138 00:09:21,852 --> 00:09:24,813 THAT'S FOR YOU TO SAY, SIR. 139 00:09:24,897 --> 00:09:28,984 IF--IF NOT SHOELACES, SOME NICE MATCHES. 140 00:09:29,068 --> 00:09:33,446 I... I HAVE SEVERAL DIFFERENT DESIGNS HERE. 141 00:09:33,531 --> 00:09:35,407 NOW, COME ON. 142 00:09:35,491 --> 00:09:36,992 WHAT DO I NEED? 143 00:09:37,076 --> 00:09:39,494 YOU TELL ME, OLD MAN. 144 00:09:39,537 --> 00:09:42,747 ONE NEEDS MANY DIFFERENT THINGS. 145 00:09:42,832 --> 00:09:48,837 YEAH, YEAH, YEAH, BUT WHAT DO I NEED NOW? HUH? 146 00:09:48,921 --> 00:09:51,172 WHAT DO I NEED TONIGHT? 147 00:09:51,257 --> 00:09:54,050 IT'S LATE. 148 00:09:54,135 --> 00:09:55,176 WHAT DO I NEED? 149 00:10:02,893 --> 00:10:04,227 [musical burst] 150 00:10:11,193 --> 00:10:12,902 SCISSORS? 151 00:10:12,987 --> 00:10:15,905 WHAT IS THIS, SOME KIND OF GAG? 152 00:10:15,990 --> 00:10:18,575 I WANT YOU TO LEVEL WITH ME, OLD MAN, I MEAN IT. 153 00:10:18,659 --> 00:10:20,452 I'LL SPREAD YOU ALL OVER THE STREET. 154 00:10:20,536 --> 00:10:22,537 THEY'RE WHAT YOU NEED. 155 00:10:22,622 --> 00:10:25,832 THEY REALLY ARE. 156 00:10:25,916 --> 00:10:27,083 TAKE THEM. 157 00:10:37,762 --> 00:10:40,055 GIMME MY HEY. HEY. 158 00:11:02,370 --> 00:11:03,370 HEY! 159 00:11:07,416 --> 00:11:08,625 H-HELP! 160 00:11:24,475 --> 00:11:27,394 [musical burst] 161 00:11:50,126 --> 00:11:51,626 YEAH. 162 00:11:51,711 --> 00:11:54,045 WHAT I NEEDED. 163 00:11:54,130 --> 00:11:56,339 YEAH... YEAH... 164 00:11:56,424 --> 00:11:58,133 THAT'S JUST WHAT I NEEDED. 165 00:12:45,014 --> 00:12:48,183 WHAT'S THIS? SOMETHING ELSE I NEED? 166 00:12:48,267 --> 00:12:52,270 NO. LOOK, I'VE ALREADY GIVEN YOU 167 00:12:52,354 --> 00:12:54,898 EVERYTHING THAT YOU NEEDED. 168 00:12:54,982 --> 00:12:57,901 WHY DO YOU COME AROUND HERE BOTHERING ME? 169 00:12:57,985 --> 00:13:02,697 THAT WAS A NICE PAIR OF SCISSORS I GOT FROM YOU TONIGHT. 170 00:13:02,740 --> 00:13:04,365 THEY SAVED MY HIDE. 171 00:13:10,706 --> 00:13:12,457 WHAT DO YOU GOT IN THERE? 172 00:13:12,541 --> 00:13:15,502 SOME KIND OF MACHINE, CRYSTAL BALL? 173 00:13:18,672 --> 00:13:20,173 YOU CAN SEE AHEAD, CAN'T YOU? 174 00:13:20,257 --> 00:13:23,551 YOU CAN LOOK INTO THE FUTURE. 175 00:13:23,636 --> 00:13:25,261 YOU DUMMY. 176 00:13:25,346 --> 00:13:27,263 YOU POOR DUMMY. 177 00:13:27,348 --> 00:13:29,057 YOU GOT A M ILLION DOLLAR TALENT 178 00:13:29,141 --> 00:13:31,726 AND YOU DRIBBLE IT AWAY ON NICKELS AND DIMES. 179 00:13:36,273 --> 00:13:40,902 WANNA KNOW SOMETHING? 180 00:13:40,986 --> 00:13:42,654 YOU GOT A PARTNER NOW. 181 00:13:44,365 --> 00:13:46,950 I DON'T NEED A PARTNER. 182 00:13:47,034 --> 00:13:49,828 I DON'T NEED ANYTHING. 183 00:13:49,912 --> 00:13:51,746 I'M CONTENT. 184 00:13:51,789 --> 00:13:58,169 I... I HAVE THIS TALENT, BUT I USE IT SPARINGLY. 185 00:13:58,254 --> 00:14:01,339 I MUST USE IT SPARINGLY. 186 00:14:04,134 --> 00:14:07,762 ON CLEANING FLUID AND BUS TICKETS. 187 00:14:07,805 --> 00:14:11,474 YOU GOT CHEAP TASTE, PAPA, BUT NOT YOUR PARTNER. 188 00:14:11,559 --> 00:14:15,937 YOUR PARTNER DON'T SATISFY SO EASY. 189 00:14:16,021 --> 00:14:21,776 WHAT SATISFIES HIM? 190 00:14:21,819 --> 00:14:24,863 WHAT SATISFIES HIM COMES LONG AND LOW 191 00:14:24,947 --> 00:14:26,781 AND DRIVES ON FOUR WHEELS, 192 00:14:26,866 --> 00:14:29,200 DRAPES NICE AND SMOOTH AROUND THE SHOULDERS, 193 00:14:29,285 --> 00:14:32,161 FITS EASY, COMES FROM EXPENSIVE SHOPS-- 194 00:14:32,246 --> 00:14:33,872 LOOKS UPTOWN. 195 00:14:33,956 --> 00:14:36,040 LUXURY, PAPA, LUXURY. 196 00:14:36,125 --> 00:14:38,293 NOW, COME ON, CONCENTRATE. 197 00:14:38,377 --> 00:14:40,503 GO INTO A TRANCE OR WHATEVER YOU DO 198 00:14:40,588 --> 00:14:42,380 AND TELL ME WHAT I NEED FOR TOMORROW. 199 00:14:42,464 --> 00:14:44,841 WHAT'S FOR THE NEXT DAY? WHAT'S FOR WEDNESDAY? 200 00:14:46,468 --> 00:14:48,845 COME ON, OLD MAN, CONCENTRATE! 201 00:14:48,929 --> 00:14:50,471 WHAT DO I NEED? 202 00:14:50,556 --> 00:14:55,059 [musical burst] 203 00:14:59,481 --> 00:15:00,481 A PEN? 204 00:15:01,984 --> 00:15:03,985 WHAT IS IT, A GAG OR SOMETHING? 205 00:15:04,028 --> 00:15:06,821 A LEAKY PEN. 206 00:15:06,906 --> 00:15:09,240 I'M SUPPOSED TO NEED A LEAKY PEN, IS THAT IT? 207 00:15:09,325 --> 00:15:13,828 A PEN THAT DRIPS ALL OVER THE-- 208 00:15:13,913 --> 00:15:15,538 WAIT A MINUTE. 209 00:15:15,623 --> 00:15:17,248 HEY, THIS IS WILD. 210 00:15:17,333 --> 00:15:19,417 THIS IS REALLY WILD. 211 00:15:19,501 --> 00:15:22,003 LOOK, IT DROPPED RIGHT ALONGSIDE OF A HORSE'S NAME. 212 00:15:22,087 --> 00:15:24,797 "STAUNCH SOLDIER RUNS IN THE FIRST RACE TOMORROW." 213 00:15:26,342 --> 00:15:30,261 HEY, OLD MAN, YOU'RE ALL RIGHT. 214 00:15:30,346 --> 00:15:33,389 THAT'S WHAT I NEEDED ALL RIGHT-- 215 00:15:33,474 --> 00:15:36,351 A LEAKY FOUNTAIN PEN. SEE YOU LATER. 216 00:15:47,279 --> 00:15:50,114 240 BUCKS. 217 00:15:50,199 --> 00:15:53,868 YEAH, IT COULD'VE BEEN A M ILLION, TWO M ILLION. 218 00:15:53,953 --> 00:15:56,037 YEAH, AND IT'S GONNA BE. 219 00:15:56,080 --> 00:15:58,289 [knocking] 220 00:16:01,001 --> 00:16:02,126 GOT IT? 221 00:16:02,211 --> 00:16:03,628 THIS WHAT YOU WANTED? 222 00:16:03,712 --> 00:16:04,879 YOU GOT TOMORROW MORNING'S PAPER? 223 00:16:04,964 --> 00:16:06,464 THAT'S WHAT SHE IS. 224 00:16:06,548 --> 00:16:08,132 TOMORROW'S RACES IN IT? 225 00:16:08,217 --> 00:16:09,759 IT USUALLY DOES. 226 00:16:09,843 --> 00:16:12,136 HERE IT IS. 227 00:16:12,221 --> 00:16:13,805 YEAH? 228 00:16:13,889 --> 00:16:16,391 DID YOU EVER HEAR OF A TIP? 229 00:16:16,475 --> 00:16:17,976 A TIP? 230 00:16:18,060 --> 00:16:19,477 OH YEAH, HERE'S A TIP. 231 00:16:19,561 --> 00:16:22,814 DON'T PLAY WITH MATCHES. 232 00:16:22,898 --> 00:16:25,316 JERK. 233 00:16:27,152 --> 00:16:29,487 THIS DOESN'T HAVE TO STOP AT THE RACES EITHER. 234 00:16:29,571 --> 00:16:33,449 IT COULD BE FOOTBALL GAMES, BASEBALL, BASKETBALL-- 235 00:16:35,869 --> 00:16:36,995 WHAT IS THIS? 236 00:16:44,628 --> 00:16:48,423 WHY, THAT OLD CRUM BUM. 237 00:16:48,507 --> 00:16:50,091 I'LL FIX HIM. 238 00:16:50,134 --> 00:16:52,010 I'LL TAKE IT OUT OF HIS LOUSY OLD HIDE. 239 00:16:56,432 --> 00:16:59,434 HE IS A LITTLE CRUM BUM-- TO TRY THIS ON ME. 240 00:17:04,606 --> 00:17:05,982 THANK YOU. 241 00:17:14,616 --> 00:17:16,576 HEY, YOU. 242 00:17:16,660 --> 00:17:18,161 HEY, PARTNER. 243 00:17:18,245 --> 00:17:21,372 YOU, WHATEVER YOUR NAME IS. 244 00:17:21,457 --> 00:17:24,042 PIDOTT, THAT'S MY NAME. 245 00:17:24,126 --> 00:17:26,878 WELL, PIDOTT, YOU CAME A CROPPER TONIGHT. 246 00:17:26,962 --> 00:17:28,379 OH? 247 00:17:28,464 --> 00:17:30,214 HOW IS THAT, MR. RENARD? 248 00:17:30,299 --> 00:17:32,800 THAT PEN, IT DON'T WORK, NO INK COMES OUT. 249 00:17:32,885 --> 00:17:35,261 I CAN'T PICK ANY WINNERS. 250 00:17:35,345 --> 00:17:38,973 WELL, YOU WANT A GREAT DEAL, MR. RENARD. 251 00:17:39,058 --> 00:17:42,393 THE THINGS YOU NEED, YOU ONLY NEED ONCE. 252 00:17:42,478 --> 00:17:44,228 JUST ONCE. 253 00:17:44,313 --> 00:17:48,316 THAT'S ALL THEY'RE EVER NEEDED. 254 00:17:48,358 --> 00:17:50,818 OKAY. WHAT'S NEXT, THEN? 255 00:17:50,861 --> 00:17:53,154 NOTHING IS NEXT. 256 00:17:53,197 --> 00:17:55,990 I'D RATHER NOT SELL YOU ANYTHING MORE. 257 00:17:57,659 --> 00:18:01,537 IS THAT A FACT? 258 00:18:01,622 --> 00:18:04,082 PIDOTT, I WANT TO TELL YOU SOMETHING ABOUT ME. 259 00:18:04,166 --> 00:18:06,834 I WAS BORN UNDER A LOUSY ZODIAC OR SOMETHING. 260 00:18:06,919 --> 00:18:09,087 I'VE BEEN GETTING THE DIRTY END OF THE STICK 261 00:18:09,171 --> 00:18:10,755 EVER SINCE I WAS FOUR YEARS OLD. 262 00:18:10,839 --> 00:18:14,342 I FEEL SORRY FOR YOU, I REALLY DO. 263 00:18:14,426 --> 00:18:16,385 I DON'T WANT YOU TO. 264 00:18:16,470 --> 00:18:18,763 I DON'T WANT YOU TO GO TO THAT KIND OF TROUBLE. 265 00:18:18,847 --> 00:18:22,100 I JUST WANT YOU TO KEEP SUPPLYING ME WITH WHAT I NEED. 266 00:18:22,184 --> 00:18:23,559 I DON'T CARE WHAT IT IS-- 267 00:18:23,644 --> 00:18:25,311 SCISSORS TO SAVE MY LOUSY HIDE, 268 00:18:25,395 --> 00:18:27,563 OR A LEAKY FOUNTAIN PEN SO I CAN PICK WINNERS. 269 00:18:27,648 --> 00:18:30,733 WHATEVER IT IS, I WANT IT TO KEEP COM ING. 270 00:18:30,818 --> 00:18:33,528 I DON'T WANT IT TO STOP. 271 00:18:33,612 --> 00:18:35,696 THAT'S A PITY. 272 00:18:35,781 --> 00:18:38,074 BECAUSE IT MUST STOP. 273 00:18:38,158 --> 00:18:40,409 IT MUST STOP NOW. 274 00:18:42,412 --> 00:18:45,123 WHO? WHY? 275 00:18:45,207 --> 00:18:47,542 WHY DOES IT HAVE TO STOP? 276 00:18:47,626 --> 00:18:51,879 BECAUSE THE THINGS YOU NEED MOST, 277 00:18:51,964 --> 00:18:53,714 I CAN'T SUPPLY. 278 00:18:53,799 --> 00:18:57,051 W-W-WHAT ARE THEY? 279 00:18:57,136 --> 00:19:02,056 SERENITY, PEACE OF M IND, HUMOR-- 280 00:19:02,141 --> 00:19:07,061 THE ABILITY TO LAUGH AT ONESELF. 281 00:19:07,104 --> 00:19:10,439 THOSE ARE THE THINGS YOU NEED MOST. 282 00:19:10,524 --> 00:19:15,570 BUT IT'S BEYOND MY POWER TO GIVE THEM TO YOU. 283 00:19:15,654 --> 00:19:19,073 NOW, LOOK, LOOK DEEP. 284 00:19:19,158 --> 00:19:22,994 LOOK DEEP AND TELL ME WHAT'S FOR TOMORROW. 285 00:19:23,078 --> 00:19:25,997 YOU CAN SEE AHEAD, I KNOW YOU CAN. NOW, LOOK DEEP. 286 00:19:33,505 --> 00:19:34,505 WHAT DO YOU SEE? 287 00:19:49,855 --> 00:19:54,692 OH, PLEASE, PLEASE, DON'T. 288 00:19:54,776 --> 00:19:56,611 SHOES? 289 00:20:16,715 --> 00:20:18,758 THESE SHOES ARE TOO TIGHT. 290 00:20:21,136 --> 00:20:23,554 THESE SHOES ARE TOO TIGHT! 291 00:20:23,639 --> 00:20:25,640 AND THEY GOT LEATHER SOLES. 292 00:20:25,682 --> 00:20:28,226 I HATE LEATHER SOLES, THEY'RE SLIPPERY. 293 00:20:28,310 --> 00:20:31,062 BUT THEY'RE WHAT I NEED, AREN'T THEY? 294 00:20:31,146 --> 00:20:35,316 YEAH, I PUT 'EM ON, THEN I WALK SOMEPLACE. 295 00:20:35,359 --> 00:20:37,026 IS THAT IT? 296 00:20:37,110 --> 00:20:39,862 I WALK SOMEPLACE WHERE I FIND WHAT I NEED. 297 00:20:46,286 --> 00:20:48,204 WHAT'S WITH IT, OLD MAN? 298 00:20:48,288 --> 00:20:49,580 WHAT HAPPENS? 299 00:20:49,665 --> 00:20:50,998 I'M WAITING. 300 00:20:51,083 --> 00:20:53,251 PATIENCE, THAT'S ANOTHER THING 301 00:20:53,335 --> 00:20:55,169 THAT YOU NEED, MR. RENARD-- 302 00:20:55,254 --> 00:20:56,921 PATIENCE. 303 00:20:57,005 --> 00:20:58,839 WHAT ARE YOU DOING, GIVING ME THE BUSINESS? 304 00:20:58,924 --> 00:21:01,384 IS THAT WHAT YOU'RE DOING-- GIVING ME THE BUSINESS? 305 00:21:01,468 --> 00:21:04,220 I CAN COME OVER THERE AND TAKE YOU APART BONE BY BONE. 306 00:21:11,353 --> 00:21:13,229 COME ON, OLD MAN, TELL ME. 307 00:21:13,313 --> 00:21:14,939 ARE THESE WHAT I NEED? 308 00:21:15,023 --> 00:21:18,109 I DIDN'T SAY THEY WERE. 309 00:21:18,193 --> 00:21:21,112 BUT I'LL TELL YOU SOMETHING-- 310 00:21:21,196 --> 00:21:23,531 THEY HAPPEN TO BE WHAT I NEED. 311 00:21:49,516 --> 00:21:51,642 MR. RENARD, 312 00:21:51,727 --> 00:21:55,104 WHAT I SAW IN YOUR EYES AT THAT BAR-- 313 00:21:55,188 --> 00:21:56,814 WAS DEATH-- 314 00:21:56,898 --> 00:21:59,317 MY DEATH. 315 00:22:00,736 --> 00:22:03,779 YOU WERE GOING TO KILL ME. 316 00:22:05,824 --> 00:22:08,409 SO WHAT WAS NEEDED-- 317 00:22:08,452 --> 00:22:15,166 FOR MR. RENARD-- WAS SLIPPERY SHOES. 318 00:22:15,250 --> 00:22:17,084 THAT'S WHAT WAS NEEDED. 319 00:22:17,127 --> 00:22:18,836 SLIPPERY SHOES. 320 00:22:28,930 --> 00:22:31,599 WHAT HAPPENED? DID ANYBODY SEE IT? 321 00:22:31,683 --> 00:22:33,100 DID YOU SEE IT? 322 00:22:33,185 --> 00:22:36,020 HIT AND RUN. THAT'S WHAT IT WAS. 323 00:22:36,104 --> 00:22:39,440 COULD I SELL YOU SOMETHING TONIGHT, SIR? 324 00:22:39,483 --> 00:22:43,027 SHOELACES, MATCHES. ANYTHING? 325 00:22:43,111 --> 00:22:44,779 ARE YOU KIDDING, OLD TIMER? 326 00:22:44,863 --> 00:22:47,031 WHAT WOULD I NEED? 327 00:22:47,115 --> 00:22:50,993 I'LL TELL YOU WHAT YOU NEED. 328 00:22:51,078 --> 00:22:53,329 THIS IS WHAT YOU NEED. [musicaI burst] 329 00:22:53,413 --> 00:22:56,415 IT'S YOURS. NO CHARGE TONIGHT. 330 00:23:03,298 --> 00:23:05,633 LOONY, THAT'S WHAT HE IS. 331 00:23:05,717 --> 00:23:09,220 HE M IGHT BE. AT THIS TIME OF NIGHT HE GIVES ME A COMB. 332 00:23:09,304 --> 00:23:12,014 SAYS IT'S WHAT I NEED. 333 00:23:20,649 --> 00:23:22,525 (man) WILL YOU PLEASE HOLD IT, FOLKS? 334 00:23:22,609 --> 00:23:24,193 I'D LIKE TO TAKE YOUR PICTURE. 335 00:23:24,277 --> 00:23:26,404 GOODNESS. TRY TO MAKE YOURSELF PRESENTABLE. 336 00:23:26,488 --> 00:23:27,947 OUR PICTURE'S GONNA BE IN THE PAPER. 337 00:23:28,031 --> 00:23:29,031 THE COMB! 338 00:23:29,116 --> 00:23:30,157 OH, YEAH! 339 00:23:32,369 --> 00:23:33,452 THANKS, FOLKS. 340 00:23:35,664 --> 00:23:39,083 [musical burst] 341 00:23:49,678 --> 00:23:53,597 (Mr. Serling) STREET SCENE: NIGHT, TRAFFIC ACCIDENT. 342 00:23:53,682 --> 00:23:58,018 VICTIM NAMED FRED RENARD, GENTLEMAN WITH A SOUR FACE 343 00:23:58,103 --> 00:24:01,188 TO WHOM CONTENTMENT CAME WITH DIFFICULTY. 344 00:24:01,231 --> 00:24:06,944 FRED RENARD WHO TOOK ALL THAT WAS NEEDED INTHE TWILIGHT ZONE. 345 00:24:13,326 --> 00:24:16,579 (male presenter, off) ROD SERLING, THE CREATOR OFTWILIGHT ZONE 346 00:24:16,663 --> 00:24:18,664 WILL TELL YOU ABOUT NEXT WEEK'S STORY 347 00:24:18,748 --> 00:24:21,375 AFTER THIS WORD FROM OUR ALTERNATE SPONSOR. 348 00:24:22,627 --> 00:24:24,503 AND NOW MR. SERLING. 349 00:24:24,588 --> 00:24:26,797 (Rod Serling) NEXT WEEK ON THE TWILIGHT ZONE, 350 00:24:26,882 --> 00:24:29,467 ONE OF THE MOST BIZARRE AND UNUSUAL TALES WE'VE TOLD YET. 351 00:24:29,551 --> 00:24:32,887 ONE MAN WITH FOUR FACES. 352 00:24:32,971 --> 00:24:35,055 FOUR SEPARATE AND ADVENTURESOME LIVES 353 00:24:35,140 --> 00:24:36,974 THAT MUST BE SEEN TO BE BELIEVED. 354 00:24:37,058 --> 00:24:39,977 HARRY TOWNES, PHILLIP PINE, ROSS MARTIN AND DON GORDON 355 00:24:40,061 --> 00:24:42,480 ST ARIN THE FOUR OF US ARE DYING. 356 00:24:42,564 --> 00:24:44,773 THIS IS A STORY DESIGNED FOR GOOSEBUMPS. 357 00:24:44,858 --> 00:24:46,984 I HOPE WE'LL SEE YOU NEXT WEEK. GOOD NIGHT. 358 00:24:48,945 --> 00:24:51,614 [eerie music] 359 00:24:51,698 --> 00:24:56,869 .:: Team UNiT3D ::. www.hd-united.com 360 00:25:29,694 --> 00:25:32,947 (male presenter, off) BE SURE TO SEE THE FUN-FILLED FAMILY LIFE 361 00:25:32,989 --> 00:25:36,367 OF ONE OF AMERICA'S GREATEST ENTERTAINERS. THE DANNY THOMAS SHOW, 362 00:25:36,451 --> 00:25:38,661 MONDAY NIGHTS OVER MOST OF THESE STATIONS. 363 00:25:38,711 --> 00:25:43,261 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 25002

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