Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,711 --> 00:00:05,754
[eerie music]
2
00:00:05,839 --> 00:00:08,424
(male presenter, off)
THERE IS A FIFTH DIMENSION
3
00:00:08,508 --> 00:00:11,176
BEYOND THAT
WHICHIS KNOWN TO MAN.
4
00:00:11,261 --> 00:00:14,179
IT IS A DIMENSION
AS VAST AS SPACE
5
00:00:14,264 --> 00:00:17,016
AND AS TIMELESS AS INFINITY.
6
00:00:17,100 --> 00:00:20,644
IT IS THE MIDDLE GROUND
BETWEEN LIGHT AND SHADOW,
7
00:00:20,729 --> 00:00:22,980
BETWEEN SCIENCE
AND SUPERSTITION
8
00:00:23,064 --> 00:00:26,191
AND IT LIES BETWEEN
THE PIT OF MAN'S FEARS
9
00:00:26,276 --> 00:00:29,194
AND THE SUMMIT
OF HIS KNOWLEDGE.
10
00:00:29,279 --> 00:00:31,613
THIS IS THE DIMENSION
OF IMAGINATION.
11
00:00:31,698 --> 00:00:36,118
IT IS AN AREA
WHICH WE CALL THE TWILIGHT ZONE.
12
00:00:51,843 --> 00:00:53,677
(male presenter, off)
1 2:00 NOON.
13
00:00:53,762 --> 00:00:57,222
AN ORDINARY SCENE,
AN ORDINARY CITY.
14
00:00:57,307 --> 00:01:00,434
LUNCHTIME FOR THOUSANDS
OF ORDINARY PEOPLE.
15
00:01:00,518 --> 00:01:02,728
TO MOST OF THEM,
THIS HOUR WOULD BE A REST.
16
00:01:02,812 --> 00:01:05,397
A PLEASANT BREAK
IN THE DAY'S ROUTINE.
17
00:01:05,482 --> 00:01:07,357
TO MOST, BUT NOT ALL.
18
00:01:07,442 --> 00:01:10,402
TO EDWARD HALL,
TIME IS AN ENEMY.
19
00:01:10,487 --> 00:01:12,321
AND THE HOUR TO COME
20
00:01:12,405 --> 00:01:14,490
IS A MATTER
OF LIFE AND DEATH.
21
00:01:47,774 --> 00:01:50,442
HEY, MISTER.
22
00:01:50,527 --> 00:01:52,444
WHAT'S THE MATTER?
ARE YOU SICK?
23
00:01:52,529 --> 00:01:54,404
NO.
24
00:02:09,587 --> 00:02:11,755
WE'VE BEEN
EXPECTING YOU, MR. HALL.
25
00:02:16,678 --> 00:02:18,220
GO RIGHT IN.
26
00:02:27,897 --> 00:02:29,439
HELLO, MR. HALL.
27
00:02:31,526 --> 00:02:33,152
WHAT'S THE MATTER?
ARE YOU ILL?
28
00:02:33,236 --> 00:02:34,361
NO.
29
00:02:34,445 --> 00:02:36,446
I'M JUST TIRED.
30
00:02:36,531 --> 00:02:38,991
WELL, YOU'D
BETTER REST.
31
00:02:39,075 --> 00:02:42,327
OVER HERE, MR. HALL.
32
00:02:44,539 --> 00:02:46,415
SIT DOWN.
33
00:03:20,158 --> 00:03:23,535
I THOUGHT
YOU SAID YOU WERE TIRED.
34
00:03:23,620 --> 00:03:26,955
I AM. I'M
THE TIREDEST MAN IN THE WORLD.
35
00:03:27,040 --> 00:03:29,458
YOU WANT TO KNOW
HOW MANY HOURS I'VE BEEN AWAKE?
36
00:03:29,542 --> 00:03:31,543
87 HOURS.
37
00:03:31,628 --> 00:03:33,462
ALMOST FOUR
DAYS AND NIGHTS.
38
00:03:33,546 --> 00:03:35,380
AND YOU CAN'T
GO TO SLEEP, IS THAT IT?
39
00:03:35,465 --> 00:03:39,301
NO, DOCTOR.
NOT CAN'T, I MUSTN'T!
40
00:03:39,385 --> 00:03:43,347
I MUSTN'T GO TO SLEEP
BECAUSE IF I DO I'LL NEVER WAKE UP.
41
00:03:50,521 --> 00:03:52,147
THANKS.
42
00:03:52,232 --> 00:03:53,649
MM-HM.
43
00:03:53,733 --> 00:03:55,234
YOU M IND IF I
WALK AROUND A BIT?
44
00:03:55,318 --> 00:03:57,027
IT'S THE ONLY WAY
I CAN STAY AWAKE.
45
00:03:57,111 --> 00:03:59,446
STAND ON YOUR HEAD
IF YOU THINK IT WILL HELP.
46
00:03:59,530 --> 00:04:01,198
WHAT'S FUNNY?
47
00:04:01,282 --> 00:04:03,575
YOU ARE.
ARE YOU SURE YOU'RE A PSYCHIATRIST?
48
00:04:03,660 --> 00:04:05,535
WHY DO YOU ASK?
49
00:04:05,620 --> 00:04:07,829
I EXPECTED
SOMETHING DIFFERENT.
50
00:04:07,872 --> 00:04:09,748
LIKE AN OLD MAN
WITH A WHITE BEARD
51
00:04:09,832 --> 00:04:10,874
AND A GERMAN ACCENT?
52
00:04:10,959 --> 00:04:12,042
MAYBE.
53
00:04:12,085 --> 00:04:13,543
I KNOW.
54
00:04:13,628 --> 00:04:15,420
THAT'S WHAT
EVERYBODY EXPECTS,
55
00:04:15,505 --> 00:04:17,798
AND THEY'RE
ALWAYS DISAPPOINTED.
56
00:04:17,882 --> 00:04:21,051
YOU KNOW,
I'VE OFTEN THOUGHT OF WEARING A DISGUISE.
57
00:04:21,135 --> 00:04:22,427
YEAH, NOW,
58
00:04:22,512 --> 00:04:23,720
FEEL MORE COMFORTABLE?
59
00:04:23,805 --> 00:04:25,973
LOOK, DOCTOR.
60
00:04:26,057 --> 00:04:27,349
YOU CAN'T HELP ME.
61
00:04:27,433 --> 00:04:28,850
I'M JUST
WASTING YOUR TIME.
62
00:04:28,935 --> 00:04:29,977
YOU'RE SURE
OF THAT?
63
00:04:30,061 --> 00:04:31,311
YEAH.
64
00:04:31,396 --> 00:04:33,146
THEN WHY'D YOU
COME TO ME?
65
00:04:33,231 --> 00:04:35,649
IT WAS FRED
JACKSON'S IDEA, MY REGULAR DOCTOR.
66
00:04:35,733 --> 00:04:36,817
I KNOW,
HE CALLED ME.
67
00:04:36,901 --> 00:04:37,901
WHAT DID HE SAY?
68
00:04:37,986 --> 00:04:39,194
NOT MUCH.
69
00:04:39,279 --> 00:04:42,531
YOUR NAME,
EDWARD HALL.
70
00:04:42,573 --> 00:04:44,616
AGE, 35,
OCCUPATION, DRAFTSMAN.
71
00:04:44,701 --> 00:04:47,703
SINGLE, HEART
CONDITION, NO HISTORY OF MENTAL DISEASES.
72
00:04:47,787 --> 00:04:49,371
THAT'S IT.
73
00:04:49,455 --> 00:04:52,082
ARE YOU GOING
TO TELL ME THE REST?
74
00:04:52,166 --> 00:04:53,375
[sighs]
75
00:04:53,459 --> 00:04:56,128
NO. NO, FORGET IT.
76
00:04:56,212 --> 00:04:57,963
OKAY.
77
00:05:04,721 --> 00:05:06,346
MR. HALL.
78
00:05:07,974 --> 00:05:09,641
DO YOUREALLY THINK
RUNNING AWAY
79
00:05:09,726 --> 00:05:11,727
WILL DO YOU ANY GOOD?
80
00:05:11,811 --> 00:05:13,645
NOW DON'T
GET ME WRONG.
81
00:05:13,730 --> 00:05:17,566
SOMETIMES RUNNING AWAY
IS THE BEST ANSWER.
82
00:05:17,650 --> 00:05:20,277
BUT I DON'T KNOW
THAT YOURS IS THAT SORT OF PROBLEM.
83
00:05:20,361 --> 00:05:24,573
MAYBE IT IS,
MAYBE IT ISN'T.
84
00:05:24,615 --> 00:05:27,534
YOU DO WHAT YOU LIKE.
85
00:05:31,414 --> 00:05:33,999
YOU PROMISE
YOU WON'T PUT ME IN A STRAITJACKET?
86
00:05:34,083 --> 00:05:35,834
I DON'T PROMISE ANYTHING.
87
00:05:35,918 --> 00:05:38,670
OKAY.
88
00:05:38,755 --> 00:05:41,173
OKAY. IT DOESN'T
MAKE ANY DIFFERENCE.
89
00:05:45,636 --> 00:05:46,970
[sighs]
90
00:05:47,055 --> 00:05:49,181
CAN I OPEN THIS?
91
00:05:56,689 --> 00:05:58,065
QUITE A DROP.
92
00:06:02,028 --> 00:06:03,487
UH, MR. HALL,
I'LL, UH--
93
00:06:03,571 --> 00:06:07,532
I'LL HAVE TO CLOSE
THE WINDOW.
94
00:06:07,617 --> 00:06:08,867
I ONLY
WANTED SOME AIR.
95
00:06:08,951 --> 00:06:10,577
WELL, I'LL, UH,
96
00:06:10,661 --> 00:06:12,162
TURN THE CONDITIONER UP.
97
00:06:12,246 --> 00:06:15,165
IT WORKS BEST
WITH THE WINDOWS CLOSED.
98
00:06:15,249 --> 00:06:17,584
DID YOU THINK
I'D JUMP?
99
00:06:17,668 --> 00:06:19,002
YOU M IGHT HAVE.
100
00:06:19,087 --> 00:06:21,004
NOT A CHANCE.
I WANT TO LIVE.
101
00:06:21,089 --> 00:06:22,589
THAT'S MY PROBLEM.
102
00:06:22,673 --> 00:06:24,216
OH?
103
00:06:24,300 --> 00:06:27,719
ALL RIGHT, MR. HALL,
SUPPOSE YOU TELL ME
104
00:06:27,804 --> 00:06:30,389
ALL ABOUT IT. EVERYTHING.
105
00:06:30,473 --> 00:06:31,973
START ANYWHERE.
106
00:06:32,058 --> 00:06:34,559
OKAY, BUT I'M
WARNING YOU
107
00:06:34,644 --> 00:06:36,603
YOU'RE GONNA THINK
I LOST MY MARBLES.
108
00:06:36,687 --> 00:06:39,815
NO. MARBLES
CAN BE FOUND, MR. HALL.
109
00:06:39,899 --> 00:06:42,109
GO ON.
110
00:06:52,829 --> 00:06:54,746
DID YOU EVER LOOK
AT THIS PICTURE?
111
00:06:54,831 --> 00:06:56,623
I MEAN,
REALLY LOOK AT IT?
112
00:06:56,707 --> 00:07:00,627
(Doctor)
I THINK SO, WHY?
113
00:07:00,711 --> 00:07:03,547
HAS IT EVER MOVED?
114
00:07:03,631 --> 00:07:04,923
NO.
115
00:07:05,007 --> 00:07:06,591
NOT TO MY KNOWLEDGE, ANYWAY.
116
00:07:06,676 --> 00:07:09,094
I CAN MAKE IT MOVE.
117
00:07:09,178 --> 00:07:11,346
CAN YOU?
118
00:07:11,431 --> 00:07:12,431
YES.
119
00:07:12,515 --> 00:07:16,726
BUT NOT REALLY.
120
00:07:16,811 --> 00:07:19,729
WHEN I WAS A KID,
WE HAD A PICTURE LIKE THIS IN OUR HOUSE.
121
00:07:19,814 --> 00:07:22,190
NOT THE SAME THING EXACTLY,
BUT PRETTY CLOSE.
122
00:07:22,275 --> 00:07:24,401
A BOAT.
123
00:07:24,485 --> 00:07:27,070
(Hall)
MY MOTHER USED TO TELL ME
124
00:07:27,155 --> 00:07:30,407
SHE SAID IF
I LOOKED AT IT LONG ENOUGH IT WOULD MOVE.
125
00:07:30,491 --> 00:07:33,535
ALL I HAD TO DO
WAS KEEP LOOKING AT IT.
126
00:07:33,619 --> 00:07:37,164
I DIDN'T BELIEVE HER,
BUT THE IDEA FASCINATED ME.
127
00:07:37,248 --> 00:07:41,543
ONE NIGHT I SPENT
A WHOLE HOUR JUST STARING AT THAT SILLY BOAT.
128
00:07:41,627 --> 00:07:44,421
AND DID IT MOVE?
129
00:07:44,505 --> 00:07:46,423
YES.
130
00:07:46,507 --> 00:07:49,468
NOW, YOU UNDERSTAND,
THERE'S NOTHING STRANGE ABOUT THAT.
131
00:07:49,552 --> 00:07:50,969
IT WAS AN OPTICAL ILLUSION.
132
00:07:51,053 --> 00:07:52,804
YEAH, I KNOW.
133
00:07:52,889 --> 00:07:56,183
EXCEPT THAT AFTER A WHILE,
I COULDN'T CONTROL IT.
134
00:07:56,267 --> 00:07:58,977
EVERY TIME
I LOOKED AT THAT BOAT, THE SAILS WOULD FILL,
135
00:07:59,061 --> 00:08:00,687
AND THEY WOULD BEGIN TO DIP.
136
00:08:00,771 --> 00:08:03,523
I JUST COULDN'T STOP IT.
137
00:08:03,608 --> 00:08:06,234
IMAGINATION IS STRONG
IN A GROWING BOY.
138
00:08:06,319 --> 00:08:07,611
YEAH, I REALIZE THAT.
139
00:08:07,695 --> 00:08:10,405
I REALIZED IT
EVEN THEN.
140
00:08:10,490 --> 00:08:12,491
BUT THE POINT IS,
141
00:08:12,575 --> 00:08:15,744
I GOT JUST
AS SCARED AS IF IT WERE REALLY HAPPENING.
142
00:08:15,828 --> 00:08:17,496
THE M IND IS EVERYTHING.
143
00:08:17,580 --> 00:08:19,623
IF YOU THINK YOU'VE
GOT A PAIN IN YOUR ARM,
144
00:08:19,707 --> 00:08:21,708
AND THERE'S NO
PHYSICAL REASON FOR IT,
145
00:08:21,792 --> 00:08:24,085
IT HURTS
JUST THE SAME, DOESN'T IT?
146
00:08:24,128 --> 00:08:26,087
GRANTED.
147
00:08:38,643 --> 00:08:40,644
IS THAT HOW YOU MANAGE
TO STAY AWAKE?
148
00:08:40,728 --> 00:08:43,021
HOW ELSE?
149
00:08:43,105 --> 00:08:44,231
HOW MANY GRAINS A DAY?
150
00:08:44,315 --> 00:08:45,690
I DON'T KNOW.
151
00:08:45,775 --> 00:08:47,609
I HAVEN'T GOT
MUCH LONGER ANYWAY.
152
00:08:47,693 --> 00:08:49,569
YOU WANT TO HEAR
THE REST OR NOT?
153
00:08:49,654 --> 00:08:51,404
YES.
154
00:08:53,533 --> 00:08:55,951
WHEN I WAS 1 5,
I DEVELOPED A RHEUMATIC HEART.
155
00:08:56,035 --> 00:08:59,704
THEY SAID I'D NEVER
REALLY GET WELL.
156
00:08:59,789 --> 00:09:01,373
THAT I'D HAVE
TO TAKE IT EASY.
157
00:09:01,457 --> 00:09:02,874
NO STRENUOUS EXERCISE.
158
00:09:02,959 --> 00:09:04,876
NO LONG WALKS,
159
00:09:04,961 --> 00:09:07,087
NO STAIRS, NO SHOCKS.
160
00:09:07,171 --> 00:09:12,676
AVOID ANY KIND
OF SHOCK, THEY SAID.
161
00:09:12,760 --> 00:09:15,011
THEY FORGOT
ABOUT MY IMAGINATION.
162
00:09:15,096 --> 00:09:18,014
THREE YEARS AGO,
A WOMAN WAS KILLED BY A MAN
163
00:09:18,099 --> 00:09:20,392
WHO WAS HIDDEN
IN THE BACKSEAT OF HER CAR.
164
00:09:20,476 --> 00:09:23,353
YOU MAY HAVE
READ ABOUT IT. I DID.
165
00:09:23,437 --> 00:09:25,730
ANYWAY, IT STARTED
ME THINKING.
166
00:09:25,815 --> 00:09:28,733
MAYBE SOMEBODY WAS HIDING
IN THE BACKSEAT OF MY CAR.
167
00:09:28,818 --> 00:09:31,069
MAYBE ONE NIGHT DRIVING
OVER LAUREL CANYON,
168
00:09:31,153 --> 00:09:32,946
I'D LOOK UP IN
THE REAR-VIEW M IRROR.
169
00:09:33,030 --> 00:09:34,864
AND I'D SEE SOMEBODY
OR SOMETHING
170
00:09:34,949 --> 00:09:39,369
COMING UP
OUT OF THE DARKNESS.
171
00:09:39,453 --> 00:09:41,955
I HAD TO DRIVE
THE CANYON TWICE A DAY.
172
00:09:42,039 --> 00:09:44,082
IT'S A ROUGH ROAD.
173
00:09:44,166 --> 00:09:46,293
ONE SLIP
AND YOU'RE OVER THE EDGE.
174
00:09:46,377 --> 00:09:49,045
ONE NIGHT,
LIKE EVERY OTHER NIGHT, I HEADED FOR HOME.
175
00:09:49,130 --> 00:09:51,214
SUDDENLY, I
FELT UNCOMFORTABLE,
176
00:09:51,299 --> 00:09:53,466
AS IF I WEREN'T ALONE
IN THE CAR.
177
00:09:53,551 --> 00:09:56,761
IT WAS RIDICULOUS,
BUT I COULDN'T SHAKE THE SENSATION.
178
00:09:56,846 --> 00:10:00,015
I KEPT THINKING
THERE'S SOMEBODY BACK THERE.
179
00:10:00,099 --> 00:10:02,892
I'LL LOOK
IN THE REAR-VIEW MIRROR AND I'LL SEE HIS FACE.
180
00:10:02,977 --> 00:10:05,895
THEN I'LL SEE
HIS HANDS REACHING UP,
181
00:10:05,980 --> 00:10:08,732
HERE'S THE IMPORTANT
THING, DOCTOR.
182
00:10:08,816 --> 00:10:11,109
I KNEW INTELLECTUALLY
THAT I WAS ALONE.
183
00:10:11,193 --> 00:10:13,486
BUT I ALSO KNEW
THAT MY IMAGINATION
184
00:10:13,571 --> 00:10:17,532
WOULD MAKE ME
SEE SOMETHING IF I THOUGHT ABOUT IT LONG ENOUGH.
185
00:10:17,575 --> 00:10:19,409
[eerie music]
186
00:10:31,005 --> 00:10:32,547
[honking horn]
187
00:10:34,467 --> 00:10:35,842
[brakes screech]
188
00:10:38,846 --> 00:10:41,389
OF COURSE, THERE WASN'T
ANYONE ELSE IN THE CAR.
189
00:10:41,474 --> 00:10:44,017
IT WAS ALL IN MY M IND.
190
00:10:44,101 --> 00:10:47,604
WHAT DIFFERENCE
DID THAT MAKE? I CRASHED ANYWAY.
191
00:10:47,688 --> 00:10:49,064
I WAS LUCKY.
192
00:10:49,148 --> 00:10:51,274
THE SHOCK SHOULD
HAVE KILLED ME.
193
00:10:51,359 --> 00:10:53,943
I COULDN'T
SURVIVE ANOTHER ONE, THE DOCTOR SAID.
194
00:10:54,028 --> 00:10:55,362
I COULD BE SURE
OF THAT.
195
00:10:55,446 --> 00:10:58,281
AND HAS THERE
BEEN ANOTHER ONE?
196
00:10:58,366 --> 00:11:00,158
NO.
197
00:11:00,242 --> 00:11:02,952
BUT THERE WILL BE,
JUST AS SOON AS I FALL ASLEEP.
198
00:11:03,037 --> 00:11:04,996
THE GIRL WILL BE
IN THIS DREAM AGAIN.
199
00:11:05,081 --> 00:11:08,333
AND IT'LL BE THE LAST SHOCK.
200
00:11:22,807 --> 00:11:26,559
WHEN I WAS A KID,
I USED TO DREAM IN SEQUENCE.
201
00:11:26,644 --> 00:11:29,521
REMEMBER
THE ADVENTURE SERIALS
202
00:11:29,605 --> 00:11:31,439
THEY USED TO HAVE
IN MOVIE THEATERS?
203
00:11:31,524 --> 00:11:32,774
IT WAS LIKE THAT.
204
00:11:32,858 --> 00:11:36,194
EVERY DREAM
WAS A CHAPTER.
205
00:11:36,278 --> 00:11:38,488
I'D ALWAYS REMEMBER
BECAUSE WHEN I WOKE UP,
206
00:11:38,572 --> 00:11:40,073
I'D WRITE DOWN
WHAT HAPPENED.
207
00:11:40,116 --> 00:11:41,116
IT'S CRAZY, HUH?
208
00:11:41,200 --> 00:11:43,159
NOT NECESSARILY.
209
00:11:43,244 --> 00:11:46,246
IT COULD SIMPLY
BE THAT THE DREAMS CONFORMED TO THE NOTES,
210
00:11:46,330 --> 00:11:48,248
NOT THE OTHER WAY AROUND.
211
00:11:48,332 --> 00:11:51,209
THEN YOU DON'T
THINK IT'S POSSIBLE TO DREAM IN EPISODES?
212
00:11:51,293 --> 00:11:53,128
I DON'T SAY IT'S IMPOSSIBLE.
213
00:11:53,212 --> 00:11:56,798
IT ISN'T. BELIEVE ME.
214
00:11:56,882 --> 00:11:59,759
FOR A LONG TIME,
I DIDN'T DREAM AT ALL.
215
00:11:59,844 --> 00:12:02,011
THEN A WEEK AGO,
IT STARTED.
216
00:12:02,096 --> 00:12:05,557
I WENT TO BED
AT AROUND 1 1 :30.
217
00:12:05,641 --> 00:12:09,102
I WASN'T TOO TIRED,
BUT I NEEDED THE REST BECAUSE OF MY HEART.
218
00:12:09,186 --> 00:12:11,771
I DON'T KNOW
WHEN I FELL ASLEEP, BUT ALL OF A SUDDEN,
219
00:12:11,856 --> 00:12:13,773
I WASN'T AT HOME ANYMORE.
220
00:12:13,858 --> 00:12:15,400
I WAS AT
AN AMUSEMENT PARK.
221
00:12:15,484 --> 00:12:17,318
[merry-go-round
music pIaying]
222
00:12:17,403 --> 00:12:21,740
[maniacal laughter]
223
00:12:21,824 --> 00:12:24,826
(Hall)
IT WAS THE KIND OF PLACE YOU SEE ONLY IN NIGHTMARES,
224
00:12:24,910 --> 00:12:27,245
EVERYTHING WARPED
AND TWISTED OUT OF SHAPE,
225
00:12:27,329 --> 00:12:29,789
BUT IT WAS REAL, TOO.
VERY REAL.
226
00:12:29,874 --> 00:12:32,500
(Barker)
HURRY, HURRY, HURRY,
227
00:12:32,585 --> 00:12:34,711
THIS IS WHERE YOU GET
THOSE BIG PRIZES.
228
00:12:34,795 --> 00:12:36,504
SIX SHOTS
FOR A DIME.
229
00:12:36,589 --> 00:12:38,840
HIT THE BULL'S-EYE
AND YOU GET A KEWPIE DOLL.
230
00:12:38,924 --> 00:12:40,175
HOW ABOUT IT?
COME ON.
231
00:12:40,217 --> 00:12:42,051
TEN CENTS.
TEN PENNIES.
232
00:12:42,136 --> 00:12:44,304
(Barker 2)
HURRY HURRY, HURRY, FRIENDS,
233
00:12:44,388 --> 00:12:45,889
THE SHOW
IS ABOUT TO BEGIN.
234
00:12:45,973 --> 00:12:47,515
SEE HER DANCE.
SEE HER WIGGLE.
235
00:12:47,600 --> 00:12:49,434
THE MOST SENSATIONAL
236
00:12:49,518 --> 00:12:52,187
AND ELECTRIFYING EXHIBITION
SINCE LITTLE EGYPT.
237
00:12:52,271 --> 00:12:54,272
YOU'RE NOT GONNA
BE ABLE TO SEE ANYTHING
238
00:12:54,356 --> 00:12:57,233
STANDING OUT THERE.
YOU'VE GOTTA GET DOWN CLOSER.
239
00:12:57,318 --> 00:12:59,986
RIGHT DOWN CLOSE.
THAT'S IT, NOT TOO CLOSE.
240
00:13:00,070 --> 00:13:01,821
LET'S NOT
TRAMPLE EACH OTHER.
241
00:13:01,906 --> 00:13:04,657
NOW, YOU SAY
YOU WANT FAT ONES? WE GOT 'EM.
242
00:13:04,742 --> 00:13:07,118
YOU SAY
YOU WANT THIN ONES? WE'VE GOT THEM.
243
00:13:07,203 --> 00:13:10,413
BLONDS, BRUNETTES,
REDHEADS, AND BELIEVE ME, FOLKS,
244
00:13:10,498 --> 00:13:13,124
IF THEY AIN'T UP HERE,
THEY AIN'T WORTH LOOKING AT.
245
00:13:13,209 --> 00:13:15,460
AND NOW, TO GIVE YOU
A LITTLE DEMONSTRATION
246
00:13:15,544 --> 00:13:17,587
OF WHAT YOU'RE GOING
TO SEE ON THE INSIDE,
247
00:13:17,671 --> 00:13:20,006
MAYA, THE CAT GIRL!
248
00:13:20,090 --> 00:13:21,299
COME ON, BABY.
249
00:13:21,383 --> 00:13:22,967
WE KNOW YOU'RE MODEST,
250
00:13:23,052 --> 00:13:24,803
BUT WHY SHOULD
THE FOLKS OUT THERE
251
00:13:24,887 --> 00:13:26,805
TAKE MY WORD FOR IT?
252
00:13:26,889 --> 00:13:29,140
[sIow percussion music]
253
00:14:20,442 --> 00:14:23,778
[maniacaI Iaughter]
254
00:14:25,656 --> 00:14:27,574
(Hall)
I DIDN'T KNOW WHO THE GIRL WAS.
255
00:14:27,658 --> 00:14:29,242
I'D NEVER SEEN HER BEFORE.
256
00:14:29,326 --> 00:14:31,244
BUT AS MUCH
AS I WAS DRAWN TO HER,
257
00:14:31,328 --> 00:14:33,413
I KNEW I HAD
TO GET AWAY FROM HER.
258
00:14:33,497 --> 00:14:35,373
THERE WAS SOMETHING
ABOUT HER EYES.
259
00:14:35,457 --> 00:14:39,085
SOMETHING DEEP
INSIDE THOSE DARK CAT'S EYES.
260
00:14:44,633 --> 00:14:46,134
MAYA.
261
00:14:46,218 --> 00:14:48,052
WHY DID
YOU DO THAT?
262
00:14:48,137 --> 00:14:49,804
WHY DID I DO WHAT?
263
00:14:49,889 --> 00:14:51,723
RUN AWAY.
264
00:14:51,807 --> 00:14:54,100
I FELT LIKE IT.
265
00:14:54,184 --> 00:14:57,937
YOU DIDN'T FIND ME
NICE TO LOOK AT?
266
00:14:58,022 --> 00:15:00,773
YEAH, MAYBE TOO NICE.
267
00:15:00,858 --> 00:15:02,859
AREN'T YOU SUPPOSED
TO BE BACK THERE
268
00:15:02,943 --> 00:15:07,030
ENTERTAINING THE CUSTOMERS?
269
00:15:07,114 --> 00:15:10,283
I'M FREE.
FOR THE NIGHT.
270
00:15:10,367 --> 00:15:12,118
ARE YOU ALONE?
271
00:15:12,202 --> 00:15:14,203
YES.
272
00:15:19,418 --> 00:15:21,544
THEN COME WITH ME.
273
00:15:24,757 --> 00:15:27,967
YOU WANT TO.
DON'T YOU, EDWARD?
274
00:15:28,052 --> 00:15:31,054
HOW DO YOU KNOW MY NAME?
275
00:15:31,138 --> 00:15:34,390
OH, I KNOW
A LOT OF THINGS. I'M MAYA.
276
00:15:34,475 --> 00:15:37,268
DON'T BE AFRAID.
277
00:15:37,353 --> 00:15:40,521
I'M NOT.
278
00:15:40,606 --> 00:15:42,690
THEN COME.
279
00:15:42,775 --> 00:15:46,069
YOU ARE AFRAID.
280
00:15:46,153 --> 00:15:48,529
ONLY BECAUSE THIS
ISN'T HAPPENING.
281
00:15:48,614 --> 00:15:50,531
THIS IS A DREAM.
282
00:15:50,616 --> 00:15:52,450
I'M NOT HERE,
I'M AT HOME, ASLEEP
283
00:15:52,534 --> 00:15:54,202
AND YOU'RE PART
OF THAT DREAM.
284
00:15:54,286 --> 00:15:56,454
I KNOW THAT.
285
00:15:56,538 --> 00:15:59,499
YOU DO?
286
00:15:59,583 --> 00:16:02,251
OF COURSE.
287
00:16:02,336 --> 00:16:05,380
COME.
288
00:16:05,464 --> 00:16:07,548
[eerie music]
289
00:16:07,633 --> 00:16:09,258
COME.
290
00:16:29,947 --> 00:16:33,366
TAKE ME
IN THERE, EDWARD.
291
00:16:33,450 --> 00:16:36,536
IT'S DARK INSIDE.
292
00:16:36,620 --> 00:16:40,081
SOFT AND COOL
AND DARK.
293
00:16:40,165 --> 00:16:42,875
PLEASE?
294
00:16:42,960 --> 00:16:46,713
HOW CAN I ARGUE
WITH A DREAM?
295
00:17:02,479 --> 00:17:05,398
[eerie music
and maniacal laughter]
296
00:17:33,010 --> 00:17:34,969
WE'VE BEEN EXPECTING
YOU, MR. HALL.
297
00:17:35,054 --> 00:17:38,222
WHAT?
298
00:17:38,307 --> 00:17:41,434
YOU CAN
KISS ME NOW.
299
00:17:41,518 --> 00:17:43,811
WHAT IF
I DON'T WANT TO?
300
00:17:43,896 --> 00:17:46,773
OH, YOU WANT TO.
301
00:17:46,857 --> 00:17:49,317
LOOK, WHO'S DREAM
IS THIS, ANYWAY?
302
00:17:58,160 --> 00:18:00,995
[screaming in terror]
303
00:18:03,332 --> 00:18:07,168
[maniacaI Iaughter]
304
00:18:19,306 --> 00:18:22,058
(Hall)
THAT'S WHEN I KNEW SHE WAS TRYING TO KILL ME.
305
00:18:22,142 --> 00:18:25,186
AND YOU WOKE UP THEN?
306
00:18:25,270 --> 00:18:26,604
YES.
307
00:18:26,688 --> 00:18:29,065
MY HEART
WAS BEATING FAST.
308
00:18:29,149 --> 00:18:32,693
I HAD TO LIE STILL
FOR AN HOUR WAITING FOR IT TO SETTLE DOWN.
309
00:18:32,778 --> 00:18:35,196
THE DOCTOR SAID
I ALMOST HAD IT.
310
00:18:35,280 --> 00:18:37,240
TELL ME, DO YOU KNOW
WHO THE GIRL WAS?
311
00:18:37,324 --> 00:18:39,325
NO IDEA.
312
00:18:39,409 --> 00:18:42,411
SHE LOOKED FAM ILIAR,
BUT I KNOW I'VE NEVER SEEN HER BEFORE,
313
00:18:42,496 --> 00:18:44,622
EXCEPT MAYBE
ON THE STREET OR SOMETHING.
314
00:18:44,706 --> 00:18:46,958
BUT YOU'RE SURE
SHE WANTED TO KILL YOU?
315
00:18:47,042 --> 00:18:49,043
YEAH.
316
00:18:49,128 --> 00:18:51,295
GO ON.
317
00:18:51,380 --> 00:18:54,674
THE NEXT NIGHT
I PUT OFF GOING TO SLEEP UNTIL 1 :00.
318
00:18:54,758 --> 00:18:56,926
BUT IT DIDN'T MATTER.
319
00:18:57,010 --> 00:18:59,011
THE DREAM WAS OUT OF CONTROL.
320
00:18:59,096 --> 00:19:01,472
I WAS BACK
IN THE AMUSEMENT PARK.
321
00:19:01,557 --> 00:19:03,683
[panting]
I WAS RUNNING.
322
00:19:09,940 --> 00:19:11,482
(Maya)
EDWARD.
323
00:19:11,567 --> 00:19:15,111
EDWARD!
324
00:19:15,195 --> 00:19:16,737
GET AWAY FROM ME.
325
00:19:16,822 --> 00:19:18,948
THERE'S NOTHING
TO BE AFRAID OF, EDWARD.
326
00:19:19,032 --> 00:19:20,324
IT'S ONLY A DREAM.
327
00:19:20,409 --> 00:19:22,118
I'VE GOT
A HEART CONDITION.
328
00:19:22,202 --> 00:19:23,995
I CAN'T STAND
ALL THIS EXCITEMENT.
329
00:19:24,079 --> 00:19:26,664
THAT'S SILLY.
THERE ISN'T ANY EXCITEMENT.
330
00:19:26,748 --> 00:19:28,624
YOU SAID SO YOURSELF.
331
00:19:28,709 --> 00:19:31,002
YOU'RE AT HOME,
ASLEEP IN BED.
332
00:19:31,086 --> 00:19:34,755
NOW YOU CAN DO ALL
THE THINGS YOU CAN'T DO WHEN YOU'RE AWAKE.
333
00:19:34,840 --> 00:19:36,757
THAT'S NOT TRUE.
THE DOCTOR SAID--
334
00:19:36,842 --> 00:19:39,760
LOOK EDWARD,
[rattIing]
335
00:19:39,845 --> 00:19:41,929
[peopIe shouting excitedIy]
336
00:19:42,014 --> 00:19:45,183
LOOK, EDWARD, LOOK.
337
00:19:45,267 --> 00:19:47,393
[roller coaster rattling]
338
00:19:47,477 --> 00:19:48,895
COME ON,
EDWARD, IT'S FUN!
339
00:19:48,979 --> 00:19:51,480
COME ON.
340
00:19:51,565 --> 00:19:54,942
(Hall, off)
I DIDN'T WANT TO GO ANYWHERE NEAR THAT
341
00:19:55,027 --> 00:19:56,444
BUT I COULDN'T HELP MYSELF
342
00:19:56,528 --> 00:19:58,529
I HAD TO FOLLOW HER,
343
00:19:58,614 --> 00:20:00,907
EVEN THOUGH
I KNEW EXACTLY WHAT IT WOULD MEAN,
344
00:20:00,991 --> 00:20:03,784
I HAD TO FOLLOW HER.
345
00:20:22,638 --> 00:20:26,057
[Iaughing]
HOLD ON, EDWARD. [eerie music]
346
00:20:52,709 --> 00:20:55,169
STOP IT! STOP IT!
347
00:20:55,254 --> 00:20:57,129
THEY CAN'T. IT'S TOO LATE.
348
00:21:22,739 --> 00:21:25,908
I'VE GOT TO GET OFF!
I'VE GOT TO GET OFF!
349
00:21:25,993 --> 00:21:27,910
JUMP, EDWARD, JUMP!
350
00:21:27,995 --> 00:21:32,748
(Maya)
JUMP, EDWARD, JUMP!
351
00:21:32,833 --> 00:21:34,959
(Doctor)
AND IS THAT IT?
352
00:21:35,043 --> 00:21:37,044
YEAH, THAT'S IT.
353
00:21:37,129 --> 00:21:40,131
IF I GO TO SLEEP
I'LL GO RIGHT BACK TO THE ROLLER COASTER.
354
00:21:40,215 --> 00:21:42,091
MAYA WILL REACH ME.
355
00:21:42,175 --> 00:21:43,676
SHE'LL PUSH ME.
356
00:21:43,760 --> 00:21:45,469
AND THAT'LL BE
THE END OF ME.
357
00:21:45,554 --> 00:21:47,805
ON THE OTHER HAND,
IF I STAY AWAKE ANY LONGER,
358
00:21:47,889 --> 00:21:49,974
THE STRAIN WILL BE
TOO MUCH FOR MY HEART.
359
00:21:50,058 --> 00:21:51,684
AND THAT'LL BE THE END OF ME.
360
00:21:51,768 --> 00:21:54,562
HEADS, YOU WIN.
TAILS, I LOSE.
361
00:21:54,646 --> 00:21:56,647
IT'S QUITE A CHOICE,
HUH, DOCTOR?
362
00:22:01,069 --> 00:22:02,320
WHERE ARE YOU GOING?
363
00:22:02,404 --> 00:22:03,988
OUT, TO GET
SOME FRESH AIR.
364
00:22:04,072 --> 00:22:05,489
I WOULDN'T ADVISE IT.
365
00:22:05,574 --> 00:22:07,533
WHAT DO YOU ADVISE?
A STRAITJACKET?
366
00:22:07,617 --> 00:22:09,660
SO LONG, DOC.
367
00:22:09,745 --> 00:22:12,663
YOU CAN'T DO
ANYTHING MORE FOR ME.
368
00:22:24,301 --> 00:22:26,093
MAYA!
369
00:22:32,851 --> 00:22:34,185
WHAT'S THE MATTER, HALL?
370
00:22:34,269 --> 00:22:35,353
IT'S HER.
371
00:22:35,437 --> 00:22:37,271
MY RECEPTIONIST?
372
00:22:37,356 --> 00:22:40,274
I'M SORRY,
BUT HER NAME DOESN'T HAPPEN TO BE MAYA.
373
00:22:40,359 --> 00:22:43,486
[disturbing music]
374
00:22:48,116 --> 00:22:49,784
[screaming]
375
00:22:58,794 --> 00:23:01,837
MISS THOMAS?
376
00:23:01,922 --> 00:23:03,297
YES, DOCTOR?
377
00:23:03,382 --> 00:23:06,258
WOULD YOU COME
HERE, PLEASE?
378
00:23:14,559 --> 00:23:15,976
I'M AFRAID HE'S DEAD.
379
00:23:16,061 --> 00:23:19,480
BUT HE CAME IN
JUST A M INUTE AGO.
380
00:23:19,564 --> 00:23:21,399
I KNOW.
381
00:23:21,483 --> 00:23:24,777
WHEN HE CAME IN,
I TOLD HIM TO SIT DOWN AND HE DID.
382
00:23:24,861 --> 00:23:28,864
IN LESS THAN
TWO SECONDS HE WAS ASLEEP.
383
00:23:31,910 --> 00:23:34,078
AND THEN
HE GAVE THAT SCREAM YOU HEARD.
384
00:23:34,162 --> 00:23:36,705
HEART ATTACK?
385
00:23:36,790 --> 00:23:38,999
PROBABLY.
386
00:23:39,084 --> 00:23:42,253
WELL, I GUESS
THERE ARE WORSE WAYS TO GO.
387
00:23:42,337 --> 00:23:47,216
AT LEAST
HE DIED PEACEFULLY.
388
00:23:47,300 --> 00:23:52,346
(male presenter, off)
THEY SAY A DREAM TAKES ONLY A SECOND OR SO,
389
00:23:52,431 --> 00:23:54,849
YET IN THAT SECOND,
A MAN CAN LIVE A LIFETIME.
390
00:23:54,933 --> 00:23:56,767
HE CAN SUFFER ANDIE,
391
00:23:56,852 --> 00:23:59,937
AND WHO'S TO SAY
WHICHIS THE GREATER REALITY?
392
00:24:00,021 --> 00:24:03,357
THE ONE WE KNOW
OR THE ONE IN DREAMS?
393
00:24:03,442 --> 00:24:07,194
BETWEEN HEAVEN,
THE SKY, THE EARTH,
394
00:24:07,237 --> 00:24:09,488
IN THE TWILIGHT ZONE.
395
00:24:13,827 --> 00:24:17,204
(male presenter, off)
ROD SERLING, THE CREATOR OF TWILIGHT ZONE
396
00:24:17,247 --> 00:24:19,206
WILL TELL YOU
ABOUT NEXT WEEK'S STORY.
397
00:24:19,291 --> 00:24:22,460
AFTER THIS WORD
FROM OUR ALTERNATE SPONSOR.
398
00:24:22,544 --> 00:24:24,753
(male presenter, off)
AND NOW, MR. SERLING.
399
00:24:24,838 --> 00:24:27,006
ONCE UPON A TIME,
THERE WAS A SHIP SAILING
400
00:24:27,090 --> 00:24:29,300
FROM LIVERPOOL, ENGLAND
TO NEW YORK.
401
00:24:29,384 --> 00:24:32,636
IT NEVER GOT THERE
AND ONE MAN ON BOARD KNEW WHY.
402
00:24:32,721 --> 00:24:34,722
NEXT WEEK WE TELL
THIS MAN'S STORY.
403
00:24:34,806 --> 00:24:37,016
THE DISTINGUISHED ACTOR
NEHEM IAH PERSOFF
404
00:24:37,100 --> 00:24:38,767
PLAYS THE ROLE
OF CARL LANSER,
405
00:24:38,852 --> 00:24:40,644
A HAUNTED MAN
IN A HAUNTING STORY
406
00:24:40,729 --> 00:24:42,813
CALLED "JUDGMENT NIGHT."
407
00:24:42,898 --> 00:24:45,733
THIS SHIP SAILS
NEXT WEEK AND WE HOPE YOU'LL SEE IT OFF.
408
00:24:45,817 --> 00:24:48,152
THANK YOU AND GOOD NIGHT.
409
00:25:29,778 --> 00:25:33,113
(male presenter, off)
BE SURE TO SEE THE FUN-FILLED FAMILY LIFE
410
00:25:33,198 --> 00:25:35,574
OF ONE OF AMERICA'S
GREATEST ENTERTAINERS
411
00:25:35,659 --> 00:25:39,161
THE DANNY THOMAS SHOW,
MONDAY NIGHTS OVER MOST OF THESE STATIONS.
412
00:27:17,427 --> 00:27:20,554
(male presenter, off)
THE TWILIGHT ZONE BROUGHT TO YOU
413
00:27:20,638 --> 00:27:23,098
OASIS FILTERED CIGARETTES.
414
00:27:23,183 --> 00:27:27,436
THE TOBACCO IS SOOTHED
WITH THE SOFTEST TASTE OF ALL
415
00:27:27,520 --> 00:27:30,230
AND MENTHOL MISTING
MAKES IT SO.
416
00:27:34,110 --> 00:27:38,113
THIS IS AN OASIS.
COOL. REFRESHING.
417
00:27:38,198 --> 00:27:40,657
THIS IS AN OASIS, TOO.
418
00:27:40,742 --> 00:27:44,828
JUST AS THE MIST
OF MORNING DEW REFRESHES A FLOWER
419
00:27:44,913 --> 00:27:48,874
AND KEEPS IT FRESH ALL DAY,
SO DOES THE TOBACCO OASIS
420
00:27:48,958 --> 00:27:53,754
IS MISTED, GENTLY MISTED
ALL OVER WITH MENTHOL.
421
00:27:53,797 --> 00:27:59,009
THE TOBACCO IS SOOTHED
FOR THE SOFTEST TASTE OF ALL
422
00:27:59,094 --> 00:28:02,096
AND MENTHOL MISTING
MAKES IT SO.
423
00:28:02,180 --> 00:28:05,349
THAT'S OASIS,
THE ONLY FILTERED CIGARETTE
424
00:28:05,433 --> 00:28:10,646
THAT'S OASIS COOL,
OASIS MILD, OASIS FRESH.
425
00:28:10,730 --> 00:28:16,151
(jingle)
? TRYING OASIS, TRYING OASIS MOST REFRESHING CIGARETTE
426
00:28:19,197 --> 00:28:22,574
(male presenter, off)
THE TWILIGHT ZONE, BROUGHT TO YOU TONIGHT
427
00:28:22,659 --> 00:28:25,452
BY THE COFFEE
WITH THE BEST OF THE COFFEE BEAN
428
00:28:25,537 --> 00:28:29,123
AROMA, FLAVOR,
BUT NOT CAFFEINE.
429
00:28:29,207 --> 00:28:32,376
NEW AROMA-ROAST
SANKA COFFEE.
430
00:28:55,984 --> 00:29:00,696
[soft music]
(male presenter, off) AND THE PERFECT
431
00:29:00,780 --> 00:29:03,240
BRAND NEW
AROMA-ROAST SANKA
432
00:29:03,324 --> 00:29:06,034
GIVES YOU ALL THE BEST
OF THE COFFEE BEAN.
433
00:29:06,119 --> 00:29:08,370
THE TRUEST AROMA,
THE FINEST FLAVOR,
434
00:29:08,455 --> 00:29:10,205
AND NO CAFFEINE.
435
00:29:10,290 --> 00:29:13,292
YES, THE TRUEST AROMA,
THE FINEST FLAVOR,
436
00:29:13,376 --> 00:29:17,713
SO GREAT,
SO WONDERFULLY RICH,
437
00:29:17,797 --> 00:29:21,675
AND BEST OF ALL,
YOU CAN DRINK AS MANY CUPS AS YOU WANT.
438
00:29:21,759 --> 00:29:24,094
INDULGE YOURSELF,
IT'S SO GOOD,
439
00:29:24,179 --> 00:29:27,181
AND SANKA IS STILL
97 PER CENT CAFFEINE FREE.
440
00:29:27,265 --> 00:29:32,978
SANKA COFFEE.
AROMA, FLAVOR AND NO CAFFEINE.
441
00:29:33,062 --> 00:29:36,356
HOW DO THEY DO IT?
442
00:29:36,406 --> 00:29:40,956
Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0
30964
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
