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1
00:00:02,711 --> 00:00:04,795
[eerie music]
2
00:00:04,879 --> 00:00:07,464
(male presenter, off)
THERE IS A FIFTH DIMENSION
3
00:00:07,549 --> 00:00:10,175
BEYOND THAT
WHICHIS KNOWN TO MAN.
4
00:00:10,260 --> 00:00:13,220
IT IS A DIMENSION
AS VAST AS SPACE
5
00:00:13,304 --> 00:00:15,431
AND AS TIMELESS
AS INFINITY.
6
00:00:15,515 --> 00:00:19,435
IT IS THE MIDDLE GROUND
BETWEEN LIGHT AND SHADOW
7
00:00:19,519 --> 00:00:22,187
BETWEEN SCIENCE
AND SUPERSTITION
8
00:00:22,272 --> 00:00:25,649
AND IT LIES BETWEEN
THE PIT OF MAN'S FEARS
9
00:00:25,734 --> 00:00:27,818
AND THE SUMMIT
OF HIS KNOWLEDGE.
10
00:00:27,902 --> 00:00:30,237
THIS IS THE DIMENSION
OF IMAGINATION.
11
00:00:30,321 --> 00:00:34,324
IT IS AN AREA
WHICH WE CALL THE TWILIGHT ZONE.
12
00:00:50,925 --> 00:00:56,805
TWO, THREE, FOUR.
13
00:00:56,890 --> 00:01:00,434
ONE, TWO, THREE.
14
00:01:00,518 --> 00:01:04,396
MRS. CHESTER,
HAVE YOU EVER READ DAVID COPPERFIELD?
15
00:01:04,481 --> 00:01:05,773
HOW'S THAT?
16
00:01:05,857 --> 00:01:07,566
IT'S A WONDERFUL BOOK.
17
00:01:07,650 --> 00:01:10,027
THERE'S THIS
POOR LITTLE FELLA AND HIS FATHER
18
00:01:10,111 --> 00:01:12,279
HAS PASSED AWAY
AND HIS MOTHER HAS MARRIED
19
00:01:12,363 --> 00:01:14,364
THIS MISERABLE MAN
CALLED MURDSTONE.
20
00:01:14,449 --> 00:01:17,493
ISN'T THAT
A VILLAINOUS NAME? MURDSTONE.
21
00:01:17,577 --> 00:01:20,162
WELL, THIS MURDSTONE
HAS A SISTER CALLED JANE--
22
00:01:20,246 --> 00:01:22,206
MR. BEM IS,
YOU SHORTCHANGED ME AGAIN.
23
00:01:22,290 --> 00:01:24,333
YOU OWE ME
ONE MORE DOLLAR.
24
00:01:24,417 --> 00:01:26,210
SEE?
THERE'S ONLY 24 HERE
25
00:01:26,252 --> 00:01:29,505
AND THERE
SHOULD BE 25.
26
00:01:29,589 --> 00:01:32,091
OH, I'M TERRIBLY SORRY,
MRS. MURD-- ER, UH--
27
00:01:32,175 --> 00:01:33,425
MRS., UH, CHESTER.
28
00:01:33,510 --> 00:01:35,969
I THOUGHT THERE WAS FIVE ONES
29
00:01:36,054 --> 00:01:37,471
AND THERE'S ONLY FOUR.
30
00:01:37,555 --> 00:01:39,515
I THOUGHT
I'D GIVEN YOU FIVE.
31
00:01:39,599 --> 00:01:43,102
I'M TERRIBLY SORRY.
THEN THERE'S ANOTHER FUNNY CHARACTER,
32
00:01:43,186 --> 00:01:46,605
CALLED M ICAWBER,
MR. M ICAWBER.
33
00:01:46,689 --> 00:01:49,316
AND HE'S
ALWAYS BEING SENT TO DEBTOR'S PRISON.
34
00:01:49,400 --> 00:01:51,110
HM!
35
00:01:51,194 --> 00:01:53,821
THEN THERE'S
ANOTHER CHARACTER CALLED PEGGOTY.
36
00:01:53,905 --> 00:01:56,532
THAT IS DAVID'S--
37
00:01:56,616 --> 00:01:59,243
NURSE.
38
00:01:59,327 --> 00:02:02,412
[sighs]
OH, WELL. [mumbIes]
39
00:02:13,091 --> 00:02:15,008
YES, SIR?
40
00:02:15,093 --> 00:02:17,553
I WONDER IF IMIGHT
SEE YOU IN MY OFFICE, MR. BEM IS?
41
00:02:17,637 --> 00:02:20,347
WHY, CERTAINLY,
MR. CARSVILLE.
42
00:02:20,431 --> 00:02:21,849
I DON'T SUPPOSE
43
00:02:21,933 --> 00:02:23,976
YOU'VE READ
DAVID COPPERFIELD?
44
00:02:24,060 --> 00:02:25,352
NO, MR. BEM IS,
I HAVE NOT.
45
00:02:25,436 --> 00:02:26,562
NOW IF YOU'D KINDLY
46
00:02:26,646 --> 00:02:28,981
ACCOMPANY ME.
47
00:02:29,065 --> 00:02:32,442
(male presenter, off)
WITNESS MR. HENRY BEMIS, A CHARTER MEMBER
48
00:02:32,527 --> 00:02:34,111
IN THE FRATERNITY
OF DREAMERS.
49
00:02:34,195 --> 00:02:35,737
A BOOKISH LITTLE MAN
50
00:02:35,822 --> 00:02:38,073
WHOSE PASSION
IS THE PRINTED PAGE
51
00:02:38,158 --> 00:02:41,160
BUT WHO IS CONSPIRED
AGAINST BY A BANK PRESIDENT AND A WIFE
52
00:02:41,244 --> 00:02:43,453
AND A WORLD FULL
OF TONGUE-CLUCKERS
53
00:02:43,538 --> 00:02:46,957
AND THE UNRELENTING
HANDS OF A CLOCK. BUT IN JUST A MOMENT
54
00:02:47,041 --> 00:02:49,793
MR. BEMIS WILL ENTER A WORLD
WITHOUT BANK PRESIDENTS,
55
00:02:49,878 --> 00:02:52,337
OR WIVES, OR CLOCKS,
OR ANYTHING ELSE.
56
00:02:52,422 --> 00:02:57,134
HE'LL HAVE A WORLD
ALL TO HIMSELF, WITHOUT ANYONE.
57
00:03:04,100 --> 00:03:05,976
(President)
NOW, MR. BEMIS
58
00:03:06,019 --> 00:03:07,728
I SHALL COME
TO THE POINT.
59
00:03:07,812 --> 00:03:10,147
I SHALL ARRIVE VIA
THE FOLLOWING ROUTE
60
00:03:10,231 --> 00:03:12,357
WHICHIS NAMELY,
"WHAT CONSTITUTES
61
00:03:12,442 --> 00:03:15,152
AN EFFICIENT MEMBER
OF THIS ORGANIZATION?"
62
00:03:15,236 --> 00:03:18,655
VIZ, A BANK TELLER
WHO KNOWS HIS JOB AND PERFORMS IT.
63
00:03:18,740 --> 00:03:20,532
I.E.,
AN ORGANIZATION MAN
64
00:03:20,617 --> 00:03:22,951
WHO FUNCTIONS
WITHIN AN ORGANIZATION.
65
00:03:23,036 --> 00:03:26,663
YOU, MR. BEM IS,
DO NOT FUNCTION WITHIN THE ORGANIZATION.
66
00:03:26,748 --> 00:03:28,999
YOU ARE NEITHER
AN EFFICIENT BANK TELLER
67
00:03:29,083 --> 00:03:30,709
NOR A PROFICIENT EMPLOYEE.
68
00:03:30,793 --> 00:03:34,630
YOU, MR. BEM IS, ARE A READER.
69
00:03:34,714 --> 00:03:36,048
A "READER"?
70
00:03:36,132 --> 00:03:37,591
A READER!
71
00:03:37,675 --> 00:03:39,551
A READER OF BOOKS,
MAGAZINES
72
00:03:39,636 --> 00:03:41,178
PERIODICALS, NEWSPAPERS.
73
00:03:41,262 --> 00:03:43,263
I SEE YOU CONSTANTLY
GOING DOWNSTAIRS
74
00:03:43,348 --> 00:03:45,474
INTO THE VAULT
DURING YOUR LUNCH HOUR.
75
00:03:45,558 --> 00:03:47,517
ULTIMATUM, MR. BEM IS!
76
00:03:47,560 --> 00:03:49,937
YOU'LL HENCEFORTH
DEVOTE YOUR TIME TO YOUR JOB
77
00:03:50,021 --> 00:03:52,689
AND FORGET
READING, OR YOU'LL FIND YOURSELF OUTDOORS
78
00:03:52,774 --> 00:03:55,150
ON A PARK BENCH READING
FROM MORNING TILL NIGHT
79
00:03:55,235 --> 00:03:56,652
FOR WANT OF HAVING A JOB.
80
00:03:56,736 --> 00:03:58,445
DO I MAKE MYSELF
PERFECTLY CLEAR?
81
00:03:58,529 --> 00:04:00,864
THAT'S PERFECTLY
CLEAR, SIR. IT'S JUST THAT,
82
00:04:00,907 --> 00:04:02,491
JUST THAT WHAT, BEM IS?
83
00:04:02,575 --> 00:04:04,534
MAKE IT QUICK
AND GET BACK TO YOUR CAGE.
84
00:04:04,619 --> 00:04:09,581
IT'S JUST THAT MY WIFE
WON'T LET ME READ AT HOME.
85
00:04:09,666 --> 00:04:12,626
SEE, WHEN I GET
HOME AT NIGHT AND TRY TO PICK UP A NEWSPAPER
86
00:04:12,710 --> 00:04:14,586
SHE YANKS IT OUT OF MY HAND
87
00:04:14,671 --> 00:04:17,047
AND AFTER DINNER
IF I TRY TO FIND
88
00:04:17,131 --> 00:04:18,840
A MAGAZINE, SHE HIDES THEM.
89
00:04:18,925 --> 00:04:21,635
WELL, I GOT SO DESPERATE
THAT I FOUND MYSELF
90
00:04:21,719 --> 00:04:25,973
TRYING TO READ THE LABELS
ON THE CONDIMENT BOTTLES ON THE TABLE.
91
00:04:26,057 --> 00:04:30,227
NOW, SHE WON'T
EVEN LET ME USE THE CATSUP.
92
00:04:30,311 --> 00:04:35,482
UNASKED, I GIVE
MY REACTION TO THIS.
93
00:04:35,566 --> 00:04:39,194
YOUR WIFE
IS AN AMAZINGLY BRIGHT WOMAN.
94
00:04:39,279 --> 00:04:41,989
I REMEMBER LAST NOVEMBER
YOU SPENT THE DAYS
95
00:04:42,073 --> 00:04:44,533
READING CAMPAIGN BUTTONS
ON CUSTOMERS' LAPELS.
96
00:04:44,617 --> 00:04:47,327
YOU WILL RECALL
THE LADY WHO TOOK EXCEPTION TO THIS
97
00:04:47,412 --> 00:04:49,371
AND TRIED TO HIT YOU
WITH HER UMBRELLA.
98
00:04:49,455 --> 00:04:50,872
YES, I REMEMBER THAT.
99
00:04:50,957 --> 00:04:53,000
I NEVER GOT A CHANCE
TO TELL HER
100
00:04:53,084 --> 00:04:58,839
THAT I WAS ONLY
LOOKING TO SEE WHO SHE VOTED FOR.
101
00:04:58,923 --> 00:05:00,757
GOOD DAY, BEM IS.
102
00:05:12,186 --> 00:05:13,437
[cIears throat]
103
00:05:13,479 --> 00:05:14,980
[startIed gasp]
104
00:05:20,403 --> 00:05:22,779
(wife, shrill call)
HENRY!
105
00:05:22,822 --> 00:05:25,657
HENRY!
106
00:05:25,742 --> 00:05:28,618
YES, DEAR?
I'M IN THE LIVING ROOM!
107
00:05:35,126 --> 00:05:36,877
YOU WANT MORE
COFFEE OR DON'T YOU?
108
00:05:36,961 --> 00:05:38,920
NO, THANK YOU, DEAR.
109
00:05:39,005 --> 00:05:41,298
BUT THEN WHY DON'T
YOU TELL ME THAT,
110
00:05:41,382 --> 00:05:45,052
AND DON'T SNEAK OFF
INTO THE LOVING ROOM TO BURY YOURSELF IN NEWSPRINT?
111
00:05:45,136 --> 00:05:47,637
I THINK WE'VE
BEEN OVER THIS QUITE ENOUGH, HENRY.
112
00:05:47,722 --> 00:05:51,641
I WON'T TOLERATE A HUSBAND
OF MINE SACRIFICING THE ART OF CONVERSATION.
113
00:05:51,726 --> 00:05:53,018
[chuckIes]
114
00:05:53,102 --> 00:05:55,145
ALL RIGHT.
WHAT'S SO FUNNY?
115
00:05:55,188 --> 00:05:58,690
NO, NO, DEAR, IT'S
JUST THAT YOU SAID "A HUSBAND OF M INE."
116
00:05:58,775 --> 00:06:01,902
HOW MANY HUSBANDS
HAVE YOU GOT? YOU'VE ONLY GOT ME!
117
00:06:01,986 --> 00:06:06,406
I WOULD APPRECIATE THAT
NOT BEING RUBBED IN! [beats newspaper]
118
00:06:06,491 --> 00:06:09,534
WE'RE PLAYING CARDS
TONIGHT. I WANT YOU TO CHANGE YOUR SHIRT.
119
00:06:09,619 --> 00:06:11,787
WE'RE GOING OVER
TO THE PHILLIPS' HOUSE.
120
00:06:11,871 --> 00:06:13,455
OH, DEAR.
121
00:06:13,539 --> 00:06:16,875
ALL RIGHT, HENRY.
ANYTHING TO SAY?
122
00:06:16,959 --> 00:06:19,419
NO, DEAR, NOTHING TO SAY.
123
00:06:19,504 --> 00:06:21,922
WHAT TIME
DO WE DO THAT?
124
00:06:22,006 --> 00:06:23,924
IN ABOUT 1 5 M INUTES.
125
00:06:24,008 --> 00:06:26,551
I'LL BE READY ON TIME.
126
00:06:26,636 --> 00:06:28,720
SEE THAT YOU ARE!
127
00:07:12,140 --> 00:07:13,473
[startIed]
OH!
128
00:07:13,558 --> 00:07:14,933
HENRY?
129
00:07:15,017 --> 00:07:19,813
YES, MY DEAR?
130
00:07:19,897 --> 00:07:22,065
WHAT HAVE
YOU GOT, HENRY?
131
00:07:22,150 --> 00:07:23,358
GOT?
132
00:07:23,443 --> 00:07:24,609
GOT!
133
00:07:24,694 --> 00:07:27,446
NOTHING, MY DEAR.
134
00:07:27,530 --> 00:07:28,613
WHAT'S THIS?
135
00:07:28,698 --> 00:07:29,739
WHAT, THAT?
136
00:07:29,824 --> 00:07:30,907
THIS!
137
00:07:30,950 --> 00:07:32,117
ISN'T THAT ODD?
138
00:07:32,201 --> 00:07:33,452
HOW DID THAT
GET HERE?
139
00:07:33,536 --> 00:07:35,871
I CAN ONLY HAZARD
A GUESS.
140
00:07:35,955 --> 00:07:38,790
"A BOOK
OF MODERN POETRY."
141
00:07:38,875 --> 00:07:44,087
YOURS, HENRY?
142
00:07:44,172 --> 00:07:46,465
WOULD YOU LIKE
TO READ ME SOME?
143
00:07:46,549 --> 00:07:48,258
READ YOU SOME?
144
00:07:48,342 --> 00:07:51,428
DO YOU MEAN
READ YOU OUT LOUD OUT OF THE BOOK?
145
00:07:51,512 --> 00:07:52,596
DO YOU WANT TO?
146
00:07:52,680 --> 00:07:54,431
OH, I WOULD LOVE TO.
147
00:07:54,515 --> 00:07:57,976
YOU KNOW,
THERE ARE SOME LOVELY THINGS IN HERE.
148
00:07:58,060 --> 00:08:01,146
THERE ARE
ONE OR TWO THINGS FROM T.S. ELIOT
149
00:08:01,230 --> 00:08:05,734
AND EDNA ST. VINCENT M ILLAY,
ROBERT FROST, CARL SANDBURG.
150
00:08:15,786 --> 00:08:17,787
HELEN.
151
00:08:20,458 --> 00:08:22,042
WHO DID THIS, HELEN?
152
00:08:22,126 --> 00:08:24,211
WHO DO YOU THINK
DID IT, HENRY?
153
00:08:24,295 --> 00:08:26,713
YOU SHOULD
THANK ME, REALLY.
154
00:08:26,797 --> 00:08:29,090
A GROWN MAN WHO READS SILLY
155
00:08:29,175 --> 00:08:31,134
RIDICULOUS,
NONSENSICAL DOGGEREL.
156
00:08:31,219 --> 00:08:34,513
THIS ISN'T DOGGEREL!
THERE'S SOME BEAUTIFUL THINGS HERE.
157
00:08:34,597 --> 00:08:36,223
I SAY IT'S DOGGEREL.
158
00:08:36,307 --> 00:08:39,184
AND I ALSO SAY
IT'S A WASTE OF TIME.
159
00:08:39,268 --> 00:08:41,770
HELEN, HELEN,
DON'T DO THAT!
160
00:08:41,854 --> 00:08:44,147
HELEN, PLEASE
DON'T DO THAT!
161
00:08:50,112 --> 00:08:51,404
WHY, HELEN?
162
00:08:51,489 --> 00:08:53,323
WHY DO YOU DO
THESE THINGS?
163
00:08:53,366 --> 00:08:55,325
BECAUSE I'M
MARRIED TO A FOOL.
164
00:10:34,091 --> 00:10:35,175
[crash]
165
00:10:35,259 --> 00:10:36,926
[expIosion]
166
00:12:39,550 --> 00:12:41,551
(Carsville)
I CAN ONLY TELL YOU
167
00:12:41,635 --> 00:12:44,179
THAT IN ADHERENCE TO DUTY,
A CONSTANT REMEMBRANCE
168
00:12:44,263 --> 00:12:48,183
THAT A BANK,
LIKE A POLITICAL OFFICE IS A PUBLIC TRUST.
169
00:12:48,267 --> 00:12:50,393
THESE THINGS
ARE OF THE ESSENCE.
170
00:12:50,478 --> 00:12:53,021
THOSE THINGS ARE BASIC
ABOVE ALL THINGS.
171
00:12:53,105 --> 00:12:55,190
JUST THE QUALITIES
I'VE MENTIONED.
172
00:12:55,274 --> 00:12:58,359
MISS JACKSON, THAT'S MY SPEECH
FOR THURSDAY NIGHT BANQUET.
173
00:12:58,444 --> 00:12:59,611
WOULD YOU TYPE THAT--
174
00:12:59,695 --> 00:13:01,571
[expIosion]
175
00:14:00,047 --> 00:14:02,340
(presenter, off)
SECONDS, MINUTES, HOURS,
176
00:14:02,424 --> 00:14:04,092
THEY CRAWL BY
177
00:14:04,176 --> 00:14:07,262
ON HANDS AND KNEES
FOR MR. HENRY BEMIS
178
00:14:07,346 --> 00:14:10,682
WHO LOOKS FOR A SPARK
IN THE ASHES OF A DEAD WORLD.
179
00:14:10,766 --> 00:14:12,767
A TELEPHONE CONNECTED
TO NOTHINGNESS.
180
00:14:12,852 --> 00:14:14,477
A NEIGHBORHOOD BAR, A MOVIE
181
00:14:14,562 --> 00:14:16,980
A BASEBALL DIAMOND,
A HARDWARE STORE
182
00:14:17,064 --> 00:14:21,776
THE MAILBOX OF WHAT
WAS ONCE HIS HOUSE AND IS NOW A RUBBLE.
183
00:14:21,861 --> 00:14:23,778
THEY LIE AT HIS FEET
184
00:14:23,863 --> 00:14:27,240
AS BATTERED MONUMENTS
TO WHAT WAS, BUT IS NO MORE.
185
00:14:27,324 --> 00:14:31,077
HELEN!
186
00:14:31,161 --> 00:14:37,917
WHERE ARE YOU?!
187
00:14:38,002 --> 00:14:41,379
(male presenter, off)
MR. HENRY BEMIS, ON AN EIGHT-HOUR TOUR
188
00:14:41,463 --> 00:14:44,465
OF A GRAVEYARD.
189
00:14:58,689 --> 00:15:02,025
THEY'RE ALL DEAD.
190
00:15:02,109 --> 00:15:04,402
THEY MUST BE.
191
00:15:04,486 --> 00:15:07,363
EVERYBODY'S DEAD EXCEPT
192
00:15:07,448 --> 00:15:09,198
ME.
193
00:15:09,283 --> 00:15:12,285
I'M ALL RIGHT.
194
00:15:12,369 --> 00:15:14,913
WHY AM I ALL RIGHT?
195
00:15:14,997 --> 00:15:18,958
I WAS RIGHT THERE
IN THE MIDDLE OF--
196
00:15:19,043 --> 00:15:20,710
THE VAULT!
197
00:15:20,794 --> 00:15:24,756
I WAS DOWN IN THE VAULT.
198
00:15:24,840 --> 00:15:26,257
THAT'S WHY I'M ALIVE.
199
00:15:26,342 --> 00:15:30,887
I WENT DOWN IN THE--
200
00:15:30,971 --> 00:15:34,891
THE THING OF IT IS, THOUGH,
201
00:15:34,975 --> 00:15:37,977
THE THING OF IT IS
202
00:15:38,062 --> 00:15:41,564
I'M NOT AT ALL SURE
203
00:15:41,649 --> 00:15:45,318
THAT I WANT TO BE ALIVE.
204
00:15:50,658 --> 00:15:53,493
WELL, I'M NOT
GOING TO STARVE TO DEATH ANYWAY.
205
00:15:53,577 --> 00:15:55,328
LOTS OF FOOD.
206
00:15:55,412 --> 00:16:00,333
FOOD ENOUGH TO LAST
FOR YEARS AND YEARS AND YEARS
207
00:16:00,417 --> 00:16:04,587
AND YEARS.
208
00:16:07,466 --> 00:16:09,759
ALL THE FOOD I CAN EAT.
209
00:16:09,843 --> 00:16:12,387
ALL THE FOOD
210
00:16:12,471 --> 00:16:22,397
AND MORE TOO.
211
00:16:22,481 --> 00:16:25,858
[humming]
212
00:16:34,451 --> 00:16:40,415
LET'S SEE, THE WORST PART,
THE VERY WORST PART
213
00:16:40,499 --> 00:16:43,376
IS BEING ALONE.
214
00:16:43,460 --> 00:16:47,338
IS THIS HOW IT'S GOING TO BE
215
00:16:47,423 --> 00:16:50,049
SITTING AROUND DAY AFTER DAY
216
00:16:50,134 --> 00:16:52,260
EATING?
217
00:16:52,344 --> 00:16:54,470
SMOKING A CIGARETTE.
218
00:16:54,555 --> 00:16:58,766
READING THE SAME HALF
OF A NEWSPAPER
219
00:16:58,851 --> 00:17:02,020
OVER AND OVER,
220
00:17:02,104 --> 00:17:05,815
AND OVER
221
00:17:05,899 --> 00:17:08,609
AND OVER AGAIN.
222
00:18:10,422 --> 00:18:12,381
[horn honking]
223
00:18:16,428 --> 00:18:18,638
[engine sputtering]
224
00:18:39,118 --> 00:18:41,577
IS SOMEONE THERE?
225
00:18:41,662 --> 00:18:44,038
PLEASE, SOMEONE!
226
00:18:44,123 --> 00:18:46,124
IS SOMEONE THERE?
227
00:18:46,208 --> 00:18:49,127
SOMEONE!
228
00:18:49,211 --> 00:18:52,130
NO. NO. NO.
229
00:18:52,214 --> 00:18:57,176
NO. NO, THAT DOESN'T MAKE
ANY DIFFERENCE.
230
00:18:57,261 --> 00:19:00,972
NO, IT DOESN'T. IT DOESN'T
MAKE A BIT OF DIFFERENCE.
231
00:19:01,056 --> 00:19:02,682
IT'S QUITE ALL RIGHT.
232
00:19:02,766 --> 00:19:05,143
THIS IS SOLITUDE.
233
00:19:05,227 --> 00:19:09,272
I'VE NEVER HAD MUCH SOLITUDE.
234
00:19:09,356 --> 00:19:14,944
I HAVE ENOUGH
TO OCCUPY MY M IND AND MY TIME.
235
00:19:15,028 --> 00:19:18,197
I HAVE ENOUGH FOOD
236
00:19:18,282 --> 00:19:20,324
AND I'M REALLY
VERY FORTUNATE.
237
00:19:20,409 --> 00:19:25,163
YES, I'M REALLY
EXTREMELY FORTUNATE.
238
00:19:25,247 --> 00:19:28,207
HELP. HELP. HELP.
239
00:19:28,292 --> 00:19:31,002
SOMEONE, PLEASE! SOMEONE!
240
00:19:31,086 --> 00:19:33,045
PLEASE. PLEASE, SOMEONE!
241
00:19:33,130 --> 00:19:36,090
SOMEONE! PLEASE!
242
00:19:36,175 --> 00:19:37,341
SOMEONE, PLEASE!
243
00:19:37,426 --> 00:19:39,343
SOMEONE.
244
00:20:00,782 --> 00:20:02,909
[suspense music]
245
00:20:17,466 --> 00:20:22,220
IF IT JUST WEREN'T
FORTHE LONELINESS.
246
00:20:22,304 --> 00:20:26,224
IF IT JUST
WEREN'T FOR THE SAMENESS.
247
00:20:26,308 --> 00:20:32,188
IF THERE WERE
JUST SOMETHING TO DO, DO, DO.
248
00:20:32,231 --> 00:20:35,733
OH, WELL,
249
00:20:35,817 --> 00:20:40,446
I'M SURE I'LL BE FORGIVEN
FOR THIS--
250
00:20:40,530 --> 00:20:43,157
THE WAY THINGS ARE.
251
00:20:43,242 --> 00:20:47,620
I KNOW I'LL BE FORGIVEN.
252
00:21:16,066 --> 00:21:20,695
COLLECTED WORKS OF DICKENS!
253
00:21:20,779 --> 00:21:25,992
COLLECTED WORKS
OF GEORGE BERNARD SHAW!
254
00:21:26,076 --> 00:21:27,660
POEMS BY BROWNING!
255
00:21:27,744 --> 00:21:31,330
SHELLEY, KEATS.
256
00:21:31,415 --> 00:21:34,166
GREAT DRAMAS OF THE WORLD!
257
00:21:34,251 --> 00:21:35,751
BOOKS. BOOKS.
258
00:21:35,836 --> 00:21:37,878
ALL THE BOOKS I'LL NEED.
259
00:21:37,963 --> 00:21:39,338
ALL THE BOOKS
260
00:21:39,423 --> 00:21:41,590
ALL THE BOOKS
I'LL EVER WANT.
261
00:21:41,675 --> 00:21:45,720
SHELLEY, SHAKESPEARE,
SHAW, OH.
262
00:21:45,804 --> 00:21:48,180
ALL THE BOOKS I WANT.
263
00:21:48,265 --> 00:21:50,182
ALL THE BOOKS.
264
00:21:50,267 --> 00:21:51,434
AH.
265
00:21:51,476 --> 00:21:53,436
[sighs]
266
00:21:53,520 --> 00:21:55,688
JANUARY,
267
00:21:55,772 --> 00:21:57,773
FEBRUARY, MARCH,
268
00:21:57,858 --> 00:21:59,734
APRIL,
269
00:21:59,818 --> 00:22:01,694
MAY,
270
00:22:01,778 --> 00:22:04,196
THIS YEAR,
271
00:22:04,281 --> 00:22:06,532
THE NEXT YEAR,
272
00:22:06,616 --> 00:22:08,367
AND THE YEAR AFTER,
273
00:22:08,452 --> 00:22:11,203
AND THE YEAR
AFTER THAT,
274
00:22:11,288 --> 00:22:14,540
AND THE YEAR
AFTER THAT.
275
00:22:14,624 --> 00:22:16,250
AH.
276
00:22:27,679 --> 00:22:30,389
[chuckIes]
277
00:22:33,643 --> 00:22:36,228
OH.
278
00:22:36,313 --> 00:22:40,775
AND THE BEST THING,
THE VERY BEST THING OF ALL.
279
00:22:40,859 --> 00:22:43,444
IS THERE'S TIME NOW.
280
00:22:43,528 --> 00:22:47,990
THERE'S ALL THE TIME I NEED
AND ALL THE TIME I WANT.
281
00:22:48,075 --> 00:22:52,244
TIME, TIME, TIME.
282
00:22:52,329 --> 00:22:57,041
AH, THERE'S TIME ENOUGH
AT LAST.
283
00:23:01,963 --> 00:23:03,297
[crash]
284
00:23:20,899 --> 00:23:23,109
THAT'S NOT FAIR.
285
00:23:23,193 --> 00:23:27,113
THAT'S NOT FAIR AT ALL.
286
00:23:27,197 --> 00:23:30,282
THERE WAS TIME NOW.
287
00:23:30,367 --> 00:23:34,286
THERE WAS,
WAS ALL THE TIME I NEEDED.
288
00:23:34,371 --> 00:23:39,125
[sobbing]
IT'S NOT FAIR.
289
00:23:39,209 --> 00:23:43,712
IT'S NOT FAIR.
290
00:23:43,755 --> 00:23:47,299
(male presenter, off)
THE BEST LAID PLANS OF MICE AND MEN
291
00:23:47,384 --> 00:23:49,844
AND HENRY BEMIS
292
00:23:49,928 --> 00:23:54,306
THE SMALL MAN IN THE GLASSES
WHO WANTED NOTHING BUT TIME.
293
00:23:54,391 --> 00:23:58,811
HENRY BEMIS, NOW JUST A PART
OF A SMASHED LANDSCAPE
294
00:23:58,895 --> 00:24:01,313
JUST A PIECE OF THE RUBBLE
295
00:24:01,398 --> 00:24:06,318
JUST A FRAGMENT OF WHAT MAN
HAS DEEDED TO HIMSELF.
296
00:24:06,403 --> 00:24:09,864
MR. HENRY BEMIS,
IN THE TWILIGHT ZONE.
297
00:24:14,661 --> 00:24:18,038
(male presenter, off)
ROD SERLING, THE CREATOR OF TWILIGHT ZONE,
298
00:24:18,123 --> 00:24:20,082
WILL TELL YOU
ABOUT NEXT WEEK'S STORY
299
00:24:20,167 --> 00:24:22,877
AFTER THIS WORD
FROM OUR ALTERNATE SPONSOR.
300
00:24:22,961 --> 00:24:25,212
(male presenter, off)
AND NOW, MR. SERLING.
301
00:24:25,297 --> 00:24:28,799
NEXT WEEK WE ENLIST
THE CONSIDERABLE LITERARY TALENTS
302
00:24:28,884 --> 00:24:31,260
OF CHARLES BEAUMONT
AND INVITE YOU TO JOIN US
303
00:24:31,344 --> 00:24:33,596
IN A STRANGE
AND SHOCKING DREAM.
304
00:24:33,638 --> 00:24:38,851
OUR STORY IS CALLED
PERCHANCE TO DREAM AND STARS RICHARD CONTE.
305
00:24:38,935 --> 00:24:43,689
I HOPE YOU WILL BE ABLE
TO JOIN NEXT WEEK'S EXCURSION INTO THE TWILIGHT ZONE.
306
00:24:43,773 --> 00:24:46,817
THANK YOU AND GOOD NIGHT.
307
00:25:29,236 --> 00:25:33,072
(male presenter, off)
KIMBERLY CLARK INVITES YOU TO WATCH STEVE MCQUEEN
308
00:25:33,156 --> 00:25:35,574
INWANTED DEAD OR ALIVE
309
00:25:35,659 --> 00:25:38,536
SATURDAY NIGHTS OVER MOST
OF THESE SAME STATIONS.
310
00:27:14,924 --> 00:27:18,427
(male presenter, off)
TWILIGHT ZONE IS BEING BROUGHT
311
00:27:18,511 --> 00:27:20,596
BY KIMBERLY CLARK
312
00:27:20,680 --> 00:27:23,098
WHOSE HANDY KLEENEX
PAPER PRODUCTS
313
00:27:23,183 --> 00:27:26,769
HELP YOU EVERY DAY
IN SO MANY WAYS.
314
00:27:31,107 --> 00:27:32,858
WHY A NEW KIND
OF PAPER TOWEL?
315
00:27:32,942 --> 00:27:34,443
LET ME SHOW YOU.
316
00:27:34,527 --> 00:27:36,528
WE'LL COVER YOUR SCREEN
WITH THIS FILM
317
00:27:36,613 --> 00:27:39,448
NOW LET'S SEE HOW
AN ORDINARY TOWEL WORKS.
318
00:27:39,532 --> 00:27:42,785
SEE? IT LEAVES
STREAKS BECAUSE IT DOESN'T SHAPE TO THE SURFACE.
319
00:27:42,869 --> 00:27:45,954
LOOK AT THE DIFFERENCE
WITH A NEW KLEENEX TOWEL.
320
00:27:46,039 --> 00:27:48,540
KLEENEX TOWELS
ARE BUILT LIKE A SPONGE.
321
00:27:48,625 --> 00:27:51,668
AND LIKE A SPONGE,
THEY HAVE A SOFTNESS THAT SHAPES TO THE JOB.
322
00:27:51,753 --> 00:27:54,338
SO THE WHOLE TOWEL
SURFACE IS ABSORBING.
323
00:27:54,422 --> 00:27:57,132
KLEENEX TOWELS
HELP YOU IN SO MANY WAYS
324
00:27:57,175 --> 00:27:58,634
BECAUSE THEY'RE SO SOFT
325
00:27:58,718 --> 00:27:59,927
AND SO STRONG
326
00:27:59,969 --> 00:28:01,762
WET OR DRY
327
00:28:01,846 --> 00:28:04,014
TO HELP YOU SCOUR
THE MOST STUBBORN STAINS
328
00:28:04,099 --> 00:28:07,518
AND ALUMINUM SCUFF MARKS
FROM YOUR SINK.
329
00:28:07,602 --> 00:28:10,729
AND LOOK, EVEN
WITH A HARSH CLEANSER
330
00:28:10,814 --> 00:28:14,900
THERE'S NO SHREDDING,
NO BREAK THROUGH IN A KLEENEX TOWEL.
331
00:28:14,984 --> 00:28:17,736
WHEN YOUR SHOPPING
SQUEEZE THE KLEENEX TOWEL PACKAGE
332
00:28:17,821 --> 00:28:20,989
YES, SQUEEZE IT,
AND FEEL THE DIFFERENCE IN,
333
00:28:21,074 --> 00:28:23,867
(jingle)
? THE BIG SOFT TOWEL THAT'S BUILT LIKE A SPONGE
334
00:28:23,952 --> 00:28:26,537
HELPFUL KLEENEX TOWELS ?
335
00:28:26,621 --> 00:28:29,665
(female presenter, off)
ANOTHER GOOD VALUE FROM KLEENEX.
336
00:28:43,847 --> 00:28:46,682
(jingle)
? SOFT, STRONG, POPS UP, TOO
337
00:28:46,724 --> 00:28:49,101
? KLEENEX TISSUES
ARE BEST FOR YOU
338
00:28:49,185 --> 00:28:51,895
? HELPING ME
TO WIPE UP QUICK
339
00:28:51,980 --> 00:28:54,857
? HANDY KLEENEX
DOES THE TRICK
340
00:28:54,899 --> 00:28:57,568
? SOFT, STRONG,
POPS UP, TOO
341
00:28:57,652 --> 00:29:00,446
KLEENEX TISSUES
ARE BEST FOR YOU ?
342
00:29:00,530 --> 00:29:03,240
YOU KNOW, I FIND KLEENEX
TISSUES SO USEFUL
343
00:29:03,324 --> 00:29:05,701
I KEEP A BOX IN EVERY
ROOM OF MY HOUSE.
344
00:29:05,785 --> 00:29:07,953
IT'S A MUST IN OUR
LIVING ROOM, OF COURSE.
345
00:29:08,037 --> 00:29:10,456
YOU KNOW HOW
YOUNGSTERS WILL SPILL THINGS.
346
00:29:10,540 --> 00:29:13,333
AND WHAT CLEANS UP
QUICKER THAN KLEENEX?
347
00:29:13,418 --> 00:29:16,378
WE FIND IT BEST
FOR COLDS, TOO.
348
00:29:16,463 --> 00:29:19,298
IT'S SO WONDERFULLY
STRONG AND ABSORBENT.
349
00:29:19,382 --> 00:29:21,341
NATURALLY, WE KEEP
SOME HERE.
350
00:29:21,426 --> 00:29:25,012
THOSE PRETTY KLEENEX COLORS
JUST MATCH OUR DECOR.
351
00:29:25,096 --> 00:29:27,347
AND OF COURSE,
THE BEDROOM, TOO.
352
00:29:27,432 --> 00:29:30,767
THESE GENTLE TISSUES
SUIT MY SKIN JUST PERFECTLY.
353
00:29:30,852 --> 00:29:33,187
THEY'RE SO SOFT AND SOOTHING.
354
00:29:33,271 --> 00:29:36,356
KLEENEX TISSUES
IN THE POP UP BOX,
355
00:29:36,441 --> 00:29:39,776
THERE'S A COLOR
FOR EVERY ROOM IN YOUR HOUSE.
356
00:29:39,826 --> 00:29:44,376
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