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1
00:00:02,127 --> 00:00:04,878
[eerie music]
2
00:00:04,963 --> 00:00:07,423
(male presenter, off)
THERE IS A FIFTH DIMENSION
3
00:00:07,507 --> 00:00:10,217
BEYOND THAT
WHICHIS KNOWN TO MAN.
4
00:00:10,301 --> 00:00:13,053
IT IS A DIMENSION
AS VAST AS SPACE
5
00:00:13,138 --> 00:00:16,223
AND AS TIMELESS
AS INFINITY.
6
00:00:16,307 --> 00:00:20,060
IT IS THE MIDDLE GROUND
BETWEEN LIGHT AND SHADOW,
7
00:00:20,103 --> 00:00:22,312
BETWEEN SCIENCE
AND SUPERSTITION,
8
00:00:22,397 --> 00:00:25,566
AND IT LIES BETWEEN
THE PIT OF MAN'S FEARS
9
00:00:25,608 --> 00:00:28,068
AND THE SUMMIT
OF HIS KNOWLEDGE.
10
00:00:28,111 --> 00:00:31,071
THIS IS
THE DIMENSION OF IMAGINATION.
11
00:00:31,156 --> 00:00:34,616
IT IS AN AREA
WHICH WE CALL THE TWILIGHT ZONE.
12
00:00:47,630 --> 00:00:50,090
WITNESS, IF YOU
WILL, A DUNGEON
13
00:00:50,175 --> 00:00:54,011
MADE OUT OF MOUNTAINS,
SALT FLATS AND SAND
14
00:00:54,095 --> 00:00:56,472
THAT STRETCH TO INFINITY.
15
00:00:56,556 --> 00:00:59,433
THE DUNGEON HAS AN INMATE--
16
00:00:59,517 --> 00:01:04,021
[honking horn]
17
00:01:04,105 --> 00:01:05,981
JAMES A. CORRY--
18
00:01:06,066 --> 00:01:07,441
AND THIS IS
HIS RESIDENCE:
19
00:01:07,484 --> 00:01:09,735
METAL SHACK.
20
00:01:09,819 --> 00:01:13,530
AN OLD TOURING CAR
THAT SQUATS IN THE SUN AND GOES NOWHERE,
21
00:01:13,615 --> 00:01:17,367
FOR THERE IS
NOWHERE TO GO.
22
00:01:17,452 --> 00:01:19,203
FOR THE RECORD,
LET IT BE KNOWN
23
00:01:19,287 --> 00:01:21,872
THAT JAMES A. CORRY
IS A CONVICTED CRIM INAL
24
00:01:21,956 --> 00:01:25,042
PLACED IN
SOLITARY CONFINEMENT.
25
00:01:25,126 --> 00:01:26,752
CONFINEMENT, IN THIS CASE,
26
00:01:26,836 --> 00:01:30,130
STRETCHES AS FAR
AS THE EYE CAN SEE
27
00:01:30,173 --> 00:01:32,716
BECAUSE THIS
PARTICULAR DUNGEON IS ON AN ASTEROID
28
00:01:32,801 --> 00:01:34,802
NINE M ILLION M ILES
FROM THE EARTH.
29
00:01:38,473 --> 00:01:40,265
NOW WITNESS, IF YOU WILL
30
00:01:40,350 --> 00:01:44,686
A MAN'S M IND AND BODY
SHRIVELING IN THE SUN--
31
00:01:44,771 --> 00:01:47,022
A MAN DYING
OF LONELINESS.
32
00:02:00,995 --> 00:02:05,415
(Corry, off)
ENTRY, 1 5TH DAY, SIXTH MONTH, YEAR FOUR.
33
00:02:05,500 --> 00:02:10,170
AND ALL THE
DAYS AND THE MONTHS AND THE YEARS ARE THE SAME.
34
00:02:10,255 --> 00:02:13,382
THERE'LL BE A SUPPLY SHIP
COMING IN SOON, I THINK.
35
00:02:13,466 --> 00:02:15,592
THEY'RE EITHER
DUE OR OVERDUE.
36
00:02:15,677 --> 00:02:17,803
AND I HOPE IT'S
ALLENBY'S SHIP
37
00:02:17,887 --> 00:02:21,098
BECAUSE HE'S A DECENT MAN
AND HE BRINGS THINGS FOR ME.
38
00:02:21,182 --> 00:02:24,560
LIKE HE BROUGHT IN
THE PARTS FOR THAT ANTIQUE AUTOMOBILE.
39
00:02:24,644 --> 00:02:26,687
I WAS A YEAR
PUTTING THAT THING TOGETHER,
40
00:02:26,771 --> 00:02:28,647
SUCH AS IT IS.
41
00:02:28,731 --> 00:02:32,276
A WHOLE YEAR
PUTTING AN OLD CAR TOGETHER.
42
00:02:32,360 --> 00:02:35,946
BUT THANK GOD FOR
THAT CAR, AND FOR THE HOURS I USED UP,
43
00:02:36,030 --> 00:02:38,448
AND THE DAYS
AND THE WEEKS.
44
00:02:38,533 --> 00:02:42,119
I CAN LOOK AT IT
OUT THERE, AND I KNOW THAT IT'S REAL.
45
00:02:42,203 --> 00:02:44,621
REALITY IS WHAT I NEED.
46
00:02:44,706 --> 00:02:49,251
BECAUSE WHAT IS THERE
LEFT THAT I CAN BELIEVE IN?
47
00:02:49,335 --> 00:02:51,378
THE DESERT AND THE WIND?
48
00:02:51,421 --> 00:02:53,463
THE SILENCE?
49
00:02:53,548 --> 00:02:55,132
OR MYSELF?
50
00:02:55,216 --> 00:02:58,051
CAN I BELIEVE IN
MYSELF ANYMORE?
51
00:03:35,673 --> 00:03:36,882
ALLEN BY?
52
00:03:40,261 --> 00:03:41,678
ALLEN BY!
53
00:03:41,763 --> 00:03:43,388
ALLENBY!
54
00:03:44,599 --> 00:03:46,141
ALLEN BY!
55
00:03:46,226 --> 00:03:47,935
HOW ARE
YOU, CORRY?
56
00:03:48,019 --> 00:03:50,229
ALL RIGHT. YOU?
57
00:03:50,313 --> 00:03:51,563
QU ITE A PLACE
YOU'VE GOT HERE.
58
00:03:51,648 --> 00:03:53,315
G LAD YOU
LIKE IT.
59
00:03:53,399 --> 00:03:55,108
I DIDN'T SAY
I LIKED IT. I THINK IT STIN KS.
60
00:03:55,193 --> 00:03:57,110
YOU DON'T HAVE
TO LIVE HERE.
61
00:03:57,153 --> 00:03:59,738
NO, BUT I HAVE
TO COME BACK HERE FOUR TIMES A YEAR.
62
00:03:59,822 --> 00:04:02,282
THAT'S EIGHT MONTHS
AWAY FROM EARTH.
63
00:04:02,325 --> 00:04:05,369
SOMETIMES MY
KIDS DON'T EVEN RECOG N IZE ME.
64
00:04:05,453 --> 00:04:08,205
BUT YOU, YOU'VE
GOT IT MADE HERE.
65
00:04:08,289 --> 00:04:11,375
YEAH, THIS MAKES
FOR S IMPLE LIVING, DOESN'T IT?
66
00:04:11,459 --> 00:04:14,211
6,000 M I LES
FROM NORTH TO SOUTH,
67
00:04:14,295 --> 00:04:16,630
4,000 FROM
EAST TO WEST,
68
00:04:16,673 --> 00:04:19,216
AND ALL OF IT
JUST LIKE THIS.
69
00:04:19,300 --> 00:04:22,886
(Allenby)
ALL RIGHT, ADAMS, CUT IT OUT.
70
00:04:22,971 --> 00:04:25,722
NOW, WE'VE ONLY GOT
A 1 5-MINUTE LAYOVER.
71
00:04:25,807 --> 00:04:28,725
NO ON E'S CHECKING
ON YOUR SCH EDU LE WAY OUT HERE.
72
00:04:28,810 --> 00:04:30,811
WE CAN PLAY A
COUPLE OF GAM ES OF CARDS.
73
00:04:30,895 --> 00:04:34,314
IF WE DELAY OU R
TIME OF DEPARTU RE,
74
00:04:34,357 --> 00:04:37,484
IT JUST PLACES
US IN A DIFFERENT ORB ITAL POS ITION.
75
00:04:37,527 --> 00:04:39,569
WE'LL NEVER MAKE
IT BACK TO EARTH.
76
00:04:39,654 --> 00:04:42,072
WE WOULD
HAVE TO STAY HERE AT LEAST
77
00:04:42,156 --> 00:04:45,075
1 4 DAYS BEFORE IT'S
IN POS ITION AGAIN.
78
00:04:45,159 --> 00:04:47,494
OH, 1 4 DAYS!
I GOT SOME BEER SAVED.
79
00:04:47,578 --> 00:04:49,538
WE COULD PLAY
SOME CARDS.
80
00:04:49,622 --> 00:04:52,040
I WISH WE COULD
BUT, LIKE I SAID,
81
00:04:52,125 --> 00:04:53,375
WE'VE ONLY
GOT 1 5 MINUTES.
82
00:04:53,459 --> 00:04:55,210
WHAT'S A
FEW MINUTES?
83
00:04:55,295 --> 00:04:57,170
HEY, WE COULD
PLAY CH ESS.
84
00:04:57,213 --> 00:04:59,339
I BU I LT
A CH ESS SET AND EVERYTHING.
85
00:04:59,382 --> 00:05:00,424
LET'S GO IN.
86
00:05:04,595 --> 00:05:07,556
ALLEN BY, ONLY
TWO MINUTES ARE GON E.
87
00:05:07,640 --> 00:05:09,683
TWO MINUTES HAVE
PASSED ALREADY.
88
00:05:09,767 --> 00:05:11,351
WE'VE ONLY
GOT 1 3 LEFT.
89
00:05:11,436 --> 00:05:12,978
I DON'T WANT
TO FOU L UP YOUR SCH EDU LE,
90
00:05:13,062 --> 00:05:14,354
BUT HOW ABOUT
ONE GAME OF CARDS?
91
00:05:14,439 --> 00:05:16,523
WE JUST DON'T
HAVE THE TIME.
92
00:05:16,607 --> 00:05:18,150
WE'VE BEEN HERE
TWO MINUTES ALREADY,
93
00:05:18,234 --> 00:05:20,068
AND H E
HASN'T ASKED ABOUT THE PARDON.
94
00:05:25,658 --> 00:05:27,409
HOW ABOUT
IT, ALLEN BY?
95
00:05:27,493 --> 00:05:29,953
YOU'RE OUT OF LUCK,
THE SENTENCE READS 50 YEARS.
96
00:05:30,038 --> 00:05:32,748
AND THEY'RE NOT
EVEN REVI EWING CASES OF HOM ICI DE.
97
00:05:32,832 --> 00:05:34,291
YOU'VE BEEN HERE
FOUR YEARS NOW,
98
00:05:34,375 --> 00:05:36,543
SO THAT MAKES
46 MORE TO GO,
99
00:05:36,586 --> 00:05:39,671
SO MAKE YOURSELF
COM FORTABLE, HUH?
100
00:05:39,756 --> 00:05:41,590
CORRY, WE DON'T
MAKE THE RU LES.
101
00:05:41,674 --> 00:05:45,052
WE DELIVER SU PPLI ES
AND PASS ON IN FORMATION.
102
00:05:45,136 --> 00:05:48,889
THERE'S BEEN PRESSURE
BACK HOME ABOUT THIS KIND OF PU N ISH MENT.
103
00:05:48,973 --> 00:05:52,434
A LOT PEOPLE
THINK IT'S U N N ECESSARI LY CRU EL.
104
00:05:52,518 --> 00:05:54,978
THEY MAY
CHANG E THEIR MINDS AND ALTER THE LAW,
105
00:05:55,063 --> 00:05:58,315
AND IMPRISON
YOU ON EARTH LIKE THE OLD DAYS.
106
00:05:58,399 --> 00:06:01,068
BUT--
107
00:06:01,110 --> 00:06:04,488
WHO KNOWS WHAT THE
NEXT COUPLE OF YEARS MAY BRING?
108
00:06:04,572 --> 00:06:05,572
YEARS?
109
00:06:07,450 --> 00:06:09,076
EVERY MORNING,
WHEN I GET UP,
110
00:06:09,160 --> 00:06:13,330
I TELL MYSELF THIS IS
MY LAST DAY OF SAN ITY.
111
00:06:13,414 --> 00:06:16,833
I CAN'T STAND
THIS LON ELIN ESS ONE MORE DAY.
112
00:06:16,918 --> 00:06:20,253
NOT ONE MORE DAY!
113
00:06:20,296 --> 00:06:22,464
BY NOON, WHEN I CAN'T
KEEP MY FING ERS STILL,
114
00:06:22,548 --> 00:06:26,676
AND THE I NSIDE OF MY MOUTH
FEELS LIKE GU N POWDER AND BU RNT COPPER,
115
00:06:26,761 --> 00:06:28,553
DOWN DEEP
INSIDE MY GUT
116
00:06:28,638 --> 00:06:32,182
I GET AN ACHE THAT'S
JUST PULLING EVERYTHING OUT.
117
00:06:32,266 --> 00:06:34,768
THEN I FORCE MYSELF
TO HOLD ON FOR ONE MORE DAY.
118
00:06:34,811 --> 00:06:38,146
JUST ONE MORE DAY!
119
00:06:38,231 --> 00:06:40,941
BUT I CAN'T DO THAT
FOR ANOTHER 46 YEARS.
120
00:06:41,025 --> 00:06:42,526
I'LL GO RIGHT
OUT OF MY MIND.
121
00:06:42,610 --> 00:06:45,028
YOU'RE BREAKING
MY HEART.
122
00:06:45,113 --> 00:06:48,782
ADAMS, YOU AND
CARSTAIRS GO GET THE SU PPLI ES.
123
00:06:48,825 --> 00:06:50,951
MR. CORRY GOT
A BROKEN LEG?
124
00:06:51,035 --> 00:06:53,829
YOU GO
DO WHAT I TELL YOU.
125
00:06:53,913 --> 00:06:54,913
(Allenby)
NOW.
126
00:06:57,625 --> 00:06:59,709
THAT BIG CRATE?
YOU KNOW, THE BIG ONE?
127
00:06:59,794 --> 00:07:02,129
YOU TREAT
THAT ONE GENTLY.
128
00:07:10,221 --> 00:07:12,597
BROUGHT YOU
SOME PAPERBACK BOOKS.
129
00:07:12,682 --> 00:07:14,391
THANKS.
130
00:07:14,475 --> 00:07:18,061
CORRY, I BROUGHT
YOU SOMETHING ELSE TOO.
131
00:07:18,146 --> 00:07:22,232
IT'D MEAN MY JOB
IF THEY EVER SUSPECT.
132
00:07:24,318 --> 00:07:26,361
IT'D BE MY N ECK I F
THEY FOU N D OUT FOR SURE.
133
00:07:26,446 --> 00:07:27,487
LOOK, ALLEN BY.
134
00:07:32,368 --> 00:07:35,829
I DON'T
WANT ANY GI FTS.
135
00:07:35,872 --> 00:07:37,747
I DON'T
WANT TI DB ITS.
136
00:07:37,832 --> 00:07:39,708
MAKES ME FEEL LIKE
AN AN I MAL IN A CAG E,
137
00:07:39,792 --> 00:07:41,251
WITH AN OLD
LADY OUT THERE
138
00:07:41,335 --> 00:07:43,670
WHO WANTS
TO THROW PEAN UTS AT ME.
139
00:07:43,754 --> 00:07:45,672
A PARDON, ALLEN BY.
140
00:07:45,715 --> 00:07:48,425
THAT'S THE ONLY
G I FT I WANT.
141
00:07:48,509 --> 00:07:50,260
I'M NOT A M U RDERER.
142
00:07:50,344 --> 00:07:52,262
I KI LLED
IN SELF-DEFENSE.
143
00:07:52,346 --> 00:07:54,264
THERE'S STILL A LOT
OF PEOPLE WHO BELIEVE ME.
144
00:07:54,348 --> 00:07:56,766
IT HAPPENS TO
BE THE TRUTH! I KI LLED IN SELF-DEFENSE!
145
00:07:56,851 --> 00:07:59,686
I KNOW. I
KNOW ALL ABOUT IT.
146
00:08:01,856 --> 00:08:06,067
AND I DOU BT I F
THIS WILL BE ANY CONSOLATION TO YOU, BUT--
147
00:08:06,152 --> 00:08:08,403
THIS ISN'T AN
EASY ASSIGN MENT TO HAN DLE--
148
00:08:08,488 --> 00:08:10,071
STOPPING HERE
FOUR TIMES A YEAR
149
00:08:10,156 --> 00:08:13,617
AND HAVING TO LOOK
AT A MAN'S AGONY.
150
00:08:13,701 --> 00:08:16,036
YOU'RE RIGHT, ALLEN BY.
151
00:08:16,120 --> 00:08:17,954
THAT'S VERY
LITTLE CONSOLATION.
152
00:08:18,039 --> 00:08:19,539
I CAN'T BRING
YOU FREEDOM.
153
00:08:19,624 --> 00:08:20,957
ALL I CAN DO IS TRY
TO BRING YOU THINGS
154
00:08:21,042 --> 00:08:22,959
TO H ELP KEEP
YOUR SAN ITY.
155
00:08:23,044 --> 00:08:26,588
SOMETHING TO--ANYTHING
SO YOU CAN J UST FIGHT LON ELIN ESS.
156
00:08:26,672 --> 00:08:30,634
(Adams)
HEY, CAPTAIN!
157
00:08:30,718 --> 00:08:33,220
YOU WANNA OPEN UP
THIS BIG CRATE?
158
00:08:33,262 --> 00:08:34,763
NO. NOT YET.
159
00:08:34,847 --> 00:08:36,890
U H, STAY OUT THERE.
I'LL BE RIGHT OUT.
160
00:08:39,727 --> 00:08:41,353
WE GOT TO GO NOW.
161
00:08:43,689 --> 00:08:45,565
WE'LL BE BACK
IN THREE MONTHS.
162
00:08:47,568 --> 00:08:49,069
LOOK, WH EN
YOU OPEN UP THAT CRATE
163
00:08:49,153 --> 00:08:50,737
THERE'S NOTHING
YOU NEED TO DO.
164
00:08:50,780 --> 00:08:53,240
THE ITEM'S
BEEN VACU U M-PACKED.
165
00:08:53,324 --> 00:08:55,325
YOU'LL NEED
NO ACTIVATOR OF ANY KIND.
166
00:08:55,409 --> 00:08:57,118
THE AIR
WILL DO THAT.
167
00:08:57,203 --> 00:08:58,745
THERE WILL BE
A BOOKLET I NSIDE
168
00:08:58,829 --> 00:09:02,958
THAT WILL ANSWER
ANY OF YOUR QU ESTIONS.
169
00:09:03,042 --> 00:09:04,918
CORRY.
170
00:09:04,961 --> 00:09:07,087
THEY DON'T KNOW WHAT
IT IS I'VE BROUGHT,
171
00:09:07,129 --> 00:09:12,842
SO I'D APPRECIATE
YOUR WAITING U NTI L WE GET OUT OF SIGHT.
172
00:09:12,927 --> 00:09:15,929
HAVE A GOOD
TRI P BACK.
173
00:09:15,972 --> 00:09:19,182
GIVE MY REGARDS
TO BROADWAY.
174
00:09:19,267 --> 00:09:22,769
SURE, CORRY.
175
00:09:22,853 --> 00:09:24,646
I'LL SEE YOU
IN THREE MONTHS.
176
00:09:37,118 --> 00:09:38,243
ALLEN BY?
177
00:09:40,246 --> 00:09:42,455
I DON'T
MUCH CARE WHAT'S IN IT,
178
00:09:42,498 --> 00:09:44,874
BUT FOR
THE THOUGHT--
179
00:09:44,959 --> 00:09:47,544
FOR THE DECENCY--
180
00:09:47,628 --> 00:09:49,129
THANK YOU.
181
00:09:49,213 --> 00:09:51,131
YOU'RE QU ITE
WELCOM E, CORRY.
182
00:10:45,686 --> 00:10:46,686
CAPTAI N.
183
00:10:48,439 --> 00:10:49,856
CAPTAI N?
184
00:10:52,902 --> 00:10:56,780
CAPTAI N, WHAT'S
IN THE BIG CRATE, HUH?
185
00:10:56,864 --> 00:11:00,700
I'M NOT QU ITE
SURE, REALLY.
186
00:11:00,785 --> 00:11:02,285
MAYBE IT'S J UST
AN I LLUS ION.
187
00:11:02,370 --> 00:11:07,207
MAYBE IT'S
SALVATION. I DON'T KNOW.
188
00:11:07,291 --> 00:11:09,459
[sigh]
LET'S GO.
189
00:11:20,596 --> 00:11:22,138
"YOU ARE NOW
THE PROU D POSSESSOR
190
00:11:22,223 --> 00:11:25,975
"OF A ROBOT BU I LT
IN THE FORM OF A WOMAN.
191
00:11:26,060 --> 00:11:29,896
"TO ALL I NTENT AND PU RPOSE,
THIS CREATU RE IS A WOMAN.
192
00:11:34,151 --> 00:11:36,486
"PHYSIOLOGICALLY
AND PSYCHOLOGICALLY,
193
00:11:36,570 --> 00:11:38,321
"SHE IS A HUMAN BEING
194
00:11:38,406 --> 00:11:41,324
"WITH A SET OF EMOTIONS
AND A MEMORY TRACK,
195
00:11:41,409 --> 00:11:44,577
"THE ABILITY TO REASON,
TO THINK AND TO SPEAK.
196
00:11:47,331 --> 00:11:51,167
"SHE IS BEYON D
I LLN ESS AND, U N DER NORMAL CI RCU MSTANCES,
197
00:11:51,252 --> 00:11:52,836
"SHOU LD HAVE A LIFESPAN
198
00:11:52,920 --> 00:11:56,506
"S IMI LAR TO THAT
OF A NORMAL HUMAN BEING.
199
00:11:58,592 --> 00:11:59,926
HER NAME IS ALICIA."
200
00:12:01,762 --> 00:12:03,763
[robot-Iike]
MY NAME'S ALICIA.
201
00:12:03,806 --> 00:12:05,473
WHAT'S YOUR NAME?
202
00:12:07,476 --> 00:12:09,936
GET OUT OF HERE.
203
00:12:12,106 --> 00:12:13,231
GET OUT OF HERE!
204
00:12:15,985 --> 00:12:20,321
I DON'T NEED
NO MACHINE.
205
00:12:20,406 --> 00:12:21,614
GO ON! GET
OUT OF HERE!
206
00:12:23,367 --> 00:12:25,201
MY NAME'S ALICIA.
207
00:12:25,286 --> 00:12:27,370
WHAT'S YOUR NAME?
208
00:12:36,672 --> 00:12:42,969
[playing Big Band swing]
209
00:12:43,012 --> 00:12:45,889
I BROUGHT YOU
SOME WATER.
210
00:12:45,973 --> 00:12:47,682
PUT IT OVER THERE.
211
00:12:50,436 --> 00:12:52,520
IT'LL GET WARM
JUST S ITTING THERE.
212
00:12:52,605 --> 00:12:55,064
[scoffs]
HOW WOULD YOU KNOW?
213
00:12:55,149 --> 00:12:59,068
I CAN FEEL TH I RST.
214
00:12:59,153 --> 00:13:02,030
YEAH? WHAT ELSE
CAN YOU FEEL?
215
00:13:02,114 --> 00:13:04,866
I DON'T UNDERSTAND.
216
00:13:04,950 --> 00:13:06,409
CAN YOU
FEEL H EAT?
217
00:13:06,494 --> 00:13:07,994
YES.
218
00:13:08,037 --> 00:13:09,037
AND COLD?
219
00:13:09,121 --> 00:13:10,371
YES.
220
00:13:10,456 --> 00:13:14,000
AND H U NG ER?
221
00:13:14,043 --> 00:13:16,711
HOW ABOUT PAI N?
222
00:13:16,796 --> 00:13:17,921
CAN YOU FEEL PAI N?
223
00:13:18,005 --> 00:13:19,506
THAT, TOO.
224
00:13:19,548 --> 00:13:21,591
HOW?
225
00:13:21,675 --> 00:13:23,426
YOU'RE A MACHINE,
AREN'T YOU?
226
00:13:23,511 --> 00:13:25,053
YES.
227
00:13:25,137 --> 00:13:27,180
WHY WOULD--
228
00:13:27,223 --> 00:13:31,476
WHY DIDN'T THEY BU I LD YOU
TO LOOK LIKE A MACHINE?
229
00:13:31,560 --> 00:13:33,520
WHY DIDN'T THEY BU I LD
YOU OUT OF METAL
230
00:13:33,604 --> 00:13:35,772
WITH BOLTS AND WI RES
AND ELECTRODES
231
00:13:35,856 --> 00:13:39,400
AND THINGS LIKE THAT?
232
00:13:39,485 --> 00:13:42,946
WHY'D THEY
TURN YOU INTO A LI E--
233
00:13:43,030 --> 00:13:47,033
COVER YOU WITH SOMETHING
THAT LOOKS LIKE FLESH--
234
00:13:47,117 --> 00:13:48,201
GIVE YOU A FACE?
235
00:13:53,624 --> 00:13:57,252
A FACE
THAT IF I--
236
00:13:57,336 --> 00:14:01,798
IF I LOOK AT LONG
ENOUGH, MAKES ME THINK--
237
00:14:01,882 --> 00:14:03,633
MAKES ME
BELIEVE THAT--
238
00:14:09,557 --> 00:14:11,224
IT'S A LI E!
239
00:14:23,237 --> 00:14:24,404
CORRY?
240
00:14:25,906 --> 00:14:26,906
CORRY.
241
00:14:29,076 --> 00:14:32,453
YOU MOCK ME,
YOU KNOW THAT?
242
00:14:32,538 --> 00:14:35,373
WHEN YOU LOOK AT ME,
WHEN YOU TALK TO ME, I'M BEING MOCKED.
243
00:14:35,457 --> 00:14:37,667
I'M SORRY.
244
00:14:37,751 --> 00:14:41,087
YOU H U RT
M E, CORRY.
245
00:14:41,130 --> 00:14:43,423
H U RT YOU?
246
00:14:43,465 --> 00:14:46,426
HOW CAN I H U RT YOU?
247
00:14:46,468 --> 00:14:48,845
THIS ISN'T REAL FLESH.
248
00:14:48,929 --> 00:14:50,430
THERE AREN'T
ANY N ERVES U N DER THERE.
249
00:14:50,514 --> 00:14:53,975
THERE AREN'T
ANY M USCLES OR TEN DONS.
250
00:14:54,059 --> 00:14:56,936
YOU'RE J UST
LIKE THIS H EAP--
251
00:14:57,021 --> 00:15:01,107
A H U N K OF METAL
WITH ARMS AND LEGS I NSTEAD OF WH EELS.
252
00:15:01,150 --> 00:15:04,277
BUT THIS H EAP
DOESN'T MOCK ME THE WAY YOU DO.
253
00:15:04,361 --> 00:15:06,154
IT DOESN'T LOOK AT ME
WITH MAKE-BELIEVE EYES,
254
00:15:06,238 --> 00:15:09,115
OR TALK TO ME WITH
A MAKE-BELIEVE VO ICE.
255
00:15:09,158 --> 00:15:13,870
WELL, I'M S ICK
OF BEING MOCKED BY THE MEMORY OF WOM EN.
256
00:15:13,954 --> 00:15:16,497
AND THAT'S
ALL YOU ARE--
257
00:15:16,582 --> 00:15:18,291
A REMINDER TO ME
THAT I'M SO LON ELY
258
00:15:18,375 --> 00:15:19,918
I'M ABOUT TO
LOSE MY MIND.
259
00:15:44,652 --> 00:15:47,362
I CAN FEEL
LON ELIN ESS, TOO.
260
00:15:51,992 --> 00:15:53,660
OH, ALICIA, I'M SORRY.
261
00:16:14,098 --> 00:16:17,850
(Corry, off)
ALICIA'S BEEN WITH ME NOW FOR 1 1 MONTHS.
262
00:16:17,893 --> 00:16:19,769
IT'S DIFFICULT TO WRITE DOWN
263
00:16:19,853 --> 00:16:21,688
WHAT HAS BEEN THE SUM TOTAL
264
00:16:21,772 --> 00:16:24,065
OF THIS VERY STRANGE
AND BIZARRE RELATIONSHIP.
265
00:16:24,149 --> 00:16:26,234
IS IT MAN AND WOMAN?
266
00:16:26,318 --> 00:16:28,611
OR MAN AND MACHINE?
267
00:16:28,696 --> 00:16:31,030
I DON'T REALLY KNOW MYSELF.
268
00:16:31,115 --> 00:16:32,824
BUT THERE ARE TIMES
WHEN I DO KNOW
269
00:16:32,908 --> 00:16:35,618
THAT ALICIA IS SIMPLY
AN EXTENSION OF ME.
270
00:16:35,703 --> 00:16:38,997
I HEAR MY WORDS
COMING FROM HER, MY EMOTIONS.
271
00:16:39,081 --> 00:16:41,916
THE THINGS THAT SHE
HAS LEARNED TO LOVE
272
00:16:42,001 --> 00:16:44,210
ARE THOSE THINGS
THAT I'VE LOVED.
273
00:16:50,384 --> 00:16:52,468
I'M NOT LONELY ANYMORE.
274
00:16:52,553 --> 00:16:55,596
EACH DAY CAN
NOW BE LIVED WITH,
275
00:16:55,681 --> 00:16:57,306
AND I LOVE ALICIA.
276
00:16:57,391 --> 00:16:59,350
NOTHING ELSE MATTERS.
277
00:17:08,652 --> 00:17:11,404
(Corry)
AND THAT'S THE STAR [UNlNTELLlGlBLE].
278
00:17:11,488 --> 00:17:14,157
THAT'S IN
THE CONSTELLATION OF [UNlNTELLlGlBLE].
279
00:17:18,203 --> 00:17:21,789
AND THERE'S
THE GREAT BEAR.
280
00:17:21,874 --> 00:17:28,171
SEE IT WITH IT'S
PO I NTER STARS IN LIN E WITH THE NORTH ERN STAR?
281
00:17:28,255 --> 00:17:32,175
AND THERE'S THE
CONSTELLATION H ERCU LES.
282
00:17:32,259 --> 00:17:36,179
GOD'S BEAUTY.
283
00:17:36,263 --> 00:17:38,848
THAT'S RIGHT, ALICIA.
284
00:17:38,932 --> 00:17:41,350
GOD'S BEAUTY.
285
00:17:41,435 --> 00:17:48,024
THAT STAR, CORRY.
WHAT'S THAT STAR?
286
00:17:48,108 --> 00:17:50,276
THAT'S NOT A
STAR, THAT'S A SH I P.
287
00:17:50,360 --> 00:17:53,029
A SH I P?
BUT IT CAN'T BE A SH I P.
288
00:17:53,113 --> 00:17:55,156
THERE ISN'T ONE DU E
HERE FOR THREE MONTHS.
289
00:17:55,240 --> 00:17:59,535
YOU SAID AFTER THE
LAST TIME, NOT FOR ANOTHER THREE MONTHS.
290
00:17:59,620 --> 00:18:02,205
IT MUST BE
ALLEN BY'S SH I P.
291
00:18:02,289 --> 00:18:07,043
HE'S THE ONLY
ONE THAT EVER COMES CLOSE.
292
00:18:07,127 --> 00:18:11,798
THEY STOP AT
THE OTHER ASTERO I DS, THEN THEY COME HERE.
293
00:18:11,882 --> 00:18:13,549
THAT MEANS
WE'LL SEE THEM IN THE MORNING.
294
00:18:13,634 --> 00:18:19,806
WE'D BETTER
GET BACK TO THE HOUSE THEN.
295
00:18:19,890 --> 00:18:20,932
NO.
296
00:18:32,027 --> 00:18:34,695
(AIIenby)
CORRY!
297
00:18:34,780 --> 00:18:37,240
CORRY!
298
00:18:37,324 --> 00:18:39,659
(AIIenby)
CORRY!
299
00:18:39,701 --> 00:18:42,995
CORRY, WE'VE GOT
GOOD N EWS FOR YOU.
300
00:18:43,080 --> 00:18:45,748
ALL THE SENTENCES
HAVE BEEN REVI EWED.
301
00:18:45,833 --> 00:18:47,667
YOU'VE BEEN
GIVEN A PARDON!
302
00:18:47,709 --> 00:18:50,169
WE'RE TAKING
YOU BACK HOM E ON THIS SH I P,
303
00:18:50,212 --> 00:18:52,046
BUT WE'VE GOT
TO TAKE OFF FROM HERE
304
00:18:52,131 --> 00:18:54,257
IN 20 MINUTES
AND WE CAN'T WAIT LONG ER.
305
00:18:54,341 --> 00:18:57,218
WE'VE BEEN DODGING
METEOR STORMS.
306
00:18:57,302 --> 00:18:58,761
WE'RE ALMOST
OUT OF FUEL.
307
00:18:58,846 --> 00:19:00,638
ANY LONGER
THAN 20 M INUTES,
308
00:19:00,722 --> 00:19:02,348
AND WE'LL HAVE PASSED
THE POINT OF DEPARTURE,
309
00:19:02,432 --> 00:19:04,642
AND I DON'T THINK
WE'D MAKE IT BACK.
310
00:19:06,228 --> 00:19:07,770
ALLEN BY, WHAT
DID YOU SAY?
311
00:19:07,855 --> 00:19:09,355
A PARDON!
312
00:19:09,439 --> 00:19:11,399
CORRY, THEY'VE
G RANTED YOU A PARDON!
313
00:19:11,483 --> 00:19:13,025
BUT IT WON'T DO
US ANY GOOD
314
00:19:13,068 --> 00:19:15,862
U N LESS YOU
GET READY TO MOVE OUT.
315
00:19:15,904 --> 00:19:18,114
WE P ICKED UP
SEVEN OTH ER M EN OFF ASTERO I DS.
316
00:19:18,198 --> 00:19:20,283
WE ONLY HAVE ROOM
FOR 1 5 POU N DS OF STUFF.
317
00:19:20,367 --> 00:19:24,912
PICK UP WHAT YOU NEED
IN A HURRY, LEAVE THE REST BEH IN D.
318
00:19:24,997 --> 00:19:26,789
1 5 POU N DS?
319
00:19:26,874 --> 00:19:30,042
[laughs nervously]
320
00:19:30,085 --> 00:19:33,921
1 5 POU N DS?
321
00:19:34,006 --> 00:19:36,549
I DON'T HAVE 1 5
POU N DS OF STUFF.
322
00:19:36,633 --> 00:19:41,220
ALL I HAVE IS A SH I RT,
A LEDG ER BOOK, A PENCI L
323
00:19:41,263 --> 00:19:44,223
AND A PAIR
OF SHOES.
324
00:19:44,308 --> 00:19:47,768
THAT CAR
THEY CAN KEEP.
325
00:19:47,853 --> 00:19:49,562
THAT'LL BE
FOR THE NEXT POOR DEVIL.
326
00:19:49,605 --> 00:19:52,565
AW, THERE WON'T BE
ANY "NEXT POOR DEVIL."
327
00:19:52,649 --> 00:19:53,816
GOOD.
328
00:19:56,653 --> 00:19:59,655
GOOD. I'M
G LAD OF THAT.
329
00:19:59,740 --> 00:20:02,241
ALICIA AND I WI LL
CLI M B INTO THAT SH I P OF YOURS.
330
00:20:02,326 --> 00:20:05,494
AND WE'LL LOOK
OUT THE PORT,
331
00:20:05,579 --> 00:20:08,748
AND WE'LL GIVE
IT ALL A BIG KISS GOODBYE.
332
00:20:08,832 --> 00:20:10,833
WHO, CORRY?
333
00:20:10,918 --> 00:20:13,085
OH, MY DEAR GOD,
I FORGOT H ER.
334
00:20:13,170 --> 00:20:15,671
HE'S OUT
OF HIS MIND. WHO'S ALICIA?
335
00:20:15,756 --> 00:20:19,342
A ROBOT.
336
00:20:19,426 --> 00:20:20,968
SHE'S A WOMAN.
337
00:20:21,053 --> 00:20:22,178
CORRY, SH E'S
A ROBOT.
338
00:20:22,262 --> 00:20:26,265
SHE'S A WOMAN!
339
00:20:26,350 --> 00:20:29,435
SHE'S GENTLE
AND KIND.
340
00:20:29,478 --> 00:20:32,313
ALLEN BY, SH E
KEPT ME ALIVE.
341
00:20:32,397 --> 00:20:33,940
WHY, IF IT WASN'T
FOR H ER, I'D HAVE BEEN F IN ISH ED.
342
00:20:33,982 --> 00:20:35,691
I'D HAVE GIVEN UP.
343
00:20:35,776 --> 00:20:38,110
THAT'S THE CRATE
YOU WOULDN'T LET US LOOK AT.
344
00:20:38,195 --> 00:20:40,196
WE CAN'T
LET THIS BE A PROBLEM.
345
00:20:40,280 --> 00:20:44,200
PROBLEM? THERE'S
NO MORE PROBLEMS.
346
00:20:44,284 --> 00:20:47,870
THERE'S NO
MORE PROBLEMS ON H EAVEN AND EARTH.
347
00:20:47,955 --> 00:20:49,747
WE'LL JUST CLI M B
IN THAT SH I P OF YOURS
348
00:20:49,831 --> 00:20:51,874
AND WHEN WE H IT THAT
B IG, BEAUTIFUL G REEN EARTH--
349
00:20:51,959 --> 00:20:58,547
1 5 POU N DS.
350
00:20:58,632 --> 00:21:01,300
OH, WAIT
A MINUTE.
351
00:21:01,385 --> 00:21:04,136
YOU'LL HAVE
TO THROW OUT SOME EQU I PM ENT.
352
00:21:04,221 --> 00:21:07,056
ALICIA--SH E
WEIGHS MORE THAN 1 5 POU N DS.
353
00:21:07,140 --> 00:21:08,891
THAT'S EXACTLY
THE PO I NT, NOW.
354
00:21:08,976 --> 00:21:10,851
OUR SH I P IS
STRI PPED NOW.
355
00:21:10,936 --> 00:21:13,521
WE ONLY HAVE ROOM
FOR YOU AND THAT LEDG ER AND PENCI L.
356
00:21:13,605 --> 00:21:15,398
LEAVE THAT ROBOT.
357
00:21:15,482 --> 00:21:17,316
SHE'S NOT A ROBOT!
358
00:21:17,401 --> 00:21:19,318
SHE'S A WOMAN!
359
00:21:19,403 --> 00:21:21,821
YOU LEAVE
HER BEH IN D, THAT'S M U RDER!
360
00:21:21,863 --> 00:21:23,322
WAIT A MINUTE.
361
00:21:23,407 --> 00:21:25,157
I HAVEN'T GOT ANY
CHOICE. UNDERSTAND?
362
00:21:25,242 --> 00:21:28,077
NO, YOU DON'T
UNDERSTAND! SH E'S NOT A ROBOT!
363
00:21:28,161 --> 00:21:29,870
SHE'S A WOMAN!
364
00:21:29,955 --> 00:21:32,498
ALICIA! ALICIA!
365
00:21:32,582 --> 00:21:33,666
CORRY!
366
00:21:33,709 --> 00:21:37,169
ALICIA!
ALICIA!
367
00:21:37,212 --> 00:21:38,587
ALICIA?
368
00:21:38,672 --> 00:21:39,672
ALICIA!
369
00:21:39,756 --> 00:21:41,507
COME ON, CORRY.
370
00:21:41,591 --> 00:21:43,426
(Adams)
WE JUST WANT YOU TO GET YOUR GEAR PACKED
371
00:21:43,510 --> 00:21:46,512
AND GET OUT OF
HERE. WE'VE GOT 1 5 MINUTES, CAPTAI N.
372
00:21:46,596 --> 00:21:48,514
I'M NOT LEAVING
WITHOUT H ER!
373
00:21:48,598 --> 00:21:49,724
CORY!
374
00:21:56,023 --> 00:21:57,606
(Corry)
ALICIA!
375
00:21:57,691 --> 00:21:59,900
ALICIA!
376
00:21:59,985 --> 00:22:02,528
ALICIA! ALICIA,
SHOW THEM!
377
00:22:02,612 --> 00:22:04,572
TALK TO THEM!
SHOW THEM!
378
00:22:04,656 --> 00:22:06,532
(Corry)
TALK TO THEM, ALICIA!
379
00:22:06,575 --> 00:22:08,409
SHOW THEM!
380
00:22:08,493 --> 00:22:10,244
ALICIA, SHOW THEM!
381
00:22:10,329 --> 00:22:13,372
I DON'T HAVE
ANY CHOICE.
382
00:22:13,415 --> 00:22:15,958
I HAVE
NO CHOICE AT ALL.
383
00:22:16,043 --> 00:22:17,126
(Alicia, softly)
CORRY?
384
00:22:17,210 --> 00:22:19,045
NO!
NO!!
385
00:22:22,382 --> 00:22:25,384
(Alicia, robot-like)
CORRY. CORRY.
386
00:22:25,427 --> 00:22:28,095
[winding down]
CORRY. CORRY.
387
00:22:28,180 --> 00:22:31,223
[lower in pitch]
CORRY...CORRY...
388
00:22:31,308 --> 00:22:32,808
[siIence]
389
00:22:36,897 --> 00:22:38,898
(Carstairs)
WE'VE GOT TO GO NOW, CAPTAIN.
390
00:22:38,940 --> 00:22:41,275
(Allenby)
WE WILL GO NOW.
391
00:22:41,360 --> 00:22:43,402
COME ON, CORRY.
392
00:22:43,487 --> 00:22:45,696
TIME TO GO HOME.
393
00:22:45,781 --> 00:22:49,075
IT'S ALL
BEH IN D YOU NOW, CORRY.
394
00:22:49,117 --> 00:22:52,244
IT'S ALL
BEH IN D YOU.
395
00:22:52,329 --> 00:22:54,413
IT'S LIKE
A BAD DREAM--
396
00:22:54,456 --> 00:22:56,082
A NIGHTMARE.
397
00:22:56,166 --> 00:23:00,002
WHEN YOU WAKE UP,
YOU'LL BE BACK ON EARTH.
398
00:23:00,087 --> 00:23:02,004
YOU'LL BE HOM E.
399
00:23:02,089 --> 00:23:03,631
HOME?
400
00:23:03,715 --> 00:23:06,425
THAT'S RIGHT.
401
00:23:06,510 --> 00:23:13,599
ALL YOU'RE
LEAVING BEH IN D IS LON ELIN ESS.
402
00:23:13,683 --> 00:23:15,309
I M UST
REMEMBER THAT.
403
00:23:18,772 --> 00:23:21,273
I MUST REMEMBER
TO KEEP THAT IN MIND.
404
00:23:35,455 --> 00:23:39,708
(male presenter, off)
ON A M ICROSCOPIC PIECE OF SAND THAT FLOATS THROUGH SPACE
405
00:23:39,793 --> 00:23:43,295
IS A FRAGMENT OF
A MAN'S LIFE, LEFT TO RUST
406
00:23:43,380 --> 00:23:46,966
AS THE PLACE
HE LIVED IN, AND THE MACHINES HE USED.
407
00:23:47,050 --> 00:23:49,343
WITHOUT USE,
THEY WILL DISINTEGRATE
408
00:23:49,428 --> 00:23:53,139
FROM THE WIND AND THE SAND
AND THE YEARS THAT ACT UPON THEM--
409
00:23:53,223 --> 00:23:55,224
ALL OF
MR. CORRY'S MACHINES,
410
00:23:55,308 --> 00:23:58,686
INCLUDING THE ONE
MADE IN HIS IMAGE,
411
00:23:58,770 --> 00:24:01,355
KEPT ALIVE BY LOVE
412
00:24:01,440 --> 00:24:05,985
BUT NOW OBSOLETE
IN THE TWILIGHT ZONE.
413
00:24:13,785 --> 00:24:17,246
(2nd male presenter, off)
ROD SERLING, THE CREATOR OF TWILIGHT ZONE
414
00:24:17,330 --> 00:24:19,123
WILL TELL YOU ABOUT
NEXT WEEK'S STORY
415
00:24:19,207 --> 00:24:22,209
AFTER THIS WORD FROM
OUR ALTERNATE SPONSOR.
416
00:24:22,294 --> 00:24:24,253
AND NOW,
MR. SERLING.
417
00:24:24,337 --> 00:24:28,507
NEXT WEEK, A
DISTING U ISH ED ACTOR LEN DS US HIS TALENTS
418
00:24:28,592 --> 00:24:32,887
AS MR. BU RG ESS MEREDITH
ST ARS IN TIME ENOUGH A T LAST.
419
00:24:32,971 --> 00:24:35,681
THE STORY
OF A MAN WHO SEEKS SALVATION
420
00:24:35,765 --> 00:24:39,018
IN THE RU BBLE OF
A RU IN ED WORLD.
421
00:24:39,060 --> 00:24:43,105
WE HOPE YOU'LL SHARE
THIS VERY STRANG E EXPERI ENCE WITH US.
422
00:24:43,190 --> 00:24:45,399
THANK YOU.
AND GOOD NIGHT.
423
00:24:48,445 --> 00:24:50,404
[eerie music]
424
00:24:50,489 --> 00:24:55,659
.:: Team UNiT3D ::.
www.hd-united.com
425
00:25:28,026 --> 00:25:31,487
(3rd. male presenter, off)
BE SURE TO SEE THE FUN-FILLED FAMILY LIFE
426
00:25:31,571 --> 00:25:35,241
OF ONE OF AMERICA'S
GREATEST ENTERTAINERS. THE DAN NY THOMAS SHOW,
427
00:25:35,325 --> 00:25:37,910
MONDAY NIGHTS
OVER MOST OF THESE STATIONS.
428
00:25:37,960 --> 00:25:42,510
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