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1
00:00:03,003 --> 00:00:05,212
(eerie music)
2
00:00:05,296 --> 00:00:07,840
(male presenter, off)
THERE IS A FIFTH DIMENSION
3
00:00:07,924 --> 00:00:10,843
BEYOND THAT
WHICHIS KNOWN TO MAN.
4
00:00:10,927 --> 00:00:13,387
IT IS A DIMENSION
AS VAST AS SPACE
5
00:00:13,471 --> 00:00:16,223
AND AS TIMELESS AS INFINITY.
6
00:00:16,307 --> 00:00:19,768
IT IS THE MIDDLE GROUND
BETWEEN LIGHT AND SHADOW.
7
00:00:19,853 --> 00:00:22,521
BETWEEN SCIENCE
AND SUPERSTITION.
8
00:00:22,605 --> 00:00:25,858
AND IT LIES
BETWEEN THE PIT OF MAN'S FEARS
9
00:00:25,942 --> 00:00:28,027
AND THE SUMMIT
OF HIS KNOWLEDGE.
10
00:00:28,111 --> 00:00:31,030
THIS IS THE DIMENSION
OF IMAGINATION.
11
00:00:31,114 --> 00:00:33,365
IT IS AN AREA WHICH WE CALL
12
00:00:33,450 --> 00:00:37,327
THE TWILIGHT ZONE.
13
00:00:46,129 --> 00:00:48,172
[car braking
and engine revving]
14
00:01:01,227 --> 00:01:11,111
[horn bIaring]
15
00:01:11,196 --> 00:01:12,863
WHEN YOU'RE
F IN ISH ED, MISTER.
16
00:01:12,947 --> 00:01:14,406
HOW ABOUT
SOME SERVICE?
17
00:01:14,491 --> 00:01:16,075
WHEN IT'S QU I ET.
18
00:01:16,159 --> 00:01:18,243
[sighs]
I'M SORRY.
19
00:01:18,328 --> 00:01:20,829
F I LL IT UP,
WILL YOU?
20
00:01:20,914 --> 00:01:24,041
SURE.
21
00:01:24,125 --> 00:01:26,919
(male presenter, off)
MARTIN SLOAN, AGE 36.
22
00:01:27,003 --> 00:01:32,591
OCCUPATION, VICE PRESIDENT,
AD AGENCY, IN CHARGE OF MEDIA.
23
00:01:32,634 --> 00:01:36,095
THIS IS NOT JUST
A SUNDAY DRIVE FOR MARTIN SLOAN
24
00:01:36,179 --> 00:01:40,015
HE PERHAPS DOESN'T
KNOW IT AT THE TIME, BUT IT'S AN EXODUS.
25
00:01:40,100 --> 00:01:45,229
SOMEWHERE UP THE ROAD,
HE'S LOOKING FOR SANITY
26
00:01:45,313 --> 00:01:49,108
AND SOMEWHERE UP THE ROAD
HE'LL FIND SOMETHING ELSE.
27
00:01:55,198 --> 00:01:57,825
O I L CHANG E AND LU BE JOB.
THAT WHAT YOU WANT?
28
00:01:57,909 --> 00:01:58,951
YEAH.
29
00:01:59,035 --> 00:02:00,410
TAKE ABOUT AN HOUR.
30
00:02:00,495 --> 00:02:03,997
IT'S ALL RIGHT.
I'M IN NO HURRY.
31
00:02:04,082 --> 00:02:08,418
THAT'S HOM EWOOD
U P AHEAD, ISN'T IT?
32
00:02:08,503 --> 00:02:10,754
YEP. ABOUT A M I LE
AND A HALF.
33
00:02:10,839 --> 00:02:12,506
I USED TO LIVE
IN HOM EWOOD.
34
00:02:12,590 --> 00:02:14,299
G REW UP THERE,
AS A MATTER OF FACT.
35
00:02:14,384 --> 00:02:16,468
HAVEN'T BEEN BACK
IN 20, 25 YEARS.
36
00:02:16,553 --> 00:02:19,680
20, 25 YEARS.
37
00:02:19,764 --> 00:02:21,890
YESTERDAY I JUST GOT
IN THE CAR AND DROVE.
38
00:02:21,975 --> 00:02:23,934
I HAD TO GET OUT
OF NEW YORK CITY.
39
00:02:24,018 --> 00:02:28,564
ONE MORE BOARD MEETING
PHONE CALL, REPORT, PROBLEM
40
00:02:28,648 --> 00:02:33,402
I WOULD HAVE J U M PED
RIGHT OUT THE WIN DOW.
41
00:02:33,486 --> 00:02:35,571
THAT'S WALKING DISTANCE,
ISN'T IT?
42
00:02:35,655 --> 00:02:38,157
YEAH. ABOUT A
M I LE AND A HALF.
43
00:02:38,241 --> 00:02:40,325
YEAH, THAT'S
WALKING DISTANCE.
44
00:03:14,444 --> 00:03:16,361
YEAH? WHAT'LL IT BE?
45
00:03:18,990 --> 00:03:21,074
I DON'T SU PPOSE
YOU STILL MAKE
46
00:03:21,159 --> 00:03:23,994
THOSE GREAT
CHOCOLATE SODAS, DO YOU? THREE SCOOPS?
47
00:03:24,078 --> 00:03:25,746
HOW'S THAT?
48
00:03:25,830 --> 00:03:28,874
WELL, I SPENT HALF MY LIFE
IN THIS DRUGSTORE.
49
00:03:28,958 --> 00:03:30,626
G REW UP HERE.
50
00:03:30,710 --> 00:03:32,669
ONE THING I ALWAYS
REMEMBER ORDERING
51
00:03:32,754 --> 00:03:34,922
WAS A CHOCOLATE SODA
WITH THREE SCOOPS.
52
00:03:35,006 --> 00:03:36,924
IT WAS ONLY A DI ME!
53
00:03:44,307 --> 00:03:46,725
YOU LOOK FAMILIAR TO ME.
54
00:03:46,809 --> 00:03:49,061
HAVE I SEEN YOU BEFORE?
55
00:03:49,145 --> 00:03:51,480
I GOT THAT KIND OF FACE.
56
00:03:51,564 --> 00:03:53,190
OH.
57
00:03:53,274 --> 00:03:57,069
IT'S BEEN A LONG TIME,
20 YEARS TO BE EXACT.
58
00:03:57,111 --> 00:03:58,987
WISH I HAD A BUCK
59
00:03:59,072 --> 00:04:01,615
FOR EVERY HOUR
I SAT AT THIS FOU NTAI N--
60
00:04:01,699 --> 00:04:05,410
G RAM MAR SCHOOL RIGHT
TH ROUG H THIRD YEAR HIGH.
61
00:04:05,495 --> 00:04:08,455
TOWN LOOKS THE SAME TOO.
62
00:04:08,539 --> 00:04:10,040
PRETTY AMAZING, YOU KNOW?
63
00:04:10,124 --> 00:04:12,751
20 YEARS TO LOOK
SO EXACTLY THE SAM E.
64
00:04:12,835 --> 00:04:14,336
THAT'LL BE A DI ME.
65
00:04:14,420 --> 00:04:16,421
A DI ME? THREE SCOOPS?
66
00:04:16,506 --> 00:04:18,215
THAT'S THE WAY
WE MAKE 'EM.
67
00:04:18,299 --> 00:04:20,676
WELL, YOU'RE GOING
TO LOSE YOUR SH I RT THAT WAY.
68
00:04:20,760 --> 00:04:22,678
NOBODY SELLS SODAS
FOR A DI ME ANYMORE.
69
00:04:22,762 --> 00:04:24,429
THEY DON'T?
70
00:04:24,514 --> 00:04:25,597
WHERE YOU FROM?
71
00:04:25,682 --> 00:04:27,599
NEW YORK.
72
00:04:29,936 --> 00:04:31,603
M M M.
73
00:04:31,688 --> 00:04:33,647
THAT'S A GOOD SODA.
74
00:04:33,731 --> 00:04:34,940
TASTE OKAY?
75
00:04:35,024 --> 00:04:36,108
M M M, WON DERFU L.
76
00:04:36,192 --> 00:04:38,110
YOU KNOW, IT'S FU N NY
77
00:04:38,194 --> 00:04:41,113
HOW MANY MEMORI ES
YOU CON N ECT WITH A PLACE.
78
00:04:41,197 --> 00:04:43,198
I ALWAYS THOUGHT
IF I EVER CAME BACK HERE
79
00:04:43,283 --> 00:04:45,117
EVERYTHING WOULD BE
ALL CHANG ED.
80
00:04:45,201 --> 00:04:48,954
YOU KNOW,
NOTHING RECOG N IZABLE.
81
00:04:49,038 --> 00:04:51,873
I NSTEAD, IT'S JUST AS I F,
82
00:04:51,958 --> 00:04:54,751
JUST AS I F
I'D LEFT YESTERDAY.
83
00:04:57,588 --> 00:05:02,134
JUST AS I F
I'D BEEN AWAY OVERNIGHT.
84
00:05:02,218 --> 00:05:05,470
I ALMOST EXPECT
MR. WI LSON TO BE IN THE STOCKROOM SLEEPING
85
00:05:05,555 --> 00:05:07,597
JUST LIKE HE ALWAYS DID
BEFORE HE DIED.
86
00:05:11,311 --> 00:05:12,978
IT'S ONE
OF THE MEMORI ES I HAVE
87
00:05:13,062 --> 00:05:14,521
OLD MAN WI LSON--
88
00:05:14,605 --> 00:05:16,398
MAY GOD REST HIS SOU L.
89
00:05:16,482 --> 00:05:18,400
SLEEPING IN HIS BIG
COM FORTABLE CHAIR
90
00:05:18,484 --> 00:05:19,860
IN THE OTHER ROOM.
91
00:05:19,944 --> 00:05:21,486
WELL,
92
00:05:21,571 --> 00:05:23,322
HERE YOU ARE.
93
00:05:23,406 --> 00:05:24,573
THANKS A LOT.
94
00:05:26,242 --> 00:05:27,409
THAT'S A BUCK.
95
00:05:27,493 --> 00:05:28,660
YEAH.
96
00:05:28,745 --> 00:05:30,829
IT WAS WORTH IT.
97
00:05:30,913 --> 00:05:33,332
SO LONG!
98
00:05:33,416 --> 00:05:37,627
[suspense music]
99
00:05:58,524 --> 00:06:00,275
(cIears throat)
100
00:06:00,360 --> 00:06:01,860
MR. WI LSON?
101
00:06:03,488 --> 00:06:05,530
YEP, CHARLIE?
102
00:06:05,615 --> 00:06:09,785
WE'RE GOING TO NEED SOME
MORE CHOCOLATE SYRU P, MR. WI LSON.
103
00:06:09,869 --> 00:06:12,788
I'LL ORDER SOME MORE
OF IT THIS AFTERNOON.
104
00:06:17,251 --> 00:06:19,252
[suspense music
and dogs barking]
105
00:06:23,132 --> 00:06:27,594
PAU L COX, M ICHAEL BRADBU RY
106
00:06:34,310 --> 00:06:38,897
VAN BU REN, BRU N I.
107
00:06:41,401 --> 00:06:42,776
(little boy)
HI.
108
00:06:42,860 --> 00:06:44,319
HI.
109
00:06:44,404 --> 00:06:45,737
HI.
110
00:06:48,950 --> 00:06:50,075
PRETTY GOOD.
111
00:06:50,118 --> 00:06:52,119
MAGG I E'S NOT BAD.
112
00:06:55,123 --> 00:06:59,084
[sighs]
I USED TO PLAY MARBLES. WE USED
113
00:06:59,168 --> 00:07:03,922
THE STEELE KIND
WE CALLED THOSE "STEELI ES",
114
00:07:03,965 --> 00:07:08,009
THE CLEAR KIND
THAT YOU COULD SEE TH ROUG H WE CALLED THOSE "CLEARI ES".
115
00:07:08,094 --> 00:07:09,845
YOU STILL GIVE
TH EM SPECIAL NAMES?
116
00:07:09,929 --> 00:07:11,513
SURE.
117
00:07:11,597 --> 00:07:14,516
I USED TO PLAY
H I DE AND SEEK OVER THERE.
118
00:07:14,600 --> 00:07:17,018
WE'D ALL CI RCLE
AROUND THE OLD MAN'S BACK
119
00:07:17,103 --> 00:07:18,353
AND WE USED TO PU NCH IT.
120
00:07:18,438 --> 00:07:20,689
SEE THAT HOUSE?
121
00:07:20,773 --> 00:07:23,692
RIGHT ACROSS THE STREET?
I USED TO LIVE THERE.
122
00:07:23,776 --> 00:07:25,986
SLOAN HOUSE?
123
00:07:26,070 --> 00:07:27,279
YOU STILL
CALL IT THAT?
124
00:07:27,321 --> 00:07:29,448
STILL CALL IT WHAT?
125
00:07:29,532 --> 00:07:31,199
SLOAN HOUSE.
126
00:07:31,284 --> 00:07:35,287
MY NAME IS SLOAN.
MARTIN SLOAN. WHAT'S YOURS?
127
00:07:35,371 --> 00:07:38,957
YOU'RE NOT MARTY SLOAN.
I KNOW MARTY SLOAN AND YOU'RE NOT HIM!
128
00:07:39,041 --> 00:07:42,461
OH, I'M NOT?
WELL, LET'S JUST SEE.
129
00:07:42,503 --> 00:07:45,172
WHAT THE DRIVER'S
LICENSE SAYS. HUH?
130
00:08:03,733 --> 00:08:06,443
(woman)
BOBBY, COME DOWN FROM THERE. BOBBY!
131
00:08:06,527 --> 00:08:08,236
BOBBY, LISTEN TO ME.
132
00:08:08,321 --> 00:08:09,654
BOBBY?
133
00:08:09,739 --> 00:08:11,323
BOBBY, MIND ME.
134
00:08:11,407 --> 00:08:13,241
WILL YOU COME DOWN
FROM THAT TREE?
135
00:08:13,326 --> 00:08:14,534
COME ON, BOBBY.
136
00:08:14,619 --> 00:08:15,869
BOBBY, LISTEN TO ME.
137
00:08:15,953 --> 00:08:17,245
COME ON, GET DOWN.
138
00:08:17,330 --> 00:08:18,371
BOBBY!
139
00:08:18,456 --> 00:08:20,540
THAT'S A BOY.
140
00:08:20,625 --> 00:08:22,083
COME ON. RIGHT HERE.
141
00:08:22,168 --> 00:08:24,794
WHAT AM I EVER
GOING TO DO WITH YOU?
142
00:08:24,879 --> 00:08:26,838
AH, IT'S WON DERFU L,
ISN'T IT?
143
00:08:26,923 --> 00:08:28,006
THE PARK?
144
00:08:28,090 --> 00:08:29,090
CERTAIN LY IS.
145
00:08:29,175 --> 00:08:31,092
ALL RIGHT, BOBBY.
146
00:08:31,177 --> 00:08:33,178
THAT'S PART OF SUMMER, TOO.
147
00:08:33,221 --> 00:08:36,348
MUSIC FROM
THE MERRY-GO-ROU N D, THE CALLIOPE.
148
00:08:36,432 --> 00:08:39,726
AND THE COTTON CAN DY,
THE ICE CREAM,
149
00:08:39,810 --> 00:08:41,686
AND THE BAND CONCERT.
150
00:08:41,729 --> 00:08:43,855
NOTHING QU ITE
AS GOOD EVER.
151
00:08:43,940 --> 00:08:46,900
NOTHING QU ITE AS GOOD
AS SUMMER AND BEING A KI D.
152
00:08:46,984 --> 00:08:48,777
ARE YOU FROM
AROUND HERE?
153
00:08:48,861 --> 00:08:52,197
NO. OH, WHAT I MEAN IS I
USED TO BE A LONG TIME AGO.
154
00:08:52,240 --> 00:08:53,949
LIVED A COUPLE BLOCKS AWAY.
155
00:08:54,033 --> 00:08:56,701
I PLAYED BASEBALL
ON THAT FIELD OVER THERE
156
00:08:56,786 --> 00:09:00,205
AND THAT MERRY-GO-ROU N D--
OH, MY GOODN ESS.
157
00:09:00,248 --> 00:09:02,290
I GREW UP
WITH THAT MERRY-GO-ROU N D.
158
00:09:02,375 --> 00:09:06,878
I CARVED MY NAME ON THAT POST
ON THE BAN DSTAND ONE SUMMER.
159
00:09:06,963 --> 00:09:10,757
I WAS 1 1 YEARS OLD
AND I CARVED MY--
160
00:09:29,902 --> 00:09:31,778
(Martin)
MARTIN SLOAN.
161
00:09:33,155 --> 00:09:35,490
YOU'RE MARTIN SLOAN?
162
00:09:35,575 --> 00:09:38,743
YES, S I R, BUT I
DI DN'T MEAN NOTHING. HON EST.
163
00:09:38,828 --> 00:09:40,996
LOTS OF KIDS
CARVE THEIR NAME HERE.
164
00:09:41,080 --> 00:09:42,330
NO KIDDING.
165
00:09:42,415 --> 00:09:43,915
I'M NOT THE FIRST.
166
00:09:44,000 --> 00:09:46,126
YOU ARE MARTIN SLOAN.
167
00:09:46,210 --> 00:09:47,836
OF COURSE YOU ARE.
168
00:09:47,920 --> 00:09:49,421
THAT'S THE WAY I LOOKED.
169
00:09:49,463 --> 00:09:50,547
[suspense music]
170
00:09:50,631 --> 00:09:56,928
MARTI N!
171
00:10:23,289 --> 00:10:24,581
[rings doorbeII]
172
00:10:28,961 --> 00:10:30,045
YES?
173
00:10:32,131 --> 00:10:33,965
YES? WHOM DO YOU
WANT TO SEE?
174
00:10:34,050 --> 00:10:36,676
POP.
175
00:10:36,761 --> 00:10:39,346
Woman:
WHO IS IT, ROBERT?
176
00:10:39,430 --> 00:10:40,805
MOM.
177
00:10:40,848 --> 00:10:42,057
IS THAT MOM?
178
00:10:42,141 --> 00:10:43,683
WHO ARE YOU?
179
00:10:43,768 --> 00:10:45,143
WHAT DO YOU WANT?
180
00:10:45,227 --> 00:10:46,645
WHO IS IT?
181
00:10:46,729 --> 00:10:48,897
YOU'RE BOTH HERE.
182
00:10:48,981 --> 00:10:51,066
HOW CAN
YOU BE HERE?
183
00:10:51,150 --> 00:10:53,485
WHAT DO YOU WANT,
YOU NG MAN?
184
00:10:53,569 --> 00:10:56,905
MOM, DON'T YOU KNOW ME?
185
00:10:56,989 --> 00:10:58,365
I'M MARTI N!
186
00:10:58,449 --> 00:10:59,824
MARTI N?
187
00:10:59,867 --> 00:11:01,451
M UST BE A LU NATIC
OR SOMETHING.
188
00:11:01,535 --> 00:11:03,328
YOU M USTN'T BE FRIGHTEN ED.
189
00:11:03,412 --> 00:11:06,039
I GREW UP HERE, MOM.
DON'T YOU KNOW YOUR OWN SON?
190
00:11:08,834 --> 00:11:10,126
[bangs door]
191
00:11:26,727 --> 00:11:28,561
(young man)
HI.
192
00:11:28,646 --> 00:11:31,606
LIKE IT?
193
00:11:38,114 --> 00:11:39,948
IT'S GOT A RU M BLE SEAT.
194
00:11:40,032 --> 00:11:43,034
IT'S BEEN A LONG TIME S I NCE
I'VE SEEN A RU M BLE SEAT.
195
00:11:43,119 --> 00:11:45,203
WHERE YOU BEEN,
MISTER? S I BERIA?
196
00:11:45,287 --> 00:11:47,038
POP JUST BOUGHT ME THIS.
197
00:11:47,123 --> 00:11:49,874
FIRST BRAN D-N EW CAR
I'VE EVER OWN ED.
198
00:11:49,959 --> 00:11:52,085
TH IS? BRAN D-N EW?
199
00:11:52,169 --> 00:11:54,671
FIRST OF ITS KIND
IN THE WHOLE TOWN.
200
00:11:54,755 --> 00:11:57,966
RIGHT OUT OF DETROIT
YESTERDAY MORNING.
201
00:12:03,973 --> 00:12:07,559
BRAND N EW?
34 ROADSTER?
202
00:12:07,601 --> 00:12:10,603
RIGHT OUT OF DETRO IT?
203
00:12:10,688 --> 00:12:12,564
BRAND N EW?
204
00:12:12,648 --> 00:12:15,442
[music intensifies]
205
00:12:26,412 --> 00:12:29,164
[distant bell tolling]
206
00:12:29,248 --> 00:12:32,333
(male presenter, off)
A MAN CAN THINK A LOT OF THOUGHTS
207
00:12:32,418 --> 00:12:35,837
AND WALK A LOT OF PAVEMENTS
BETWEEN AFTERNOON AND NIGHT,
208
00:12:35,921 --> 00:12:38,298
AND TO A MAN
LIKE MARTIN SLOAN,
209
00:12:38,382 --> 00:12:41,509
TO WHOM MEMORY
HAS SUDDENLY BECOME REALITY,
210
00:12:41,594 --> 00:12:45,138
A RESOLVE CAN COME JUST
AS CLEARLY AND INEXORABLY
211
00:12:45,222 --> 00:12:47,640
AS STARS IN THE SUMMER NIGHT.
212
00:12:47,725 --> 00:12:50,477
MARTIN SLOAN
IS NOW BACK IN TOWN
213
00:12:50,561 --> 00:12:55,982
AND HIS RESOLVE IS TO PUT
A CLAIM TO HIS PAST.
214
00:13:26,514 --> 00:13:28,139
BACK AGAIN, HUH?
215
00:13:28,182 --> 00:13:29,682
I HAD TO COME
BACK, POP.
216
00:13:29,767 --> 00:13:33,478
THIS IS MY HOUSE
AND THIS IS MY GLOVE.
217
00:13:33,562 --> 00:13:36,231
YOU GAVE IT TO ME
ON MY 1 1 th B I RTH DAY.
218
00:13:36,315 --> 00:13:38,983
AND THE BASEBALL
AUTOGRAPHED BY LOU GEHRIG.
219
00:13:39,068 --> 00:13:41,194
WHO ARE YOU?
220
00:13:41,278 --> 00:13:42,362
WHAT DO YOU WANT HERE?
221
00:13:42,446 --> 00:13:44,072
I DON'T KNOW.
222
00:13:44,156 --> 00:13:46,866
I JUST WANT TO REST.
I WANT TO STOP RU N NING.
223
00:13:46,951 --> 00:13:48,535
I-- I BELONG HERE.
224
00:13:48,619 --> 00:13:50,745
DON'T YOU U N DERSTAND THAT?
I BELONG HERE.
225
00:13:50,830 --> 00:13:52,539
NOW, LOOK,
YOU'RE PROBABLY S ICK.
226
00:13:52,623 --> 00:13:54,040
YOU'RE HAVING
DELUS IONS.
227
00:13:54,124 --> 00:13:55,708
I DON'T WANT TO H U RT YOU.
228
00:13:55,793 --> 00:13:58,002
I DON'T WANT YOU
TO GET INTO TROU BLE.
229
00:13:58,045 --> 00:14:02,006
BUT IF YOU HANG AROUND HERE,
THERE MAY BE TROU BLE.
230
00:14:02,049 --> 00:14:03,758
(woman)
ROBERT?
231
00:14:03,843 --> 00:14:05,510
(woman)
WHO WERE YOU TALKING TO?
232
00:14:05,594 --> 00:14:07,512
MOM! LOOK AT ME.
233
00:14:07,596 --> 00:14:10,265
YOU HAVE
A SON NAMED MARTI N, HAVEN'T YOU?
234
00:14:10,349 --> 00:14:12,058
HE GOES TO EM ERSON
PU BLIC SCHOOL.
235
00:14:12,142 --> 00:14:13,726
IN THE MONTH
OF AUG UST HE SPEN DS
236
00:14:13,811 --> 00:14:15,436
AT HIS AU NT'S FARM
N EAR BU FFALO.
237
00:14:15,521 --> 00:14:16,813
A COUPLE OF SUMMERS
238
00:14:16,897 --> 00:14:18,481
YOU'VE GON E
TO SARATOGA LAKE,
239
00:14:18,566 --> 00:14:20,108
RENTED A COTTAG E THERE.
240
00:14:20,192 --> 00:14:22,277
ONCE I HAD A S ISTER.
241
00:14:22,361 --> 00:14:24,529
SHE DIED WHEN SH E
WAS A YEAR OLD.
242
00:14:24,613 --> 00:14:25,697
WHERE IS MARTI N?
243
00:14:25,781 --> 00:14:27,031
I'M MARTI N!
244
00:14:27,116 --> 00:14:28,575
YOU'VE GOT
TO BELIEVE ME.
245
00:14:28,659 --> 00:14:31,077
I'M MARTI N.
YOU'VE GOT TO BELIEVE ME!
246
00:14:31,161 --> 00:14:32,954
LOOK, HERE ARE
MY I DENTIF ICATION,
247
00:14:33,038 --> 00:14:34,289
ALL MY CARDS.
248
00:14:34,373 --> 00:14:35,874
THEY'LL TELL YOU
WHO I AM.
249
00:14:35,958 --> 00:14:37,876
LOOK AT THEM. GO ON,
THEY'LL TELL YOU.
250
00:14:44,508 --> 00:14:47,302
[distant merry
go round music]
251
00:14:50,973 --> 00:14:53,683
MARTI N.
252
00:14:53,767 --> 00:14:56,102
MARTI N, I'VE GOT
TO TALK TO YOU.
253
00:14:56,186 --> 00:14:58,187
MARTI N.
254
00:15:07,114 --> 00:15:09,782
MARTI N!
255
00:15:09,867 --> 00:15:11,075
MARTIN.
256
00:15:16,790 --> 00:15:19,292
[merry go round music]
257
00:15:38,729 --> 00:15:40,104
MARTI N.
258
00:15:53,369 --> 00:15:56,955
MARTI N!
259
00:16:03,379 --> 00:16:04,963
MARTIN!
260
00:16:05,047 --> 00:16:06,798
LET ME TALK TO YOU!
261
00:16:06,840 --> 00:16:08,800
LET ME TELL YOU
SOMETHING.
262
00:16:08,842 --> 00:16:11,135
I DON'T WANT
TO H U RT YOU, SON.
263
00:16:11,220 --> 00:16:12,845
I WON'T H U RT YOU.
264
00:16:12,930 --> 00:16:15,181
(Martin)
I WON'T HURT YOU, SON.
265
00:16:17,643 --> 00:16:19,310
MARTI N!
266
00:16:20,980 --> 00:16:22,814
MARTIN!
267
00:16:22,898 --> 00:16:24,399
MARTI N!
268
00:16:24,483 --> 00:16:26,484
OW! MY LEG!
MY LEG!
269
00:16:26,568 --> 00:16:27,986
MARTI N!
270
00:16:59,476 --> 00:17:01,019
MARTI N.
271
00:17:01,103 --> 00:17:02,854
I ONLY WANTED
TO TELL YOU
272
00:17:02,896 --> 00:17:06,065
THAT THIS IS A WON DERFU L
TIME OF LIFE FOR YOU.
273
00:17:06,150 --> 00:17:10,737
DON'T LET ANY OF IT
GO BY WITHOUT ENJOYING IT.
274
00:17:27,421 --> 00:17:29,714
THERE WON'T BE
ANY MORE MERRY-GO-ROU N DS.
275
00:17:29,757 --> 00:17:32,216
NO MORE COTTON CAN DY.
276
00:17:32,259 --> 00:17:35,887
NO MORE BAND CONCERTS.
277
00:17:35,971 --> 00:17:38,890
I ONLY WANTED TO TELL YOU
278
00:17:38,932 --> 00:17:41,642
THAT THIS IS
A WON DERFU L TIME FOR YOU.
279
00:17:41,727 --> 00:17:44,812
NOW. HERE.
280
00:17:44,897 --> 00:17:47,815
THAT'S ALL, MARTI N.
281
00:17:47,900 --> 00:17:50,068
THAT'S ALL
I WANTED TO TELL YOU.
282
00:17:50,110 --> 00:17:51,652
GOD H ELP ME.
283
00:17:51,737 --> 00:17:55,198
THAT'S ALL
I WANTED TO TELL YOU.
284
00:18:19,556 --> 00:18:21,015
I THOUGHT YOU'D LIKE TO KNOW
285
00:18:21,100 --> 00:18:23,267
THE BOY
WILL BE ALL RIGHT.
286
00:18:23,310 --> 00:18:25,311
DOCTOR SAYS HE'LL LI M P SOME,
287
00:18:25,395 --> 00:18:27,688
BUT HE'LL BE ALL RIGHT.
288
00:18:27,773 --> 00:18:29,690
OH, THANK GOD FOR THAT.
289
00:18:29,775 --> 00:18:33,194
YOU DROPPED THIS
AT THE HOUSE.
290
00:18:33,278 --> 00:18:36,447
I LOOKED I NSIDE IT.
291
00:18:36,490 --> 00:18:38,783
IT TELLS A GREAT
MANY THINGS ABOUT YOU.
292
00:18:38,826 --> 00:18:42,537
YOUR DRIVER'S LICENSE,
THE CARDS, THE MONEY IN IT.
293
00:18:42,621 --> 00:18:45,206
IT SEEMS
YOU ARE MARTIN SLOAN.
294
00:18:45,290 --> 00:18:46,999
YOU'RE 36 YEARS OLD
295
00:18:47,084 --> 00:18:49,460
AND HAVE AN APARTMENT
IN NEW YORK CITY.
296
00:18:49,545 --> 00:18:54,382
IT SAYS
YOUR DRIVER'S LICENSE EXP I RES IN 1 960.
297
00:18:54,466 --> 00:18:56,884
THAT'S 25 YEARS FROM NOW.
298
00:18:56,969 --> 00:18:58,553
AND THE DATES ON THE B I LLS
299
00:18:58,637 --> 00:19:01,305
THOSE DATES HAVEN'T
HAPPENED YET EITHER.
300
00:19:01,390 --> 00:19:04,851
THEN YOU--
YOU KNOW, POP?
301
00:19:04,935 --> 00:19:07,562
YES, I KNOW.
302
00:19:07,646 --> 00:19:10,231
I KNOW WHO YOU ARE.
303
00:19:10,315 --> 00:19:14,152
I KNOW YOU'VE COME
FROM A LONG WAY FROM HERE.
304
00:19:14,194 --> 00:19:17,155
A LONG WAY AND A LONG TIME.
305
00:19:17,197 --> 00:19:22,243
BUT I DON'T U N DERSTAND
HOW OR WHY.
306
00:19:22,327 --> 00:19:24,287
DO YOU?
307
00:19:24,371 --> 00:19:26,164
NO.
308
00:19:26,248 --> 00:19:29,167
BUT YOU DO
KNOW OTHER THINGS, DON'T YOU, MARTI N?
309
00:19:33,130 --> 00:19:35,173
THINGS THAT WILL HAPPEN.
310
00:19:35,257 --> 00:19:37,175
YES, I DO.
311
00:19:37,259 --> 00:19:39,719
MARTI N.
312
00:19:39,803 --> 00:19:41,554
YES, POP?
313
00:19:41,638 --> 00:19:43,431
YOU HAVE TO LEAVE HERE.
314
00:19:43,515 --> 00:19:45,975
THERE'S NO ROOM,
THERE'S NO PLACE.
315
00:19:46,059 --> 00:19:48,352
DO YOU U N DERSTAND THAT?
316
00:19:48,437 --> 00:19:51,189
I SEE THAT NOW,
BUT I DON'T UNDERSTAND.
317
00:19:51,273 --> 00:19:53,107
WHY NOT?
318
00:19:53,192 --> 00:19:55,443
I GU ESS BECAUSE WE
ONLY GET ONE CHANCE.
319
00:19:55,527 --> 00:19:58,029
MAYBE THERE'S ONLY ONE SUMMER
TO EVERY CUSTOM ER.
320
00:19:58,113 --> 00:19:59,697
THAT LITTLE BOY,
321
00:19:59,740 --> 00:20:02,783
THE ONE I KNOW,
THE ONE WHO BELONGS HERE,
322
00:20:02,868 --> 00:20:06,245
THIS IS HIS SUMMER,
JUST AS IT WAS YOURS ONCE.
323
00:20:06,330 --> 00:20:09,498
DON'T MAKE HIM SHARE IT.
324
00:20:13,545 --> 00:20:14,587
ALL RIGHT.
325
00:20:14,671 --> 00:20:15,713
MARTIN.
326
00:20:18,300 --> 00:20:20,218
IS IT SO BAD
WHERE YOU'RE FROM?
327
00:20:20,302 --> 00:20:22,595
I THOUGHT SO, POP.
328
00:20:22,679 --> 00:20:25,598
I'VE BEEN LIVING
AT A DEAD RU N, AND I WAS TIRED.
329
00:20:25,682 --> 00:20:28,142
THEN ONE DAY, I KNEW
I HAD TO COME BACK HERE.
330
00:20:28,227 --> 00:20:30,645
I HAD TO COME BACK
AND GET ON THE MERRY-GO-ROU N D
331
00:20:30,729 --> 00:20:34,315
AND EAT COTTON CAN DY
AND LISTEN TO A BAND CONCERT.
332
00:20:34,399 --> 00:20:37,318
AND TO STOP AND BREATH E
333
00:20:37,402 --> 00:20:40,988
AND CLOSE MY EYES
AND SMELL AND LISTEN.
334
00:20:41,073 --> 00:20:43,658
I GU ESS WE ALL WANT THAT.
335
00:20:43,742 --> 00:20:47,745
MAYBE WHEN YOU GO BACK,
MARTI N, YOU'LL F IN D
336
00:20:47,788 --> 00:20:51,165
THAT THERE ARE
M ERRY-GO-ROU N DS AND BAND CONCERTS WHERE YOU ARE.
337
00:20:51,250 --> 00:20:54,001
MAYBE YOU
HAVEN'T BEEN LOOKING IN THE RIGHT PLACE.
338
00:20:54,086 --> 00:20:56,921
YOU'VE BEEN LOOKING
BEH IN D YOU, MARTI N.
339
00:20:56,964 --> 00:20:59,131
TRY LOOKING AHEAD.
340
00:21:02,970 --> 00:21:04,512
MAYBE.
341
00:21:06,390 --> 00:21:08,641
GOODBYE, SON.
342
00:21:08,725 --> 00:21:09,976
GOODBYE, POP.
343
00:21:28,036 --> 00:21:30,788
[cheerfuI music]
344
00:21:54,521 --> 00:21:55,980
HI.
345
00:21:56,023 --> 00:21:58,232
OH.
346
00:21:58,317 --> 00:21:59,400
SOMETHING FOR YOU?
347
00:21:59,484 --> 00:22:00,985
U H.
348
00:22:01,028 --> 00:22:05,156
HOW ABOUT A CHOCOLATE
ICE CREAM SODA
349
00:22:05,198 --> 00:22:06,824
WITH THREE SCOOPS?
350
00:22:06,867 --> 00:22:08,868
THREE SCOOPS?
SURE I CAN MAKE ONE FOR YOU
351
00:22:08,952 --> 00:22:12,663
WITH THREE SCOOPS,
BUT IT WILL BE EXTRA. 35 CENTS, OKAY?
352
00:22:12,748 --> 00:22:15,416
OH, 35 CENTS, HUH?
353
00:22:15,500 --> 00:22:20,046
HOW ABOUT OLD BEN WI LSON
WHO USED TO OWN THIS PLACE?
354
00:22:20,130 --> 00:22:23,049
OH, HE DIED
ABOUT 1 5, 20 YEARS AGO.
355
00:22:23,133 --> 00:22:25,384
WHAT KIND OF ICE CREAM
DO YOU WANT?
356
00:22:25,469 --> 00:22:26,844
CHOCOLATE? VANILLA?
357
00:22:28,722 --> 00:22:30,348
VAN I LLA?
358
00:22:30,432 --> 00:22:33,642
OH, I-I'VE CHANG ED MY MIND
ABOUT THE SODA
359
00:22:33,727 --> 00:22:35,895
IF YOU DON'T MIND.
360
00:22:35,979 --> 00:22:37,897
[groans]
361
00:22:37,981 --> 00:22:40,441
THESE STOOLS AREN'T MADE
FOR BUM LEGS, ARE THEY?
362
00:22:40,525 --> 00:22:44,904
HEY. DID YOU GET THAT
DU RING THE WAR?
363
00:22:44,988 --> 00:22:46,822
NO.
364
00:22:46,907 --> 00:22:49,658
MATTER OF FACT, I GOT IT
FALLING OFF A MERRY-GO-ROU N D
365
00:22:49,743 --> 00:22:52,453
WHEN I WAS A KI D, HERE.
366
00:22:52,537 --> 00:22:55,373
AND THE FREAK THING--
367
00:22:55,457 --> 00:22:57,208
OH, A MERRY-GO-ROUND.
368
00:22:57,292 --> 00:22:59,126
HEY, I REMEMBER.
369
00:22:59,211 --> 00:23:01,295
THEY TORE THAT DOWN
A FEW YEARS AGO.
370
00:23:01,380 --> 00:23:03,089
CONDEMNED IT.
371
00:23:03,173 --> 00:23:05,466
A LITTLE LATE,
I GUESS, HUH?
372
00:23:05,550 --> 00:23:06,967
HUH?
373
00:23:07,052 --> 00:23:09,261
A LITTLE LATE
FOR YOU, I MEAN.
374
00:23:09,346 --> 00:23:12,056
YEAH, VERY LATE.
375
00:23:12,140 --> 00:23:14,225
VERY LATE FOR ME.
376
00:23:16,686 --> 00:23:19,063
(male presenter)
MARTIN SLOAN, AGE 36
377
00:23:19,147 --> 00:23:21,565
VICE-PRESIDENT
IN CHARGE OF MEDIA.
378
00:23:21,608 --> 00:23:24,568
SUCCESSFUL IN MOST THINGS
BUT NOT IN THE ONE EFFORT
379
00:23:24,653 --> 00:23:26,904
THAT ALL MEN TRY
AT SOME TIME IN THEIR LIVES.
380
00:23:26,947 --> 00:23:29,240
TRYING TO GO HOME AGAIN.
381
00:23:29,282 --> 00:23:32,576
AND ALSO
LIKE ALL MEN, PERHAPS THERE WILL BE AN OCCASION,
382
00:23:32,619 --> 00:23:34,495
MAYBE A SUMMER
NIGHT SOMETIME,
383
00:23:34,579 --> 00:23:36,831
WHEN HE'LL LOOK UP
FROM WHAT HE'S DOING
384
00:23:36,915 --> 00:23:39,583
AND LISTEN TO THE DISTANT
MUSIC OF A CALLIOPE
385
00:23:39,668 --> 00:23:41,669
AND HEAR THE VOICES
AND THE LAUGHTER
386
00:23:41,753 --> 00:23:44,171
OF THE PEOPLE
AND THE PLACES OF HIS PAST.
387
00:23:44,256 --> 00:23:46,173
AND PERHAPS ACROSS HIS M IND
388
00:23:46,258 --> 00:23:48,175
THERE WILL FLIT
A LITTLE ERRANT WISH
389
00:23:48,260 --> 00:23:50,761
THAT A MAN M IGHT NOT
HAVE TO BECOME OLD
390
00:23:50,846 --> 00:23:52,471
NEVER OUTGROW THE PARKS
391
00:23:52,556 --> 00:23:54,473
AND THE MERRY-GO-ROUNDS
OF HIS YOUTH.
392
00:23:54,558 --> 00:23:56,350
AND HE'LL SMILE THEN TOO
393
00:23:56,435 --> 00:23:58,811
BECAUSE HE'LL KNOW
IT IS JUST AN ERRANT WISH
394
00:23:58,895 --> 00:24:02,022
SOME WISP OF MEMORY
NOT TOO IMPORTANT REALLY.
395
00:24:02,107 --> 00:24:03,441
SOME LAUGHING GHOST
396
00:24:03,525 --> 00:24:06,277
THAT CROSS A MAN'S M IND.
397
00:24:06,319 --> 00:24:10,489
THAT ARE A PART
OF THE TWILIGHT ZONE.
398
00:24:15,162 --> 00:24:18,622
(male presenter, off)
ROD SERLING, THE CREATOR OF THE TWILIGHT ZONE
399
00:24:18,707 --> 00:24:22,209
WILL TELL YOU ABOUT
NEXT WEEK'S STORY AFTER THIS WORD FROM OUR SPONSOR
400
00:24:22,294 --> 00:24:25,838
AND NOW, MR. SERLING.
401
00:24:25,922 --> 00:24:29,133
AN EXCU RS ION INTO FANTASY
ON THE TWILIGHT ZONE NEXT WEEK
402
00:24:29,176 --> 00:24:32,970
AS TWO DISTING U ISH ED
ACTORS, MR. DAVI D WAYN E AND MR. THOMAS GOM EZ
403
00:24:33,054 --> 00:24:36,056
APPEAR IN "ESCAPE CLAUSE."
404
00:24:36,141 --> 00:24:39,143
THE STORY
OF A STRANG E CONTRACT BETWEEN A MORTAL MAN
405
00:24:39,227 --> 00:24:40,769
AND HIS SATAN IC MAJ ESTY.
406
00:24:40,854 --> 00:24:43,063
A CONTRACT THAT EN DS
MOST SU RPRISING LY.
407
00:24:43,148 --> 00:24:45,816
WE HOPE YOU'LL BE
AROUND TO SEE WHAT THAT SURPRISE IS.
408
00:24:45,901 --> 00:24:47,526
THANK YOU AND GOOD NIGHT.
409
00:25:31,404 --> 00:25:34,573
(male presenter, off)
BE SURE TO SEE THE FUN FILLED FAMILY LIFE
410
00:25:34,658 --> 00:25:36,951
ONE OF AMERICA'S
GREATEST ENTERTAINERS.
411
00:25:37,035 --> 00:25:40,621
DANNY THOMAS SHOW,
MONDAY NIGHTS, OVER MOST OF THESE STATIONS.
412
00:25:40,671 --> 00:25:45,221
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