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1
00:00:10,895 --> 00:00:13,094
YOU'RE TRAVELING THROUGH
ANOTHER DIMENSION...
2
00:00:13,130 --> 00:00:16,098
A DIMENSION NOT ONLY OF
SIGHT AND SOUND, BUT OF MIND.
3
00:00:16,133 --> 00:00:18,700
A JOURNEY INTO A WONDROUS
LAND OF IMAGINATION.
4
00:00:18,735 --> 00:00:21,002
NEXT STOP, THE TWILIGHT ZONE.
5
00:00:40,957 --> 00:00:42,173
YEAH?
6
00:00:42,208 --> 00:00:45,860
OH, HELLO, GEORGE. I
BEEN EXPECTING YOUR CALL.
7
00:00:45,896 --> 00:00:49,314
YEAH, I BEEN SITTING
HERE WAITING FOR YOU.
8
00:00:50,500 --> 00:00:53,235
YEAH, IT'S KIND OF A
HOT NIGHT OUT, AIN'T IT?
9
00:00:53,270 --> 00:00:57,155
YEAH, WELL, THAT'S WHAT I WANT
TO TALK TO YOU ABOUT, GEORGE.
10
00:00:57,190 --> 00:01:00,108
I WAS WONDERING WHAT
YOU HAD IN MIND TONIGHT.
11
00:01:01,128 --> 00:01:02,889
NOW... NOW, WAIT
A MINUTE, GEORGE.
12
00:01:02,913 --> 00:01:05,413
NOW, I BEEN SITTING HERE
THREE, FOUR HOURS NOW.
13
00:01:05,449 --> 00:01:07,616
I BEEN ROASTING TO
DEATH OUT THERE AND...
14
00:01:07,651 --> 00:01:10,018
WELL, I LIKE TO GO OUT
OF MY MIND, GEORGE...
15
00:01:10,053 --> 00:01:11,236
GEORGE?
16
00:01:12,856 --> 00:01:17,693
GEORGE, LOOK, WILL
YOU... GEORGE, WILL...
17
00:01:17,728 --> 00:01:19,044
GEORGE, WILL YOU LET ME...
18
00:01:19,079 --> 00:01:21,547
WILL YOU LISTEN TO ME,
GEORGE? WILL YOU LISTEN TO ME?
19
00:01:21,582 --> 00:01:23,949
NOW, LOOK, I'M NOT TRYING
TO COP OUT, GEORGE.
20
00:01:23,984 --> 00:01:25,400
I AM NOT TRYING TO COP OUT.
21
00:01:25,435 --> 00:01:28,337
I'D JUST LIKE TO KNOW WHAT
YOU HAD IN MIND, THAT'S ALL.
22
00:01:28,372 --> 00:01:30,939
YOU KNOW I GOT A TENDENCY
TOWARD NERVES, GEORGE,
23
00:01:30,974 --> 00:01:34,059
AND, WELL, YOU CAN SIT IN A
HOTEL ROOM ONLY SO LONG AND...
24
00:01:34,094 --> 00:01:36,462
WELL, IT'S SUCH A HOT
NIGHT OUTSIDE, GEORGE.
25
00:01:38,599 --> 00:01:40,882
GEORGE, LOOK, I'M NOT
COMPLAINING, GEORGE.
26
00:01:40,917 --> 00:01:42,918
YOU KNOW I'M NOT
COMPLAINING, GEORGE.
27
00:01:42,953 --> 00:01:45,954
I'M GOING TO DO THE JOB,
WHATEVER IT IS. YOU KNOW THAT.
28
00:01:45,989 --> 00:01:47,968
YOU GOT A NUMBER
ONE BOY HERE, GEORGE.
29
00:01:47,992 --> 00:01:49,774
I'M GOING TO DO THE JOB, BUT...
30
00:01:52,396 --> 00:01:53,645
GEORGE?
31
00:01:57,250 --> 00:01:58,617
HEY, GEORGE?
32
00:02:00,237 --> 00:02:01,786
GEORGE?
33
00:02:13,317 --> 00:02:16,901
THIS IS MR. JACKIE
RHOADES, AGE 34,
34
00:02:16,936 --> 00:02:19,537
AND, WHERE SOME MEN
LEAVE A MARK OF THEIR LIVES
35
00:02:19,573 --> 00:02:21,718
AS A RECORD OF THEIR
FRAGMENTARY EXISTENCE ON EARTH,
36
00:02:21,742 --> 00:02:25,160
THIS MAN LEAVES A BLOT... A
DIRTY, DISCOLORED BLEMISH
37
00:02:25,195 --> 00:02:28,347
TO DOCUMENT A CHEAP AND
UNDISTINGUISHED SOJOURN
38
00:02:28,382 --> 00:02:30,298
AMONGST HIS BETTERS.
39
00:02:31,585 --> 00:02:34,085
WHAT YOU'RE ABOUT
TO WATCH IN THIS ROOM
40
00:02:34,120 --> 00:02:37,539
IS A STRANGE MORTAL COMBAT
BETWEEN A MAN AND HIMSELF.
41
00:02:37,574 --> 00:02:40,142
FOR, IN JUST A MOMENT,
MR. JACKIE RHOADES,
42
00:02:40,177 --> 00:02:43,729
WHOSE LIFE HAS BEEN GIVEN
OVER TO FIGHTING ADVERSARIES,
43
00:02:43,764 --> 00:02:46,175
WILL FIND HIS MOST FORMIDABLE
OPPONENT IN A CHEAP HOTEL ROOM
44
00:02:46,199 --> 00:02:47,649
THAT IS, IN REALITY,
45
00:02:47,684 --> 00:02:50,519
THE OUTSKIRTS OF
THE TWILIGHT ZONE.
46
00:03:07,254 --> 00:03:08,470
YEAH?
47
00:03:09,473 --> 00:03:11,472
YEAH? WHO IS IT?
48
00:03:14,995 --> 00:03:16,275
GEORGE.
49
00:03:18,482 --> 00:03:19,797
HOW ARE YOU, GEORGE?
50
00:03:19,833 --> 00:03:20,960
I'M IN THE PINK.
51
00:03:20,984 --> 00:03:22,145
HOW ARE YOU, JACKIE?
52
00:03:22,169 --> 00:03:23,630
OH, I'M ALL RIGHT,
GEORGE. I'M ALL RIGHT.
53
00:03:23,654 --> 00:03:25,887
I'M JUST A LITTLE NERVOUS
ABOUT THE ACTION TONIGHT.
54
00:03:25,922 --> 00:03:26,988
I WAS...
55
00:03:30,477 --> 00:03:33,111
IT'S A GORGEOUS PLACE
YOU GOT HERE, JACKIE.
56
00:03:33,147 --> 00:03:36,664
WELL, FOUR BUCKS A NIGHT,
YOU CAN'T GO WRONG, YOU KNOW.
57
00:03:36,699 --> 00:03:37,949
FOUR BUCKS A NIGHT.
58
00:03:37,985 --> 00:03:39,367
NO, YOU CAN'T GO WRONG,
59
00:03:39,403 --> 00:03:41,531
BUT YOU COULD GET
ROASTED TO DEATH,
60
00:03:41,555 --> 00:03:43,500
OR POISONED BY SMALL CREATURES.
61
00:03:43,524 --> 00:03:46,257
WHAT ABOUT TONIGHT,
GEORGE? WHAT'S THE JOB?
62
00:03:46,293 --> 00:03:48,071
DOES IT MAKE ANY DIFFERENCE?
63
00:03:48,095 --> 00:03:49,544
DIFFERENCE?
64
00:03:49,579 --> 00:03:52,730
NO, NO, NO. IT DON'T
MAKE NO DIFFERENCE.
65
00:03:52,766 --> 00:03:54,415
I WAS JUST WONDERING.
66
00:03:54,451 --> 00:03:56,784
I JUST WONDERED WHAT YOU
HAD IN MIND. THAT WAS ALL.
67
00:03:56,820 --> 00:03:58,398
WHAT WOULD YOU
LIKE TO DO, JACKIE?
68
00:03:58,422 --> 00:04:00,071
WHAT'S YOUR HEART'S DESIRE?
69
00:04:00,106 --> 00:04:02,274
OH, YOU'RE KIDDING ME, GEORGE.
70
00:04:02,309 --> 00:04:03,892
YOU'RE PULLING MY LEG.
71
00:04:03,927 --> 00:04:06,394
I KNOW YOU. YOU'RE
PULLING MY LEG.
72
00:04:06,429 --> 00:04:09,614
WELL, IF IT WAS UP
TO ME, I'D... I'D, UH...
73
00:04:09,649 --> 00:04:13,201
WELL... IF IT WAS
UP TO ME, GEORGE,
74
00:04:13,236 --> 00:04:16,654
I'D LIKE SOME DECENT
ODDS FOR A CHANGE.
75
00:04:16,690 --> 00:04:18,702
I DON'T MIND A LITTLE
SHAKEDOWN... A LITTLE BUNCO...
76
00:04:18,726 --> 00:04:20,792
BUT IT'S JUST THAT I'M
GETTING ALL THE HARD STUFF.
77
00:04:20,827 --> 00:04:23,295
YOU KNOW I ALMOST GOT
PICKED UP THE LAST TWO TIMES.
78
00:04:23,330 --> 00:04:24,779
REMEMBER THE HEIST?
79
00:04:24,815 --> 00:04:27,248
THAT KIND OF STUFF
AIN'T FOR ME, GEORGE.
80
00:04:27,283 --> 00:04:30,885
EXCEPT THEY PICK ME UP
ONE MORE TIME, GEORGE,
81
00:04:30,920 --> 00:04:33,121
IT'S THREE STRIKES AND OUT.
82
00:04:34,708 --> 00:04:37,228
I'M LONG GONE, AND FOR GOOD.
83
00:04:38,845 --> 00:04:41,224
BOY, IT'S SO HOT IN
HERE, AIN'T IT, GEORGE?
84
00:04:41,248 --> 00:04:42,408
AIN'T IT HOT?
85
00:04:42,432 --> 00:04:44,999
ANYBODY EVER TELL
YOU WHAT YOU LOOK LIKE?
86
00:04:45,034 --> 00:04:48,403
YOU LOOK LIKE A MAN TRYING
TO CATCH A SUBWAY AT 5:00.
87
00:04:48,438 --> 00:04:50,838
YOU ALWAYS LOOK LIKE
SOMEBODY'S SQUEEZING YOU
88
00:04:50,874 --> 00:04:52,090
THROUGH A DOOR.
89
00:04:52,126 --> 00:04:54,025
WHAT DO YOU DO TO
SLEEP AT NIGHT, JACKIE,
90
00:04:54,060 --> 00:04:55,209
HIDE IN THE LOCKED CLOSET?
91
00:04:55,245 --> 00:04:57,173
NOW, LOOK, GEORGE,
I'M NOT KNOCKING YOU,
92
00:04:57,197 --> 00:04:58,179
AND I DON'T SEE WHY
93
00:04:58,215 --> 00:04:59,831
YOU ALL THE TIME GOTTA KNOCK ME.
94
00:04:59,866 --> 00:05:01,366
ALL I'M ASKING FROM YOU IS...
95
00:05:04,537 --> 00:05:07,655
GEORGE, WHAT'S THE JOB
I'VE GOT TO DO TONIGHT?
96
00:05:07,691 --> 00:05:09,785
ALL RIGHT, I'LL
TELL YOU, JACKIE.
97
00:05:09,809 --> 00:05:12,222
TONIGHT, I'M GOING
TO LET YOU BE A MAN.
98
00:05:12,246 --> 00:05:14,357
I'M GOING TO LET YOU
SHOW SOME MUSCLE
99
00:05:14,381 --> 00:05:15,508
FOR A CHANGE.
100
00:05:15,532 --> 00:05:18,950
NO SHAKEDOWNS, NO
DELIVERIES TO A FENCE...
101
00:05:18,985 --> 00:05:21,002
NOTHING LITTLE, JACKIE.
102
00:05:21,037 --> 00:05:22,871
NOT TONIGHT.
103
00:05:24,457 --> 00:05:28,693
TONIGHT, JACKIE, YOU'RE
GETTING UP IN THE WORLD.
104
00:05:38,955 --> 00:05:40,722
NOW, THERE'S AN OLD MAN
105
00:05:40,757 --> 00:05:43,197
RUNS A LITTLE BAR ON 38th STREET
106
00:05:43,226 --> 00:05:45,388
BETWEEN LEXINGTON AND SIXTH.
107
00:05:45,412 --> 00:05:48,096
HE'S A FEISTY OLD BUM. HE'S
ALWAYS GIVING US TROUBLE.
108
00:05:48,131 --> 00:05:50,715
HE DON'T WANT TO PAY
OFF FOR THE JUKEBOXES,
109
00:05:50,751 --> 00:05:51,844
HE DON'T WANT TO
PAY FOR PROTECTION.
110
00:05:51,868 --> 00:05:52,850
WE LECTURE HIM ALL THE TIME,
111
00:05:52,886 --> 00:05:54,380
BUT HE SPITS IN OUR EYE.
112
00:05:54,404 --> 00:05:55,821
SO, TOMORROW MORNING,
113
00:05:55,856 --> 00:05:59,440
THEY FIND THE OLD GLEEP
SPRAWLED ACROSS HIS BAR.
114
00:06:04,614 --> 00:06:06,948
AND THEN ALL THE
REST SWING IN LINE.
115
00:06:06,983 --> 00:06:08,728
NOW, THAT'S SIMPLE, JACKIE.
116
00:06:08,752 --> 00:06:10,313
EVEN YOU CAN UNDERSTAND.
117
00:06:10,337 --> 00:06:11,936
KILL HIM?
118
00:06:11,971 --> 00:06:14,272
YOU WANT ME TO KILL HIM?
119
00:06:14,308 --> 00:06:16,240
YOU'RE THE ONE, JACKIE.
120
00:06:16,276 --> 00:06:20,611
BUT, GEORGE, I CAN GET SENT UP
FOR JUST CARRYING THAT THING.
121
00:06:20,647 --> 00:06:23,148
GEORGE, THIS ONE AIN'T FOR ME.
122
00:06:23,183 --> 00:06:25,261
LISTEN, YOU'RE IN HOCK TO
ME FOR YOUR COLLAR BUTTONS,
123
00:06:25,285 --> 00:06:27,113
SO DON'T TELL ME WHAT'S
FOR YOU AND WHAT ISN'T.
124
00:06:27,137 --> 00:06:29,114
BUT I NEVER DONE ANYTHING
LIKE THIS BEFORE, GEORGE.
125
00:06:29,138 --> 00:06:30,522
I'M STRICTLY BREAKING
AND ENTERING.
126
00:06:30,557 --> 00:06:31,673
I'M NICKELS AND DIMES.
127
00:06:31,708 --> 00:06:33,169
YOU PUT ME IN AN
ALLEY, I DO A MUG JOB,
128
00:06:33,193 --> 00:06:34,320
BUT I GOT TO DO IT FROM BEHIND.
129
00:06:34,344 --> 00:06:35,527
I GOT NO GUTS, GEORGE.
130
00:06:35,562 --> 00:06:37,512
YOU KNOW THAT,
GEORGE. I GOT NO GUTS.
131
00:06:37,547 --> 00:06:39,847
WHY DON'T YOU GET A
COUPLE OTHER GUYS, HUH?
132
00:06:39,882 --> 00:06:41,266
GET A COUPLE OF TORPEDOES?
133
00:06:41,301 --> 00:06:43,996
'CAUSE EVERY TORPEDO I GOT IN
THE LINE IS GONNA GET PICKED UP
134
00:06:44,020 --> 00:06:45,648
THE MINUTE THEY
FIND THAT OLD GLEEP.
135
00:06:45,672 --> 00:06:47,500
BECAUSE YOU'RE NOT
GOING TO GET PICKED UP
136
00:06:47,524 --> 00:06:49,935
BECAUSE YOU'RE NICKEL-AND-DIME
AND EVERYBODY KNOWS IT.
137
00:06:49,959 --> 00:06:51,187
YOU NEVER DID A JOB LIKE THIS
138
00:06:51,211 --> 00:06:53,089
BECAUSE YOU NEVER
COULD DO A JOB LIKE THIS,
139
00:06:53,113 --> 00:06:55,140
AND THAT'S WHY YOU'RE
GONNA DO THIS ONE, JACKIE.
140
00:06:55,164 --> 00:06:57,210
AND THAT'S HOW YOU'RE
GOING TO GET AWAY WITH IT.
141
00:06:57,234 --> 00:06:59,034
BUT, GEORGE, I GOT NO GUTS.
142
00:06:59,068 --> 00:07:01,097
GET GUTS, JACKIE! I
DON'T CARE WHERE FROM.
143
00:07:01,121 --> 00:07:03,755
YOU GET THEM UNDER THE BED,
YOU BUY THEM FROM A VENDOR,
144
00:07:03,790 --> 00:07:04,917
YOU GROW THEM IN A POT.
145
00:07:04,941 --> 00:07:06,402
I DON'T CARE, BUT YOU GET THEM,
146
00:07:06,426 --> 00:07:08,659
AND YOU DO THE JOB.
147
00:07:08,695 --> 00:07:11,229
NOW, HE CLOSES THAT BAR AT 2:00.
148
00:07:11,265 --> 00:07:14,382
YOU BE THERE WHEN
HE'S ABOUT TO LOCK UP,
149
00:07:14,417 --> 00:07:15,617
AND YOU DO IT.
150
00:07:19,389 --> 00:07:21,439
AND I'LL BE BACK
HERE AT 2:30, JACKIE.
151
00:07:21,475 --> 00:07:23,040
AND IF I FIND OUT
152
00:07:23,076 --> 00:07:25,226
THAT YOU WELSHED
ON ME, JACKIE...
153
00:07:25,279 --> 00:07:28,413
THAT YOU CHICKENED
OUT... YOU'RE DEAD.
154
00:07:33,553 --> 00:07:35,954
HEY... GEORGE.
155
00:07:35,989 --> 00:07:38,289
HEY, GEORGE!
156
00:07:38,324 --> 00:07:39,940
GEORGE!
157
00:07:39,976 --> 00:07:42,377
GEORGE! PLEASE, GEORGE!
158
00:08:33,346 --> 00:08:35,296
LOOK AT YOU.
159
00:08:35,349 --> 00:08:37,665
LOOK AT YOU. WHAT'S THE BEEF?
160
00:08:37,701 --> 00:08:39,511
GO OUT AND GET
RID OF AN OLD MAN.
161
00:08:39,535 --> 00:08:41,419
SOME DOPEY OLD MAN.
162
00:08:41,455 --> 00:08:44,021
HE'S GOING TO BE 90 YEARS
OLD, MAYBE 100 YEARS.
163
00:08:44,057 --> 00:08:47,208
THAT'S WHAT HE IS... SOME
DOPEY OLD MAN... A GLEEP.
164
00:08:47,244 --> 00:08:50,362
HEY, THAT'S WHAT GEORGE
CALLED HIM... A GLEEP.
165
00:08:50,397 --> 00:08:52,480
THAT'S WHAT GEORGE
CALLED HIM... A GLEEP.
166
00:08:55,284 --> 00:08:59,220
BOY, I WISH I COULD TRADE YOU,
AND I COULD USE ANOTHER MODEL.
167
00:09:03,409 --> 00:09:04,859
AW, IT'S NOT YOUR FAULT.
168
00:09:04,894 --> 00:09:06,378
IT'S NOT MY FAULT.
169
00:09:06,413 --> 00:09:08,224
IT'S JUST THE
BREAKS, THAT'S ALL.
170
00:09:08,248 --> 00:09:09,997
WHY AM I SCARED?
171
00:09:10,032 --> 00:09:12,567
WHY AM I, ALL THE TIME, SCARED?
172
00:09:17,991 --> 00:09:20,341
I'M ALL THE TIME SCARED.
173
00:09:25,181 --> 00:09:28,783
OH, MAN, I'VE HAD A LONG HAUL.
174
00:09:28,818 --> 00:09:30,351
HOW MANY NIGHTS IN A TANK?
175
00:09:30,386 --> 00:09:32,920
HOW MANY NIGHTS IN STIR?
176
00:09:32,956 --> 00:09:36,223
HOW MANY NIGHTS IN A CHEAP,
LOUSY LITTLE ROOM LIKE THIS?
177
00:09:36,259 --> 00:09:38,559
FOUR BUCKS A NIGHT
TO ROAST TO DEATH.
178
00:09:40,864 --> 00:09:42,346
NAIL BITER.
179
00:09:42,382 --> 00:09:44,616
SCARED, NERVOUS
LITTLE NAIL BITER.
180
00:09:46,803 --> 00:09:49,854
HEY, GEORGE! YOU AIN'T NO
JUDGE OF PEOPLE, GEORGE!
181
00:09:49,890 --> 00:09:51,339
YOU OUGHT TO PEEL CANTALOUPES!
182
00:09:51,374 --> 00:09:53,519
YOU OUGHT TO STICK WITH
APPLES AND ORANGES, GEORGE,
183
00:09:53,543 --> 00:09:55,538
BECAUSE YOU AIN'T
NO JUDGE OF PEOPLE!
184
00:09:55,562 --> 00:09:57,028
JACKIE RHOADES THE KILLER!
185
00:09:59,566 --> 00:10:02,900
HEY, JACKIE RHOADES, KILLER!
186
00:10:07,774 --> 00:10:11,526
I KNOW YOU, JACKIE
RHOADES. YOU AIN'T NO KILLER.
187
00:10:11,561 --> 00:10:13,828
BUT YOU GOT TO KILL TONIGHT.
188
00:10:13,863 --> 00:10:15,313
KILL OR BE KILLED.
189
00:10:15,348 --> 00:10:18,465
SO YOU DO THE JOB AND
YOU'RE DEAD ANYWAY,
190
00:10:18,501 --> 00:10:22,486
BECAUSE YOU KNOW YOU
NEVER GOT AWAY WITH ANYTHING.
191
00:10:22,522 --> 00:10:26,174
YOU LIVE TILL TOMORROW,
AND THAT'S HOW IT ENDS.
192
00:10:30,363 --> 00:10:33,064
BOY, I WISH I COULD
TRADE YOU IN.
193
00:10:40,640 --> 00:10:41,923
NO MATCHES.
194
00:10:41,975 --> 00:10:44,976
CIGARETTES AND NO
MATCHES, THAT'S ME ALL OVER.
195
00:10:45,011 --> 00:10:47,678
THAT'S JACKIE RHOADES,
THE HALFWAY BOY.
196
00:10:47,714 --> 00:10:50,648
THAT'S THE STORY OF MY LIFE.
197
00:10:59,575 --> 00:11:00,892
HELLO, JACKIE.
198
00:11:03,529 --> 00:11:05,830
COME BACK HERE!
199
00:11:05,866 --> 00:11:07,386
YOU'RE NOT RUNNING
OUT ON ME THIS TIME!
200
00:11:09,853 --> 00:11:11,952
YOU TALKING TO ME?
201
00:11:17,611 --> 00:11:19,160
YOU TALKING TO ME?
202
00:11:19,195 --> 00:11:21,862
WHO YOU...? YEAH, SURE YOU ARE.
203
00:11:21,898 --> 00:11:24,310
NOW ME AND THE MIRROR,
WE'RE HAVING A TALK.
204
00:11:24,334 --> 00:11:25,461
I'VE HAD IT, HUH?
205
00:11:25,485 --> 00:11:27,067
ALL MY MARBLES ARE GONE.
206
00:11:27,103 --> 00:11:28,297
THIS IS HOW IT HAPPENS.
207
00:11:28,321 --> 00:11:31,272
THIS... YEAH, THIS
IS HOW IT HAPPENS,
208
00:11:31,307 --> 00:11:33,658
BUT YOU AIN'T LOST
YOUR MARBLES YET,
209
00:11:33,693 --> 00:11:36,227
AND I MEAN TO SEE
THAT YOU KEEP THEM.
210
00:11:36,262 --> 00:11:37,562
WHO ARE YOU?
211
00:11:37,597 --> 00:11:40,164
I'M YOU, JACKIE, AND YOU'RE ME.
212
00:11:40,199 --> 00:11:41,460
HOW'S THAT?
213
00:11:41,484 --> 00:11:43,446
YOU'RE ME AND I'M YOU?
214
00:11:43,470 --> 00:11:45,136
OH, THIS IS CRAZY.
215
00:11:45,171 --> 00:11:47,021
THIS IS REALLY CRAZY.
216
00:11:47,056 --> 00:11:48,990
THIS IS CRAZY! CRAZY!
217
00:11:50,076 --> 00:11:52,577
JACKIE, I'M PART OF YOU, JACKIE.
218
00:11:52,612 --> 00:11:54,262
ANOTHER PART OF YOU.
219
00:11:54,297 --> 00:11:56,463
DON'T YOU EVEN REMEMBER ME?
220
00:11:56,499 --> 00:12:00,151
YOU USED TO KNOW ME
A LONG TIME AGO, JACKIE.
221
00:12:00,186 --> 00:12:03,721
A VERY LONG TIME AGO,
YOU WERE UP FOR GRABS.
222
00:12:03,757 --> 00:12:06,257
YOU COULD HAVE GONE
ONE WAY OR THE OTHER.
223
00:12:06,292 --> 00:12:08,693
YOU COULD HAVE GONE
MY WAY OR YOUR WAY.
224
00:12:08,728 --> 00:12:09,844
YOU WENT YOUR WAY.
225
00:12:09,879 --> 00:12:12,079
YOU KNOW WHAT
THAT MEANS, JACKIE?
226
00:12:12,114 --> 00:12:13,815
NO, I DON'T.
227
00:12:13,850 --> 00:12:16,817
A CHEAP, WEAK, SCARED
228
00:12:16,852 --> 00:12:19,153
HALF VULTURE, ALL MOUSE.
229
00:12:19,189 --> 00:12:21,889
THAT'S WHAT YOU ARE, JACKIE.
230
00:12:21,924 --> 00:12:23,286
ALL RIGHT, SO KNOCK ME.
231
00:12:23,310 --> 00:12:26,460
SO I'M THIS AND I'M THAT,
AND I'M THIS AND I'M THAT.
232
00:12:26,495 --> 00:12:28,713
LOOK, HERE, BUDDY,
WHATEVER I AM,
233
00:12:28,748 --> 00:12:30,981
I GOT FLESH AND
BONES AND I BREATHE.
234
00:12:31,017 --> 00:12:33,451
AND. IN JUST A COUPLE
OF HOURS FROM NOW,
235
00:12:33,486 --> 00:12:36,053
I'M GOING TO PUT THE
FINGER ON SOMEBODY!
236
00:12:36,089 --> 00:12:37,104
SO, HA-HA!
237
00:12:37,139 --> 00:12:39,385
WHAT DO YOU DO
FOR A LIVING, HUH?
238
00:12:39,409 --> 00:12:41,475
HAUNT PEOPLE IN MIRRORS, HUH?
239
00:12:41,510 --> 00:12:43,628
LISTEN TO ME, BOY. LISTEN TO ME.
240
00:12:43,663 --> 00:12:46,847
I'M HAVING AN ARGUMENT
WITH A BIG PIECE OF GLASS.
241
00:12:46,882 --> 00:12:49,050
LISTEN, GLASS, I'M LEAVING.
242
00:12:49,085 --> 00:12:50,835
SEE, I'M PULLING OUT.
243
00:12:50,870 --> 00:12:51,885
I'M PULLING OUT.
244
00:12:51,921 --> 00:12:53,304
I'VE HAD IT WITH YOU.
245
00:12:53,340 --> 00:12:54,455
I'M A MOUSE, HUH?
246
00:12:54,491 --> 00:12:55,906
WELL, YOU'RE NOTHING!
247
00:12:55,942 --> 00:12:58,492
JACKIE...
248
00:13:07,320 --> 00:13:08,786
JACKIE.
249
00:13:16,129 --> 00:13:22,133
NOW, JACKIE...
250
00:13:25,605 --> 00:13:27,939
JACKIE, DON'T PASS
OUT ON ME NOW.
251
00:13:27,974 --> 00:13:30,975
JACKIE, WE'VE GOT A
BIG NIGHT AHEAD OF US.
252
00:13:56,919 --> 00:13:58,436
WHERE YOU GOING?
253
00:14:01,107 --> 00:14:02,523
WHAT'S IT TO YOU?
254
00:14:02,558 --> 00:14:03,774
EVERYTHING.
255
00:14:03,809 --> 00:14:06,243
EVERYTHING YOU DO
IS EVERYTHING TO ME.
256
00:14:06,279 --> 00:14:07,494
CAN'T YOU GET THAT?
257
00:14:07,530 --> 00:14:09,642
OH, YEAH, YEAH, NOW I GET IT.
258
00:14:09,666 --> 00:14:11,799
I'M TALKING TO MYSELF.
259
00:14:11,834 --> 00:14:14,102
THAT'S JUST WHO
YOU ARE TALKING TO...
260
00:14:14,137 --> 00:14:16,131
PART OF YOURSELF... THE
PART YOU NEVER LET COME OUT.
261
00:14:16,155 --> 00:14:17,349
NOW, LISTEN, BUDDY.
262
00:14:17,373 --> 00:14:19,640
YOU GOT NO INVITATION
TO COME OUT NOW,
263
00:14:19,676 --> 00:14:22,476
SO YOU CAN GO RIGHT
BACK WHERE YOU CAME FROM.
264
00:14:22,511 --> 00:14:23,627
WHO NEEDS YOU?
265
00:14:23,662 --> 00:14:25,696
YOU DO. YOU'VE ALWAYS NEEDED ME.
266
00:14:27,183 --> 00:14:28,933
WAIT A MINUTE.
267
00:14:28,968 --> 00:14:31,568
NOW I GET IT.
268
00:14:31,604 --> 00:14:32,720
YEAH, NOW I GET IT.
269
00:14:32,756 --> 00:14:33,871
YOU'RE CHICKEN, TOO.
270
00:14:33,906 --> 00:14:36,874
YOU'RE SCARED I'LL
GET CAUGHT SAME AS ME.
271
00:14:36,909 --> 00:14:38,976
YOU'RE SCARED
THIS IS THE LAST JOB,
272
00:14:39,012 --> 00:14:41,512
SO YOU MAKE A BIG
NOISE LIKE A CONSCIENCE
273
00:14:41,547 --> 00:14:43,030
SO THE BIG MAN DON'T SAY
274
00:14:43,066 --> 00:14:45,099
YOU BEEN GOOFING
OFF ALL MY LIFE.
275
00:14:45,134 --> 00:14:47,480
IT MEANS MORE THAN
THAT TO ME, JACKIE.
276
00:14:47,504 --> 00:14:49,365
YOU THINK I CAN KEEP QUIET NOW
277
00:14:49,389 --> 00:14:51,900
WHILE YOU GO OUT AND
GET US BOTH KILLED?
278
00:14:51,924 --> 00:14:52,940
KILLED?
279
00:14:52,976 --> 00:14:54,503
THAT'S RIGHT. YOU
SAID SO YOURSELF...
280
00:14:54,527 --> 00:14:56,605
YOU NEVER GOT AWAY WITH NOTHING,
281
00:14:56,629 --> 00:14:59,497
AND YOU KNOW YOU
WON'T GET AWAY WITH THIS.
282
00:14:59,532 --> 00:15:01,277
AND I GOT A RIGHT TO LIVE.
283
00:15:01,301 --> 00:15:04,001
YOU HAD THE SAME
CHANCES AS ME... NO CHANCE.
284
00:15:04,037 --> 00:15:05,486
SO, IF I'M WRONG
AND YOU'RE RIGHT,
285
00:15:05,521 --> 00:15:07,655
THEN HOW COME EVERY MOVE
I MADE TURNED OUT WRONG?
286
00:15:07,690 --> 00:15:09,173
HOW ABOUT THAT, HUH?
287
00:15:09,208 --> 00:15:11,254
BECAUSE, EVERY TIME I
TRIED TO TALK TO YOU,
288
00:15:11,278 --> 00:15:12,671
YOU LISTENED TO SOMEBODY ELSE.
289
00:15:12,695 --> 00:15:13,789
THAT WAS YOUR MISTAKE.
290
00:15:13,813 --> 00:15:16,680
OKAY, WISE GUY,
YOU KNOW SO MUCH,
291
00:15:16,715 --> 00:15:19,550
THEN HOW COME YOU
DON'T KNOW THE BIG THING?
292
00:15:19,585 --> 00:15:20,612
BIG THING?
293
00:15:20,636 --> 00:15:22,436
DON'T YOU EVER LOOK IN A MIRROR?
294
00:15:22,472 --> 00:15:24,772
I WAS A RUNT. I WAS
A SKINNY LITTLE RUNT.
295
00:15:24,807 --> 00:15:26,857
WHEN YOU WANT TO
JOIN A STREET GANG,
296
00:15:26,892 --> 00:15:28,592
YOU GOT TO GO ALONG WITH THEM.
297
00:15:28,628 --> 00:15:30,744
YOU BACK DOWN, THEY
GIVE YOU BUSINESS.
298
00:15:30,780 --> 00:15:32,180
THEY CALL YOU A CHICKEN,
299
00:15:32,215 --> 00:15:33,864
AND YELL, "YOU AIN'T GOT IT!"
300
00:15:33,900 --> 00:15:36,379
YEAH, YOU WENT ALONG WITH THEM.
301
00:15:36,403 --> 00:15:38,814
AND YOU MADE ME GO ALONG, TOO.
302
00:15:38,838 --> 00:15:41,905
THE FIRST TIME, WE
WERE TEN YEARS OLD.
303
00:15:41,941 --> 00:15:43,291
REMEMBER THAT?
304
00:15:43,326 --> 00:15:44,792
THE CLASS PICNIC?
305
00:15:44,827 --> 00:15:47,022
THE TEACHER HAD A LOCKET,
AND THE CATCH BROKE,
306
00:15:47,046 --> 00:15:48,029
AND SHE LAID IT DOWN,
307
00:15:48,064 --> 00:15:50,275
AND SOME OF THE BIG
KIDS DARED YOU TO SWIPE IT.
308
00:15:50,299 --> 00:15:51,815
WELL, I DIDN'T WANT TO SWIPE IT.
309
00:15:51,850 --> 00:15:53,000
I TOLD YOU, I WAS A RUNT.
310
00:15:53,036 --> 00:15:54,185
THEY DARED ME.
311
00:15:54,220 --> 00:15:55,998
AND, A YEAR LATER,
THEY DARED YOU
312
00:15:56,022 --> 00:15:58,342
TO BREAK INTO THAT
GROCERY STORE WITH THEM,
313
00:15:58,374 --> 00:15:59,535
AND YOU WENT ALONG,
314
00:15:59,559 --> 00:16:01,370
AND YOU DRAGGED ME ALONG, TOO,
315
00:16:01,394 --> 00:16:02,555
AND WE GOT CAUGHT.
316
00:16:02,579 --> 00:16:04,756
AND YOU SPENT THE NEXT 11 MONTHS
317
00:16:04,780 --> 00:16:07,180
IN REFORM SCHOOL, AND SO DID I.
318
00:16:08,801 --> 00:16:11,321
WHAT DID THAT PROVE, JACKIE?
319
00:16:11,837 --> 00:16:14,922
YAK, YAK, YAK, YAK.
TALK MY EAR OFF.
320
00:16:14,957 --> 00:16:16,953
NO WONDER I CUT YOU DOWN.
321
00:16:16,977 --> 00:16:19,977
YOU'RE WALKING ON YOUR
LOWER LIP ALL THE TIME.
322
00:16:20,012 --> 00:16:22,180
WHAT DO YOU WANT FROM ME ANYWAY?
323
00:16:22,215 --> 00:16:24,432
YOU KNOW WHAT I WANT.
324
00:16:24,484 --> 00:16:25,627
NO, I DON'T
325
00:16:25,651 --> 00:16:27,251
BUT I'LL TELL YOU
WHAT I DO KNOW...
326
00:16:27,287 --> 00:16:28,636
I GOT TO GO OUT AND DO A JOB.
327
00:16:28,671 --> 00:16:30,938
I GOT TO KNOCK OFF AN
OLD GLEEP ON 38th STREET.
328
00:16:30,973 --> 00:16:32,656
AND, IF I DON'T
DO IT BY 2:00 A.M.,
329
00:16:32,691 --> 00:16:34,108
YOU CAN TAKE WHAT'S LEFT OF ME
330
00:16:34,143 --> 00:16:36,210
AND SCRAPE IT OFF THAT
MIRROR WITH A SPOON!
331
00:16:36,245 --> 00:16:38,128
I AIN'T GOT MUCH
TIME. I GOT TO GO NOW.
332
00:16:38,163 --> 00:16:40,564
YOU GOT LESS TIME
THAN YOU THINK.
333
00:16:40,600 --> 00:16:42,677
BUT YOU NEVER HAD
TIME. YOU DIDN'T HAVE TIME
334
00:16:42,701 --> 00:16:44,780
WHEN THAT PAROLE
OFFICER TRIED TO HELP YOU.
335
00:16:44,804 --> 00:16:46,515
YOU COULD HAVE LISTENED TO HIM,
336
00:16:46,539 --> 00:16:48,206
BUT YOU JOINED ANOTHER GANG.
337
00:16:48,241 --> 00:16:50,508
SIX MONTHS LATER,
YOU WERE IN JAIL AGAIN,
338
00:16:50,543 --> 00:16:52,926
AND THAT PAROLE
OFFICER COULDN'T HELP YOU
339
00:16:52,962 --> 00:16:56,191
ANY MORE THAN
JANEY REARDON COULD.
340
00:16:56,215 --> 00:16:58,082
JANEY REARDON.
341
00:16:59,635 --> 00:17:01,602
JANEY REARDON.
342
00:17:06,843 --> 00:17:08,842
JANEY REARDON.
343
00:17:12,698 --> 00:17:14,581
SHE WAS A NICE KID.
344
00:17:14,617 --> 00:17:16,428
SHE WAS A BEAUTIFUL WOMAN.
345
00:17:16,452 --> 00:17:18,602
SHE TRIED TO SET YOU STRAIGHT.
346
00:17:18,638 --> 00:17:20,304
I LOVED HER, JACKIE.
347
00:17:20,340 --> 00:17:22,256
I LOVED JANEY REARDON.
348
00:17:22,292 --> 00:17:23,408
YOU LOVED HER?
349
00:17:23,443 --> 00:17:24,625
YOU GOT A NERVE.
350
00:17:24,661 --> 00:17:26,377
HOW COULD YOU LOVE ANYBODY?
351
00:17:26,412 --> 00:17:28,212
YOU'RE JUST A PIECE OF GLASS.
352
00:17:28,248 --> 00:17:31,232
I COULD LOVE, JACKIE.
353
00:17:33,969 --> 00:17:35,185
I COULD LOVE.
354
00:17:35,220 --> 00:17:36,554
I NEEDED HER, JACKIE.
355
00:17:36,589 --> 00:17:37,783
SO DID YOU.
356
00:17:37,807 --> 00:17:40,508
I TRIED TO TELL YOU HOW
MUCH WE NEEDED HER,
357
00:17:40,543 --> 00:17:42,526
BUT YOU GRADUATED FROM THE GANG
358
00:17:42,562 --> 00:17:44,328
INTO THE SHAKEDOWN RACKETS.
359
00:17:44,364 --> 00:17:46,347
BIG SHOT, HUH?
360
00:17:46,382 --> 00:17:49,567
TWO YEARS WE SPENT
IN THE PEN ON THAT ONE.
361
00:17:49,602 --> 00:17:50,763
AND, WHEN WE GOT OUT,
362
00:17:50,787 --> 00:17:52,864
JANEY REARDON HAD GOTTEN MARRIED
363
00:17:52,888 --> 00:17:54,150
AND MOVED AWAY.
364
00:17:54,174 --> 00:17:56,502
SHE WALKED OUT
OF YOUR LIFE, JACKIE.
365
00:17:56,526 --> 00:17:57,806
OUT OF OUR LIFE!
366
00:17:59,712 --> 00:18:01,429
YOU CHEATED ME OUT OF HER.
367
00:18:01,464 --> 00:18:03,475
DON'T TELL ME YOUR
TROUBLES. IT'S NOTHING TO ME.
368
00:18:03,499 --> 00:18:04,881
DAMES I CAN TAKE OR LEAVE ALONE.
369
00:18:04,917 --> 00:18:06,728
DAMES YOU CAN
TAKE OR LEAVE, HUH?
370
00:18:06,752 --> 00:18:08,580
THAT'S A STATEMENT
FOR THE PRESS.
371
00:18:08,604 --> 00:18:11,539
YOU WOULDN'T WANT TO HAVE
A GIRL, WOULD YOU, JACKIE?
372
00:18:11,591 --> 00:18:13,073
SOMEBODY SWEET AND PRETTY.
373
00:18:13,108 --> 00:18:14,725
SOMEBODY WHO WOULD LOVE YOU.
374
00:18:14,760 --> 00:18:16,638
SOMEBODY WHO'D BE
KIND AND GENTLE WITH YOU.
375
00:18:16,662 --> 00:18:18,679
YOU DON'T NEED
THAT, DO YOU, JACKIE?
376
00:18:18,714 --> 00:18:21,115
WHY DON'T YOU CUT IT OUT?
377
00:18:21,150 --> 00:18:22,716
WILL YOU DO THAT?
378
00:18:22,751 --> 00:18:24,852
WILL YOU KNOCK IT OFF?
379
00:18:26,072 --> 00:18:27,821
WHAT DO YOU WANT FROM ME ANYWAY?
380
00:18:27,857 --> 00:18:30,124
I'M ASKING YOU, WHAT
DO YOU WANT FROM ME?
381
00:18:30,159 --> 00:18:31,992
I'M STILL WAITING TO HEAR.
382
00:18:32,027 --> 00:18:33,255
WHAT DO YOU WANT?
383
00:18:33,279 --> 00:18:34,729
I WANT TO TAKE OVER, JACKIE.
384
00:18:34,764 --> 00:18:36,146
I WANT TO CALL THE SHOTS.
385
00:18:36,182 --> 00:18:37,531
I WANT YOU TO LET ME OUT.
386
00:18:37,566 --> 00:18:38,882
I WANT A CHANCE TO LIVE.
387
00:18:38,917 --> 00:18:40,618
I WANT TO LIVE WITH ALL THE GUTS
388
00:18:40,653 --> 00:18:42,202
AND GOODNESS YOU LEFT BEHIND.
389
00:18:42,238 --> 00:18:44,221
I WANT TO LIVE THE
DREAMS YOU DREAMED
390
00:18:44,256 --> 00:18:45,923
AND NEVER HAD THE GUTS TO LIVE.
391
00:18:45,958 --> 00:18:48,019
FAT CHANCE, BUSTER.
BIG FAT CHANCE.
392
00:18:48,043 --> 00:18:49,521
I'M ME AND YOU'RE YOU!
393
00:18:49,545 --> 00:18:51,189
AND THAT'S NO
STATEMENT FOR THE PRESS.
394
00:18:51,213 --> 00:18:52,697
THAT'S THE GOODS.
395
00:18:52,732 --> 00:18:54,710
I'M GOING OUT AND KNOCK
ME OFF AN OLD MAN NOW,
396
00:18:54,734 --> 00:18:56,183
AND I'M GOING TO CUT ME
397
00:18:56,218 --> 00:18:57,713
A NICE SLICE OF CABBAGE
FOR MY TROUBLES.
398
00:18:57,737 --> 00:18:59,186
I'M CALLING THE SHOTS!
399
00:18:59,222 --> 00:19:00,449
AND NEITHER YOU OR ANYBODY ELSE
400
00:19:00,473 --> 00:19:01,900
IS TELLING JACKIE
RHOADES WHAT TO DO!
401
00:19:01,924 --> 00:19:03,051
NEITHER YOU OR ANYBODY ELSE!
402
00:19:04,394 --> 00:19:05,871
YEAH?
403
00:19:05,895 --> 00:19:07,545
OH... YEAH, GEORGE.
404
00:19:07,580 --> 00:19:10,047
UH... GEORGE, I'M DOING
WHAT YOU TOLD ME, GEORGE.
405
00:19:10,082 --> 00:19:12,032
I'M JUST ON MY WAY OUT NOW.
406
00:19:12,067 --> 00:19:14,135
YEAH, GEORGE. I'M JUST LEAVING.
407
00:19:14,170 --> 00:19:15,486
YEAH. HONEST, GEORGE. HONEST.
408
00:19:15,521 --> 00:19:18,288
I'M... I'M... I'M ON MY WAY NOW.
409
00:19:18,323 --> 00:19:19,990
YEAH. YEAH, I'M... I'M...
410
00:19:20,026 --> 00:19:21,486
I'M GOING TO LEAVE
RIGHT NOW, GEORGE.
411
00:19:21,510 --> 00:19:23,711
I'LL MEET YOU BACK
HERE AT 2:30, OKAY?
412
00:19:23,746 --> 00:19:26,313
YEAH. I'LL MEET YOU
RIGHT BACK HERE, GEORGE.
413
00:19:26,348 --> 00:19:27,698
OKAY.
414
00:19:44,033 --> 00:19:45,849
HEY!
415
00:19:45,885 --> 00:19:47,552
HEY, THERE.
416
00:19:47,587 --> 00:19:50,020
HEY, WHERE ARE YOU?
417
00:19:50,056 --> 00:19:52,105
HEY, GLASS, COME ON OUT HERE.
418
00:19:52,141 --> 00:19:53,874
COME ON. DO YOUR JOB NOW.
419
00:19:53,910 --> 00:19:57,295
HEY, COME ON, I WANT TO SEE
HOW I LOOK, GLASS. COME ON.
420
00:19:57,330 --> 00:19:59,596
IT DON'T MAKE ANY
DIFFERENCE, JACKIE,
421
00:19:59,632 --> 00:20:01,699
BECAUSE YOU'RE
NOT GOING ANYWHERE.
422
00:20:01,734 --> 00:20:04,068
YOU GO OUT THAT
DOOR, YOU'RE FINISHED.
423
00:20:04,103 --> 00:20:05,352
WE'RE BOTH FINISHED.
424
00:20:05,387 --> 00:20:07,037
THAT'S THE DOOR TO NOWHERE.
425
00:20:07,072 --> 00:20:08,906
JACKIE, JACKIE, LET ME OUT!
426
00:20:08,941 --> 00:20:10,324
I WANT TO TAKE OVER.
427
00:20:10,359 --> 00:20:11,709
I GOT TO TAKE OVER!
428
00:20:11,744 --> 00:20:14,111
I WANT A DECENT
JOB, SOME FRIENDS.
429
00:20:14,146 --> 00:20:15,607
I GOT A JOB. I GOT FRIENDS.
430
00:20:15,631 --> 00:20:16,814
I GOT EVERYTHING I WANT.
431
00:20:16,849 --> 00:20:19,282
YOU GOT NOTHING. YOU GOT
NOTHING BUT A PAIN INSIDE.
432
00:20:19,318 --> 00:20:21,852
YOU GOT NO FRIENDS. YOU
GOT NOTHING! YOU ARE NOTHING!
433
00:20:21,887 --> 00:20:23,688
IT'S TIME TO BE SOMETHING.
434
00:20:23,723 --> 00:20:25,005
JACKIE, LET ME OUT.
435
00:20:25,041 --> 00:20:26,790
LET ME TAKE OVER, JACKIE.
436
00:20:26,826 --> 00:20:28,626
THIS IS YOUR LAST CHANCE.
437
00:20:28,661 --> 00:20:32,128
ALL RIGHT, I'LL LET
YOU OUT OF THERE.
438
00:20:32,164 --> 00:20:35,115
COME ON OUT OF THERE, WISE GUY.
439
00:20:35,150 --> 00:20:36,367
COME ON OUT!
440
00:20:41,774 --> 00:20:43,941
WHAT A PHONY.
441
00:20:43,976 --> 00:20:45,792
WHAT A PHONY.
442
00:20:45,828 --> 00:20:47,728
YOU'RE A LIAR!
443
00:21:12,955 --> 00:21:15,055
GET UP, LITTLE MAN.
444
00:21:15,090 --> 00:21:20,027
I'M GOING TO TAKE YOUR
SKIN OFF FOOT BY FOOT.
445
00:21:20,062 --> 00:21:25,332
NOBODY WENT TO THE OLD
MAN'S BAR TONIGHT, JACKIE.
446
00:21:25,367 --> 00:21:26,950
NOBODY AT ALL.
447
00:21:26,985 --> 00:21:31,522
AT LAST REPORTS, HE
WAS IN EXCELLENT HEALTH...
448
00:21:31,557 --> 00:21:33,040
THANKS TO YOU.
449
00:21:33,075 --> 00:21:36,594
THANKS TO YOU, YOU
RAUNCHY LITTLE WELSHER.
450
00:21:36,629 --> 00:21:40,881
WELL, WHAT DO YOU GOT TO
SAY FOR YOURSELF, CRUMB, HUH?
451
00:21:40,917 --> 00:21:43,357
WHAT HAVE YOU GOT
TO SAY FOR YOURSELF?
452
00:21:50,476 --> 00:21:53,476
WHAT HAVE I GOT TO SAY
FOR MYSELF, GEORGE?
453
00:21:53,512 --> 00:21:55,212
NOT MUCH.
454
00:21:55,247 --> 00:21:57,882
I RESIGN.
455
00:21:57,917 --> 00:22:01,501
THAT'S IT, GEORGE.
456
00:22:01,537 --> 00:22:03,453
I RESIGN.
457
00:22:03,488 --> 00:22:05,355
YOU WHAT?
458
00:22:05,391 --> 00:22:07,725
I RESIGN.
459
00:22:07,760 --> 00:22:09,609
YOU CAN HAVE YOUR GUN BACK,
460
00:22:09,645 --> 00:22:11,161
PLUS THE FOLLOWING.
461
00:22:29,448 --> 00:22:30,848
MOVE OUT, GEORGE.
462
00:22:36,489 --> 00:22:40,341
AND DON'T EVER COME
BACK... FOR ANYTHING.
463
00:22:57,926 --> 00:23:00,427
ROOM CLERK, THIS IS JACKIE...
464
00:23:00,463 --> 00:23:02,929
THIS IS JOHN RHOADES, ROOM 14.
465
00:23:02,965 --> 00:23:04,414
I'M CHECKING OUT.
466
00:23:04,449 --> 00:23:07,734
NO, I'M NOT COMING BACK.
467
00:23:07,770 --> 00:23:10,671
NO, AS A MATTER OF
FACT, NOTHING'S ALL RIGHT.
468
00:23:10,706 --> 00:23:13,557
THE ROOM'S TOO HOT,
TOO SMALL AND TOO DIRTY.
469
00:23:13,593 --> 00:23:16,527
IT'S JUST THE PLACE FOR
BUMS, BUT NOT FOR ME.
470
00:23:22,251 --> 00:23:25,051
HEY, HEY, WHAT'S TO DO NOW?
471
00:23:25,087 --> 00:23:26,954
WHAT'S TO DO NOW?
472
00:23:26,989 --> 00:23:29,623
NOW WE GO LOOK FOR A JOB.
473
00:23:29,658 --> 00:23:32,359
NOW MAYBE WE GET MARRIED.
474
00:23:32,395 --> 00:23:35,679
NOW MAYBE WE STOP
BITING OUR NAILS.
475
00:23:48,877 --> 00:23:52,496
EXIT MR. JOHN RHOADES,
FORMERLY A REFLECTION IN A MIRROR,
476
00:23:52,531 --> 00:23:55,065
A FRAGMENT OF SOMEONE
ELSE'S CONSCIENCE,
477
00:23:55,100 --> 00:23:57,301
A WISHFUL THINKER
MADE OUT OF GLASS,
478
00:23:57,336 --> 00:23:58,919
BUT NOW MADE OUT OF FLESH,
479
00:23:58,954 --> 00:24:01,588
AND ON HIS WAY TO JOIN
THE COMPANY OF MEN.
480
00:24:01,624 --> 00:24:04,642
MR. JOHN RHOADES, WITH
ONE FOOT THROUGH THE DOOR
481
00:24:04,677 --> 00:24:07,110
AND ONE FOOT OUT
OF THE TWILIGHT ZONE.
482
00:24:11,550 --> 00:24:14,279
ROD SERLING THE
CREATOR OF TWILIGHT ZONE,
483
00:24:14,303 --> 00:24:16,280
WILL TELL YOU ABOUT
NEXT WEEK'S STORY
484
00:24:16,304 --> 00:24:19,790
AFTER THIS WORD FROM
OUR ALTERNATE SPONSOR.
485
00:24:19,825 --> 00:24:22,125
AND NOW, MR. SERLING.
486
00:24:22,161 --> 00:24:24,344
THESE ARE FAMILIAR
ITEMS, I'M SURE...
487
00:24:24,379 --> 00:24:27,197
TELEVISION SET, ELECTRIC
RAZOR, CLOCK, TYPEWRITER...
488
00:24:27,232 --> 00:24:29,027
THE NORMAL, EVERYDAY
ACCOUTREMENTS
489
00:24:29,051 --> 00:24:31,819
THAT ARE PART AND PARCEL
OF 20th CENTURY PROGRESS.
490
00:24:31,854 --> 00:24:34,421
BUT, NEXT WEEK, YOU'LL SEE THEM
UNDER DIFFERENT CIRCUMSTANCES,
491
00:24:34,474 --> 00:24:36,824
AND IN A TOTALLY
DISSIMILAR GUISE.
492
00:24:36,859 --> 00:24:39,977
THEY'LL BE MACHINES, BUT
THEY'LL ALSO BE MONSTERS.
493
00:24:40,012 --> 00:24:42,312
OUR STORY IS CALLED A
THING ABOUT MACHINES,
494
00:24:42,348 --> 00:24:43,975
AND IT WILL BE HERE
WAITING FOR YOU
495
00:24:43,999 --> 00:24:45,682
IN THE TWILIGHT ZONE.
496
00:25:28,827 --> 00:25:31,945
SEE THE NEW ANDY
GRIFFITH SHOW EACH WEEK
497
00:25:31,980 --> 00:25:33,797
OVER MOST OF THESE STATIONS.
498
00:25:33,832 --> 00:25:35,832
CONSULT LOCAL LISTINGS.
35790
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