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00:00:15,883 --> 00:00:19,887
Man: * I'LL TELL THEE A TALE *
5
00:00:19,887 --> 00:00:24,292
* NOW LIST' TO ME *
6
00:00:24,292 --> 00:00:28,296
* WITH A HEY, HO *
7
00:00:28,296 --> 00:00:31,499
* THE WIND AND THE RAIN *
8
00:00:33,301 --> 00:00:36,904
* BUT MERRY OR SAD *
9
00:00:36,904 --> 00:00:40,308
* WHICH SHALL IT BE? *
10
00:00:40,308 --> 00:00:48,116
* FOR THE RAIN
IT RAINETH EVERY DAY *
11
00:00:48,916 --> 00:00:52,320
Man: ONCE UPON TWELFTH NIGHT,
12
00:00:52,320 --> 00:00:53,721
OR WHAT YOU WILL,
13
00:00:53,721 --> 00:00:57,591
ABOARD A SHIP BOUND HOME
TO MESSALINE,
14
00:00:57,591 --> 00:00:59,793
THE FESTIVE COMPANY,
15
00:00:59,793 --> 00:01:05,666
DRESSED FOR MASQUERADE
AND SINGING SONGS
EACH OTHER TO AMUSE,
16
00:01:05,666 --> 00:01:10,671
DELIGHT ABOVE THE REST
IN TWO YOUNG TWINS...
17
00:01:10,671 --> 00:01:14,142
Twins: * O MISTRESS MINE,
WHERE ARE YOU ROAMING? *
18
00:01:14,142 --> 00:01:17,278
* O, STAY AND HEAR *
19
00:01:17,278 --> 00:01:19,280
* YOUR TRUE LOVE'S *
20
00:01:19,280 --> 00:01:22,283
* COMING *
21
00:01:22,283 --> 00:01:25,719
* THAT CAN SING
BOTH HIGH AND... *
22
00:01:25,719 --> 00:01:27,655
* LOW *
23
00:01:27,655 --> 00:01:31,159
* THAT CAN SING
BOTH HIGH AND... *
24
00:01:31,159 --> 00:01:37,531
* LOW *
25
00:01:58,486 --> 00:02:03,090
Man: THE STORM HAS FORCED
THEIR VESSEL FROM ITS COURSE,
26
00:02:03,090 --> 00:02:06,294
AND NOW THEY STRIKE UPON
SUBMERGED ROCKS.
27
00:02:27,348 --> 00:02:30,518
Man: UNCERTAIN WHAT TO LEAVE
AND WHAT TO SAVE,
28
00:02:30,518 --> 00:02:36,324
BROTHER AND SISTER, ORPHANED
SINCE THEIR FATHER'S DEATH,
29
00:02:36,324 --> 00:02:41,795
HAVE BUT THEMSELVES ALONE
IN ALL THE WORLD.
30
00:03:08,789 --> 00:03:11,191
Brother: NO!
31
00:03:15,463 --> 00:03:18,031
NO!
32
00:03:18,031 --> 00:03:19,967
NO!
33
00:03:51,432 --> 00:03:56,470
Man: DEEP CURRENTS
AND THE SINKING BARK ABOVE THEM
34
00:03:56,470 --> 00:04:00,908
DIVIDE WHAT NAUGHT
HAD EVER KEPT APART.
35
00:04:25,466 --> 00:04:30,671
THE POOR SURVIVORS
REACH AN ALIEN SHORE.
36
00:04:32,072 --> 00:04:34,475
FOR MESSALINE...
37
00:04:34,475 --> 00:04:36,677
WITH THIS COUNTRY...
38
00:04:36,677 --> 00:04:40,280
IS AT WAR.
39
00:05:00,501 --> 00:05:03,303
WHAT COUNTRY,
FRIENDS, IS THIS?
40
00:05:04,505 --> 00:05:07,908
THIS IS ILLYRIA,
LADY.
41
00:05:07,908 --> 00:05:11,445
AND WHAT SHOULD
I DO IN ILLYRIA?
42
00:05:11,445 --> 00:05:15,115
MY BROTHER...
43
00:05:15,115 --> 00:05:20,087
HE IS IN ELYSIUM.
44
00:05:26,126 --> 00:05:28,996
PERCHANCE
HE IS NOT DROWNED.
45
00:05:28,996 --> 00:05:31,832
MY LADY VIOLA,
46
00:05:31,832 --> 00:05:37,137
IT IS PERCHANCE
THAT YOU YOURSELF
WERE SAVED.
47
00:05:37,137 --> 00:05:38,906
MY POOR BROTHER!
48
00:05:42,275 --> 00:05:46,880
Viola: SEBASTIAN!
49
00:05:48,749 --> 00:05:52,052
SEBASTIAN!
50
00:06:15,443 --> 00:06:18,579
THE WAR BETWEEN
THE MERCHANTS HERE
AND OURS
51
00:06:18,579 --> 00:06:21,582
TOO OFT HAS GIVEN US
BLOODY ARGUMENT.
52
00:06:21,582 --> 00:06:24,952
WE MUST NOT BE DISCOVERED
IN THIS PLACE.
53
00:07:21,975 --> 00:07:23,243
WHO GOVERNS HERE?
54
00:07:23,243 --> 00:07:24,277
THE DUKE...
55
00:07:24,277 --> 00:07:26,246
ORSINO.
56
00:07:26,246 --> 00:07:27,781
ORSINO.
57
00:07:27,781 --> 00:07:31,251
I HAVE HEARD
MY FATHER NAME HIM.
58
00:07:31,251 --> 00:07:33,487
HE WAS
A BACHELOR THEN.
59
00:07:33,487 --> 00:07:35,255
AND SO IS NOW,
60
00:07:35,255 --> 00:07:37,457
OR WAS SO VERY LATE.
61
00:07:37,457 --> 00:07:40,928
'TIS SAID NO WOMAN
MAY APPROACH HIS COURT,
BUT A MONTH AGO
62
00:07:40,928 --> 00:07:44,164
'TWAS FRESH IN MURMUR
THAT HE DID SEEK THE LOVE
OF FAIR OLIVIA.
63
00:08:17,698 --> 00:08:20,000
Viola: WHAT'S SHE?
64
00:08:20,000 --> 00:08:21,334
THAT SAME OLIVIA,
65
00:08:21,334 --> 00:08:26,574
THE DAUGHTER OF A COUNT
WHO DIED SOME
TWELVEMONTH SINCE.
66
00:08:28,108 --> 00:08:31,912
HER BROTHER HAS
LATELY ALSO DIED.
67
00:08:33,113 --> 00:08:35,716
FOR WHOSE DEAR LOVE,
THEY SAY, SHE HATH ABJURED
68
00:08:35,716 --> 00:08:37,384
THE SIGHT
AND COMPANY OF MEN.
69
00:08:39,386 --> 00:08:43,724
O, THAT I SERVED
THAT LADY.
70
00:08:43,724 --> 00:08:45,693
THAT WERE HARD
TO COMPASS,
71
00:08:45,693 --> 00:08:49,296
BECAUSE SHE WILL ADMIT
NO KIND OF SUIT,
72
00:08:49,296 --> 00:08:52,633
NO, NOT THE DUKE'S.
73
00:08:57,104 --> 00:09:00,107
I PRITHEE, BE MY AID
FOR SUCH DISGUISE
74
00:09:00,107 --> 00:09:02,843
AS HAPLY SHALL BECOME
THE FORM OF MY INTENT.
75
00:09:02,843 --> 00:09:05,112
I'LL SERVE THIS DUKE.
76
00:09:05,112 --> 00:09:08,716
I SHALL PRESENT ME
AS A BOY TO HIM.
77
00:09:08,716 --> 00:09:11,118
IT MAY BE WORTH
THY PAINS:
78
00:09:11,118 --> 00:09:15,122
FOR I CAN SING,
AND SPEAK TO HIM IN
MANY SORTS OF MUSIC,
79
00:09:15,122 --> 00:09:17,925
THAT WILL ALLOW ME
VERY WORTH HIS SERVICE.
80
00:09:19,326 --> 00:09:20,327
OHH.
81
00:09:20,327 --> 00:09:21,995
I THANK THEE.
82
00:11:46,273 --> 00:11:50,077
IF MUSIC BE THE FOOD OF LOVE,
PLAY ON.
83
00:11:51,478 --> 00:11:53,881
GIVE ME...
84
00:11:53,881 --> 00:11:56,884
EXCESS OF IT;
85
00:11:56,884 --> 00:12:04,091
THAT, SURFEITING, THE APPETITE
MAY SICKEN, AND SO...
86
00:12:04,091 --> 00:12:05,492
DIE.
87
00:12:30,517 --> 00:12:31,919
THAT STRAIN AGAIN.
88
00:12:33,486 --> 00:12:35,522
IT HAD A DYING FALL.
89
00:12:37,324 --> 00:12:40,961
O, IT CAME O'ER MY EAR
LIKE THE SWEET SOUND
90
00:12:40,961 --> 00:12:44,932
THAT BREATHES UPON
A BANK OF VIOLETS;
91
00:12:44,932 --> 00:12:47,935
STEALING AND GIVING ODOR.
92
00:13:04,151 --> 00:13:05,552
ENOUGH.
93
00:13:09,622 --> 00:13:11,558
NO MORE!
94
00:13:12,826 --> 00:13:16,429
'TIS NOT SO SWEET NOW
AS IT WAS BEFORE.
95
00:13:18,866 --> 00:13:20,968
HOW NOW? WHAT NEWS
FROM OLIVIA?
96
00:13:20,968 --> 00:13:23,103
SO PLEASE MY LORD, I
MIGHT NOT BE ADMITTED...
97
00:13:23,103 --> 00:13:27,374
BUT FROM HER HANDMAID
DO RETURN THIS ANSWER:
98
00:13:27,374 --> 00:13:30,978
"THE ELEMENT ITSELF,
TILL SEVEN YEARS' HEAT,
99
00:13:30,978 --> 00:13:34,581
"SHALL NOT BEHOLD HER
FACE AT AMPLE VIEW;
100
00:13:34,581 --> 00:13:36,316
BUT LIKE A CLOISTRESS--"
101
00:13:37,384 --> 00:13:40,387
"ALL THIS TO SEASON
A BROTHER'S DEAD LOVE,
102
00:13:40,387 --> 00:13:44,457
WHICH SHE WOULD KEEP
FRESH AND LASTING,
IN HER SAD REMEMBRANCE."
103
00:13:46,994 --> 00:13:49,496
O, SHE THAT HATH A HEART
OF THAT FINE FRAME
104
00:13:49,496 --> 00:13:54,601
TO PAY THIS DEBT OF LOVE
BUT TO A BROTHER...
105
00:13:57,737 --> 00:13:59,172
MY LORD ORSINO...
106
00:14:19,927 --> 00:14:22,029
AHEM.
107
00:14:23,931 --> 00:14:26,499
Viola: HERE COMES
THE COUNT!
108
00:14:26,499 --> 00:14:28,501
WHO SAW
CESARIO, HMM?
109
00:14:28,501 --> 00:14:31,905
Viola: ON YOUR ATTENDANCE,
MY LORD, HERE.
110
00:14:32,772 --> 00:14:34,374
CESARIO...
111
00:14:46,786 --> 00:14:48,588
Duke: THOU KNOW'ST
NO LESS BUT ALL:
112
00:14:48,588 --> 00:14:54,261
I HAVE UNCLASPED
TO THEE THE BOOK
EVEN OF MY SECRET SOUL.
113
00:14:56,596 --> 00:14:59,799
THEREFORE, GOOD YOUTH,
ADDRESS THY GAIT UNTO HER,
114
00:14:59,799 --> 00:15:02,602
STAND AT HER DOORS,
AND TELL THEM,
115
00:15:02,602 --> 00:15:06,206
THERE THY FIXED FOOT
SHALL GROW TILL
THOU HAVE AUDIENCE.
116
00:15:06,206 --> 00:15:07,674
SURE, MY NOBLE LORD,
117
00:15:07,674 --> 00:15:09,809
IF SHE BE SO
ABANDONED TO HER SORROW
AS IT IS SPAKE,
118
00:15:09,809 --> 00:15:11,211
SHE NEVER
WILL ADMIT ME.
119
00:15:11,211 --> 00:15:14,214
BE CLAMOROUS AND LEAP
ALL CIVIL BOUNDS.
120
00:15:14,214 --> 00:15:16,549
SAY I DO SPEAK
WITH HER, MY LORD,
WHAT THEN?
121
00:15:16,549 --> 00:15:20,220
O, THEN UNFOLD
THE PASSION OF MY LOVE;
122
00:15:20,220 --> 00:15:22,422
IT SHALL BECOME THEE WELL
TO ACT MY WOES;
123
00:15:22,422 --> 00:15:25,825
SHE WILL ATTEND IT
BETTER IN THY YOUTH.
124
00:15:25,825 --> 00:15:27,827
I THINK NOT SO, MY LORD.
125
00:15:27,827 --> 00:15:29,496
DEAR LAD, BELIEVE IT.
126
00:15:29,496 --> 00:15:33,833
FOR THEY SHALL YET
BELIE THY HAPPY YEARS,
THAT SAY THOU ART A MAN.
127
00:15:33,833 --> 00:15:35,235
AHEM.
128
00:15:35,235 --> 00:15:37,604
DIANA'S LIP IS NOT
MORE SMOOTH AND RUBIOUS;
129
00:15:37,604 --> 00:15:41,608
THY SMALL PIPE IS
AS A WOMAN'S ORGAN,
SHRILL AND SOUND--
130
00:15:41,608 --> 00:15:44,811
AND ALL IS SEMBLATIVE
A WOMAN'S PART.
131
00:15:44,811 --> 00:15:45,812
UHH!
132
00:15:56,223 --> 00:16:00,427
I KNOW THY CONSTELLATION
IS RIGHT APT
FOR THIS AFFAIR.
133
00:16:07,234 --> 00:16:10,203
Duke: SOME THREE
OR FOUR ATTEND HIM.
134
00:17:35,322 --> 00:17:41,528
BY MY TROTH, SIR TOBY,
YOU MUST COME IN EARLIER
O' NIGHTS.
135
00:17:43,196 --> 00:17:46,333
THAT QUAFFING AND
DRINKING WILL UNDO YOU:
136
00:17:46,333 --> 00:17:49,536
I HEARD MY LADY
TALK OF IT YESTERDAY.
137
00:17:51,738 --> 00:17:55,342
AND OF A FOOLISH KNIGHT,
THAT YOU BROUGHT IN ONE
NIGHT HERE, TO BE HER WOOER.
138
00:17:55,342 --> 00:17:56,943
WHO?
SIR ANDREW AGUECHEEK?
139
00:17:56,943 --> 00:17:58,111
AY, HE.
140
00:17:58,111 --> 00:17:59,946
HE'S AS TALL A MAN
AS ANY'S IN ILLYRIA.
141
00:17:59,946 --> 00:18:01,814
WHAT'S THAT
TO TH' PURPOSE?
142
00:18:01,814 --> 00:18:03,450
HE HAS 3,000 DUCATS
A YEAR.
143
00:18:03,450 --> 00:18:06,553
HE SPEAKS THREE OR FOUR
LANGUAGES WORD FOR WORD
WITHOUT BOOK--
144
00:18:06,553 --> 00:18:08,188
HE'S A FOOL.
145
00:18:08,188 --> 00:18:10,757
HE'S A GREAT QUARRELER:
AND BUT THAT HE HATH
THE GIFT OF A COWARD,
146
00:18:10,757 --> 00:18:12,692
'TIS THOUGHT
HE WOULD QUICKLY HAVE
THE GIFT OF A GRAVE.
147
00:18:12,692 --> 00:18:14,727
Man: SIR TOBY BELCH!
148
00:18:14,727 --> 00:18:18,198
SIR ANDREW AGUEFACE!
149
00:18:18,198 --> 00:18:20,967
HOW NOW,
SIR TOBY BELCH?
150
00:18:20,967 --> 00:18:22,502
SWEET SIR ANDREW!
151
00:18:24,103 --> 00:18:25,838
BLESS YOU,
FAIR SHREW.
152
00:18:25,838 --> 00:18:27,440
AND YOU TOO, SIR.
153
00:18:27,440 --> 00:18:28,975
ACCOST,
SIR ANDREW, ACCOST.
154
00:18:28,975 --> 00:18:30,510
WHAT'S THAT?
155
00:18:30,510 --> 00:18:32,779
MY NIECE'S
CHAMBERMAID.
156
00:18:32,779 --> 00:18:37,850
O, GOOD MISTRESS ACCOST,
I DESIRE BETTER ACQUAINTANCE.
157
00:18:37,850 --> 00:18:39,986
MY NAME
IS MARY, SIR.
158
00:18:39,986 --> 00:18:41,721
GOOD MISTRESS MARY ACCOST.
159
00:18:43,523 --> 00:18:47,994
UH, "ACCOST" IS--
IS FRONT HER,
160
00:18:47,994 --> 00:18:50,997
BOARD HER, WOO HER,
161
00:18:50,997 --> 00:18:52,232
ASSAIL HER.
162
00:18:52,232 --> 00:18:55,402
FARE YOU WELL,
GENTLEMEN.
163
00:18:55,402 --> 00:18:58,605
IS THAT THE
MEANING OF "ACCOST"?
164
00:18:58,605 --> 00:19:00,072
MMM. KNOW IT.
165
00:19:00,072 --> 00:19:03,343
WHEN DID I SEE THEE
SO PUT DOWN?
166
00:19:05,878 --> 00:19:10,617
WHAT A PLAGUE MEANS MY
NIECE, TO TAKE THE DEATH
OF HER BROTHER THUS?
167
00:19:10,617 --> 00:19:14,487
I AM SURE CARE'S
AN ENEMY TO LIFE.
168
00:19:14,487 --> 00:19:18,225
I'LL RIDE HOME
TOMORROW, SIR TOBY.
169
00:19:18,225 --> 00:19:20,827
POURQUOI,
MY DEAR KNIGHT?
170
00:19:20,827 --> 00:19:23,230
WHAT IS POURQUOI?
171
00:19:23,230 --> 00:19:24,631
DO OR NOT DO?
172
00:19:24,631 --> 00:19:27,634
I WOULD I HAD BESTOWED
THAT TIME IN THE TONGUES,
173
00:19:27,634 --> 00:19:29,636
THAT I HAVE IN
FENCING AND DANCING.
174
00:19:29,636 --> 00:19:32,439
O, HAD I BUT
FOLLOWED THE ARTS!
175
00:19:33,640 --> 00:19:36,243
FAITH, I'LL HOME
TOMORROW, SIR TOBY.
176
00:19:36,243 --> 00:19:38,645
YOUR NIECE
WILL NOT BE SEEN,
177
00:19:38,645 --> 00:19:41,113
OR IF SHE BE
IT'S FOUR TO ONE
SHE'LL NONE OF ME:
178
00:19:41,113 --> 00:19:42,549
THE COUNT HIMSELF HERE
HARD BY WOOS HER.
179
00:19:42,549 --> 00:19:44,651
SHE'LL NONE
O'TH' COUNT--
180
00:19:44,651 --> 00:19:46,853
SHE'LL NOT MATCH
ABOVE HER DEGREE;
181
00:19:46,853 --> 00:19:49,121
I'VE HEARD HER
SWEAR'T.
182
00:19:49,121 --> 00:19:51,591
TUT, THERE'S LIFE
IN'T, MAN!
183
00:19:51,591 --> 00:19:54,261
I'LL STAY
A MONTH LONGER...
184
00:19:54,261 --> 00:19:56,663
I AM A FELLOW O'TH'
STRANGEST MIND I'TH' WORLD:
185
00:19:56,663 --> 00:20:00,667
I DELIGHT IN MASQUES
AND REVELS SOMETIMES
ALTOGETHER.
186
00:20:00,667 --> 00:20:03,570
ART THOU GOOD AT THESE
KICKSHAWSES, KNIGHT?
187
00:20:03,570 --> 00:20:06,273
FAITH,
I CAN CUT A CAPER,
188
00:20:06,273 --> 00:20:08,675
AND I THINK I HAVE
THE BACK-TRICK
189
00:20:08,675 --> 00:20:10,877
SIMPLY AS STRONG
AS ANY MAN IN ILLYRIA.
190
00:20:15,682 --> 00:20:18,485
WHEREFORE ARE
THESE THINGS HID?
191
00:20:19,686 --> 00:20:22,689
WHEREFORE HAVE THESE
GIFTS A CURTAIN
BEFORE 'EM?
192
00:20:25,692 --> 00:20:30,697
WHY DOST THOU
NOT GO TO CHURCH
IN A GALLIARD
193
00:20:30,697 --> 00:20:34,301
AND COME HOME
IN A CORANTO?
194
00:20:36,202 --> 00:20:38,305
IS IT A WORLD
TO HIDE VIRTUES IN?
195
00:20:38,305 --> 00:20:40,907
EXCELLENT!
HA HA HA!
196
00:21:16,743 --> 00:21:19,346
MY LADY WILL HANG THEE
FOR THY ABSENCE.
197
00:21:19,346 --> 00:21:22,349
LET HER HANG ME:
I FEAR NO COLOURS.
198
00:21:22,349 --> 00:21:24,584
I CAN TELL THEE WHERE
THAT SAYING WAS BORN.
199
00:21:24,584 --> 00:21:27,354
WHERE, GOOD
MISTRESS MARY?
200
00:21:27,354 --> 00:21:28,755
IN THE WAR.
201
00:21:28,755 --> 00:21:31,758
WELL, GOD GIVE THEM
WISDOM THAT HAVE IT;
202
00:21:31,758 --> 00:21:38,565
AND THOSE THAT ARE FOOLS,
LET THEM USE THEIR TALENTS.
203
00:21:40,367 --> 00:21:42,769
YOU ARE RESOLUTE, THEN?
204
00:21:42,769 --> 00:21:44,671
I'M RESOLVED
ON TWO POINTS--
205
00:21:44,671 --> 00:21:46,773
THAT IF ONE BREAK,
THE OTHER WILL HOLD;
206
00:21:46,773 --> 00:21:48,441
OR IF BOTH BREAK,
YOUR BRITCHES FALL.
207
00:21:48,441 --> 00:21:50,410
WELL, GO THY WAYS.
208
00:21:54,246 --> 00:21:56,182
THAT IF SIR TOBY
WOULD LEAVE DRINKING,
209
00:21:56,182 --> 00:21:58,385
THOU WERT AS WITTY
A PIECE OF EVE'S FLESH
AS ANY IN ILLYRIA.
210
00:21:58,385 --> 00:21:59,819
PEACE, YOU ROGUE.
211
00:22:02,389 --> 00:22:03,690
NO MORE O'THAT.
212
00:23:00,447 --> 00:23:01,848
Man: GOD BLESS
THEE, LADY!
213
00:23:01,848 --> 00:23:03,315
Olivia:
TAKE THE FOOL AWAY.
214
00:23:03,315 --> 00:23:05,452
Feste: DO YOU
NOT HEAR, FELLOWS?
TAKE AWAY THE LADY.
215
00:23:05,452 --> 00:23:06,853
GO TO:
I'LL NO MORE OF YOU:
216
00:23:06,853 --> 00:23:08,455
BESIDES,
YOU GROW DISHONEST.
217
00:23:08,455 --> 00:23:11,858
BID THE DISHONEST MAN
MEND HIMSELF;
218
00:23:11,858 --> 00:23:13,860
IF HE MEND, HE IS
NO LONGER DISHONEST;
219
00:23:13,860 --> 00:23:16,863
IF HE CANNOT, LET
THE BOTCHER MEND HIM:
220
00:23:16,863 --> 00:23:20,266
ANY THING THAT'S MENDED
IS BUT PATCHED:
221
00:23:20,266 --> 00:23:24,070
VIRTUE THAT TRANSGRESSES,
IS BUT PATCHED WITH SIN,
222
00:23:24,070 --> 00:23:26,473
AND SIN THAT AMENDS
223
00:23:26,473 --> 00:23:28,875
IS BUT PATCHED WITH VIRTUE.
224
00:23:28,875 --> 00:23:32,078
AS THERE IS NO TRUE
CUCKOLD BUT CALAMITY,
225
00:23:32,078 --> 00:23:34,481
SO BEAUTY'S A FLOWER:
226
00:23:34,481 --> 00:23:37,484
THE LADY BADE
TAKE AWAY THE FOOL,
227
00:23:37,484 --> 00:23:39,886
THEREFORE I SAY AGAIN,
TAKE HER AWAY.
228
00:23:39,886 --> 00:23:41,888
SIR, I BADE THEM
TAKE AWAY YOU.
229
00:23:41,888 --> 00:23:44,891
MISPRISION IN
THE HIGHEST DEGREE!
230
00:23:44,891 --> 00:23:47,093
GOOD MADONNA,
GIVE ME LEAVE
TO PROVE YOU A FOOL.
231
00:23:47,093 --> 00:23:48,495
CAN YOU DO IT?
232
00:23:48,495 --> 00:23:50,096
DEXTERIOUSLY,
GOOD MADONNA.
233
00:23:50,096 --> 00:23:52,098
MAKE YOUR PROOF.
234
00:23:55,902 --> 00:24:00,106
MUST CATECHIZE YOU
FOR IT...
235
00:24:00,106 --> 00:24:01,708
MADONNA.
236
00:24:03,510 --> 00:24:06,112
GOOD MY MOUSE
OF VIRTUE,
237
00:24:06,112 --> 00:24:07,714
ANSWER ME.
238
00:24:09,315 --> 00:24:14,120
Olivia:
WELL, SIR, FOR WANT
OF OTHER IDLENESS.
239
00:24:15,922 --> 00:24:18,124
GOOD MADONNA,
WHY MOURN'ST THOU?
240
00:24:19,526 --> 00:24:22,929
GOOD FOOL, FOR
MY BROTHER'S DEATH.
241
00:24:22,929 --> 00:24:25,932
I THINK HIS SOUL
IS IN HELL, MADONNA.
242
00:24:25,932 --> 00:24:28,735
I KNOW HIS SOUL
IS IN HEAVEN, FOOL.
243
00:24:28,735 --> 00:24:33,139
THE MORE FOOL, MADONNA,
TO MOURN FOR YOUR BROTHER'S
SOUL, BEING IN HEAVEN...
244
00:24:35,942 --> 00:24:38,477
TAKE AWAY THE FOOL,
GENTLEMAN.
245
00:24:39,946 --> 00:24:42,148
WHAT THINK YOU,
MALVOLIO?
246
00:24:42,148 --> 00:24:44,150
DOTH HE NOT MEND?
247
00:24:46,553 --> 00:24:47,954
YES...
248
00:24:47,954 --> 00:24:50,857
AND SHALL DO, TILL
THE PANGS OF DEATH SHAKE HIM:
249
00:24:50,857 --> 00:24:54,561
INFIRMITY,
THAT DECAYS THE WISE,
250
00:24:54,561 --> 00:24:57,163
DOTH EVER MAKE
THE BETTER FOOL.
251
00:24:57,163 --> 00:24:59,566
GOD SEND YOU, SIR,
A SPEEDY INFIRMITY,
252
00:24:59,566 --> 00:25:01,634
FOR THE BETTER
INCREASING YOUR FOLLY.
253
00:25:05,972 --> 00:25:08,975
HOW SAY YOU TO THAT,
MALVOLIO?
254
00:25:08,975 --> 00:25:13,546
I MARVEL YOUR LADYSHIP
TAKES DELIGHT
IN SUCH A BARREN RASCAL.
255
00:25:13,546 --> 00:25:17,984
LOOK YOU NOW,
HE'S OUT OF HIS GUARD ALREADY;
256
00:25:17,984 --> 00:25:23,222
UNLESS YOU LAUGH AND MINISTER
OCCASION TO HIM, HE IS GAGGED.
257
00:25:23,222 --> 00:25:27,594
Olivia:
O, YOU ARE SICK OF
SELF-LOVE, MALVOLIO,
258
00:25:27,594 --> 00:25:30,997
AND TASTE WITH
A DISTEMPERED APPETITE.
259
00:25:30,997 --> 00:25:34,601
THERE IS NO SLANDER
IN AN ALLOWED FOOL,
260
00:25:34,601 --> 00:25:36,603
THOUGH HE DO NOTHING
BUT RAIL;
261
00:25:36,603 --> 00:25:39,606
NOR NO RAILING IN
A KNOWN DISCREET MAN,
262
00:25:39,606 --> 00:25:42,008
THOUGH HE DO NOTHING
BUT REPROVE.
263
00:25:42,008 --> 00:25:43,475
MADAM, THERE IS
AT THE GATE
264
00:25:43,475 --> 00:25:46,613
A YOUNG GENTLEMAN
WHO MUCH DESIRES
TO SPEAK WITH YOU.
265
00:25:47,614 --> 00:25:49,215
FROM THE COUNT ORSINO,
IS IT?
266
00:25:49,215 --> 00:25:50,449
Maria: I KNOW NOT,
MADAM.
267
00:25:50,449 --> 00:25:53,419
WHO OF MY PEOPLE
HOLD HIM IN DELAY?
268
00:25:53,419 --> 00:25:54,987
SIR TOBY, MADAM.
269
00:25:54,987 --> 00:25:56,756
HE SPEAKS NOTHING
BUT MADMAN.
270
00:25:56,756 --> 00:25:58,324
GO YOU, MALVOLIO:
271
00:25:58,324 --> 00:26:00,760
IF IT BE A SUIT FROM
THE COUNT, I AM SICK
OR NOT AT HOME...
272
00:26:00,760 --> 00:26:02,962
WHAT YOU WILL,
TO DISMISS IT.
273
00:26:12,171 --> 00:26:17,376
NOW YOU SEE, SIR,
HOW YOUR FOOLING GROWS OLD,
274
00:26:17,376 --> 00:26:19,578
AND PEOPLE...
275
00:26:20,379 --> 00:26:22,581
DISLIKE IT.
276
00:26:30,790 --> 00:26:32,792
THOU HAST SPOKE FOR US,
MADONNA,
277
00:26:32,792 --> 00:26:35,394
AS IF THY ELDEST SON
SHOULD BE A FOOL...
278
00:26:36,495 --> 00:26:37,797
WHOSE SKULL JOVE
CRAM WITH BRAINS!
279
00:26:37,797 --> 00:26:39,799
FOR HERE COMES
ONE OF THY KIN,
280
00:26:39,799 --> 00:26:41,400
HAS A MOST WEAK
PIA MATER.
281
00:26:41,400 --> 00:26:44,603
BY MINE HONOUR,
HALF DRUNK.
282
00:26:57,817 --> 00:27:01,020
AHEM. WHAT IS HE
AT THE GATE, COUSIN?
283
00:27:01,020 --> 00:27:02,454
A GENTLEMAN.
284
00:27:02,454 --> 00:27:05,825
WHAT GENTLEMAN?
285
00:27:05,825 --> 00:27:07,426
'TIS A GENTLEMAN
THERE...
286
00:27:08,828 --> 00:27:11,230
A PLAGUE O'THESE
PICKLED HERRING.
287
00:27:16,836 --> 00:27:20,439
HOW NOW, SOT!
288
00:27:20,439 --> 00:27:23,342
GOOD SIR TOBY!
289
00:27:23,342 --> 00:27:26,112
COUSIN...COUSIN,
290
00:27:26,112 --> 00:27:28,547
HOW HAVE YOU COME
SO EARLY BY THIS LETHARGY?
291
00:27:28,547 --> 00:27:30,850
LECHERY!
292
00:27:30,850 --> 00:27:34,153
I DEFY LECHERY!
293
00:27:36,856 --> 00:27:38,925
THERE'S ONE AT THE GATE.
294
00:27:38,925 --> 00:27:41,260
AY, MARRY,
WHAT IS HE?
295
00:27:41,260 --> 00:27:44,864
LET HIM BE THE DEVIL,
AN HE WILL, I CARE NOT;
296
00:27:44,864 --> 00:27:49,068
GIVE ME FAITH, SAY I.
297
00:27:51,470 --> 00:27:52,839
WELL, IT'S ALL ONE.
298
00:28:15,895 --> 00:28:18,297
WHAT'S A DRUNKEN MAN
LIKE?
299
00:28:18,297 --> 00:28:22,902
LIKE A DROWNED MAN,
A FOOL, AND A MAD MAN:
300
00:28:22,902 --> 00:28:25,905
THE FIRST
DRAUGHT ABOVE HEAT
MAKES HIM A FOOL,
301
00:28:25,905 --> 00:28:27,506
THE SECOND MADS HIM,
302
00:28:27,506 --> 00:28:29,909
AND THE THIRD
DROWNS HIM.
303
00:28:29,909 --> 00:28:32,912
GO THOU AND SEEK
THE CORONER.
304
00:28:33,913 --> 00:28:36,715
HE'S DROWNED.
305
00:28:46,725 --> 00:28:50,797
BUT, MADAM,
YON YOUNG FELLOW SWEARS
HE WILL SPEAK WITH YOU.
306
00:28:50,797 --> 00:28:52,131
I TOLD HIM
YOU WERE SICK.
307
00:28:52,131 --> 00:28:53,632
I TOLD HIM
YOU WERE ASLEEP.
308
00:28:53,632 --> 00:28:55,001
TELL HIM HE SHALL NOT
SPEAK WITH ME.
309
00:28:55,001 --> 00:28:56,568
HAS BEEN TOLD SO;
310
00:28:56,568 --> 00:29:00,940
AND HE SAYS HE'LL
STAND AT YOUR DOOR
LIKE A SHERIFF'S POST,
311
00:29:00,940 --> 00:29:02,541
BUT HE'LL SPEAK
WITH YOU.
312
00:29:02,541 --> 00:29:04,143
WHAT KIND O' MAN IS HE?
313
00:29:04,143 --> 00:29:05,744
OF MANKIND.
314
00:29:07,947 --> 00:29:09,515
WHAT MANNER OF MAN?
315
00:29:09,515 --> 00:29:12,218
OF VERY ILL MANNER;
HE'LL SPEAK WITH YOU,
WILL YOU, OR NO.
316
00:29:12,218 --> 00:29:14,753
OF WHAT PERSONAGE
AND YEARS IS HE?
317
00:29:14,753 --> 00:29:16,956
NOT YET OLD ENOUGH
FOR A MAN,
318
00:29:16,956 --> 00:29:18,757
NOR YOUNG ENOUGH
FOR A BOY.
319
00:29:18,757 --> 00:29:22,862
ONE WOULD THINK HIS
MOTHER'S MILK WERE
SCARCE OUT OF HIM.
320
00:29:24,563 --> 00:29:25,898
LET HIM APPROACH.
321
00:29:25,898 --> 00:29:29,035
CALL IN MY GENTLEWOMAN.
322
00:29:32,571 --> 00:29:34,773
GENTLEWOMAN.
323
00:29:36,575 --> 00:29:38,777
MY LADY CALLS.
324
00:29:41,147 --> 00:29:44,183
WE'LL ONCE MORE HEAR
ORSINO'S EMBASSY.
325
00:29:46,986 --> 00:29:48,787
GIVE ME MY VEIL.
326
00:30:22,654 --> 00:30:24,456
UH...
327
00:30:24,456 --> 00:30:26,258
THE, UH...
328
00:30:26,258 --> 00:30:29,028
HONORABLE LADY
OF THE HOUSE...
329
00:30:29,028 --> 00:30:30,496
WHICH IS SHE?
330
00:30:31,931 --> 00:30:36,235
SPEAK TO ME,
I SHALL ANSWER FOR HER:
331
00:30:36,235 --> 00:30:37,836
YOUR WILL?
332
00:30:42,241 --> 00:30:45,044
AHEM.
333
00:30:45,044 --> 00:30:49,248
MOST RADIANT, EXQUISITE,
AND UNMATCHED BEAUTY!
334
00:30:50,749 --> 00:30:53,652
I PRAY YOU, TELL ME
IF THIS BE THE LADY
OF THE HOUSE,
335
00:30:53,652 --> 00:30:54,921
FOR I NEVER SAW HER.
336
00:30:54,921 --> 00:30:56,188
I WOULD BE LOATH
TO CAST AWAY MY SPEECH.
337
00:30:56,188 --> 00:30:58,057
I HAVE TAKEN GREAT PAINS
TO LEARN IT.
338
00:30:58,057 --> 00:30:59,125
WHENCE CAME YOU, SIR?
339
00:30:59,125 --> 00:31:01,460
THAT QUESTION'S
OUT OF MY PART.
340
00:31:01,460 --> 00:31:03,062
GOOD GENTLE ONE,
GIVE ME MODEST ASSURANCE
341
00:31:03,062 --> 00:31:04,696
IF YOU BE THE LADY
OF THE HOUSE.
342
00:31:04,696 --> 00:31:06,198
ARE YOU A COMEDIAN?
343
00:31:06,198 --> 00:31:09,068
NO,
MY PROFOUND HEART:
344
00:31:09,068 --> 00:31:12,171
ARE YOU THE LADY
OF THE HOUSE?
345
00:31:12,171 --> 00:31:13,339
I AM.
346
00:31:13,339 --> 00:31:15,074
I WILL ON
WITH MY SPEECH
IN YOUR PRAISE.
347
00:31:15,074 --> 00:31:16,542
COME TO WHAT IS
IMPORTANT IN'T:
348
00:31:16,542 --> 00:31:18,077
I FORGIVE YOU THE PRAISE.
349
00:31:18,077 --> 00:31:20,079
ALAS, I TOOK GREAT
PAINS TO STUDY IT.
350
00:31:20,079 --> 00:31:21,480
'TIS POETICAL.
351
00:31:21,480 --> 00:31:22,949
IT IS THE MORE LIKE
TO BE FEIGNED.
352
00:31:22,949 --> 00:31:24,683
I HEARD YOU WERE
SAUCY AT MY GATES,
353
00:31:24,683 --> 00:31:27,686
AND ALLOWED YOUR APPROACH
RATHER TO WONDER AT YOU
THAN TO HEAR YOU.
354
00:31:27,686 --> 00:31:29,088
IF YOU BE MAD, BE GONE;
355
00:31:29,088 --> 00:31:31,623
IF YOU HAVE REASON,
BE BRIEF.
356
00:31:31,623 --> 00:31:34,826
WILL YOU HOIST SAIL, SIR?
HERE LIES YOUR WAY.
357
00:31:34,826 --> 00:31:36,228
NO, GOOD SWABBER;
358
00:31:36,228 --> 00:31:38,230
I AM TO HULL HERE
A LITTLE LONGER...
359
00:31:38,230 --> 00:31:40,432
SOME MOLLIFICATION
FOR YOUR GIANT,
SWEET LADY.
360
00:31:40,432 --> 00:31:42,434
SPEAK YOUR OFFICE.
361
00:31:43,835 --> 00:31:49,241
IT ALONE
CONCERNS YOUR EAR.
362
00:31:49,241 --> 00:31:51,543
I BRING NO OVERTURE
OF WAR;
363
00:31:51,543 --> 00:31:53,745
MY WORDS ARE AS FULL
OF PEACE AS MATTER.
364
00:31:53,745 --> 00:31:55,014
YET YOU BEGAN RUDELY.
365
00:31:55,014 --> 00:31:56,248
WHAT ARE YOU?
WHAT WOULD YOU?
366
00:31:56,248 --> 00:31:57,416
THE RUDENESS THAT
HATH APPEARED IN ME
367
00:31:57,416 --> 00:32:00,052
HAVE I LEARNED
FROM MY ENTERTAINMENT.
368
00:32:01,253 --> 00:32:04,856
WHAT I AM,
AND WHAT I WOULD,
369
00:32:04,856 --> 00:32:07,559
ARE AS SECRET
AS MAIDENHEAD:
370
00:32:07,559 --> 00:32:10,262
TO YOUR EARS, DIVINITY;
371
00:32:10,262 --> 00:32:12,498
TO ANY OTHERS,
PROFANATION.
372
00:32:28,280 --> 00:32:32,084
GIVE US THIS PLACE ALONE:
373
00:32:32,084 --> 00:32:35,621
WE WILL HEAR
THIS DIVINITY.
374
00:32:37,789 --> 00:32:40,159
NOW, SIR,
WHAT IS YOUR TEXT?
375
00:32:41,493 --> 00:32:42,694
MOST SWEET LADY--
376
00:32:42,694 --> 00:32:44,696
A COMFORTABLE DOCTRINE,
AND MUCH MAY BE SAID OF IT.
377
00:32:44,696 --> 00:32:45,964
WHERE LIES YOUR TEXT?
378
00:32:45,964 --> 00:32:47,399
IN ORSINO'S BOSOM.
379
00:32:47,399 --> 00:32:49,301
IN HIS BOSOM?
380
00:32:49,301 --> 00:32:51,170
IN WHAT CHAPTER
OF HIS BOSOM?
381
00:32:51,170 --> 00:32:52,971
IN THE FIRST
OF HIS HEART.
382
00:32:52,971 --> 00:32:56,108
O, I HAVE READ IT;
IT'S HERESY.
383
00:32:57,909 --> 00:33:00,912
HAVE YOU NO MORE TO SAY?
384
00:33:00,912 --> 00:33:03,715
GOOD MADAM,
LET ME SEE YOUR FACE.
385
00:33:03,715 --> 00:33:08,320
HAVE YOU ANY COMMISSION
FROM YOUR LORD TO NEGOTIATE
WITH MY FACE?
386
00:33:08,320 --> 00:33:10,922
YOU ARE NOW
OUT OF YOUR TEXT:
387
00:33:10,922 --> 00:33:12,924
BUT WE WILL
DRAW THE CURTAIN,
388
00:33:12,924 --> 00:33:15,127
AND SHOW YOU THE PICTURE.
389
00:33:18,530 --> 00:33:20,532
LOOK YOU, SIR.
390
00:33:20,532 --> 00:33:23,001
IS'T NOT WELL
391
00:33:23,001 --> 00:33:24,936
EXCELLENTLY DONE...
392
00:33:24,936 --> 00:33:27,739
IF GOD DID ALL.
393
00:33:27,739 --> 00:33:32,544
'TIS IN GRAIN, SIR,
'TWILL ENDURE WIND
AND WEATHER.
394
00:33:35,781 --> 00:33:39,017
'TIS BEAUTY TRULY BLENT.
395
00:33:39,017 --> 00:33:42,354
LADY, YOU ARE
THE CRUELL'ST SHE ALIVE,
396
00:33:42,354 --> 00:33:44,956
IF YOU WILL LEAD THESE
GRACES TO THE GRAVE,
397
00:33:44,956 --> 00:33:47,093
AND LEAVE THE WORLD
NO COPY.
398
00:33:47,093 --> 00:33:50,496
O, SIR, I WILL NOT BE
SO HARD-HEARTED;
399
00:33:50,496 --> 00:33:54,100
I WILL GIVE OUT DIVERS SCHEDULES
OF MY BEAUTY:
400
00:33:54,100 --> 00:33:56,768
IT SHALL BE INVENTORIED,
401
00:33:56,768 --> 00:34:00,972
AND EVERY PARTICLE
AND UTENSIL LABELED:
AS, ITEM,
402
00:34:00,972 --> 00:34:02,974
TWO LIPS
INDIFFERENT RED;
403
00:34:02,974 --> 00:34:07,379
ITEM, TWO BROWN EYES
WITH LIDS TO THEM;
404
00:34:07,379 --> 00:34:10,582
ITEM, ONE NECK,
ONE CHIN,
AND SO FORTH.
405
00:34:10,582 --> 00:34:12,584
I SEE WHAT YOU ARE,
406
00:34:12,584 --> 00:34:14,386
YOU ARE TOO PROUD;
407
00:34:14,386 --> 00:34:17,989
BUT, THOUGH
YOU WERE THE DEVIL,
YOU ARE FAIR...
408
00:34:17,989 --> 00:34:21,393
MY LORD AND MASTER
LOVES YOU;
409
00:34:21,393 --> 00:34:23,395
SUCH LOVE COULD BE
BUT RECOMPENSED,
410
00:34:23,395 --> 00:34:25,597
THOUGH YOU WERE CROWNED
THE NONPAREIL OF BEAUTY!
411
00:34:25,597 --> 00:34:26,998
HOW DOES HE LOVE ME?
412
00:34:26,998 --> 00:34:30,001
WITH ADORATIONS...
413
00:34:30,001 --> 00:34:33,004
WITH FERTILE TEARS...
414
00:34:33,004 --> 00:34:37,008
WITH GROANS
THAT THUNDER LOVE...
415
00:34:37,008 --> 00:34:41,613
WITH SIGHS OF FIRE.
416
00:34:45,417 --> 00:34:49,020
YOUR LORD
DOES KNOW MY MIND,
417
00:34:49,020 --> 00:34:51,423
I CANNOT LOVE HIM:
418
00:34:51,423 --> 00:34:53,425
YET I SUPPOSE HIM
VIRTUOUS,
419
00:34:53,425 --> 00:34:56,295
KNOW HIM NOBLE,
OF GREAT ESTATE,
420
00:34:56,295 --> 00:34:58,029
OF FRESH
AND STAINLESS YOUTH,
421
00:34:58,029 --> 00:35:01,433
LEARNED AND VALIANT:
422
00:35:01,433 --> 00:35:04,670
BUT YET I CANNOT
LOVE HIM.
423
00:35:04,670 --> 00:35:07,439
IF I DID LOVE YOU
IN MY MASTER'S FLAME,
424
00:35:07,439 --> 00:35:08,907
WITH SUCH
A SUFF'RING,
425
00:35:08,907 --> 00:35:13,445
SUCH A DEADLY LIFE,
IN YOUR DENIAL I FIND
NO SENSE,
426
00:35:13,445 --> 00:35:16,047
I WOULD NOT UNDERSTAND IT.
427
00:35:16,047 --> 00:35:19,251
WHY, WHAT WOULD YOU?
428
00:35:21,052 --> 00:35:24,456
MAKE ME A WILLOW CABIN
AT YOUR GATE,
429
00:35:24,456 --> 00:35:28,794
AND CALL UPON MY SOUL
WITHIN THE HOUSE,
430
00:35:28,794 --> 00:35:31,397
WRITE LOYAL CANTONS
OF CONTEMNED LOVE,
431
00:35:31,397 --> 00:35:34,833
AND SING THEM LOUD EVEN
IN THE DEAD OF NIGHT;
432
00:35:34,833 --> 00:35:37,903
HOLLA YOUR NAME
TO THE REVERBERATE HILLS,
433
00:35:37,903 --> 00:35:44,476
AND MAKE THE BABBLING
GOSSIP OF THE AIR
CRY OUT...
434
00:35:44,476 --> 00:35:49,681
OLIVIA!
435
00:35:49,681 --> 00:35:50,816
SHH!
436
00:35:52,218 --> 00:35:57,088
O, YOU SHOULD NOT REST
BETWEEN THE ELEMENTS
OF AIR AND EARTH,
437
00:35:57,088 --> 00:36:00,692
BUT YOU SHOULD PITY ME.
438
00:36:00,692 --> 00:36:02,694
YOU MIGHT DO MUCH.
439
00:36:07,032 --> 00:36:09,501
WHAT IS
YOUR PARENTAGE?
440
00:36:09,501 --> 00:36:12,704
ABOVE MY FORTUNES,
YET MY STATE IS WELL:
441
00:36:12,704 --> 00:36:15,307
I AM A GENTLEMAN.
442
00:36:19,077 --> 00:36:21,112
GET YOU TO YOUR LORD;
443
00:36:21,112 --> 00:36:23,715
I CANNOT LOVE HIM.
444
00:36:28,119 --> 00:36:30,322
LET HIM SEND NO MORE.
445
00:36:32,791 --> 00:36:35,994
UNLESS--PERCHANCE--
YOU COME TO ME AGAIN,
446
00:36:35,994 --> 00:36:37,729
TO TELL ME
HOW HE TAKES IT...
447
00:36:37,729 --> 00:36:39,130
FARE THEE WELL.
448
00:36:39,130 --> 00:36:41,132
I THANK YOU
FOR YOUR PAINS:
449
00:36:41,132 --> 00:36:42,534
SPEND THIS FOR ME.
450
00:36:42,534 --> 00:36:43,902
I AM NO FEE'D POST,
LADY;
451
00:36:43,902 --> 00:36:44,903
KEEP YOUR PURSE.
452
00:36:44,903 --> 00:36:49,741
MY MASTER, NOT MYSELF,
LACKS RECOMPENSE.
453
00:36:51,543 --> 00:36:56,147
FAREWELL, FAIR CRUELTY.
454
00:36:59,551 --> 00:37:01,420
Olivia, thinking:
WHAT IS YOUR PARENTAGE?
455
00:37:01,420 --> 00:37:05,123
ABOVE MY FORTUNES,
YET MY STATE IS WELL:
456
00:37:05,123 --> 00:37:06,525
I AM A GENTLEMAN.
457
00:37:06,525 --> 00:37:08,159
I'LL BE SWORN THOU ART!
458
00:37:08,159 --> 00:37:10,562
NAY! NOT TOO FAST:
SOFT! SOFT!
459
00:37:10,562 --> 00:37:12,931
UNLESS THE MASTER
WERE THE MAN...
460
00:37:12,931 --> 00:37:13,965
HOW NOW!
461
00:37:13,965 --> 00:37:17,168
EVEN SO QUICKLY
MAY ONE CATCH THE PLAGUE?
462
00:37:17,168 --> 00:37:20,105
METHINKS I FEEL
THIS YOUTH'S PERFECTIONS
463
00:37:20,105 --> 00:37:22,173
WITH AN INVISIBLE
AND SUBTLE STEALTH
464
00:37:22,173 --> 00:37:25,176
TO CREEP IN AT MINE EYES...
465
00:37:25,176 --> 00:37:27,779
WELL...
466
00:37:27,779 --> 00:37:29,180
LET IT BE.
467
00:37:29,180 --> 00:37:32,384
WHAT, HO, MALVOLIO!
468
00:37:34,185 --> 00:37:36,988
HERE, MADAM,
AT YOUR SERVICE.
469
00:37:36,988 --> 00:37:39,925
UH, RUN AFTER THAT
SAME PEEVISH MESSENGER,
470
00:37:39,925 --> 00:37:41,327
THE COUNTY'S MAN:
471
00:37:41,327 --> 00:37:42,594
HE LEFT THIS RING
BEHIND HIM,
472
00:37:42,594 --> 00:37:45,196
WOULD I OR NOT;
TELL HIM I'LL NONE
OF IT.
473
00:37:45,196 --> 00:37:46,598
DESIRE HIM NOT
TO FLATTER WITH HIS LORD
474
00:37:46,598 --> 00:37:48,199
NOR HOLD HIM UP
WITH HOPES--
475
00:37:48,199 --> 00:37:49,601
I AM NOT FOR HIM:
476
00:37:49,601 --> 00:37:51,603
IF THAT YOUTH WILL COME
THIS WAY TOMORROW,
477
00:37:51,603 --> 00:37:54,806
I'LL, UH, GIVE HIM
REASONS FOR'T.
478
00:37:56,942 --> 00:37:59,210
HIE THEE, MALVOLIO.
479
00:37:59,210 --> 00:38:01,413
MADAM, I WILL.
480
00:38:03,048 --> 00:38:05,250
I DO I KNOW NOT WHAT,
481
00:38:05,250 --> 00:38:08,754
AND FEAR TO FIND MINE EYE
TOO GREAT A FLATTERER
FOR MY MIND...
482
00:38:08,754 --> 00:38:10,689
FATE, SHOW THY FORCE--
483
00:38:10,689 --> 00:38:12,358
OURSELVES WE DO NOT OWE--
484
00:38:12,358 --> 00:38:17,062
WHAT IS DECREED, MUST BE;
AND BE THIS SO!
485
00:38:43,789 --> 00:38:46,392
WERE YOU NOT EVEN NOW
WITH THE COUNTESS OLIVIA?
486
00:38:46,392 --> 00:38:47,826
EVEN NOW, SIR.
487
00:38:47,826 --> 00:38:50,396
ON A MODERATE PACE
I HAVE SINCE ARRIVED
BUT HITHER.
488
00:38:50,396 --> 00:38:52,398
SHE RETURNS THIS RING
TO YOU, SIR;
489
00:38:52,398 --> 00:38:53,799
YOU MIGHT HAVE
SAVED ME MY PAINS,
490
00:38:53,799 --> 00:38:55,634
TO HAVE TAKEN IT AWAY
YOURSELF.
491
00:38:55,634 --> 00:38:58,537
SHE ADDS MOREOVER, THAT
YOU SHOULD PUT YOUR LORD
INTO A DESPERATE ASSURANCE
492
00:38:58,537 --> 00:39:00,005
SHE WILL NONE OF HIM.
493
00:39:00,005 --> 00:39:01,773
WELL, RECEIVE IT SO.
494
00:39:01,773 --> 00:39:03,174
SHE TOOK
THE RING OF ME...
495
00:39:03,174 --> 00:39:04,376
I'LL NONE OF IT.
496
00:39:04,376 --> 00:39:07,513
COME, SIR, YOU PEEVISHLY
THREW IT TO HER;
497
00:39:07,513 --> 00:39:09,915
AND HER WILL IS,
IT SHOULD BE SO RETURNED.
498
00:39:10,816 --> 00:39:12,384
IF IT BE WORTH
STOOPING FOR,
499
00:39:12,384 --> 00:39:13,819
THERE IT LIES
IN YOUR EYE;
500
00:39:13,819 --> 00:39:16,622
IF NOT, BE IT HIS
THAT FINDS IT.
501
00:39:17,623 --> 00:39:20,025
I LEFT NO RING
WITH HER.
502
00:39:25,163 --> 00:39:27,733
Viola:
WHAT MEANS THIS LADY?
503
00:39:27,733 --> 00:39:31,637
FORTUNE FORBID MY OUTSIDE
HAVE NOT CHARMED HER.
504
00:39:33,439 --> 00:39:36,241
SHE MADE GOOD VIEW OF ME...
505
00:39:36,241 --> 00:39:39,845
INDEED SO MUCH, METHOUGHT
HER EYES HAD LOST HER TONGUE,
506
00:39:39,845 --> 00:39:45,050
FOR SHE DID SPEAK IN STARTS...
DISTRACTEDLY.
507
00:39:47,052 --> 00:39:49,655
SHE LOVES ME.
508
00:39:50,889 --> 00:39:51,990
SURE.
509
00:39:54,460 --> 00:39:58,664
I AM THE MAN.
510
00:40:01,467 --> 00:40:03,268
WILL YOU STAY
NO LONGER?
511
00:40:04,269 --> 00:40:07,072
LET ME YET KNOW
OF YOU WHITHER
YOU ARE BOUND.
512
00:40:07,072 --> 00:40:08,474
NO...
513
00:40:08,474 --> 00:40:10,075
SOOTH, SIR.
514
00:40:19,485 --> 00:40:22,087
YOU MUST KNOW OF ME THEN,
ANTONIO...
515
00:40:23,221 --> 00:40:26,892
MY NAME IS SEBASTIAN.
516
00:40:26,892 --> 00:40:29,628
MY FATHER WAS THAT
SEBASTIAN OF MESSALINE,
517
00:40:29,628 --> 00:40:31,897
WHOM I KNOW
YOU HAVE HEARD OF.
518
00:40:31,897 --> 00:40:38,003
HE LEFT BEHIND HIM
MYSELF AND MY SISTER
VIOLA,
519
00:40:38,003 --> 00:40:39,505
BOTH BORN IN AN HOUR:
520
00:40:39,505 --> 00:40:42,508
WOULD WE HAD SO ENDED!
521
00:40:42,508 --> 00:40:45,644
BUT YOU, SIR,
ALTERED THAT,
522
00:40:45,644 --> 00:40:50,181
BEFORE YOU TOOK ME
FROM THE BREACH OF THE SEA
WAS MY SISTER DROWNED.
523
00:40:50,181 --> 00:40:52,050
ALAS, THE DAY!
524
00:40:53,519 --> 00:40:56,522
A LADY, SIR...
525
00:40:56,522 --> 00:40:59,925
THOUGH IT WAS SAID
SHE MUCH RESEMBLED ME,
526
00:40:59,925 --> 00:41:03,128
WAS YET OF MANY
ACCOUNTED BEAUTIFUL.
527
00:41:14,940 --> 00:41:17,342
GOOD ANTONIO,
FORGIVE ME
YOUR TROUBLE.
528
00:41:17,342 --> 00:41:22,147
IF YOU WILL NOT
MURDER ME FOR MY LOVE,
LET ME BE YOUR SERVANT.
529
00:41:22,147 --> 00:41:23,549
DESIRE IT NOT.
530
00:41:23,549 --> 00:41:25,751
FARE THEE WELL AT ONCE.
531
00:41:35,961 --> 00:41:38,564
I AM BOUND FOR
THE COUNT ORSINO'S
COURT--
532
00:41:38,564 --> 00:41:40,065
FAREWELL!
533
00:41:43,569 --> 00:41:47,973
THE GENTLENESS OF ALL
THE GODS GO WITH THEE.
534
00:41:47,973 --> 00:41:50,976
I HAVE MANY ENEMIES
IN ORSINO'S COURT,
535
00:41:50,976 --> 00:41:56,014
ELSE WOULD I VERY SHORTLY
SEE THEE THERE.
536
00:41:56,982 --> 00:42:01,587
O, WHEN MINE EYES
DID SEE OLIVIA FIRST...
537
00:42:01,587 --> 00:42:05,190
METHOUGHT SHE PURGED
THE AIR OF PESTILENCE.
538
00:42:10,596 --> 00:42:12,998
THAT INSTANT WAS
I TURNED INTO A HEART
539
00:42:12,998 --> 00:42:16,201
AND MY DESIRES LIKE
FELL AND CRUEL HANDS
540
00:42:16,201 --> 00:42:18,469
HAVE SINCE PURSUE ME.
541
00:42:20,271 --> 00:42:23,141
HA HA HA!
542
00:42:33,151 --> 00:42:36,622
APPROACH, SIR ANDREW.
543
00:42:36,622 --> 00:42:39,625
SIR ANDREW?
544
00:42:48,634 --> 00:42:49,968
HELP!
545
00:42:57,976 --> 00:42:59,444
MARIA!
546
00:43:04,049 --> 00:43:06,051
MARIA!
547
00:43:07,786 --> 00:43:10,455
MARIAN, I SAY!
548
00:43:10,455 --> 00:43:12,590
A STOUP OF WINE!
549
00:43:17,262 --> 00:43:20,465
DID YOU NEVER SEE
THE PICTURE OF "WE THREE"?
550
00:43:20,465 --> 00:43:22,067
AAH!
551
00:43:22,067 --> 00:43:23,468
AAH!
552
00:43:23,468 --> 00:43:25,070
HA HA HA!
553
00:43:25,070 --> 00:43:27,338
WELCOME, ASS.
554
00:43:28,807 --> 00:43:30,642
* THREE MERRY MEN BE WE *
555
00:43:30,642 --> 00:43:33,111
* THREE MERRY MEN BE WE *
556
00:43:33,111 --> 00:43:37,082
* THREE MERRY MEN BE WE *
557
00:43:37,082 --> 00:43:38,549
SHH! SIR TOBY!
558
00:43:38,549 --> 00:43:40,686
SHH!
559
00:43:40,686 --> 00:43:43,889
TILLYVALLY! "LADY"!
560
00:43:43,889 --> 00:43:46,457
BESHREW ME, THE KNIGHT
IS IN ADMIRABLE FOOLING.
561
00:43:46,457 --> 00:43:51,663
* THERE DWELT A MAN
IN BABYLON, LADY, LADY *
562
00:44:05,043 --> 00:44:06,712
MALVOLIO'S NOSE
IS NO WHIPSTOCK:
563
00:44:06,712 --> 00:44:09,647
AND THE MYRMIDONS
ARE NO BOTTLE-ALE HOUSES.
564
00:44:09,647 --> 00:44:12,984
HA HA HA!
EXCELLENT!
565
00:44:17,555 --> 00:44:20,025
NOW A SONG!
566
00:44:22,027 --> 00:44:25,697
HERE COMES FIT
THIS SIXPENCE FOR YOU.
LET'S HAVE A SONG.
567
00:44:29,334 --> 00:44:33,939
THAT OLD AND ANTIC SONG
WE HEARD LAST NIGHT:
568
00:44:33,939 --> 00:44:36,708
METHOUGHT IT DID
RELIEVE MY PASSION MUCH.
569
00:44:36,708 --> 00:44:40,545
HE IS NOT HERE,
SO PLEASE YOUR LORDSHIP,
WHO SHOULD SING IT?
570
00:44:40,545 --> 00:44:41,947
WHO WAS IT?
571
00:44:41,947 --> 00:44:43,448
UH, FESTE, MY LORD,
572
00:44:43,448 --> 00:44:48,453
A FOOL THAT THE LADY OLIVIA'S
FATHER TOOK MUCH DELIGHT IN.
573
00:44:48,453 --> 00:44:52,157
WILL YOU HAVE A LOVE-SONG,
OR A SONG OF GOOD LIFE?
574
00:44:52,157 --> 00:44:53,524
A LOVE-SONG.
575
00:44:53,524 --> 00:44:54,960
A LOVE-SONG.
576
00:44:54,960 --> 00:44:57,428
AY, AY. I CARE NOT
FOR GOOD LIFE.
577
00:45:04,502 --> 00:45:10,275
* O MISTRESS MINE,
WHERE ARE YOU ROAMING? *
578
00:45:10,275 --> 00:45:19,951
* O, STAY AND HEAR,
YOUR TRUE LOVE'S COMING *
579
00:45:19,951 --> 00:45:21,152
* THAT... *
580
00:45:46,611 --> 00:45:49,180
HOW DOST THOU
LIKE THIS TUNE?
581
00:45:50,415 --> 00:45:53,985
IT GIVES A VERY ECHO
TO THE SEAT WHERE
LOVE IS THRONED.
582
00:45:55,020 --> 00:45:57,355
THOU DOST SPEAK
MASTERLY.
583
00:45:59,757 --> 00:46:07,632
* EVERY WISE MAN'S SON
DOTH KNOW *
584
00:46:07,632 --> 00:46:09,634
EXCELLENT GOOD,
I'FAITH.
585
00:46:09,634 --> 00:46:11,502
GOOD, GOOD.
586
00:46:11,502 --> 00:46:13,504
* WHAT IS LOVE *
587
00:46:13,504 --> 00:46:16,174
* 'TIS NOT HEREAFTER *
588
00:46:16,174 --> 00:46:23,214
* PRESENT MIRTH
HATH PRESENT LAUGHTER *
589
00:46:23,214 --> 00:46:26,317
MY LIFE UPON'T,
YOUNG THOUGH THOU ART,
590
00:46:26,317 --> 00:46:29,787
THINE EYE HATH STAYED
UPON SOME FAVOUR
THAT IT LOVES:
591
00:46:29,787 --> 00:46:32,257
HATH IT NOT, BOY?
592
00:46:33,658 --> 00:46:35,226
A LITTLE,
BY YOUR FAVOUR.
593
00:46:36,461 --> 00:46:38,463
WHAT KIND OF WOMAN IS'T?
594
00:46:39,664 --> 00:46:41,232
OF YOUR COMPLEXION.
595
00:46:42,667 --> 00:46:46,071
SHE IS NOT
WORTH THEE THEN.
596
00:46:46,071 --> 00:46:48,506
WHAT YEARS, I'FAITH?
597
00:46:48,506 --> 00:46:49,908
O, ABOUT YOUR YEARS.
598
00:46:49,908 --> 00:46:51,676
TOO OLD, BY HEAVEN.
599
00:46:52,978 --> 00:46:56,681
LET STILL THE WOMAN TAKE
AN ELDER THAN HERSELF;
600
00:46:56,681 --> 00:46:58,683
SO WEARS SHE TO HIM,
601
00:46:58,683 --> 00:47:02,687
FOR, BOY...
602
00:47:02,687 --> 00:47:05,490
HOWEVER WE DO
PRAISE OURSELVES,
603
00:47:05,490 --> 00:47:08,493
OUR FANCIES ARE
MORE GIDDY AND UNFIRM,
604
00:47:08,493 --> 00:47:11,096
MORE LONGING, WAVERING,
605
00:47:11,096 --> 00:47:15,100
SOONER LOST AND WORN,
THAN WOMEN'S ARE.
606
00:47:15,100 --> 00:47:16,501
I THINK IT WELL,
MY LORD.
607
00:47:16,501 --> 00:47:21,306
THEN LET THY LOVE
BE YOUNGER THAN THYSELF,
HMM?
608
00:47:21,306 --> 00:47:23,108
WOMEN ARE...
609
00:47:23,108 --> 00:47:29,114
AS ROSES, WHOSE FAIR FLOWER
BEING ONCE DISPLAYED...
610
00:47:29,114 --> 00:47:32,550
DOTH FALL
THAT VERY HOUR.
611
00:47:35,320 --> 00:47:36,922
SO THEY ARE.
612
00:47:39,590 --> 00:47:43,561
ALAS, THAT THEY ARE SO.
613
00:47:45,130 --> 00:47:51,536
TO DIE, EVEN WHEN THEY
TO PERFECTION GROW!
614
00:47:51,536 --> 00:47:56,942
* WHAT'S TO COME
IS STILL UNSURE *
615
00:47:56,942 --> 00:48:06,884
* WHAT'S TO COME
IS STILL UNSURE *
616
00:48:06,884 --> 00:48:11,389
* IN DELAY
THERE LIES NO PLENTY *
617
00:48:11,389 --> 00:48:20,298
* THEN COME KISS ME,
SWEET AND TWENTY *
618
00:48:20,298 --> 00:48:25,470
* YOUTH'S A STUFF
WILL NOT ENDURE *
619
00:48:25,470 --> 00:48:33,979
* YOUTH'S A STUFF
WILL NOT ENDURE *
620
00:48:33,979 --> 00:48:40,118
* YOUTH'S A STUFF
WILL NOT ENDURE *
621
00:48:40,118 --> 00:48:52,063
* YOUTH'S A STUFF
WILL NOT ENDURE *
622
00:48:59,537 --> 00:49:02,007
HUH.
623
00:49:06,644 --> 00:49:10,581
A MELLIFLUOUS VOICE,
AS I AM TRUE KNIGHT.
624
00:49:10,581 --> 00:49:12,150
CONTAGIOUS BREATH.
625
00:49:12,150 --> 00:49:16,087
VERY SWEET AND CONTAGIOUS,
I'FAITH.
626
00:49:17,822 --> 00:49:21,626
BUT SHALL WE...
627
00:49:21,626 --> 00:49:25,997
SHALL WE MAKE
THE WELKIN DANCE
INDEED?
628
00:49:25,997 --> 00:49:27,598
SHALL WE DO THAT?
629
00:49:27,598 --> 00:49:29,367
NO, AND I DO NOT!
630
00:49:29,367 --> 00:49:31,702
* THERE DWELT A MAN
IN BABYLON *
631
00:49:31,702 --> 00:49:33,638
* THERE DWELT A MAN
IN BABYLON *
632
00:49:33,638 --> 00:49:35,440
* THERE DWELT A MAN
IN BABYLON *
633
00:49:40,245 --> 00:49:41,412
* BABYLON *
634
00:49:41,412 --> 00:49:42,713
* THERE DWELT A MAN
IN BABYLON *
635
00:49:42,713 --> 00:49:44,282
* THERE DWELT A MAN
IN BABYLON *
636
00:49:44,282 --> 00:49:46,517
* THERE DWELT A MAN
IN BABYLON *
637
00:49:46,517 --> 00:49:50,421
* O' THE TWELFTH DAY
OF DECEMBER *
638
00:49:50,421 --> 00:49:54,625
* MY TRUE LOVE SAID TO ME *
639
00:50:25,290 --> 00:50:29,560
MY MASTERS, ARE YOU MAD?
640
00:50:29,560 --> 00:50:31,696
HAVE YOU NO WIT, MANNERS,
NOR HONESTY,
641
00:50:31,696 --> 00:50:35,300
BUT TO GABBLE LIKE TINKERS
AT THIS TIME OF NIGHT?
642
00:50:35,300 --> 00:50:38,769
DO YE MAKE AN ALE-HOUSE
OF MY LADY'S HOUSE?
643
00:50:41,706 --> 00:50:45,543
IS THERE NO RESPECT
OF PLACE, PERSONS,
NOR TIME IN YOU?
644
00:50:45,543 --> 00:50:48,646
WE DID KEEP TIME, SIR,
IN OUR CATCHES.
645
00:50:50,515 --> 00:50:52,317
SNECK UP.
646
00:51:06,697 --> 00:51:08,766
SIR TOBY...
647
00:51:08,766 --> 00:51:11,369
I MUST BE ROUND
WITH YOU.
648
00:51:11,369 --> 00:51:13,771
MY MISTRESS
BADE ME TELL YOU,
649
00:51:13,771 --> 00:51:17,608
THAT, THOUGH
SHE HARBOURS YOU
AS HER KINSMAN,
650
00:51:17,608 --> 00:51:19,910
SHE'S NOTHING ALLIED
TO YOUR DISORDERS.
651
00:51:19,910 --> 00:51:24,382
IF YOU CAN SEPARATE
YOURSELF AND YOUR
MISDEMEANOURS,
652
00:51:24,382 --> 00:51:26,384
YOU ARE WELCOME
TO THE HOUSE;
653
00:51:26,384 --> 00:51:31,021
IF NOT, SHE IS
VERY WILLING TO BID
YOU FAREWELL.
654
00:51:31,021 --> 00:51:34,959
* FAREWELL, DEAR HEART *
655
00:51:34,959 --> 00:51:36,394
* SINCE I MUST NEEDS
BE GONE *
656
00:51:36,394 --> 00:51:38,796
NAY, GOOD SIR TOBY.
657
00:51:38,796 --> 00:51:43,801
* HIS EYES DO SHOW
HIS DAYS ARE ALMOST DONE *
658
00:51:45,403 --> 00:51:47,672
* BUT I WILL NEVER DIE *
659
00:51:47,672 --> 00:51:50,375
* SIR TOBY,
THERE YOU LIE *
660
00:51:50,375 --> 00:51:52,410
THIS IS MUCH CREDIT
TO YOU.
661
00:51:52,410 --> 00:51:53,411
* SHALL I BID HIM GO? *
662
00:51:53,411 --> 00:51:55,513
* WHAT AN IF YOU DO? *
663
00:51:55,513 --> 00:51:58,283
* SHALL I BID HIM
GO AND SPARE NOT? *
664
00:51:58,283 --> 00:51:59,684
* O NO, NO,
NO, NO, *
665
00:51:59,684 --> 00:52:02,019
* NO, NO, NO, NO,
NO, NO *
666
00:52:02,019 --> 00:52:05,423
* YOU DARE NOT *
667
00:52:07,024 --> 00:52:09,627
OUT O' TUNE, SIR.
668
00:52:09,627 --> 00:52:11,229
YOU LIE...
669
00:52:19,437 --> 00:52:23,374
ART ANY MORE
THAN A STEWARD?
670
00:52:26,244 --> 00:52:32,450
DOST THOU THINK BECAUSE
THOU ART VIRTUOUS,
671
00:52:32,450 --> 00:52:34,852
THERE SHALL BE NO MORE
CAKES AND ALE?
672
00:52:34,852 --> 00:52:39,357
Feste:
YES, BY SAINT ANNE, AND GINGER
SHALL BE HOT I'TH' MOUTH TOO.
673
00:52:39,357 --> 00:52:40,758
TH'ART I'TH' RIGHT.
674
00:52:40,758 --> 00:52:43,027
GO, SIR, RUB YOUR CHAIN
WITH CRUMBS...
675
00:52:43,027 --> 00:52:45,263
A STOUP OF WINE, MARIA.
676
00:52:48,666 --> 00:52:51,068
MISTRESS MARY...
677
00:52:51,068 --> 00:52:53,304
IF YOU PRIZED
MY LADY'S FAVOUR
678
00:52:53,304 --> 00:52:56,874
AT ANYTHING MORE
THAN CONTEMPT,
679
00:52:56,874 --> 00:53:01,546
YOU WOULD NOT GIVE MEANS
FOR THIS UNCIVIL RULE.
680
00:53:21,098 --> 00:53:23,401
SHE SHALL KNOW OF IT.
681
00:53:28,105 --> 00:53:29,707
BY THIS HAND.
682
00:53:33,444 --> 00:53:36,281
GO SHAKE YOUR EARS.
683
00:53:37,582 --> 00:53:42,119
Sir Toby: ENOUGH OF THESE
OVERWHELMING RULES...
684
00:53:42,119 --> 00:53:43,721
BOLTS AND SHACKLES!
685
00:53:43,721 --> 00:53:45,122
NOW BE PATIENT!
686
00:53:45,122 --> 00:53:46,724
YEAH!
687
00:53:49,527 --> 00:53:53,531
FOR MONSIEUR MALVOLIO...
688
00:53:53,531 --> 00:53:56,133
IF I DO NOT MAKE HIM
A COMMON RECREATION,
689
00:53:56,133 --> 00:53:57,535
DO NOT THINK
I HAVE WIT ENOUGH
690
00:53:57,535 --> 00:53:59,136
TO LIE STRAIGHT
IN MY BED:
691
00:53:59,136 --> 00:54:00,538
I KNOW I CAN DO IT.
692
00:54:00,538 --> 00:54:04,742
POSSESS US, POSSESS US,
TELL US SOMETHING OF HIM.
693
00:54:04,742 --> 00:54:06,544
MARRY, SIR...
694
00:54:06,544 --> 00:54:09,380
SOMETIMES HE IS
A KIND OF PURITAN.
695
00:54:09,380 --> 00:54:11,382
O, IF I THOUGHT THAT,
I'D BEAT HIM LIKE A DOG.
696
00:54:11,382 --> 00:54:12,817
Maria: DEVIL A PURITAN
THAT HE IS,
697
00:54:12,817 --> 00:54:15,820
OR ANY THING CONSTANTLY
BUT A TIME-PLEASER,
698
00:54:15,820 --> 00:54:18,556
SO CRAMMED, AS HE THINKS,
WITH EXCELLENCIES,
699
00:54:18,556 --> 00:54:20,157
THAT IT IS
HIS GROUND OF FAITH
700
00:54:20,157 --> 00:54:22,360
THAT ALL THAT LOOK ON HIM
LOVE HIM;
701
00:54:22,360 --> 00:54:28,165
AND ON THAT VICE IN HIM
WILL MY REVENGE FIND
NOTABLE CAUSE TO WORK.
702
00:54:28,165 --> 00:54:29,767
WHAT WILT THOU DO?
703
00:54:33,571 --> 00:54:36,173
I WILL
DROP IN HIS WAY
704
00:54:36,173 --> 00:54:38,976
SOME OBSCURE
EPISTLE OF LOVE,
705
00:54:38,976 --> 00:54:44,382
WHEREIN HE WILL FIND
HIMSELF MOST FEELINGLY
PERSONATED.
706
00:54:48,486 --> 00:54:53,391
I CAN WRITE VERY LIKE
MY LADY YOUR NIECE...
707
00:54:54,592 --> 00:54:56,594
ON A FORGOTTEN MATTER
708
00:54:56,594 --> 00:54:59,196
WE CAN HARDLY MAKE
DISTINCTION OF OUR HANDS.
709
00:54:59,196 --> 00:55:00,798
EXCELLENT!
710
00:55:00,798 --> 00:55:02,199
I SMELL A DEVICE.
711
00:55:02,199 --> 00:55:04,802
I HAVE'T
IN MY NOSE TOO.
712
00:55:04,802 --> 00:55:06,404
FOR THIS NIGHT...
713
00:55:07,805 --> 00:55:08,806
TO BED.
714
00:55:14,812 --> 00:55:16,414
AHEM.
715
00:55:18,215 --> 00:55:20,418
DREAM ON THE EVENT.
716
00:55:21,819 --> 00:55:23,421
FAREWELL.
717
00:55:25,623 --> 00:55:29,827
GOOD NIGHT,
PENTHESILEA.
718
00:55:34,632 --> 00:55:38,235
BEFORE ME,
SHE'S A GOOD WENCH.
719
00:55:38,235 --> 00:55:42,239
SHE'S A BEAGLE,
TRUE-BRED...
720
00:55:42,239 --> 00:55:45,443
AND ONE THAT ADORES ME.
721
00:55:47,244 --> 00:55:48,479
WHAT O' THAT?
722
00:55:50,247 --> 00:55:53,384
I WAS ADORED ONCE
TOO.
723
00:55:56,854 --> 00:55:59,457
COME, I'LL GO
BURN SOME SACK,
724
00:55:59,457 --> 00:56:02,460
'TIS TOO LATE
TO GO TO BED NOW.
725
00:56:09,266 --> 00:56:11,469
UH!
726
00:56:19,276 --> 00:56:26,684
DISGUISE, I SEE THOU ART
A WICKEDNESS,
727
00:56:26,684 --> 00:56:30,488
WHEREIN THE PREGNANT ENEMY
DOTH MUCH.
728
00:56:33,290 --> 00:56:36,827
HOW WILL THIS FADGE?
729
00:56:38,295 --> 00:56:41,699
AS I AM MAN...
730
00:56:41,699 --> 00:56:47,304
MY STATE IS DESPERATE
FOR MY MASTER'S LOVE.
731
00:56:47,304 --> 00:56:50,307
AS I AM WOMAN...
732
00:56:50,307 --> 00:56:51,709
NOW ALAS THE DAY!
733
00:56:51,709 --> 00:56:57,915
WHAT THRIFTLESS SIGHS
WILL POOR OLIVIA BREATHE?
734
00:57:19,937 --> 00:57:20,938
COME HITHER, BOY.
735
00:57:23,941 --> 00:57:25,409
AHEM.
736
00:57:25,409 --> 00:57:27,211
COME, BOY. COME.
737
00:57:46,163 --> 00:57:49,567
HOW WILL SHE LOVE WHEN
THE RICH, GOLDEN SHAFT
738
00:57:49,567 --> 00:57:54,572
HAS KILLED THE FLOCK
OF ALL AFFECTIONS ELSE
THAT LIVE IN HER...
739
00:58:02,179 --> 00:58:11,488
AND WHEN BRAIN AND HEART
ARE ALL SUPPLIED
WITH ONE SELF KING?
740
00:58:26,403 --> 00:58:29,006
SIR, SHALL I
TO THIS LADY?
741
00:58:30,407 --> 00:58:32,409
AY, THAT'S THE THEME.
742
00:58:32,409 --> 00:58:34,612
TO HER IN HASTE.
743
00:58:36,213 --> 00:58:41,852
TELL HER MY LOVE
WILL GIVE NO PLACE,
BIDE NO DENAY...
744
00:58:43,554 --> 00:58:48,025
MALVOLIO IS COMING
DOWN THIS WALK!
745
00:58:53,831 --> 00:58:55,532
COME THY WAYS,
SIGNIOR FABIAN.
746
00:58:55,532 --> 00:58:58,435
WOULDST THOU NOT BE GLAD
TO HAVE THE NIGGARDLY
RASCALLY SHEEP-BITER
747
00:58:58,435 --> 00:58:59,837
COME BY SOME
NOTABLE SHAME?
748
00:58:59,837 --> 00:59:01,839
YOU KNOW, HE BROUGHT ME OUT
O'FAVOUR WITH MY LADY
749
00:59:01,839 --> 00:59:03,774
ABOUT A BEAR-BAITING HERE.
750
00:59:08,445 --> 00:59:10,648
GET YE ALL THREE
INTO THE BOX-TREE.
751
00:59:14,051 --> 00:59:17,054
MY LADY.
752
00:59:17,054 --> 00:59:20,057
MY LADY!
753
00:59:20,057 --> 00:59:22,526
COUNTESS.
754
00:59:22,526 --> 00:59:24,028
AHEM.
755
00:59:24,028 --> 00:59:27,665
HERE COMES THE TROUT
THAT MUST BE CAUGHT
WITH TICKLING.
756
00:59:30,134 --> 00:59:34,071
'TIS BUT FORTUNE,
ALL IS FORTUNE.
757
00:59:36,473 --> 00:59:39,877
MARIA ONCE TOLD ME
SHE DID AFFECT ME,
758
00:59:39,877 --> 00:59:42,880
AND I HAVE HEARD HERSELF
COME THUS NEAR,
759
00:59:42,880 --> 00:59:45,349
THAT SHOULD SHE FANCY...
760
00:59:47,484 --> 00:59:52,089
IT SHOULD BE ONE
OF MY COMPLEXION.
761
00:59:54,725 --> 01:00:00,965
BESIDES, SHE USES ME
WITH A MORE EXALTED...
762
01:00:00,965 --> 01:00:03,734
'SLIGHT, I COULD
SO BEAT THE ROGUE!
763
01:00:03,734 --> 01:00:07,037
TO BE COUNT MALVOLIO!
764
01:00:07,037 --> 01:00:09,073
AH, ROGUE!
765
01:00:11,508 --> 01:00:13,110
AH.
766
01:00:16,313 --> 01:00:19,917
HAVING BEEN THREE MONTHS
MARRIED TO HER,
767
01:00:19,917 --> 01:00:22,019
SITTING IN MY STATE...
768
01:00:22,019 --> 01:00:25,923
O, FOR MY STONE-BOW,
TO HIT HIM IN THE EYE!
769
01:00:25,923 --> 01:00:31,729
CALLING MY OFFICERS ABOUT ME,
IN MY BRANCHED VELVET GOWN...
770
01:00:34,932 --> 01:00:43,307
HAVING COME FROM A DAY-BED
WHERE, I LEFT OLIVIA SLEEPING.
771
01:00:47,544 --> 01:00:50,848
AND AFTER A DEMURE
TRAVEL OF REGARD,
772
01:00:50,848 --> 01:00:52,549
TELLING THEM I KNOW MY PLACE
773
01:00:52,549 --> 01:00:54,584
AS I WOULD
THEY SHOULD DO THEIRS,
774
01:00:54,584 --> 01:00:58,155
TO ASK FOR MY KINSMAN...
775
01:00:58,155 --> 01:00:59,423
TOBY.
776
01:00:59,423 --> 01:01:01,158
BOLTS AND SHACKLES!
777
01:01:02,960 --> 01:01:07,164
I FROWN THE WHILE,
AND PERCHANCE WIND UP MY WATCH,
778
01:01:07,164 --> 01:01:10,768
OR PLAY WITH MY...
779
01:01:12,169 --> 01:01:14,171
SOME RICH JEWEL.
780
01:01:15,572 --> 01:01:17,674
TOBY APPROACHES;
781
01:01:17,674 --> 01:01:19,076
CURTSIES THERE TO ME.
782
01:01:19,076 --> 01:01:24,982
I EXTEND MY HAND TO HIM THUS;
SAYING, "COUSIN TOBY,
783
01:01:24,982 --> 01:01:27,651
YOU MUST AMEND
YOUR DRUNKENNESS."
784
01:01:27,651 --> 01:01:28,953
OUT, SCAB!
785
01:01:33,590 --> 01:01:37,461
WHAT EMPLOYMENT HAVE WE HERE?
786
01:01:47,337 --> 01:01:49,406
BY MY LIFE...
787
01:01:49,406 --> 01:01:52,542
THIS IS MY LADY'S HAND.
788
01:01:52,542 --> 01:02:00,217
"TO THE UNKNOWN BELOVED,
THIS, AND MY GOOD WISHES."
789
01:02:01,618 --> 01:02:03,187
BY YOUR LEAVE, WAX.
790
01:02:03,187 --> 01:02:07,624
SOFT!--AND THE IMPRESSURE
HER LUCRECE,
791
01:02:07,624 --> 01:02:10,227
WITH WHICH SHE USES TO SEAL.
792
01:02:15,632 --> 01:02:17,835
'TIS MY LADY.
793
01:02:19,036 --> 01:02:21,238
TO WHOM SHOULD THIS BE?
794
01:02:24,041 --> 01:02:27,044
"JOVE KNOWS I LOVE:
BUT WHO?
795
01:02:27,044 --> 01:02:30,047
LIPS, DO NOT MOVE!
NO MAN MUST KNOW."
796
01:02:32,649 --> 01:02:34,651
NO MAN MUST KNOW...
797
01:02:36,653 --> 01:02:41,959
IF THIS SHOULD BE THEE,
MALVOLIO!
798
01:02:41,959 --> 01:02:44,361
"I MAY COMMAND WHERE I ADORE:
799
01:02:44,361 --> 01:02:46,463
"BUT SILENCE,
LIKE A LUCRECE KNIFE,
800
01:02:46,463 --> 01:02:49,066
"WITH BLOODLESS STROKE
MY HEART DOTH GORE:
801
01:02:49,066 --> 01:02:51,869
M, O, A, I,
DOTH SWAY MY LIFE."
802
01:02:53,270 --> 01:02:54,104
"M..."
803
01:02:54,104 --> 01:02:57,274
EXCELLENT WENCH,
SAY I.
804
01:02:57,274 --> 01:02:59,509
LET ME SEE HERE.
805
01:02:59,509 --> 01:03:02,880
"M, O, A, I."
806
01:03:04,548 --> 01:03:08,085
"I MAY COMMAND WHERE I ADORE."
807
01:03:08,085 --> 01:03:11,688
WHY, SHE MAY COMMAND ME;
808
01:03:11,688 --> 01:03:14,491
I SERVE HER,
SHE IS MY LADY.
809
01:03:14,491 --> 01:03:18,695
AND THE END: WHAT SHOULD THAT
ALPHABETICAL POSITION PORTEND?
810
01:03:18,695 --> 01:03:21,298
"M, O, A, I."
811
01:03:21,298 --> 01:03:23,300
MOAI.
812
01:03:23,300 --> 01:03:25,302
MOAI?
813
01:03:25,302 --> 01:03:27,104
"M..."
814
01:03:27,104 --> 01:03:28,705
"M"--MALVOLIO--"M."
815
01:03:28,705 --> 01:03:32,109
WHY, THAT BEGINS MY NAME--"M."
816
01:03:32,109 --> 01:03:34,511
"A" SHOULD FOLLOW,
BUT "O" DOES.
817
01:03:34,511 --> 01:03:38,515
"M, O, A." AND YET,
TO CRUSH THIS A LITTLE,
818
01:03:38,515 --> 01:03:44,321
IT WOULD BOW TO ME,
FOR EVERY ONE OF THESE LETTERS
ARE IN MY NAME.
819
01:03:44,321 --> 01:03:46,190
SOFT!
820
01:03:55,132 --> 01:03:56,967
HERE FOLLOWS PROSE...
821
01:03:56,967 --> 01:04:00,905
"IN MY STARS,
I AM ABOVE THEE,
822
01:04:00,905 --> 01:04:03,140
"BUT BE NOT AFRAID OF GREATNESS:
823
01:04:03,140 --> 01:04:05,142
"SOME ARE BORN GREAT,
SOME ACHIEVE GREATNESS,
824
01:04:05,142 --> 01:04:07,978
"AND SOME HAVE GREATNESS
THRUST UPON THEM.
825
01:04:07,978 --> 01:04:11,882
"BE OPPOSITE WITH A KINSMAN,
SURLY WITH SERVANTS;
826
01:04:11,882 --> 01:04:15,552
"LET THY TONGUE TANG
ARGUMENTS OF STATE;
827
01:04:15,552 --> 01:04:19,156
"PUT THYSELF INTO THE TRICK
OF SINGULARITY.
828
01:04:19,156 --> 01:04:23,760
"SHE THUS ADVISES THEE
THAT SIGHS FOR THEE.
829
01:04:23,760 --> 01:04:25,362
REMEMBER WHO..."
830
01:04:27,164 --> 01:04:31,435
"REMEMBER WHO COMMENDED
THY YELLOW STOCKINGS,
831
01:04:31,435 --> 01:04:34,371
"AND WISHED TO SEE THEE
EVER CROSS-GARTERED:
832
01:04:34,371 --> 01:04:35,572
"I SAY, REMEMBER.
833
01:04:35,572 --> 01:04:38,575
"GO TO, THOU ART MADE,
IF THOU DESIR'ST TO BE SO;
834
01:04:38,575 --> 01:04:42,046
"IF NOT, LET ME SEE THEE
A STEWARD STILL!
835
01:04:42,046 --> 01:04:44,982
"THE FELLOW OF SERVANTS,
AND NOT WORTHY TO TOUCH
FORTUNE'S FINGERS.
836
01:04:44,982 --> 01:04:51,188
FAREWELL. SHE, THAT WOULD
ALTER SERVICES WITH THEE,
THE FORTUNATE-UNHAPPY."
837
01:04:51,188 --> 01:04:54,258
DAYLIGHT AND CHAMPIAN
DISCOVERS NOT MORE:
838
01:04:54,258 --> 01:04:59,196
I WILL BE PROUD,
I WILL BAFFLE SIR TOBY,
839
01:04:59,196 --> 01:05:01,598
I WILL WASH OFF
GROSS ACQUAINTANCE,
840
01:05:01,598 --> 01:05:05,602
I WILL BE POINT-DEVICE
THE VERY MAN.
841
01:05:05,602 --> 01:05:10,207
I DO NOT NOW FOOL MYSELF,
TO LET IMAGINATION JADE ME;
842
01:05:10,207 --> 01:05:14,811
FOR EVERY REASON
EXCITES ME TO THIS,
843
01:05:14,811 --> 01:05:18,382
THAT MY LADY LOVES ME.
844
01:05:19,083 --> 01:05:21,918
JOVE, AND MY STARS BE PRAISED!
845
01:05:21,918 --> 01:05:25,322
LOOK. HERE IS YET A POSTSCRIPT.
846
01:05:25,322 --> 01:05:27,724
"THOU CANST NOT CHOOSE
BUT KNOW WHO I AM.
847
01:05:27,724 --> 01:05:30,927
"IF THOU ENTERTAIN'ST MY LOVE,
LET IT APPEAR IN THY SMILING,
848
01:05:30,927 --> 01:05:32,729
"THY SMILES BECOME THEE WELL.
849
01:05:32,729 --> 01:05:39,536
THEREFORE IN MY PRESENCE
STILL SMILE, DEAR, MY SWEET,
I PRITHEE."
850
01:05:41,538 --> 01:05:44,541
JOVE, I THANK THEE.
851
01:05:44,541 --> 01:05:47,144
I WILL SMILE.
852
01:05:55,685 --> 01:05:59,689
I WILL DO EVERYTHING
THAT THOU WILT HAVE ME!
853
01:05:59,689 --> 01:06:03,893
JOVE, I THANK THEE!
854
01:06:03,893 --> 01:06:07,131
Malvolio:
JOVE, I AM HAPPY!
855
01:06:07,131 --> 01:06:09,299
DAYLIGHT, CHAMPIAN!
856
01:06:09,299 --> 01:06:10,967
I WILL NOT GIVE
MY PART OF THIS SPORT
857
01:06:10,967 --> 01:06:12,369
FOR A PENSION
OF THOUSANDS!
858
01:06:12,369 --> 01:06:13,837
I COULD
MARRY THIS WENCH
FOR THIS DEVICE.
859
01:06:13,837 --> 01:06:15,572
SO COULD I TOO.
860
01:06:17,007 --> 01:06:20,944
WILT THOU SET THY FOOT
O' MY NECK?
861
01:06:20,944 --> 01:06:22,346
OR O' MINE EITHER?
862
01:06:23,980 --> 01:06:27,251
NAY, BUT SAY TRUE,
DOES IT WORK UPON HIM?
863
01:06:27,251 --> 01:06:29,986
LIKE AQUA-VITAE
WITH A MIDWIFE.
864
01:06:29,986 --> 01:06:34,391
THEN MARK HIS FIRST APPROACH
BEFORE MY LADY:
865
01:06:34,391 --> 01:06:37,961
HE WILL COME TO HER
IN YELLOW STOCKINGS,
866
01:06:37,961 --> 01:06:40,997
AND 'TIS A COLOUR
SHE ABHORS.
867
01:06:40,997 --> 01:06:43,733
HA HA HA!
868
01:07:19,636 --> 01:07:21,238
UH!
869
01:07:35,852 --> 01:07:40,056
SAVE THEE, FRIEND:
DOST THOU LIVE
BY THY MUSIC?
870
01:07:40,056 --> 01:07:42,659
NO, SIR, I LIVE
BY THE CHURCH.
871
01:07:42,659 --> 01:07:44,060
ART THOU A CHURCHMAN?
872
01:07:44,060 --> 01:07:46,463
NO SUCH MATTER, SIR,
I DO LIVE BY THE CHURCH:
873
01:07:46,463 --> 01:07:48,064
FOR I DO LIVE
AT MY HOUSE,
874
01:07:48,064 --> 01:07:51,201
AND MY HOUSE DOTH
STAND BY THE CHURCH.
875
01:07:52,669 --> 01:07:53,670
HOLD.
876
01:07:56,072 --> 01:07:58,642
THERE'S EXPENSES
FOR THEE.
877
01:07:58,642 --> 01:08:00,577
NOW...
878
01:08:00,577 --> 01:08:04,080
JOVE, IN HIS NEXT
COMMODITY OF HAIR,
879
01:08:04,080 --> 01:08:05,849
SEND THEE A BEARD!
880
01:08:07,083 --> 01:08:09,085
BY MY TROTH
I'LL TELL THEE,
881
01:08:09,085 --> 01:08:11,688
I AM ALMOST SICK
FOR ONE...
882
01:08:13,089 --> 01:08:15,392
BUT I WOULD NOT HAVE IT
GROW ON MY CHIN.
883
01:08:15,392 --> 01:08:18,695
IS THY LADY WITHIN?
884
01:08:20,497 --> 01:08:23,367
I WOULD PLAY
LORD PANDARUS
OF PHRYGIA, SIR,
885
01:08:23,367 --> 01:08:26,703
TO BRING A CRESSIDA
TO THIS TROILUS.
886
01:08:26,703 --> 01:08:28,705
I UNDERSTAND YOU, SIR,
887
01:08:28,705 --> 01:08:30,507
'TIS WELL BEGGED.
888
01:08:30,507 --> 01:08:34,110
THE MATTER IS NOT GREAT,
SIR;
889
01:08:34,110 --> 01:08:36,313
BEGGING BUT A BEGGAR.
890
01:08:40,717 --> 01:08:43,720
CRESSIDA WAS A BEGGAR.
891
01:08:45,722 --> 01:08:47,157
MY LADY IS WITHIN, SIR.
892
01:08:47,157 --> 01:08:50,727
I WILL CONSTER TO HER
WHENCE YOU COME.
893
01:09:16,152 --> 01:09:18,154
GOD SAVE YOU,
GENTLEMAN.
894
01:09:18,154 --> 01:09:19,556
AND YOU, SIR.
895
01:09:19,556 --> 01:09:21,157
DIEU VOUS GARDE,
MONSIEUR.
896
01:09:21,157 --> 01:09:24,160
ET VOUS AUSSI;
VOTRE SERVITEUR.
897
01:09:24,160 --> 01:09:27,564
I HOPE, SIR, YOU ARE--
AND I AM YOURS.
898
01:09:27,564 --> 01:09:30,767
MY NIECE IS DESIROUS
YOU SHOULD ENTER,
899
01:09:30,767 --> 01:09:32,569
IF YOUR TRADE BE TO HER.
900
01:09:32,569 --> 01:09:35,004
YOUR NIECE, SIR,
IS THE LIST OF MY VOYAGE.
901
01:09:35,004 --> 01:09:36,873
Viola:
BUT WE HAVE PREVENTED.
902
01:09:39,543 --> 01:09:41,144
MOST EXCELLENT
ACCOMPLISHED LADY,
903
01:09:41,144 --> 01:09:43,179
THE HEAVENS
RAIN ODOURS ON YOU.
904
01:09:43,179 --> 01:09:44,581
RAIN ODOURS?
905
01:09:44,581 --> 01:09:46,783
THAT YOUTH'S
A RARE COURTIER.
906
01:09:52,589 --> 01:09:54,591
MY MASTER HATH
NO VOICE, LADY,
907
01:09:54,591 --> 01:09:57,794
BUT TO YOUR OWN
MOST PREGNANT
AND VOUCHSAFED EAR.
908
01:09:59,195 --> 01:10:00,597
ODOURS...
909
01:10:00,597 --> 01:10:02,198
PREGNANT
AND VOUCHSAFED:
910
01:10:02,198 --> 01:10:04,368
I'LL GET 'EM ALL THREE
ALL READY.
911
01:10:10,206 --> 01:10:12,676
LET THE GARDEN DOOR
BE SHUT,
912
01:10:12,676 --> 01:10:14,778
AND LEAVE ME
TO MY HEARING.
913
01:10:24,220 --> 01:10:26,623
GIVE ME YOUR HAND,
SIR.
914
01:10:26,623 --> 01:10:30,427
MY DUTY,
MADAM, AND MOST
HUMBLE SERVICE.
915
01:10:36,232 --> 01:10:38,034
WHAT'S YOUR NAME?
916
01:10:38,034 --> 01:10:41,638
CESARIO IS YOUR
SERVANT'S NAME,
FAIR PRINCESS.
917
01:10:41,638 --> 01:10:44,641
Y'ARE SERVANT TO
THE COUNT ORSINO, YOUTH.
918
01:10:44,641 --> 01:10:48,645
AND HE IS YOURS,
AND HIS MUST NEEDS
BE YOURS.
919
01:10:48,645 --> 01:10:51,247
WELL, FOR HIM,
I THINK NOT ON HIM:
920
01:10:51,247 --> 01:10:52,649
NOT FOR HIS THOUGHTS.
921
01:10:52,649 --> 01:10:54,651
WOULD THEY WERE BLANKS,
RATHER THAN FILLED WITH ME!
922
01:10:54,651 --> 01:10:56,853
I COME TO WHET
YOUR THOUGHTS
ON HIS BEHALF.
923
01:10:56,853 --> 01:10:58,254
GIVE ME LEAVE...
924
01:10:58,254 --> 01:10:59,856
BESEECH YOU.
925
01:11:04,861 --> 01:11:07,263
I DID SEND...
926
01:11:07,263 --> 01:11:10,700
AFTER THE LAST ENCHANTMENT
YOU DID HERE...
927
01:11:12,201 --> 01:11:14,404
A RING IN CHASE OF YOU;
928
01:11:14,404 --> 01:11:17,674
SO DID I ABUSE MYSELF,
929
01:11:17,674 --> 01:11:20,877
MY SERVANT AND,
I FEAR ME, YOU...
930
01:11:22,412 --> 01:11:25,682
TO FORCE THAT ON YOU
IN A SHAMEFUL CUNNING
931
01:11:25,682 --> 01:11:29,285
WHICH YOU KNEW
NONE OF YOURS:
932
01:11:29,285 --> 01:11:31,688
WHAT MIGHT YOU THINK?
933
01:11:31,688 --> 01:11:34,958
HAVE YOU NOT SET
MINE HONOUR AT THE STAKE?
934
01:11:36,292 --> 01:11:38,895
LET ME HEAR YOU SPEAK.
935
01:11:40,296 --> 01:11:44,300
I PITY YOU.
936
01:11:44,300 --> 01:11:46,436
THAT'S A DEGREE TO LOVE.
937
01:11:46,436 --> 01:11:49,706
NO, NOT A GRISE;
938
01:11:49,706 --> 01:11:55,512
FOR 'TIS A VULGAR PROOF,
THAT VERY OFT WE PITY
ENEMIES.
939
01:12:08,925 --> 01:12:11,327
WHY THEN...
940
01:12:11,327 --> 01:12:15,331
METHINKS 'TIS TIME
TO SMILE AGAIN.
941
01:12:18,735 --> 01:12:23,339
THE CLOCK UPBRAIDS ME
WITH THE WASTE OF TIME.
942
01:12:26,743 --> 01:12:30,346
BE NOT AFRAID,
GOOD YOUTH,
I WILL NOT HAVE YOU.
943
01:12:30,346 --> 01:12:31,748
OH.
944
01:12:31,748 --> 01:12:37,754
AND YET, WHEN WIT
AND YOUTH IS COME
TO HARVEST,
945
01:12:37,754 --> 01:12:41,558
YOUR WIFE
IS LIKE TO REAP
A PROPER MAN.
946
01:12:42,759 --> 01:12:46,563
THERE LIES YOUR WAY,
DUE WEST.
947
01:12:48,264 --> 01:12:52,368
THEN, UH,
WESTWARD-HO!
948
01:12:54,170 --> 01:12:55,371
OH.
949
01:12:55,371 --> 01:13:01,645
YOU'LL NOTHING, MADAM,
TO MY LORD BY ME?
950
01:13:05,181 --> 01:13:07,584
STAY!
951
01:13:09,786 --> 01:13:12,789
I PRITHEE, TELL ME
WHAT THOU THINK'ST OF ME.
952
01:13:12,789 --> 01:13:15,792
THAT YOU DO THINK YOU
ARE NOT WHAT YOU ARE.
953
01:13:15,792 --> 01:13:18,394
WELL, IF I THINK SO,
I THINK THE SAME OF YOU.
954
01:13:18,394 --> 01:13:19,996
WELL, THEN
THINK YOU RIGHT;
955
01:13:19,996 --> 01:13:21,397
I AM NOT WHAT I AM.
956
01:13:21,397 --> 01:13:23,399
I WOULD YOU WERE
AS I WOULD HAVE YOU BE!
957
01:13:23,399 --> 01:13:24,801
WOULD IT BE BETTER,
MADAM, THAN I AM,
958
01:13:24,801 --> 01:13:26,402
I WISH IT MIGHT,
FOR NOW I AM YOUR FOOL.
959
01:13:26,402 --> 01:13:29,405
O, WHAT A DEAL OF SCORN
LOOKS BEAUTIFUL
960
01:13:29,405 --> 01:13:31,407
IN THE CONTEMPT
AND ANGER OF HIS LIP!
961
01:13:31,407 --> 01:13:33,810
O, GRACE
MY GOOD DISPOSITION
962
01:13:33,810 --> 01:13:37,013
TO TEND
YOUR LADYSHIP.
963
01:13:37,814 --> 01:13:40,416
CESARIO, BY THE ROSES
OF THE SPRING,
964
01:13:40,416 --> 01:13:44,488
BY MAIDHOOD, HONOUR,
TRUTH, AND EVERY THING,
965
01:13:44,488 --> 01:13:47,891
I LOVE THEE SO, THAT,
MAUGRE ALL THY PRIDE,
966
01:13:47,891 --> 01:13:50,960
NOR WIT NOR REASON
CAN MY PASSION HIDE.
967
01:13:53,062 --> 01:13:54,864
BY INNOCENCE I SWEAR,
968
01:13:54,864 --> 01:13:57,867
AND BY MY YOUTH,
I HAVE ONE HEART,
969
01:13:57,867 --> 01:13:59,869
ONE BOSOM,
AND ONE TRUTH,
970
01:13:59,869 --> 01:14:02,672
AND THAT
NO WOMAN HAS...
971
01:14:03,873 --> 01:14:08,678
NOR NEVER NONE SHALL
MISTRESS BE OF IT,
SAVE I ALONE.
972
01:14:13,483 --> 01:14:15,084
AND SO...
973
01:14:17,086 --> 01:14:20,289
ADIEU, GOOD MADAM!
974
01:14:20,289 --> 01:14:24,093
NEVER MORE WILL I
MY MASTER'S TEARS
TO YOU DEPLORE.
975
01:14:24,093 --> 01:14:25,495
YET COME AGAIN:
976
01:14:25,495 --> 01:14:27,497
FOR THOU PERHAPS
MAYST MOVE THAT HEART,
977
01:14:27,497 --> 01:14:30,099
WHICH NOW ABHORS,
TO LIKE HIS LOVE.
978
01:15:27,957 --> 01:15:30,560
I COULD NOT
STAY BEHIND YOU.
979
01:15:30,560 --> 01:15:33,763
MY KIND ANTONIO.
980
01:15:34,964 --> 01:15:36,966
BUT NOT ALL LOVE
TO SEE YOU.
981
01:15:36,966 --> 01:15:39,969
YOU, SIR,
ARE A STRANGER
IN THESE PARTS.
982
01:15:39,969 --> 01:15:44,574
I CAN NO OTHER ANSWER
MAKE BUT THANKS,
AND THANKS;
983
01:15:44,574 --> 01:15:46,976
AND EVER OFT GOOD TURNS
ARE SHUFFLED OFF
984
01:15:46,976 --> 01:15:49,779
WITH SUCH
UNCURRENT PAY.
985
01:15:52,582 --> 01:15:56,185
I AM NOT WEARY.
'TIS LONG TILL NIGHT.
986
01:15:57,086 --> 01:16:00,256
I PRAY YOU, LET US
SATISFY OUR EYES
987
01:16:00,256 --> 01:16:04,994
WITH THE MEMORIALS
AND THINGS OF FAME THAT
DO RENOWN THIS CITY.
988
01:16:04,994 --> 01:16:07,997
I DO NOT WITHOUT DANGER
WALK THESE STREETS.
989
01:16:07,997 --> 01:16:12,001
ONCE IN
A SEA FIGHT 'GAINST
ORSINO'S GALLEYS
990
01:16:12,001 --> 01:16:15,404
I DID SOME SERVICE,
OF SUCH NOTE INDEED
991
01:16:15,404 --> 01:16:18,742
THAT WERE I TA'EN HERE,
IT WOULD SCARCE
BE ANSWERED.
992
01:16:18,742 --> 01:16:21,611
BELIKE YOU SLEW GREAT
NUMBER OF HIS PEOPLE.
993
01:16:21,611 --> 01:16:25,615
FOR WHICH,
IF I BE LAPSED
IN THIS PLACE,
994
01:16:25,615 --> 01:16:26,816
I SHALL PAY DEAR.
995
01:16:26,816 --> 01:16:29,018
DO NOT THEN
WALK TOO OPEN.
996
01:16:29,018 --> 01:16:32,822
YOU SHALL FIND ME
AT THE ELEPHANT.
997
01:16:35,491 --> 01:16:36,626
WHY I YOUR PURSE?
998
01:16:36,626 --> 01:16:39,028
HAPLY YOUR EYE
SHALL LIGHT ON
999
01:16:39,028 --> 01:16:42,632
SOME TOY YOU HAVE
DESIRE TO PURCHASE;
1000
01:16:42,632 --> 01:16:45,034
AND YOUR STORE,
I THINK,
1001
01:16:45,034 --> 01:16:48,905
IS NOT FOR
IDLE MARKETS, SIR.
1002
01:16:52,709 --> 01:16:54,243
AT TH'ELEPHANT.
1003
01:16:54,243 --> 01:16:55,845
I DO REMEMBER.
1004
01:17:00,183 --> 01:17:03,653
EVER THOU SHALL LOVE
REMEMBER ME.
1005
01:17:05,054 --> 01:17:08,858
FOR, SUCH AS I AM
ALL TRUE LOVERS ARE...
1006
01:17:12,061 --> 01:17:16,666
UNSTAID AND SKITTISH
IN ALL MOTIONS ELSE,
1007
01:17:16,666 --> 01:17:19,068
SAVE IN
THE CONSTANT IMAGE
1008
01:17:19,068 --> 01:17:22,271
OF THE CREATURE
THAT IS BELOVED.
1009
01:17:49,098 --> 01:17:52,702
O FELLOW, COME,
PLAY THAT PIECE OF SONG
WE HEARD LAST NIGHT.
1010
01:17:52,702 --> 01:17:56,706
MARK IT, CESARIO,
IT IS OLD AND PLAIN:
1011
01:17:56,706 --> 01:18:00,176
THE SPINNERS AND
THE KNITTERS IN THE SUN
USED TO CHANT IT.
1012
01:18:00,176 --> 01:18:02,812
PRITHEE, SING.
1013
01:18:07,784 --> 01:18:13,823
* COME AWAY *
1014
01:18:13,823 --> 01:18:19,328
* COME AWAY DEATH *
1015
01:18:19,328 --> 01:18:31,407
* AND IN SAD CYPRESS
LET ME BE LAID *
1016
01:18:31,407 --> 01:18:36,279
* FLY AWAY BREATH *
1017
01:18:36,279 --> 01:18:43,152
* FLY AWAY,
FLY AWAY BREATH *
1018
01:18:43,152 --> 01:18:55,064
* I AM SLAIN
BY A FAIR CRUEL MAID *
1019
01:18:58,868 --> 01:19:04,107
* NOT A FRIEND *
1020
01:19:04,107 --> 01:19:08,945
* NOT A FRIEND GREET *
1021
01:19:08,945 --> 01:19:15,184
* MY POOR CORPSE *
1022
01:19:15,184 --> 01:19:21,057
* WHERE MY BONES
SHALL BE THROWN *
1023
01:19:21,057 --> 01:19:30,566
* A THOUSAND
THOUSAND SIGHS TO SAVE *
1024
01:19:30,566 --> 01:19:33,269
* LAY ME O WHERE *
1025
01:19:33,269 --> 01:19:45,314
* SAD TRUE LOVER
NEVER FIND MY GRAVE *
1026
01:19:46,615 --> 01:19:55,992
* TO WEEP THERE *
1027
01:20:01,898 --> 01:20:03,900
THERE'S FOR THY PAINS.
1028
01:20:03,900 --> 01:20:06,602
NO PAINS, SIR.
I TAKE PLEASURE
IN SINGING.
1029
01:20:06,602 --> 01:20:08,404
I'LL PAY THY PLEASURE,
THEN.
1030
01:20:08,404 --> 01:20:10,606
TRULY, SIR,
AND PLEASURE
WILL BE PAID...
1031
01:20:10,606 --> 01:20:12,942
ONE TIME OR ANOTHER.
1032
01:20:18,147 --> 01:20:20,749
NOW, THE MELANCHOLY GOD
PROTECT YOU,
1033
01:20:20,749 --> 01:20:24,287
FOR YOUR MIND IS A VERY OPAL.
1034
01:20:24,287 --> 01:20:25,855
FAREWELL.
1035
01:20:26,755 --> 01:20:28,757
Duke:
ONCE MORE, CESARIO,
1036
01:20:28,757 --> 01:20:32,161
GET THEE TO YON SAME
SOVEREIGN CRUELTY.
1037
01:20:32,161 --> 01:20:34,530
BUT IF SHE CANNOT
LOVE YOU, SIR?
1038
01:20:34,530 --> 01:20:36,032
I CANNOT
SO BE ANSWERED.
1039
01:20:36,032 --> 01:20:37,700
SOOTH, BUT YOU MUST.
1040
01:20:37,700 --> 01:20:40,569
SAY THAT SOME LADY, AS PERHAPS
THERE IS, HATH FOR YOUR LOVE
1041
01:20:40,569 --> 01:20:42,972
AS GREAT A PANG OF HEART
AS YOU HAVE FOR OLIVIA:
1042
01:20:42,972 --> 01:20:45,942
YOU CANNOT LOVE HER;
YOU TELL HER SO; MUST
SHE NOT THEN BE ANSWERED?
1043
01:20:45,942 --> 01:20:47,944
THERE IS
NO WOMAN'S SIDES
1044
01:20:47,944 --> 01:20:49,778
CAN BEAR THE BEATING
OF SO STRONG A PASSION
1045
01:20:49,778 --> 01:20:51,580
AS LOVE DOTH
GIVE MY HEART:
1046
01:20:51,580 --> 01:20:55,184
NO WOMAN'S HEART SO BIG,
TO HOLD SO MUCH,
THEY LACK RETENTION.
1047
01:20:55,184 --> 01:20:57,586
ALAS, THEIR LOVE
MAY BE CALLED APPETITE--
1048
01:20:57,586 --> 01:21:01,390
BUT MINE IS ALL
AS HUNGRY AS THE SEA,
AND CAN DIGEST AS MUCH.
1049
01:21:03,059 --> 01:21:06,795
MAKE NO COMPARE BETWEEN
THAT LOVE A WOMAN CAN BEAR ME
AND THAT I OWE OLIVIA.
1050
01:21:06,795 --> 01:21:08,864
AY, BUT I KNOW--
1051
01:21:08,864 --> 01:21:11,267
WHAT DOST THOU KNOW?
1052
01:21:11,267 --> 01:21:13,602
TOO WELL WHAT LOVE WOMEN
TO MEN MAY OWE:
1053
01:21:13,602 --> 01:21:16,805
IN FAITH THEY ARE
AS TRUE OF HEART AS WE.
1054
01:21:16,805 --> 01:21:19,608
MY FATHER HAD A DAUGHTER
LOVED A MAN,
1055
01:21:19,608 --> 01:21:27,483
AS IT MIGHT BE,
PERHAPS, WERE I A WOMAN,
I SHOULD YOUR LORDSHIP.
1056
01:21:29,218 --> 01:21:31,020
AND WHAT'S HER HISTORY?
1057
01:21:38,827 --> 01:21:42,131
A BLANK, MY LORD.
1058
01:21:46,835 --> 01:21:50,639
SHE NEVER TOLD HER LOVE...
1059
01:21:50,639 --> 01:21:55,844
BUT LET CONCEALMENT
LIKE A WORM I'TH' BUD
1060
01:21:55,844 --> 01:21:58,414
FEED ON HER DAMASK CHEEK.
1061
01:22:00,249 --> 01:22:04,320
SHE PINED IN THOUGHT...
1062
01:22:05,854 --> 01:22:08,857
AND WITH A GREEN
AND YELLOW MELANCHOLY
1063
01:22:08,857 --> 01:22:13,196
SHE SAT LIKE PATIENCE
ON A MONUMENT...
1064
01:22:15,864 --> 01:22:19,202
SMILING AT GRIEF.
1065
01:22:21,670 --> 01:22:26,709
WAS NOT THIS LOVE, INDEED?
1066
01:22:29,745 --> 01:22:30,946
OH.
1067
01:22:31,880 --> 01:22:35,884
WE MEN MAY SAY MORE,
SWEAR MORE--
1068
01:22:35,884 --> 01:22:39,688
BUT INDEED OUR SHOWS
ARE MORE THAN WILL;
1069
01:22:39,688 --> 01:22:48,231
FOR STILL WE PROVE
MUCH IN OUR VOWS,
BUT LITTLE IN OUR LOVE.
1070
01:22:54,303 --> 01:22:57,706
BUT DIED THY SISTER
OF HER LOVE, MY BOY?
1071
01:22:57,706 --> 01:23:00,509
I AM ALL THE DAUGHTERS
OF MY FATHER'S HOUSE...
1072
01:23:01,910 --> 01:23:05,314
AND ALL
THE BROTHERS TOO...
1073
01:23:05,314 --> 01:23:08,717
AND YET I KNOW NOT...
1074
01:23:33,942 --> 01:23:37,280
I'LL DO MY BEST
TO WOO YOUR LADY.
1075
01:23:39,948 --> 01:23:43,352
Viola, thinking:
YET, A BARFUL STRIFE!
1076
01:23:43,352 --> 01:23:47,556
WHOE'ER I WOO,
MYSELF WOULD BE HIS WIFE.
1077
01:24:35,604 --> 01:24:36,805
HEY!
1078
01:25:21,016 --> 01:25:23,452
NO, FAITH, I'LL NOT
STAY A JOT LONGER.
1079
01:25:23,452 --> 01:25:25,854
THY REASON, DEAR VENOM,
GIVE THY REASON.
1080
01:25:25,854 --> 01:25:29,858
MARRY, I SAW YOUR NIECE
DO MORE FAVOURS TO
THE COUNT'S SERVING-MAN
1081
01:25:29,858 --> 01:25:32,861
THAN EVER
SHE BESTOWED ON ME;
I SAW'T I'TH'GARDEN.
1082
01:25:32,861 --> 01:25:36,064
Sir Toby: DID SHE SEE THEE
THE WHILE, OLD BOY?
TELL ME THAT.
1083
01:25:36,064 --> 01:25:37,866
AS PLAIN
AS I SEE YOU NOW.
1084
01:25:37,866 --> 01:25:40,469
Fabian: THIS WAS A GREAT
ARGUMENT OF LOVE IN HER
TOWARD YOU.
1085
01:25:40,469 --> 01:25:43,472
'SLIGHT! WILL YOU
MAKE AN ASS O' ME?
1086
01:25:43,472 --> 01:25:47,476
SHE DID SHOW FAVOUR
TO THE YOUTH IN YOUR SIGHT,
1087
01:25:47,476 --> 01:25:50,279
ONLY TO EXASPERATE YOU,
TO AWAKE YOUR DORMOUSE VALOUR:
1088
01:25:50,279 --> 01:25:56,485
YOU SHOULD THEN HAVE
ACCOSTED HER, AND BANGED
THE YOUTH INTO DUMBNESS:
1089
01:25:56,485 --> 01:26:00,489
YOU ARE NOW SAILED
INTO THE NORTH OF
MY LADY'S OPINION,
1090
01:26:00,489 --> 01:26:02,491
UNLESS YOU
DO REDEEM IT
1091
01:26:02,491 --> 01:26:05,494
BY SOME LAUDABLE
ATTEMPT OF EITHER
VALOUR OR POLICY.
1092
01:26:05,494 --> 01:26:08,497
IT MUST BE WITH VALOUR,
FOR POLICY I HATE:
1093
01:26:08,497 --> 01:26:10,899
I HAD AS LIEF BE A PURITAN,
AS A POLITICIAN.
1094
01:26:10,899 --> 01:26:16,505
Sir Toby: WHY THEN.
CHALLENGE THE COUNT'S YOUTH
TO FIGHT WITH HIM,
1095
01:26:16,505 --> 01:26:19,074
HURT HIM IN ELEVEN PLACES--
1096
01:26:19,074 --> 01:26:21,109
MY NIECE SHALL
TAKE NOTE OF IT,
1097
01:26:21,109 --> 01:26:24,513
AND THERE IS NO
LOVE-BROKER IN THE WORLD
1098
01:26:24,513 --> 01:26:26,081
CAN MORE PREVAIL WITH
WOMAN THAN REPORT OF VALOUR.
1099
01:26:26,081 --> 01:26:28,517
Sir Andrew:
WILL EITHER OF YOU BEAR ME
A CHALLENGE TO HIM?
1100
01:26:28,517 --> 01:26:31,920
GO, WRITE IT
IN A MARTIAL HAND,
BE CURST AND BRIEF;
1101
01:26:31,920 --> 01:26:36,124
IT IS NO MATTER HOW WITTY,
SO IT BE ELOQUENT.
1102
01:26:36,124 --> 01:26:37,393
ABOUT IT.
1103
01:26:37,393 --> 01:26:40,529
Sir Toby: TAUNT HIM
WITH THE LICENSE OF INK.
1104
01:26:40,529 --> 01:26:42,130
WHERE WILL I FIND YOU?
1105
01:26:42,130 --> 01:26:43,332
GO, GO.
1106
01:26:43,332 --> 01:26:46,535
WE'LL CALL THEE
AT THY CUBICULUM.
1107
01:26:47,936 --> 01:26:51,139
THIS WAS A DEAR MANAKIN
TO YOU, SIR TOBY.
1108
01:26:51,139 --> 01:26:53,542
I HAVE BEEN DEAR
TO HIM, LAD--
1109
01:26:53,542 --> 01:26:56,345
SOME TWO THOUSAND
STRONG, OR SO.
1110
01:26:58,146 --> 01:27:02,551
YON GULL MALVOLIO
IS TURNED HEATHEN...
1111
01:27:02,551 --> 01:27:05,153
HE IS IN
YELLOW STOCKINGS!
1112
01:27:05,153 --> 01:27:06,755
AND CROSS
1113
01:27:18,767 --> 01:27:21,203
HOW NOW, MALVOLIO?
1114
01:27:21,203 --> 01:27:23,772
SWEET...
1115
01:27:23,772 --> 01:27:26,174
LADY.
1116
01:27:26,174 --> 01:27:28,176
Olivia: SMIL'ST THOU?
1117
01:27:28,176 --> 01:27:30,346
I SENT FOR THEE
UPON A SAD OCCASION.
1118
01:27:30,346 --> 01:27:31,780
SAD, LADY?
1119
01:27:31,780 --> 01:27:33,316
I COULD BE SAD:
1120
01:27:33,316 --> 01:27:38,186
THIS DOES MAKE SOME
OBSTRUCTION IN THE BLOOD,
THIS CROSS-GARTERING--
1121
01:27:38,186 --> 01:27:39,655
BUT WHAT OF THAT?
1122
01:27:39,655 --> 01:27:44,192
IF IT PLEASE THE EYE OF ONE,
"PLEASE ONE AND PLEASE ALL."
1123
01:27:44,192 --> 01:27:46,061
Olivia: WHY,
HOW DOST THOU, MAN?
1124
01:27:46,061 --> 01:27:47,463
WHAT IS THE MATTER
WITH THEE?
1125
01:27:47,463 --> 01:27:52,401
NOT BLACK IN MY MIND,
THOUGH YELLOW IN MY LEGS...
1126
01:27:55,203 --> 01:27:57,139
IT DID COME TO HIS HANDS,
1127
01:27:57,139 --> 01:28:02,545
AND COMMANDS
SHALL BE EXECUTED.
1128
01:28:05,213 --> 01:28:08,784
I THINK WE DO KNOW
THE SWEET ROMAN HAND.
1129
01:28:15,624 --> 01:28:18,827
WILT THOU GO TO BED,
MALVOLIO?
1130
01:28:18,827 --> 01:28:20,363
TO BED!
1131
01:28:22,230 --> 01:28:25,834
AY, SWEET-HEART...
1132
01:28:27,235 --> 01:28:29,838
AND I'LL COME TO THEE.
1133
01:28:29,838 --> 01:28:31,006
GOD COMFORT THEE!
1134
01:28:31,006 --> 01:28:34,643
WHY DOST THOU SMILE SO,
AND KISS THY HAND SO OFT?
1135
01:28:34,643 --> 01:28:36,244
HOW DO YOU,
MALVOLIO?
1136
01:28:36,244 --> 01:28:41,216
WHY APPEAR YOU WITH
THIS RIDICULOUS BOLDNESS
BEFORE MY LADY?
1137
01:28:41,216 --> 01:28:42,351
"BE NOT AFRAID
OF GREATNESS":
1138
01:28:42,351 --> 01:28:43,852
'TWAS WELL WRIT.
1139
01:28:43,852 --> 01:28:45,621
WHAT MEAN'ST THOU
BY THAT, MALVOLIO?
1140
01:28:45,621 --> 01:28:46,722
"SOME ARE
BORN GREAT,
1141
01:28:46,722 --> 01:28:48,056
SOME ACHIEVE
GREATNESS..."
1142
01:28:48,056 --> 01:28:49,291
WHAT SAY'ST THOU?
1143
01:28:49,291 --> 01:28:51,627
"AND SOME HAVE GREATNESS
THRUST UPON THEM."
1144
01:28:51,627 --> 01:28:53,028
OH, GOD!
STOP IT!
1145
01:28:53,028 --> 01:28:55,364
"REMEMBER, WHO COMMENDED
THY YELLOW STOCKINGS
1146
01:28:55,364 --> 01:28:56,832
AND WISHED TO SEE
THEE CROSS-GARTERED."
1147
01:28:56,832 --> 01:28:58,300
CROSS
1148
01:28:58,300 --> 01:29:00,469
"GO TO, THOU ART
MADE, IF THOU
DESIR'ST TO BE SO--"
AM I MADE?
1149
01:29:00,469 --> 01:29:02,638
"IF NOT, LET ME SEE THEE
A SERVANT STILL."
1150
01:29:02,638 --> 01:29:04,507
WHY, THIS IS
VERY MIDSUMMER MADNESS.
1151
01:29:04,507 --> 01:29:07,643
Servant: MADAM,
THE YOUNG GENTLEMAN
1152
01:29:07,643 --> 01:29:08,844
OF THE COUNT ORSINO'S
IS RETURNED.
1153
01:29:08,844 --> 01:29:10,546
I'LL COME TO HIM.
1154
01:29:11,647 --> 01:29:13,982
GOOD MARIA,
LET THIS FELLOW
BE LOOKED TO.
1155
01:29:13,982 --> 01:29:15,718
WHERE'S MY COUSIN TOBY?
1156
01:29:15,718 --> 01:29:18,821
LET SOME
OF MY PEOPLE HAVE
A SPECIAL CARE OF HIM.
1157
01:29:20,656 --> 01:29:25,661
DO YOU COME NEAR ME NOW?
1158
01:29:25,661 --> 01:29:30,966
NO WORSE MAN THAN SIR TOBY
TO LOOK TO ME!
1159
01:29:32,367 --> 01:29:35,404
SHE SENDS HIM ON PURPOSE,
THAT I MAY APPEAR
STUBBORN TO HIM.
1160
01:29:35,404 --> 01:29:37,973
I HAVE LIMED HER!
1161
01:29:39,675 --> 01:29:45,280
BUT IT IS GOD'S DOING,
AND GOD MAKE ME THANKFUL!
1162
01:29:45,280 --> 01:29:47,282
AND WHEN SHE WENT AWAY NOW,
1163
01:29:47,282 --> 01:29:48,684
"LET THIS FELLOW
BE LOOKED TO":
1164
01:29:48,684 --> 01:29:53,288
NOT MALVOLIO, NOT AFTER
MY DEGREE, BUT A "FELLOW."
1165
01:29:53,288 --> 01:29:55,524
WHY, EVERY THING
ADHERES TOGETHER.
1166
01:29:57,159 --> 01:30:00,095
WHAT CAN BE SAID?
1167
01:30:00,095 --> 01:30:07,436
NOTHING THAT CAN BE,
CAN COME BETWEEN ME AND
THE FULL PROSPECT OF MY HOPES.
1168
01:30:08,871 --> 01:30:10,405
... IN THE NAME
OF SANCTITY?
1169
01:30:10,405 --> 01:30:12,307
IF ALL THE DEVILS
OF HELL POSSESS HIM,
I'LL SPEAK TO HIM.
1170
01:30:12,307 --> 01:30:14,309
HOW IS'T
WITH YOU, SIR?
1171
01:30:14,309 --> 01:30:17,079
Malvolio: GO OFF,
I DISCARD YOU.
1172
01:30:17,079 --> 01:30:19,314
SIR TOBY, MY LADY
PRAYS YOU TO HAVE
A CARE OF HIM.
1173
01:30:19,314 --> 01:30:20,916
AH, HA!
1174
01:30:20,916 --> 01:30:23,452
DOES SHE SO!
1175
01:30:23,452 --> 01:30:26,722
WHAT, MAN!
DEFY THE DEVIL.
1176
01:30:26,722 --> 01:30:28,724
DO YOU KNOW
WHAT YOU SAY?
1177
01:30:28,724 --> 01:30:30,793
LA YOU!
AN YOU SPEAK ILL
OF THE DEVIL,
1178
01:30:30,793 --> 01:30:32,761
HOW HE TAKES IT
AT HEART!
1179
01:30:32,761 --> 01:30:34,730
CARRY HIS WATER
TO TH'WISE WOMAN.
1180
01:30:34,730 --> 01:30:37,132
IT SHALL BE DONE
TO-MORROW MORNING.
1181
01:30:37,132 --> 01:30:39,935
MY LADY WOULD NOT
LOSE HIM FOR MORE
THAN I'LL SAY.
1182
01:30:39,935 --> 01:30:41,336
HOW NOW, MISTRESS!
1183
01:30:41,336 --> 01:30:42,538
O LORD!
1184
01:30:43,739 --> 01:30:45,541
Malvolio: LET ME
ENJOY MY PRIVATE.
1185
01:30:45,541 --> 01:30:49,111
Maria: GET HIM
TO SAY HIS PRAYERS,
GOOD SIR TOBY,
GET HIM TO PRAY.
1186
01:30:49,111 --> 01:30:50,846
MY PRAYERS, MINX!
1187
01:30:50,846 --> 01:30:53,749
NO, I WARRANT YOU,
HE WILL NOT HEAR
OF GODLINESS.
1188
01:30:53,749 --> 01:30:56,752
Malvolio: YOU ARE
IDLE SHALLOW THINGS--
1189
01:30:56,752 --> 01:30:59,221
I AM NOT OF
YOUR ELEMENT--
1190
01:30:59,221 --> 01:31:02,024
YOU SHALL
KNOW MORE HEREAFTER.
1191
01:31:18,974 --> 01:31:19,975
SHH!
1192
01:31:23,378 --> 01:31:25,614
IS'T POSSIBLE?
1193
01:31:30,786 --> 01:31:32,788
IF THIS WERE PLAYED
UPON A STAGE NOW,
1194
01:31:32,788 --> 01:31:36,191
I WOULD CONDEMN IT
AS AN IMPROBABLE
FICTION.
1195
01:31:36,191 --> 01:31:41,797
COME, WE'LL HAVE HIM
IN A DARK ROOM
AND BOUND.
1196
01:31:41,797 --> 01:31:45,200
WHY, WE SHALL
MAKE HIM MAD INDEED.
1197
01:31:45,200 --> 01:31:48,203
MY NIECE IS ALREADY
IN THE BELIEF THAT
HE'S MAD;
1198
01:31:48,203 --> 01:31:53,008
WE MAY CARRY IT THUS,
FOR OUR PLEASURE
AND HIS PENANCE.
1199
01:31:54,810 --> 01:31:57,145
Sir Andrew:
"...SCURVY FELLOW.
1200
01:31:57,145 --> 01:31:59,014
...IN THY THROAT."
1201
01:32:01,416 --> 01:32:03,619
MORE MATTER
FOR A MAY MORNING!
1202
01:32:06,221 --> 01:32:09,224
Sir Andrew: HERE'S
THE CHALLENGE, READ IT:
1203
01:32:09,224 --> 01:32:11,960
I WARRANT THERE'S VINEGAR
AND PEPPER IN'T.
1204
01:32:11,960 --> 01:32:13,028
IS'T SO SAUCY?
1205
01:32:13,028 --> 01:32:14,429
DO BUT READ.
1206
01:32:14,429 --> 01:32:16,031
GIVE ME.
1207
01:32:19,101 --> 01:32:24,439
Sir Toby: "YOUTH,
WHATSOEVER THOU ART, THOU
ART BUT A SCURVY FELLOW."
1208
01:32:24,439 --> 01:32:26,208
GOOD, AND VALIANT.
1209
01:32:26,208 --> 01:32:30,345
"THOU COM'ST TO THE LADY
OLIVIA, AND IN MY SIGHT
SHE USES THEE KINDLY:
1210
01:32:30,345 --> 01:32:35,851
BUT THAT IS NOT
THE MATTER I CHALLENGE
THEE FOR."
1211
01:32:35,851 --> 01:32:39,087
VERY BRIEF, AND TO
EXCEEDING GOOD SENSE.
1212
01:32:39,087 --> 01:32:47,062
"I WILL WAYLAY THEE
GOING HOME, WHERE IF IT
BE THY CHANCE TO KILL ME,"--
1213
01:32:47,062 --> 01:32:48,263
GOOD.
1214
01:32:48,263 --> 01:32:53,268
"THOU KILL'ST ME LIKE
A ROGUE AND A VILLAIN."
1215
01:32:53,268 --> 01:32:57,339
STILL YOU KEEP
TO THE THE WINDY SIDE
OF THE LAW: GOOD.
1216
01:32:57,339 --> 01:33:02,477
Sir Toby: "FARE THEE
WELL, AND GOD HAVE MERCY
UPON ONE OF OUR SOULS!
1217
01:33:02,477 --> 01:33:04,179
"HE MAY HAVE MERCY
UPON MINE,
1218
01:33:04,179 --> 01:33:08,684
BUT MY HOPE IS BETTER,
AND SO LOOK TO THYSELF."
1219
01:33:09,752 --> 01:33:11,687
"THY FRIEND..."
1220
01:33:18,293 --> 01:33:25,300
"AS THOU USEST HIM, AND THY
SWORN ENEMY, ANDREW AGUECHEEK."
1221
01:33:25,300 --> 01:33:29,604
IF THIS LETTER MOVE
HIM NOT, HIS LEGS
CANNOT: I'LL GIVE'T HIM.
1222
01:33:30,906 --> 01:33:33,508
HE IS NOW
IN SOME COMMERCE
WITH MY LADY,
1223
01:33:33,508 --> 01:33:35,510
BUT WILL
BY AND BY DEPART.
1224
01:33:35,510 --> 01:33:36,912
GO, SIR ANDREW;
1225
01:33:36,912 --> 01:33:39,514
SCOUT ME
FOR HIM AT THE CORNER
OF THE ORCHARD
1226
01:33:39,514 --> 01:33:40,916
LIKE A BUM-BAILY:
1227
01:33:40,916 --> 01:33:43,518
SO SOON AS EVER THOU
SEEST HIM, DRAW THY SWORD.
1228
01:33:43,518 --> 01:33:45,520
AS THOU DRAW'ST,
SWEAR HORRIBLE.
1229
01:33:45,520 --> 01:33:46,789
AWAY!
1230
01:33:47,923 --> 01:33:50,759
NAY, LET ME ALONE
FOR SWEARING.
1231
01:33:51,960 --> 01:33:54,697
I'LL DELIVER HIS CHALLENGE
BY WORD OF MOUTH.
1232
01:33:55,864 --> 01:33:58,133
Olivia:
AND I BESEECH YOU
COME AGAIN TOMORROW.
1233
01:33:58,133 --> 01:34:00,736
WHAT SHALL YOU
ASK OF ME,
THAT I'LL DENY?
1234
01:34:00,736 --> 01:34:04,139
NOTHING BUT THIS--
YOUR TRUE LOVE
FOR MY MASTER.
1235
01:34:04,139 --> 01:34:07,342
HOW WITH MINE HONOUR MAY
I GIVE HIM THAT WHICH
I HAVE GIVEN TO YOU?
1236
01:34:07,342 --> 01:34:09,745
I WILL ACQUIT YOU.
1237
01:34:09,745 --> 01:34:11,546
Sebastian: THOU ART
A FOOLISH FELLOW.
1238
01:34:11,546 --> 01:34:14,950
WILL YOU MAKE ME BELIEVE
THAT I AM NOT SENT FOR YOU?
1239
01:34:16,351 --> 01:34:18,353
GO TO.
1240
01:34:18,353 --> 01:34:20,022
GO TO!
1241
01:34:20,022 --> 01:34:24,159
WELL, COME AGAIN TO-MORROW:
FARE THEE WELL.
1242
01:34:24,159 --> 01:34:27,362
A FIEND, LIKE THEE,
MIGHT BEAR MY SOUL TO HELL.
1243
01:34:27,362 --> 01:34:28,964
Viola: AH!
1244
01:34:31,366 --> 01:34:34,369
LET ME BE
CLEAR OF THEE.
1245
01:34:34,369 --> 01:34:35,938
WELL HELD OUT.
1246
01:34:43,779 --> 01:34:45,380
GENTLEMAN,
GOD SAVE THEE.
1247
01:34:45,380 --> 01:34:46,782
AND YOU, SIR.
1248
01:34:46,782 --> 01:34:49,184
THAT DEFENSE THOU HAST,
BETAKE THEE TO'T:
1249
01:34:49,184 --> 01:34:53,789
OF WHAT NATURE
THE WRONGS ARE THOU HAST
DONE HIM, I KNOW NOT;
1250
01:34:53,789 --> 01:34:56,792
BUT THY INTERCEPTER,
BLOODY AS THE HUNTER,
1251
01:34:56,792 --> 01:34:59,394
ATTENDS THEE
AT THE ORCHARD END.
1252
01:34:59,394 --> 01:35:00,796
YOU MISTAKE, SIR.
1253
01:35:00,796 --> 01:35:01,797
I AM SURE NO MAN HATH
1254
01:35:01,797 --> 01:35:03,198
ANY QUARREL TO ME.
1255
01:35:03,198 --> 01:35:06,001
YOU'LL FIND IT OTHERWISE,
I ASSURE YOU:
1256
01:35:06,001 --> 01:35:10,806
THEREFORE, IF YOU HOLD
YOUR LIFE AT ANY PRICE,
BETAKE YOU TO YOUR GUARD;
1257
01:35:10,806 --> 01:35:12,975
FOR YOUR OPPOSITE
HATH IN HIM
1258
01:35:12,975 --> 01:35:17,813
WHAT YOUTH, STRENGTH,
SKILL AND WRATH
CAN FURNISH MAN.
1259
01:35:17,813 --> 01:35:21,216
I BESEECH YOU, SIR,
WHAT IS HE?
1260
01:35:21,216 --> 01:35:24,219
HE IS A DEVIL
IN PRIVATE BRAWL:
1261
01:35:24,219 --> 01:35:28,223
SOULS AND BODIES HATH HE
DIVORCED...THREE.
1262
01:35:28,223 --> 01:35:31,226
I WILL RETURN AGAIN
INTO THE HOUSE
1263
01:35:31,226 --> 01:35:33,829
AND DESIRE SOME CONDUCT
OF THE LADY.
1264
01:35:33,829 --> 01:35:36,231
I AM NO FIGHTER.
1265
01:35:36,231 --> 01:35:39,234
I BESEECH YOU TO KNOW
OF THE KNIGHT WHAT MY OFFENCE
TO HIM IS;
1266
01:35:39,234 --> 01:35:42,637
IT IS SOMETHING
OF MY NEGLIGENCE,
NOTHING OF MY PURPOSE.
1267
01:35:42,637 --> 01:35:46,842
SIGNIOR FABIAN,
STAND YOU BY THE GENTLEMAN
TILL I RETURN.
1268
01:35:46,842 --> 01:35:49,845
I PRAY YOU, SIR, DO YOU
KNOW OF THIS MATTER?
1269
01:35:49,845 --> 01:35:52,247
I KNOW THE KNIGHT
IS INCENSED
AGAINST YOU,
1270
01:35:52,247 --> 01:35:53,949
EVEN TO A MORTAL
ARBITREMENT.
1271
01:35:53,949 --> 01:35:56,551
WHY, MAN,
HE'S THE VERY DEVIL,
1272
01:35:56,551 --> 01:35:58,453
I HAVE NOT SEEN
SUCH A FIRAGO...
1273
01:35:58,453 --> 01:36:00,655
I HAD A PASS WITH HIM,
1274
01:36:00,655 --> 01:36:04,659
AND HE GIVES ME THE STUCK IN
WITH SUCH A MORTAL MOTION
THAT IT IS INEVITABLE.
1275
01:36:04,659 --> 01:36:08,864
THEY SAY
HE HAS BEEN THE FENCER
TO THE SHAH OF PERSIA.
1276
01:36:08,864 --> 01:36:11,266
POX ON'T. I'LL NOT
MEDDLE WITH HIM.
1277
01:36:11,266 --> 01:36:13,869
AY, BUT HE WILL NOT
NOW BE PACIFIED:
1278
01:36:13,869 --> 01:36:16,805
FABIAN CAN SCARCE
HOLD HIM YONDER.
1279
01:36:16,805 --> 01:36:18,073
PLAGUE ON'T.
1280
01:36:18,073 --> 01:36:20,275
LET HIM LET
THE MATTER SLIP,
1281
01:36:20,275 --> 01:36:22,477
AND I'LL GIVE HIM
MY HORSE.
1282
01:36:22,477 --> 01:36:25,280
I'LL MAKE THE MOTION:
1283
01:36:25,280 --> 01:36:29,684
STAND HERE,
MAKE A GOOD SHOW ON'T.
1284
01:36:29,684 --> 01:36:33,021
I'LL RIDE YOUR HORSE
AS WELL AS I RIDE YOU.
1285
01:36:33,021 --> 01:36:36,291
I WILL
MAKE YOUR PEACE
WITH HIM IF I CAN.
1286
01:36:36,291 --> 01:36:38,961
I'LL BE MUCH BOUND
TO YOU FOR IT.
1287
01:36:39,895 --> 01:36:41,897
I HAVE PERSUADED HIM
THE YOUTH'S A DEVIL.
1288
01:36:41,897 --> 01:36:44,266
HE IS AS HORRIBLY
CONCEITED OF HIM.
1289
01:36:44,266 --> 01:36:45,700
MM-HMM.
1290
01:36:45,700 --> 01:36:51,373
THERE'S NO REMEDY, SIR,
HE WILL FIGHT WITH YOU
FOR'S OATH SAKE.
1291
01:36:55,310 --> 01:36:58,046
GIVE GROUND, IF YOU
SEE HIM FURIOUS.
1292
01:36:58,046 --> 01:37:00,315
COME, SIR ANDREW,
THERE'S NO REMEDY,
1293
01:37:00,315 --> 01:37:03,886
THE GENTLEMAN WILL
FOR HIS HONOUR'S SAKE
HAVE ONE BOUT WITH YOU.
1294
01:37:24,672 --> 01:37:26,074
COME ON.
1295
01:37:28,143 --> 01:37:29,244
TO'T!
1296
01:37:40,555 --> 01:37:42,024
YA!
1297
01:37:45,560 --> 01:37:47,362
UH!
1298
01:38:24,399 --> 01:38:25,467
AH!
1299
01:38:49,958 --> 01:38:53,228
Antonio: PUT UP YOUR SWORD.
1300
01:38:56,431 --> 01:39:01,136
Antonio: IF THIS YOUNG GENTLEMAN
HAVE DONE OFFENCE...
1301
01:39:01,136 --> 01:39:03,038
I TAKE THE FAULT ON ME.
1302
01:39:03,038 --> 01:39:05,473
Sir Toby: YOU, SIR!
1303
01:39:05,473 --> 01:39:06,641
AND WHAT ARE YOU?
1304
01:39:06,641 --> 01:39:10,645
ONE, SIR,
THAT FOR HIS LOVE
DARES YET DO MORE
1305
01:39:10,645 --> 01:39:13,515
THAN YOU HAVE HEARD HIM
BRAG TO YOU HE WILL.
1306
01:39:15,450 --> 01:39:19,954
NAY, IF YOU BE
AN UNDERTAKER,
I AM FOR YOU.
1307
01:39:29,464 --> 01:39:32,200
HOLD; HERE COME
THE OFFICERS.
1308
01:39:32,200 --> 01:39:34,269
I'LL BE WITH YOU ANON.
1309
01:39:40,475 --> 01:39:42,877
PRAY, SIR,
PUT YOUR SWORD UP.
1310
01:39:42,877 --> 01:39:45,480
FOR THAT I PROMISED YOU,
I'LL BE AS GOOD AS MY WORD.
1311
01:39:45,480 --> 01:39:47,682
HE WILL BEAR YOU EASILY,
AND REINS WELL.
1312
01:39:47,682 --> 01:39:49,151
Officer: THIS IS THE MAN.
1313
01:39:49,151 --> 01:39:53,088
Second officer:
ANTONIO,
I ARREST THEE IN
THE NAME OF ORSINO.
1314
01:39:53,088 --> 01:39:54,889
YOU DO MISTAKE ME, SIR.
1315
01:39:54,889 --> 01:39:58,760
First officer:
NO, SIR, NO JOT;
I KNOW YOUR FAVOUR WELL:
1316
01:39:58,760 --> 01:40:02,497
THOUGH NOW YOU WEAR
NO SEA-CAP ON YOUR HEAD...
1317
01:40:02,497 --> 01:40:06,701
TAKE HIM AWAY,
HE KNOWS I KNOW HIM WELL.
1318
01:40:06,701 --> 01:40:08,103
I MUST OBEY.
1319
01:40:08,103 --> 01:40:10,505
THIS COMES
WITH SEEKING YOU.
1320
01:40:10,505 --> 01:40:14,109
WHAT WILL YOU DO,
NOW MY NECESSITY MAKES ME
TO ASK YOU FOR MY PURSE?
1321
01:40:14,109 --> 01:40:15,510
COME, AWAY, SIR.
1322
01:40:15,510 --> 01:40:17,845
I MUST ENTREAT OF YOU
SOME OF THAT MONEY.
1323
01:40:17,845 --> 01:40:19,714
WHAT MONEY, SIR?
1324
01:40:19,714 --> 01:40:23,351
FOR THE FAIR KINDNESS
YOU HAVE SHOWED ME HERE,
I'LL LEND YOU SOMETHING.
1325
01:40:25,120 --> 01:40:28,323
WILL YOU DENY ME NOW?
1326
01:40:30,092 --> 01:40:31,926
Second officer:
COME, SIR,
I PRAY YOU, GO.
1327
01:40:31,926 --> 01:40:35,363
THIS YOUTH THAT YOU SEE HERE
I SNATCHED ONE HALF OUT
OF THE JAWS OF DEATH.
1328
01:40:35,363 --> 01:40:36,631
First officer:
WHAT'S THAT TO US?
1329
01:40:36,631 --> 01:40:40,135
GO TELL MY LORD ORSINO
WE WILL HOLD HIM HERE.
1330
01:40:40,135 --> 01:40:41,736
LEAD ME ON.
1331
01:40:47,142 --> 01:40:52,347
A VERY DISHONEST
AND PALTRY BOY, AND MORE
A COWARD THAN A HARE,
1332
01:40:52,347 --> 01:40:55,350
LEAVING HIS FRIEND HERE IN
NECESSITY AND DENYING HIM.
1333
01:40:55,350 --> 01:40:58,753
A COWARD,
A MOST DEVOUT COWARD,
RELIGIOUS IN IT.
1334
01:40:58,753 --> 01:41:01,756
'SLID,
I'LL AFTER HIM AGAIN
AND BEAT HIM.
1335
01:41:01,756 --> 01:41:04,726
DO, CUFF HIM SOUNDLY,
BUT NEVER DRAW THY SWORD.
1336
01:41:04,726 --> 01:41:06,561
AN I DO NOT.
1337
01:41:07,962 --> 01:41:10,432
Malvolio: THY WRONGED ME!
1338
01:41:10,432 --> 01:41:13,801
THY HAVE PUT ME INTO DARKNESS!
1339
01:41:16,271 --> 01:41:17,872
THE WORLD SHALL KNOW IT!
1340
01:41:26,281 --> 01:41:28,283
Feste: NO, I DO
NOT KNOW YOU,
1341
01:41:28,283 --> 01:41:31,286
NOR I AM NOT SENT
TO YOU BY MY LADY,
1342
01:41:31,286 --> 01:41:33,087
NOR YOUR NAME IS NOT
MASTER CESARIO,
1343
01:41:33,087 --> 01:41:38,526
NOR THIS IS NOT
MY NOSE NEITHER: NOTHING
THAT IS SO, IS SO.
1344
01:41:38,526 --> 01:41:40,295
I PRITHEE, FOOLISH GREEK,
VENT THY FOLLY SOMEWHERE ELSE,
1345
01:41:40,295 --> 01:41:41,896
THOU KNOW'ST NOT ME.
1346
01:41:41,896 --> 01:41:43,298
VENT MY FOLLY!
1347
01:41:43,298 --> 01:41:45,700
TELL ME WHAT SHALL
I VENT TO MY LADY:
1348
01:41:45,700 --> 01:41:48,303
SHALL I VENT TO HER
THAT THOU ART COMING?
1349
01:41:48,303 --> 01:41:50,505
THERE'S MONEY FOR THEE.
1350
01:41:53,107 --> 01:41:57,312
IF YOU TARRY ANY LONGER,
I SHALL GIVE YOU
WORSE PAYMENT.
1351
01:41:57,312 --> 01:42:00,282
BY MY TROTH, THOU HAST
AN OPEN HAND.
1352
01:42:02,717 --> 01:42:05,320
NOW, SIR, HAVE
I MET YOU AGAIN?
THERE'S FOR YOU.
1353
01:42:05,320 --> 01:42:06,788
Sebastian: OOH!
1354
01:42:12,394 --> 01:42:14,396
THERE'S FOR THEE.
1355
01:42:17,232 --> 01:42:18,466
AND THERE.
1356
01:42:18,466 --> 01:42:19,467
OOH!
1357
01:42:19,467 --> 01:42:21,135
AND--
1358
01:42:26,341 --> 01:42:28,142
Sebastian:
ARE ALL THE PEOPLE MAD?
1359
01:42:28,142 --> 01:42:30,144
Sir Toby: HOLD, SIR,
OR I'LL THROW YOUR DAGGER
O'ER THE HOUSE.
1360
01:42:30,144 --> 01:42:33,348
Feste: I WOULD NOT
BE IN SOME OF YOUR COATS
FOR TWO PENCE.
1361
01:42:33,348 --> 01:42:35,149
I'LL HAVE
AN ACTION OF BATTERY
AGAINST HIM:
1362
01:42:35,149 --> 01:42:37,219
THOUGH I STRUCK HIM
FIRST, YET IT'S
NO MATTER FOR THAT.
1363
01:42:37,219 --> 01:42:38,620
LET GO THY HAND!
1364
01:42:38,620 --> 01:42:40,355
I WILL NOT LET YOU GO,
MY YOUNG SOLDIER.
1365
01:42:40,355 --> 01:42:42,557
I WILL BE FREE
FROM THEE.
1366
01:42:42,557 --> 01:42:44,058
AH!
1367
01:42:44,058 --> 01:42:45,460
AH!
1368
01:42:46,961 --> 01:42:48,230
WHAT WOULD'ST
THOU NOW?
1369
01:42:48,230 --> 01:42:51,966
WHAT, WHAT?
1370
01:42:53,735 --> 01:42:57,572
NAY, THEN I MUST HAVE
AN OUNCE OR TWO OF THIS
MALAPERT BLOOD FROM YOU.
1371
01:43:01,976 --> 01:43:05,213
HOLD, TOBY!
1372
01:43:07,749 --> 01:43:11,686
ON THY LIFE,
I CHARGE THEE, HOLD!
1373
01:43:11,686 --> 01:43:13,388
MADAM.
1374
01:43:13,388 --> 01:43:15,022
WILL IT BE EVER THUS?
1375
01:43:15,022 --> 01:43:16,391
UNGRACIOUS WRETCH.
1376
01:43:16,391 --> 01:43:18,526
FIT FOR THE MOUNTAINS
AND THE BARBAROUS CAVES,
1377
01:43:18,526 --> 01:43:20,395
WHERE MANNERS
NE'ER WERE PREACHED!
1378
01:43:20,395 --> 01:43:21,996
OUT OF MY SIGHT!
1379
01:43:21,996 --> 01:43:24,999
BE NOT OFFENDED,
DEAR CESARIO...
1380
01:43:24,999 --> 01:43:26,801
RUDESBY, BE GONE!
1381
01:43:26,801 --> 01:43:29,804
I PRITHEE, GENTLE FRIEND,
GO WITH ME TO THE HOUSE,
1382
01:43:29,804 --> 01:43:32,006
AND HEAR THOU THERE
HOW MANY FRUITLESS PRANKS
1383
01:43:32,006 --> 01:43:33,808
THIS RUFFIAN
HATH BOTCHED UP,
1384
01:43:33,808 --> 01:43:35,810
THAT THOU THEREBY
MAY SMILE AT THIS...
1385
01:43:35,810 --> 01:43:38,246
THOU SHALT NOT CHOOSE
BUT GO; DO NOT DENY.
1386
01:43:39,647 --> 01:43:43,618
WHAT RELISH IS IN THIS?
HOW RUNS THE STREAM?
1387
01:43:44,419 --> 01:43:47,555
OR I AM MAD,
OR ELSE THIS IS A DREAM:
1388
01:43:47,555 --> 01:43:51,025
LET FANCY STILL MY SENSE
IN LETHE STEEP--
1389
01:43:51,025 --> 01:43:53,428
IF IT BE THUS TO DREAM,
1390
01:43:53,428 --> 01:43:54,929
STILL LET ME SLEEP!
1391
01:43:54,929 --> 01:43:56,197
NAY, COME, I PRITHEE:
1392
01:43:56,197 --> 01:43:58,933
WOULD THOU'DST
BE RULED BY ME!
1393
01:43:58,933 --> 01:44:00,635
MADAM...
1394
01:44:02,637 --> 01:44:05,039
I WILL.
1395
01:44:05,039 --> 01:44:09,243
O, SAY SO, AND SO BE!
1396
01:44:17,452 --> 01:44:20,988
Viola, thinking:
PROVE TRUE, IMAGINATION.
1397
01:44:22,657 --> 01:44:26,328
PROVE TRUE.
1398
01:44:26,328 --> 01:44:28,530
[MALVOLIO YELLING
AND BANGING ON DOOR]
1399
01:44:29,864 --> 01:44:33,668
I WOULD I WERE THE FIRST
THAT EVER DISSEMBLED
IN SUCH A GOWN.
1400
01:44:42,477 --> 01:44:44,479
JOVE BLESS THEE,
MASTER PARSON!
1401
01:44:44,479 --> 01:44:46,047
BONOS DIES, SIR TOBY:
1402
01:44:46,047 --> 01:44:48,883
FOR AS THE OLD HERMIT
OF PRAGUE, WHO NEVER SAW
PEN AND INK,
1403
01:44:48,883 --> 01:44:52,487
VERY WITTILY SAID TO
A NIECE OF KING GORBODUC,
"THAT THAT IS, IS":
1404
01:44:52,487 --> 01:44:54,489
SO I, BEING MASTER PARSON,
AM MASTER PARSON;
1405
01:44:54,489 --> 01:44:55,490
FOR WHAT IS "THAT"
BUT THAT
1406
01:44:55,490 --> 01:44:57,692
TO HIM, MASTER TOPAS.
1407
01:45:03,365 --> 01:45:04,932
Feste: WHAT, HO!
1408
01:45:04,932 --> 01:45:06,501
PEACE IN THIS PRISON!
1409
01:45:06,501 --> 01:45:08,503
Malvolio: WHO CALLS THERE?
1410
01:45:09,904 --> 01:45:15,910
MASTER TOPAS THE CURATE
WHO COMES TO VISIT
MALVOLIO THE LUNATIC.
1411
01:45:15,910 --> 01:45:21,516
Malvolio, breathing heavily:
MASTER TOPAS, GOOD
MASTER TOPAS, GO TO MY LADY.
1412
01:45:21,516 --> 01:45:22,917
OUT, HYPERBOLICAL FIEND!
1413
01:45:22,917 --> 01:45:25,286
TALKEST THOU NOTHING
BUT OF LADIES?
1414
01:45:25,286 --> 01:45:27,589
THE KNAVE
COUNTERFEITS WELL.
1415
01:45:27,589 --> 01:45:31,526
Malvolio:
GOOD MASTER TOPAS,
DO NOT THINK I AM MAD;
1416
01:45:31,526 --> 01:45:35,530
THEY HAVE LAID ME HERE
IN HIDEOUS DARKNESS.
1417
01:45:35,530 --> 01:45:38,132
SAY'ST THOU
THIS HOUSE IS DARK?
1418
01:45:38,132 --> 01:45:39,567
AS HELL, MASTER TOPAS.
1419
01:45:39,567 --> 01:45:43,337
WHY, IT HATH BAY WINDOWS
TRANSPARENT AS BARRICADOES,
1420
01:45:43,337 --> 01:45:47,509
AND THE CLERESTORIES
TO THE SOUTH-NORTH ARE
AS LUSTROUS AS EBONY.
1421
01:45:47,509 --> 01:45:49,076
I AM NOT MAD.
1422
01:46:08,963 --> 01:46:13,835
THIS IS THE AIR,
THAT IS THE GLORIOUS SUN.
1423
01:46:16,571 --> 01:46:20,174
THIS PEARL SHE GAVE ME,
1424
01:46:20,174 --> 01:46:23,445
I DO FEEL'T AND SEE'T.
1425
01:46:24,979 --> 01:46:27,982
YET DOTH THIS ACCIDENT
AND FLOOD OF FORTUNE
1426
01:46:27,982 --> 01:46:31,385
SO FAR EXCEED
ALL INSTANCE, ALL DISCOURSE,
1427
01:46:31,385 --> 01:46:37,992
THAT I AM READY
TO DISTRUST MINE EYES
AND WRANGLE WITH MY REASON,
1428
01:46:37,992 --> 01:46:42,664
THAT PERSUADES ME
TO ANY OTHER TRUST
BUT THAT I AM MAD.
1429
01:46:42,664 --> 01:46:47,401
I AM NO MORE MAD
THAN YOU ARE.
1430
01:46:47,401 --> 01:46:48,870
[MALVOLIO BANGS ON DOOR
AND CRIES]
1431
01:46:48,870 --> 01:46:50,071
FARE THEE WELL.
1432
01:46:50,071 --> 01:46:52,574
MASTER TOPAS!
1433
01:46:52,574 --> 01:46:57,545
I WOULD WE WERE
WELL RID OF THIS KNAVERY.
1434
01:47:00,682 --> 01:47:04,686
FOR I AM NOW SO FAR
IN OFFENCE WITH MY NIECE,
1435
01:47:04,686 --> 01:47:08,490
THAT I CANNOT
PURSUE IT WITH ANY SAFETY.
1436
01:47:25,707 --> 01:47:28,510
COME BY AND BY
TO MY CHAMBER.
1437
01:47:41,155 --> 01:47:44,792
Feste: * JOLLY ROBIN *
1438
01:47:45,727 --> 01:47:49,330
* TELL ME HOW
MY LADY DOES *
1439
01:47:49,330 --> 01:47:50,932
FESTE.
1440
01:47:54,335 --> 01:47:56,337
Malvolio: FESTE!
1441
01:47:56,337 --> 01:47:57,939
FESTE!
1442
01:47:57,939 --> 01:48:02,343
WHO CALLS, HA?
1443
01:48:02,343 --> 01:48:04,145
FESTE!
1444
01:48:04,145 --> 01:48:11,152
FESTE, GOOD FESTE,
HELP ME TO A CANDLE,
PEN, INK AND PAPER.
1445
01:48:11,152 --> 01:48:16,157
MASTER MALVOLIO!
ALAS, SIR, HOW FELL YOU
BESIDES YOUR FIVE WITS?
1446
01:48:16,157 --> 01:48:18,760
THERE WAS NEVER A MAN
SO NOTORIOUSLY ABUSED.
1447
01:48:18,760 --> 01:48:20,762
THEY HAVE HERE
PROPERTIED ME;
1448
01:48:20,762 --> 01:48:23,164
KEEP ME IN DARKNESS,
SEND MINISTERS TO ME.
1449
01:48:23,164 --> 01:48:27,769
I TELL THEE, I AM
AS WELL IN MY WITS,
AS ANY MAN IN ILLYRIA.
1450
01:48:27,769 --> 01:48:29,771
WELL-A-DAY
THAT YOU WERE, SIR!
1451
01:48:29,771 --> 01:48:31,773
BY THIS HAND, I AM...
1452
01:48:31,773 --> 01:48:35,176
GOOD FESTE, SOME INK,
PAPER AND LIGHT:
1453
01:48:35,176 --> 01:48:38,479
AND CONVEY WHAT I WILL
SET DOWN TO MY LADY.
1454
01:48:38,479 --> 01:48:39,981
Sebastian: OR ELSE
THE LADY'S MAD.
1455
01:48:42,183 --> 01:48:46,788
YET, IF 'TWERE SO,
SHE COULD NOT SWAY HER HOUSE,
COMMAND HER FOLLOWERS,
1456
01:48:46,788 --> 01:48:49,390
TAKE AND GIVE BACK AFFAIRS
AND THEIR DISPATCH,
1457
01:48:49,390 --> 01:48:52,193
AS I PERCEIVE SHE DOES:
1458
01:48:52,193 --> 01:48:56,197
THERE'S SOMETHING IN'T
THAT IS...DECEIVABLE.
1459
01:48:56,197 --> 01:49:00,401
Olivia: BLAME NOT
THIS HASTE OF MINE...
1460
01:49:00,401 --> 01:49:01,936
IF YOU MEAN WELL,
1461
01:49:01,936 --> 01:49:05,607
NOW GO WITH ME
AND WITH THIS HOLY MAN
INTO THE CHANTRY BY:
1462
01:49:05,607 --> 01:49:08,610
THERE, BEFORE HIM,
PLIGHT ME THE FULL ASSURANCE
OF YOUR FAITH,
1463
01:49:08,610 --> 01:49:12,213
THAT MY MOST JEALOUS
AND TOO DOUBTFUL SOUL
MAY LIVE AT PEACE.
1464
01:49:12,213 --> 01:49:16,017
HE SHALL CONCEAL IT,
WHILES YOU ARE WILLING
IT SHALL COME TO NOTE.
1465
01:49:16,017 --> 01:49:17,619
WHAT DO YOU SAY?
1466
01:49:19,821 --> 01:49:22,824
I'LL FOLLOW
THIS GOOD MAN
AND GO WITH YOU,
1467
01:49:22,824 --> 01:49:26,293
AND HAVING
SWORN TRUTH,
EVER WILL BE TRUE.
1468
01:49:27,561 --> 01:49:31,432
BUT TELL ME TRUE,
ARE YOU NOT MAD INDEED?
1469
01:49:31,432 --> 01:49:34,435
OR DO YOU
BUT COUNTERFEIT?
1470
01:49:34,435 --> 01:49:38,439
BELIEVE ME, I AM NOT--
1471
01:49:38,439 --> 01:49:40,574
I TELL THEE TRUE.
1472
01:49:41,643 --> 01:49:47,014
NAY, I'LL NE'ER BELIEVE
A MADMAN TILL I SEE
HIS BRAINS.
1473
01:49:47,014 --> 01:49:48,049
AH!
1474
01:49:48,049 --> 01:49:51,485
I WILL FETCH THEE LIGHT
AND PAPER AND INK.
1475
01:49:51,485 --> 01:49:54,255
I'LL REQUITE IT
IN THE HIGHEST DEGREE.
1476
01:49:54,255 --> 01:49:57,859
Feste: * I AM GONE, SIR,
AND ANON, SIR *
1477
01:49:57,859 --> 01:50:01,062
* I'LL BE WITH YOU AGAIN *
1478
01:50:02,263 --> 01:50:06,467
* IN A TRICE,
LIKE TO THE OLD VICE *
1479
01:50:06,467 --> 01:50:10,872
* YOUR NEED TO SUSTAIN *
1480
01:50:10,872 --> 01:50:14,141
* WHO WITH DAGGER OF LATH *
1481
01:50:14,141 --> 01:50:17,511
* IN HIS RAGE AND HIS WRATH *
1482
01:50:17,511 --> 01:50:24,485
* CRIES AH HA, TO THE DEVIL *
1483
01:50:24,485 --> 01:50:26,587
* LIKE A MAD LAD *
1484
01:50:26,587 --> 01:50:28,723
* PARE THY NAILS DAD *
1485
01:50:28,723 --> 01:50:36,964
* ADIEU GOODMAN DEVIL *
1486
01:50:48,976 --> 01:50:52,113
Fabian: NOW,
AS THOU LOV'ST ME,
SHOW ME HIS LETTER.
1487
01:50:54,315 --> 01:50:57,919
BELONG YOU TO
THE LADY OLIVIA,
FRIENDS?
1488
01:50:57,919 --> 01:51:01,088
Feste: AY, SIR, WE ARE
SOME OF HER TRAPPINGS.
1489
01:51:01,088 --> 01:51:03,190
Duke: IF YOU WILL LET
YOUR LADY KNOW I'M HERE,
1490
01:51:03,190 --> 01:51:05,526
AND BRING HER
ALONG WITH YOU,
1491
01:51:05,526 --> 01:51:06,961
IT MAY AWAKE
MY BOUNTY FURTHER.
1492
01:51:06,961 --> 01:51:10,932
MARRY, SIR, LULLABY TO YOUR
BOUNTY TILL I COME AGAIN.
1493
01:51:10,932 --> 01:51:13,134
Viola: THIS IS
THE MAN, SIR,
THAT DID RESCUE ME.
1494
01:51:18,940 --> 01:51:21,342
THAT FACE OF HIS
I DO REMEMBER WELL.
1495
01:51:21,342 --> 01:51:24,946
ORSINO, THIS IS THAT ANTONIO
THAT TOOK THE PHOENIX
1496
01:51:24,946 --> 01:51:27,081
WHEN YOUR YOUNG COUSIN TITUS
LOST HIS LEG.
1497
01:51:27,081 --> 01:51:29,550
HE DID
ME KINDNESS, SIR,
DREW ON MY SIDE.
1498
01:51:29,550 --> 01:51:30,952
NOTABLE PIRATE!
1499
01:51:30,952 --> 01:51:32,486
THOU
SALT-WATER THIEF!
1500
01:51:32,486 --> 01:51:35,757
WHAT FOOLISH BOLDNESS
BROUGHT THEE
TO THEIR MERCIES,
1501
01:51:35,757 --> 01:51:41,562
WHOM THOU, IN TERMS
SO BLOODY AND SO DEAR,
HAST MADE THINE ENEMIES?
1502
01:51:41,562 --> 01:51:44,498
ORSINO, NOBLE SIR,
1503
01:51:44,498 --> 01:51:48,702
ANTONIO NEVER YET WAS THIEF
OR PIRATE, THOUGH I CONFESS,
1504
01:51:48,702 --> 01:51:52,774
ON BASE AND GROUND ENOUGH,
ORSINO'S ENEMY.
1505
01:51:54,575 --> 01:51:57,711
A WITCHCRAFT
DREW ME HITHER:
1506
01:51:57,711 --> 01:52:02,917
THAT MOST INGRATEFUL BOY
THERE BY YOUR SIDE.
1507
01:52:04,218 --> 01:52:07,989
HIS LIFE I GAVE HIM
AND DID THERETO ADD
MY LOVE WITHOUT RETENTION.
1508
01:52:07,989 --> 01:52:11,192
FOR HIS SAKE,
FACED THE DANGER
OF THIS ADVERSE TOWN.
1509
01:52:11,192 --> 01:52:12,593
HOW CAN THIS BE?
1510
01:52:12,593 --> 01:52:13,727
WHEN CAME HE
TO THIS TOWN?
1511
01:52:13,727 --> 01:52:15,429
YESTERDAY;
1512
01:52:15,429 --> 01:52:19,266
AND FOR THREE MONTHS BEFORE,
BOTH DAY AND NIGHT
DID WE KEEP COMPANY.
1513
01:52:19,266 --> 01:52:22,603
Duke: HERE COMES
THE COUNTESS!
1514
01:52:22,603 --> 01:52:25,539
NOW HEAVEN
WALKS ON EARTH...
1515
01:52:25,539 --> 01:52:29,410
BUT FOR THEE, FELLOW--
FELLOW, THY WORDS ARE MADNESS,
1516
01:52:29,410 --> 01:52:32,479
THREE MONTHS THIS YOUTH
HATH TENDED ON ME.
1517
01:52:34,015 --> 01:52:35,783
Duke: BRING HIM AWAY.
1518
01:52:55,036 --> 01:52:58,439
WHAT WOULD MY LORD,
BUT THAT HE MAY NOT HAVE?
1519
01:52:58,439 --> 01:53:01,375
CESARIO, YOU DO NOT
KEEP PROMISE WITH ME.
1520
01:53:01,375 --> 01:53:02,509
MADAM?
1521
01:53:06,047 --> 01:53:07,915
GRACIOUS OLIVIA,--
1522
01:53:07,915 --> 01:53:10,451
WHAT DO YOU SAY, CESARIO?--
GOOD, MY LORD,--
1523
01:53:10,451 --> 01:53:13,454
MY LORD WOULD SPEAK,
MY DUTY HUSHES ME.
1524
01:53:17,058 --> 01:53:19,861
IF IT BE AUGHT
TO THE OLD TUNE, MY LORD,
1525
01:53:19,861 --> 01:53:23,430
IT IS AS FAT AND FULSOME
TO MINE EAR AS HOWLING
AFTER MUSIC.
1526
01:53:26,267 --> 01:53:27,401
STILL SO CRUEL?
1527
01:53:27,401 --> 01:53:28,936
STILL SO CONSTANT, LORD.
1528
01:53:28,936 --> 01:53:31,672
WHAT, TO PERVERSENESS?
1529
01:53:31,672 --> 01:53:33,140
YOU UNCIVIL LADY,
1530
01:53:33,140 --> 01:53:37,078
MY SOUL THE FAITHFUL'ST
OFF'RINGS HATH
BREATHED OUT,
1531
01:53:37,078 --> 01:53:40,281
THAT E'ER
DEVOTION TENDERED!
1532
01:53:40,281 --> 01:53:41,682
WHAT SHALL I DO?
1533
01:53:41,682 --> 01:53:45,186
Olivia: EVEN WHAT IT PLEASE
MY LORD, THAT SHALL
BECOME HIM.
1534
01:53:45,186 --> 01:53:47,188
WHY SHOULD I NOT
IN SAVAGE JEALOUSY,
1535
01:53:47,188 --> 01:53:49,390
LIKE TO TH'EGYPTIAN THIEF,
ON POINT OF DEATH,
1536
01:53:49,390 --> 01:53:50,791
KILL WHAT I LOVE?
1537
01:53:50,791 --> 01:53:52,593
BUT, MADAM,
HEAR ME THIS:
1538
01:53:52,593 --> 01:53:55,596
SINCE YOU
TO NON-REGARDANCE
CAST MY FAITH,
1539
01:53:55,596 --> 01:53:59,600
LIVE YOU,
THE MARBLE-BREASTED
TYRANT, STILL;
1540
01:53:59,600 --> 01:54:03,204
BUT THIS YOUR MINION,
WHOM I KNOW YOU LOVE,
1541
01:54:03,204 --> 01:54:05,806
AND WHOM,
BY HEAVEN I SWEAR,
I TENDER DEARLY,
1542
01:54:05,806 --> 01:54:08,209
HIM WILL I TEAR
OUT OF THAT CRUEL EYE.
1543
01:54:08,209 --> 01:54:10,811
AND I, MOST JOCUND,
APT AND WILLINGLY,
TO DO YOU REST,
1544
01:54:10,811 --> 01:54:12,613
A THOUSAND DEATHS
WOULD DIE.
1545
01:54:12,613 --> 01:54:15,849
COME, BOY, WITH ME.
MY THOUGHTS ARE RIPE
IN MISCHIEF.
1546
01:54:15,849 --> 01:54:17,484
WHERE GOES CESARIO?
1547
01:54:17,484 --> 01:54:19,620
AFTER HIM I LOVE
MORE THAN I LOVE THESE EYES,
MORE THAN MY LIFE,
1548
01:54:19,620 --> 01:54:22,823
MORE, BY ALL MORES,
THAN E'ER I SHALL LOVE WIFE.
1549
01:54:22,823 --> 01:54:26,227
AY ME, DETESTED!
HOW AM I BEGUILED!
1550
01:54:26,227 --> 01:54:28,829
WHO DOES BEGUILE YOU?
WHO DOES DO YOU WRONG?
1551
01:54:28,829 --> 01:54:31,832
HAST THOU FORGOT THYSELF?
IS IT SO LONG?
1552
01:54:31,832 --> 01:54:33,400
CALL FORTH
THE HOLY FATHER.
1553
01:54:33,400 --> 01:54:34,635
Duke: COME, AWAY!
1554
01:54:34,635 --> 01:54:39,506
Olivia: WHITHER, MY LORD?
CESARIO, HUSBAND, STAY.
1555
01:54:43,844 --> 01:54:45,046
HUSBAND?
1556
01:54:45,046 --> 01:54:47,448
AY, HUSBAND.
1557
01:54:47,448 --> 01:54:49,450
CAN HE THAT DENY?
1558
01:54:49,450 --> 01:54:50,851
HER HUSBAND, SIRRAH?
1559
01:54:50,851 --> 01:54:53,454
NO, MY LORD,
1560
01:54:53,454 --> 01:54:54,521
NOT I.
1561
01:54:54,521 --> 01:54:57,858
FEAR NOT, CESARIO,
TAKE THY FORTUNES UP.
1562
01:54:57,858 --> 01:54:59,994
O, WELCOME, FATHER!
1563
01:54:59,994 --> 01:55:02,796
FATHER, I CHARGE THEE,
BY THY REVERENCE,
1564
01:55:02,796 --> 01:55:06,667
HERE TO UNFOLD--THOUGH
LATELY WE INTENDED
TO KEEP IN DARKNESS,
1565
01:55:06,667 --> 01:55:10,871
WHAT THOU DOST KNOW HATH
NEWLY PASSED BETWEEN
THIS YOUTH AND ME.
1566
01:55:10,871 --> 01:55:13,540
A CONTRACT OF
ETERNAL BOND OF LOVE,
1567
01:55:13,540 --> 01:55:16,677
CONFIRMED BY MUTUAL JOINDER
OF YOUR HANDS,
1568
01:55:16,677 --> 01:55:20,347
STRENGTH'NED BY
INTERCHANGEMENT
OF YOUR RINGS,
1569
01:55:20,347 --> 01:55:24,485
SEALED IN MY FUNCTION,
BY MY TESTIMONY.
1570
01:55:31,292 --> 01:55:35,162
O, THOU
DISSEMBLING CUB!
1571
01:55:36,697 --> 01:55:42,103
WHAT WILT THOU BE
WHEN TIME HATH SOWED
A GRIZZLE ON THY CASE?
1572
01:55:43,904 --> 01:55:48,709
FAREWELL, AND TAKE
HER, BUT DIRECT THY FEET
1573
01:55:48,709 --> 01:55:52,913
WHERE
THOU AND I HENCEFORTH
MAY NEVER MEET.
1574
01:55:52,913 --> 01:55:54,715
MY LORD,
I DO PROTEST--
1575
01:55:54,715 --> 01:56:00,321
O, DO NOT SWEAR!
HOLD LITTLE FAITH, THOUGH
THOU HAST TOO MUCH FEAR.
1576
01:56:00,321 --> 01:56:01,855
Sir Andrew: FOR THE LOVE
OF GOD, A SURGEON!
1577
01:56:01,855 --> 01:56:04,091
SEND ONE PRESENTLY
TO SIR TOBY.
1578
01:56:04,091 --> 01:56:06,994
FOR THE LOVE OF GOD,
YOUR HELP!
1579
01:56:06,994 --> 01:56:08,795
WHAT'S THE MATTER?
1580
01:56:08,795 --> 01:56:13,334
H'AS BROKE MY HEAD ACROSS
AND HAS GIVEN SIR TOBY
A BLOODY COXCOMB TOO.
1581
01:56:13,334 --> 01:56:16,337
I HAD RATHER
THAN FORTY POUND
I WERE AT HOME.
1582
01:56:16,337 --> 01:56:18,339
WHO HAS DONE THIS,
SIR ANDREW?
1583
01:56:18,339 --> 01:56:21,342
THE COUNT'S GENTLEMAN,
ONE CESARIO:
1584
01:56:21,342 --> 01:56:23,944
HE'S THE VERY
DEVIL INCARDINATE.
1585
01:56:23,944 --> 01:56:25,946
MY GENTLEMAN,
CESARIO?
1586
01:56:25,946 --> 01:56:27,881
'OD'S LIFELINGS,
HERE HE IS!
1587
01:56:27,881 --> 01:56:31,952
YOU BROKE MY HEAD FOR NOTHING,
AND THAT I DID, I WAS
SET ON TO DO'T BY SIR TOBY.
1588
01:56:31,952 --> 01:56:34,355
WHY DO YOU SPEAK TO ME?
I NEVER HURT YOU:
1589
01:56:34,355 --> 01:56:36,757
YOU DREW YOUR SWORD
ON ME WITHOUT CAUSE.
1590
01:56:36,757 --> 01:56:39,360
IF A BLOODY COXCOMB
BE A HURT,
YOU HAVE HURT ME.
1591
01:56:39,360 --> 01:56:41,762
HERE COMES SIR TOBY HALTING.
1592
01:56:41,762 --> 01:56:45,699
IF HE HAD NOT BEEN IN DRINK,
HE WOULD HAVE TICKLED YOU
OTHERGATES THAN HE DID.
1593
01:56:49,770 --> 01:56:52,539
Duke: HOW NOW, GENTLEMAN!
HOW IS'T WITH YOU?
1594
01:56:52,539 --> 01:56:54,375
THAT'S ALL ONE--
HE'S HURT ME, AND THERE'S
TH'END ON'T...
1595
01:56:54,375 --> 01:56:58,112
SOT, DIDST SEE
DICK SURGEON, SOT?
1596
01:56:58,112 --> 01:57:01,382
O HE'S DRUNK,
SIR TOBY,
AN HOUR AGONE.
1597
01:57:01,382 --> 01:57:02,883
I HATE A DRUNKEN ROGUE.
1598
01:57:02,883 --> 01:57:06,387
AWAY WITH HIM!
WHO HATH MADE THIS HAVOC
WITH THEM?
1599
01:57:06,387 --> 01:57:09,590
I'LL HELP YOU, SIR TOBY,
BECAUSE WE'LL BE
DRESSED TOGETHER.
1600
01:57:09,590 --> 01:57:11,992
WILL YOU HELP ME?
1601
01:57:11,992 --> 01:57:14,228
AN ASS-HEAD,
1602
01:57:14,228 --> 01:57:17,098
AND A COXCOMB,
1603
01:57:17,098 --> 01:57:19,400
AND A KNAVE!
1604
01:57:19,400 --> 01:57:24,205
A THIN-FACED KNAVE,
A GULL!
1605
01:57:36,817 --> 01:57:41,222
GET HIM TO BED, AND LET
HIS HURT BE LOOKED TO.
1606
01:57:56,036 --> 01:57:57,604
I AM SORRY, MADAM.
1607
01:57:59,440 --> 01:58:01,442
I HAVE HURT YOUR KINSMAN;
1608
01:58:01,442 --> 01:58:03,444
BUT HAD IT BEEN
THE BROTHER OF MY BLOOD,
1609
01:58:03,444 --> 01:58:06,247
I MUST HAVE DONE
NO LESS WITH WIT AND SAFETY.
1610
01:58:07,448 --> 01:58:09,650
Sebastian:
PARDON ME, SWEET ONE,
1611
01:58:09,650 --> 01:58:13,254
EVEN FOR THE VOWS WE MADE
EACH OTHER BUT SO LATE AGO.
1612
01:58:19,059 --> 01:58:20,361
ANTONIO!
1613
01:58:21,662 --> 01:58:23,864
MY DEAR ANTONIO!
1614
01:58:23,864 --> 01:58:28,068
HOW HAVE THE HOURS
RACKED AND TORTURED ME,
SINCE I HAVE LOST THEE!
1615
01:58:28,068 --> 01:58:31,071
SEBASTIAN ARE YOU?
1616
01:58:31,071 --> 01:58:33,474
FEAR'ST THOU THAT,
ANTONIO?
1617
01:58:33,474 --> 01:58:38,479
HOW HAVE YOU MADE DIVISION
OF YOURSELF?
1618
01:58:38,479 --> 01:58:40,814
Antonio: WHICH IS SEBASTIAN?
1619
01:58:52,092 --> 01:58:54,828
MOST WONDERFUL!
1620
01:58:56,096 --> 01:58:58,299
DO I STAND THERE?
1621
01:59:00,701 --> 01:59:02,369
I NEVER HAD A BROTHER.
1622
01:59:06,106 --> 01:59:07,508
I HAD A SISTER,
1623
01:59:07,508 --> 01:59:12,379
WHOM THE BLIND WAVES
AND SURGES HAVE
DEVOURED...
1624
01:59:14,215 --> 01:59:17,718
OF CHARITY,
WHAT KIN ARE YOU TO ME?
1625
01:59:19,119 --> 01:59:21,722
WHAT COUNTRYMAN?
1626
01:59:21,722 --> 01:59:23,324
WHAT NAME?
1627
01:59:24,725 --> 01:59:25,326
WHAT PARENTAGE?
1628
01:59:25,326 --> 01:59:27,160
OF MESSALINE.
1629
01:59:28,829 --> 01:59:31,432
SEBASTIAN WAS MY FATHER.
1630
01:59:33,234 --> 01:59:37,838
SUCH A SEBASTIAN
WAS MY BROTHER TOO:
1631
01:59:37,838 --> 01:59:42,042
SO WENT HE SUITED
TO HIS WATERY TOMB.
1632
01:59:42,042 --> 01:59:46,947
Sebastian:
WERE YOU A WOMAN,
AS THE REST GOES EVEN...
1633
01:59:48,048 --> 01:59:51,852
I SHOULD MY TEARS LET
FALL UPON YOUR CHEEK...
1634
01:59:54,255 --> 02:00:01,862
AND SAY "THRICE-WELCOME,
DROWNED VIOLA!"
1635
02:00:04,265 --> 02:00:07,868
MY FATHER HAD A MOLE
UPON HIS BROW.
1636
02:00:07,868 --> 02:00:09,470
AND SO HAD MINE.
1637
02:00:11,272 --> 02:00:15,676
AND DIED THAT DAY WHEN VIOLA
FROM HER BIRTH--
1638
02:00:15,676 --> 02:00:18,745
THAT DAY
THAT MADE MY SISTER
THIRTEEN YEARS.
1639
02:00:20,681 --> 02:00:25,085
IF NOTHING LETS
TO MAKE US HAPPY BOTH,
1640
02:00:25,085 --> 02:00:30,691
BUT THIS MY MASCULINE
USURPED ATTIRE,
DO NOT EMBRACE ME
1641
02:00:30,691 --> 02:00:37,898
TILL EACH CIRCUMSTANCE
OF PLACE, TIME, FORTUNE,
DO COHERE AND JUMP
1642
02:00:37,898 --> 02:00:39,500
THAT I AM...
1643
02:00:45,306 --> 02:00:46,807
VIOLA.
1644
02:00:57,318 --> 02:01:02,323
WHICH TO CONFIRM,
I'LL BRING YOU
TO A CAPTAIN
1645
02:01:02,323 --> 02:01:08,329
BY WHOSE GENTLE HELP
I WAS PRESERVED...
1646
02:01:08,329 --> 02:01:11,565
TO SERVE THIS NOBLE COUNT.
1647
02:01:14,735 --> 02:01:17,838
SO, COMES IT, LADY,
YOU HAVE BEEN MISTOOK.
1648
02:01:24,745 --> 02:01:27,948
BUT NATURE TO HER BIAS
DREW IN THAT.
1649
02:01:29,350 --> 02:01:32,553
YOU WOULD HAVE BEEN
CONTRACTED TO A MAID.
1650
02:01:37,758 --> 02:01:41,762
NOR ARE YOU THEREIN,
BY MY LIFE, DECEIVED,
1651
02:01:41,762 --> 02:01:46,433
YOU ARE BETROTHED
BOTH TO A MAID AND MAN.
1652
02:01:58,379 --> 02:02:03,384
IF THIS BE SO,
AS YET THE GLASS
SEEMS TRUE,
1653
02:02:03,384 --> 02:02:07,988
I SHALL HAVE SHARE
IN THIS MOST HAPPY
WRACK.
1654
02:02:14,995 --> 02:02:16,597
BOY...
1655
02:02:18,799 --> 02:02:21,802
THOU HAST SAID
TO ME A THOUSAND TIMES
1656
02:02:21,802 --> 02:02:24,405
THOU NEVER SHOULDST
LOVE WOMAN LIKE TO ME.
1657
02:02:24,405 --> 02:02:28,409
AND ALL THOSE SAYINGS
WILL I OVER-SWEAR.
1658
02:02:28,409 --> 02:02:30,577
GIVE ME THY HAND.
1659
02:02:31,812 --> 02:02:36,417
YOUR MASTER QUITS YOU; AND FOR
YOUR SERVICES DONE HIM,
1660
02:02:36,417 --> 02:02:39,886
SO MUCH AGAINST
THE METTLE OF YOUR SEX.
1661
02:02:41,422 --> 02:02:43,356
HERE IS MY HAND.
1662
02:02:44,825 --> 02:02:52,032
YOU SHALL
FROM THIS TIME BE
YOUR MASTER'S MISTRESS.
1663
02:03:02,843 --> 02:03:06,647
LET ME SEE THEE
IN THY WOMAN'S WEEDS.
1664
02:03:14,821 --> 02:03:16,122
OH.
1665
02:03:19,059 --> 02:03:22,663
A SISTER!
YOU ARE SHE.
1666
02:03:50,491 --> 02:03:52,158
FROM MALVOLIO?
1667
02:04:10,511 --> 02:04:14,481
HOW NOW, MALVOLIO?
1668
02:04:19,920 --> 02:04:24,991
MADAM, YOU HAVE
DONE ME WRONG,
NOTORIOUS WRONG.
1669
02:04:24,991 --> 02:04:27,293
HAVE I, MALVOLIO?
1670
02:04:27,293 --> 02:04:28,428
NO!
1671
02:04:28,428 --> 02:04:30,697
LADY, YOU HAVE.
1672
02:04:30,697 --> 02:04:34,835
PRAY YOU,
PERUSE THAT LETTER...
1673
02:04:34,835 --> 02:04:39,506
YOU MUST NOT NOW DENY
IT IS YOUR HAND.
1674
02:04:39,506 --> 02:04:45,111
WELL, GRANT IT THEN,
AND TELL ME, IN THE
MODESTY OF HONOUR,
1675
02:04:45,111 --> 02:04:49,115
WHY YOU HAVE GIVEN ME
SUCH CLEAR LIGHTS OF FAVOUR,
1676
02:04:49,115 --> 02:04:54,588
BADE ME COME SMILING
AND CROSS-GARTERED TO YOU,
1677
02:04:54,588 --> 02:05:00,594
AND, ACTING THIS
IN AN OBEDIENT HOPE,
1678
02:05:00,594 --> 02:05:04,130
WHY YOU HAVE SUFFERED ME
TO BE IMPRISONED,
1679
02:05:04,130 --> 02:05:07,901
KEPT IN A DARK HOUSE,
VISITED BY THE PRIEST,
1680
02:05:07,901 --> 02:05:13,339
AND MADE THE MOST
NOTORIOUS GECK AND GULL
1681
02:05:13,339 --> 02:05:15,275
THAT E'RE INVENTION
PLAYED ON?
1682
02:05:15,275 --> 02:05:19,012
TELL ME...WHY.
1683
02:05:21,748 --> 02:05:26,687
ALAS, MALVOLIO, THIS
IS NOT MY WRITING...
1684
02:05:28,789 --> 02:05:33,226
THOUGH, I CONFESS,
MUCH LIKE THE CHARACTER.
1685
02:05:34,761 --> 02:05:39,566
BUT, OUT OF QUESTION,
'TIS MARIA'S HAND.
1686
02:05:39,566 --> 02:05:44,137
AND NOW I DO BETHINK ME,
IT WAS SHE FIRST TOLD ME
THOU WAST MAD.
1687
02:05:45,772 --> 02:05:50,376
THIS PRACTICE HATH
MOST SHREWDLY PASSED
UPON THEE.
1688
02:05:50,376 --> 02:05:53,614
GOOD MADAM,
HEAR ME SPEAK.
1689
02:05:56,182 --> 02:06:02,188
MOST FREELY I CONFESS,
MARIA WRIT THE LETTER AT
SIR TOBY'S GREAT IMPORTANCE,
1690
02:06:02,188 --> 02:06:07,260
IN RECOMPENSE WHEREOF
HE HATH MARRIED HER.
1691
02:06:09,796 --> 02:06:18,805
ALAS, POOR FOOL!
HOW HAVE THEY BAFFLED THEE!
1692
02:06:18,805 --> 02:06:20,841
Feste:
WHY, "SOME ARE BORN GREAT,
1693
02:06:20,841 --> 02:06:25,211
"SOME ACHIEVE GREATNESS,
1694
02:06:25,211 --> 02:06:30,016
AND SOME HAVE GREATNESS
THROWN UPON THEM."
1695
02:06:31,818 --> 02:06:37,423
I WAS ONE, SIR,
IN THIS INTERLUDE,
1696
02:06:37,423 --> 02:06:41,161
ONE MASTER TOPAS.
1697
02:06:42,829 --> 02:06:46,833
"BY THE LORD, FOOL,
I AM NOT MAD!"
1698
02:06:46,833 --> 02:06:48,234
BUT DO YOU REMEMBER?
1699
02:06:48,234 --> 02:06:50,837
"MADAM, WHY LAUGH YOU
AT SUCH A BARREN RASCAL?
1700
02:06:50,837 --> 02:06:53,139
AN YOU SMILE NOT,
HE'S GAGGED."
1701
02:07:02,849 --> 02:07:05,118
THUS THE WHIRLIGIG OF TIME...
1702
02:07:07,854 --> 02:07:10,657
BRINGS IN HIS REVENGES.
1703
02:07:25,471 --> 02:07:27,941
I'LL BE REVENGED...
1704
02:07:34,881 --> 02:07:37,951
ON THE WHOLE PACK
OF YOU.
1705
02:07:58,304 --> 02:08:01,107
PURSUE HIM,
AND ENTREAT HIM
TO A PEACE.
1706
02:08:06,980 --> 02:08:09,850
* WHEN THAT I WAS
AND A LITTLE TINY BOY *
1707
02:08:09,850 --> 02:08:13,987
* WITH A HEY, HO,
THE WIND AND THE RAIN *
1708
02:08:13,987 --> 02:08:17,123
* A FOOLISH THING
WAS BUT A TOY *
1709
02:08:17,123 --> 02:08:22,328
* FOR THE RAIN
IT RAINETH EVERY DAY *
1710
02:08:22,328 --> 02:08:25,799
* BUT WHEN I CAME
TO MAN'S ESTATE *
1711
02:08:25,799 --> 02:08:29,535
* WITH A HEY, HO,
THE WIND AND THE RAIN *
1712
02:08:29,535 --> 02:08:32,839
* 'GAINST KNAVES AND THIEVES
MEN SHUT THEIR GATE *
1713
02:08:32,839 --> 02:08:38,178
* FOR THE RAIN
IT RAINETH EVERY DAY *
1714
02:08:40,280 --> 02:08:43,950
HE HATH BEEN
MOST NOTORIOUSLY ABUSED.
1715
02:08:43,950 --> 02:08:49,956
WHEN THAT IS DONE,
AND GOLDEN TIME
CONVENTS,
1716
02:08:49,956 --> 02:08:54,627
A SOLEMN COMBINATION
SHALL BE MADE OF OUR DEAR SOULS.
1717
02:08:54,627 --> 02:08:58,298
* BUT WHEN I CAME
ALAS TO WIVE *
1718
02:08:58,298 --> 02:09:02,102
* WITH A HEY, HO,
THE WIND AND THE RAIN *
1719
02:09:02,102 --> 02:09:05,738
* BY SWAGGERING
COULD I NEVER THRIVE *
1720
02:09:05,738 --> 02:09:10,443
* FOR THE RAIN
IT RAINETH EVERY DAY *
1721
02:09:12,712 --> 02:09:15,782
* BUT WHEN I CAME
UNTO MY BEDS *
1722
02:09:15,782 --> 02:09:20,020
* WITH A HEY, HO,
THE WIND AND THE RAIN *
1723
02:09:20,020 --> 02:09:22,989
* WITH TOSS-POTS
STILL HAD DRUNKEN HEADS *
1724
02:09:22,989 --> 02:09:28,962
* FOR THE RAIN
IT RAINETH EVERY DAY *
1725
02:10:36,997 --> 02:10:40,200
* A GREAT WHILE AGO
THE WORLD BEGUN *
1726
02:10:40,200 --> 02:10:44,404
* WITH A HEY, HO,
THE WIND AND THE RAIN *
1727
02:10:44,404 --> 02:10:47,573
* BUT THAT'S ALL ONE,
MY TALE IS DONE *
1728
02:10:47,573 --> 02:10:52,578
* AND I'LL STRIVE TO PLEASE YOU
EVERY DAY *
1729
02:10:55,949 --> 02:11:01,421
* AND I'LL STRIVE
TO PLEASE YOU EVERY DAY *
1730
02:11:05,491 --> 02:11:07,060
EVERY DAY.
1731
02:11:09,495 --> 02:11:10,897
HA HA HA!
1732
02:11:10,897 --> 02:11:12,698
EVERY DAY.
1733
02:11:12,698 --> 02:11:15,701
CAPTIONING MADE POSSIBLE BY
NEW LINE HOME VIDEO
1734
02:11:15,701 --> 02:11:18,504
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.
1735
02:11:18,504 --> 02:11:22,108
PUBLIC PERFORMANCE OF CAPTIONS
PROHIBITED WITHOUT PERMISSION OF
NATIONAL CAPTIONING INSTITUTE
118659
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