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1
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[PLAYI NG "EVI L WAYS"]
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I n 1 969, I was asked to go
and record Woodstock.
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Live recording was always a challenge.
Certainly in those days.
4
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And to this day, you know,
we've not been able to recapture...
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...some of the incidences
that occurred on the first song .
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The first song was almost a trial by fire.
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Because we had no idea where anything was.
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And so here we are in the year 2008...
9
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...and we're able to do stuff
with modern technology...
10
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...and the old analog technology
that was inconceivable 1 0 years ago.
11
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We should check out the guiro track.
12
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-I think maybe you wanna Iook at that first.
-Okay. All right. AII right.
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CARABELLO: I'm here because I was a member
of Santana when we played at Woodstock.
14
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I got a call from Eddie Kramer, my old friend ,
and I haven't heard from him in almost 40 years.
15
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So, you can tell there's a little bit
of Carlos' guitar in there.
16
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-That's what we're trying-- Yeah .
-It's bleeding .
17
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So we need to fix this track,
and make that sound a Iittle bit better.
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Michael Shrieve also called me.
The drummer that was in Santana...
19
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...said that there was some
corrections to be made on it.
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I said I was available. I would Iove to.
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My name is Adrian Jose Areas,
and I am a percussionist.
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Timbalero. Son of Jose "Chepito" Areas.
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The original timbalero for Santana.
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My father was...
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...in the Santana band at Woodstock.
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So I'm here in my father's place...
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...with much respect to him and to Michael .
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It's just so exciting
because the public gets to hear a song ...
29
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...that would never have made
the Iight of day.
30
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With all of the technology
that we can bring to bear...
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...with the artist, the original artist
for the most part...
32
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...contributing their talents today,
almost 40 years later.
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CARABELLO: We're working on "Evil Ways"
by WI llie Bobo.
34
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You got to change your evil ways, baby
35
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Before l stop lovin ' you
36
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The pattern , which sounds Iike it's going :
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[I M ITATI NG PERCUSS ION]
38
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-Right.
-If you can duplicate that...
39
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-...that would be so cool .
-Okay.
40
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-Wanna pop in the studio, see what we can do?
-Yeah . Let's do it. Sure.
41
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CARABELLO: It's called a guiro, and
it's a scratcher. You'II hear it on the track.
42
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It wasn't heard very well because Carlos' guitar
got picked up in my conga-drum mic.
43
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So we had to do it all over again , and I was
more than happy to come in and restore it.
44
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KRAMER: With Woodstock,
there has definitely been some fixes done.
45
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And I think it's important that people know that
we had to go in and do these things...
46
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...in order to make the performance
complete.
47
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AII right.
48
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AII right.
49
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Yeah , man . I think we got it. Come in .
50
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-Nailed it.
-It was like I was there, huh?
51
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-Give me one of those guys.
-Ha-ha-ha.
52
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Dude, that was amazing .
53
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Like you were there at Woodstock?
54
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-Yeah .
-Could you imagine? Cool .
55
00:03:05,226 --> 00:03:06,644
[AU DI ENCE CH EERI NG
AN D APPLAU DI NG]
4926
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