All language subtitles for the.graduate.1967.1080p.bluray.dd5.1.hevc.x265

PILOT.
Ladies and gentlemen,

we are about to begin
our descent into Los Angeles.

The sound you just heard
is the landing gear locking into place.

Los Angeles weather is clear.
Temperature is 72.

We expect to make our
four-hour-and- 18-minute flight on schedule.

We have enjoyed
having you on board

and look forward to seeing you again
in the near future.

♪♪ (guitar)

MEN..
♪ Hello, darkness, my old friend ♪

- ♪ I've come to talk with you again ♪
- MAN.. Please hold handrail

and stand to the right.

- If you wish to pass, please do so on the left.
- ♪ Because a vision softly creeping ♪

♪ Left its seeds while I was sleeping ♪

- ♪ And the vision ♪
- (man continues speaking)

♪ That was planted in my brain ♪

♪ Still remains ♪

♪ Within the sound ♪

♪ Of silence ♪

♪ In restless dreams I walked alone ♪

♪ Narrow streets of cobblestone ♪

♪ 'Neath the halo of a street lamp ♪

♪ I turned my collar
to the cold and damp ♪

♪ When my eyes were stabbed ♪

♪ By the flash of a neon light ♪

♪ That split the night ♪

♪ And touched the sound ♪

♪ Of silence ♪

♪ And in the naked light I saw ♪

♪ 10,000 people, maybe more ♪

♪ People talking without speaking ♪

♪ People hearing without listening ♪

♪ People writing songs ♪

- (PA announcer, indistinct)
- ♪ That voices never shared ♪

♪ No one dared ♪

♪ Disturb the sound ♪

♪ Of silence ♪

♪ "Fools, "said I, "You do not know ♪

♪ Silence like a cancer grows ♪

♪ Hear my words
that I might teach you ♪

♪ Take my arms
that I might reach you"♪

- ♪ But my words ♪
- (PA announcer continues, indistinct)

♪ Like silent raindrops fell ♪

PA ANNOUNCER..
Please do not leave your car unattended.

♪ Whispered ♪

♪ In the sounds ♪

♪ Of silence ♪♪

(door opens)

MAN:
Hey. What's the matter?

The guests are all downstairs, Ben,
waiting to see you.

Look, Dad, can you explain to them
that I have to be alone for a while?

These are all our good friends, Ben.

Most of them have known you since --

Well, practically since you were born.

What is it, Ben?

I'm just --

Worried?

(sighs)
Well --

About what?

I guess about my future.

What about it?

I don't know.

I want it to be --

To be what?

Different.

(footsteps)

- Is anything wrong?
- No, no.

We're just on our way downstairs.

- The Carlsons are here!
- They are? Well, come on.

They came all the way from Tarzana.

- Come on. Let's get cracking.
- (people chattering)

It's a wonderful thing
to have so many devoted friends.

MAN: Hey, there's
the award-winning scholar!

- We're all very proud of you, Ben.
- Thank you, Mrs. Carlson.

- Is that the new car, that little red wop job?
- That's Ben's graduation present.

You won't have much trouble
picking up in that.

- Sir?
- The girls. The chicks. The teeny-boppers.

I think Ben's gotten beyond
the teeny-bopper stage. Haven't you, Ben?

- Yes, ma'am.
- (all laughing)

Excuse me. I'd just like to check
something on the car for a minute.

MOTHER: His father bought him
an "Alvin" Romeo. You know what that is?

Hey! Here's the track star.

- How are you, track star?
- Just fine, Mr. Loomis.

I wanna get a drink. Then I wanna hear all about
that thing that you won -- that Hopperman award.

- Halpingham.
- Halpingham. Right. You wait right here.

Ben!

Oh, we're all so proud of you!

Oh, proud, proud, proud,
proud, proud, proud!

- What are you going to do now?
- I was going to go upstairs for a minute.

- I meant with your future.
- Your life!

Well, that's a little hard to say.

- Ben.
- Excuse me.

Mr. McGuire.

Ben.

Mr. McGuire.

Come with me for a minute.
I want to talk to you.

- Excuse us, Joanne. Excuse us.
- Of course.

Thank you.

- Oh, he is such a lamb.
- Congratulations.

I look at him and I can't believe it.

- I know.
- I simply can't believe it.

I just wanna say one word to you.

Just one word.

Yes, sir?

- Are you listening?
- Yes, I am.

Plastics.

Exactly how do you mean?

There's a great future in plastics.

- Think about it. Will you think about it?
- Yes, I will.

Shh. Enough said.
That's a deal.

There he is now!
Here's Ben!

Excuse me just a minute.

WOMAN: Listen, everybody.
I want you all to be quiet.

I've got Ben's college yearbook here,

and I just wanna read you
some of the wonderful things about Ben.

Be quiet! Please!

"Captain of the cross-country team,
head of the debating club,

associate editor of the college newspaper
in his junior year,

managing editor in his senior --"

(woman laughing)

(laughing continues)

(sighs)
Oh, Jesus Christ.

(sighs)

Oh. I guess this isn't
the bathroom, is it?

It's, uh, down the hall.

- How are you, Benjamin?
- Fine, thank you, Mrs. Robinson.

The, uh, bathroom's down
at the end of the hall.

Such a pleasant room.

Look, uh, Mrs. Robinson,
I don't mean to be rude,

but I'm -- I'm awfully --

Is there an ashtray in here?

No.
(chuckles)

Oh, yes. I forgot.
The track star doesn't smoke.

♪♪ (Benjamin humming)

Is it a girl?

Is what a girl?

Whatever it is that's upsetting you.

Oh, no, I'm just, uh,
sort of disturbed about things.

- In general?
- That's right. (chuckles)

Well... congratulations.

Thank you.

Oh, Benjamin.

- I want to ask you something.
- What?

- Will you take me home?
- What?

My husband took the car.
Will you drive me home?

Here. Uh, you take it.

Do you know how to
work a foreign shift?

- You don't?
- No.

(sighs)
Hmm.

(sighs)
Let's go.

- (emergency brake sets)
- (engine stops)

- Thank you.
- Right.

- Will you come in, please?
- What?

- I'd like you to come in till I get the lights on.
- What for?

'Cause I don't feel safe
till I get the lights on.

Would you mind walking ahead of me
to the sun porch?

I feel funny about
coming into a dark house.

- But it's light in there.
- Please.

What do you drink? Bourbon?

Look, uh, Mrs. Robinson,
I drove you home.

I was glad to do it, but I have some things
on my mind. Can you understand that?

- Yes.
- All right.

What do you drink?

- (sighs)
- Benjamin, I'm sorry to be this way.

- But I don't want to be left alone in this house.
- Why not?

Please wait till my husband gets home.

- When is he coming back?
- I don't know.

- Drink?
- No.

- Are you always this much afraid of being alone?
- Yes.

Well, why can't you just lock the doors
and go to bed?

I'm very neurotic.

- (switch clicks)
- ♪♪ (stereo.. lounge jazz)

- ♪♪ (continues)
- May I ask you a question?

- What do you think of me?
- What do you mean?

You've known me nearly all your life.
You must have formed some opinion of me.

Well, I always thought that
you were a very nice person.

Did you know I was an alcoholic?

(gulps)
What?

Did you know that?

Look, I think I should be going.

- (glass slams on table)
- Sit down, Benjamin.

Mrs. Robinson, if you don't mind my saying so,
this conversation is getting a little strange.

Now, I'm sure that Mr. Robinson
will be here any minute now --

- No.
- What?

My husband will be back quite late.

He should be gone for several hours.

- Oh, my God.
- Pardon?

Oh, no, Mrs. Robinson.
Oh, no.

- What's wrong?
- Mrs. Robinson, you didn't --

- I mean, you didn't expec --
- What?

I mean, you didn't really think I'd do
something like that? (chuckles)

- Like what?
- What do you think?

(chuckles)
Well, I don't know.

- For God's sake, Mrs. Robinson.
- (laughing)

Here we are. You got me into your house.
You give me a drink. You put on music.

Now you start opening up
your personal life to me

and tell me your husband
won't be home for hours.

So?

- Mrs. Robinson, you're trying to seduce me.
- (laughing continues)

Aren't you?

Well, no, I hadn't thought of it.

I feel very flattered.

Mrs. Robinson, will you forgive me
for what I just said?

- It's all right.
- It's not all right.

- It's the worst thing I ever said to anyone.
- Sit down.

Please forgive me, because I like you.

- I don't think of you that way, but I'm mixed up.
- It's all right. Finish your drink.

- It makes me sick that I said that to you.
- Well, forget it right now. Finish your drink.

- What is wrong with me?
- Have you ever seen Elaine's portrait?

- Wha -- Her portrait?
- Yes.

- No.
- We had it done last Christmas.

- Would you like to see it?
- Very much.

It's here in Elaine's room.

Hmm.

Hmm.

Elaine certainly is
an attractive girl, isn't she?

I don't remember her
as having brown eyes.

- Benjamin.
- Yes?

- Will you come over here a minute?
- Over there?

- Mm-hmm.
- Sure.

Will you unzip my dress?

- I think I'll go to bed.
- Oh. Well, good night.

- Won't you unzip my dress?
- I'd rather not, Mrs. Robinson.

If you still think I'm trying to seduce you --

- No, I don't, but I just feel a little funny.
- Benjamin, you've known me all your life.

- I know that, but I'm just --
- Come on. It's hard for me to reach.

- Good.
- Thank you.

Right.

- What are you so scared of?
- I'm not scared, Mrs. Robinson.

Then why do you keep running away?

Because you're going to bed.
I don't think I should be up here.

Haven't you ever seen anybody
in a slip before?

Yes, I have. But I just --

Look, what if Mr. Robinson
walked in right now?

- What if he did?
- Well, it would look pretty funny, wouldn't it?

- Don't you think he trusts us together?
- Of course he does.

But he might get the wrong idea.
Anyone might.

I don't see why. I'm twice as old as you are.
How could anyone think --

But they would! Don't you see?

- Benjamin, I am not trying to seduce you.
- I know that.

But please, Mrs. Robinson,
this is difficult --

Would you like me to seduce you?

- What?
- Is that what you're trying to tell me?

I'm going home now.

I apologize for what I said. I hope you can
forget it, but I'm going home right now.

- Benjamin.
- Yes?

Will you bring up my purse before you go?

I have to go now. I'm sorry.

I really don't want to put this on again.
Won't you bring it up?

- Where is it?
- On the table in the hall.

(door closes)

- Mrs. Robinson?
- I'm in the bathroom!

- Well, here's the purse.
- Could you bring it up?

I'll hand it to you.
Come to the railing and I'll hand it up.

Benjamin, I'm getting pretty tired
of all the suspicion.

Now, if you won't do me a simple favor,
I don't know what!

I'm putting it on the top step.

For God's sake, Benjamin, will you stop
acting this way and bring me the purse!

I'm putting it here by the door.

- Will you bring it in to me?
- I'd rather not.

All right.
Put it in Elaine's room, where we were.

Right.

- (door slams)
- (lock clicks)

Oh, God. (whimpers)
Let me out.

Don't be nervous.

- Get away from that door.
- I want to say something first.

- Jesus Christ.
- I want you to know that I'm available to you.

- And if you won't sleep with me this time --
- Oh, my Christ!

If you won't sleep with me this time,
you can call me up anytime you want

- and we'll make some kind of an arrangement.
- (whimpers)

- Do you understand what I --
- Let me out.

- (tires screeching)
- Do you understand?

Yes, yes. Let me out.

I find you very attractive,
and any time you want --

- (car door slams)
- Oh, Jesus! That's him!

- Is that Ben's car in front?
- Yes, sir!

I drove, uh --
I drove Mrs. Robinson home.

She wanted me to drive her home,
so I drove her home.

Swell. I appreciate it.

She's upstairs. She wanted me
to wait down here till you got home.

Standing guard
over the old castle, are you?

Yes, sir.

(chuckles)
Congratulations.

Thank you.

- It looks like you need a refill.
- Oh, no, I've got to go.

Is anything wrong?

- You look a little shaken up.
- Oh, no, no.

I'm just -- I'm just a little
worried about my future.

I'm a little upset about my future.

All right, come on.
Let's have a nightcap together.

- Scotch?
- Uh, bourbon.

Ben.

How old are you now?

T-Twenty.
I'll be 21 next week.

(whimpers)

- That's a hell of a good age to be.
- Thank you.

Thank you very much, sir.

(Mr. Robinson sighs)

I, uh --

I wish I was that age again.

- Because, Ben --
- Sir?

You'll never be young again.

I know.

(whimpers)

Ben, can I say something to you?

What?

Uh, how long

have we known each other now?

How long have you and I
known each other?

How long have your dad and I
been partners?

Quite a while.

Mmm. Mmm.

(spits)

(whimpers)

- I watched you grow up, Ben.
- Yes, sir.

In many ways, I feel as though
you were my own son.

Thank you.

So I hope you won't mind
my giving you a --

a friendly piece of advice.

- (door slams)
- I'd like to hear it.

Ben,

I think --

I think you ought to be taking it a little
easier right now than you seem to be.

Mmm.

Sow a few wild oats.

Take things as they come.

- Have a good time with the girls and so forth.
- Mm-hmm.

- Don't get up.
- Mm-mmm.

I, uh --

- I was just telling, uh --
- Ben.

Ben here

that he ought to sow a few wild oats,
have a good time while he can.

You think that's sound advice?

Yes, I do.

I've got to go.

Uh, you have yourself a --
a few flings this summer.

I'll bet you're --
you're quite a ladies' man, huh?

- Oh, no.
- What?

You look to me like the kind of guy
who has to fight 'em off.

Doesn't he look to you like
the kind of guy who has to fight 'em off?

Yes, he does.

Oh, say, uh, Elaine gets down
from Berkeley on Saturday.

- Oh, yes.
- I want you to give her a call.

I will.

Benjamin.

- Benjamin.
- Yes?

Thank you for taking me home.

- I'll see you soon, I hope.
- (whimpers)

MR. BRADDOCK..
Ladies and gentlemen, your attention, please,

for this afternoon's feature attraction.

Hey, over there!

Yes, I mean you.

Your attention, please.

Are you ready in there,
feature attraction?

BENJAMIN:
Could I speak to you for a second, Dad?

Listen, I'm gonna ask for a big round
of applause to bring this boy out here.

All right?
Now wait a minute.

Oh, let me amend that.

To bring this young man out here.

- Because today he is 21 years old!
- (cheering, applause)

- Hey, let's get on with the show!
- Oh, now, just hang on a minute.

- I've got a few words to say.
- You always do!

Ho-ho! Look who's talking!
(laughs)

Dad, can we just talk about this
for a second?

I can't hold 'em much longer, Ben.
You'd better get out here.

BENJAMIN:
I'd like to discuss this.

This boy -- I'm sorry.

This young man
is soon to continue his education

as a Frank Halpingham Award scholar.

- (guests exclaiming)
- (chuckles)

But before he does --

before he does --

You're disappointing them, Ben.
You're disappointing them!

- Dad, can you listen?
- I'll give you 10 seconds.

He is going to give us
a practical demonstration

of what I feel safe in saying
is a pretty exciting birthday present.

(laughs) And it better work,
or I'm out over 200 bucks.

- (laughing)
- Okay then!

Let's hear it now
for Benjamin Braddock!

- Yay!
- (guests cheering, applauding)

Come on, Benjy!
Come on, Benjy!

- Let's hear it now. That-a-boy!
- (applause continues)

Now, folks,
this remarkable young man

is going to perform for you

some spectacular
and amazing feats of daring

in water that is over six feet deep!

(inhaling, exhaling)

(no audible dialogue)

(no audible dialogue)

MRS. ROBINSON (on phone):
Hello?

BENJAMIN..
Uh, I don't quite know how to put this.

- (Benjamin chuckles)
- MRS. ROBINSON: Benjamin?

Look, I was thinking
about that time after the party.

MRS. ROBINSON:
Where are you?

And I was wondering if I could
buy you a drink or something.

- Where are you?
- Uh, the Taft Hotel.

Did you get a room?

No.

I know it's pretty late,
and if you'd rather --

- Give me an hour.
- What?

- I'll be there in an hour.
- (line clicks)

(sighs)

(breathing unsteadily)

(whimpers)

- ♪♪ (orchestra)
- (chattering)

(laughing)

- Where is the party?
- It's in the main ballroom.

- Main ballroom?
- Yes. Just right there.

♪♪ (continues)

- Can I help you, sir?
- What?

Oh, no. I'm just --

Are you here for an affair, sir?

- What?
- The Singleman party, sir?

Oh, yes.
The Singleman party.

- It's in the main ballroom.
- Ah. Thank you.

♪♪ (continues)

- Hello.
- Hello.

- You must be one of the Porters.
- No, actually, I'm not --

I'd like you to meet my sister,
Miss DeWitte.

- How do you do?
- How do you do, Miss DeWitte?

And that's my husband, Mr. Singleman.

- Oh! Sorry!
- Fine, thank you.

- That's Jeffrey, of course.
- Of course.

- I didn't get your name, sir.
- Benjamin Braddock, sir.

- But I'm afr --
- Braddock. Braddock?

- Yes, but I'm afraid --
- Oh, no, I'll find your table in just a moment.

Braddock. Braddock. Braddock.
Not Braniff. We have a Braniff.

(all laughing)

No, actually,
I'm just looking for a friend.

- Oh. Well, I don't understand.
- I'm not with your party. I'm sorry.

Hey, I don't get it.

(stammering)
I've enjoyed meeting you, Mr. Braniff.

♪♪ (continues)

♪♪ (piano)

♪♪ (continues)

- Hello, Benjamin.
- Oh, hello.

- May I sit down?
- Of course.

Thank you.

- How are you?
- Very well, thank you.

- May I have a drink?
- A drink? Of course.

- He didn't see me.
- Waiter.

- I will have a martini.
- Yes, ma'am.

You don't have to be
so nervous, you know.

Nervous?
Well, I am a bit nervous.

I mean, it's pretty hard
to be suave when you're --

- Did you get us a room?
- What?

- Have you gotten us a room yet?
- I haven't, no.

Do you want to?

Well, I don't --
I mean, I could.

Or we could just talk.

- You want me to get it?
- You? Oh, no, no. I'll get it.

- Do you want to get it now?
- Now?

Yes.

Well, I don't know.

- Why don't you get it.
- Why don't I get it.

Well, I will then,
if you'll excuse me.

- Uh --
- Excuse me.

Yes, sir?

A room.
I'd like a room, please.

A single room or a double room?

Single.
Just for myself, please.

Would you sign the register, please?

- Anything wrong, sir?
- What? No. Nothing.

Do you have any luggage,
Mr. Gladstone?

Luggage?
Yes. Yes, I do.

- Where is it?
- What?

Where is your luggage?

Well, it's in the car.
It's out there in the car.

Very good, sir.
I'll have a porter bring it in.

Oh, no.

I mean, I'd --

I'd rather not go to all of the trouble
of bringing it all in.

I just have a toothbrush.
I can get it myself, if that's all right.

Of course.
I'll have a porter show you the room.

Oh, well, actually,
I'd just as soon find it myself.

I just have a toothbrush to carry up,
and I -- I can handle it myself.

- Whatever you say, sir.
- Thank you.

- Mrs. Robinson?
- Yes?

For you.

Thank you.

(earring clatters on table)

- Hello.
- BENJAMIN.. Mrs. Robinson?

- Yes?
- It's Benjamin.

Yes?

Benjamin Braddock.

Benjamin, where are you?

Can you look through the glass?

- Can you see me now?
- Yes, I can.

- I got a single room.
- That's fine.

But there's one thing -- the desk clerk
seemed to be a little bit suspicious.

- Now, I don't know what the policy is, but --
- Do you want to go up first?

- Yes, I think that would be good.
- I'll be up in five minutes.

- Well, good-bye, then.
- Benjamin.

- Yes?
- Isn't there something you want to tell me?

- Tell you?
- Yes.

Well, I want you to know
how much I appreciate this. Really.

- The number.
- What?

The room number, Benjamin.
I think you ought to tell me that.

- You're absolutely right.
- (key fob rattling)

It's 568.

- Thank you.
- You're welcome.

Well,

I'll see you later, Mrs. Robinson.

Check, please.

- I've got it.
- Hmm?

- I say, I've got it.
- Sir?

- The toothbrush. I got it all right.
- Very good, sir.

- Yes. (yawning) Well, good night.
- Good night, sir.

(yawns)
Yes.

(brushing teeth)

(spits, continues brushing)

(spits)

- (whimpers)
- (knocking)

Hello, Benjamin.

Hello, Mrs. Robinson.

(clears throat)

- Well.
- Well.

Benjamin.

Yes?

- I'll get undressed now. Is that all right?
- Sure.

Shall I -- I mean,
shall I just stand here?

I mean, I don't know
what you want me to do.

- Why don't you watch?
- Oh, sure. Thank you.

- Will you bring me a hanger?
- What?

- A hanger.
- Oh, yes.

- Wood?
- What?

Wood or wire?
They have both.

- Either one would be fine.
- Okay.

Thank you.

- Would you help me with this, please?
- Certainly.

- (zipper unzips)
- Thank you.

You're welcome.

- (Benjamin exhales)
- (head banging on wall)

Benjamin, would this be
easier for you in the dark?

- Mrs. Robinson, I can't do this.
- You what?

This is all terribly wrong.

- Do you find me undesirable?
- Oh, no, Mrs. Robinson.

I think you're the most attractive
of all my parents' friends. I mean that.

I find you desirable, but I --

For God's sake,
can you imagine my parents?

Can you imagine what they would say
if they saw us here in this room right now?

- What would they say?
- I have no idea, Mrs. Robinson.

But for God's sake, they brought me up.
They made a good life for me.

I think they deserve better than this.

I think they deserve a little better than
jumping into bed with the partner's wife.

- Are you afraid of me?
- Oh, no. You're missing the point.

Look, maybe we could
do something else together.

Mrs. Robinson, would you
like to go to a movie?

- Can I ask you a personal question?
- Ask me anything you want.

- Is this your first time?
- Is this what?

- It is, isn't it? It is your first time.
- That's a laugh, Mrs. Robinson.

That's really a laugh.
(chuckles)

- You can admit that, can't you?
- Are you kidding?

- It's nothing to be ashamed of.
- Wait a minute --

- On your first time, afraid of being inadequate.
- Who said it was my first time? Wait a minute!

Just because you happen
to be inadequate in one way --

Inadequate?

- Well, I guess I --
- Don't move!

♪♪ (guitar)

MEN..
♪ Hello, darkness, my old friend ♪

♪ I've come to talk with you again ♪

♪ Because a vision softly creeping ♪

♪ Left its seeds while I was sleeping ♪

♪ And the vision ♪

♪ That was planted in my brain ♪

♪ Still remains ♪

♪ Within the sound ♪

♪ Of silence ♪

♪ In restless dreams I walked alone ♪

♪ Narrow streets of cobblestone ♪

♪ 'Neath the halo of a street lamp ♪

♪ I turned my collar
to the cold and damp ♪

♪ When my eyes were stabbed ♪

♪ By the flash of a neon light ♪

♪ That split the night ♪

♪ And touched the sound ♪

♪ Of silence ♪

♪ And in the naked light I saw ♪

♪ 10,000 people, maybe more ♪

♪ People talking without speaking ♪

♪ People hearing without listening ♪

♪ People writing songs ♪

♪ That voices never shared ♪

♪ No one dared ♪

♪ Disturb the sound ♪

♪ Of silence ♪

♪ "Fools, "said I, "You do not know ♪

♪ Silence like a cancer grows ♪

♪ Hear my words that I might teach you ♪

♪ Take my arms that I might reach you"♪

♪ But my words ♪

♪ Like silent raindrops fell ♪

♪ And echoed ♪

♪ In the wells ♪

♪ Of silence ♪

♪ And the people bowed and prayed ♪

♪ To the neon god they made ♪

♪ And the sign flashed out its warning ♪

♪ In the words that it was forming ♪

♪ And the sign said
the words of the prophets ♪

♪ Are written on the subway walls ♪

♪ And tenement halls ♪

♪ And whispered ♪

♪ In the sounds ♪

♪ Of silence ♪♪

♪♪ (guitar)

MAN..
♪ April ♪

♪ Come she will ♪

♪ When streams are ripe
and swelled with rain ♪

♪ May, she will stay ♪

♪ Resting in my arms again ♪

(door closes)

♪ June ♪

♪ She'll change her tune ♪

♪ In restless walks
she'll prowl the night ♪

♪ July, she will fly ♪

♪ And give no warning to her flight ♪

♪ August ♪

♪ Die she must ♪

♪ The autumn winds blow chilly and cold ♪

♪ September ♪

♪ I'll remember ♪

♪ A love once new ♪

♪ Has now ♪

♪ Grown old ♪♪

MR. BRADDOCK..
Ben, what are you doing?

Well, I would say that I'm just
drifting here in the pool.

Why?

Well, it's very comfortable
just to drift here.

- Have you thought about graduate school?
- No.

Would you mind telling me, then,
what those four years of college were for?

What was the point
of all that hard work?

- You got me.
- Now, listen, Ben --

Look,

I think it's a very good thing
that a young man,

after he's done some very good work,

should have a chance to
relax and enjoy himself

and lie around
and drink beer and so on.

But after a few weeks,

I believe that person would want to take
some stock in himself and his situation

and start to think about
getting off his ass!

The Robinsons are here.

MR. ROBINSON: Hi, Ben. What are you
doing with yourself these days?

Oh, not too much.

Taking it easy.

(laughs)
That's what I'd do if I could.

Nothing wrong with that.

Hey, Ben, Elaine's coming down
from Berkeley soon.

- I want you to call her up this time.
- I will.

Because I just think you two
would hit it off real well together.

Say hello to Mrs. Robinson, Benjamin.

Hello, Mrs. Robinson.

Hello, Benjamin.

Oh, my.

Hi.

- Hi. Can I talk to you for a minute?
- Sure.

Benjy, darling,

I'm going to ask you something,

but you don't have to tell me
if you don't want to.

What?

Well, I'm going to ask you what you do
when you go off at night.

When I go off?

- You don't have to tell me if you don't want to.
- No, I do. I want to tell you.

(exhales)
I drive around.

- What else?
- Nothing else.

Well, you don't drive around from midnight
until noon the next day, Benjamin.

- Oh, no.
- Well, then, what do you do?

You meet someone?

Meet someone?
Why do you say that?

Well, this is your business.
I don't want to play games with you.

Wait, wait.

I don't meet anyone, Mother.
But why do you say that?

Benjamin, I don't want
to pry into your affairs,

but I would rather you didn't say
anything at all than be dishonest.

- Good night.
- Well, wait.

Wait a minute!

BENJAMIN:
Will you wait a minute, please?

Mrs. Robinson,

do you think we could say a few words
to each other first this time?

I don't think we have
much to say to each other.

(Benjamin sighs)

Look, for months all we've done
is come up here and leap into bed together.

- Are you tired of it?
- I'm not, no.

But do you think we could liven it up
with a little conversation for a change?

- Well, what do you want to talk about?
- Anything. Anything at all.

Do you want to tell me about
some of your college experiences?

Oh, my God.

Think of another topic.

(sighs)

(Mrs. Robinson exhales)

- How about art?
- Art?

That's a good subject.
You start it off.

You start it off.
I don't know anything about it.

What do you want to know about it? Are you
interested more in modern or classical art?

- Neither.
- You're not interested in art?

- No.
- Then why do you want to talk about it?

- I don't.
- Now look, we're going to do this thing.

We're going to have a conversation.
Tell me what you did today.

- (sighs) I got up.
- Hmm.

- I fixed breakfast for my husband.
- There!

There's something we could have
a conversation about -- your husband.

Oh. Him.

I mean everything. I don't know
anything about how you work this.

What do you say to him
when you leave the house at night?

Nothing. He's asleep.

Always? Doesn't he wake up
when you come home?

- (sighs)
- (ashtray rattles)

We have separate bedrooms.

Oh, I see.

So you don't --

I don't like to seem like I'm prying,
but I guess you don't sleep together or anything.

- No, we don't.
- Well, how long has this been going on?

- For God's sake, let's drop this --
- Wait a minute.

Why did you marry him?

- See if you can guess.
- Well, I can't.

Think real hard, Benjamin.

I can't see why you did unless --

You didn't have to marry him
or anything, did you?

(sighs)
Don't tell Elaine.

Oh, no. You had to marry him
because you got pregnant.

Are you shocked?

Well, I never thought of you
and Mr. Robinson as the kind of people --

All right.
Now let's get to bed.

Wait a minute. Wait a minute!

So, how did it happen?

- What?
- You and Mr. Robinson.

Do you feel like telling me,
what were the circumstances?

Not particularly.

- Was he a law student at the time?
- Mm-hmm.

- And you were a student also?
- Mm-hmm.

At college?

(sighs)
Yes.

What was your major?

Benjamin, why are you
asking me all these questions?

Because I'm interested, Mrs. Robinson.

What was your major subject at college?

- Art.
- Art?

But I thought you --

Hmm.

I guess you kinda lost interest in it
over the years then.

Kind of.

Well, how did it happen?

- What?
- You and Mr. Robinson.

How do you think?

I mean, did he take you up to his room
with him? Did you go to a hotel?

Oh, Benjamin,
what does it possibly matter?

I'm curious.

- We'd go to his car.
- Oh, no.

In the car you did it?

Well, I don't think we were the first.

What kind of car was it?

- What?
- Do you remember the make of the car?

- Oh, my God.
- Really. I want to know.

It was a Ford, Benjamin.

(laughing)
A Ford.

A Ford.
Goddamn it, that's great!

A Ford.

That's enough.

So, old Elaine Robinson
got started in a Ford.

Don't talk about Elaine.

"Don't talk about Elaine"?

No.

Why not?

'Cause I don't want you to.

Well, why don't you?
I wish you'd tell me.

There's nothing to tell.

Why is she a big taboo subject
all of a sudden?

Well, I guess I'll have to ask her out on a date
and find out what the big deal is.

- Benjamin.
- Ow!

Don't you ever take that girl out.

- Do you understand that?
- Look, I have no intention of taking her out.

Good.

I was just kidding around.

Good.

Well, why shouldn't I?

I have my reasons.

- Then let's hear them.
- No.

Let's hear them, Mrs. Robinson,
because I think I know what they are.

I'm not good enough for her
to associate with, am I?

I'm not good enough
to even talk about her, am I?

- Let's drop it.
- We're not dropping it.

I'm good enough for you, but I'm not good
enough to associate with your daughter.

- That's it, isn't it?
- Benjamin.

Isn't it?

Yes.

You go to hell.

You go straight to hell,
Mrs. Robinson.

Do you think I'm proud of myself?
Do you think I'm proud of this?

- I wouldn't know.
- Well, I am not.

- You're not.
- No, sir.

I'm not proud that I spend my time
with a broken-down alcoholic.

I see.

And if you think I come here for any reason
besides pure boredom, then you're all wrong.

Because, Mrs. Robinson,

this is the sickest, most perverted thing
that ever happened to me.

You do what you want,
but I'm getting the hell out.

- Are you?
- You're goddamn right I am.

That's how you feel about me --
that I'm a sick and disgusting person.

- Now, don't start this.
- What?

Don't start acting hurt.

Don't you expect me
to be a little hurt?

Mrs. Robinson, you lie there and tell me
I'm not good enough for your daughter.

- Did I say that?
- In so many words.

(sighs) Benjamin, I want to apologize to you
if that's the impression you got.

Well, two minutes ago you told me
I wasn't good enough for your daughter.

Now you're saying you're sorry
I got that impression.

I didn't mean it. I don't think
you'd be right for each other.

But I would never say
you aren't as good a person as she is.

You wouldn't?

Of course I wouldn't.

What are you doing?

Well, it's pretty obvious
you don't want me around anymore.

Well, look, uh --

(exhales)
I was kind of upset there.

I'm sorry I said those things.

It's all right. I think I can understand
why I'm disgusting to you.

Well --

Look, I like you. I wouldn't keep
coming here if I didn't like you.

- But if it's sickening for you --
- It's not.

I enjoy it. I look forward to it.
It's the one thing I have to look forward to.

- You don't have to say that.
- Well, I wouldn't.

I would never say it if it wasn't true.

May I stay then?

(scoffs quietly)

- Yes, please. I want you to.
- Thank you.

Well, don't... thank me,
because I want you to.

But you won't ever
take Elaine out, will you?

I want you to promise me that.

Why the hell did you bring this up?
It never occurred to me to take her out.

Then give me your word you won't.

This is absurd.

Promise me, Benjamin.

All right. I promise --

For Christ's sake, I promise
I'll never take out Elaine Robinson.

Thank you.

- Benjamin --
- Let's not talk about it.

Let's not talk at all.

(clattering)

(exhales)
Elaine's back from school.

I think it might be a nice gesture
if you asked her out.

I suppose she's not good enough for you.
Is that it?

Look, Elaine Robinson and I
do not get along.

How do you know?
You haven't seen her since high school.

I suppose your evenings --
whatever you do with them --

are just too valuable.

That has nothing to do with it.

I guess I'll just have to tell Mr. Robinson
that you're too busy every evening

doing God knows what.

- Now, don't go on like this.
- (grunts)

If Benjamin absolutely
refuses to take her out --

I do.

Then I will simply have to
invite all the Robinsons over

on Thursday.

(doorbell rings)

MR. ROBINSON: Well, Braddock,
it's about time you got around to this.

MAN (on TV)..
Your wife predicted you would say -- what?

- Patty Duvalle.
- (woman groans)

- MAN#2.. But I didn't know.
- (audience laughing)

But I didn't know you --
(laughing)

- MAN#1.. No points, right?
- MAN#2 (laughs).. No.

MAN#1..
Here's the next question, gentlemen.

Hello.

What is your wife's most unusual habit?

- Uh, come on in.
- Be very specific with your answers.

I'm afraid the young lady
isn't quite ready yet.

What would you say to a short one?

- Scotch still your drink?
- Bourbon.

MAN #1 (on TV)..
Think of something before that bell rings.

- Uh --
- (woman laughs)

Not shaving her legs.

- (audience laughing)
- (chuckling)

WOMAN..
Stop! That's not funny!

Well, I'll-I'll see if she's ready.

WOMAN..
That's not -- Oh.

I don't even want to play anymore.

MAN..
Sorry, honey, I --

Well -- What else --
What could she say?

(whispering)
Listen, this was not my idea.

This was my father's idea.

Benjamin, I thought I made myself
perfectly clear about this.

Look, we'll go out to dinner and have a drink,
and I'll bring her right back.

Because it was either that
or a dinner party with the two families.

And I'm afraid I couldn't quite handle that,
if you don't mind.

Look, I have no intention of ever taking
your precious daughter out again in her life,

so don't get upset about it.

I am. I'm extremely upset
about it, Benjamin.

MAN #1 (on TV)..
Her most unusual habit.

- Hello.
- Hello.

MR. ROBINSON: Well, I want you
to keep your wits about you tonight.

You never know what tricks
Ben picked up back there in the East.

(chuckles)

(engine revving)

- (tires screeching)
- You're living at home now. Is that right?

Yes.

- Do you know what you're going to do?
- No.

Are you going to graduate school?

No.

(horn honking)

- Do you always drive like this?
- Yes.

(tires squealing)

♪♪ (band: pop)

♪♪ (band: R & B)

♪♪ (cymbals crashing)

♪♪ (slow jazz)

(chair screeches)

(wolf whistle)

Sit down.

Why don't you watch the show?

Benjamin, do you dislike me
for some reason?

No. Why should I?

I don't know.

(men whistling, applauding)

You're missing a great effect here.

(men shouting)

How do you like that?

Could you do it?

MAN:
Go, baby! Go!

♪♪ (drumming)

- Stop it.
- Hey!

- (murmuring)
- MAN: Boo!

- (crowd booing)
- ♪♪ (band continues)

Elaine, I'm sorry.

Elaine.

Would you take me home now?

I'm sorry I took you in there.

I think I'd better go home, please.

- Hey, Elaine.
- Where's the car?

- I just want to tell you something.
- (sobbing)

- I want to go home.
- But can I just tell you this one thing?

- What?
- This whole idea -- this date and everything --

It was my parents' idea.
They forced me into it.

Oh, that's very nice of you to tell me.

No. What I mean is,
that's why I've been acting this way.

I'm not like this.
And I hate myself like this.

Listen, could you just stop crying, please?

No, I couldn't.

- But could you try?
- No.

♪♪ (pop, faint)

I've had this feeling
ever since I've graduated --

this kind of compulsion
that I have to be rude all the time.

You know what I mean?

Yes, I do.

It's like I've been
playing some kind of game,

but the rules don't make
any sense to me.

They're being made up
by all the wrong people.

No.

I mean, no one makes them up.
They seem to have made themselves up.

♪♪ (car stereo.. rock)

Say, I wonder if I could request you
to turn that down a little.

♪♪ (volume increases)

♪ Pleasure machine ♪

♪ Do figures of authority
just shoot you down? ♪

♪ Is life within the business world a drag? ♪

♪ Did your boss just mention
that you’d better shop around? ♪

- ♪ To find yourself a more productive bag ♪
- (engines revving)

(no audible dialogue)

♪ Are you worried and distressed? ♪

♪ Can't seem to get no rest ♪

♪ Put our product to the test ♪

♪ You'll feel just fine ♪

♪ Now you can buy a -- ♪♪

Would you like to come in?

- I could make you some coffee.
- No.

I mean, I wouldn't want
to wake anyone up.

We won't. Let's go inside.

- Wait a minute.
- Is anything wrong?

No.

I was just thinking.

It's still early.

Maybe we could do something,
go somewhere else.

All right.

ELAINE:
Where are we going?

I'm trying to think of where there's a place
to have a drink around here.

Isn't there one at the Taft Hotel?

ELAINE (gasps):
What is the matter?

Nothing. I'm just wondering
if they have a bar or not.

I mean, let's go see.
Let's go see if they do or not.

♪♪ (lounge)

Listen, Elaine. It seems to me
that there isn't a bar here.

- I mean, as far as I know.
- Of course there is. Look.

There's the Palm Room right there.

- Good evening.
- Hello. How are you, sir?

Good evening, Mr. Gladstone.

- Hello again.
- (chuckles)

Hi, Mr. Gladstone.
How are you this evening?

Benjamin?

Let's get out of here, Elaine.
Let's go somewhere else.

- Do they know you?
- Of course not.

- Good evening, sir.
- Come on, Elaine. We're leaving.

Mr. Gladstone, how are you?

- Benjamin, what's happening?
- I don't know.

They must think
I look like this guy Gladstone.

Hello, Mr. Braniff.

(engine off)

(sighs, chuckles)

Elaine, I like you.

I like you so much.

Do you believe that?

- Do you?
- Yes.

(sighs)
You're the first --

You're the first thing for so long
that I've liked,

the first person
I could stand to be with.

My whole life is such a waste.

It's just nothing.

I'm sorry.
I'll take you home now.

(engine starts)

Benjamin, are you having
an affair with someone?

(engine off)

I'm sorry. I'm sorry.
That's not my business.

It just happened.

It -- It's just this thing that happened
along with everything else.

Can you understand that?

Was she married or something?

Yes.

With a family?

Yes, she had a husband and a son.

- Did they ever find out?
- No.

And it's all over now?

Yes.

(engine starts)

I'm glad.

(keys jingling)

(whispering)
Can we do something tomorrow?

(whispering)
All right.

During the day,
we'll go for a drive or something.

Okay.

- You sure you really want to?
- Yes.

'Cause I wouldn't want you to do it
unless you really wanted to.

- I do.
- You do?

- (loud) Benjamin, I really do.
- Shh!

♪♪ (whistling)

- Drive down the block.
- Mrs. Robinson.

Elaine and I have a date.
We're going for a drive.

Do exactly as I say!

- Now, it seems to me --
- Listen to me very carefully, Benjamin.

You are not to see Elaine again ever.
Those are my orders. Is that clear?

- Mrs. Robinson, do you think we can --
- I can make things quite unpleasant.

How?

In order to keep Elaine away from you,
I am prepared to tell her everything.

I don't believe you.

Then you better start believing me.

I just don't believe you would do that.

Try me.

Goddamn it.

- Elaine! Elaine! I'm coming up!
- ELAINE: Benjamin?

I'm not dressed yet.

Benjamin, I said I wasn't dressed!

You've got to go over the back fence,
and I'll meet you round the corner.

- What's the matter?
- Hurry. Put your shoes on.

- (giggles)
- (door closes)

Benjamin! Benjamin!

- Elaine.
- What are you doing?

- Elaine, I have to tell you something.
- What is it?

- That woman?
- What?

That woman, that older woman
that I told you about?

- You mean that one.
- Yes, the married woman.

- That wasn't just some woman.
- What are you telling me?

Benjamin, will you just tell me
what this is all about?

- Oh, no.
- Elaine.

- Oh, my God.
- Please.

- Get out of here.
- Don't cry.

Get out! Get out! Out! Get out!

Good-bye, Benjamin.

♪♪ (acoustic guitar)

MEN..
♪ Are you going ♪

♪ To Scarborough Fair? ♪

♪ Parsley, sage, rosemary and thyme ♪

♪ Remember me ♪

♪ To one who lives there ♪

♪ She once was ♪

♪ A true love of mine ♪

♪ Tell her to make me ♪

- ♪ A cambric shirt ♪
- ♪ On the side of a hill ♪

♪ In the deep forest green ♪

♪ Parsley, sage, rosemary and thyme ♪

♪ Tracing of sparrow
on snow-crested ground ♪

♪ Without no seams ♪

- ♪ Nor needlework ♪
- ♪ Blankets and bedclothes ♪

♪ The child of the mountain ♪

♪ Then she 'll be a true love of mine ♪

♪ Sleeps unaware of the clarion call ♪

♪ Tell her to find me ♪

- ♪ An acre of land ♪
- ♪ On the side of a hill ♪

♪ A sprinkling of leaves ♪

♪ Parsley, sage, rosemary and thyme ♪

♪ Washes the ground
with so many tears ♪

♪ Between the saltwater ♪

- ♪ And the sea strand ♪
- ♪ A soldier cleans ♪

♪ And polishes a gun ♪

♪ Then she'll be a true love of mine ♪♪

MR. BRADDOCK:
Say that again.

I'm going to marry Elaine Robinson.

(chuckling)

Well, well, well!

What's happening?

Ben says that he and Elaine
are getting married.

(screams)
I don't believe it.

- That's what he says, right?
- I'm going up to Berkeley today.

- Oh! (laughs)
- Oh, Ben. That's so exciting!

(laughing)

Come on.
We've got to call the Robinsons.

We've got something to celebrate.

- No. I think you'll want to wait on that.
- Oh, they don't know?

- No, they don't.
- Well, when did you decide all this?

- About an hour ago.
- U-Uh, wait a minute.

You talked to Elaine this morning?

No, she doesn't know about it.

Uh, you mean she doesn't know
that you're coming up to Berkeley?

No. Actually, she doesn't know
about us getting married yet.

- Well, when did you two talk this over?
- We haven't.

You haven't?

Ben, this whole idea
sounds pretty half baked.

No, it's not. It's completely baked.

It's a decision I've made.

Well, what makes you think
she wants to marry you?

She doesn't. To be perfectly honest,
she doesn't like me.

♪♪ (acoustic guitar)

♪ Are you going ♪

♪ To Scarborough Fair? ♪

♪ Parsley, sage, rosemary and thyme ♪

♪ Remember me ♪

♪ To one who lives there ♪

♪ She once was ♪

♪ A true love of mine ♪

♪ Tell her to make me ♪

- ♪ A cambric shirt ♪
- ♪ On the side of a hill ♪

♪ In the deep forest green ♪

♪ Parsley, sage, rosemary and thyme ♪

♪ Tracing of sparrow
on snow-crested ground ♪

♪ Without no seams ♪

- ♪ Nor needlework ♪
- ♪ Blankets and bedclothes ♪

♪ The child of the mountain ♪

♪ Then she 'll be a true love of mine ♪

♪ Sleeps unaware of the clarion call ♪

♪ Tell her to find me ♪

- ♪ An acre of land ♪
- ♪ On the side of a hill ♪

♪ A sprinkling of leaves ♪

♪ Parsley, sage, rosemary and thyme ♪

♪ Washes the ground
with so many tears ♪

♪ Between the saltwater ♪

- ♪ And the sea strand ♪
- ♪ A soldier cleans ♪

♪ And polishes a gun ♪

♪ Then she 'll be a true love of mine ♪

♪ Tell her to reap it ♪

- ♪ In a sickle of leather ♪
- ♪ War bellows ♪

♪ Blazing in scarlet battalions ♪

♪ Parsley, sage, rosemary and thyme ♪

♪ Generals order their soldiers to kill ♪

♪ And gather it all ♪

- ♪ In a bunch of heather ♪
- ♪ And to fight for a cause ♪

♪ They've long ago forgotten ♪

♪ Then she 'll be a true love of mine ♪

♪ Are you going ♪

♪ To Scarborough Fair? ♪

♪ Parsley, sage, rosemary and thyme ♪

♪ Remember me ♪

♪ To one who lives there ♪

♪ She once was a true love of mine ♪♪

♪♪ (ends)

- You a student?
- Not exactly.

- What's that?
- I said "not exactly." No.

What are you then?

I'm just sort of traveling through.

I like to know who's living in my house.

- I like to know what my boys are up to.
- Hmm.

I'm not up to much actually.

- I'm just visiting.
- Hmm.

I mean, I've always
wanted to see Berkeley.

- You're not one of those agitators?
- What?

- One of those outside agitators?
- Oh, no.

I hate that. I won't stand for it.

Won't stand for that.

BENJAMIN:
If I can get by.

Excuse me.

Pardon me.

Well, how 'bout this
for a coincidence?

I was wondering
where you were headed.

- I'm meeting someone.
- Ah.

Where?

- Where are you meeting this person?
- At the zoo.

The zoo.

They have a pretty good one here,
do they?

I don't know. I've never seen it.

Oh. Well, I haven't either.

I might just ride out there with you.

- (growling, screeching)
- BENJAMIN: Is that him over there?

ELAINE:
No.

(screeching continues)

Where did he say
he was going to meet you?

- I thought he said by the monkey house.
- Oh.

Benjamin, I would like to know
what you're doing here.

- Here, in Berkeley?
- Yes.

Well, I have this
very pleasant room on Carter Street,

and I've been getting into some classes.

- But you're not enrolled.
- No. I just sit in.

They don't seem to mind.
They've been very congenial about it.

Benjamin, you're --
I don't know what to say.

Maybe we can get together sometime
and talk about it.

- Really incredible.
- (train horn blows)

- Here he comes.
- What?

I've got a real feeling
that this is the fella.

- (train horn blows)
- Elaine!

BENJAMIN:
He certainly is a good walker.

Am I late? I'm sorry.

We thought you said
by the monkey house.

This is Benjamin Braddock.
Carl Smith.

Benjamin rode here with me on the bus.

- Glad to meet you, Ben.
- Great meeting you, Carl.

Swell seeing you.

♪♪ (acoustic guitar)

♪ Are you going ♪

♪ To Scarborough Fair? ♪

♪ Parsley, sage, rosemary and thyme ♪

♪ Remember me ♪

♪ To one who lives there ♪

♪ She once was ♪

♪ A true love of mine ♪♪

- (knocking)
- Who is it?

I wanna ask you a question,
and then I'm going.

- Come in.
- No. I wanna know why you're here in Berkeley.

Because... I am.

- Is it because I'm here?
- What do you think?

I think it is.

- I said, I think it is!
- All right then. Yes.

- Well, I want you to leave.
- Well, look. I love you.

How could you do that, Benjamin?
Do you just hate everything?

- How could you possibly rape my mother?
- What?

- I don't understand how anyone
can do a thing like that!
- Did you say rape her?

What did she say?
You gotta tell me what she said.

- Why?
- Because it isn't true.

- I have to go.
- Tell me.

She said that she was having a drink
at the hotel with a friend

and that you waited for her
in the parking lot

and told her that she was
too drunk to drive home

and that you would get her
a room for the night.

- Oh, then what?
- Then you took her upstairs and you raped her.

Oh, no, no.
That's not what happened.

What happened was that there
was this party at my parents'.

- I drove your mother home.
- I don't want to hear this!

- Then we went upstairs to see your portrait.
- No, I don't!

- In the room, she started taking her clothes off.
- This is my mother!

And suddenly, there she was
without any clothes on. I mean really naked.

Oh!
(screaming)

(clattering)

(water running)

- (knocking)
- LANDLORD: What's going on in there?

- Oh, hello, Mr. McCleery.
- Who screamed?

- It's all right, Mr. McCleery.
- Screaming is not all right.

Not in my house, it isn't.

It was just a visitor,
but it's all right now.

- What'd you do to her?
- Look, she's all right.

She's upset, and she screamed.
But it's okay now.

- Shall I get the cops? I'll get the cops.
- What?

Hey, wait a minute.
Now, damn it, look.

Here she is, having some water.

Now, there's no need
for the cops or anything.

All right, boys.
You can all go back to your rooms now.

Go ahead. We won't have
any more of this agitation.

- Will we, Braddock?
- No, sir.

(doors closing)

- I want you out of here.
- What do you mean?

- Now, you heard me. Out of here.
- What for?

Because I don't like you.

I'm sorry I screamed.

Benjamin, when you came up here,

what did you think
was going to happen between us?

Elaine, right now
I don't feel like talking much.

I'm sorry about everything,
but I think I'll just do this now.

Can I just sit here while you're packing?

If you want.

What are you going to do now?

I don't know.

- Are you going home?
- No.

Well, where are you going?

Elaine, you're gonna have to
stop asking me that.

(sighs)

I don't want you to leave tomorrow.

I don't understand.

I don't want you to go anywhere.

Until you have a definite plan.

Good-bye.

(door closes)

(footsteps descending stairs)

(door opening)

(door closes)

- What's happening?
- ELAINE: Benjamin?

What?

(sighs)

Will you kiss me?

(sighs)

Will you marry me?
(yawns)

- You won't?
- I don't know.

But you might?

I might.

Is that so?

You might marry me?

Yes.

When?

I don't know.

How 'bout tomorrow?
I don't mean to be pushy, but I think --

I don't know.

I don't know what's happening.

You mean you're confused?

Well, look, don't be confused.

We're getting married.

I don't see how we can.

(sighs)
We just can.

I have to go now.

Elaine.

Are you serious about this?

I'll think about it.

You really will?

Yes.

(footsteps descending stairs)

Good God.

BENJAMIN: We can go down
and get our blood test tomorrow.

- ELAINE: Tomorrow?
- Or this afternoon. It's a good day for it.

Benjamin, I haven't even
said I'll marry you yet.

We'll need our birth certificates.

I happen to have mine with me.
Where's yours?

- I just don't think it would work.
- Why wouldn't it?

(bell ringing)

(bell ringing)

- Why wouldn't it?
- I just don't think it would.

Tomorrow then. Can we get
our blood test tomorrow morning?

Why don't you just drag me off
if you wanna marry me so much?

Why don't I just drag you off?
All right. I will.

Right after we get the blood tests.

- I have to see Carl first.
- Carl who?

(cheering)

- Carl who?
- Carl Smith.

He's a medical student.
We've known him for years.

- Who, that guy at the zoo?
- Yes.

- Why do you have to see him?
- Well, I said I might marry him.

(whistle blows)

(shouts)
You what?

(whispers)
How did he do it?

Did he get down on his knees?
He didn't get down on his knees, I hope.

(whispers)
No, Benjamin.

- What did he say? I'm curious.
- Shh.

He said he thought
we'd make a pretty good team.

- (loudly) Oh, no. He said that?
- Shh!

Well, where did he do it?

I'd like to know where it happened.

(shouting)
It wasn't in his car, was it?

(bell chiming)

Good night.

Are we getting married tomorrow?

No.

The day after tomorrow?

- (bell tolling)
- I don't know.

Maybe we are,
and maybe we're not.

♪♪ (whistling.. "Mrs. Robinson')

♪♪ (whistling continues)

(screams)

Do you want to, uh -- Do you want
to try and tell me why you did it?

- Mr. Robinson.
- Do you have a special grudge against me?

- Do you feel a particularly strong resentment?
- No.

Is there something I've said
that's caused this contempt,

or is it just the things I stand for
that you despise?

It was nothing to do with you, sir.

Well, Ben, it was quite a bit
to do with me.

Now, look. Please --

Ben, I think we're two
civilized human beings.

Do you think it's necessary
to threaten each other?

- I'm not threatening you.
- Do you want to unclench your fist, please?

Thank you.
I can see in the dark, you know.

I've been here quite a while.

I'm trying to tell you I have no personal
feelings about you, Mr. Robinson.

I'm trying to tell you I do not resent you.

You don't respect me
terribly much either, do you?

- No, sir.
- What?

- No, sir.
- Don't shout at me, Ben.

I may not be as young as you,
but I still have pretty good hearing.

- Mr. Robinson --
- Have the decency to wait until I finish.

I do think you should know
the consequences of what you've done.

I do think you should know that my wife
and I are getting a divorce soon.

- But why?
- "Why?"

Listen to me.

What happened between
Mrs. Robinson and me was nothing.

It didn't mean anything. We might
just as well have been shaking hands.

Shaking hands?

Well, that's not saying much
for my wife, is it?

- You miss the point.
- I guess I do.

The point is, I don't love your wife.
I love your daughter, sir.

All right. Now listen to this.

I don't know whether I can prosecute,
but I think I can.

I think I can get you behind bars
if you ever look at my daughter again.

Now, I've seen Elaine, and I've made
damn sure you can't get to her.

Stay away from me, Ben!

I don't want to mince words with you.

As far as Elaine is concerned, you're
to get her out of your filthy mind right now!

Is that perfectly clear to you?

That's all, Ben.

You'll pardon me
if I don't shake hands with you.

I think you are filth.

I think you are scum!

You are a degenerate!

Hi.

Mr. McCleery, do you have some change?
I need to use the phone.

I want you out of here.

Look. I'll give you $10 for a dime.
I'll give you 20.

For God's sake,
will you let me use that phone?

I'm gonna call the police now.

Could I make one phone call first?

Get out of here!

WOMAN:
Elaine Robinson has left school.

Her roommate's coming down
with a note for you.

ELAINE'S VOICE..
Dear Benjamin, please forgive me

because I know what I'm doing
is the best thing for you.

My father is so upset.
You've got to understand.

I love you,
but it would never work out.

♪♪ (guitar)

♪♪ (guitar)

♪ Dee, dee-dee-dee, dee-dee
dee-dee-dee-dee, dee-dee-dee ♪

♪ Dee-dee-dee-dee, dee-dee
dee-dee-dee ♪

♪ Dee, dee-dee-dee, dee-dee
dee-dee-dee-dee, dee-dee-dee ♪

♪ Dee-dee, dee-dee, dee, dee-dee ♪

♪ Do, do-do-do, do-do
do-do-do-do, do-do-do ♪

♪ Do-do-do-do, do-do
do-do-do ♪

(dog barking in distance)

♪ Do, do-do-do, do-do
do-do-do-do, do-do-do ♪

♪ Do-do, do-do ♪

♪♪ (ends)

Ow!

(dog yipping)

Elaine?

Hello, Benjamin.

- Where is she?
- Hello. Get me the police, please.

- Where is Elaine?
- I'll be with you in a moment, Benjamin.

Do you have a patrol car in the vicinity
of 1200 Glenview Road?

Good. We have a burglar here.

Just a second. I'll ask him.
Are you armed?

No, I don't believe he is.
Thank you.

What have you done to her?

I think we have everything
quite under control now, Benjamin.

Would you like a quick drink
before you go?

You can't stop me from seeing her,
Mrs. Robinson. I'll find her.

Sorry we won't be able to invite you
to the wedding, Benjamin,

but the arrangements
have been so rushed.

What the hell have you done with her?

(car tires screeching)

- (sighs)
- (car doors closing)

I don't think you'll have time
for that drink after all.

- I'll find her.
- I don't think so.

♪♪ (guitar)

♪ Dee, dee-dee-dee, dee-dee
dee-dee-dee-dee, dee-dee-dee ♪

♪ Dee, dee-dee-dee, dee-dee
dee-dee-dee ♪

♪ Dee, dee-dee-dee, dee-dee
dee-dee-dee-dee, dee-dee-dee ♪

♪ Dee, dee-dee-dee, dee-dee
dee-dee-dee ♪

♪ And here's to you, Mrs. Robinson ♪

♪ Jesus loves you more
than you will know ♪

♪ Whoa, whoa, whoa ♪

♪ Stand up tall, Mrs. Robinson ♪

♪ God in heaven smiles
on those who pray ♪

♪ Hey, hey, hey ♪

♪ Hey, hey, hey ♪♪

- ♪♪ (ends)
- (chattering)

Say, fellas.

Do any of you fellas know
where Carl Smith is?

He took off in the middle of the night
to get married.

MAN: Yeah, probably
one step ahead of the shotgun.

(laughing)

Would you happen to know
where he's getting married?

- I'm supposed to be there.
- Why don't you ask Carter?

Would you happen to know
where I might find him?

Hey, Carter!

Hey, where's the make-out king
getting married?

Santa Barbara!

You don't happen to know exactly where
the old make-out king is getting married, do you?

- I'm supposed to be there.
- Where in Santa Barbara?

I don't know.
Maybe his old man's house.

- Or in the maternity ward.
- (laughing)

- Hey, you going to the wedding?
- Yeah.

Hey. Tell him to save
a piece for me.

(laughing)

- Of the wedding cake.
- Oh!

♪♪ (guitar)

♪ Dee, dee-dee-dee, dee-dee
dee-dee-dee-dee, dee-dee-dee ♪

♪ Dee, dee-dee-dee, dee-dee
dee-dee-dee ♪

♪ Dee, dee-dee-dee, dee-dee
dee-dee-dee-dee, dee-dee-dee ♪

♪ Dee-dee-dee-dee
dee, dee-dee ♪

♪ Dee, dee-dee-dee, dee-dee
dee-dee-dee-dee, dee-dee-dee ♪

♪ Dee, dee-dee-dee
dee-dee. dee-dee-dee ♪

♪ Dee, dee-dee-dee, dee-dee
dee-dee-dee-dee, dee-dee-dee ♪

♪ Dee-dee-dee ♪♪

- Can I use your phone?
- Yeah.

(phone dings)

(panting)

Come on.

- WOMAN (on phone).. 697-2036.
- Hello! Who is this?

- This is Dr. Smith's answering service.
- Is the doctor anywhere?

Well, I'm afraid the doctor
can't be reached right now.

- If you'd like to leave--
- I have to know where he is!

Well, you see, the doctor is at his son's
wedding, but I'm sure it's over by now.

- He should be checking in any moment.
- Listen to me!

I'm Dr. Smith's brother,
Reverend Smith,

and I'm supposed to perform
the ceremony.

I just got in from Portland,
and I've forgotten what church, you see?

Oh. Well, I'm not sure, but you
might try the First Presbyterian.

- That's on Allan Street.
- Thank you!

- Allan Street! Where is it?
- Uh, Allan. Uh --

It's, uh -- It's, uh --

It's six blocks up
and, uh, three over.

Uh, you need any gas, Father?

(tires screeching)

♪♪ (guitar strumming slows)

♪♪ (stops)

(engine cranking)

(traffic passing)

Oh, Jesus, God.

- No.
- ♪♪ (organ)

Elaine!

- (pounding on glass)
- Elaine!

Elaine!

Elaine!

Who is that guy?
What's he doing?

- I'll take care of him.
- He's too late.

- (pounding)
- Elaine!

Elaine! Elaine!

Elaine! Elaine!

MR. ROBINSON:
Get him. We've got to stop him.

- Elaine! Elaine!
- What's wrong with you?

Elaine! Elaine!

Elaine!

- (inaudible dialogue)
- Elaine!

- (inaudible)
- Elaine!

- (inaudible)
- Elaine! Elaine!

Ben!

(guests murmuring)

You punk. You crazy punk!

How dare you!
(grunting)

(grunting)

(shouting)

- (women screaming)
- Come on!

- Elaine, it's too late!
- Not for me!

Move! Move!

- MR. ROBINSON: Damn you!
- Move!

(vehicle approaching)

♪♪ (guitar)

♪ Hello, darkness, my old friend ♪

♪ I've come to talk with you again ♪

♪ Because a vision softly creeping ♪

♪ Left its seeds
while I was sleeping ♪

♪ And the vision that was planted ♪

♪ In my brain ♪

♪ Still remains ♪

♪ Within the sound ♪

♪ Of silence ♪

♪ In restless dreams I walk alone ♪

♪ Narrow streets of cobblestone ♪

♪ 'Neath the halo of a streetlamp ♪

♪ I turned my collar
to the cold and damp ♪

♪ When my eyes were stabbed ♪

♪ By the flash of a neon light ♪

♪ That split the night ♪

♪ And touched the sound ♪

♪ Of silence ♪♪