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These are the user uploaded subtitles that are being translated: 1 00:00:29,020 --> 00:00:30,090 MAN: Tonight's stars, 2 00:00:30,090 --> 00:00:32,140 Harry Guardino, 3 00:00:32,140 --> 00:00:34,090 Richard Kiley, 4 00:00:34,090 --> 00:00:36,090 Julie Adams, 5 00:00:36,090 --> 00:00:37,180 Ray Danton, 6 00:00:37,180 --> 00:00:39,160 and Jill Ireland, 7 00:00:44,160 --> 00:00:46,090 Good evening, 8 00:00:46,090 --> 00:00:49,080 In the netherworld inhabited by ghouls, 9 00:00:49,080 --> 00:00:52,140 goblins, gremlins, and the generally grotesque, 10 00:00:52,140 --> 00:00:54,180 it's occasionally possible to put this sundry 11 00:00:54,180 --> 00:00:57,020 and myriad crew on canvas, 12 00:00:57,020 --> 00:01:00,120 and this we do in this arcade of the outrageous, 13 00:01:03,120 --> 00:01:05,120 Painting number one, 14 00:01:05,120 --> 00:01:09,190 a small item of hope and faith and despair, 15 00:01:09,190 --> 00:01:12,130 an excursion into the eerie in which we touch base 16 00:01:12,130 --> 00:01:14,220 with that fraternity of the dispossessed 17 00:01:14,220 --> 00:01:18,140 who seek out something miraculous in the way of cures 18 00:01:18,140 --> 00:01:20,070 and in the way of hope, 19 00:01:20,070 --> 00:01:23,200 Our painting is called "The Miracle at Camafeo," 20 00:01:23,200 --> 00:01:26,070 and it's offering number one in this, 21 00:01:26,070 --> 00:01:27,150 the Night Gallery, 22 00:01:43,180 --> 00:01:46,160 ( church bell ringing ) 23 00:02:01,230 --> 00:02:03,140 Who are they? 24 00:02:03,140 --> 00:02:07,100 The lame, the sick, the blind, and the doomed, 25 00:02:09,020 --> 00:02:10,030 Where do they all come from? 26 00:02:10,030 --> 00:02:11,220 From everywhere, 27 00:02:11,220 --> 00:02:14,100 They come by airplane, by car, 28 00:02:14,100 --> 00:02:16,120 by crutch, 29 00:02:16,120 --> 00:02:18,160 And they all have two things in common, 30 00:02:18,160 --> 00:02:22,070 - Their suffering would be one, - Mm-hmm, 31 00:02:22,070 --> 00:02:25,060 Faith would be the other, 32 00:02:25,060 --> 00:02:27,070 They go to the shrine 33 00:02:27,070 --> 00:02:29,190 and they pray for a miracle, 34 00:02:41,090 --> 00:02:43,160 But you, Mr, Rogan, 35 00:02:43,160 --> 00:02:45,200 you have youth and health, 36 00:02:45,200 --> 00:02:47,150 and this is not Acapulco, 37 00:02:47,150 --> 00:02:51,210 What brings you to Camafeo? 38 00:02:51,210 --> 00:02:54,230 Maybe I'm looking for a miracle, 39 00:02:58,170 --> 00:02:59,200 Hi, 40 00:03:02,080 --> 00:03:04,090 Mind if I join you? 41 00:03:04,090 --> 00:03:06,040 Have I a choice? 42 00:03:06,040 --> 00:03:07,140 Well, you can scream, 43 00:03:07,140 --> 00:03:09,120 tell me that you don't wanna be bothered, 44 00:03:09,120 --> 00:03:12,170 that you're not that kind of a girl or,, 45 00:03:12,170 --> 00:03:14,110 Or what? Give me the bottom line? 46 00:03:14,110 --> 00:03:16,150 Well, the bottom line is that you ask me to join you 47 00:03:16,150 --> 00:03:18,120 and let me buy you a drink, 48 00:03:18,120 --> 00:03:19,200 My name is Rogan, 49 00:03:22,060 --> 00:03:23,190 My name is Melcor, 50 00:03:23,190 --> 00:03:25,220 Mrs, Melcor, 51 00:03:25,220 --> 00:03:27,090 And I'll try a margarita, 52 00:03:27,090 --> 00:03:28,200 Good, 53 00:03:28,200 --> 00:03:31,190 Amigo, Margarita for the lady, 54 00:03:31,190 --> 00:03:33,040 MAN: Yes, 55 00:03:38,160 --> 00:03:41,030 It's haunting, isn't it? 56 00:03:41,030 --> 00:03:43,160 Very, 57 00:03:43,160 --> 00:03:46,090 Candlelight procession, 58 00:03:46,090 --> 00:03:49,110 It's kind of storybook, don't you think? 59 00:03:50,190 --> 00:03:52,150 I'm not much of a reader, 60 00:03:52,150 --> 00:03:54,020 No? 61 00:03:54,020 --> 00:03:57,150 Well, I kind of fancy myself a writer, 62 00:03:57,150 --> 00:04:00,130 I make up stories, 63 00:04:00,130 --> 00:04:02,080 Would you like to hear one? 64 00:04:02,080 --> 00:04:04,060 Do I have choices on that one, too? 65 00:04:04,060 --> 00:04:07,030 No, As a matter of fact, you don't, 66 00:04:12,120 --> 00:04:15,090 This story begins in Chicago, 67 00:04:15,090 --> 00:04:19,110 A guy about 30, 35 years old, 68 00:04:19,110 --> 00:04:22,000 Why, we'll call him Melcor, 69 00:04:22,000 --> 00:04:23,120 Joe Melcor, 70 00:04:25,140 --> 00:04:27,050 Why don't you drink your drink, Mrs, Melcor? 71 00:04:31,020 --> 00:04:33,110 Now, about this hypothetical character 72 00:04:33,110 --> 00:04:35,160 that we'll call Joe Melcor, 73 00:04:35,160 --> 00:04:37,180 about a year ago, 74 00:04:37,180 --> 00:04:39,090 on a rainy day in Chicago, 75 00:04:39,090 --> 00:04:42,000 he enters an intersection, 76 00:04:42,000 --> 00:04:45,030 And a bus skids, 77 00:04:45,030 --> 00:04:47,160 Sideswipes him, so he says, 78 00:04:47,160 --> 00:04:49,210 And he's immediately rushed to the hospital, 79 00:04:49,210 --> 00:04:53,020 X-rayed from his arches to his eyebrows, 80 00:04:53,020 --> 00:04:54,150 and they can't find anything wrong with him, 81 00:04:54,150 --> 00:04:56,060 Everything is in place, 82 00:04:56,060 --> 00:05:00,030 Outside of a few bruises, he's okay, 83 00:05:00,030 --> 00:05:03,120 But now, this Joe Melcor, 84 00:05:03,120 --> 00:05:06,080 he's a--he's a thinker, 85 00:05:06,080 --> 00:05:08,120 Yeah, he's a schemer, a conniver, 86 00:05:08,120 --> 00:05:10,040 I don't have to listen to this, 87 00:05:10,040 --> 00:05:12,070 Well, now, you don't have to listen to it, 88 00:05:12,070 --> 00:05:15,210 Mrs, Melcor, but it would be courteous if you did, 89 00:05:15,210 --> 00:05:18,070 I'm almost at the end, 90 00:05:18,070 --> 00:05:20,130 Mr, Melcor 91 00:05:20,130 --> 00:05:24,050 decides while he's lying in his hospital bed, 92 00:05:24,050 --> 00:05:27,200 or maybe even 24 hours before he had the accident, 93 00:05:27,200 --> 00:05:30,210 that there are all sorts of ways to make a buck, 94 00:05:30,210 --> 00:05:34,140 and only one good way to make 500,000 of them, 95 00:05:36,130 --> 00:05:40,210 So he tells his doctor and the nurses 96 00:05:40,210 --> 00:05:43,190 and the press that he can't move, 97 00:05:43,190 --> 00:05:45,070 He's paralyzed, 98 00:05:45,070 --> 00:05:47,010 So, he sues the transit company, 99 00:05:47,010 --> 00:05:48,220 They fight him on it, It goes to court, 100 00:05:48,220 --> 00:05:54,090 Now, here's the heart-rending part of the story, Mrs, Melcor, 101 00:05:54,090 --> 00:05:57,200 Each morning, he's carried into court on a stretcher, 102 00:05:57,200 --> 00:05:59,140 flat on his back, 103 00:05:59,140 --> 00:06:01,150 crippled for life, 104 00:06:01,150 --> 00:06:03,180 Poor Joe Melcor, 105 00:06:03,180 --> 00:06:05,180 So, there's no contest, 106 00:06:07,040 --> 00:06:09,110 Joe Melcor lying flat on his back 107 00:06:09,110 --> 00:06:13,040 versus that big, heartless corporation 108 00:06:13,040 --> 00:06:15,010 and its insurance company, 109 00:06:15,010 --> 00:06:16,170 Poor Joe Melcor, 110 00:06:16,170 --> 00:06:19,000 That crippled, beautiful David 111 00:06:19,000 --> 00:06:22,000 against two big ugly Goliaths, 112 00:06:22,000 --> 00:06:23,170 He deserved the half-million, 113 00:06:23,170 --> 00:06:25,100 No, he deserves an Academy Award, 114 00:06:25,100 --> 00:06:27,140 that's what he deserves, 115 00:06:27,140 --> 00:06:29,220 For best performance given by a perfectly 116 00:06:29,220 --> 00:06:33,060 healthy conman in a three-day trial, 117 00:06:33,060 --> 00:06:35,180 Either that or a swift kick in the keister, 118 00:06:35,180 --> 00:06:38,160 to get him back up on his two perfectly good feet 119 00:06:38,160 --> 00:06:41,030 and a few laps around the prison yard 120 00:06:41,030 --> 00:06:44,150 to keep him healthy while he's serving time for fraud, 121 00:06:44,150 --> 00:06:47,020 You got no right to talk about Joe that way! 122 00:06:47,020 --> 00:06:50,090 Lady, I have $500,000 worth of right, 123 00:06:50,090 --> 00:06:52,120 You see, I'm an investigator, 124 00:06:52,120 --> 00:06:54,110 I work for one of those Goliaths, 125 00:06:54,110 --> 00:06:56,140 I investigate claims for them, 126 00:06:56,140 --> 00:06:58,210 So, that's why you followed us down here, 127 00:06:58,210 --> 00:07:00,220 That's why you've been hounding us, 128 00:07:00,220 --> 00:07:02,070 Oh, I don't figure that I'm hounding 129 00:07:02,070 --> 00:07:04,030 your husband, Mrs, Melcor, 130 00:07:04,030 --> 00:07:06,030 Let's just say that I'm a guy working out 131 00:07:06,030 --> 00:07:07,130 of an insurance office 132 00:07:07,130 --> 00:07:09,230 coming down to Mexico to do a job, 133 00:07:09,230 --> 00:07:12,030 peeking in on one Joe Melcor to see 134 00:07:12,030 --> 00:07:14,130 if he's still horizontal and to keep him honest, 135 00:07:14,130 --> 00:07:17,000 There were doctors who said that he wasn't lying, 136 00:07:17,000 --> 00:07:18,230 They said that under oath, 137 00:07:18,230 --> 00:07:21,160 No, ma'am, they didn't say that he wasn't lying, 138 00:07:21,160 --> 00:07:24,160 They testified they couldn't be sure he wasn't lying, 139 00:07:27,190 --> 00:07:29,140 Now, wait a minute, Mrs, Melcor, 140 00:07:29,140 --> 00:07:31,220 I'm almost finished now, 141 00:07:31,220 --> 00:07:33,220 It's the last chapter, 142 00:07:33,220 --> 00:07:35,200 Joe Melcor's halfway home now, 143 00:07:35,200 --> 00:07:37,140 Yeah, 144 00:07:37,140 --> 00:07:39,140 He's got a half a million dollars voted to him 145 00:07:39,140 --> 00:07:43,210 by twelve compassionate dupes, 146 00:07:43,210 --> 00:07:47,010 but how does he spend the money flat on his back, hmm? 147 00:07:48,160 --> 00:07:51,010 Drugs, medicine, surgery? 148 00:07:51,010 --> 00:07:54,080 Some dramatic breakthrough at somebody's clinic, 149 00:07:54,080 --> 00:07:56,110 where good Old Joe Melcor can get up 150 00:07:56,110 --> 00:07:58,160 and walk right out the door? 151 00:07:58,160 --> 00:08:00,110 Negative, 152 00:08:00,110 --> 00:08:03,060 Because there was nothing wrong with Joe Melcor 153 00:08:03,060 --> 00:08:04,210 from the beginning, 154 00:08:04,210 --> 00:08:07,120 So we strike out medicine, 155 00:08:07,120 --> 00:08:10,180 And now, Mrs, Melcor,,, 156 00:08:10,180 --> 00:08:12,040 comes the finale, 157 00:08:14,000 --> 00:08:18,120 Yeah, there's a small Mexican village called Camafeo, 158 00:08:18,120 --> 00:08:20,170 There's a shrine there where people come from all over 159 00:08:20,170 --> 00:08:23,070 to pray for miracles, 160 00:08:23,070 --> 00:08:26,040 and this is where Joe Melcor 161 00:08:26,040 --> 00:08:28,030 gets his walking papers, 162 00:08:28,030 --> 00:08:29,170 That's right, 163 00:08:29,170 --> 00:08:33,050 They carry him up on his stretcher to the shrine, 164 00:08:33,050 --> 00:08:35,190 and he comes running down, 165 00:08:35,190 --> 00:08:39,080 Now, who do we call as a witness to this miracle? 166 00:08:39,080 --> 00:08:40,110 God? 167 00:08:42,030 --> 00:08:44,060 I don't care for the story, Mr, Rogan, 168 00:08:44,060 --> 00:08:46,040 I suggest you stick to insurance, 169 00:08:48,090 --> 00:08:50,070 CHARLIE: Mrs, Melcor, 170 00:08:50,070 --> 00:08:53,040 will you deliver a message to your husband for me? 171 00:08:53,040 --> 00:08:55,130 Tell him there's a man named Rogan down here 172 00:08:55,130 --> 00:08:57,140 who has a nose for fraud, 173 00:08:57,140 --> 00:09:00,020 It's an instinct, a sixth sense, 174 00:09:00,020 --> 00:09:01,210 You tell him that I can smell out a bunco 175 00:09:01,210 --> 00:09:03,210 quicker than a beagle can smell out a bird, 176 00:09:03,210 --> 00:09:05,200 You tell him that for me, huh? 177 00:09:05,200 --> 00:09:07,220 I'll deliver the message, Mr, Rogan, 178 00:09:09,220 --> 00:09:12,090 Mr, Rogan, 179 00:09:12,090 --> 00:09:15,040 I know it's none of my business, but,,, 180 00:09:15,040 --> 00:09:17,150 do you derive pleasure treating a woman like that? 181 00:09:19,220 --> 00:09:23,070 No, amigo, no pleasure, 182 00:09:28,000 --> 00:09:30,060 You wanna know why I was tough on her? 183 00:09:31,230 --> 00:09:33,060 Look at those people out there, 184 00:09:33,060 --> 00:09:36,010 They limp, they stumble, they grope, 185 00:09:36,010 --> 00:09:38,010 trying for a miracle, 186 00:09:38,010 --> 00:09:40,150 And that husband of hers 187 00:09:40,150 --> 00:09:44,000 is gonna get carried up there first class, 188 00:09:44,000 --> 00:09:46,050 He's gonna go through the motions 189 00:09:46,050 --> 00:09:49,050 of moving his lips in prayer 190 00:09:49,050 --> 00:09:53,170 and then walk down with no regrets, no conscience, 191 00:09:55,040 --> 00:09:56,230 Well,,, 192 00:09:56,230 --> 00:09:58,170 when he robs me, that's fraud, 193 00:10:00,150 --> 00:10:04,140 But when he robs the kingdom of heaven, that's sacrilege, 194 00:10:04,140 --> 00:10:07,110 I'm desperate, 195 00:10:07,110 --> 00:10:10,150 I want him caught before he dirties up your shrine, 196 00:10:16,150 --> 00:10:18,000 JOE: Close the door, 197 00:10:22,050 --> 00:10:23,190 Keep it dark, 198 00:10:28,040 --> 00:10:30,040 Where have you been? 199 00:10:30,040 --> 00:10:31,200 Out for a walk, 200 00:10:31,200 --> 00:10:33,200 Stopped at the bar for a drink, 201 00:10:33,200 --> 00:10:35,140 JOE: Well, I envy you on both counts, 202 00:10:35,140 --> 00:10:37,200 but that doesn't look too good, does it? 203 00:10:37,200 --> 00:10:39,220 I mean, you down there drinking while your poor, 204 00:10:39,220 --> 00:10:43,070 paralyzed husband lies up here all alone, 205 00:10:43,070 --> 00:10:45,060 Joe,,, 206 00:10:45,060 --> 00:10:46,230 you know that man, 207 00:10:46,230 --> 00:10:49,090 the one who keeps popping up? 208 00:10:49,090 --> 00:10:52,140 His name is Rogan, He's from the insurance company, 209 00:10:52,140 --> 00:10:55,150 JOE: Well, that figures, 210 00:10:55,150 --> 00:10:58,060 He has that look, 211 00:10:58,060 --> 00:11:01,140 that tough, bulldog, flatfoot look, 212 00:11:04,170 --> 00:11:07,210 He'll probably come nosing around here, 213 00:11:07,210 --> 00:11:13,160 And if he does, he'll find poor Old Joe,,, 214 00:11:13,160 --> 00:11:15,190 just like the bus company left him, 215 00:11:17,080 --> 00:11:20,070 - Joe? - Mmm? 216 00:11:20,070 --> 00:11:22,070 Oh, I don't know, 217 00:11:22,070 --> 00:11:24,050 You don't know what? 218 00:11:24,050 --> 00:11:27,000 I don't know if what we're doing is,,, 219 00:11:27,000 --> 00:11:28,140 is right, 220 00:11:28,140 --> 00:11:31,010 ( laughs ) 221 00:11:31,010 --> 00:11:32,220 You don't, huh? 222 00:11:32,220 --> 00:11:34,080 When I was outside, I was-- 223 00:11:34,080 --> 00:11:36,190 I was watching those people, 224 00:11:36,190 --> 00:11:39,060 the ones on their way to the shrine, 225 00:11:39,060 --> 00:11:41,040 They go up there to pray, 226 00:11:43,000 --> 00:11:45,090 We go up there to cheat, 227 00:11:45,090 --> 00:11:47,180 We go up there so that people like Rogan 228 00:11:47,180 --> 00:11:50,120 won't be waiting for us every place we check in, 229 00:11:50,120 --> 00:11:52,130 I don't want my life bugged, 230 00:11:52,130 --> 00:11:56,010 For tomorrow, after I say my prayers and I get up 231 00:11:56,010 --> 00:11:57,200 and I walk down that hill, 232 00:11:57,200 --> 00:12:00,070 I want you smiling because that's part of the deal, 233 00:12:00,070 --> 00:12:01,180 And if you blow it honey, 234 00:12:01,180 --> 00:12:03,140 if you start acting like the fallen woman 235 00:12:03,140 --> 00:12:05,040 on the way to confession, then my first act 236 00:12:05,040 --> 00:12:06,110 as a whole man will be to play handball 237 00:12:06,110 --> 00:12:07,210 with you against the wall, 238 00:12:07,210 --> 00:12:09,100 And you will be up at that shrine asking 239 00:12:09,100 --> 00:12:11,090 to have the blue marks removed, 240 00:12:11,090 --> 00:12:13,050 You dig? 241 00:12:13,050 --> 00:12:15,080 Yeah, Joe, 242 00:12:15,080 --> 00:12:16,210 I dig, 243 00:12:29,070 --> 00:12:32,040 ( music playing ) 244 00:12:41,487 --> 00:12:44,010 ( bell ringing ) 245 00:13:17,000 --> 00:13:18,130 Here, let me help you, 246 00:13:21,210 --> 00:13:24,040 Would you like me to carry him up the hill for you? 247 00:13:24,040 --> 00:13:26,120 WOMAN: Gracias, señor, 248 00:13:27,180 --> 00:13:29,000 Thattaboy, 249 00:13:30,150 --> 00:13:32,200 Gracias señor, gracias, 250 00:13:32,200 --> 00:13:34,040 De nada, 251 00:13:54,120 --> 00:13:56,100 Here we go, son, 252 00:13:56,100 --> 00:13:57,180 Gracias, 253 00:13:59,040 --> 00:14:01,000 I pray the child will see again, 254 00:14:01,000 --> 00:14:02,050 Gracias, 255 00:14:02,050 --> 00:14:04,020 I pray for a miracle, 256 00:14:04,020 --> 00:14:05,140 Gracias, 257 00:14:05,140 --> 00:14:09,050 ( indistinct chatter ) 258 00:15:10,060 --> 00:15:14,010 The fruits of prayer no longer needed, 259 00:15:14,010 --> 00:15:16,200 Left here is a token of the cure, 260 00:15:16,200 --> 00:15:18,080 God, of course, does not make promises 261 00:15:18,080 --> 00:15:20,140 to those who come here and pray, 262 00:15:20,140 --> 00:15:23,030 It is all left up to Him, 263 00:15:23,030 --> 00:15:25,070 But there are miracles? 264 00:15:25,070 --> 00:15:27,130 Frequently, 265 00:15:27,130 --> 00:15:30,000 Camafeo is a shrine city, my son, 266 00:15:31,190 --> 00:15:34,200 The virgin appeared here many years ago, 267 00:15:34,200 --> 00:15:37,230 so we know that God has blessed this place, 268 00:15:37,230 --> 00:15:39,120 It is a holy spot, 269 00:15:41,040 --> 00:15:43,060 Tell me something, Father, 270 00:15:43,060 --> 00:15:44,190 The ones that don't get cured, 271 00:15:44,190 --> 00:15:47,060 what do you say to them? 272 00:15:47,060 --> 00:15:48,140 I'm not sure I understand, 273 00:15:50,120 --> 00:15:52,020 What happens to their faith when they come here 274 00:15:52,020 --> 00:15:55,150 with crutches and they leave with them, the same way? 275 00:15:56,190 --> 00:15:58,140 They continue to pray 276 00:15:58,140 --> 00:16:00,130 and they continue to look for a miracle, 277 00:16:01,200 --> 00:16:04,010 Their faith stays with them, 278 00:16:04,010 --> 00:16:05,170 It is all that keeps them alive, 279 00:16:07,120 --> 00:16:10,120 I carried a 4-year-old boy up here, 280 00:16:10,120 --> 00:16:12,130 He was blind, 281 00:16:12,130 --> 00:16:14,060 What about him, Father? 282 00:16:15,080 --> 00:16:17,070 Who is to tell? 283 00:16:17,070 --> 00:16:18,150 Perhaps God will not see it fit 284 00:16:18,150 --> 00:16:20,210 to cure his blindness, 285 00:16:20,210 --> 00:16:22,150 but what God will cure is 286 00:16:22,150 --> 00:16:25,140 all sickness of the soul, 287 00:16:25,140 --> 00:16:28,190 That, every person here can count on, 288 00:16:28,190 --> 00:16:30,110 Except one, 289 00:16:30,110 --> 00:16:32,050 I'm sorry, my son, I did not hear you, 290 00:16:32,050 --> 00:16:35,000 Oh, nothing, Father, I was just talking to myself, 291 00:16:35,000 --> 00:16:36,040 Thank you, 292 00:16:59,150 --> 00:17:01,070 ( speaking Spanish ) 293 00:17:03,100 --> 00:17:05,060 Well, Mr, Rogan, 294 00:17:05,060 --> 00:17:07,060 I didn't know you were a religious man, 295 00:17:07,060 --> 00:17:09,200 I'm a deeply religious man, Mr, Melcor, 296 00:17:09,200 --> 00:17:11,150 What about you? 297 00:17:11,150 --> 00:17:13,080 Well, what does it look like? 298 00:17:13,080 --> 00:17:15,220 I'm on my way to pick up a little miracle, 299 00:17:15,220 --> 00:17:18,040 Stick around, I'll see you on the way down, 300 00:17:18,040 --> 00:17:20,050 Just look for a guy wearing a gray suit 301 00:17:20,050 --> 00:17:21,200 and looking properly grateful, 302 00:17:21,200 --> 00:17:24,000 I'll tell you what I will be looking for, Joe, 303 00:17:24,000 --> 00:17:26,050 I'll be looking for a two-bit bum, 304 00:17:26,050 --> 00:17:28,120 and he'll be the smallest thing in the parade, 305 00:17:28,120 --> 00:17:29,220 Anything else, Mr, Rogan? 306 00:17:29,220 --> 00:17:32,180 Yeah, Tell me something, 307 00:17:32,180 --> 00:17:35,190 Don't you feel a little ashamed? 308 00:17:37,190 --> 00:17:39,160 Vamos, let's move it, 309 00:18:02,110 --> 00:18:04,120 Good morning, my son, 310 00:18:04,120 --> 00:18:06,070 May I help you pray? 311 00:18:06,070 --> 00:18:09,210 Don't trouble yourself, Father, I can handle this myself, 312 00:18:11,080 --> 00:18:13,000 May God hear your prayers, my son, 313 00:18:13,000 --> 00:18:15,000 You can count on that, Father, 314 00:18:38,160 --> 00:18:41,100 I want to add something, Mr, Rogan, 315 00:18:41,100 --> 00:18:43,010 Add something to what? 316 00:18:43,010 --> 00:18:45,230 To the story you were telling me last night, 317 00:18:45,230 --> 00:18:48,030 You don't have to, I already know the ending, 318 00:18:48,030 --> 00:18:51,070 That conniving night crawler you're married to, 319 00:18:51,070 --> 00:18:52,230 in a few minutes, he's going to walk past here, 320 00:18:52,230 --> 00:18:55,020 and there isn't a bloody thing I can do about it, 321 00:18:57,010 --> 00:18:58,140 Be walking by himself, 322 00:18:58,140 --> 00:19:00,060 He won't have me alongside, 323 00:19:00,060 --> 00:19:02,080 That's the one thing I can do about it, 324 00:19:02,080 --> 00:19:05,210 Oh, there's another thing you can do, 325 00:19:05,210 --> 00:19:08,030 You can sign a deposition, admitting that there was 326 00:19:08,030 --> 00:19:09,180 nothing wrong with your husband, and you can state 327 00:19:09,180 --> 00:19:11,130 that you'll testify to that in court, 328 00:19:11,130 --> 00:19:14,030 No, Mr, Rogan, I won't do that, 329 00:19:16,020 --> 00:19:17,120 I won't hurt him, 330 00:19:19,030 --> 00:19:20,230 I haven't got that much courage, 331 00:19:23,000 --> 00:19:25,190 I just won't help him, 332 00:19:25,190 --> 00:19:27,130 I still have that much honor, 333 00:19:29,190 --> 00:19:32,080 ( woman speaking Spanish ) 334 00:19:32,080 --> 00:19:34,200 ( onlookers react joyfully ) 335 00:19:38,040 --> 00:19:40,200 ( speaking Spanish ) 336 00:19:50,110 --> 00:19:53,190 iGracias, Dios mío! iGracias! 337 00:19:53,190 --> 00:19:56,210 He makes the lame to walk and the blind to see, 338 00:20:02,000 --> 00:20:03,070 Hijo, 339 00:20:21,140 --> 00:20:23,040 Hey, Father, 340 00:20:23,040 --> 00:20:24,120 Look, 341 00:20:26,160 --> 00:20:28,080 Here's a-- 342 00:20:28,080 --> 00:20:31,000 here's a little token of my appreciation, 343 00:20:31,000 --> 00:20:33,150 Don't look so surprised, you'll give the place a bad name, 344 00:20:38,210 --> 00:20:42,010 ( music playing ) 345 00:20:46,050 --> 00:20:49,070 ( Joe screaming ) 346 00:20:52,050 --> 00:20:53,180 JOE: Help me, 347 00:20:55,230 --> 00:20:58,180 Somebody please help me, 348 00:20:58,180 --> 00:21:00,170 Help me, somebody, please, 349 00:21:01,210 --> 00:21:05,020 Joe, what's the matter? 350 00:21:08,230 --> 00:21:10,140 ( gasps ) 351 00:21:10,140 --> 00:21:12,000 JOE: Help me, 352 00:21:14,180 --> 00:21:17,070 Somebody,,, 353 00:21:17,070 --> 00:21:18,100 help me, 354 00:21:20,090 --> 00:21:23,190 I can't see, I can't see, 355 00:21:28,130 --> 00:21:31,060 I can't see, I can't see, 356 00:21:31,060 --> 00:21:34,000 Help me, 357 00:21:34,000 --> 00:21:36,160 Somebody please help me, 358 00:21:36,160 --> 00:21:38,120 I can't see, 359 00:21:51,010 --> 00:21:53,110 I can't see, 360 00:21:53,110 --> 00:21:55,210 Somebody please help me, 361 00:21:55,210 --> 00:21:57,190 I can't see, 362 00:22:02,140 --> 00:22:04,160 A bit of gossamer and lace, 363 00:22:04,160 --> 00:22:07,040 as befits a beautiful woman, 364 00:22:07,040 --> 00:22:08,200 Fragile and ephemeral, 365 00:22:08,200 --> 00:22:11,030 in keeping with the soft mystery 366 00:22:11,030 --> 00:22:12,090 of the female, 367 00:22:12,090 --> 00:22:15,000 But to the gentleman amongst you, 368 00:22:15,000 --> 00:22:17,010 like all your male predecessors 369 00:22:17,010 --> 00:22:18,230 since the beginning of time, 370 00:22:18,230 --> 00:22:20,130 have been mystified and miffed 371 00:22:20,130 --> 00:22:22,200 by a female counterpart, 372 00:22:22,200 --> 00:22:24,090 This one is for you, 373 00:22:24,090 --> 00:22:25,160 A beautiful lady 374 00:22:25,160 --> 00:22:28,100 in a strange house also inhabited, 375 00:22:28,100 --> 00:22:32,050 alas, by "The Ghost of Sorworth Place," 376 00:24:16,210 --> 00:24:20,100 Oh, good afternoon, I think I'm lost, 377 00:24:20,100 --> 00:24:22,010 You're at Sorworth Place, 378 00:24:22,010 --> 00:24:25,140 Sorworth? I meant to be in Drymen, 379 00:24:25,140 --> 00:24:28,020 I don't think Sorworth is even on this map, 380 00:24:28,020 --> 00:24:29,220 MRS, DUCKER: Got no need to be, 381 00:24:29,220 --> 00:24:31,220 Anybody comes here knows where it is to begin with, 382 00:24:31,220 --> 00:24:33,180 ANN: Who's out there, Mrs, Ducker? 383 00:24:33,180 --> 00:24:36,060 It's a gentleman out on a walk, Got himself lost, ma'am, 384 00:24:40,060 --> 00:24:42,030 Good evening, 385 00:24:42,030 --> 00:24:43,160 How do you do? 386 00:24:43,160 --> 00:24:46,160 - You've gone astray, then? - Yes, 387 00:24:46,160 --> 00:24:48,170 There's supposed to be a bed waiting for me in Drymen, 388 00:24:48,170 --> 00:24:50,210 Oh, it'll go unslept-in tonight, 389 00:24:50,210 --> 00:24:52,070 You'd have to run like the wind 390 00:24:52,070 --> 00:24:54,220 to reach Drymen before twelve struck, 391 00:24:54,220 --> 00:24:55,200 Oh, well, 392 00:24:57,180 --> 00:25:00,210 Is there any place around here I could put up for the night? 393 00:25:00,210 --> 00:25:04,130 A hotel, or an inn, or a pub? 394 00:25:04,130 --> 00:25:07,130 There's the King's Arms in Sorworth town itself, 395 00:25:08,220 --> 00:25:11,000 Will I have to run like the wind? 396 00:25:11,000 --> 00:25:12,200 Walk with a purpose, 397 00:25:12,200 --> 00:25:15,120 keeping Sorworth Water to your left the whole distance, 398 00:25:15,120 --> 00:25:18,090 you should be there in time for two nips and your dinner, 399 00:25:18,090 --> 00:25:20,210 If you'll excuse me, Mrs, Loring, 400 00:25:20,210 --> 00:25:22,150 I've set out your tea for you, 401 00:25:22,150 --> 00:25:24,040 and you know darkness is coming on, 402 00:25:24,040 --> 00:25:25,110 You know that Tom Ducker, 403 00:25:25,110 --> 00:25:27,060 he always want me home before dark, 404 00:25:27,060 --> 00:25:29,060 Of course, Good night, Mrs, Ducker, 405 00:25:29,060 --> 00:25:30,190 Good night, Mrs, Loring, 406 00:25:32,040 --> 00:25:33,220 Good night, sir, 407 00:25:33,220 --> 00:25:36,160 Well, good night, Good night, 408 00:25:36,160 --> 00:25:39,090 - Mrs, Loring? - That's right, 409 00:25:39,090 --> 00:25:40,160 I'm Ralph Burke, 410 00:25:40,160 --> 00:25:42,050 From America? 411 00:25:42,050 --> 00:25:43,160 Yeah, 412 00:25:43,160 --> 00:25:45,010 You guessed, 413 00:25:45,010 --> 00:25:46,160 Well, I guessed it wasn't from Glasgow, 414 00:25:49,140 --> 00:25:51,200 Well, it certainly is a wonderful old place, I have,,, 415 00:25:51,200 --> 00:25:53,150 If you cut it too fine, Mr, Burke, 416 00:25:53,150 --> 00:25:55,090 you'll lose yourself again, 417 00:25:55,090 --> 00:25:56,230 and I wouldn't want it on my conscience 418 00:25:56,230 --> 00:25:59,140 if you ended up drowned in Sorworth Water, 419 00:25:59,140 --> 00:26:02,070 Sure, 420 00:26:02,070 --> 00:26:05,030 Well, nice meeting you, Mrs, Loring, 421 00:26:06,140 --> 00:26:09,090 Thanks for getting me turned around right, 422 00:26:09,090 --> 00:26:11,000 Bye, 423 00:26:14,190 --> 00:26:16,000 Good night, 424 00:26:31,170 --> 00:26:33,060 - Good morning, sir, - Good morning, Good morning, 425 00:26:33,060 --> 00:26:34,090 Did you find your bed to your liking? 426 00:26:34,090 --> 00:26:35,180 Yes, I did indeed, 427 00:26:35,180 --> 00:26:37,050 Thank you for everything, Mr, MacLeod, 428 00:26:37,050 --> 00:26:39,050 I didnae ken that you were acquainted 429 00:26:39,050 --> 00:26:41,030 with Mrs, Loring, sir, 430 00:26:41,030 --> 00:26:43,110 - Well, I'm not, - You're not? 431 00:26:43,110 --> 00:26:46,230 No, I only met her yesterday afternoon, 432 00:26:46,230 --> 00:26:48,170 - Why? What made you think,,, - I beg your pardon, 433 00:26:48,170 --> 00:26:50,110 I'm sure, sir, but when she stopped by here 434 00:26:50,110 --> 00:26:52,150 - a wee bit earlier,,, - She was here? How long,,, 435 00:26:52,150 --> 00:26:55,010 Well, she'll have gone back to Sorworth Place by now, sir, 436 00:26:55,010 --> 00:26:56,160 Her shopping bag was full, 437 00:26:56,160 --> 00:26:59,000 and she left a letter off, 438 00:26:59,000 --> 00:27:01,080 - Letter? - Um, yes, 439 00:27:01,080 --> 00:27:02,200 Right here, sir, 440 00:27:04,060 --> 00:27:05,140 Thank you, 441 00:27:07,120 --> 00:27:10,020 ANN: Mr, Burke, if the demands upon your time 442 00:27:10,020 --> 00:27:12,000 do not forbid it, I should be pleased 443 00:27:12,000 --> 00:27:14,220 to give you tea this afternoon at half-past four, 444 00:27:14,220 --> 00:27:16,090 Ann Loring, 445 00:27:17,210 --> 00:27:19,050 Mr, MacLeod, 446 00:27:20,160 --> 00:27:23,190 what can you tell me about Mrs, Loring? 447 00:27:27,020 --> 00:27:29,050 Nothing, sir, that,,, 448 00:27:29,050 --> 00:27:31,120 wouldnae break your heart in the telling, 449 00:27:35,070 --> 00:27:38,210 - Well? - Well, sir? 450 00:27:38,210 --> 00:27:44,070 RALPH: About Mrs, Loring and Mr, Loring? 451 00:27:44,070 --> 00:27:47,160 She's, um, she's a widow, sir, 452 00:27:47,160 --> 00:27:50,210 - Oh, - About, uh,,, 453 00:27:50,210 --> 00:27:51,220 about a year, sir, 454 00:27:51,220 --> 00:27:54,160 Well, how did her husband die? 455 00:27:58,200 --> 00:28:01,050 It's, um,,, 456 00:28:02,070 --> 00:28:03,200 it's opening time, sir, 457 00:28:26,220 --> 00:28:28,150 Your good health, sir, 458 00:28:28,150 --> 00:28:29,190 Thank you, 459 00:28:35,110 --> 00:28:40,020 They gave out that it was the drink that destroyed him, 460 00:28:40,020 --> 00:28:42,090 And many's the time I've had to send him home 461 00:28:42,090 --> 00:28:44,220 from here in the dogcart with boots driving him, 462 00:28:46,080 --> 00:28:50,170 But it was never the drink, sir, 463 00:28:50,170 --> 00:28:52,100 It was the evil, and I'd take an oath on that 464 00:28:53,180 --> 00:28:55,020 in any court in the land, 465 00:28:55,020 --> 00:28:57,130 - The evil? - Oh, yes, 466 00:28:57,130 --> 00:29:00,230 In those days there were servants up at the hall; 467 00:29:00,230 --> 00:29:04,110 cooks, butlers, parlor maids, 468 00:29:04,110 --> 00:29:07,130 And there were talks about his doing, 469 00:29:07,130 --> 00:29:10,020 his drinkings, 470 00:29:10,020 --> 00:29:12,190 his smashings, 471 00:29:12,190 --> 00:29:14,200 And there he was, sir, with a bride 472 00:29:14,200 --> 00:29:16,190 that was the beauty of the county, 473 00:29:16,190 --> 00:29:19,230 And was he satisfied? Oh, no, 474 00:29:19,230 --> 00:29:23,090 Not Alistair Loring, not he, 475 00:29:23,090 --> 00:29:27,060 There was not a chambermaid in the whole of Sorworth Place, 476 00:29:27,060 --> 00:29:30,170 that wasn't expected to obey the master, 477 00:29:30,170 --> 00:29:32,210 and obey him in any way that took his fancy, 478 00:29:34,120 --> 00:29:37,140 And there were whispers about those fancies of his 479 00:29:37,140 --> 00:29:40,070 that were a disgrace to all the lairds of Sorworth 480 00:29:40,070 --> 00:29:42,030 that ever lived, 481 00:29:42,030 --> 00:29:44,060 And he beat her, sir, 482 00:29:44,060 --> 00:29:47,030 He beat her until they could hear her cries 483 00:29:47,030 --> 00:29:48,220 down to the gardener's cottage, 484 00:29:48,220 --> 00:29:49,220 Why did she stay? 485 00:29:49,220 --> 00:29:51,200 Why did she stay indeed? 486 00:29:51,200 --> 00:29:55,180 Why does she stay there now? You've seen Sorworth Place, 487 00:29:55,180 --> 00:29:57,110 Only from the outside, 488 00:29:57,110 --> 00:29:59,190 You'll do yourself no favor by seeing the inside, 489 00:29:59,190 --> 00:30:01,050 Oh, it's cold, sir, 490 00:30:01,050 --> 00:30:04,230 It's cold and clammy like a grave, 491 00:30:04,230 --> 00:30:06,140 There's hardly a bench to sit on 492 00:30:06,140 --> 00:30:10,190 or a lump of coal to light a fire with, 493 00:30:10,190 --> 00:30:13,200 When he died, the creditors came, 494 00:30:15,090 --> 00:30:17,170 When they moved on, 495 00:30:17,170 --> 00:30:20,070 they left an empty shell behind them, 496 00:30:23,000 --> 00:30:26,130 Why does she stay there now 497 00:30:26,130 --> 00:30:28,220 when she could have the pick of the countryside 498 00:30:28,220 --> 00:30:30,150 if she wanted it? 499 00:30:34,040 --> 00:30:35,110 Like another drink? 500 00:30:35,110 --> 00:30:37,080 No, No, thanks, One's my limit, 501 00:30:46,070 --> 00:30:48,110 Is this what brought me to Sorworth? 502 00:30:50,210 --> 00:30:53,110 It was something, 503 00:30:53,110 --> 00:30:55,070 It wasn't me, 504 00:30:57,000 --> 00:31:00,000 Was it you, Ann Loring? 505 00:31:13,140 --> 00:31:16,000 Oh, if everything is to your satisfaction, ma'am, 506 00:31:16,000 --> 00:31:17,200 and with the darkness coming on, 507 00:31:17,200 --> 00:31:20,100 and you know how Tom Ducker is, 508 00:31:20,100 --> 00:31:23,020 Thank you, Mrs, Ducker, Good night, 509 00:31:23,020 --> 00:31:24,110 Good night, ma'am, 510 00:31:25,130 --> 00:31:28,200 - Night, sir, - Night, 511 00:31:28,200 --> 00:31:30,050 Milk and sugar, Mr, Burke? 512 00:31:30,050 --> 00:31:31,130 Yes, please, 513 00:31:33,140 --> 00:31:35,160 He sounds like quite a worrier, this Tom Ducker, 514 00:31:35,160 --> 00:31:39,210 Oh, it's Mrs, Ducker who's the worrier, 515 00:31:39,210 --> 00:31:41,120 She won't let the sun set on Sorworth Place 516 00:31:41,120 --> 00:31:42,220 with her still here, 517 00:31:42,220 --> 00:31:45,060 Oh? What's she afraid of? 518 00:31:45,060 --> 00:31:46,170 Me, I think, 519 00:31:49,190 --> 00:31:51,130 Oh, is this too strong for you? 520 00:31:51,130 --> 00:31:54,070 No, It looks--looks just fine, 521 00:31:54,070 --> 00:31:56,030 Afraid of you, why? 522 00:31:56,030 --> 00:31:59,120 She's rather got the idea that I killed my husband, 523 00:32:01,110 --> 00:32:02,110 Seriously? 524 00:32:02,110 --> 00:32:04,080 Oh, she's quite serious, 525 00:32:04,080 --> 00:32:07,100 She's got it a little backwards, hasn't she? 526 00:32:07,100 --> 00:32:09,230 According to Mr, MacLeod at the inn,,, 527 00:32:09,230 --> 00:32:13,000 Oh, what's he been telling you, Mr, Burke? 528 00:32:14,160 --> 00:32:17,150 Not very much, honestly, 529 00:32:17,150 --> 00:32:19,160 It's about Alistair, I expect? 530 00:32:19,160 --> 00:32:21,120 Well, I'm sure it was all an exaggeration, 531 00:32:21,120 --> 00:32:23,100 Oh, I shouldn't think so, 532 00:32:23,100 --> 00:32:25,200 Quite the reverse, probably, 533 00:32:25,200 --> 00:32:28,120 You see, my husband was landed gentry, 534 00:32:28,120 --> 00:32:30,070 and Mr, MacLeod's great-grandfather 535 00:32:30,070 --> 00:32:33,000 was the third Duke of Sorworth's steward, 536 00:32:33,000 --> 00:32:35,080 so he'd naturally prefer to represent Alistair 537 00:32:35,080 --> 00:32:37,090 in as favorable a light as possible, 538 00:32:37,090 --> 00:32:39,030 Well, he did a lousy job of it, 539 00:32:39,030 --> 00:32:41,030 if you don't mind my saying so, Mrs, Loring, 540 00:32:41,030 --> 00:32:42,210 He said Mr, Loring,,, 541 00:32:44,040 --> 00:32:48,040 Mr, Burke, would you mind? 542 00:32:48,040 --> 00:32:52,050 Sorworth Place is tumbling around my ears, I'm afraid, 543 00:33:05,010 --> 00:33:07,140 Is there anything the matter, Mr, Burke? 544 00:33:07,140 --> 00:33:09,110 Hmm? 545 00:33:11,170 --> 00:33:14,150 No, I'm all right, 546 00:33:22,050 --> 00:33:24,170 You've gone positively white, Mr, Burke, 547 00:33:24,170 --> 00:33:27,030 Oh, do sit down, 548 00:33:27,030 --> 00:33:28,230 - I'll fetch you some brandy, - No, no, no, 549 00:33:28,230 --> 00:33:31,050 No, thanks, I'm all right, 550 00:33:31,050 --> 00:33:32,230 Brandy would only lay me out, 551 00:33:35,220 --> 00:33:37,140 Mrs, Loring, do you live here alone? 552 00:33:37,140 --> 00:33:39,070 Oh, 553 00:33:39,070 --> 00:33:43,070 Well, when stouthearted Mrs, Ducker flees at dusk, 554 00:33:43,070 --> 00:33:45,140 I have no company here at Sorworth, 555 00:33:45,140 --> 00:33:47,180 except of course for all the ghosts of the Lorings 556 00:33:47,180 --> 00:33:50,090 who were ever born or whoever died here, 557 00:33:50,090 --> 00:33:52,000 Why do you ask? 558 00:33:53,150 --> 00:33:54,230 Nothing, 559 00:33:56,200 --> 00:33:59,130 One could almost believe there were ghosts in this place, 560 00:33:59,130 --> 00:34:02,220 Oh, indeed you could, Mr, Burke, 561 00:34:02,220 --> 00:34:04,010 Almost, 562 00:34:17,230 --> 00:34:19,100 Hello, Mrs, Ducker, 563 00:34:19,100 --> 00:34:20,200 Well, here I am again, 564 00:34:20,200 --> 00:34:24,060 Mr, Burke, could I have a word with you? 565 00:34:24,060 --> 00:34:25,140 Mrs, Loring is expecting me, 566 00:34:25,140 --> 00:34:26,170 Uh, please, 567 00:34:28,190 --> 00:34:29,210 Well? 568 00:34:29,210 --> 00:34:31,020 Not here, 569 00:34:36,190 --> 00:34:39,230 Is anything wrong? 570 00:34:39,230 --> 00:34:42,130 You've been here for the best part of a week, Mr, Burke, 571 00:34:42,130 --> 00:34:44,040 Your friends in Drymen, 572 00:34:44,040 --> 00:34:46,040 won't they be wondering where you are? 573 00:34:46,040 --> 00:34:48,090 Don't worry about me, Mrs, Ducker, 574 00:34:48,090 --> 00:34:50,230 There's nobody waiting for me in Drymen, 575 00:34:50,230 --> 00:34:52,040 There's nobody waiting for me 576 00:34:52,040 --> 00:34:54,230 anywhere in the whole wide world, 577 00:34:54,230 --> 00:34:56,230 Oh, yes, there is, sir, 578 00:34:56,230 --> 00:34:59,010 Really? Who? 579 00:34:59,010 --> 00:35:02,010 Take my advice, Mr, Burke, 580 00:35:02,010 --> 00:35:04,110 From one who've seen the blackness of evil 581 00:35:04,110 --> 00:35:06,090 descend on this house, 582 00:35:06,090 --> 00:35:08,160 go to Drymen before you get 583 00:35:08,160 --> 00:35:10,120 caught up in it yourself, 584 00:35:10,120 --> 00:35:12,230 Mrs, Ducker, what the hell are you talking about? 585 00:35:12,230 --> 00:35:16,220 I'm talking about the one in there waiting for you, 586 00:35:16,220 --> 00:35:19,170 That's hardly any way to talk about one's employer, 587 00:35:19,170 --> 00:35:22,210 My employer, Mr, Burke, is Alistair Loring, 588 00:35:22,210 --> 00:35:25,130 the Seventh Duke of Sorworth, 589 00:35:25,130 --> 00:35:27,140 Oh, really? 590 00:35:27,140 --> 00:35:29,200 Well, I hope I'm here next payday, 591 00:35:29,200 --> 00:35:31,200 I'd like to see him hand over your salary, 592 00:35:31,200 --> 00:35:33,160 Please, 593 00:35:33,160 --> 00:35:36,160 You wouldn't be so quick to make the jokes, Mr, Burke, 594 00:35:36,160 --> 00:35:38,230 if you've seen what I've seen in this house, 595 00:35:38,230 --> 00:35:41,060 Aye, and you'd have a little bit more understanding 596 00:35:41,060 --> 00:35:42,130 why you'll never catch me here 597 00:35:42,130 --> 00:35:44,020 when darkness is coming on, 598 00:35:44,020 --> 00:35:47,090 Just exactly what have you seen, Mrs, Ducker? 599 00:35:47,090 --> 00:35:50,220 The master, that's who, 600 00:35:50,220 --> 00:35:52,170 Lying dead and broken at the bottom 601 00:35:52,170 --> 00:35:54,120 of the stairs in there, 602 00:35:54,120 --> 00:35:56,110 and herself with the look 603 00:35:56,110 --> 00:35:58,180 of a sorceress upon her, 604 00:35:58,180 --> 00:36:00,090 standing there at the top, 605 00:36:00,090 --> 00:36:02,140 Are you trying to tell me that Mrs, Loring,,, 606 00:36:02,140 --> 00:36:04,130 What was he doing there, may I ask? 607 00:36:04,130 --> 00:36:07,000 He was so deathly ill, 608 00:36:07,000 --> 00:36:09,060 so wasted with sickness, 609 00:36:09,060 --> 00:36:11,070 He was like a skeleton, 610 00:36:11,070 --> 00:36:14,130 What was he doing there at the bottom of the stairs 611 00:36:14,130 --> 00:36:16,170 dressed in his clothes? 612 00:36:16,170 --> 00:36:18,040 Dressed? 613 00:36:18,040 --> 00:36:20,050 Aye, and his hair was tweezed 614 00:36:20,050 --> 00:36:22,080 with the patches on his elbow, 615 00:36:22,080 --> 00:36:24,160 as if he was going out for a day's hunting, 616 00:36:25,210 --> 00:36:27,180 ANN: Ralph, 617 00:36:27,180 --> 00:36:29,040 You're here, 618 00:36:29,040 --> 00:36:31,010 Yes, 619 00:36:39,190 --> 00:36:41,030 I'm so glad to see you, 620 00:36:41,030 --> 00:36:43,060 Shall we go and have some tea? 621 00:36:59,150 --> 00:37:01,060 ANN: What is it? 622 00:37:05,080 --> 00:37:07,010 Oh, nothing, 623 00:37:10,000 --> 00:37:11,150 Well, how about that tea? 624 00:37:11,150 --> 00:37:13,060 Of course, 625 00:37:23,020 --> 00:37:25,190 Get rid of that Mrs, Ducker, 626 00:37:25,190 --> 00:37:28,050 Short of burning Sorworth Place to the ground, 627 00:37:28,050 --> 00:37:31,000 I really can't see how I'd do it, 628 00:37:31,000 --> 00:37:33,050 She was devoted to my husband, 629 00:37:33,050 --> 00:37:35,100 I believe she really thinks of herself as the rightful heir 630 00:37:35,100 --> 00:37:38,230 to the family fortune, what's become of it, 631 00:37:38,230 --> 00:37:40,210 Sometimes I'm tempted to hand her the keys 632 00:37:40,210 --> 00:37:42,220 and run until I reach Glasgow, 633 00:37:42,220 --> 00:37:45,070 Why don't you, Ann? Why do you stay here? 634 00:37:45,070 --> 00:37:48,080 Why did you come here? Drymen's miles to the south, 635 00:37:48,080 --> 00:37:49,210 I lost my way, 636 00:37:51,010 --> 00:37:53,120 Or found it, 637 00:37:53,120 --> 00:37:56,050 Have you wondered at all these past days 638 00:37:56,050 --> 00:37:59,060 why I asked a stranger to tea? 639 00:37:59,060 --> 00:38:01,060 Have you wondered why you accepted? 640 00:38:02,180 --> 00:38:04,200 When a lovely lady sends me an invitation, 641 00:38:04,200 --> 00:38:08,100 I'm not about to go for a hike over the moors, 642 00:38:08,100 --> 00:38:11,150 But, okay, why did you ask a stranger to tea? 643 00:38:11,150 --> 00:38:15,000 When I saw you standing there that day, 644 00:38:15,000 --> 00:38:16,210 I heard a voice, 645 00:38:16,210 --> 00:38:18,070 It was my voice, 646 00:38:18,070 --> 00:38:21,030 It said, "This is the one, 647 00:38:21,030 --> 00:38:23,060 This is the one to do it, perhaps," 648 00:38:23,060 --> 00:38:26,000 - To do what? - To protect me, 649 00:38:26,000 --> 00:38:29,050 - From what? - From my husband, 650 00:38:31,090 --> 00:38:32,190 But he's dead, Ann, 651 00:38:32,190 --> 00:38:35,140 Yes, quite, 652 00:38:35,140 --> 00:38:39,060 He's dead, and I'm in deadly fear of him, 653 00:38:39,060 --> 00:38:41,100 ( thudding ) 654 00:39:02,090 --> 00:39:04,090 You've seen him, haven't you? 655 00:39:04,090 --> 00:39:05,210 What? Who? 656 00:39:05,210 --> 00:39:07,130 Alistair, 657 00:39:07,130 --> 00:39:09,090 You've seen him, I could tell, 658 00:39:09,090 --> 00:39:10,190 I don't know what you're talking about, 659 00:39:13,110 --> 00:39:16,110 Tell me, Tell me what you've seen, 660 00:39:16,110 --> 00:39:18,140 What did he look like? 661 00:39:18,140 --> 00:39:20,140 Was he a skeleton of a man in a tweed suit 662 00:39:20,140 --> 00:39:23,000 with patches on the elbows? 663 00:39:23,000 --> 00:39:25,100 It's almost a year since he died, 664 00:39:25,100 --> 00:39:28,020 and in the past fortnight, I've begun to see him, too, 665 00:39:29,170 --> 00:39:32,220 Ann, these,,, these things just don't happen, 666 00:39:32,220 --> 00:39:35,230 Yes, Now I'm sure of it, 667 00:39:35,230 --> 00:39:37,220 You are the one, 668 00:39:37,220 --> 00:39:39,110 Let me tell you, 669 00:39:41,070 --> 00:39:43,130 He lay at the foot of the stairs, 670 00:39:45,020 --> 00:39:46,140 The foot of the stairs? 671 00:39:46,140 --> 00:39:48,040 It was our first wedding anniversary, 672 00:39:49,220 --> 00:39:51,150 How did he get there? 673 00:39:53,060 --> 00:39:55,210 I poured his medicine down the drain, 674 00:39:55,210 --> 00:39:59,050 and he needed it to keep his filthy body alive, 675 00:39:59,050 --> 00:40:01,020 And he knew the nearest place he could get it 676 00:40:01,020 --> 00:40:03,030 was the chemist in Sorworth, 677 00:40:03,030 --> 00:40:05,170 We're on the telephone, you see, 678 00:40:05,170 --> 00:40:07,090 so he dragged himself out of bed, 679 00:40:07,090 --> 00:40:10,030 flung on a suit of clothes, 680 00:40:10,030 --> 00:40:12,040 He was cursing me all the while, 681 00:40:14,200 --> 00:40:17,070 Why did you do it? 682 00:40:17,070 --> 00:40:19,210 Because I could no longer stand his vile tongue 683 00:40:19,210 --> 00:40:22,020 and his scornful talk, 684 00:40:22,020 --> 00:40:24,110 or the humiliation of his hands on me, 685 00:40:24,110 --> 00:40:26,160 tearing at my clothes and then leaving me 686 00:40:26,160 --> 00:40:29,030 in my nakedness to go to the servants' hall 687 00:40:29,030 --> 00:40:31,170 and have his way with the scullions, 688 00:40:31,170 --> 00:40:34,080 He called me cold, 689 00:40:34,080 --> 00:40:38,090 cold as the stones in the ancestral burial ground, 690 00:40:38,090 --> 00:40:40,040 and he swore that only a corpse 691 00:40:40,040 --> 00:40:42,150 could have love out of me, 692 00:40:42,150 --> 00:40:44,170 And as the sickness worsened, 693 00:40:44,170 --> 00:40:48,090 so did the foulness of his accusations, 694 00:40:48,090 --> 00:40:50,130 until at last I knew 695 00:40:50,130 --> 00:40:52,210 that one of us must die before another day came, 696 00:40:54,010 --> 00:40:55,180 And if it wasn't to be me, 697 00:40:55,180 --> 00:40:57,140 then it had to be him, 698 00:40:57,140 --> 00:40:59,000 and that's why I did it, 699 00:40:59,000 --> 00:41:02,030 What happened? 700 00:41:02,030 --> 00:41:05,010 He lasted as far as the stairway, 701 00:41:05,010 --> 00:41:06,230 and there he sprawled 702 00:41:06,230 --> 00:41:08,090 and down he went, 703 00:41:08,090 --> 00:41:10,120 and there he lay, 704 00:41:10,120 --> 00:41:11,220 Dead? 705 00:41:11,220 --> 00:41:14,080 But what was left in him, 706 00:41:14,080 --> 00:41:16,080 he looked up at me and he said, 707 00:41:16,080 --> 00:41:18,080 "You think you've won free, 708 00:41:18,080 --> 00:41:20,090 Well, you're wrong, 709 00:41:20,090 --> 00:41:23,030 In a years' time, I'll return, and I'll celebrate 710 00:41:23,030 --> 00:41:26,020 our second wedding anniversary," 711 00:41:26,020 --> 00:41:27,200 And then he was dead, 712 00:41:29,220 --> 00:41:31,110 It's tonight, 713 00:41:32,130 --> 00:41:34,050 What's tonight? 714 00:41:34,050 --> 00:41:37,100 The anniversary of our wedding, 715 00:41:37,100 --> 00:41:40,160 He's back already, We've both seen him, 716 00:41:40,160 --> 00:41:42,120 But he hasn't come for me yet, 717 00:41:42,120 --> 00:41:45,020 - He will tonight, - To do what? 718 00:41:45,020 --> 00:41:48,000 That's what I don't know, 719 00:41:48,000 --> 00:41:50,110 and why I'm frightened, 720 00:41:50,110 --> 00:41:52,210 And why I need you, 721 00:41:52,210 --> 00:41:54,230 What can I do? 722 00:41:54,230 --> 00:41:56,150 Keep him from me tonight, 723 00:41:58,080 --> 00:42:00,160 Get between us, 724 00:42:00,160 --> 00:42:03,170 I have a feeling that if tonight can pass 725 00:42:03,170 --> 00:42:05,060 without him reaching me, 726 00:42:05,060 --> 00:42:08,080 then he'll stay in his grave forever, 727 00:42:08,080 --> 00:42:09,190 Can you do that, Ralph? 728 00:42:09,190 --> 00:42:12,130 Can you battle my ghost for me? 729 00:42:12,130 --> 00:42:14,230 It has to be an outsider, 730 00:42:14,230 --> 00:42:17,220 I couldn't trust my story and my life to a local, 731 00:42:17,220 --> 00:42:21,020 Having met Mrs, Ducker, you can understand why, surely, 732 00:42:22,130 --> 00:42:24,090 Yes, 733 00:42:24,090 --> 00:42:26,010 I've waited 12 months 734 00:42:26,010 --> 00:42:29,080 for that special someone to arrive in Sorworth, 735 00:42:29,080 --> 00:42:31,160 and when I saw you standing at the door that day 736 00:42:31,160 --> 00:42:33,000 with your haversack and the look 737 00:42:33,000 --> 00:42:34,120 of the wanderer about you, 738 00:42:34,120 --> 00:42:37,010 I had the wild feeling that it could be you, 739 00:42:42,220 --> 00:42:44,080 You were right, Ann, 740 00:42:46,220 --> 00:42:48,200 And you were right about the other, too, 741 00:42:50,160 --> 00:42:52,100 I didn't lose my way, 742 00:42:54,050 --> 00:42:55,180 I found it, 743 00:42:58,010 --> 00:43:00,040 I'll bury your ghost for you, Ann, 744 00:43:01,220 --> 00:43:04,090 Maybe,,, 745 00:43:04,090 --> 00:43:07,050 because, you see, I have some ghosts of my own as well, 746 00:43:08,180 --> 00:43:11,040 Maybe I'll bury mine in the same grave, 747 00:43:12,210 --> 00:43:16,020 When they're back in the ground where they belong, 748 00:43:16,020 --> 00:43:18,020 we're free of them forever, 749 00:43:19,150 --> 00:43:20,230 then maybe,,, 750 00:43:23,060 --> 00:43:26,050 And now I'll tell you the final thing, 751 00:43:26,050 --> 00:43:28,090 and you'll take your hat in your hand 752 00:43:28,090 --> 00:43:29,180 and slam the door behind you 753 00:43:29,180 --> 00:43:31,210 and be done with me forever as well, 754 00:43:33,110 --> 00:43:36,060 There's no love in me, 755 00:43:36,060 --> 00:43:38,100 not for a tree, 756 00:43:38,100 --> 00:43:40,210 nor a blade of grass, 757 00:43:40,210 --> 00:43:43,040 nor man, nor beast, 758 00:43:43,040 --> 00:43:47,140 nor any other thing that breathes God's air, 759 00:43:47,140 --> 00:43:50,190 That's what turned Alistair against me from the start, 760 00:43:50,190 --> 00:43:52,190 and what sent him to the servants' quarters 761 00:43:52,190 --> 00:43:55,070 the whole year we were wed, 762 00:43:55,070 --> 00:43:58,090 I did the duties of a wife on our wedding night, 763 00:43:58,090 --> 00:44:00,060 but when that was done, 764 00:44:00,060 --> 00:44:03,070 he never touched me again, 765 00:44:03,070 --> 00:44:07,050 There can be nothing between us, Ralph, as it is, 766 00:44:07,050 --> 00:44:11,190 And if your ghosts need that to send them to their rest, 767 00:44:11,190 --> 00:44:14,080 we'll be making a bad bargain for yourself, 768 00:44:22,000 --> 00:44:24,170 One ghost at a time, okay? 769 00:44:26,210 --> 00:44:29,080 We'll deal with yours tonight, 770 00:44:29,080 --> 00:44:32,040 Tomorrow, well,,, 771 00:44:32,040 --> 00:44:34,120 we'll let tomorrow take care of itself, 772 00:44:36,080 --> 00:44:37,210 Now we've got work to do, 773 00:45:29,200 --> 00:45:30,220 Where is your bedroom, Ann? 774 00:45:33,140 --> 00:45:36,000 Ann, what do you take me for? 775 00:45:36,000 --> 00:45:39,090 I'm going to stand guard duty outside your door, 776 00:45:39,090 --> 00:45:42,040 It's the far end of the second story on the left, 777 00:45:42,040 --> 00:45:44,100 I'll wait down here, 778 00:45:44,100 --> 00:45:46,210 When you've locked yourself in, I'll come up, 779 00:45:46,210 --> 00:45:48,190 Shall I put a chair outside, then? 780 00:45:48,190 --> 00:45:52,060 And risk me falling asleep? No, 781 00:45:52,060 --> 00:45:54,040 I'll walk guard duty until daylight, 782 00:45:56,180 --> 00:45:58,160 Good night, Ann, 783 00:45:58,160 --> 00:46:00,000 Good night, 784 00:46:02,160 --> 00:46:05,140 ( window banging ) 785 00:46:19,140 --> 00:46:22,000 Get back in your grave, you lousy corpse, 786 00:46:22,000 --> 00:46:23,220 You're not getting in here tonight, 787 00:46:52,230 --> 00:46:55,020 How the devil did you get--? 788 00:46:58,100 --> 00:47:00,040 - What are you doing here? - I don't know, 789 00:47:00,040 --> 00:47:02,020 I don't know what I'm doing here, 790 00:47:02,020 --> 00:47:03,190 I must have wandered around to escape, 791 00:47:03,190 --> 00:47:05,190 No, no, Ann, He's out there, 792 00:47:05,190 --> 00:47:07,190 Go on back up and lock your door, quickly, 793 00:47:07,190 --> 00:47:09,230 Take this, Hurry, 794 00:47:09,230 --> 00:47:10,210 Hurry, 795 00:47:40,050 --> 00:47:41,080 No, no! 796 00:48:33,050 --> 00:48:35,050 How many times do you need to be buried? 797 00:48:44,100 --> 00:48:47,010 My friend, you'll soon be as dead as you're supposed to be! 798 00:48:58,090 --> 00:49:01,080 ( Ralph screaming ) 799 00:49:11,090 --> 00:49:14,030 ( bell chimes ) 800 00:49:31,000 --> 00:49:32,120 He's gone, Ann, 801 00:49:34,060 --> 00:49:37,140 Midnight's past, and he's gone for good, 802 00:49:37,140 --> 00:49:40,060 You're free of him forever, 803 00:49:40,060 --> 00:49:41,150 Ralph, 804 00:49:41,150 --> 00:49:44,080 You left your door unlocked, Ann, 805 00:49:44,080 --> 00:49:47,150 and you went down to unlock the front door, 806 00:49:52,150 --> 00:49:55,190 But then you said you could never love anything alive, 807 00:49:57,150 --> 00:50:00,050 Come to me, my Ralph, 808 00:50:03,070 --> 00:50:04,120 In a year, 809 00:50:06,130 --> 00:50:08,050 In a year I'll come to you,,, 810 00:50:10,120 --> 00:50:12,110 my Ann, 59408