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These are the user uploaded subtitles that are being translated: 1 00:00:01,200 --> 00:00:04,030 ( music playing ) 2 00:00:30,100 --> 00:00:31,150 ANNOUNCER: Tonight's stars, 3 00:00:31,150 --> 00:00:33,130 Bradford Dillman, 4 00:00:33,130 --> 00:00:35,120 Steve Lawrence, 5 00:00:35,120 --> 00:00:37,100 Louise Sorel, 6 00:00:37,100 --> 00:00:39,120 Harvey Lembeck, 7 00:00:39,120 --> 00:00:41,000 and Maureen Arthur, 8 00:00:43,020 --> 00:00:45,130 H,P, Lovecraft, known to the aficionados 9 00:00:45,130 --> 00:00:46,200 of the occult, 10 00:00:46,200 --> 00:00:48,150 demonology, witchcraft, 11 00:00:48,150 --> 00:00:50,150 as a master storyteller, 12 00:00:50,150 --> 00:00:52,150 is responsible for our first selection 13 00:00:52,150 --> 00:00:56,000 in this museum of the frequently morbid, 14 00:00:56,000 --> 00:00:57,160 To you connoisseurs of the black arts, 15 00:00:57,160 --> 00:01:00,030 you'll probably recognize it, 16 00:01:00,030 --> 00:01:01,150 It's a painting that tells a story 17 00:01:01,150 --> 00:01:03,110 of a young artist 18 00:01:03,110 --> 00:01:05,140 who recruits his models 19 00:01:05,140 --> 00:01:07,080 from odd places, 20 00:01:07,080 --> 00:01:09,210 And the models are very odd indeed, 21 00:01:09,210 --> 00:01:11,230 The painter's name, incidentally, is Pickman, 22 00:01:11,230 --> 00:01:14,150 The title is Pickman's Model, 23 00:01:14,150 --> 00:01:16,150 And where else would you see a story like this 24 00:01:16,150 --> 00:01:18,170 except in the Night Gallery? 25 00:01:40,020 --> 00:01:41,100 ELIOT: Now you believe me, Larry? 26 00:01:41,100 --> 00:01:42,150 LARRY: Oh, I admit, it does 27 00:01:42,150 --> 00:01:43,230 resemble a Pickman, 28 00:01:43,230 --> 00:01:45,020 Resemble, nothing! 29 00:01:45,020 --> 00:01:46,170 I'd be willing to bet on it, 30 00:01:46,170 --> 00:01:49,100 But they all disappeared at the same time Pickman did, 31 00:01:49,100 --> 00:01:51,050 except the four already hanging, 32 00:01:51,050 --> 00:01:52,190 And except for this one, 33 00:01:52,190 --> 00:01:54,090 Look at it, Larry, 34 00:01:54,090 --> 00:01:56,170 Can you seriously doubt its authenticity? 35 00:01:56,170 --> 00:01:58,160 Well, the signature looks real enough, 36 00:02:00,230 --> 00:02:03,140 Eliot, do you realize what this is worth to you? 37 00:02:03,140 --> 00:02:05,010 The last Pickman brought close 38 00:02:05,010 --> 00:02:07,030 to a hundred thousand dollars at auction, 39 00:02:07,030 --> 00:02:08,170 But is it mine to sell? 40 00:02:08,170 --> 00:02:10,060 Well, the man vanished 41 00:02:10,060 --> 00:02:11,220 75 years ago, 42 00:02:11,220 --> 00:02:14,010 He left no known relations, 43 00:02:14,010 --> 00:02:15,200 If it's in your possession, 44 00:02:15,200 --> 00:02:17,130 it's yours to sell, 45 00:02:17,130 --> 00:02:19,050 Now, I could make arrangements 46 00:02:19,050 --> 00:02:20,090 through my gallery, 47 00:02:20,090 --> 00:02:22,010 How did you come by it? 48 00:02:22,010 --> 00:02:23,050 I found it in here yesterday, 49 00:02:23,050 --> 00:02:25,050 after I moved in, 50 00:02:28,150 --> 00:02:30,040 Larry, 51 00:02:31,180 --> 00:02:33,060 at the time Pickman disappeared, 52 00:02:33,060 --> 00:02:34,090 where was his studio? 53 00:02:34,090 --> 00:02:35,190 Oh, no one knew, 54 00:02:35,190 --> 00:02:37,040 Somewhere in the North End, 55 00:02:37,040 --> 00:02:39,170 People thought that-- 56 00:02:39,170 --> 00:02:41,040 Good Lord, Eliot, you don't suppose-- 57 00:02:41,040 --> 00:02:42,220 Perfect for an artist, 58 00:02:42,220 --> 00:02:44,170 and certainly old enough, 59 00:02:44,170 --> 00:02:46,000 How did you find this place? 60 00:02:46,000 --> 00:02:47,190 Probably the same way Pickman did, 61 00:02:47,190 --> 00:02:49,060 scoured the entire city for it 62 00:02:49,060 --> 00:02:51,020 and probably for the same reason, 63 00:02:51,020 --> 00:02:52,170 He didn't have any money, did he? 64 00:02:52,170 --> 00:02:54,180 Not a Boston bean, 65 00:02:54,180 --> 00:02:57,030 He kept bread on his table giving drawing lessons 66 00:02:57,030 --> 00:02:59,080 to young ladies of good family, 67 00:03:00,130 --> 00:03:02,030 You know, Eliot, I read somewhere 68 00:03:02,030 --> 00:03:04,120 that the last few years 69 00:03:04,120 --> 00:03:06,120 before Pickman vanished, 70 00:03:06,120 --> 00:03:09,120 no one ever saw him without his gloves on, 71 00:03:09,120 --> 00:03:11,110 Oh, there are all sorts of theories, 72 00:03:11,110 --> 00:03:13,200 He was becoming leprous like Gauguin, 73 00:03:13,200 --> 00:03:16,150 had mutilated himself like Van Gogh, 74 00:03:16,150 --> 00:03:20,070 been in an accident that left his hands deformed, 75 00:03:20,070 --> 00:03:22,180 But you don't paint pictures 76 00:03:22,180 --> 00:03:25,000 like this with deformed hands, 77 00:03:25,000 --> 00:03:26,020 do you, Eliot? 78 00:03:26,020 --> 00:03:27,040 MAN: I call it 79 00:03:27,040 --> 00:03:30,010 "Ghoul Preparing to Die", 80 00:03:30,010 --> 00:03:31,050 And I brought it this afternoon 81 00:03:31,050 --> 00:03:32,220 not because I wish to impose 82 00:03:32,220 --> 00:03:34,200 my own special style of painting 83 00:03:34,200 --> 00:03:36,090 upon any of you 84 00:03:36,090 --> 00:03:38,090 but merely to point out 85 00:03:38,090 --> 00:03:41,120 that if one paints what one sees, 86 00:03:41,120 --> 00:03:43,030 one must also be prepared 87 00:03:43,030 --> 00:03:44,210 to accept the consequences 88 00:03:44,210 --> 00:03:46,160 of such candor, 89 00:03:46,160 --> 00:03:48,100 Now, the consequences of my painting, 90 00:03:48,100 --> 00:03:50,010 this picture, for example, 91 00:03:50,010 --> 00:03:53,000 were expulsion from the Boston Art Institute, 92 00:03:53,000 --> 00:03:55,050 the removal of two of my canvases 93 00:03:55,050 --> 00:03:57,080 from the Cabot Museum, 94 00:03:57,080 --> 00:03:59,140 and a punch in the nose 95 00:03:59,140 --> 00:04:01,050 from a city father who thought 96 00:04:01,050 --> 00:04:03,020 that he recognized the background 97 00:04:03,020 --> 00:04:04,220 to be Saint Bartholomew's Church yard, 98 00:04:04,220 --> 00:04:07,160 of which he was an elder, 99 00:04:07,160 --> 00:04:09,160 ( laughs ) 100 00:04:09,160 --> 00:04:11,110 Yes, Miss Goldsmith? 101 00:04:11,110 --> 00:04:13,230 Mr, Pickman, you keep telling us 102 00:04:13,230 --> 00:04:16,040 to paint what we see, 103 00:04:16,040 --> 00:04:18,140 but where would anyone see something like that? 104 00:04:20,150 --> 00:04:23,130 In my mind's eye, Horatio, 105 00:04:23,130 --> 00:04:26,000 Were you thinking that I spent my predawn hours 106 00:04:26,000 --> 00:04:27,190 lurking about cemeteries, 107 00:04:27,190 --> 00:04:30,000 hoping to surprise ghouls at their dinner 108 00:04:30,000 --> 00:04:31,210 and persuading them to sit for me? 109 00:04:31,210 --> 00:04:33,040 ( laughs ) 110 00:04:33,040 --> 00:04:36,020 And now, Miss Goldsmith, 111 00:04:36,020 --> 00:04:38,150 let us discover what your mind's eye sees 112 00:04:38,150 --> 00:04:41,010 when it looks at a vase of perfectly-- 113 00:04:44,010 --> 00:04:45,120 Your flowers are dying Ms, Goldsmith, 114 00:04:45,120 --> 00:04:47,040 You neglected to add water 115 00:04:47,040 --> 00:04:48,150 to your glass, 116 00:04:48,150 --> 00:04:49,200 And what is that? 117 00:04:51,210 --> 00:04:53,160 It was meant to be you, 118 00:04:53,160 --> 00:04:55,200 That's the effect I have on flowers, 119 00:04:55,200 --> 00:04:57,080 even artificial flowers? 120 00:04:57,080 --> 00:04:59,030 I'm sorry, 121 00:04:59,030 --> 00:05:00,120 But as I said before, 122 00:05:00,120 --> 00:05:02,060 you keep telling us to-- 123 00:05:02,060 --> 00:05:03,090 - Paint what you see, 124 00:05:03,090 --> 00:05:05,110 and this is what you see in me? 125 00:05:05,110 --> 00:05:08,020 Well, it wasn't meant to be a cruel thing, 126 00:05:08,020 --> 00:05:10,110 I only meant there's a sort of,,, 127 00:05:10,110 --> 00:05:12,110 power or,,, 128 00:05:12,110 --> 00:05:14,170 magnetism, 129 00:05:14,170 --> 00:05:16,100 something in your eyes, 130 00:05:16,100 --> 00:05:17,220 ( laughs ) 131 00:05:17,220 --> 00:05:19,140 I quite understand, Miss Goldsmith, 132 00:05:19,140 --> 00:05:22,130 How fortunate that I chose painting for my profession 133 00:05:22,130 --> 00:05:25,110 instead of landscape gardening, 134 00:05:25,110 --> 00:05:27,060 Not that the demand for my services 135 00:05:27,060 --> 00:05:28,100 in the profession I selected 136 00:05:28,100 --> 00:05:30,080 has been exactly overwhelming, 137 00:05:30,080 --> 00:05:32,200 You have sold some paintings, 138 00:05:32,200 --> 00:05:34,080 Yes, Why, just yesterday 139 00:05:34,080 --> 00:05:37,050 I heard from the proprietor at Wielderman's 140 00:05:37,050 --> 00:05:39,160 where I've had a canvas on consignment 141 00:05:39,160 --> 00:05:42,020 that he had succeeded after two and one half years-- 142 00:05:42,020 --> 00:05:45,060 "View From An Artist's Window," 143 00:05:45,060 --> 00:05:47,100 - You know it? - I bought it, 144 00:05:47,100 --> 00:05:50,060 I was walking by the gallery and I saw the signature 145 00:05:50,060 --> 00:05:51,110 and I thought, 146 00:05:51,110 --> 00:05:54,090 "That can't be our Pickman," 147 00:05:54,090 --> 00:05:57,110 Yes, Not a ghost or a graveyard 148 00:05:57,110 --> 00:06:00,160 or a lurking shadow, 149 00:06:00,160 --> 00:06:04,020 a monster-violated maiden anywhere, 150 00:06:04,020 --> 00:06:05,220 just housetops, 151 00:06:05,220 --> 00:06:08,020 and chimneys and,,, 152 00:06:08,020 --> 00:06:10,110 a particular pre-gambrel roof that antiquarians say 153 00:06:10,110 --> 00:06:12,090 no longer exists in Boston, 154 00:06:12,090 --> 00:06:14,010 Why did you buy it? It's not very good, 155 00:06:14,010 --> 00:06:16,020 You painted what you saw, 156 00:06:16,020 --> 00:06:18,010 Ah! 157 00:06:18,010 --> 00:06:19,190 But not with the eyes 158 00:06:19,190 --> 00:06:21,070 of who was looking, 159 00:06:21,070 --> 00:06:23,010 Excuse me? 160 00:06:23,010 --> 00:06:24,110 To paint what you actually see, 161 00:06:24,110 --> 00:06:26,040 you must first discover 162 00:06:26,040 --> 00:06:28,110 who you actually are, 163 00:06:28,110 --> 00:06:29,190 The painting you bought 164 00:06:29,190 --> 00:06:32,110 predates my own self-discovery 165 00:06:32,110 --> 00:06:34,070 and therefore is no more an authentic Pickman 166 00:06:34,070 --> 00:06:36,150 than this after my meddling with it 167 00:06:36,150 --> 00:06:39,160 remains an authentic Goldsmith, 168 00:06:45,040 --> 00:06:47,200 - What is it? - An object lesson, 169 00:06:50,080 --> 00:06:53,000 Beware of self-portraits, ladies, 170 00:06:53,000 --> 00:06:54,220 At the least, 171 00:06:54,220 --> 00:06:56,140 you may lose an ear, 172 00:06:56,140 --> 00:06:58,010 while at the worst you're on the danger 173 00:06:58,010 --> 00:07:00,100 of revealing-- 174 00:07:00,100 --> 00:07:01,220 revealing your soul, 175 00:07:07,110 --> 00:07:08,160 And now, 176 00:07:08,160 --> 00:07:09,220 I think you have enriched 177 00:07:09,220 --> 00:07:11,060 your existences 178 00:07:11,060 --> 00:07:12,160 sufficiently for this day, 179 00:07:12,160 --> 00:07:14,150 We'll meet again next Wednesday 180 00:07:14,150 --> 00:07:17,000 and strive for even greater heights 181 00:07:17,000 --> 00:07:19,090 of artistic achievement, 182 00:07:19,090 --> 00:07:20,160 Good afternoon, ladies, 183 00:07:29,010 --> 00:07:31,010 Mrs, DeWitt, 184 00:07:31,010 --> 00:07:33,020 Mr, Pickman, 185 00:07:33,020 --> 00:07:35,030 It was the impression of the Institute 186 00:07:35,030 --> 00:07:36,150 that you were instructing our young ladies 187 00:07:36,150 --> 00:07:39,050 in the principles of painting from life 188 00:07:39,050 --> 00:07:40,150 and the transferring to canvas 189 00:07:40,150 --> 00:07:42,140 of recognizable shapes and figures, 190 00:07:42,140 --> 00:07:44,160 Quite correct, Mrs, DeWitt, 191 00:07:46,010 --> 00:07:48,050 And you employ this as an example? 192 00:07:48,050 --> 00:07:50,040 Oh, a modest one, 193 00:07:50,040 --> 00:07:53,080 And one better suited I'm afraid-- 194 00:07:53,080 --> 00:07:55,040 ladies-- 195 00:07:55,040 --> 00:07:57,160 to a less genteel conservatory, 196 00:07:57,160 --> 00:08:00,010 PICKMAN: Ah, you are telling me 197 00:08:00,010 --> 00:08:01,210 that my services are no longer,,, 198 00:08:01,210 --> 00:08:03,130 et cetera, et cetera? 199 00:08:03,130 --> 00:08:05,150 Despite your ready wit 200 00:08:05,150 --> 00:08:08,150 and bohemian élan, Mr, Pickman, 201 00:08:08,150 --> 00:08:10,110 some of our parents do not consider you 202 00:08:10,110 --> 00:08:13,080 a proper influence on their daughters, 203 00:08:13,080 --> 00:08:15,050 And now that I've seen this, uh, 204 00:08:15,050 --> 00:08:18,090 specimen of your work, I quite agree with them, 205 00:08:18,090 --> 00:08:20,020 The Institute will of course pay you 206 00:08:20,020 --> 00:08:21,210 to the end of the month but, 207 00:08:21,210 --> 00:08:24,170 well, I'm sure you understand, 208 00:08:33,160 --> 00:08:35,120 MAVIS: She had no right to do that, 209 00:08:35,120 --> 00:08:37,030 You're a great artist, 210 00:08:37,030 --> 00:08:39,060 And you, Miss Goldsmith, had no right to eavesdrop, 211 00:08:39,060 --> 00:08:40,210 - I couldn't help-- - Or do you feel 212 00:08:40,210 --> 00:08:42,090 because you come from a fine old Back Bay family 213 00:08:42,090 --> 00:08:44,040 you can do anything you damn well please? 214 00:08:44,040 --> 00:08:47,030 - Certainly not! - Nor do I, Miss Goldsmith, 215 00:08:47,030 --> 00:08:48,020 Nor do I, 216 00:09:19,200 --> 00:09:21,100 MAVIS: Uh,,, 217 00:09:21,100 --> 00:09:24,150 I just happened to be passing by, 218 00:09:24,150 --> 00:09:25,220 In Cadbury Lane? 219 00:09:25,220 --> 00:09:28,230 And stooping to tie your shoelace, 220 00:09:28,230 --> 00:09:30,230 you glimpsed me through the window? 221 00:09:32,170 --> 00:09:34,090 Since you obviously insist 222 00:09:34,090 --> 00:09:36,140 on savoring the admission, 223 00:09:36,140 --> 00:09:38,070 yes, I followed you, 224 00:09:38,070 --> 00:09:40,020 Indeed, Might I ask why? 225 00:09:40,020 --> 00:09:41,200 After the incident at the Art Institute, 226 00:09:41,200 --> 00:09:45,020 I thought you might need some sympathetic company, 227 00:09:45,020 --> 00:09:46,220 You're in error, Miss Goldsmith, 228 00:09:46,220 --> 00:09:50,080 I have never felt the need for human companionship, 229 00:09:50,080 --> 00:09:52,030 Then I shall make it my project 230 00:09:52,030 --> 00:09:55,010 to awaken those feelings in you, 231 00:09:55,010 --> 00:09:56,080 Here, what are you doing? 232 00:09:56,080 --> 00:09:58,030 - Inviting myself to tea, - No, 233 00:09:58,030 --> 00:10:00,040 Oh, I know that's a very brash 234 00:10:00,040 --> 00:10:01,200 and unladylike thing to do, 235 00:10:01,200 --> 00:10:04,150 but as you so accurately charged, Mr, Pickman, 236 00:10:04,150 --> 00:10:07,090 when you come from rich, old Back Bay family, 237 00:10:07,090 --> 00:10:10,030 you can be brash and unladylike, 238 00:10:13,170 --> 00:10:15,050 Will you order another cup 239 00:10:15,050 --> 00:10:17,160 or shall I, Mr, Pickman? 240 00:10:26,170 --> 00:10:27,190 Why do you picture me 241 00:10:27,190 --> 00:10:30,120 as wilting flowers? 242 00:10:30,120 --> 00:10:32,210 As you said, 243 00:10:32,210 --> 00:10:35,170 do not attempt to paint a self-portrait, 244 00:10:35,170 --> 00:10:37,000 It reveals the soul, 245 00:10:37,000 --> 00:10:38,210 But I was to be the face? 246 00:10:38,210 --> 00:10:42,030 And I was the flowers, 247 00:10:42,030 --> 00:10:44,150 Miss Goldsmith, I think I should warn you-- 248 00:10:44,150 --> 00:10:46,230 - Why did you sketch in hideous features 249 00:10:46,230 --> 00:10:48,090 and say they were your soul? 250 00:10:49,230 --> 00:10:51,100 I paint what I see, 251 00:10:51,100 --> 00:10:53,040 And you see your soul as a beast? 252 00:10:54,170 --> 00:10:56,040 You see falsely when you look 253 00:10:56,040 --> 00:10:57,170 inwards, Mr, Pickman, 254 00:10:57,170 --> 00:10:59,220 Or perhaps you do 255 00:10:59,220 --> 00:11:01,220 when you look outward, Miss Goldsmith, 256 00:11:04,160 --> 00:11:07,050 And now, if you'll forgive my shortcomings as a host, 257 00:11:07,050 --> 00:11:09,060 I have pictures to paint, and while the light remains 258 00:11:09,060 --> 00:11:10,160 - I'm just going to have to,,, - May I come? 259 00:11:10,160 --> 00:11:12,090 - What? - To your studio, 260 00:11:15,140 --> 00:11:17,010 That's impossible, 261 00:11:17,010 --> 00:11:18,120 No one comes to my studio, 262 00:11:18,120 --> 00:11:20,100 No one has ever come to my studio, 263 00:11:20,100 --> 00:11:23,000 Oh, yes, I've heard that often, 264 00:11:23,000 --> 00:11:25,130 No one in all of Boston knows where it is, 265 00:11:25,130 --> 00:11:27,230 Why, Mr, Pickman? 266 00:11:27,230 --> 00:11:31,020 What are the secrets that only the North Light knows? 267 00:11:31,020 --> 00:11:33,040 I believe that an artist's work is his own-- 268 00:11:33,040 --> 00:11:35,230 exclusively his own-- until it's completed, 269 00:11:35,230 --> 00:11:38,120 Only then does the world take it from him, 270 00:11:38,120 --> 00:11:40,140 And when will it be completed, this work of yours 271 00:11:40,140 --> 00:11:42,150 that has occupied you for so long, 272 00:11:42,150 --> 00:11:45,070 this series of canvases? 273 00:11:45,070 --> 00:11:47,150 I heard about it at the Art Institute, 274 00:11:48,230 --> 00:11:51,060 Sometimes I drink, 275 00:11:51,060 --> 00:11:53,150 and when I drink, sometimes I say too much, 276 00:11:53,150 --> 00:11:55,140 - A sequence of paintings so horrible 277 00:11:55,140 --> 00:11:57,000 that they would turn a man-- 278 00:11:57,000 --> 00:11:59,020 Turn a man to stone, Yes, 279 00:11:59,020 --> 00:12:01,030 Oh,,, 280 00:12:01,030 --> 00:12:03,130 then it's true, 281 00:12:03,130 --> 00:12:05,140 Tell me all about them, 282 00:12:05,140 --> 00:12:07,000 ( chuckles ) 283 00:12:07,000 --> 00:12:08,170 No, Miss Goldsmith, 284 00:12:08,170 --> 00:12:10,100 it would chill your blood, 285 00:12:10,100 --> 00:12:11,170 I'll run the risk, 286 00:12:13,180 --> 00:12:16,050 There is a legend,,, 287 00:12:16,050 --> 00:12:18,120 there is a legend that tells 288 00:12:18,120 --> 00:12:19,230 of an Eldritch race 289 00:12:19,230 --> 00:12:21,150 more foul and loathsome 290 00:12:21,150 --> 00:12:22,220 than the putrid slime 291 00:12:22,220 --> 00:12:24,200 that clings to the walls of Hell, 292 00:12:24,200 --> 00:12:26,040 Twisted creatures, 293 00:12:26,040 --> 00:12:28,140 half men, half beast, 294 00:12:28,140 --> 00:12:30,200 move with the rustling sound 295 00:12:30,200 --> 00:12:33,020 of predatory rats, 296 00:12:33,020 --> 00:12:34,120 carrying with them the stench 297 00:12:34,120 --> 00:12:37,080 of the charnel house, 298 00:12:37,080 --> 00:12:39,210 Wretched mutations 299 00:12:39,210 --> 00:12:42,150 who live deep beneath the earth 300 00:12:42,150 --> 00:12:44,040 in dark tunnels, 301 00:12:44,040 --> 00:12:46,200 surfacing in the dead of night 302 00:12:46,200 --> 00:12:49,110 and returning before dawn 303 00:12:49,110 --> 00:12:51,120 to practice,,, 304 00:12:51,120 --> 00:12:55,000 their unspeakable acts 305 00:12:55,000 --> 00:12:57,050 and breed their filthy spawn 306 00:12:57,050 --> 00:13:00,000 until the day arrives 307 00:13:00,000 --> 00:13:02,130 when their swollen numbers will finally emerge 308 00:13:02,130 --> 00:13:05,180 and ravish the earth like a noxious plague, 309 00:13:11,030 --> 00:13:12,060 You,,, 310 00:13:12,060 --> 00:13:14,180 said it was only a legend, 311 00:13:16,010 --> 00:13:19,050 To be sure, Miss Goldsmith, 312 00:13:19,050 --> 00:13:20,210 But a legend to excite the genius 313 00:13:20,210 --> 00:13:24,070 of a Bosch, a Bruegel, a Poe,,, 314 00:13:24,070 --> 00:13:26,080 and the one that I am,,, 315 00:13:26,080 --> 00:13:27,110 driven to paint, 316 00:13:31,090 --> 00:13:32,160 And now, if you'll forgive me, 317 00:13:32,160 --> 00:13:34,150 I've stayed too long, I must go, 318 00:13:34,150 --> 00:13:37,150 - Let me see your paintings, - That is completely impossible, 319 00:13:37,150 --> 00:13:38,210 Miss Goldsmith, Excuse me, 320 00:13:38,210 --> 00:13:40,070 Richard! 321 00:13:42,030 --> 00:13:44,100 Richard? 322 00:13:44,100 --> 00:13:46,100 Haven't you guessed? 323 00:13:46,100 --> 00:13:48,030 Don't you know how I feel about you? 324 00:13:48,030 --> 00:13:50,010 You must not, No, 325 00:13:50,010 --> 00:13:51,200 - I forbid it, - You can't, 326 00:13:51,200 --> 00:13:54,030 When my heart is concerned, I am God, 327 00:13:55,130 --> 00:13:58,140 Then I grieve for you, Miss Goldsmith, 328 00:13:58,140 --> 00:14:00,130 for investing that heart 329 00:14:00,130 --> 00:14:01,200 in such a bankrupt enterprise, 330 00:14:28,230 --> 00:14:31,080 Old part of town, 331 00:14:31,080 --> 00:14:32,230 Oldest there is, most likely, 332 00:14:32,230 --> 00:14:34,170 North End, 333 00:14:34,170 --> 00:14:36,050 It couldn't be anyplace else, 334 00:14:36,050 --> 00:14:37,120 But no place you'll find in any 335 00:14:37,120 --> 00:14:39,040 of your city maps, my child, 336 00:14:39,040 --> 00:14:40,200 you can be assured of that, 337 00:14:42,090 --> 00:14:44,230 And,,,definitely not a place 338 00:14:44,230 --> 00:14:47,100 - for the squeamish, - What do you mean? 339 00:14:49,070 --> 00:14:50,100 The North End's always enjoyed 340 00:14:50,100 --> 00:14:53,140 a rather unsavory reputation-- 341 00:14:53,140 --> 00:14:55,150 ladies of the evening, 342 00:14:55,150 --> 00:14:58,200 muggings, opium traffic, that sort of thing, 343 00:14:58,200 --> 00:15:02,050 And then there was that persistent old wives' tale, 344 00:15:02,050 --> 00:15:04,210 MAVIS: Yes? 345 00:15:04,210 --> 00:15:08,030 Something about a breed of creatures, 346 00:15:08,030 --> 00:15:10,200 human and yet not quite human either, 347 00:15:10,200 --> 00:15:13,040 supposed to have lived in that part of the city, 348 00:15:13,040 --> 00:15:15,230 Oh, years ago--no, a hundred years at least, 349 00:15:15,230 --> 00:15:18,100 And they dug tunnels 350 00:15:18,100 --> 00:15:20,150 all through the area, tunnels under the earth, 351 00:15:20,150 --> 00:15:22,050 linking them with the burial grounds 352 00:15:22,050 --> 00:15:24,030 and with the sea from whence 353 00:15:24,030 --> 00:15:26,100 allegedly they originally came, 354 00:15:26,100 --> 00:15:28,080 - Surely, Uncle George, you don't subscribe 355 00:15:28,080 --> 00:15:29,100 to any of these things, 356 00:15:29,100 --> 00:15:30,180 I? Ha! 357 00:15:30,180 --> 00:15:33,000 Not on your life, child, 358 00:15:33,000 --> 00:15:35,160 Though I can recall 359 00:15:35,160 --> 00:15:37,040 when several bodies disappeared 360 00:15:37,040 --> 00:15:38,170 from St, Bartholomew's Cemetery 361 00:15:38,170 --> 00:15:39,220 a short while back, 362 00:15:39,220 --> 00:15:41,080 There were those who insisted 363 00:15:41,080 --> 00:15:43,080 it was the handiwork of these creatures 364 00:15:43,080 --> 00:15:45,170 come to pay us a return visit, 365 00:15:45,170 --> 00:15:47,120 PICKMAN: Wretched mutations 366 00:15:47,120 --> 00:15:50,200 who live deep beneath the earth in dark tunnels, 367 00:15:50,200 --> 00:15:52,170 surfacing in the dead of night, 368 00:15:52,170 --> 00:15:54,060 returning before dawn, 369 00:15:54,060 --> 00:15:57,010 to practice their unspeakable acts, 370 00:15:59,090 --> 00:16:02,080 Did anyone ever try to prove these creatures really existed? 371 00:16:02,080 --> 00:16:03,210 Oh, yeah, 372 00:16:03,210 --> 00:16:05,060 To some, 373 00:16:05,060 --> 00:16:08,020 it became a fanatical obsession, 374 00:16:09,210 --> 00:16:12,070 particularly those whose womenfolk had disappeared 375 00:16:12,070 --> 00:16:14,060 in the dead of night, They believe these creatures 376 00:16:14,060 --> 00:16:16,090 had carried them off to their subterranean dwellings 377 00:16:16,090 --> 00:16:19,200 for purposes of, uh, procreation, 378 00:16:19,200 --> 00:16:21,220 But if you ask me, 379 00:16:21,220 --> 00:16:23,070 they disappeared more from boredom 380 00:16:23,070 --> 00:16:25,110 than from beast, 381 00:16:30,220 --> 00:16:32,050 Then no one ever actually claimed 382 00:16:32,050 --> 00:16:33,120 to have seen them? 383 00:16:34,220 --> 00:16:36,010 - No, 384 00:16:36,010 --> 00:16:37,100 Traps failed, 385 00:16:37,100 --> 00:16:40,020 as did every attempt to smoke them out, 386 00:16:40,020 --> 00:16:42,120 They finally ended up sealing off 387 00:16:42,120 --> 00:16:45,180 every underground opening they could find 388 00:16:45,180 --> 00:16:48,140 and praying that they'd found them all, 389 00:16:54,000 --> 00:16:56,210 Richard Upton Pickman, hmm? 390 00:16:56,210 --> 00:16:58,090 Well, 391 00:16:58,090 --> 00:17:00,080 if that's the view from his studio, 392 00:17:00,080 --> 00:17:03,110 his outlook on life can't be particularly cheery, 393 00:17:50,120 --> 00:17:52,020 ( knocks on door ) 394 00:17:54,120 --> 00:17:56,020 Richard? 395 00:17:57,180 --> 00:17:59,050 Richard? 396 00:18:04,160 --> 00:18:06,190 Richard, you forgot your painting, 397 00:18:06,190 --> 00:18:08,040 ( rustling ) 398 00:18:38,020 --> 00:18:39,060 Richard? 399 00:18:40,130 --> 00:18:42,080 ( door slams ) 400 00:18:43,190 --> 00:18:45,230 ( wind whistling ) 401 00:18:52,170 --> 00:18:54,030 Richard? 402 00:18:55,060 --> 00:18:56,060 ( rustling ) 403 00:19:05,050 --> 00:19:07,130 Richard? 404 00:19:07,130 --> 00:19:09,120 I brought your painting, 405 00:19:18,050 --> 00:19:19,150 ( slurping sounds ) 406 00:20:32,060 --> 00:20:33,120 What are you doing here? 407 00:20:38,090 --> 00:20:40,100 How did you find this place? 408 00:20:40,100 --> 00:20:42,120 Well, you left me a perfect map of the neighborhood, 409 00:20:42,120 --> 00:20:44,220 the painting I bought, 410 00:20:44,220 --> 00:20:46,000 I brought this for you, 411 00:20:46,000 --> 00:20:48,060 You left it in the tea room, 412 00:20:56,120 --> 00:20:58,050 All right, 413 00:20:58,050 --> 00:21:00,020 You performed your errand, now you must go, 414 00:21:00,020 --> 00:21:01,040 - Richard,,, - RICHARD: I tell you, 415 00:21:01,040 --> 00:21:03,010 you must go this instant, 416 00:21:03,010 --> 00:21:04,080 I have work to do, 417 00:21:04,080 --> 00:21:05,130 Can't I stay and watch? 418 00:21:07,080 --> 00:21:09,110 Dear God, 419 00:21:09,110 --> 00:21:11,140 Miss Goldsmith,,, - Please, 420 00:21:11,140 --> 00:21:13,080 Leave me a little of my pride, for heaven sakes, 421 00:21:13,080 --> 00:21:14,210 I pour out my heart to you, I hunt you down 422 00:21:14,210 --> 00:21:16,170 through the filthiest alleys in the world, 423 00:21:16,170 --> 00:21:18,220 I do everything but throw myself at your feet-- 424 00:21:18,220 --> 00:21:20,160 - No, Mavis, please, I'm the one to kneel 425 00:21:20,160 --> 00:21:22,220 to throw myself at your feet, but only to beg you, 426 00:21:22,220 --> 00:21:25,060 to plead with you, to leave here now, 427 00:21:25,060 --> 00:21:27,010 at once, forever! 428 00:21:27,010 --> 00:21:29,090 Never try to see me again, never hear my-- 429 00:21:29,090 --> 00:21:30,180 ( slurping, rustling ) 430 00:21:31,230 --> 00:21:33,140 Oh, my God, it's too late, 431 00:21:34,180 --> 00:21:36,090 What? 432 00:21:36,090 --> 00:21:39,000 Wait here, Do not leave this room, 433 00:21:39,000 --> 00:21:40,070 - Richard-- - Did you not hear me 434 00:21:40,070 --> 00:21:41,090 when I said I had no need 435 00:21:41,090 --> 00:21:43,010 of human company? 436 00:21:43,010 --> 00:21:45,020 And could you not understand why? 437 00:21:55,200 --> 00:21:58,040 ( growling ) 438 00:22:16,080 --> 00:22:19,100 GEORGE: It became a fanatical obsession, 439 00:22:19,100 --> 00:22:20,170 especially those 440 00:22:20,170 --> 00:22:22,100 whose womenfolk had disappeared 441 00:22:22,100 --> 00:22:23,120 in the dead of night, They believed that these 442 00:22:23,120 --> 00:22:24,140 creatures had carried them off 443 00:22:24,140 --> 00:22:26,070 to their subterranean dwellings 444 00:22:26,070 --> 00:22:28,100 for purposes of procreation, 445 00:22:28,100 --> 00:22:29,150 ( thud ) 446 00:22:29,150 --> 00:22:31,060 ( growling ) 447 00:22:31,060 --> 00:22:33,000 PICKMAN: Did you hear me? Get back to the cellar 448 00:22:33,000 --> 00:22:34,100 where you belong! 449 00:22:34,100 --> 00:22:35,190 ( clatter ) 450 00:22:35,190 --> 00:22:37,040 I've promised it a thousand times, 451 00:22:37,040 --> 00:22:39,170 I'll do it yet,,, 452 00:22:39,170 --> 00:22:41,070 and leave you to live out your obscene lives 453 00:22:41,070 --> 00:22:43,190 inside your cursed tunnels forever! 454 00:22:43,190 --> 00:22:45,090 Get back down-- 455 00:22:45,090 --> 00:22:46,190 ( clatter ) 456 00:22:46,190 --> 00:22:48,020 ( Mavis gasps ) 457 00:22:49,110 --> 00:22:52,090 ( creaking ) 458 00:22:55,150 --> 00:22:56,190 Richard? 459 00:22:56,190 --> 00:22:59,050 ( growling ) 460 00:23:03,070 --> 00:23:06,050 ( screaming ) 461 00:23:07,070 --> 00:23:08,100 ( creature growling ) 462 00:23:16,020 --> 00:23:18,110 - ( growling ) - ( screaming ) 463 00:23:24,220 --> 00:23:26,110 Richard! 464 00:23:52,110 --> 00:23:54,120 ( Mavis shrieking ) 465 00:23:54,120 --> 00:23:56,000 Richard! 466 00:24:04,100 --> 00:24:06,110 Richard! 467 00:24:06,110 --> 00:24:07,130 What is it?! 468 00:24:07,130 --> 00:24:09,040 Run, Mavis! 469 00:24:43,180 --> 00:24:45,070 It's enough to curdle your blood, 470 00:24:46,200 --> 00:24:48,220 MAVIS: Did you send for the brick layers? 471 00:24:48,220 --> 00:24:50,140 I did, 472 00:24:50,140 --> 00:24:52,230 They should be here in 10 minutes 473 00:24:52,230 --> 00:24:56,040 if they can locate this rabbit warren, 474 00:24:56,040 --> 00:24:58,020 - Then,,,help me, please, 475 00:24:58,020 --> 00:24:59,030 - Yeah, 476 00:25:18,140 --> 00:25:21,090 The man must have been insane, 477 00:25:23,070 --> 00:25:24,160 No, 478 00:25:25,180 --> 00:25:27,210 He painted what he saw 479 00:25:29,120 --> 00:25:31,000 and what he was, 480 00:25:57,000 --> 00:26:00,100 You say you've searched, You mind if I do too? 481 00:26:00,100 --> 00:26:02,020 Of course not, 482 00:26:02,020 --> 00:26:04,220 Locating the ten lost paintings of Richard Upton Pickman 483 00:26:04,220 --> 00:26:08,000 is a lot more important than who does the finding, 484 00:26:08,000 --> 00:26:10,160 We'll start up here at the top of the house 485 00:26:10,160 --> 00:26:13,020 and work our way down to the basement, 486 00:26:25,030 --> 00:26:27,030 What's this thing? 487 00:26:27,030 --> 00:26:29,010 I can't imagine, Noticed it when I moved in, 488 00:26:29,010 --> 00:26:30,060 but it means nothing to me, 489 00:26:30,060 --> 00:26:31,150 A sewer, do you suppose? 490 00:26:31,150 --> 00:26:33,160 In a cellar? 491 00:26:33,160 --> 00:26:36,100 ( clanks ) 492 00:26:36,100 --> 00:26:38,100 This thing is hollow, 493 00:26:38,100 --> 00:26:40,210 Do you know what I think? 494 00:26:40,210 --> 00:26:43,030 I think we ought to open this thing up, 495 00:26:43,030 --> 00:26:44,210 Why? What do you think we'll find? 496 00:26:44,210 --> 00:26:47,080 Well, at the worst, nothing, 497 00:26:47,080 --> 00:26:50,000 At the best, those missing canvases, 498 00:26:50,000 --> 00:26:51,210 Why would they be in there? 499 00:26:51,210 --> 00:26:54,150 If for no other reason than that they're not anywhere else, 500 00:26:56,220 --> 00:26:59,150 Well, if you think there's anything in it, 501 00:27:01,020 --> 00:27:02,220 Let's see, 502 00:27:06,200 --> 00:27:09,090 - Feeling muscular? - Ah, 503 00:27:12,120 --> 00:27:15,080 I hope we don't find anything besides the paintings, 504 00:27:15,080 --> 00:27:16,180 What's that supposed to mean? 505 00:27:16,180 --> 00:27:18,080 Remember, Pickman's canvases 506 00:27:18,080 --> 00:27:19,230 weren't the only thing that disappeared, 507 00:27:19,230 --> 00:27:21,020 Pickman did too, 508 00:27:30,130 --> 00:27:32,110 ( growling ) 509 00:27:36,000 --> 00:27:37,220 You're all familiar, I suppose, 510 00:27:37,220 --> 00:27:40,070 with mediums and séances, 511 00:27:40,070 --> 00:27:42,210 the slightly curdling nocturnal event 512 00:27:42,210 --> 00:27:45,090 in which the dead come back to visit 513 00:27:45,090 --> 00:27:48,130 through the good offices of a middleman, or -woman, 514 00:27:48,130 --> 00:27:52,020 It's a sport that lends itself to table tappings, 515 00:27:52,020 --> 00:27:53,210 some ghostly manifestations 516 00:27:53,210 --> 00:27:56,150 that float transparently across the room, 517 00:27:56,150 --> 00:27:59,140 and a few distant sepulchral voices, 518 00:27:59,140 --> 00:28:01,190 This painting offers a new side 519 00:28:01,190 --> 00:28:03,180 to the familiar séance 520 00:28:03,180 --> 00:28:07,010 because it tells what happens when a séance is successful 521 00:28:07,010 --> 00:28:10,160 but the appearing dead isn't the one expected, 522 00:28:10,160 --> 00:28:13,070 Offered to you now on the Night Gallery, 523 00:28:13,070 --> 00:28:14,140 The Dear Departed, 524 00:28:32,010 --> 00:28:34,180 MARK: Come to me, 525 00:28:34,180 --> 00:28:37,130 Come to me now from beyond the veil, 526 00:28:39,060 --> 00:28:40,210 Closer, 527 00:28:42,020 --> 00:28:43,190 closer to me, 528 00:28:43,190 --> 00:28:47,150 Now,,,let my words go forth 529 00:28:47,150 --> 00:28:49,090 and let us know that you are here, 530 00:28:52,140 --> 00:28:54,140 ( wind whistling ) 531 00:28:58,210 --> 00:29:01,120 We are now in touch with the spirit world, 532 00:29:02,200 --> 00:29:05,030 I am calling the spirit 533 00:29:05,030 --> 00:29:07,000 of Running Deer, 534 00:29:07,000 --> 00:29:09,120 the Indian guide of the Arapaho tribe, 535 00:29:10,200 --> 00:29:13,180 Are you with me, Running Deer? 536 00:29:13,180 --> 00:29:15,130 Answer me now! 537 00:29:20,110 --> 00:29:22,090 ( wind whooshing ) 538 00:29:24,030 --> 00:29:25,210 He's made contact with Running Deer, 539 00:29:25,210 --> 00:29:27,150 Shh, you'll frighten him, 540 00:29:27,150 --> 00:29:30,020 Oh, guide to the spirit world, 541 00:29:30,020 --> 00:29:33,000 in what manner will you communicate with us today? 542 00:29:33,000 --> 00:29:36,040 ( tambourine ringing ) 543 00:29:50,080 --> 00:29:53,190 Radha Ramadi, ask him about my little girl, 544 00:29:55,020 --> 00:29:57,080 Running Deer, 545 00:29:57,080 --> 00:29:58,160 we were hoping to communicate 546 00:29:58,160 --> 00:30:01,050 with the spirit of Dory Harcourt, 547 00:30:02,150 --> 00:30:04,080 Will you help us? 548 00:30:04,080 --> 00:30:06,000 Please, Running Deer, 549 00:30:08,030 --> 00:30:11,010 ( tambourine ringing ) 550 00:30:15,170 --> 00:30:17,020 What did he say? 551 00:30:19,180 --> 00:30:21,210 We must all concentrate very hard, 552 00:30:21,210 --> 00:30:23,170 very hard, 553 00:30:24,190 --> 00:30:26,200 and let no one break the circle, 554 00:30:29,000 --> 00:30:31,220 ( wind whistling ) 555 00:30:33,210 --> 00:30:34,220 GIRL: Mommy, 556 00:30:36,080 --> 00:30:38,090 Mommy? 557 00:30:38,090 --> 00:30:41,010 I'm here, Mommy, 558 00:30:43,000 --> 00:30:44,100 Dory! 559 00:30:50,020 --> 00:30:52,160 My little baby, 560 00:30:52,160 --> 00:30:54,170 My sweet child, 561 00:30:55,200 --> 00:30:57,010 Are you all right? 562 00:30:57,010 --> 00:31:00,100 I'm very happy, Mommy, 563 00:31:00,100 --> 00:31:03,110 but I miss you and Daddy, 564 00:31:03,110 --> 00:31:07,010 Oh, and we miss you so much, darling, 565 00:31:07,010 --> 00:31:08,170 We miss you, too, 566 00:31:10,010 --> 00:31:11,170 Mommy, 567 00:31:11,170 --> 00:31:13,210 I have something for you, 568 00:31:17,230 --> 00:31:20,120 Her stuffed elephant, 569 00:31:22,010 --> 00:31:24,210 Oh, she loved it so much, 570 00:31:27,230 --> 00:31:29,080 Dory, 571 00:31:33,000 --> 00:31:34,230 Mrs, Harcourt, you've broken contact, 572 00:31:34,230 --> 00:31:37,010 I warned you about trying to reach out 573 00:31:37,010 --> 00:31:38,210 and touch the spirits, 574 00:31:45,010 --> 00:31:46,130 MRS, HARCOURT: I'm sorry, 575 00:31:47,230 --> 00:31:50,060 I apologize to all of you, 576 00:31:53,160 --> 00:31:56,050 She used to keep it next to her bed,,, 577 00:31:58,100 --> 00:32:00,000 and then when she,,, 578 00:32:01,070 --> 00:32:02,150 Passed over? 579 00:32:02,150 --> 00:32:04,130 Yes, 580 00:32:06,040 --> 00:32:07,170 Passed over,,, 581 00:32:10,130 --> 00:32:11,230 it just disappeared, 582 00:32:13,070 --> 00:32:15,150 I wanted to contact my husband next, 583 00:32:15,150 --> 00:32:16,190 You promised, 584 00:32:16,190 --> 00:32:18,130 Mrs, Hugo, I'm afraid 585 00:32:18,130 --> 00:32:20,040 we can't continue anymore today, 586 00:32:20,040 --> 00:32:21,140 Perhaps tomorrow, 587 00:32:21,140 --> 00:32:24,000 But this is his birthday, 588 00:32:24,000 --> 00:32:26,020 The birthday of his corporeal form, Mrs, Hugo, 589 00:32:26,020 --> 00:32:28,000 not his spiritual one, 590 00:32:28,000 --> 00:32:29,230 And now, if you ladies and gentlemen will excuse me, 591 00:32:29,230 --> 00:32:32,040 I'm desperately tired, 592 00:32:41,020 --> 00:32:44,080 My, uh,,, my assistant will show you out, 593 00:32:58,050 --> 00:33:02,100 Radha Ramadi, I,,, I'm so grateful to you, 594 00:33:02,100 --> 00:33:05,010 Mrs, Harcourt, I'm merely the messenger, 595 00:33:05,010 --> 00:33:07,210 Yes, but without your help, I,,, 596 00:33:07,210 --> 00:33:10,070 I might never have seen Dory again, 597 00:33:11,150 --> 00:33:13,040 That's why you must take this, 598 00:33:13,040 --> 00:33:15,090 Please, Mrs, Harcourt, 599 00:33:15,090 --> 00:33:17,200 I consider my psychic powers 600 00:33:17,200 --> 00:33:19,160 as a gift to be shared, 601 00:33:19,160 --> 00:33:20,180 not exploited, 602 00:33:20,180 --> 00:33:23,020 I'm sure you do, but,,, 603 00:33:23,020 --> 00:33:26,090 now I want to share my happiness, Please, 604 00:33:29,180 --> 00:33:32,050 Then in the spirit in which it's given, 605 00:33:32,050 --> 00:33:33,140 - And perhaps--perhaps,,, 606 00:33:33,140 --> 00:33:37,030 someday soon, 607 00:33:37,030 --> 00:33:39,220 I'll be able to communicate with Dory again, 608 00:33:39,220 --> 00:33:42,080 The first contact is always the most difficult, 609 00:33:42,080 --> 00:33:45,140 What a blessed thing to know that the dear departed 610 00:33:45,140 --> 00:33:47,190 are never really far away, 611 00:33:49,030 --> 00:33:51,040 Yes, when we need them, 612 00:33:52,110 --> 00:33:54,190 when we need them so desperately, 613 00:33:56,220 --> 00:33:58,140 You're a saint, Radha Ramadi, 614 00:33:58,140 --> 00:34:00,190 do you know that? 615 00:34:00,190 --> 00:34:03,070 You're an absolutely saint, 616 00:34:03,070 --> 00:34:04,160 May I? 617 00:34:05,180 --> 00:34:07,130 Of course, 618 00:34:30,190 --> 00:34:34,120 What's the going price of sainthood? 619 00:34:34,120 --> 00:34:36,210 Five hundred bucks, ( chuckles ) 620 00:34:36,210 --> 00:34:39,180 - Oh, did you hear that, Ange? 621 00:34:39,180 --> 00:34:43,150 That Harcourt broad coughed up 500 clams, 622 00:34:43,150 --> 00:34:46,000 for my wires, a little smoke, 623 00:34:46,000 --> 00:34:48,120 and your imitation of her kid's voice, 624 00:34:48,120 --> 00:34:50,180 The elephant-- that's what unbuttoned 625 00:34:50,180 --> 00:34:52,020 her bank account, 626 00:34:52,020 --> 00:34:55,060 Everything else is just window dressing, 627 00:34:56,080 --> 00:34:58,040 Yeah, 628 00:34:58,040 --> 00:34:59,180 You're right, Ange, 629 00:34:59,180 --> 00:35:01,080 She's right, Mark, 630 00:35:01,080 --> 00:35:03,040 If it wasn't for that stuffed pachyderm, 631 00:35:03,040 --> 00:35:04,210 we'd have bombed for sure, 632 00:35:04,210 --> 00:35:07,160 You don't know what you're talking about, Joe, 633 00:35:07,160 --> 00:35:08,210 We're going to be rolling in dough, 634 00:35:08,210 --> 00:35:10,100 Joe, baby, stick with me, 635 00:35:10,100 --> 00:35:11,220 this is just the beginning, 636 00:35:11,220 --> 00:35:13,130 Before we're through with Mrs, Harcourt, 637 00:35:13,130 --> 00:35:16,060 she's going to cough up 20 times that a month, 638 00:35:16,060 --> 00:35:17,170 And what about the others? 639 00:35:17,170 --> 00:35:19,230 Senator Cummings, Mrs, Hugo-- 640 00:35:19,230 --> 00:35:22,130 I tell ya, Joe, it's gonna be Easy Street, 641 00:35:22,130 --> 00:35:24,120 I don't know, Mark, 642 00:35:24,120 --> 00:35:26,210 You've been smoking those cheap stogies again, 643 00:35:26,210 --> 00:35:29,030 It smells like a snooker parlor in here, 644 00:35:29,030 --> 00:35:30,120 You don't know? What don't you know? 645 00:35:30,120 --> 00:35:31,150 Me, 646 00:35:31,150 --> 00:35:33,030 Me, I'm talking about, 647 00:35:33,030 --> 00:35:35,230 This whole setup, the track's too fast, 648 00:35:35,230 --> 00:35:39,010 How many times you told me about the cigar, 649 00:35:39,010 --> 00:35:41,050 about how the spirits don't like to do business 650 00:35:41,050 --> 00:35:42,150 when there's smoking or drinking around, 651 00:35:42,150 --> 00:35:44,020 but does it register? 652 00:35:44,020 --> 00:35:45,160 - So you made a mistake, - That's just it, 653 00:35:45,160 --> 00:35:48,090 With me, mistakes is a way of life, 654 00:35:48,090 --> 00:35:51,050 One of these days, I'm gonna make a mistake 655 00:35:51,050 --> 00:35:52,200 and there's going to be a guy sitting there 656 00:35:52,200 --> 00:35:54,100 from the bunko squad, 657 00:35:54,100 --> 00:35:56,050 and then what? 658 00:35:56,050 --> 00:35:58,090 Let's face it, man, I can't hack it, 659 00:35:58,090 --> 00:36:00,040 Oh, Joe, don't talk like that, 660 00:36:00,040 --> 00:36:01,140 I need ya, 661 00:36:04,000 --> 00:36:07,000 Like Custer needed Crazy Horse, 662 00:36:07,000 --> 00:36:08,050 You need a guy with class, 663 00:36:08,050 --> 00:36:10,140 Me, I'm pure tent show, 664 00:36:10,140 --> 00:36:12,060 from my socks to my hairline, 665 00:36:12,060 --> 00:36:13,170 Hey, remember me? 666 00:36:13,170 --> 00:36:15,060 I came from the same tent show, 667 00:36:15,060 --> 00:36:17,080 Yeah, but what a difference, 668 00:36:18,100 --> 00:36:21,060 You, you got style, 669 00:36:21,060 --> 00:36:24,040 you got--you got elegance, 670 00:36:24,040 --> 00:36:25,140 Man, you walk into a joint 671 00:36:25,140 --> 00:36:27,160 and the waiters are all over you, 672 00:36:27,160 --> 00:36:30,040 I walk into that same joint 673 00:36:30,040 --> 00:36:31,190 and they put up a condemned notice 674 00:36:31,190 --> 00:36:33,170 from the sanitation department, 675 00:36:33,170 --> 00:36:35,150 I don't belong here, 676 00:36:35,150 --> 00:36:38,070 Trimming suckers for nickels and dimes, that's my speed, 677 00:36:38,070 --> 00:36:40,070 This is a big league, 678 00:36:40,070 --> 00:36:42,030 Which is exactly why I'm counting 679 00:36:42,030 --> 00:36:44,070 - on your talents, Joe, - What talents? 680 00:36:44,070 --> 00:36:46,090 You're the one that brings the suckers here, 681 00:36:46,090 --> 00:36:48,050 finds out the facts they want to hear, 682 00:36:48,050 --> 00:36:50,230 charms them with that-- with that swami jive, 683 00:36:50,230 --> 00:36:52,220 - You, you're the act, - Oh, Joe, 684 00:36:52,220 --> 00:36:55,050 - I'm just a prop man, - Joe, Joe, 685 00:36:55,050 --> 00:36:56,180 What I do wouldn't raise a tambourine 686 00:36:56,180 --> 00:36:58,140 an inch off the table, 687 00:36:58,140 --> 00:37:01,040 much less float a spirit around the room, 688 00:37:01,040 --> 00:37:03,120 - You're the genius, Joe, - Genius? 689 00:37:03,120 --> 00:37:05,110 Look, take that elephant for example, 690 00:37:05,110 --> 00:37:07,180 I only discovered that the kid's nurse had it, 691 00:37:07,180 --> 00:37:10,020 that's all, but you gave it meaning, 692 00:37:10,020 --> 00:37:12,010 - What meaning? - I mean, it didn't just 693 00:37:12,010 --> 00:37:14,070 fall down from the sky, 694 00:37:14,070 --> 00:37:17,000 You made it appear,,, 695 00:37:17,000 --> 00:37:19,230 and right in front of Mrs, Harcourt, 696 00:37:19,230 --> 00:37:22,040 At the right time, 697 00:37:22,040 --> 00:37:24,000 Show business, 698 00:37:25,170 --> 00:37:27,200 Just a prop man, are you kidding? 699 00:37:27,200 --> 00:37:30,040 You're the Michelangelo of prop men, 700 00:37:30,040 --> 00:37:31,150 Michelangelo? 701 00:37:31,150 --> 00:37:33,190 - You're a regular Leonardo da Vinci, 702 00:37:35,100 --> 00:37:37,030 Come on, don't talk like that, 703 00:37:37,030 --> 00:37:39,190 You pack up and go back to the carny, I'll go with you, 704 00:37:39,190 --> 00:37:41,180 We're a team and I need you, Joe, 705 00:37:42,200 --> 00:37:43,200 You really mean that? 706 00:37:44,220 --> 00:37:46,040 You need me? 707 00:37:47,070 --> 00:37:48,090 I'd never lie to you, Joe, 708 00:37:51,030 --> 00:37:53,090 What about your wife? 709 00:37:53,090 --> 00:37:54,150 What about Angie? 710 00:37:54,150 --> 00:37:56,230 Doesn't she deserve the best? 711 00:37:56,230 --> 00:37:58,080 Joe, stick with me, 712 00:37:58,080 --> 00:38:00,110 you'll be draping her in diamonds, 713 00:38:00,110 --> 00:38:02,110 Yeah, Angie, Angie, I-- 714 00:38:02,110 --> 00:38:04,230 I didn't even consider her, 715 00:38:06,020 --> 00:38:07,050 Okay, 716 00:38:07,050 --> 00:38:09,130 You really need me, 717 00:38:09,130 --> 00:38:14,000 I'm gonna stick to you like adhesive plaster, 718 00:38:14,000 --> 00:38:16,130 I'll never let you down-- my word of honor, 719 00:38:16,130 --> 00:38:18,130 That's the spirit, 720 00:38:18,130 --> 00:38:19,210 ( both laugh ) 721 00:38:19,210 --> 00:38:21,110 Hey, Mark, 722 00:38:21,110 --> 00:38:24,170 - Oh, Joe, - Okay, Okay, 723 00:38:24,170 --> 00:38:26,150 Hey, why don't I-- why don't I set up 724 00:38:26,150 --> 00:38:28,080 for the séance tomorrow, huh? 725 00:38:28,080 --> 00:38:29,230 And then we all go get something to eat? 726 00:38:29,230 --> 00:38:31,010 - Good idea, - Okay? 727 00:38:31,010 --> 00:38:32,040 Okay, Joe, 728 00:38:38,130 --> 00:38:41,160 That was a dumb crack to make about the elephant, 729 00:38:41,160 --> 00:38:44,070 Putting him down like that, and in front of me, 730 00:38:44,070 --> 00:38:45,160 Why don't you just buy him a bus ticket 731 00:38:45,160 --> 00:38:47,070 - and be done with it? - Bus ticket? 732 00:38:47,070 --> 00:38:49,010 I'd like to reserve him a front seat 733 00:38:49,010 --> 00:38:50,050 on the next moon shot, 734 00:38:50,050 --> 00:38:51,080 Oh, you do that, 735 00:38:51,080 --> 00:38:53,050 You do that, 736 00:38:53,050 --> 00:38:55,170 And see how you like waiting on tables again, 737 00:38:57,230 --> 00:39:01,110 All glands and no brains-- that's your problem, baby, 738 00:39:03,170 --> 00:39:05,030 Do you think I'm talking just to hear the sound 739 00:39:05,030 --> 00:39:06,090 of my own voice? 740 00:39:07,180 --> 00:39:09,090 Listen, without that husband of yours, 741 00:39:09,090 --> 00:39:11,050 I'd still be a pitchman back at the carnival, 742 00:39:11,050 --> 00:39:12,210 There are other mechanics, 743 00:39:12,210 --> 00:39:16,090 Mechanics? Is that what you think he is? 744 00:39:16,090 --> 00:39:20,160 He's an artist, baby, and don't you ever forget it, 745 00:39:20,160 --> 00:39:22,180 Don't be cross with me, honey, 746 00:39:22,180 --> 00:39:24,100 Well, why don't you take your knee out of his back 747 00:39:24,100 --> 00:39:26,110 and try patting it for a change? 748 00:39:26,110 --> 00:39:28,040 You think you can shake him? 749 00:39:28,040 --> 00:39:31,060 It is easier to lose your own shadow, 750 00:39:31,060 --> 00:39:34,050 Kiss me before I break out into a rash, 751 00:39:34,050 --> 00:39:36,230 Did you hear what he said about leaving? 752 00:39:36,230 --> 00:39:39,080 It is talk, just talk, 753 00:39:39,080 --> 00:39:41,170 He does it to get attention, 754 00:39:41,170 --> 00:39:43,120 He is like a child, 755 00:39:43,120 --> 00:39:46,210 The more you give him, the more he wants, 756 00:39:46,210 --> 00:39:49,160 He is eating up my oxygen supply, 757 00:39:49,160 --> 00:39:51,140 I go to the beauty salon for a touchup 758 00:39:51,140 --> 00:39:53,100 and there he is, sitting in the corner 759 00:39:53,100 --> 00:39:55,060 doing a crossword puzzle, 760 00:39:55,060 --> 00:39:57,080 I am on a ten-foot leash 761 00:39:57,080 --> 00:40:00,070 and it is suffocating me, 762 00:40:00,070 --> 00:40:03,190 Kiss me, I just want to feel your hands on me, 763 00:40:13,220 --> 00:40:15,230 Oh, baby, one more year, 764 00:40:18,010 --> 00:40:20,060 Why not a century? 765 00:40:20,060 --> 00:40:22,220 I won't make it, I tell you, 766 00:40:22,220 --> 00:40:26,120 You are talking death row, 767 00:40:26,120 --> 00:40:30,010 I'm talking about Majorca, the Azores, 768 00:40:31,120 --> 00:40:34,110 Me and you in Paris in the spring, 769 00:40:36,000 --> 00:40:39,050 I wake up in the middle of the night sometimes 770 00:40:39,050 --> 00:40:41,120 and there he is, 771 00:40:41,120 --> 00:40:44,150 lying there propped up on one elbow, 772 00:40:44,150 --> 00:40:46,060 staring at me, 773 00:40:46,060 --> 00:40:48,200 just staring at me, 774 00:40:48,200 --> 00:40:50,110 as if he has to pinch himself 775 00:40:50,110 --> 00:40:52,150 to make sure I'm real, 776 00:40:54,160 --> 00:40:56,100 Just one more year, baby, 777 00:40:57,190 --> 00:41:00,050 I have to see you, 778 00:41:00,050 --> 00:41:01,210 Are you listening to me? 779 00:41:01,210 --> 00:41:05,020 I have to see you alone, 780 00:41:05,020 --> 00:41:07,200 My hair hurts, 781 00:41:12,220 --> 00:41:15,080 Okay,,, 782 00:41:16,100 --> 00:41:18,060 tonight, 783 00:41:18,060 --> 00:41:21,100 Tonight, we'll send him to a movie, all right? 784 00:41:21,100 --> 00:41:23,220 A double feature, 785 00:41:26,020 --> 00:41:29,060 - With selected short subject, - Subject, 786 00:41:38,090 --> 00:41:41,170 Mmm, Nobody,,, 787 00:41:41,170 --> 00:41:44,090 nobody cooks up a lasagna like Gio, 788 00:41:44,090 --> 00:41:46,030 Gio! 789 00:41:51,050 --> 00:41:54,150 Hey, how about "Dark Intruder" and "Destiny of a Spy"? 790 00:41:54,150 --> 00:41:56,020 I'd like to, Joe, 791 00:41:56,020 --> 00:41:58,010 but I got some notes that I gotta look over 792 00:41:58,010 --> 00:41:59,180 for tomorrow's session, 793 00:42:03,150 --> 00:42:04,160 Angie? 794 00:42:06,080 --> 00:42:09,040 Honey, I have a terrible headache, 795 00:42:09,040 --> 00:42:10,220 Why don't you go by yourself? 796 00:42:12,200 --> 00:42:14,090 By myself? 797 00:42:16,080 --> 00:42:18,150 Who's gonna watch my seat when I go for the popcorn? 798 00:42:18,150 --> 00:42:22,000 ( all chuckle ) 799 00:42:22,000 --> 00:42:23,100 Come on, Mark, What do you say? 800 00:42:23,100 --> 00:42:26,030 You could memorize the notes in the morning, 801 00:42:28,230 --> 00:42:31,090 Okay, I'll just go get some aspirin for Angie, 802 00:42:31,090 --> 00:42:32,120 I'll run across the street, 803 00:42:32,120 --> 00:42:34,020 You two guys finish up, 804 00:42:34,020 --> 00:42:35,050 I'll be right back, 805 00:42:40,190 --> 00:42:42,210 It's been a long time since we've been to a movie together, 806 00:42:42,210 --> 00:42:44,140 I had in mind something different, 807 00:42:44,140 --> 00:42:47,040 like an island for two, 808 00:42:47,040 --> 00:42:49,060 Remember that picture we saw in Springfield? 809 00:42:49,060 --> 00:42:50,130 It was supposed to be a comedy 810 00:42:50,130 --> 00:42:52,070 and you cried all the way through it, 811 00:42:53,120 --> 00:42:55,150 Oh, Angela, 812 00:42:55,150 --> 00:42:56,210 Don't you see? 813 00:42:56,210 --> 00:42:58,120 He is never going to leave us alone, 814 00:42:58,120 --> 00:43:01,030 - Never, - Angela, don't talk like that, 815 00:43:01,030 --> 00:43:03,210 Look, Maybe it won't take a year, 816 00:43:03,210 --> 00:43:06,030 You don't understand, 817 00:43:06,030 --> 00:43:08,160 He may be dumb, but he is not blind, 818 00:43:08,160 --> 00:43:09,190 What do you mean? 819 00:43:09,190 --> 00:43:12,030 The way I feel about you, 820 00:43:12,030 --> 00:43:13,120 it's written all over me, 821 00:43:13,120 --> 00:43:15,040 Every time you walk into a room, 822 00:43:15,040 --> 00:43:17,030 I'm just one big goose bump, 823 00:43:17,030 --> 00:43:19,060 One of these days, you're going to 824 00:43:19,060 --> 00:43:20,150 suddenly be standing around 825 00:43:20,150 --> 00:43:22,210 wondering what became of your head, 826 00:43:26,060 --> 00:43:28,050 You mean Joe? 827 00:43:28,050 --> 00:43:30,120 Just because his temper is invisible, 828 00:43:30,120 --> 00:43:32,080 don't kid yourself that it's not there, 829 00:43:32,080 --> 00:43:34,040 The wind is invisible, Do you want to try 830 00:43:34,040 --> 00:43:36,060 - a cyclone on for size? - Oh, Angela, 831 00:43:36,060 --> 00:43:39,190 Don't be silly, Just-- just cool it a little, huh? 832 00:43:43,050 --> 00:43:45,050 Mrs, Casey? 833 00:43:45,050 --> 00:43:47,000 Gio said you were Mrs, Casey, 834 00:43:48,100 --> 00:43:51,090 - Your husband Joseph Casey? - Yes? 835 00:43:51,090 --> 00:43:53,120 One of the witnesses said he was just in here 836 00:43:53,120 --> 00:43:55,000 sitting with friends, 837 00:43:55,000 --> 00:43:56,170 One of the witnesses? 838 00:43:56,170 --> 00:43:58,230 What's this all about, officer? 839 00:43:58,230 --> 00:44:02,130 I'm afraid there's been an accident, 840 00:44:02,130 --> 00:44:03,200 A truck ran a red light, 841 00:44:03,200 --> 00:44:05,080 your husband was in the crosswalk, 842 00:44:05,080 --> 00:44:07,090 How bad? 843 00:44:07,090 --> 00:44:08,220 ( siren wailing ) 844 00:44:08,220 --> 00:44:12,000 Truck must've been doing about 50, 845 00:44:12,000 --> 00:44:13,230 I'm afraid he's dead, Mrs, Casey, 846 00:44:22,200 --> 00:44:24,010 ( siren stops ) 847 00:44:44,140 --> 00:44:46,050 Well, that should do it, 848 00:44:51,060 --> 00:44:53,150 Speak to me, Running Deer, 849 00:44:53,150 --> 00:44:55,040 ( wind whooshing ) 850 00:44:55,040 --> 00:44:58,120 We are back in the séance business, darling, 851 00:44:58,120 --> 00:44:59,120 Are we? 852 00:45:00,140 --> 00:45:01,200 Are you sure? 853 00:45:03,180 --> 00:45:05,140 Maybe we should call it off, 854 00:45:05,140 --> 00:45:07,130 cool things down a little, until I can find somebody 855 00:45:07,130 --> 00:45:08,210 to replace Joe, huh? 856 00:45:08,210 --> 00:45:10,020 What for? 857 00:45:10,020 --> 00:45:11,150 Why make it a three-way split 858 00:45:11,150 --> 00:45:14,020 now that we are finally a harmonious duet? 859 00:45:14,020 --> 00:45:15,160 But suppose something goes wrong? 860 00:45:15,160 --> 00:45:17,220 Suppose something goes wrong? 861 00:45:17,220 --> 00:45:20,140 Honey, my whole life has gone wrong, 862 00:45:20,140 --> 00:45:22,180 Teaming up with you is the first right thing 863 00:45:22,180 --> 00:45:24,130 that ever happened to me, 864 00:45:24,130 --> 00:45:28,030 The second was that truck driver running the stoplight, 865 00:45:29,100 --> 00:45:31,020 It'll work, I tell you, 866 00:45:31,020 --> 00:45:33,220 The fix is in, 867 00:45:33,220 --> 00:45:36,030 Everything that Joe did from behind that curtain, 868 00:45:36,030 --> 00:45:38,110 you and I can take care of it out here, 869 00:45:39,190 --> 00:45:41,100 ( doorbell rings ) 870 00:45:43,050 --> 00:45:44,140 I wish Joe were here now, 871 00:45:44,140 --> 00:45:47,140 Uh-uh, Bite your tongue, 872 00:45:50,000 --> 00:45:52,170 Now, do you still wish Joe were here? 873 00:45:53,190 --> 00:45:56,000 ( doorbell rings ) 874 00:45:56,000 --> 00:45:57,220 Bring on the rubes, 875 00:46:10,230 --> 00:46:12,040 Come in, please, 876 00:46:16,000 --> 00:46:17,170 Good afternoon, 877 00:46:17,170 --> 00:46:19,050 WOMAN: Hi, 878 00:46:20,110 --> 00:46:22,110 I brought my husband, 879 00:46:22,110 --> 00:46:25,120 You understand I don't believe in this witchcraft, 880 00:46:25,120 --> 00:46:27,150 That's up to you, sir, 881 00:46:27,150 --> 00:46:30,160 I'm afraid you'll have to get rid of the cigar, 882 00:46:30,160 --> 00:46:33,090 The spirits are opposed to tobacco, 883 00:46:34,140 --> 00:46:36,070 ( laughs ) 884 00:46:43,030 --> 00:46:46,120 May our hearts be free of bad thoughts, 885 00:46:46,120 --> 00:46:49,180 so that no evil spirit can descend upon us, 886 00:46:52,120 --> 00:46:54,080 Are you with me, Running Deer? 887 00:46:54,080 --> 00:46:56,230 ( wind whistling ) 888 00:47:01,010 --> 00:47:03,000 How will we communicate today, 889 00:47:03,000 --> 00:47:04,060 my spirit guide? 890 00:47:04,060 --> 00:47:07,040 ( tambourine ringing ) 891 00:47:14,170 --> 00:47:17,060 It appears Running Deer dropped his tambourine, 892 00:47:17,060 --> 00:47:19,160 Horace! Shh, 893 00:47:19,160 --> 00:47:22,140 ( tambourine ringing ) 894 00:47:26,050 --> 00:47:29,000 Ask him about my husband, please, 895 00:47:34,210 --> 00:47:37,020 Running Deer, 896 00:47:37,020 --> 00:47:38,130 we wish to communicate 897 00:47:38,130 --> 00:47:40,140 with the spirit of George Hugo, 898 00:47:40,140 --> 00:47:43,060 We must all concentrate very, 899 00:47:43,060 --> 00:47:45,040 very hard, 900 00:47:47,180 --> 00:47:49,130 (recorded voice speeding up) Clara, here I am, 901 00:47:49,130 --> 00:47:51,130 I'm here, Clara, 902 00:47:51,130 --> 00:47:54,140 (slows down) Oh, my darling, you called me and here I am, 903 00:47:54,140 --> 00:47:56,060 Clara, 904 00:47:56,060 --> 00:47:58,020 George, what is it? What's the matter? 905 00:47:58,020 --> 00:48:00,020 (recorded voice peters out) I heard your voice,,, 906 00:48:04,220 --> 00:48:07,090 Ladies and gentlemen, once again I will contact 907 00:48:07,090 --> 00:48:09,040 our spirit guide, 908 00:48:14,220 --> 00:48:18,080 Mr, Hardcourt, you were told to put out that cigar, 909 00:48:18,080 --> 00:48:20,090 That's why I'm having difficulty 910 00:48:20,090 --> 00:48:21,190 in establishing complete contact, 911 00:48:21,190 --> 00:48:24,020 Your assistant put it out for me, 912 00:48:27,010 --> 00:48:29,040 JOE: Mark? 913 00:48:30,220 --> 00:48:33,020 Mark? 914 00:48:34,070 --> 00:48:35,090 Mark? 915 00:48:36,160 --> 00:48:38,050 Here, 916 00:48:39,080 --> 00:48:40,210 Here I am, Mark, 917 00:48:47,170 --> 00:48:49,120 You said you needed me, 918 00:48:49,120 --> 00:48:51,140 so I came, 919 00:48:51,140 --> 00:48:54,170 You didn't think I'd let you down, did you? 920 00:48:56,080 --> 00:48:58,070 After I'd made a promise? 921 00:48:59,210 --> 00:49:02,040 We're a team, remember? 922 00:49:05,160 --> 00:49:08,120 And we're gonna stay a team,,, 923 00:49:08,120 --> 00:49:10,000 forever, 924 00:49:18,000 --> 00:49:20,140 And now, Night Gallery's slightly distorted 925 00:49:20,140 --> 00:49:22,080 version of history, 926 00:49:22,080 --> 00:49:24,050 An Act Of Chivalry, 927 00:50:06,030 --> 00:50:07,200 ( mouthing words ) 66387