All language subtitles for Kojak S03e01 A Question Of Answers (1 And 2).eng

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What have you got?

I got the last one.

After that, we're even, OK?

Look, don't waltz me around, Matilda.

I'll tell you when we're even.

Goes on and on, eh?

You got to give me a break.

Hey, Sheriff, I wasn't the
one that told you, friend,

you go to these hotel rooms, you
pick up things that don't belong to you.

That was your idea.

But if you don't like
the arrangements, look,

I could always send
you back to the cooler.

No, no, no.

Look, I ain't complaining.

I'm scared.

Oh, good.

Keeps you on your toes.

Somebody sees me
talking to you, I could be--

Hey, Sheriff, you, you're
going to live forever.

You know what's going to kill you?

The booze and the broads.

Why not tell me what you got?

You want to know where the furs are going?

OK, I'm going to tell you.

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[BUZZER]

Yeah?

Uh, greetings.

This is the police.

Would you open up the door?

What?

I said, would you open up the door?

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Hey!

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No, I know.

Well, what do you want me to say?

The check is already in the mail.

I know it's Tuesday.

Eight years since we've
been married, every week

I wake up thinking, tonight's the night I
got to eat your mother's potato pancakes.

So don't tell me about Tuesday.

[door opens]

What is it now?

The cops.

Where?

They're coming up.

Gladys, hang up and call Keats.

Tell her I'm being arrested.

Right.

Would you open the door?

Yeah, yeah, already.

Get the furs.

Move!

Come on.

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It's the police.

I'll save you for later.

Come on, come on, come on.

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Alt, the police!

Out!

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Check in there.

Check it out.

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Hey!

Hey!

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[CHATTER]

Police.

[CHATTER]

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Oh.

Oh.

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You just don't know how to open doors.

Lee Curtin.

Look at you.

A man of your age.

Come here, Sonny.

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Peekaboo.

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And when you were apprehended,
Mr. Curtin, did he say anything to you?

Yeah, he said, what the
hell are you doing here?

That would suggest he recognized you.

Oh, we met before.

Did he say anything else?

Not a word.

What the hell are you doing here?

That sounds like he
was surprised to see you.

I assume the words
weren't spoken casually, that

they were an expression
of surprise and fear.

Well, I'm a police officer,
not a psychologist, counselor.

The prosecution is going
to tell the jury that this

was a defendant's statement
at the time of the arrest.

It is not admissible.

Go ahead.

As quoted by the witness,
the words are subject

to such wide interpretation
as to be meaningless.

I think we'll let the jury decide that.

Lieutenant, you testified
that your men broke through

two locked doors in order
to get into the premises.

That's after I identified myself
and asked to be admitted.

That's right.

Without taxing your psychological insights,

would you say that
your action caused the

defendant to become
frightened and confused?

It's entirely possible.

And is it not entirely
possible that if, as you

say, Mr. Curtin was
trying to remove evidence,

that he was doing it out
of that fear and confusion?

Speaking hypothetically, sure.

Did your warrant specify
what you were looking for?

Did it say anything about furs?

Yes, it did.

Tell us a little bit more
about that, will you?

Well, through information that we gathered,

that Mr. Curtin was
gathering stolen property.

Information?

That's right.

From where? How'd you get it?

Sources.

Would you be a little more
forthcoming, please, Lieutenant?

No, I won't, Counselor.

Your Honor.

Your Honor, we're prepared to
acknowledge the information came

from an informant, but that's
as far as we're going to go.

That's not far enough.

We want him identified.

Him?

Or her.

May I say something?

I wish you would.

I've seen some dead-bang
cases in my time, Judge,

but this... I mean, what
are we talking about?

There's no way I'm
going to send us down the

toilet on some technicality
about a warrant.

If I have to give a name, I'll do it,

but I think there's something
we all ought to think about.

If Lieutenant Kojak has to tell us
who the informant is, he's no use to him.

Ever.

Now, do we want law enforcement?

I want the name.

Answer the question.

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[♪♪♪]

Good morning.

Coffee will be ready
in a minute, if you like.

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[tense music]

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(street sounds)

One pen, one checkbook, one cigarette
lighter, one handkerchief, electric razor,

one tape recorder.

Anything on it?

No, nothing, Lieutenant.
I played both sides and it's blank.

No note, huh?

No, nothing yet.

These messages were
scattered all over the floor here.

Let's see. Is there a Mrs. Haskell?

Yeah, but she can't come
up with a reason why.

No, they never do.

Yes, this is Lieutenant
Kojak, Police Department.

Mr. Wayne Brubaker, please.

Why did I call Haskell? Very simple.

We were investigating him.

What for?

He was doing tricks
with his company's stock.

You know, manipulation.

And I was closing in on him. Routine.

Then this darn thing happened.

Say, you could be exactly
the man I'm looking for.

Really?

Let me just finish about Haskell.

He was in debt to a loan shark.

No.

Yes, sir. Deep.

Say, you mind coming down with me?

Down in Washington, they're
really interested in this kind of thing.

You know, penetration by organized
crime into legitimate business.

Well, you can understand.
A sour economy, business in trouble.

We'd like to zap some of these moneylenders

before they get an even stronger grip
on businessmen than they already have.

Let's get back to Haskell and the Shylock.
I know who he is.

That's what I wanted Haskell to tell me.
I offered him a deal.

In other words, he knew that you knew.

Well, he knew, didn't he?

Sure.

Did he tell you who he got the money from?

I told Haskell I had him cold
on the stock manipulation thing.

And I said, "Look, I know you
borrowed money from a loan shark.

"So tell me who he is, help me get evidence
against him, "testify at the trial,

"and then we'll try to work
out a deal on the stock thing."

Anybody else here you make that offer?

Nobody.

Well, I mean, obviously I had to have it
approved, you know, but otherwise, zero.

And Haskell said he'd go for it?

Well, he said he had a thing to open.

He didn't know who put up
the money, according to him,

but he paid off somebody
by the name of Nurse.

That's all he knew.
Solly Nurse.

He's a collector for this Joel Adrian.

No fooling.

Well, I better be going.

Thanks a lot.

Pleasure. Anytime. Just call me.

Oh, uh, lieutenant, I wanted to ask you,
uh, I still have the okay on that operation,

and, uh, well, obviously what I don't have
now is the right guy to stuff in there.

I mean, Haskell was tailor-made,
but he took a dive on me.

Anyway, what I was thinking
was, if you have somebody, uh,

we could run the whole
thing as a joint operation.

I guess Joel Adrian isn't
exactly Lucky Luciano,

but there still ought to be enough
goodies there for both of us.

You mean you can raise the
funds for this kind of an operation?

Yes, sir.

This isn't what you call bagels
and cream cheese, you know.

Lieutenant.

Okay, I'll think about it.

Terrific.

Nice to meet you.

[♪♪♪].

Charlie.

Be nice, or I'll huff and I'll puff
and I'll blow your house down.

[CHUCKLES]

The boss in?

I'll find out.

I'll find out.

Oh.

And when you park my car, make
sure you don't scratch the paint.

[♪♪♪]

But, Tommy, you put
me in a difficult position.

Look, I appreciate that.

But, look, you pick an atrocious
time to try to do business.

Look, why don't I send somebody around?

They'll bring you
down, we'll talk about it.

Well, that sounds ideal.

Oh, look, and I'll hear from you.

That sounds fine.

Yeah, right.

Lieutenant Kojak.

Problems?

Problems?

[CHUCKLES]

How can a man who owns parking
lots in this town have a problem?

Look, you drive an automobile,
you gotta get out of it.

Now, can you imagine the absurdity
of paying two, three, five dollars

for the privilege of getting
out of your own car?

I think that's ridiculous.
I'll tell you, I think it's offensive.

You know, if people want
something bad enough, they pay for it.

I guess that's what
it's all about, isn't it?

Like C.W. Haskell.

Ah.

Ah.

I read something about that
somewhere in a newspaper, I think.

You know, is that a way to get out of debt?

How much was he into you for?

You've been talking to the feds.

I mean, how much heat did you put on him?

Enough to make him take that high dive?

We're standing in a
financial district of the world.

This is Wall Street.

Banks.

You and me, Kojak, we're standing in a
shadow of what made this nation great.

Now, you take usury. What is it all about?

Why is it legal for them to
help out a business at one rate

and against the law for somebody
else to help out at another rate?

I mean, do you think they made that law
because they're afraid of the competition?

Have you ever thought about that?

Yeah, but I never heard that if you
stiff the banker, he breaks your legs.

No, they take your house.

Hey, Joe, C.W. Haskell, remember?

May his soul rest in peace.

I never met the man of my life.

Yeah, well, you listen.

I'm not interested in you
reciting the Gettysburg Address.

I don't care about your social contacts.

I mean, I don't care
what kind of a great

contribution you made
to the American economy,

but I'm going to tell
you what I do care about.

When you and your gorilla put
the fear of God into somebody

where he goes and
takes a swan dive off a building,

then you're
pulling my chain, baby.

Just watch out you don't
get flushed down the toilet.

[♪♪♪]

[♪♪♪].

[♪♪♪]

The district attorney
agrees to withdraw charges

on the understanding that Mr. Lee Curtin
will cooperate fully and without delay

in a criminal investigation to be
conducted by Lieutenant Kojak

and such other agents as
Lieutenant Kojak deems appropriate.

If you think he hasn't got your
tail in a ringer, you're wrong.

So it never entered my mind.

Charges may be reinstated
whenever the district

attorney at his sole
discretion may, etc., etc.

You wanted it, you got it.

How do we make it look good?

I mean, why do you drop
charges in the middle of a trial?

What happens? You lose a witness?

You're getting clobbered
by the judge, you bail

out, hope you can come
back with a stronger case.

Think you'll buy it?

Curtin?

Well, you know, years ago,

we used to play handball underneath
the Triborough Bridge in Astoria.

He's Greek, you know.

-Curtin? -Yeah.

His name was Lee Curtanas or something
like that. Anyway, he changed it.

Now she's the one we gotta worry about.

That Ms. Geach.

You know you're gonna get licked.

And so you come to me with
this wild cockamamie proposition.

I mean, what's he gonna get out of it
except an excellent chance of being killed?

Nobody's going to get killed.
Can we just put that aside for a moment?

-We're gonna get licked, huh?
-That's right.

Zip to five, minimum.

That's what he's gonna get.

And I think if that's all
he gets, you'll get a bow

for arguing a hell of a
case and you'll deserve it.

That's nonsense.

If you believe that, then turn us down.

We'll go back into
court, you play your

hand, I'll play mine,
we'll see what happens.

But if one of these fine days the foreman
stands up and says he's guilty, Your Honor,

don't come around
telling me you want to talk.

Because the boat's sailing, Counselor.

-I don't believe that.
-Why don't you call us bluff?

What do you think?

I think you should have
stuck to dying and cleaning.

Don't tell me what I already know.

-How do you guarantee Mr. Curtin's safety?
-No problem.

He'll be under constant surveillance,
he'll be backed up by undercover agents.

Look, if there's the
slightest smell of

something wrong, well,
then we'll just pull him.

Absolutely. And after
he finishes testifying for

us, we'll give him funds
and a whole new identity.

Well, that's the longest end of the story.
The short end is...

He's here with some pretty bad
people and there's no guarantees.

-Oh, come on. -Come on what?

Man's entitled to know
what he's buying into.

Hey, look, if personally
I had a chance to keep

from lousing up my record with a
felony conviction, what could I tell you?

-All right, I'll do it.
-Now you're talking.

And if anybody wants to know,
I'll tell them I bought the judge.

That they'll believe.

(music)

(music).

-Got stuck in traffic.
-Glad to hear you're no exception.

-Hosley. -Who wanted to be here today?

Look, uh, we have to make him understand
that we don't exist. Not you, not us.

He's just a businessman
looking to make a

fresh start, gonna borrow
money from a Shylock.

And we, we're not here.

Actually, I think he's more concerned
about his son than any of this.

His son? What's
wrong with his son?

You mean besides the fact that
he thinks his father's a criminal?

-Mr. Brubaker, I think you know.
-Hello. -Hello.

And this is Captain McNeil.
What's your first name?

Eloise.

-Eloise, Eloise Gage, Frank. -Mr. Gage.

We were just going over a
little game plan I have here.

Now, I want to really milk
every utter on this one.

For instance, the first thing
I want him to do is touch...

He's been cleared for security.
It's all right.

I want Curtin to touch base with a
couple of banks and loan companies.

That way, if anybody wants
to check on him, it's all there.

He can't just walk into a bank
and ask for a loan. A loan for what?

Tell him about your brother-in-law.

He's gone bust three times
in the last year and a half.

-And what's he got going now?
-Trucking. You know, delivery.

But his business is going down the
tubes and he's looking for a buyer.

I think he's got one.

[♪♪♪]

-Are you picking up anything? -Not yet.

Are you sure your man
knows what he's doing?

Last time a man of mine
knew what he was doing...

he bagged the councilman for soliciting.

It came within an inch of being busted.

[CHUCKLES]

The camera's all set.

Yeah, that looks pretty good, Duff.

Hey, you better not do anything in
here you don't want your wife to see.

It's too late. She already caught me.
Now she's my ex-wife.

[LAUGHS] So that's the way it works, huh?

Yeah, that's the way it works.

Testing, testing, one, two, three, four.

Testing, testing, one, two, three, four.

Testing, testing, one, two, three, four.

This is Officer Duffy here.
Hope this thing works.

Relax, we're receiving. Lay it back.

[CLICKING]

[LAUGHS] That's the way it works, huh?
That's the way it works.

Great.

You... you should...
you should see the order, Sheldon.

Hey, it's 2,500 in accounts receivable,
and I've hardly even opened up.

I've got a once-in-a-lifetime
shot in this business.

-All I need is a little cash. -How much?

-Very little. -So give me a number.

40,000.

It's not little.
It's not big, but it's not little.

Two of the trucks. You wouldn't
believe the things the guy threw in.

I had to throw a little
paint on the office furniture.

And then, like, a week after the
plumbing survey, I'm clean, right?

The boiler works.
All I need is... is 40 grand.

And then what is that today? It's nothing.

-Who've you tried?
-Everybody. I've... I've tapped everybody.

Let me show you how desperate I am.

I even asked Cronick, you know,
the guy who had the pickle factory.

He sold out, and he bought Florida.
What a miserable...

-I don't lend that kind of money, Lee.
-I can understand, but...

-What about Adrian? -Joel Adrian?

-I hear he's got golden hands.
-Well, they tell me.

Can you tap me on to him?

For you, I'll do it. No recommendation.
You're in the market. That's all.

Sheldon, the deal will sell itself.
Thank you. Thank you.

Thank you.

[music].

[cars passing].

-Hey, Curt. -Get in.

-Mr. Adrian, it's very nice...
-I'm not Adrian.

Oh, I see.

Where's your place?

Are you associated with Mr. Adrian?

That's right. Which way?

Make a left there.

[ENGINE REVVING]

Pretty nice, huh?

You wouldn't want a better location.

[tense music]

[ANNOUNCER SPEAKING INDISTINCTLY]

[SCREAMING]

[ANNOUNCER SPEAKING INDISTINCTLY].

Hey, Theo!

-Hi, Lee. -This is crazy.

What, are you out getting some fresh air?

You know my son, Tony?

Tony, this is Lieutenant Kojak.
You saw him at the courthouse, right?

-That's right. -How do you do?

Well, this sure is a surprise.

Tony and I are kind of doing the town.

It's the first time we've been to
Coney Island, would you believe it?

And people come from all over the world.

I'm... I'm sorry about this.

What's so important? You had to see me.

You're gonna have to
square me with my son, Theo.

I mean, I'm going crazy.

Me? Why me?

Ever since the bust is like... It's
like... I mean, I can't get through to him.

Like he says, "All
right, I know you're my

dad, "and I have to see
you one day a week."

But I don't have to know you.

Because you're dirt.

I thought you... you might be able to...

Hey, look, we all make mistakes.
I didn't say we were perfect.

I tried to make it up to you, that's all.

So you're Lee's kid, huh?

Boy, there's some jackpot I
got into, huh, with your old man.

You ready for that?

That happens.

First we arrest him,
that's goof number one.

Then the state...

They get all the way to trial before
they realize they made a mistake.

Let me tell you something.

Your old man, he could have had me busted.

I could have been walking
a beat if it wasn't for him.

I'm sorry.

It's all right.

Yeah, come on.

Terrific

Uh... I'm sorry.

That happens sometimes.

When people make
mistakes, at least he admitted it.

He said he almost lost
his job or something.

That's serious.

That's serious.

You know, people thought I was a criminal.
I think even you.

How about a hot dog, Tony?
Would you like one?

You know what they call them in California?

Coney Island Red Hots.

- You want one? - No, thanks.

Come on, come on.
All right, a soda, ice cream, anything.

No, thanks.

Here I am trying to be a big
spender, and you're not interested.

What a crazy kid.

- It's a beautiful day. - Yeah, nice.

You remember that guy we were
talking about? He got in touch with me.

I think he'll come up to the office.

[music in the background]

You're in trouble.

But it's all strictly cash flow, right?

Look at the volume.

I can see where the banks
don't even want to know you.

You're undercapitalized.

Well, I... I've had a couple of bad breaks.

Bad breaks? Seems to me I heard
that story someplace, somewhere.

Right, Solly?

Look at the bottom line.
I'm practically in the black.

Here. A couple of debts I have
to pay back, a couple of bills,

and then I'm in solid, right?
I opened some new accounts.

Here, read it. Look at the figures.

Three months, four tops,
and I'll be able to pay you back.

I have no doubt. Look, I have no
doubt at all that I'm being foolish.

But I happen to believe that there are
times when you have to put the country.

ahead of personal considerations,
and this is one of those times.

Now, you're being a businessman.

You know what's good for
business is good for this country.

- That's beautiful.
- Now, you come up to my office,

and you see I'm a man
who doesn't believe in frills.

Simple. I mean, there are no frills here.

Humility and strict cost accounting,
that's what made us what we are.

And a measure of charity.
Don't forget that.

I don't.

Now, look, if the banks, if the banks would
only stop thinking of dollar and cents,

then our great nation
would not be in the state

they are now that we
presently find ourselves in.

I agree with you 1,000%.

I'm not interested in 1,000%.

- How about 3? - 3%?

I was thinking of a one-point line.

That's for old friends.
I don't even know you.

- Can you make it 2? - How about 2?

It's 3% a week, Mr. Curtin.

I don't know you. What happens?
How can I collect?

- I mean, how are you gonna pay?
- I'll pay. I'll pay.

Well, suppose I'm hit by
lightning and you slip in the tub.

I mean, what am I gonna
do, take you to court?

I mean, this is an arrangement.

It's a $40,000 handshake. I'm vulnerable.

$1,200 a week in interest.

What am I talking about? I need the money.

If it's 3%, it's 3.

That's done.

I guess that shows you
the kind of confidence I got.

Uh-huh. Here it comes.

Who's your accountant? Now, is he flexible?

Uh-huh.

I don't know. Yeah, I guess so.

Well, is he or isn't he?

You do what I tell him.

He's excellent.

You tell him I'm going to have my
man talk to him about your tax situation.

Now, he'll explain a couple of wrinkles
I want to see programmed into this.

You can't be in business and you
gotta give it all to the government.

That's the meeting I want on tape.

Uh, Solly's gonna keep a very close touch.
Party, Solly?

That's about it. The rest is just
chit-chat and overlaps. Nothing juicy.

We're going to get the
inside on how they cook

their books. This is
going to be fantastic.

Yeah, did you hear that, Adrian?
How vulnerable he is to that fink?

Sure, he's vulnerable. Like an alligator.

You know, the reason we're
still interested in this case

is because Mr. Haskell was
associated with, connected

with, whatever you want to
call it with, a known criminal.

And I don't have to tell you how
these people prey on the businessman.

It starts off this way.

The businessman looking for a
temporary or a quick solution to a problem.

And before he knows it,
he's the victim of extortion.

He panics. He becomes terrified.

He starts to juggle.
He starts to embezzle himself.

Anything to save his skin.

All right, Mr. Haskell is dead.
He solved his problem.

But if he discussed this problem
with any one of you, especially,

who was putting pressure on him?
What kind of pressure?

Then I want to know about it.
We've discussed it all, individually.

And now we're doing it collectively.

And let me assure you
that anything we discuss

will be held in total,
total confidence.

And he never said anything to you?

I mean, you've known him for every day
of your working life and he said nothing?

And you didn't know he was in trouble?

But I want to thank you all very much.
It's been very inspiring.

Lieutenant Kojak.

- How you been?
- Can I talk to you a minute?

This place be all right? You
want to go someplace else?

No, I got to get back.

Okay.

You wanted us to feel like heels.

All right. I'm a heel.

Okay.

I can't believe that you
know what you're asking.

I know what I'm asking. I'm still asking.

Obviously you want to say something.

Here. Take a look.

See this?

A long time ago, 1938, I made a mistake.

I got mixed up with the wrong people.

This is what they did to me.

To make sure I'd never forget them.

I never have, Lieutenant.

[Somber music]

[somber music]

[Suspenseful music].

[Footsteps]

[Suspenseful music]

[Footsteps].

[Suspenseful music]

I thought I was supposed to get protection.

I mean, what kind of crumb-bun,
two-bit deal are you running?

Adrian definitely told me I wasn't
supposed to worry about stuff like that.

That was one of the advantages
of doing business with him.

Right?

But what happens? Bang!

I'm jacked up by the first
mutt who comes along.

I mean, what kind of protection?

It could be not everybody got the word yet.

Well, give it to them. Give them the word.

What the hell are you
waiting for me to go broke?

Hey!

Anybody can pick up a crowbar.

I mean, I ain't taking responsibility
for like every juice head in town, huh?

Well, take it. Take the responsibility.

Hey, Pally.

What the hell is that supposed to mean?

Don't tell me what to do.

I don't like that. Okay?

Maybe I don't give a damn.
Did you ever think of that?

What's the matter with you? You soft?

Hmm?

I'm trying to run a business.

If it means telling you what
to do, then I'm telling you.

You can get dead that way.

What?

You heard what I said.

I could get what? What did you say?

You think about it. I'll see you tomorrow.

Payday, right?

Right?

Yeah, right.

[♪♪♪]

I don't think he ought to pay.

Are you out of your mind?

I'm not saying never. All I'm saying is...

All you're saying is you want
Kurt to stick his head into an oven.

You tell him something
like that and he'll freak out.

Blot him. Who cares?

Look, we're pulling his string.
He'll do what he's told.

To a point.

You don't understand. You said
yourself he's doing a good job, right?

He's not just going along.

He's playing it to the hilt.
Why would you want to ruin that?

I think he knows he's got a good deal
and he'll do exactly what we tell him.

Well, I'm not gonna tell him.
Because there's no point in it.

You may not give a damn
what happens to him, but I do.

Lieutenant, if there was no point
in it, I wouldn't even suggest it.

The point is we can really set the hook
by having him miss the first payment.

That's when the gloves come off.
Isn't that what you're saying?

That's when they get rough?

That's exactly what I'm saying.

All right.
That's exactly what we want to hear.

You get your kicks hearing
about Bones being busted.

You'll have your people there.
They're not gonna let it come to that.

And neither am I.

All right.
Look, I'll make you a compromise.

Compromise with a man's life?
What the hell are you talking about?

Lieutenant, I haven't wanted to say anything
before, and I hate to bring it up now,

but I've spent a lot of the government's
money on this particular case.

I see. They get to break
Curtin's arms and we get his legs.

Is that your idea of a compromise?

No. He makes the first payment
and he holds back on the

vigorous, or the other way
around, whichever you say.

Love it.

[music]

Hey.

You were, uh... You're short.

Yeah, I know.
I'll get the rest for you next week.

Next week?

Yeah, why not?

Well, O'Connor, that
ain't the way it's done.

What?

You pay every week. You
pay on time and you pay

every penny you're
supposed to, man. Get it up.

I don't have it.

What the hell do you want to do, search me?

What are you, some kind of a dummy?

I think you are some kind
of dummy, you know that?

You really want me to
tell him you didn't pay?

I paid.

'Cause if he thinks you're stiffing
him... Why, what's he gonna do, kill me?

Me.

With my two hands.

I mean, who do you think
you're doing business with?

You're smiling, neighborhood loan company.

Not for two minutes, I know
who I'm doing business with.

A gullifinous goon.

Watch your mouth.

Shh, shh.

How the hell did I get into this?

You asked.

Listen, Sonny, I mean, can we talk?
I mean, like real people.

Yeah, except there
ain't nothing to talk about.

Sure there is.

Listen, I'm due to collect
on three, four accounts.

The minute I get it, Adrian gets it.

Listen, you made your point. I'm scaried
than I've ever been in my life, right?

From now on, I'm Mr. Reliable.

Even if I have to steal to get it.

Now you're getting the idea.

Look, you tell me.

Personally, I don't see it.

Does it make any sense
to put me in a hospital?

A lot. We got a reputation.

Yeah, what am I gonna do? Run around
saying, "Boy, these guys are easy to snow"?

Easy?

Damn, I'm dying.
My mouth's gone, but I'm dying.

Look, do me a favor, huh?

Give me a little more
time and I'll pay you back.

I won't say a word, honest. Not a word.

I've seen some talkers.

You're a beaut.

Sometimes out of trouble, sometimes in.

Yeah.

Hey.

Are you that close?

[music].

[♪♪♪]

[music]

[ENGINE REVVING].

[TIRES SCREECHING]

I've seen some talkers.

You're a beaut.

Sometimes out of trouble, sometimes in.

Yeah.

Hey.

Are you that close?

Sensational.

Get happy.

I'm sure getting there.

Why don't we play all this for your boss?

Oh, no.

For the boss to lose.
He might say we got enough.

Looks like there's a case there to me.

Listen, this set-up is gorgeous.

We could get lucky, you know,
and who knows what we could score.

No, we'll keep going.

Well, I'll see you tomorrow?

Yeah.

Captain, wonderful meeting you.

Wonderful.

Good night, all.

Which would you say you have, a
bull by the horns or a tiger by the tail?

You know, if I answered that, I'd be rude.

What's he after?

Oh, no, it was a citation, his boss's job.

It was the same old tap
dance, these bureaucrats.

You say the word, Theo,
and I'll call the chief and

tell him we want to walk
away, and we'll walk away.

And leave Curtin out to dry.

And the only thing between him
and Adrian would be Brubaker.

Frank, I can't do that.

I didn't expect you to.

[SUSPENSEFUL MUSIC].

It's so small.

Yeah, well, in those days, the
crooks were little munchkins.

Yeah, right. Or kids.

That's right, kids.
I never thought of that. You're right.

What do you think? Is that enough?

Yeah, it was really great. Thanks a lot.

What, are you kidding?
I mean, I really enjoyed it.

I never got to--

I never got to see all that.

Really? How come?

Well, when I get this close to
the bosses, I break out in a rage.

What did you like the best?

I don't know, everything.

I guess the communications room.

I'll walk you to the subway.

No, you don't have to. I know where it is.

When you see your old
man, say I said hello, okay?

Sure.

When are you going to see him?

Tomorrow.

Want to do me a favor?

Sure.

Tell him I want him to call me.

Here.

Here's the telephone number.

And you won't forget, will you?

No, I won't forget.

[SUSPENSEFUL MUSIC].

[MUSIC PLAYING].

[POLICE RADIO CHATTER]

[MUSIC PLAYING].

[DOOR CLOSES]

Yeah, that's a nice view.

I'll take a nine-room
duplex right over there.

Yeah.

All right, what's going on?

I'm in there bobbing and weaving, man.

You know something, Lee?

You missed your calling.

You should have been an actor.

Really?

Oh, great stuff.

You know what's funny?

You know sometimes I
forget what I'm really there for?

I mean, it's-- it's real.

It's happening.

That's funny.

So what do you want to see me about?

I can't take you out yet.

How come?

Soon, but not yet.

In the meantime, I don't want you taking

any instructions from
Brubaker till you check with me.

You guys don't talk to one another?

I don't know.

Terrific.

Do I get in touch with you at
the number that Tony gave to me?

That's right.

By the way, I want to thank
you for taking him down

to police headquarters
and showing him around.

It's all right.

Just wanted to make
sure he got the message.

He's having a good time.

So what-- what's with
you and this Mr.-- Brubaker.

Brubaker.

Nothing.

He's on the make.

Just as long as you check
with me, you'll be all right.

You talk about being on the make.

My good friend Joel
Adrian, he's got them all beat.

He's the king.

What do you mean?

You remember that first
day down at the shack?

Boy, I hate to think what
went on in that place.

Why, what happened?

Now that's one you ought to get on tape.

First day down at the shack, right?

Adrian and me.

And I'm-- we're talking
about this and about that.

And I'm giving him a number,
playing a number on his ego.

Right away, he starts bragging to
me about the people he can reach.

That councilman, this
judge, some assemblyman.

Hey, wait a minute.

You mean they're all on the pad to him?

That's what he said.

Did he name names?

Gee, I don't know.

Did he or didn't he?

I told you what he said.

He's got a pay off to him.

I don't know who they are.

Does Brubaker know?

When have I seen Brubaker?

I get it.

You want me to find out who they are.

That's what I want.

Come on, Lee, two weeks.

What do you say?

Can I get a vote?

Come on.

I'm kidding.

You know, those don't do
you any good, you know?

Why?

Because of my health?

Nah.

You just don't let me off, do you?

When's the last time you've
been in Ditmar's boulevard?

Three years ago when I
put my father into the ground.

I've been waiting till I
could go back in style.

You know... You know what I was thinking
when I heard you went into the cops?

No, but I got a good idea.

And now look at us.

Excuse me, Lieutenant, can I have
your permission to go into the toilet?

Shut up.

Only good mood I ever made in my life.

The kid.

Yeah, he's a nice kid.

If it wasn't for him, I'd jump right in
there now and forget the whole damn thing.

Why don't you stop boo-hooing?
You got it made.

I can see you a month
from now, you and Tony.

Walking along somewhere,
rolling along and singing a song.

Yeah, sure.

[Music].

(dramatic music)

- Look, I know I'm in line for it.

It's just a question of
getting the right introduction.

- How do you know?

- I went over there
personally and spoke to them.

Now, the fellow said, "Mr. Brubaker,
"you've got all the credentials."

That's a direct quote.

- And that was state?

- Right.

- And who did you talk to?

- Bischoff, Gene Bischoff, the personnel.

I told him I wanted a
transfer to the agency.

I said I spoke Spanish, and I told him I
heard there were openings in Argentina.

- What did he say?

- He said, "You've got all the credentials.

"Make out an application."

That was three months ago.

- Well, sometimes the
wheels need a little greasing.

- Exactly.

That's why I figure it's only a
matter of getting it off dead center.

You know, a little push.

Look, do you think I could
talk to the congressman?

- Oh, you could talk to
him, but I'll tell you what.

I'll have somebody in the congressman's
office make a request for your status report.

Sometimes that's all it takes,
a little congressional interest.

- That's marvelous.

But I wish it could be, you know,
a little more personal, that's all.

Look, do you think maybe
if the congressman knows

I'm very close to a pretty
big arrest, Joel, Adrian?

- Oh, is that right?

- I have an informant, Wired, Films.

I'm going to put Adrian out
of the loan shark business.

It'll be a good credit.

- Every little bit helps.

- He'll understand that's
not for publication, won't he?

- I'll take care of it.

- Oh, kid.

We're talking timber.

That's great.

- I know it.

I think it's, Mr. Adrian,
what do you do for a living?

- A living?

Who makes a living?

I own a few parking lots.

- Oh, that's terrific.

- No, it's a very pedestrian occupation.

- But these days, you know,
even a modest landlord like myself

has to depend on the tolerance, if
not the beneficence, of our leaders.

Just between you and I.

- Yeah?

- The days when you could honestly say

the business of America's
doing business, they're over.

- Yeah.

- I mean, the business of America is the
fundraising cocktail parties like Parsons.

Man, I haven't seen these.

I'll be right back.

- Okay.

- Parsons.

You just got here?

- About 10 minutes.

- I hear your boy's being
challenged in the primary.

- New York politics, Joe.

Always interesting and always expensive.

- I'm in, Parsons, I'm in.

- Have you been to your supermarket lately?

- Me, a supermarket?

- The dollar doesn't buy
as much as it did last year.

- Ah, I heard about that.

- What do you want to do about that, Joe?

- I can tell you what
I'd like to do about it,

but what I will do about
it, that's another story.

What?

Come on, 15%.

Come on, above last year's contribution.

- Those may be the luckiest
words you ever spoke.

- Those words and a token
could get me a ride on the IRT.

- Not true.

You have a dark-skinned
gentleman in the woodpile, Joe.

- What do you mean?

(laughing)

(laughs).

- Hey, Tony.

- Yeah?

- Hey, I'm a friend of your father's.

Listen, you do me a favor.

Actually, it's a favor for both of us.

Look, you gotta promise him.

Promise not to tell him
anything about it, huh?

- Terminate?

I didn't say you have to.

I said you might want to think about it.

- But I... The idea of terminating
never even crossed my...

Bob, look, what am I leaving out?

I'm missing something.

- Subject made mention of
Agamemnon's boast at initial contact.

Agamemnon claimed to
have access to persons

unknown in the legislative
and judicial sectors.

Persons unknown.

- Well, Bob, I just got that yesterday.

The difficult we do immediately,
the impossible takes a little longer.

- I'm curious, Brubeck.

Are you sure that you want
to know who these people are?

Do you really?

- Don't I?

- Well, could turn out to be
a nice feather on all our caps.

Especially yours.

On the other hand, it
could be a bucket of worms.

Who are these people?

If they're as big as Agamemnon suggested,
and if you catch them a little dirty,

but not really a lot, they could
make it very warm for you.

- I can't argue with that.

- I'll let you a decision.

I think you should know though,
that if you do push the wrong button

and the flax starts flying, I'm
scheduled for a GS-15 review.

- I appreciate your frankness.

- Well, I'll take credit, but not blame.

I'm afraid I'd have to buck that to you.

- Damn.

I sure could use a big one.

- As I said, it's up to you.

Sometimes the system pays off on
performance, sometimes on discretion.

It's sort of like a crapshoot, isn't it?

- Yeah.

(dramatic music)

(tires screeching)

- Hey, Curtin.

- Yeah?

- Curtin, come on down.

- Oh, it's you.

Come on up.

- Come on, I wanna talk to you.

(foot steps)

- What is it?

- Come on, come on,
nothing, nothing, come on.

This friend of mine needs a truck.

- I don't understand, what?

- He wants a truck.

- You mean he wants to
make a delivery, is that it?

- Curtin, I ain't got all day.

The guy is a friend of mine.

He needs a truck.

I want you to give him one.

It'll be by tomorrow, pick it up.

- Oh, I get it.

- Oh, good for you.

- Now look, look.

Solly, why don't you just
tell him to give me a call

or walk in here just like anybody
else, and I'll see what I can do.

- I didn't tell you what you're gonna do.

Nobody's working nothing out, huh?

All you gotta do is think
about who's into who

for how much, and then
you have a truck ready to go.

(dramatic music).

(dramatic music)

- Well, did you see him?

Well, if somebody tells
somebody, who told you?

All right, where's the bar?

- Thanks.

- Rizzo!

- Yeah?

- Take a man, go down to
Turley's Bar on East 23rd Street.

Dan's is just supposed to be in there.

- Okay.

- Be careful.

- Oh, where'd you find her?

- She applied for unemployment,
and a state troop was picking up.

- Nice to have you back, Audrey.

- Just let me ask, Lieutenant, the Tui
precinct wants to know if they can come in

for credit on the chase
of those two dealers.

- Who made the call?

- We did.

- Then tell 'em no.

But we'll give 'em credit anyway.

- All right, we'll give
you a break, all right?

But it's gonna cost you.

- I think this will please you, Lieutenant.

I want to terminate Operation Trojan Horse.

- Why?

- Well, I've reviewed our material with
Mishler from the US Attorney's Office.

Do you know Art?

- No.

- First rate.

Well, at any rate, it's
his quite firm opinion

that we have enough to
put Mr. Adrian behind bars.

So, obviously, there's no point
in dragging it out at $600 a day.

- Of course, as far as Lee is
concerned, the sooner the better.

I'm just here to make sure that
he's fulfilled all his commitments.

- Absolutely, right on the money.

- That's fine.

I mean, I just don't want any slip-ups.

For instance, like some
felony charges popping up

and somebody saying that
Lee should answer for them

because he hasn't been
cooperative or something.

- No way.

- No.

You don't know how they play
the game around here, do you?

Isn't that right, Lieutenant?

- If I were you, I'd get it in writing.

- I intend to.

And you'll sign it?

- No.

- Aha, now we begin.

- You're kidding.

- No way.

- You were the one who
said you wanted Curtin out.

- Did I say that?

- You sure did.

At least that's the impression I got.

- Well, let me ask you.

A few days ago, you were
gung-ho for hanging in.

And now you want to pull the plug.

- I told you, Art Mishler
says he's reasonably certain.

- What about the meeting
with Adrian Zakalkin, huh?

That's the meeting I want on tape.

Well, you don't have it, and you know why?

It hasn't happened.

- Of course not.

But in the meantime,
Curtin's out there in the

cold and in a very
exposed position, mister.

- Oh, you're worried about mister Curtin.

You know something, mister Brubaker?

You're a beautiful human being.

- I'm not following this.

Why don't you want to end it?

- Well, you see, there
are some fat toes in

back places that mister
Brubaker knows about.

- I don't know what you're talking about.

- I'm only kidding.

But aren't you interested in what
Solly Nurse wants with that truck?

I know I am.

- Of course I am.

But we've got to put a pin in it someplace.

I mean, this thing
could go on indefinitely.

I'm shutting down the operation.

- Oh, and that's your race.

You want to hear mine?

You do it, and I'll leak it to the papers.

- You'll do what?

- Yeah, a joint federal city task force
pulled out of a very productive surveillance

when it seemed that the spotlight would
fall on certain people in high places.

- You know what that is, don't you?

That's blackmail.

- Oh, heavens.

- This is petty politics.

It's grubby and it's
shoddy and it's third rate.

- Hey, uh, Eloise, before
you get all moved up, huh?

What happened to that
lesson we're supposed to learn?

- And all that resolve, huh?

No more cover-ups
starting with a clean slate.

Hands off the big guys.

No more politics.

Because we're supposed to be
smarter and cleaner and straighter.

No more fuzzy-wuzzy, muzzy-wuzzy.

What happened to all of that?

- What if he decides
he doesn't like this one?

- And I guess you make him like it.

- Come on, I didn't think of that.

You like it, Solly.

I'll never talk to you
again as long as I live.

(laughing)

- Ah, tell him the rest are all broke down.

- That's the truth.

- Okay, try it now.

And if it don't work, I
don't want to hear about it.

Stavros, are you awake?

- Awake?

Yeah, I'm awake, you dunce.

(beeping)

(laughing)

Hey, Duff, you finally got lucky.

It works.

- Well, nurse is in there.

How come I can't hear a thing?

There's Zilch.

And what other country's in trouble?

American technology.

We should have given all our
spy business to the Japanese.

- There's nothing wrong with the equipment.

It's perfect.

- Well, how come that Dorfus
doesn't stay in the office?

He's making a tour of the vast facilities
and the joint doesn't even belong to him.

- Do me a favor.

Come on in the office upstairs.

I've got no one to leave on the phone.

- Gurdon, will you stop
with the office, Gurdon?

I'm supposed to be someplace.

The guy had lined up to
drive, come down with the food.

My friend's gotta have
that truck right away, huh?

- Look, I'll tell you what I'll do.

I'll make a couple of calls.

I'll get you a driver.

I'll even pick up the tab, all right?

- Valley, Valley, it ain't
that kind of a job, the driver.

- You drive it, what do I care?

- You remember what I told
you about that reputation thing?

- You're walking around, you're ahead.

- Don't blow it.

You drive it.

Hey, that's where you go.

And when you get there, you sit in the cab
till they tell you where to take the load.

You do it and you come back here.

Then you go up to your
office, you answer the

phones, and you forget
about the whole thing.

Come on.

- This truck's gotta go into the shop.

The transmission is shot.

- Anyone you like.

- I can't.

- Ah, yes you can.

Sure you can.

You'd be surprised what you can do.

You finished?

All right.

(dramatic music)

(dramatic music)

(dramatic music)

- Parker, I'm on my way down.

(dramatic music)

(music)

(dramatic music)

- All right, go.

- Go.

(music)

(dramatic music)

- Curtin's driving.

- Curtin?

- Yeah.

Make a left.

(tires screeching)

(dramatic music)

(music)

- We're losing him.

Go through the light.

- I don't see him.

- Step on it.

(dramatic music).

(beeping)

- Harry is up ahead.

- All right, we got him.

(dramatic music)

(beeping)

(dramatic music)

(dramatic music)

(dramatic music)

(dramatic music)

- I wonder what's in those boxes.

Lamb chops, who knows?

Probably hijacked.

- A little moonlighting for Solly, maybe?

- Solly Nurse?

Nah.

He doesn't blow his nose
unless he asks, Adrien's okay.

(dramatic music)

- We're all set.

I was told to give you this.

(dramatic music)

- Okay?

- Yeah, okay.

Close it, will you?

- Yeah.

(engine starting)

- Take it in.

(dramatic music)

- He's gonna roll.

- Take your time.

I don't know who's watching,
but let's not louse it up now.

Oh no, baby.

Get nice and thick.

(dramatic music)

- There he goes.

(dramatic music).

- Let him get the jump.

(dramatic music)

(explosion sound)

- What the hell is this?

- Go!

(dramatic music)

(tires screeching)

(dramatic music)

- Let's get him out of there.

Go around the other side.

(dramatic music)

I can't open that door.

- He's gonna be in the corner.

(dramatic music)

- Watch the tank.

The tank is gonna go.

- Let go of him, Tucker.

- Come on, wait.

- Let go.

(dramatic music)

Give it to me.

(dramatic music)

- Look, he's gonna cook.

(flames sound)

- Hey, get out of there.

(dramatic music)

- Okay, move your truck.

(dramatic music)

(dramatic music)

(tires screeching).

(dramatic music)

- How can you guarantee
Mr. Curtin's safety?

- No problem.

- Sorry.

- Everybody makes mistakes.

At least Ian Bennett.

- Come on, Lee, two weeks.

What do you say?

- Flattered, who cares?

- I can see a month from now, you and Tony

walking along somewhere,
rolling along and singing a song.

Rolling along and singing a song.

Rolling along and singing a song.

- I'm a late man, I clean up.

I come in and I find this note, it says,

load the boxes in the truck
from the safety first delivery.

And give the driver the
paper with the address.

- What was on the paper, Lewis?

- I don't know, I didn't look.

- What did you say sent you the note?

- I figured it was my foreman, right?

Only you tell me he don't
know nothing about it.

- You load boxes of wood
for a meat company, huh?

You do that often?

- I didn't even look at the
boxes, they was closed.

- Yeah, it's a setup all the way.

- Why did Curtin decide to drive?

- How should I know?

- You told Curtin you
wanted a truck, a Ford.

- I never told him that.

- What we doing in the
garage this afternoon?

- Wednesday, Curt, we had some business.

- Business, what kind of business?

- Business business.

- Uh, Lieutenant, can I see
you for a minute, please?

- What happened?

Hey, Lieutenant Kojak!

- Tell a man what happened.

- There was an explosion out there.

- I know what happened, what I wanna know.

Lieutenant, three dummy
companies I gotta wait

'til before I get to the guy that
holds the paper on that meat outfit.

Guess who?

- Come on, I'm not in the mood.

- Joel Adrian.

- Pick him up.

- What's your connection with
the B&K Meatpacking Company?

- Well, my connection is very simple.

- Mr. Adrian has a fiduciary
interest with the company.

It's certainly not a crime.

There's hardly a reason to drag him into a
police station in the middle of the night.

- Sure, if Mr. Adrian could help us
with an investigation, he'd want to.

- It can't wait until morning.

- No, it can't.

- May I intrude on this colloquy?

- Intrude, intrude.

- You see, I know a little
something about Lieutenant Kojak.

I have to believe he's good at what
he does or he wouldn't be doing it.

Or am I assuming too much?

- If I thought so, I wouldn't
admit it in this company.

- All right.

Now let's say he's a good policeman and
God never knows we need more of them.

But what does it mean?

It means Lieutenant Kojak doesn't
like questions that he can't answer.

You see, he feels lost.

- Hold off on the snow jobs, Joel, not now.

- Now you wait for me.

- You see, now you see, you try to speak
a truth to a man and he's not interested.

Easy answers, that's all he wants.

Now I don't have any.

Can I be more clear than that?

- Why did you have Curtin blown away?

- I haven't decided--
- Now don't say another word.

This is intolerable.

Now either you bring charges if you have
any evidence or I'm taking Mr. Adrian home.

You know where to reach me.

During business hours, if
you have any other questions.

Now let's go.

- You wanna pull my chain again, Kojak?

- Punk, get out of here.

(dramatic music)

- Hi.

I'm sorry.

- It wasn't your fault.

Thanks for coming.

- Well, I liked your father, you know that.

- I've been looking for
this, I guess he isn't here.

- Who's that?

- This man who said he was like--
- I'm touched by your loyalty, Lieutenant.

You really think it
was worth it, don't you?

- Well, anyway, you would have
thought he would have wanted to be here.

- Who?

- This man who was at school.

He came up to me and asked me who all dad's
friends are so I could give him a party.

He said it was like some terrific surprise.

- When was that?

- I don't know, a few days ago.

- Did you give him the names?

- Yeah.

- You gave him mine too, right?

- Sure.

- Come with me.

- No.

No, I don't think so,
doesn't look like him.

Yeah, that's him.

Who is he?

- A wise guy.

- Conspiracy, usury, okay,
but you're talking homicide.

We can hold him for a couple of
days, but before we go to a grand jury,

you'd better have
something more than tapes.

- Such as what?

- The famous smoking gun.

A threat's good for intent and motive,
but it doesn't prove you followed through.

You need a witness, somebody
to point the finger, you know.

I saw him, he told me to do it.

- Okay, Rudy, thanks.

- Hey, tell me when you
think you're ready, huh?

(suspenseful music)

- You pack up that equipment,
be careful with those tapes.

(suspenseful music)

(music).

(car engine revving)

- All right, your
equipment's on its way to

your office, we thought
we'd drop it off here.

- Where's Kojak?

If he's got those tapes, I'll go
straight to the Attorney General.

- Hold it, hold it.

Nobody's going anywhere.

- Those tapes aren't
his, that's government

property, it's evidence
in a criminal case.

- Evidence of what?

- Enough to haul Adrian and
Nurse in front of a grand jury, mister.

- For Curtin's murder?

I don't think so.

- Curtin's not my problem.

- What does that mean?

Where's Kojak?

- None of your business, Brubaker.

Now, the stuff you're
looking for is right there.

Just gonna drop it off
at your office, all right?

You happy?

Kojak borrowed it to make copies.

- Oh, terrific.

He's the one who's responsible
for the death of the witness.

It should have been
terminated when I said so.

- Try to hang anything like that on Kojak,
I'll find a way to put you on a breadline.

I don't know how they clued in on Curtin.

Don't ever say it was Kojak or
I'll do you in, so help me God.

If you don't think I've got
the juice to do it, just try me.

All right, play those two sections again.

- You could get dead that way.

- What?

- You heard what I said.

- I could get what?

What did you say?

- Think about it.

I'll see you tomorrow.

- Stop.

Think about it, that's all I want.

All right, play the next one.

Let me talk to Crocker.

Crocker!

Look, do me something.

Go pick up Sully Nurse.

Right.

I hate it, but I use it, but I hate it.

- I don't have it.

What do you want to do, search me?

- What's the matter with
you, you some kind of dummy?

- I think you are some kind
of dummy, you know that?

You really want me to
tell him you didn't pay me?

- I paid.

- 'Cause if he thinks you're stiff in him.

- Why, what else you gonna do, kill me?

- Me?

With my two hands.

- All right, Phil, kill it, huh?

Thanks a lot.

- Now what's the big deal?

- Well, the way I see
it, you threatened to kill

Curtin twice and you
finally did it, it's all there.

- Come on.

- Oh yeah, Solly, you
put the bomb in the truck.

- The way I hear it, it happened somewhere

over on the West Side and I
was nowhere near the West Side.

- You were there.

- Come on.

- You listen to me.

- I wasn't there.

- Listen to me, you were there.

You were there because I saw you.

- You what?

- Yeah, you were at the plant
when the bomb was put into the truck.

- You saw me?

- You see, I had Curtin's
truck rigged so I could follow it.

And I followed you from his place
to the packing plant and I saw you.

- And that's a lie!

What the hell are you doing, man?

- Intent, access, and you knew I was
tight with Curtin through the kid motive.

- What kid?

- Intent, access, motive.

You know something, Sonny boy?

You're gonna ride that big
lightning bolt straight to the sky.

It's not important that he knew
Curtin's truck was rigged or not.

He knew he had to grease him
before he got to that courthouse.

You know what?

I'm holding you for the
murder of Lee Curtin.

Get him out of here and buck him!

- Come on, Solly, come on.

- It's a lie, it's a stinking lie!

- You know it!

- Shut up!

- Shut up!

- Come on, open up.

- You stink, punk ass!

- Sully, shut up!

- It's not my affair, right?

- You do what you have to do.

- Come on, what am I gonna do?

You're up there in front of the grand jury
and the DA says, "Tell 'em what you saw."

Then what are you gonna do?

- When that time comes, I guess
I have a decision to make, right?

- He's a family man, your honor.

He owns his own home in Bay Ridge.

He's been gainfully
employed for the past three and

a half years by T&E Parking
Systems, Incorporated.

Also, he's never failed
to appear on a bond,

and we request
reasonable bail at this time.

- This is a murder one, isn't it?

- That's it.

- Bail denied, prisoner is remanded.

- Prisoner is remanded.

Next case, people of the state
of New York against Edwards.

Doctrine number 2649 of 1975,
section 16505, of the penal law.

- Are the people ready?
- You heard already.

- Heard.
- Ready for defense, are you ready?

- So that's it?

- People ready to receive the evidence?

- They is avenged.

- Justice triumphs.

- Bull.

- Take a stand, officer.

- You don't believe he killed him?

- Not in the zone, I don't know.

- Well, Brubeck will take care of Adrian.

- If Adrian goes to jail, which I doubt,
he will do some gardening in Allenwood

and he will be back in business
at the old stand in six months.

- Could happen.

Very nice talking to you.

- What's the matter with you?

Did I make you uncomfortable?

- By God, I hope so.

- And what was that about, the new beginning
you were shouting your mouth off about?

And what's gonna happen to the big guys?

- Hey, lady, Lee is dead.

- Yes, I know.

- Tell me something.

You and Lee had
something else going for you?

- I was his attorney.

- Besides that?

- I don't think I have
to answer that question.

- Yeah.

Lee's dead.

And all the big shots are
just where they always were.

And Adrian will do a six months or walk.

And the two-bit hoodlum goes away forever.

- You would excuse me.

- I'm not able to lose a night, Lee.

- It's a talent.

Handle his wife's divorce.

Can you beat that one?

I bet you think I'm one of the desperate
types that anything in pants, right?

- Don't tell me what I think.

Come on, I'll buy you a drink.

- Lee was a sweet man and I
loved him, but he had lousy judgment.

He thought you were terrific.

(dramatic music)

(music)

- Okay, you guys can go home now.

Troy's team is here.

- What's going on?

What's she doing here this time of night?

(dramatic music)

(footsteps)

(somber music).

(dramatic music).

(somber music).

(somber music)

(somber music)

(dramatic music)

(dramatic music)

(somber music)

- Hey, guy.

Hey, guy.

Hey!

What, are you asleep over there?

- What's the problem, Solly?

- I wanna call my lawyer.

(phone ringing)

- Lieutenant Kojak.

I'll be there in 30 minutes.

(keyboard clicking)

- Rudy, it's Theo.

Yes, I know what time it is.

- Well, what's the bounce on that?

- Oh, I don't know.

Five to 15, maybe.

- Too much.

- Really?

Sounds like a good deal.

- Too much.

- Curtin didn't die laughing, you know.

- Listen, any maximum over
10, we're not interested in it.

- What for?

- He might as well go the route.

A dime.

No more.

- I can't do that.

- Okay, counselor.

It's your show.

- Sure you can, Rudy.

What's the big deal?

Two for one.

You've done it a hundred times.

- It's not two for one.

I got him on a long stretch.

- So, how many fingers you got on you?

10 plus 20, that's 30 years.

Who gets 30 years nowadays?

Look, you got yourself a star
witness, you're way ahead,

and you become a hero
of modern jurisprudence.

(footsteps)

- All right already.

You be a good boy, do
your five years, and go home.

- Okay.

- I think we have a deal.

Is it all right with you
if I go back to bed?

- Go.

- Lieutenant, just one little detail.

- What's that?

- How do we protect Sully from retaliation?

- Oh, well, we could always put him
into solitary confinement for five years.

(laughing)

- Yeah, I don't think that's right.

- Yeah, we'll take care of him.

What can I tell you?

- You could use some sleep yourself.

- Yeah, soon, but not yet.

Soon.

- Officer.

- Grazie.

- Why don't I come
down to your office a

little later, and we'll
work out the details.

- Okay, make it after three, will you?

I'm in court.

- Check.

(dramatic music)

(music)

(phone ringing)

- Oh.

Huh?

Right.

(dramatic music)

(music)

(dramatic music).

(dramatic music)

(music)

(dramatic music)

(music)

(dramatic music)

(music)

(music)

(dramatic music)

(music).

(dramatic music)

(music)

(dramatic music)

(tires screeching).

(dramatic music)

(tires screeching).

(tires screeching)

(music)

(dramatic music)

(tires screeching)

(dramatic music)

(sighing)

- Get out.

- You almost killed me.

- Yeah, it was kind of close, wasn't it?

You almost made it, didn't you?

- I want to call my attorney.

- Yeah, call your attorney.

Call your councilman.

Call your doctor.

And give your mother a little jingle.

Do we miss anybody?

Easy answers, yo-yo.

I got 'em.

Come on, follow the good guy.

(dramatic music).

- Back off, back off.

Come on.

Come on, come on.

I'll see you inside.

- All right, I've got it.

(dramatic music)

- For murder.

- Really?

- You didn't think I was gonna
settle for solid nights, did you?

- Well, what about all the others?

You know, the fat toes?

- Yeah, one thing at a time, Geach.

- Yeah, of course.

- But you're probably right.

Hey, I'll see you.

- See ya.

Lee's judgment was better than I thought.

- Eloise, right?

I'll call you.

- I'd like that.

(dramatic music)

(dramatic music)

(dramatic music).

(dramatic music)

(dramatic music)

(dramatic music)

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(dramatic music)

(dramatic music).

(dramatic music).