Original subtitles

[guitar music: "Let's smoke a cigarette", Piero]

♪ Let's smoke a cigarette ♪

♪ To be able to converse ♪

♪ Let's have a drink ♪

♪ We have a lot to talk about ♪

♪ Talk, talk, ♪ We've got a lot to talk about ♪

♪ Talk, talk, ♪ We've got a lot to talk about ♪

♪ Life does not pass in vain ♪

♪ The hours hurt, they go ♪

♪ All the love we had ♪

♪ We can't kill him ♪

Paddle!

[man 1] Manfredini!

♪ Kill, kill, ♪ We can't kill him ♪

Hey, old man, leave him alone!

♪ The night is silent ♪

♪ Water is also sea ♪

♪ Let's remember our things ♪

♪ It's also good to cry ♪

[music ends] [music ends

Let's go!

[man 1] Well.

We are done.

[man 1] I got into the car.

You have to assume your responsibility.

[man 2] You can't disappear all the time.

[starts car] [starts car

[vendor] Today's program!

Competitors and mounts! In the magazine la rosa!

The rose! The magazine!

Today's program!

Here's the magazine! The racing magazine!

It's the program! Manfredini, old man!

[seller] "The spicy one" is here! It's number one!

[race reporter in the distance].

[nearest race rapporteur].

[indistinct conversations]

[employee] Go ahead!

[employee] Ready!

[in the distance, loudspeaker announcements]

[indistinct conversations]

[advertisements, conversations and a radio, all superimposed]

[man] Tower!

[classical music plays on a portable radio]]

[program continues on the radio]

Ready!

[music in the stands].

[whip squeaking against the ceiling]

[each stroke sounds like a musical note]]

[whistles and shouts in the stands]

[race announcement over loudspeaker]

[loudspeaker announcements].

[loud speaker] Remo Manfredini!

Take your place in the cages...

[whispers] They didn't want to go out, but I talked to them

and they are going out.

Let's go with one, two, three,

four, five, six, seven, eight,

the nine, the ten...

[starter] We arrange the six,

the head of seven, the hand of the eight...

Are they okay there?

[horses neigh].

[starter] Come on!

[indistinct shouting]

[man] Move, fourteen, move!

[electronic music: "No disguise", Virus]

[electronic music continues]

♪ Sometimes I go ♪

♪ Where evil reigns ♪

♪ It's my place ♪

♪ I arrive without disguise ♪

♪ For one minute ♪

♪ I abandon the tails ♪

♪ And I undress ♪

♪ In the spiritual ♪

♪ To love ♪

♪ As if it were ♪

♪ Liar and nudist ♪

♪ By cab I go ♪ Savoy Hotel ♪

♪ And we dance ♪

♪ And I don't know ♪

♪ If it's today, yesterday ♪

♪ Or tomorrow ♪

♪ Uh, oh, oh, oh, oh ♪

♪ Oh, uh, oh ♪ Uh, oh, oh, oh, oh ♪

[electronic music continues]

[ends electronic music].

[a tango plays as background music]]

[whimpers barely]

We are here to toast to April's triumph.

The truth, baby,

I have nothing but words of gratitude and admiration.

[man 1] Above all, if your chicken doesn't come out of the cages.

That's also what I wanted to talk about.

The day of the grand prize is coming and measures must be taken.

We all know where Remo comes from.

[boss] That terrible things happened to him.

[boss] Too painful to remember.

[boss] And yet, he made it to the top.

[man 1] The best school is misfortune.

[boss] To have a gift is a blessing.

Now,

what good are miracles,

sensitivity,

if along the way you lose your mind?

You know how much I admire your disinterest in material things.

Your disdain for success.

[boss] But we know of your uncontainable longing

for the disaster.

[boss] And here, we all want to help you.

Because it is at the worst time

when you can heal inwardly.

It is now.

You can't run with those farts.

He always ran the same way.

But he used to win.

They say you are taking the horses' phalopa.

[boss sighs]

Beyond the details,

we are jeopardizing the activity.

The page must be turned.

Evolve. That's what life is all about.

And here I can tell you because we are among friends.

[man 1] Say that the baby is ours.

Otherwise, we would be lost.

The horse is yours.

Why are you playing the artist, Manfredini?

[man 1] What is it?

Don't you want to see your child born?

Good,

we also do not tell you how to how to manage your affairs.

It is not the same thing.

You run my horses.

And you run them, king.

All the attention will be on us. on us.

And there is doping for jockeys and for horses.

They do it to everyone, without exception.

[man 1] A horse is coming a horse from Japan.

It cost us a million, plus transfers.

You have to win.

Why don't they give it to me?

[boss] We should,

but people want to see Manfredini want to see Manfredini.

You want to see Manfredini.

[man 2] In Japan they run backwards.

It's a hassle for the horses to turn in another direction.

You're going to have to run sober, champ.

[boss] We prepare for you a box at the stud.

We want you to sleep there and that we can take care of you.

And you, baby,

what are we going to do?

[boss] You can't run much longer pregnant.

Maybe I'll get off the hook.

Don't even think about it.

Give it to me.

Beacons with windshields.

[to the beat of the fingers, the ticking of a windshield].

I'll leave you the key, baby.

If you need something, we will bring it to you.

Do not leave here.

What about the bathroom?

[horses neigh].

[train horn in the distance].

[dogs bark]

[male] He was with the baby, wasn't he?

You are an accomplice of that situation.

I'll let you know.

Can't you see?

Seven years ago she's been with that baby.

[man] How does it work?

The good times are over, Remo. the good times are over, Remo.

I am telling you this because I am your friend.

[man] If you don't win, they will kill you.

Better.

[horse neighs] [horse neighs

[train horn in the distance].

Wow!

Enrique is right.

They are not going to do anything to me.

I make them money.

I make them money.

You are a piece of junk.

[Remo] Why don't you want to have children with me?

Because we would not be good parents.

[April] Besides, I want to keep running.

What do I have to do to keep you loving me?

[April] To die and be born again.

[baby's heartbeat].

[horse neighs] [horse neighs

Good.

I'm peeing myself.

Make me the fountain.

You don't deserve it.

Bring me the bucket.

[bottle bursts].

[opens the box door].

[whirring of turbines on].

[stewardess announcement in Japanese]

[indistinct ads]

[gallops]

[a tango sounds in the distance].

[knock on the door].

Your food, Manfredini!

Mishima arrived, Remo.

- Who is Mishima? - The Japanese.

[shouts] Did you hear?

It is necessary to wait for the monkey to get over the monkey.

[a tango sounds in the distance].

[loud speaker] The most important test!

The grand prize Irineo Leguizamo...!

[advertisement and indistinct conversations]

Is something wrong?

Remo is not ready to run.

[boss] Why?

Because I don't see it right.

Did you take anything?

No.

Therefore.

You make your career.

And win.

[indistinct conversations]

[slam].

Are you anxious?

Huh?

[boss] You are anxious.

No.

Better.

Because we have to win.

[baby whimpers]

[cymbal crashes].

[electronic music: "Stil", Acid Arab]

[boss] You are like sons to me.

They know, don't they?

[electronic music continues]

[overlapping announcements over loudspeaker]]

[they sing in Turkish].

[electronic music continues]

[device hissing].

[appliance blowing].

Remo, you can't go out.

[continue singing in Turkish].

[electronic music continues]

Ready!

[Remo snorts]

[electronic music continues]

Pray to Our Lady.

[electronic music continues]

[electronic music continues]

[bell rings on the runway] [bell rings on the runway].

[overlapping announcements over loudspeaker]]

[starter] Seven, eight...

...the eleventh, the twelfth,

the thirteenth, the fourteenth and the fifteenth...

[starter] Come on!

[electronic music continues]

[account of the race on television]

[electronic music continues]

... with Mishima, the Japanese, in the lead,

tonight, the king is Manfredini.

Manfredini leaves alone.

[electronic music continues]

[music ends] [music ends

[heart monitor beeps].

Life is beautiful.

Even if it is in a hospital.

[heart monitor beeps].

I have known him since he was a little boy.

He was a good boy.

She once sprained her ankle for not stepping on an ant.

[sings] ♪ It happens to me ♪

♪ The same as you ♪

♪ I feel lonely ♪

♪ The same as you... ♪

Sir?

Who authorized you to enter?

God.

He can't be here anyway.

No?

No.

We have no history of of recovery

of such a violent concussion.

In any case, it is important that you are by their side

to generate stimuli.

Especially to talk to him. That can help.

[medical] If we are lucky and he wakes up,

sequelae will have to be addressed with specific treatments.

What kind of sequels?

We cannot anticipate them.

In the MRI, we were struck by

an area of the cortex that appears blank,

which corresponds to the area in which it is processed

cognitive functioning functioning of the brain.

What does this mean?

[medical] We don't know yet.

In other words, they know nothing.

Not much more than what I'm telling you.

But I have to be honest with you.

His injuries are not compatible with life.

[heart monitor beeps].

[slow bass music and bandoneon]]

["Introduction of the Angel", Astor Piazzola]

[indistinct conversations]

[bandoneon music continues].

[indistinct conversations]

[birds sing] [birds sing

[several men offer illegal currency exchange]

[bandoneon music continues].

[the man emits a whistling sound similar to that of a bird]]

[church bells] [church bells

[traffic noise]

[vibration of the wheels of the suitcase of the suitcase resonates very loudly]] [the vibration of the wheels of the suitcase resonates very loudly]

[soft music]

[man] Excuse me!

[sad saxophone music]

[a woman speaks in a low voice].

Edemas, many, many, many problems.

Gonorrhea, hemorrhoids, hepatitis A, B, C,

herpes, hernia,

meningitis, menopause, myopia,

measles, tuberculosis,

severe deep thrombosis.

[indistinct voices on television]

[military band in the distance]

[military march] [military march

[lowers the gear volume] [lowers the gear volume] [lowers the gear volume] [lowers the gear volume]

[high-pitched whistle].

[police sirens and traffic noise]

[vibrating sounds].

[ringing sound from a cellular phone]

[calls back] [calls back

[calls a third time].

[keep calling].

[another call].

[a motor is activated] [a motor is activated].

[power-on alarm] [power-on alarm] [power-on alarm

[strike].

[traffic noise at high volume]

[police] We are circulating this sketch.

Generally, the person appears within 72 hours.

After that time, the scenario is more complicated.

Here is what we compiled.

We were able to follow part of its route,

but in a moment we lose it.

[Police] Here he leaves the hospital.

[police] He stole clothes and a wallet.

A theft case was opened.

You have the right to leave, but when taking other people's belongings

is committing a crime.

Its behavior is erratic.

I'm sure it's because of the blow.

It seems lost in time and space.

It appears in one place, then another...

It is quite strange.

When is the last time you are seen?

This is from today to the morning.

[police] Urinating on the public highway.

This is also a contravention. is also a contravention.

[police] Do you have any psychiatric problems?

It has many problems.

[boss] They are witnesses that long ago I chose

a spiritual path.

Of contemplation.

But reality always reality always appears,

and it fucks up our lives.

I gave it a lot of thought today,

and I came to a conclusion.

We must return to violence.

[baby cries] [baby cries

I never liked to use force,

but it seems to be the only way.

The rest is just getting caught.

And I've already been caught a lot in this life.

I turn off the light and bring it to you.

[man 1] I understand that you are wrong, Rubén,

but let's not act in the heat of the moment.

It will appear.

He may already be dead.

[Rubén] If he is dead, they bring him in anyway.

Now, if I find out that you killed him,

we are going to have a problem.

Large.

[Ruben] Did you hear?

[slow music for double bass and flute]

[slow music continues].

[indistinct conversations]

[slow music continues].

[child cries].

[the crying gets louder]

[slow music continues].

[music ends] [music ends

[Enrique] Crazy!

You look beautiful!

How did you find me?

You never came here?

[Enrique] No!

[closes door] [closes door] [closes door] [closes door] [closes door] [closes door

[It's a miracle that you are alive.

You made a mess.

[cries]

[Enrique] Sirena is on fire.

You have the whole matufia looking for you.

Look what he did to me, and I didn't do anything.

You have to disappear.

Have a drink.

[Enrique] You're not drinking now?

You didn't have to drink before!

Now take it!

[man shouts] Viva la Patria!

[shouts]

[assistant] Cut!

[applause].

[woman on megaphone] Let's have one more, please!

Return all of them to first class.

Take it with blanks, boys.

Attention!

Get me a gun.

You will need it.

I'll be back tomorrow.

[Enrique] Remo!

How did you find me?

I don't know.

[bolero: "Sabor a nada", Palito Ortega]

♪ What happens to us, life, ♪

♪ That lately ♪

♪ We already look at each other ♪

♪ Indifferent ♪

♪ And that love ♪

♪ That until yesterday burned us ♪

♪ Today boredom ♪

♪ Tell me, ♪

♪ What ♪

♪ What happens to us, life, ♪

[the same bolero plays at very low volume]]

What a mess, isn't it?

Don't worry, everything will be fine.

Life is perfect.

Do you think so?

[girl] Yes, my love,

don't make such a big deal out of it.

Daughter, don't bother people.

I was explaining.

[subway door alarm]

[announcement] Next station, Carabobo.

[the jockey] And how are you?

[April] Very good.

It's going to be a girl.

Who?

The baby.

How do you know?

I know.

I was looking for Remo and I found you.

Look, a little bird!

[opens subway door].

[DOOR ALARM] [DOOR ALARM

[street noises]

I kill him and retire. That's the last thing I do.

Besides, I haven't been able to sleep well I haven't been able to sleep well,

and every time I kill someone, I sleep like a baby.

I never sleep like a baby.

Just like Remo we cannot kill him.

[police sirens]

You'll see how I can.

First it must be found.

At this point, I don't even recognize the streets anymore.

Nor the faces. They are all the same.

Sirena is right,

no one is no one.

[man] I am not Luis, you are not Fanego...

I am Fanego.

I don't know who you are.

[Luis] You were born.

Your mom named you Fanego, but that doesn't mean anything.

[Fanego] For me, it means a lot.

[barks a dog] [barks a dog] [barks a dog] [barks a dog] [barks a dog

Mom!

Mom!

Mom, don't go.

Get out of here, you old whore, cocksucker, cocksucker, cocksucker!

Degenerate!

[man] And you get in into the house, you fucking assholes!

What do they have to go around following that old bitch?

Holy shit, get in the house!

[police sirens]

[indistinct shouting]

[traffic noise]

[babbles a baby].

[Luis] We combed the whole city.

Comb it again.

I don't drive anymore.

[Ruben]: Oh, no? - No.

We will find it.

[man] Maybe it's not good to handle your emotions like that.

I want him embalmed.

[Ruben] Baby?

[babbles a baby].

We are leaving.

[Rubén] Come in, come in.

[babbles a baby].

They get that way over time.

Sit down, my dear.

What's going on with you?

Why did you enter my house?

Remo did a lot of shit.

[April] And you?

All I did was was to take care of him,

and save it

of all the trouble ever and ever.

[Rubén] If not, he would already be in jail.

Or dead.

I'll tell you a story.

[baby babbles].

[Ruben sighs]

[Ruben] There was a horseman who rode

for clandestine racing.

She ran under the name Dolores".

Arrived,

bet on himself,

and won all day long.

One day, he was confronted by a strange guy,

of mysterious appearance.

It seems that Dolores had done something terrible.

Very terrible.

But right there there was another man,

good-hearted,

who intervened,

who sponsored him and brought him to run to the lights.

[Rubén] They lived a very beautiful very beautiful love story, the two of them.

[slow piano music].

[loudspeaker announcements].

[slow cello music].

[lamp vibrates and a faucet drips]

[silence].

[lamp vibrates and a faucet drips]

[silence].

[lamp vibrates and a faucet drips]

[silence].

[very strong vibration]

[lamp vibrates and a faucet drips]

[they broadcast the race on television]]

[whispers] Princess...

[whispers] Listen.

[dramatic choral music].

[turns up the volume of the music].

[ends the music with a high-pitched whistle]

[whispers] The invisible orchestra.

[whistling continues].

What happened?

- Let's go somewhere else. - Why?

There are many people.

No one will recognize you.

[race broadcast continues on TV of the race on TV].

It is like this.

You die and someone else takes your place.

Do you think I'm here?

[Enrique] Nobody is here, but we are alive.

Otherwise, they would not want to kill us.

I brought you this.

[Enrique] I give it to you.

For the joys and the money you made me earn.

[Enrique] It's not the best, but it's what I got.

Try it, just in case.

I also put you some sausages.

[Enrique] You're too skinny!

Listen to me carefully,

do what you want with the gun, but don't kill yourself.

Why?

[Enrique] Because it is that trap.

If it were that easy, I would have done it already.

Everyone would have done it.

Remember to check it.

Nice gun!

[pharmacist] - ...generic... - Do you know if it makes you sleepy?

[pharmacist] I shouldn't...

[strike].

[instrumental music: Donizetti, "Una furtiva lágrima"]

[Fanego] What are you doing, watermelon head?

[instrumental music continues] [instrumental music continues

We missed you, Remito!

Where did you go?

You had us with Jesus in our mouths!

How can you abandon us like this!

And your pregnant wife!

[Fanego] It's competitive, the bitch.

He just wants to win.

Dick and win.

[man] He is depressed Sirena.

He wants to see you.

He spends his time at the auctions watching horses for you.

He no longer knows what to do.

[Fanego] I explained to him that the dead do not run.

[sings Enrico Caruso].

You are dirty.

Come with me, we are going to bathe together.

I don't want to.

[Fanego] Yes, you do.

[shot]

[gunshots and screams]

[Enrico Caruso holds a sharp note]

[song ends].

[the auctioneer speaks very lightly] One hundred and twenty!

Fifty, seventy...

One hundred and fifty thousand there.

One hundred and fifty, seventy, two hundred and twenty!

Two hundred thousand dollars! Two hundred thousand!

Two twenty, fifty, seventy,

three hundred, three hundred...

Three hundred thousand!

Six times more this horse is worth.

Three hundred thousand, fifty, seventy...

eighty, four hundred!

Four hundred, four hundred and twenty, twenty...

thirty, forty, forty, fifty, seventy, eighty,

ninety, five hundred!

Five hundred and twenty, fifty, seventy, six hundred!

Six hundred! Six hundred thousand up there!

Six hundred thousand! Six hundred thousand dollars!

Six hundred thousand! Six hundred thousand dollars!

Six hundred thousand dollars!

Six hundred thousand!

Six hundred thousand! One, two, it was!

Six hundred thousand dollars! No more bids!

Twenty, twenty for another, fifty, seventy,

seventy, eighty, seven hundred!

Pernicious little doll!

You've got me in a bad mood.

Seven hundred thousand dollars!

Seven hundred thousand!

I missed you very much.

[auctioneer] Seven hundred thousand!

Seven hundred thousand dollars!

I came to finish.

[auctioneer] Seven hundred thousand and I sell! It's gone!

Seven hundred thousand dollars!

And what are you going to do?

Starting a family?

[auctioneer] Seven hundred and I sell!

Seven hundred thousand and I sold, plus one!

Seven hundred thousand and I'm selling, plus two!

What about the baby?

[auctioneer] Seven hundred and twenty,

fifty, seventy, eight hundred!

They took it out of me.

[Rubén] Because of all this commotion that was created.

Can you believe it?

You left me all alone.

For you it was easy because you had other stories.

[the auctioneer continues to announce the proposals]

So many things were left unfinished!

[Ruben] You never gave me an explanation.

[auctioneer] Nine hundred!

Nine hundred and ten, twenty, thirty, forty,

forty, fifty, seventy, eighty, a million!

One million dollars! Attention!

I want to be alone with you.

Let's go somewhere else.

[the auctioneer continues to announce]

We are doing well here.

[auctioneer] Two million dollars!

[auctioneer] The Governor is leaving for two million!

[auctioneer, shouting] Two million dollars!

Stupid!

[high-pitched whistle].

[bolero: "Tú llegaste, cuando least expected you", Leo Dan]

♪ You came along just ♪ When I least expected you ♪

♪ And you left without telling me ♪ Not even goodbye ♪

♪ I realized that without you ♪

♪ I couldn't be nobody ♪

♪ If I'm missing you, my love ♪ What's the use of living ♪

[a woman moans]

♪ What's the matter, sweetheart? ♪

♪ What a thing love has! ♪

♪ I didn't want to fall in love ♪

♪ Surprisingly so ♪

Dolores!

♪ Now you must forgive me ♪

♪ For my love ♪

♪ Who are you ♪

[melodic music continues].

A lot has happened since you left.

♪ Lara lara lara lara la ♪

I'm sorry I didn't learn to love.

No one learned to love.

You do.

[music ends] [music ends

We are going to have a little daughter.

I am fatherless and motherless.

[melodic music].

Don't worry about it.

I don't care what you've done.

However terrible it may be.

[music: "Lo mismo que a usted", Palito Ortega]

♪ It happens to me... ♪

I am going to turn myself in.

♪ I feel lonely ♪

No.

♪ The same as you ♪

You said I had to die and be born again.

♪ I spend the night waiting ♪

♪ The same as you ♪

[loud ringing]

You get it all back when you are released.

[doorbell].

[silence].

[Dolores] Six thousand years ago, horses lived in freedom,

untamed.

The encounter between horse and man

changed history more than any other invention.

A month-long trip became a day.

Then, the horseshoe, the mouthpiece, the saddle,

elements to manipulate the animal in the war,

to make it more responsive to the attack,

but, above all, to escape.

In the food chain,

every animal is prey.

[Dolores] In turn, you are given a gift to survive.

The horse's gift is speed.

He escaped from all its predators,

less of man.

No one wants to be caught by the lion.

And yet,

we are always going to meet you.

[inmate 1] And how do you know that?

Because the girl was a jockey.

It is a legend Dolores.

She was number one.

[door chicharra of a door].

[classical music: "Lacrimosa", Wolfgang Amadeus Mozart]

[Dolores] How are your things?

[April] Good.

Ana helps me a lot.

What an angel!

"Ana" means. "she who acts with compassion".

How nice!

[classical music continues].

I swear I'm doing my best to get you out.

Don't worry.

It is important to be a little bit alone.

I'm afraid that we will become two strangers.

That will never happen.

[classical music continues].

Sorry.

[classical music continues].

[door chicharra of a door].

[classical music continues].

[guard] Lola!

[music ends] [music ends

[guard] The director wants to see you.

Now?

Yes, now. Get down!

I was busy.

Come down anyway.

[director] Have a seat.

[chair squeaking].

[classical music: "A Sneaky Tear"]

[director] Lola querida,

lunch was made to eat,

not to give subliminal subliminal messages to inmates.

What is this to talk about escape, about running away?

I was telling them the origin of the mount.

I know the story.

I also have horses.

And I admire your track record.

Or Remo's.

[director] They say that one should not to know the idols.

What a curiosity!

Because, now that I know you, you are someone else.

It usually happens.

I understand that you trained in clandestine careers.

According to the Greeks, when souls reincarnate,

have to drink water from the river of oblivion.

Thus they forget their past lives

and can start a new one.

Free of charge.

Oh, Lola, how divine you are!

Shall I tell you?

Let's see if you remember anything.

There is a select group of people,

very serious,

that organizes meetings

in the shadows.

They are without an audience.

Are they without?

Hm?

Are they without?

[director] I don't understand.

Me neither.

May I continue?

For his pork.

[director] As I was saying,

we left at dawn,

it's still going to be dark,

and in the afternoon we will be back, God willing.

With bread under the arm.

What do you think?

I don't know.

Do you have any doubts?

Think of it as a job opportunity.

[director] You tell me what you want in return.

Whatever you need.

I don't know what you are talking about.

[Dolores sings] ♪ It happens to me ♪

♪ The same as you ♪

♪ Nobody waits for me ♪

♪ The same as you ♪

♪ Why is it still denied ♪

♪ The love I'm looking for ♪

♪ The same as you ♪

The ideal is to cut your hair in Leo sign and crescent moon.

[Dolores] It grows divinely.

To keep these clear, you are going to put lemon,

you are going out into the yard,

to be hit by the sun.

You know, pigeon?

[prisoner] I hope my lady likes it my mistress likes it.

You are your mistress.

Sign?

I'm sure you're a Gemini. Geminians are terrible.

I wouldn't want to be in your shoes.

You don't know the ascendant either?

Italian.

Oh, what love!

You?

I don't know.

I gave birth to myself.

[recording] This call is coming from a jail.

If you accept, check one.

If not, hang up urgently.

[Dolores] - Hello, love. - [Dolores] - Hi.

It makes me happy that they are taking care of you,

and that you have made good friends.

How fortunate that the director likes racing, isn't it?

Listen to him.

They tell me that, if everything goes well, you're going to be able to be at the birth.

I don't want to go back.

You have to go.

Dolores,

it is important that you go.

[someone whistles "Same to you."]

[continues whistling the song].

Lolita!

Are you ready?

[electric guitar music].

[woman] There is a big house in the middle of nowhere.

A thief opens the door slowly.

And, when it comes in,

sees that it's all empty.

He went inside looking for something of value,

but as you can see there is nothing,

relaxes.

Suddenly, in a corner, he sees an old man, sitting.

She looks at him and says:

"Hello, old man."

The old man tells him:

"Hello."

The old man realizes that he is a thief,

but since he has nothing to be robbed,

is quiet.

The thief passes

and sits with the old man.

They begin to talk about things about life.

They drink coffee and become friends.

One has nothing to gain.

And the other has nothing to lose.

[guitar music continues].

[music ends] [music ends

[motorcycle engine]

I'm going to lock you in a box,

so that we all stay everyone calmly.

The time has come.

[rooster crowing] [rooster crowing] [rooster crowing] [rooster crowing] [rooster crowing].

[pop music: "Trigal", Sandro].

♪ Trigal ♪

♪ Where my hands dilate ♪

♪ They are compressed and snatched ♪

♪ The color of your wheat field ♪

♪ Trigal ♪

♪ Oh, wheat field ♪

♪ Give me the wheat field of your love ♪

♪ To soothe old pains ♪

♪ With the bread of your wheat field ♪

♪ If your wheat field is already mine ♪

♪ If your wheat field is already mine ♪

♪ If your wheat field is already mine ♪

♪ If your wheat field is already mine ♪

[music ends] [music ends

The boss doubled the bet.

Shall we bet again?

[guard] Are you okay?

Go and play. I'm staying.

[slow xylophone music].

[heartbeat of a heart]

[slow music continues guitar and xylophone]]

[revs up the engine].

[horse neighs].

[revs up the engine].

[heavy rock music].

[heavy rock music continues].

[heavy rock music continues].

[music ends] [music ends

[engine running] [engine running

Shall we play again?

But let's keep a part, something.

[guard] Don't be a shit, he's going to win.

Good.

[guard] Good afternoon.

And the rider?

He is resting.

[man] Sure.

I would like to see it.

It will have to wait.

Good.

[director] Everything all right, guys?

The gentleman wants to see the jockey.

What do you need?

[male] Nothing, we are waiting.

And who are you?

I don't know.

And who are you?

Who are you, young man?

What about you?

[man] Who is it?

Nobody knows.

[director] Remo!

There's someone to see you!

[director] He does not know who he is.

[baby cries]

[baby cries]

[high-pitched whistle].

Hello, Lola.

[melodic music: "Un beso and a flower", Nino Bravo]

♪ I'll leave my land for you ♪

♪ I'll leave my fields and go ♪

♪ Away from here ♪

♪ I'll cross the garden weeping ♪

♪ And with your memories I'll leave ♪

♪ Away from here ♪

♪ By day I will live ♪

♪ Thinking of your smiles ♪

♪ At night the stars ♪ Will accompany me ♪

♪ You'll be like a light ♪

♪ Let it light my way ♪

♪ I'm leaving, but I swear ♪

♪ That tomorrow I'll be back ♪

♪ As she departs, ♪ A kiss and a flower ♪

♪ An "I love you", ♪ A caress and a "goodbye" ♪

♪ It's light luggage ♪

♪ For such a long journey ♪

♪ Sorrows are heavy ♪ On the heart ♪

♪ Beyond the sea ♪ There will be a place ♪

♪ Where the sun ♪ Every morning shines brighter ♪

♪ They will forge my destiny ♪

♪ The stones in the road ♪

♪ What is dear to us ♪

♪ It's always behind ♪

[song continues].