All language subtitles for Route66 - S04E11 (Come Home Greta Inger Gruenchaffen)

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Original subtitles

(melodic orchestral music)

(melodic orchestral music)

- Alright, lets try the placards now.

(lively orchestral music)

(lively orchestral music)

Ready now.

Hup!

Hup!

Hup!

Hup!

Hup!

Straighten that A up there.

Ready.

Ready.

(lively orchestral music)

(lively orchestral music)

Alright, rest them.

- Whisky, please.

(lively orchestral music)

(lively orchestral music)

(sighs)

(sighs)

Keep the change.

- Here she comes!

- Here she comes!

- Ready, ready.

Hup!

Hup!

Hup!

Hup!

Hup!

(melodic orchestral music)

(melodic orchestral music)

Dear...

Dear Greta Inger Gruenschaffen.

Dear Greta Inger Gruenschaffen.

Speaking as President, and for all of us here,

Speaking as President, and for all of us here,

of the Buffalo Chapter of the World League,

may I offer you this poor, small token,

may I offer you this poor, small token,

of our heartfelt appreciation.

of our heartfelt appreciation.

(hiccups)

For your untiring devotion, and

For your untiring devotion, and

unflinching loyalty to the chapter

and its modest, but unswerving, cause.

and its modest, but unswerving, cause.

- How can you be so cruel?

- How can you be so cruel?

- To your acceptance on our behalf of

- To your acceptance on our behalf of

this humble mission to spread physical revelation

to whomever, wherever in the world.

to whomever, wherever in the world.

- Why can't you come with me?

- Dear Greta...

Dear Greta Inger...

You shall be gone from us for two, long years.

You shall be gone from us for two, long years.

And, of course, we shall all miss you.

And, of course, we shall all miss you.

I personally, most of all.

I personally, most of all.

(laughs)

Are you alright?

Are you alright?

- Yes.

I...

I do...

I do...

I do...

I love you, you lunkhead.

- With you on this mission Greta,

go all our own deepest hopes, and aspirations.

go all our own deepest hopes, and aspirations.

And, needless to say, every last penny

And, needless to say, every last penny

of the chapter's treasury.

All we ask is that you spread the gospel.

Teach them to think, think, think to the muscle.

Teach them to think, think, think to the muscle.

- My dear Buffalo chapter,

and my dear, dear, President Horgal, I...

and my dear, dear, President Horgal, I...

I can't express my...

I can't express my...

Yes, my...

My true gratitude, and my appreciation.

My true gratitude, and my appreciation.

(melodic orchestral music)

(melodic orchestral music)

Monster.

- [Heiss] It's just the excitement.

Greta, where are you going?

Greta, where are you going?

She'll be back.

She'll be back.

Greta!

Hup!

Room for the rotation, number four.

Room for the rotation, number four.

(melodic orchestral music)

(melodic orchestral music)

Pyramid six for kinetic cohesion.

Hup!

She'll be back.

Think.

Think.

Think.

Think to the muscle.

- [Group] Think, think, think to the muscle.

- [Group] Think, think, think to the muscle.

Think, think, think...

Think, think, think...

(melodic orchestral music)

(melodic orchestral music)

(helicopter blades whirring)

(helicopter blades whirring)

- Delivering a guest, Mr. Spofford,

- Delivering a guest, Mr. Spofford,

on this charter flight arrangement, from Buffalo.

on this charter flight arrangement, from Buffalo.

And maybe I shouldn't have taken her on.

She'd had a few.

She'd had a few.

More than a few.

- Case!

- Case!

Lend a hand here.

- I can never tell, some sober up.

- I can never tell, some sober up.

Some laugh and sing.

She just cried, and cried, and passed out.

She just cried, and cried, and passed out.

- [Linc] Where to, sir?

- [Linc] Where to, sir?

- The lodge.

Get her some coffee, and register her when she comes to.

Get her some coffee, and register her when she comes to.

(melodic orchestral music)

(melodic orchestral music)

- [Linc] Please don't stare.

- [Linc] Please don't stare.

I lost a bet.

It's my mother.

Yeah, she's dead.

Thanks.

Room, please.

- You already have a room sir, it's number 208

- You already have a room sir, it's number 208

in the help section, you share it with me.

- The lady would like a room.

(whistles)

(whistles)

- [Tod] House rules.

Wake up, and register.

- Heiss Horgal, you're a monster.

- Heiss Horgal, you're a monster.

- Get the bags.

I'll take over now.

I'll take over now.

It's my job to take the guests to their rooms.

It's my job to take the guests to their rooms.

- Fine, boy.

Lead the way.

(melodic orchestral music)

(melodic orchestral music)

- You can go back to maintenance now.

- You can go back to maintenance now.

- Mr. Spofford said I was to see that she was okay.

- Mr. Spofford said I was to see that she was okay.

- Get back to work, man.

When she wakes up, I'll point you out to her.

When she wakes up, I'll point you out to her.

I'll make specific reference to you.

- I wanna be here when she comes to.

- I wanna be here when she comes to.

- Why?

- Why?

- So the first kindly face she sees is mine.

Not yours.

Not yours.

- Where am I?

Am I where I think I am?

Am I where I think I am?

- Mount Snow.

- World famous ski resort.

Home of the world famous Japanese dream pools.

Home of the world famous Japanese dream pools.

- Did I get here the way I think I got here?

- Did I get here the way I think I got here?

- You came by helicopter.

I carried you in with your bags.

- Hear hurrah, for you.

- Hear hurrah, for you.

- I unlocked the door, and put a cold compress on your head.

- I unlocked the door, and put a cold compress on your head.

- Hear hurrah for you, too.

- I'm Lincoln Case, and I'd sure like to know you better.

- I'm Lincoln Case, and I'd sure like to know you better.

- I'm Tod Stiles, and somehow I feel

I already do know you better, Ms...

I already do know you better, Ms...

- Well thank you very much for all you've done,

- Well thank you very much for all you've done,

but you really don't wanna know who I am.

but you really don't wanna know who I am.

I'm Terry, the traitor.

So, don't you have something else to do?

So, don't you have something else to do?

(somber orchestral music)

(somber orchestral music)

Please go.

Please go.

(sighs)

- Alright.

She shows up drunk.

She shows up drunk.

Alright, you are all dismayed and dismantled, so to speak.

Alright, you are all dismayed and dismantled, so to speak.

Alright, she shoves the flowers in your face,

and then she takes off, right?

and then she takes off, right?

Why didn't you stop her, can you recall?

Why didn't you stop her, can you recall?

- Well it was unexpected, a shock.

My mind recoiled.

My mind recoiled.

- What does your mind recall before

it recalls recoiling?

it recalls recoiling?

- She was acting very funny, saying

all sorts of strange things.

all sorts of strange things.

I thought it was just the excitement of her leaving.

- Repeat to me one strange thing she said.

- Repeat to me one strange thing she said.

- Well strange thing is I don't remember.

- Well strange thing is I don't remember.

Yes, I do.

She called me a monster.

- Now why would she wanna say a nasty thing like that?

- Now why would she wanna say a nasty thing like that?

- I don't know.

- I don't know.

We've had only the most cordial of relationships.

- Now after your mind recalls recoiling, what?

- Now after your mind recalls recoiling, what?

- Well we did a romboyder rotation.

- Well we did a romboyder rotation.

A pyramid of kinetic cohesion.

A pyramid of kinetic cohesion.

Let me explain...

Let me explain...

- Did you go look for her, by any chance?

- Yes, she was nowhere to be found.

- Yes, she was nowhere to be found.

- You called her home, family, friends?

- [Heiss] Everybody.

- [Heiss] Everybody.

- Give me one good reason to be alarmed.

- Give me one good reason to be alarmed.

- My dear man.

Greta Inger Gruenschaffen may very well be

Greta Inger Gruenschaffen may very well be

the Joan of Arc, the Madame Curie,

the Joan of Arc, the Madame Curie,

the Albert Schweitzer to our muscularly thoughtless world.

the Albert Schweitzer to our muscularly thoughtless world.

And just because you don't happen

to care to understand the importance of this,

to care to understand the importance of this,

is no reason not to be alarmed.

is no reason not to be alarmed.

- Mister.

I got a brother-in-law, a dentist,

I got a brother-in-law, a dentist,

who's working on a theory he calls

astrological periodontra.

astrological periodontra.

Which, if the cosmic signs match,

Which, if the cosmic signs match,

he's gonna change the color of the bleeding of gums.

I don't happen to care to understand him either!

I don't happen to care to understand him either!

Now back to this young lady.

Now back to this young lady.

Would you happen to know if she was

in any kind of personal trouble?

in any kind of personal trouble?

- What would you say about running out

- What would you say about running out

on your life's mission?

- Hooray!

I'd say hooray!

I'd say hooray!

(lively orchestral music)

(lively orchestral music)

We'll start with the taxi cabs.

(hammer banging)

(hammer banging)

- Who's the coffee for?

- Same person you're making all the noise for.

- Same person you're making all the noise for.

- Same person you're making all the noise for.

(hammer banging)

(hammer banging)

Would you like to try our Japanese dream pools,

which are hot and cold, and very refreshing?

which are hot and cold, and very refreshing?

- No.

(hammer banging)

Would you like to go out tonight and

Would you like to go out tonight and

try some heavy, moonlight nail hammering?

try some heavy, moonlight nail hammering?

(door slams) (melodic orchestral music)

(door slams) (melodic orchestral music)

(hammer banging)

(hammer banging)

- Look, Linc, why don't you be a good buddy

- Look, Linc, why don't you be a good buddy

and get out of my way?

- No chance, buddy.

- Is friendship, friendship, or what?

- Is friendship, friendship, or what?

- Well that works both ways.

- You're not gonna give me a clear field?

- You're not gonna give me a clear field?

- No.

- Alright.

Alright.

Then all's fair, good buddy.

Then all's fair, good buddy.

(melodic orchestral music)

(melodic orchestral music)

- This is me.

I'm Greta Inger Gruenschaffen.

I'm Greta Inger Gruenschaffen.

Starting now, everything else never happened,

and never will again.

and never will again.

- Enough said.

- I won't even register you as Greta.

- I won't even register you as Greta.

I'll sign you in as Bess.

Bess Mensendieck.

Bess Mensendieck.

(laughs)

- How do you know about Mensendieck?

- How do you know about Mensendieck?

- Well, Germany, the turn of the century.

Dr. Bess Mensendieck, the founder of the

Dr. Bess Mensendieck, the founder of the

theory of body sculpture, by thinking to the muscle.

theory of body sculpture, by thinking to the muscle.

The basis of modern dance, and gymnastics.

- That exercise was not Mensendieck.

- That exercise was not Mensendieck.

Although Mensendieck was the basis of it.

Although Mensendieck was the basis of it.

- I thought it was a little Martha Graham-ish,

obviously you've worked with Daucrazi,

obviously you've worked with Daucrazi,

an educated guess.

You studied with Anna Sokolow.

You studied with Anna Sokolow.

- Tell me more.

- To a farm boy, thinking is thinking, and muscle...

- To a farm boy, thinking is thinking, and muscle...

- To a farm boy, thinking is thinking, and muscle...

Is muscle.

- Sometimes I wonder if all movement

is not basically in response to an

is not basically in response to an

inverted social tension.

An explosive, personal equation.

An explosive, personal equation.

- You'd love the top of that mountian.

- You'd love the top of that mountian.

- How do we get up there?

- Number three ski lift.

- I'd love to kick this around with you Greta, now,

- I'd love to kick this around with you Greta, now,

down at the dream pools.

Do you dig what I mean by an explosive,

Do you dig what I mean by an explosive,

personal equation, or not?

personal equation, or not?

- Well yes I dig, sure.

And I certainly dig holding you responsible

And I certainly dig holding you responsible

for whatever knowledge you have in my

area, or in any area, and I will not

area, or in any area, and I will not

discuss the matter with you any further,

because you are a dilettante, and because

because you are a dilettante, and because

you are not really interested in any

physically philosophical approach to tension,

physically philosophical approach to tension,

or any theory, or any technique.

As a possible answer to personal tension,

As a possible answer to personal tension,

As a possible answer to personal tension,

or social tension, and, or, political tension,

which is the logical extension, yes,

which is the logical extension, yes,

I am Mensendieck based.

I am Mensendieck based.

Think to the muscle.

Think, think, think to the muscle.

Think, think, think to the muscle.

And that is the very essence of all

physical aesthetic, whether you or I like it or not.

physical aesthetic, whether you or I like it or not.

I happen to be more Sophie Maslow,

I happen to be more Sophie Maslow,

than Anna Sokolow, but I'm really neither,

because I have my own gospel, and mission,

because I have my own gospel, and mission,

beyond gymnastics, beyond modern dance,

beyond gymnastics, beyond modern dance,

and beyond all present understanding.

and beyond all present understanding.

Do you have anything to say to that?

Do you have anything to say to that?

- Not now.

- Not now.

Maybe not ever in my life.

Maybe not ever in my life.

(laughs)

- I'll race you.

- To the ski lift?

- To the ski lift?

- To the top of the mountain.

- [Linc] You want a head start?

- Of course, I'm a girl.

- Of course, I'm a girl.

- See you around the dream pool, son.

(lively orchestral music)

(lively orchestral music)

(lively orchestral music)

- Hup, hup, hup, hup, hup, hup, hup, hup, hup,

- Hup, hup, hup, hup, hup, hup, hup, hup, hup,

hup, hup, hup, hup, hup.

hup, hup, hup, hup, hup.

- Hup, hup, hup, hup, hup, hup.

- Hup, hup, hup, hup, hup, hup.

(lively orchestral music)

(lively orchestral music)

(lively orchestral music)

(lively orchestral music)

Pardon me, but what are we trying to prove?

Pardon me, but what are we trying to prove?

- That I can beat you climbing that mountain.

- Why?

- Because you don't think I can.

- Because you don't think I can.

- Look I asked you to take a walk,

and now you're trying to make a war out of it.

and now you're trying to make a war out of it.

Suppose you beat me.

Now the war's over, and we haven't even said hello.

Now the war's over, and we haven't even said hello.

- I can beat you at anything.

- Well now you're pushing, just a little.

- Well now you're pushing, just a little.

- Tennis, swimming, skating, you name it.

- Tennis, swimming, skating, you name it.

- What happens to the mountain?

- We save it to last.

- We save it to last.

- Okay.

Into the trenches.

(lively orchestral music)

(shouts)

(laughs)

- What's next?

- What's next?

- Aren't you a little tired?

- No.

What next?

(groans)

(laughs)

(laughs)

That's very good.

Now the backstroke.

Now the backstroke.

(melodic orchestral music) (water splashing)

(melodic orchestral music) (water splashing)

Tired?

Tired?

- Next.

(labored breathing)

(labored breathing)

(melodic orchestral music)

(melodic orchestral music)

- What do we do next?

- Bottle of judo.

(water splashes) (Linc shouts)

(water splashes) (Linc shouts)

(water splashes) (Linc shouts)

(melodic orchestral music)

You want me to wait for ya?

You want me to wait for ya?

Hey there!

Are you still with me?

Are you still with me?

Oh.

It isn't nice for a girl to be so murderously competitive.

It isn't nice for a girl to be so murderously competitive.

- Must be something you can beat me at.

- Must be something you can beat me at.

Chinese checkers?

- Okay.

You win.

You win.

You win, and I lose.

What more do you want?

- Nothing.

- Nothing.

Not anything that girls want.

Like a dumpy old house to fix up

Like a dumpy old house to fix up

for some idiot to clump around in.

Certainly no kids to melt you down

Certainly no kids to melt you down

into silly globs of butter.

Nothing like that.

No nights at home together, worrying,

wondering, talking or just watching television,

wondering, talking or just watching television,

or trying to play Fur Elise on the piano.

or trying to play Fur Elise on the piano.

No quiet walks in the rain, and smelling lilacs, maybe.

No quiet walks in the rain, and smelling lilacs, maybe.

Not anything like that.

Nothing!

Do you understand?

Nothing!

(somber orchestral music)

- Every effort has been made to find her,

and an additional $27.42 expenditure

and an additional $27.42 expenditure

has been incurred in the search, for which

has been incurred in the search, for which

we shall have to, in some way, reimburse

member, Frida Hoffschwiezer, as the treasury was empty.

member, Frida Hoffschwiezer, as the treasury was empty.

member, Frida Hoffschwiezer, as the treasury was empty.

And in conclusion, I want to offer my resignation.

- [Crowd] No!

- [Crowd] No!

- Please.

(overlapping conversations)

(overlapping conversations)

I had a dream.

Greta.

Our Greta.

Lighting little fires of knowledge.

Tiny beacons of burning thoughts.

Tiny beacons of burning thoughts.

Pilot flames to the future of the universal

Pilot flames to the future of the universal

acceptance of the principles of physical revelation.

acceptance of the principles of physical revelation.

That dream became your dream.

That dream became your dream.

Now it's gone.

Poof, disappeared at the airport, at 3:15

Poof, disappeared at the airport, at 3:15

on a Sunday afternoon.

How?

How?

Why?

I just don't understand.

I just don't understand.

I honestly just don't know.

I honestly just don't know.

I do feel that my judgment is faulty,

I do feel that my judgment is faulty,

I do feel that my judgment is faulty,

and that my faith in certain human beings

are obviously misplaced.

are obviously misplaced.

- Have we tried to make a personal appeal?

- Have we tried to make a personal appeal?

- Fine, lets make it, how, where?

- In the newspapers.

- In the newspapers.

Certainly she'll be reading the Physical

Revelationist, wherever she is.

Revelationist, wherever she is.

We'll put a box in it.

All is forgiven.

All is forgiven.

All is forgiven.

- Come home, Greta Inger Gruenschaffen, huh?

- Come home, Greta Inger Gruenschaffen, huh?

(overlapping exclamations)

- [Group] Come home, Greta Inger Gruenschaffen.

- [Group] Come home, Greta Inger Gruenschaffen.

(lively orchestral music)

(lively orchestral music)

- And then she passed me coming down the

- And then she passed me coming down the

mountain, and there were still tears in her eyes.

mountain, and there were still tears in her eyes.

- Why don't you get into the cold pool,

and then get back into the hot pool?

and then get back into the hot pool?

That's the way the Japanese do it.

That's the way the Japanese do it.

- Yeah, in Yokohama, in the American dream pools.

- Yeah, in Yokohama, in the American dream pools.

- Are you complaining 'cause she beat you?

- No, she beat me fair.

- No, she beat me fair.

- Are you complaining 'cause your feet hurt?

- Are you complaining 'cause your feet hurt?

- They've hurt before.

- Well then what are you complaining about?

- Well then what are you complaining about?

- Well buddy there's something going on

inside that girl, something she's battling with,

inside that girl, something she's battling with,

but I'm not getting the real message.

but I'm not getting the real message.

- The real message is just plain old,

- The real message is just plain old,

girl-boy electricity stuff.

- Well then what did I do wrong?

- Well then what did I do wrong?

- Nothing.

The real message was for me.

(romantic orchestral music)

(romantic orchestral music)

- You ready, Tod?

- You ready, Tod?

- Honesty time?

- Certainly.

- You told me off.

And I was impressed, and you looked lovely

And I was impressed, and you looked lovely

in the process and I'm lost.

in the process and I'm lost.

- I meant what I said.

- [Tod] Well say more.

- [Tod] Well say more.

- Honesty time?

- [Tod] Sure.

- When do we eat?

- When do we eat?

- In about an hour.

- Why in an hour?

- Why in an hour?

- Because I figured twilight was the

best time for softening you up.

best time for softening you up.

- It is.

- I knew it.

- I knew it.

- I know it too.

- Why all the tears on the mountain?

- If I told you it might spoil the evening.

- If I told you it might spoil the evening.

- [Tod] Well then don't tell me.

- Don't ask me.

- Don't ask me.

How does it work?

How does it work?

(ski lift clatters)

(ski lift clatters)

- Greta, I feel a strong, unspoken,

current between us, don't you?

current between us, don't you?

- Oh yes.

- It's difficult to explain, it's more

- It's difficult to explain, it's more

than just a simple, physical attraction.

than just a simple, physical attraction.

I feel...

- What is it?

- Well it's on a higher level.

- Well it's on a higher level.

It has a physical quality, yes, but...

It has a physical quality, yes, but...

Look does a guy just make a straight

Look does a guy just make a straight

pass at you, or what?

- A straight guy makes a straight pass.

- A straight guy makes a straight pass.

- Oh yeah.

That's cogent.

That's very well put.

That's very well put.

Greta, sometimes a person seems to be

Greta, sometimes a person seems to be

fumbling, when actually he's reaching

out for something new, something difficult, and rare.

out for something new, something difficult, and rare.

- I agree with you.

- I agree with you.

But what are you reaching for?

But what are you reaching for?

- The unique, and special quality,

of the physical attraction between us.

of the physical attraction between us.

- Well when you put it that way, it almost

has a spiritual substance.

has a spiritual substance.

- Yes, it's a sixth sense area of time and space.

- Yes, it's a sixth sense area of time and space.

Purist, personally ionized passion,

Purist, personally ionized passion,

as though I could be a million miles away,

as though I could be a million miles away,

and we'd still be as one person.

Closer than close.

Closer than close.

- Honesty time?

- Do you have to ask?

- Do you have to ask?

- Do you really feel that way about me?

- Do you really feel that way about me?

- Well, why not?

I'd like to...

I'm trying...

Yes.

Yes, I do.

(ski lift clatters) (lively orchestral music)

(ski lift clatters) (lively orchestral music)

- [Greta] Isn't that great?

Never felt so close to you either.

(lively orchestral music)

(lively orchestral music)

(melodic orchestral music)

(melodic orchestral music)

(rotary dial clicks)

(dial tone)

(dial tone)

(phone rings)

- Hello?

- Hello?

Who?

Greta?

What are you calling so late at night, Greta?

What are you calling so late at night, Greta?

- Mrs. Horgal, your son Heiss is a monster.

- Mrs. Horgal, your son Heiss is a monster.

(rotary dial clicks)

(rotary dial clicks)

(phone rings)

(phone rings)

- Yes, Greta.

I'll wake him up.

I'll wake him up.

Why do you make two phone calls, Greta?

(lively orchestral music)

(lively orchestral music)

Heiss.

Greta Gruenschaffen is on the phone for you.

Greta Gruenschaffen is on the phone for you.

- Good girl, Greta, good.

- Good girl, Greta, good.

- Good girl, good.

Does she know that you sleep like a mummy

with dirty glasses on?

with dirty glasses on?

(melodic orchestral music)

(melodic orchestral music)

- Hello?

- Hello.

Heiss?

Oh, it's me, Greta.

Oh, it's me, Greta.

Where am I?

Where am I?

Oh, somewhere.

Mostly nowhere.

- Look, Greta, whatever your problem,

- Look, Greta, whatever your problem,

I want you to know you can still

talk to me in full confidence.

However I think you should be aware

However I think you should be aware

that I called a special meeting, and offered to resign.

that I called a special meeting, and offered to resign.

- Heiss, the reason why I called was

- Heiss, the reason why I called was

because I wanted you to know that I just

didn't wanna go away for two years,

didn't wanna go away for two years,

on our mission, alone.

- Well why didn't you speak up then?

- Well why didn't you speak up then?

- You had to speak up.

Just for once in your life, you lunkhead, you.

Just for once in your life, you lunkhead, you.

- Yes, I suppose I should have.

- Yes, I suppose I should have.

But I didn't think there was any question

as to my real feelings for you.

as to my real feelings for you.

- Yes?

Yes, Heiss?

- Well you're the one most important person in my life.

- Well you're the one most important person in my life.

That's why I worked so hard, for so long,

to send you away.

to send you away.

(phone clatters)

(phone clatters)

Greta?

Greta?

Don't hang up, where are you?

Don't hang up, where are you?

(sighs)

(sighs)

She doesn't understand.

She doesn't understand.

She just doesn't understand.

- Stupid girl.

- Stupid girl.

- She hung up on me.

That's downright irresponsibility.

That's downright irresponsibility.

You know what I'd like to do, mother?

I'd like to get my hands on that girl,

I'd like to get my hands on that girl,

and just shake her up.

Just grab her hard, on the trapezius, and shake her up.

Just grab her hard, on the trapezius, and shake her up.

- Shake her, Heiss.

- Shake her, Heiss.

Shake her already.

Shake.

Shake.

(melodic orchestral music)

(melodic orchestral music)

- Anything I can help to find?

- Do you have any serious reading matter

- Do you have any serious reading matter

on physical culture?

on physical culture?

- We do, but...

He's bought the only copy we get, and never sell.

He's bought the only copy we get, and never sell.

- Thank you.

- And how do you feel about our Greta, today?

- And how do you feel about our Greta, today?

- Excruciating.

- Excruciating.

Impossible.

Ecstatic.

How do you feel?

- Worse.

- All is forgiven, come...

Do you want her to be forgiven?

Do you want her to be forgiven?

- Not particularly.

You want her to go home?

You want her to go home?

- Not if she ran away, and certainly not now.

- Not if she ran away, and certainly not now.

(somber orchestral music)

(somber orchestral music)

(papers rustle)

- [Announcer] Attention please,

- [Announcer] Attention please,

Little D now loading, in front of terminal building,

Little D now loading, in front of terminal building,

for downtown Buffalo.

All aboard please, for downtown and uptown hotel.

All aboard please, for downtown and uptown hotel.

(plane engine rumbles)

(plane engine rumbles)

- Do you have any plane leaving, right away, for somewhere?

- Not for an hour, sir.

- Not for an hour, sir.

- Yes sir, may I help you?

- Yes sir, may I help you?

- [Heiss] Yes, when's your next flight up?

- My next flight departs this evening.

- My next flight departs this evening.

- Do you have some information on the

- Do you have some information on the

helicopter service charter flights, please?

- Yes I do, sir.

(singing in German)

(singing in German)

It's the time for revelation

Ya

It's time for revelation

It's time for revelation

(singing in German)

(singing in German)

(singing in German)

(singing in German)

Bringing here the good bark beer

Bringing here the good bark beer

Bringing here the good bark beer

(singing in German)

(singing in German)

(singing in German)

(singing in German)

From last year's stock

From last year's stock

Ya but don't knock last year's stock

(singing in German)

(singing in German)

(crowd cheers and applauds)

(crowd cheers and applauds)

- How do you put the spigot in?

- How do you put the spigot in?

- Well lets not ask anyone you know.

(keg spurts)

(crowd laughs)

(crowd laughs)

(speaking in German)

- Das is two handy Andy's.

- Das is two handy Andy's.

- Why don't you come enjoy my pints, it's my birthday,

- Why don't you come enjoy my pints, it's my birthday,

I'm celebrating being a fraud.

I'm celebrating being a fraud.

I'm a phony.

I'm a phony.

Greta Inger Gruenschaffen, the all around-est,

100 percent-est, physically ireviled-est,

100 percent-est, physically ireviled-est,

unconcealed-est, living-est phony on the

unconcealed-est, living-est phony on the

entire eastern coast.

"All is forgiven, come home Greta Inger Gruenschaffen."

"All is forgiven, come home Greta Inger Gruenschaffen."

Well I'm not going home.

I'm never going home.

He can take his Buffalo chapter,

He can take his Buffalo chapter,

and his great world mission of physical revelation,

and he can fly off and do his kinetic

and he can fly off and do his kinetic

cohesion pyramids on the moon.

- Well you can't just dismiss it that way.

- Well you can't just dismiss it that way.

What are kinetic cohesion pyramids?

What are kinetic cohesion pyramids?

- So the last time I practiced that think to

the muscle stuff, you must really got something, Greta.

the muscle stuff, you must really got something, Greta.

- Hey who is this guy?

- Hey who is this guy?

- Well.

You've been so dear to me, both of you.

You've been so dear to me, both of you.

And I've behaved very badly.

But I promise I won't anymore, because

But I promise I won't anymore, because

I'm going to be free, free at last, you understand?

One, two, three, free!

One, two, three, free!

(lively accordion music) (crowd cheers)

(lively accordion music) (crowd cheers)

(helicopter blades whir)

(helicopter blades whir)

(helicopter blades whir)

(lively accordion music)

(lively accordion music)

- Greta!

You will now,

this second,

this second,

come home.

(lively orchestral music)

(lively orchestral music)

(lively orchestral music)

(lively orchestral music)

Greta!

Don't hide from me, Greta.

Wherever you are, I'll find you.

Wherever you are, I'll find you.

- They're alright everyone, please, sit down.

- They're alright everyone, please, sit down.

(laughs)

- [Heiss] I demand that you fulfill our mission.

- [Heiss] I demand that you fulfill our mission.

In the name of all revelations.

In the name of all revelations.

Well you're betraying your own cause.

Well you're betraying your own cause.

And to call in the middle of the night and hang up...

- Friend, you're in a hotel lobby,

- Friend, you're in a hotel lobby,

and you're not behaving properly.

- I'm sorry.

- I'm sorry.

- Certainly not toward Ms. Gruenschaffen.

- [Heiss] Please don't protect me.

- [Heiss] Please don't protect me.

Now, Greta.

If you force me, I'll drag you out

of here by your follicles,

of here by your follicles,

painful to me as that may be.

- You are a monster.

- You are a monster.

(melodic orchestral music)

(melodic orchestral music)

- When one says A, they must say B.

- When one says A, they must say B.

- You never even said A.

The night before I left, you never said anything.

The night before I left, you never said anything.

- Never said anything?

(grunts)

(grunts)

Didn't I sit there all night and tell

you about my new theory on symbiotic compensation?

you about my new theory on symbiotic compensation?

That's not saying anything?

- I didn't listen.

- I didn't listen.

- You discussed it.

(grunts)

- There were lots of things that you discussed

- There were lots of things that you discussed

that I never listened to.

- Now, Greta, this is just a temporary syndronic blockage.

- Now, Greta, this is just a temporary syndronic blockage.

I know all the exact movements for it.

I know all the exact movements for it.

- Never, never again.

- Do you now deny your belief in a theory

of practice of physical revelation?

of practice of physical revelation?

- I question the premise.

- Question the premises?

- Yes, I'm asking myself if our theory

- Yes, I'm asking myself if our theory

is so good, and right for everyone,

is so good, and right for everyone,

and I'm it's living example, then

what am I doing here, up on this ledge,

what am I doing here, up on this ledge,

in a ski resort, on the off season,

hating you, hating myself, hating

hating you, hating myself, hating

everyone in the world, because I love you.

everyone in the world, because I love you.

(punch thuds)

(punch thuds)

(coughs)

(coughs)

- See, she questions the premises.

She doesn't believe.

She doesn't believe.

- Well maybe it's better that way, you're off the hook.

- Well maybe it's better that way, you're off the hook.

- She must think so, she's taking off, right now.

- She must think so, she's taking off, right now.

- I don't understand, what'd I do wrong?

Why's she so unhappy?

Why's she so unhappy?

- Don't worry, she'll get over it.

- Yeah, and you can go on the mission alone,

- Yeah, and you can go on the mission alone,

by yourself, gloriously, forever.

- [Linc] Day after day, and night after night,

fulfill your destiny, all by yourself.

fulfill your destiny, all by yourself.

Eat, sleep, drink, and think.

Eat, sleep, drink, and think.

Think to the muscle.

- Won't that be a ball?

- Won't that be a ball?

- Now you wouldn't want to give that up

for anything like a silly little girl who loves you?

for anything like a silly little girl who loves you?

Didn't you ever just once,

just once think to her muscles?

just once think to her muscles?

(melodic orchestral music)

(melodic orchestral music)

- Yeah.

(helicopter blades whir)

(helicopter blades whir)

Greta Inger Gruenschaffen!

I love you!

(helicopter blades whir)

(melodic orchestral music)

(melodic orchestral music)

- [Herbert] A Screen Gems presentation.

- [Herbert] A Screen Gems presentation.

Herbert B. Leonard, Executive Producer.

Herbert B. Leonard, Executive Producer.

(dramatic orchestral music)

(dramatic orchestral music)

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