Original subtitles

(pleasant music)

(pleasant music)

(grumbles)

- I've got to talk to you. (whispering)

- I've got to talk to you. (whispering)

- What do you mean?

Why not him?

- It's about him.

- It's about him.

- Oh, tomorrow.

Talk tomorrow.

Talk tomorrow.

- I'll be in my room.

- Oh, look, I have to be at work in about four hours,

- Oh, look, I have to be at work in about four hours,

and a saw mill is no place to be stumbling around,

and a saw mill is no place to be stumbling around,

half asleep.

So, uh.

Huh?

- He seems tough on the outside.

But inside he's tender and vulnerable, isn't he?

But inside he's tender and vulnerable, isn't he?

But inside he's tender and vulnerable, isn't he?

- Look I've seen Linc in action from coast to coast,

- Look I've seen Linc in action from coast to coast,

he can take care of himself.

- He's never met a girl like me.

- He's never met a girl like me.

- Goodnight, Miss Calabash,

whoever you are.

whoever you are.

- I'm going to hurt your friend.

The first present my father ever gave me was

The first present my father ever gave me was

a charlotte russe.

a charlotte russe.

I was nine.

It was just three weeks to the day that my mother

It was just three weeks to the day that my mother

left him.

I remember I didn't understand that charlotte russe.

I remember I didn't understand that charlotte russe.

I didn't know why he ignored me up to that moment.

I didn't know why he ignored me up to that moment.

Or why he loved me very much from that moment on.

Or why he loved me very much from that moment on.

I don't know why I felt,

I don't know why I felt,

that whatever he wanted me to be, that's what I had to be.

that whatever he wanted me to be, that's what I had to be.

Ever since then,

it's as though,

it's as though,

I became whatever anybody wanted me to be.

I became whatever anybody wanted me to be.

And they never know.

And they never know.

And I can't help it.

And I can't help it.

I can't help it.

All Linc knows is that he's met the perfect girl.

All Linc knows is that he's met the perfect girl.

- Hey, buddy, you in there?

- [Tod] Very interesting.

- [Marie] You're his best friend.

- [Marie] You're his best friend.

What should I do?

- [Tod] And you understand all these things about

- [Tod] And you understand all these things about

yourself.

- [Marie] I think so.

- [Marie] I think so.

- [Tod] But you can't do anything about him?

- [Marie] No.

- [Marie] No.

- [Tod] Because there are forces turned loose a long

- [Tod] Because there are forces turned loose a long

time ago, bigger than you,

time ago, bigger than you,

pulling at you,

making it inevitable that you hurt my friend in there?

making it inevitable that you hurt my friend in there?

- That's right.

- Well, after careful consideration of this very

- Well, after careful consideration of this very

serious situation and taking into account the time of

serious situation and taking into account the time of

night and Linc's vulnerability, I'd say uh...

night and Linc's vulnerability, I'd say uh...

Go ahead and hurt him.

Go ahead and hurt him.

Might even do him so good.

Goodnight, Marie.

Goodnight, Marie.

- Let it be on record, Linc's best friend,

- Let it be on record, Linc's best friend,

that I tried.

that I tried.

- It's on record.

- It's on record.

(melancholy music)

(melancholy music)

Hey, are you rough on the outside, but tender on the inside?

Hey, are you rough on the outside, but tender on the inside?

(machine whirs)

(machine whirs)

Are you ready to say "good morning" yet?

Are you ready to say "good morning" yet?

Hey, grouch!

When you turn human again, I have something funny

When you turn human again, I have something funny

to tell you!

(blade whirs)

(whistle)

(whistle)

(chattering)

(chattering)

Hey look, I knew a fella once who was dying to take a

poke at his boss right between the eyes.

poke at his boss right between the eyes.

He worked for one of those big insurance companies.

He worked for one of those big insurance companies.

You what he did instead?

Instead he stuck his finger in a pencil sharpener.

Instead he stuck his finger in a pencil sharpener.

- Great.

- Great.

It really brought things to a point didn't it?

- Ladies and gentlemen, it walks, it talks,

does it smile?

does it smile?

No, not exactly.

Look, Chief Blackcloud, why don't you instead of

Look, Chief Blackcloud, why don't you instead of

sticking your finger in that pencil sharpener in there,

take a poke at me?

take a poke at me?

Or get civilized and ask me nice and direct why I was in

Or get civilized and ask me nice and direct why I was in

Marie's room last night.

I was sound asleep.

She tiptoed in.

She woke me up, and then she begged me to come...

She woke me up, and then she begged me to come...

Come to her room.

But to talk about you!

Life is an imitation of fiction,

Life is an imitation of fiction,

they say.

they say.

Isn't that what they say?

Isn't that what they say?

Of course they say a lot of things that really aren't

worth saying.

worth saying.

Well, should be one merry birthday party tonight.

Well, should be one merry birthday party tonight.

(laughing)

(laughing)

(pleasant music)

(pleasant music)

- That's about her size, wouldn't you say, old buddy?

- That's about her size, wouldn't you say, old buddy?

- That's about her size, wouldn't you say, old buddy?

- [Girl] That's $12.97, sir.

- [Girl] That's $12.97, sir.

- Don't you have anything in black?

Sleeveless, and sheer enough that you can crush it in

Sleeveless, and sheer enough that you can crush it in

one fist?

one fist?

- That one's just fine.

- Would you like that gift wrapped?

- Please.

- Please.

- Will that be cash or charge?

- Cash.

- See that's your trouble.

- See that's your trouble.

You think nightgown,

not negligee.

- Here, let me.

- Linc!

- All of the sudden I'm not mad anymore.

- All of the sudden I'm not mad anymore.

- About last night?

- Yeah.

- Yeah.

- Linc, I am really surprised at you.

- Linc, I am really surprised at you.

- I never thought I was the jealous type.

- I couldn't sleep.

- I couldn't sleep.

I lay in bed thinking.

I lay in bed thinking.

It may sound silly, but...

I pictured us in a covered wagon.

I pictured us in a covered wagon.

Wouldn't it have been wonderful, Linc, if we'd lived in

those days?

those days?

(horn honking)

To be able to cross a prairie, or climb a mountain pass?

To be able to cross a prairie, or climb a mountain pass?

Suddenly I wanted to talk to someone about you, I...

Suddenly I wanted to talk to someone about you, I...

I wanted to share how I felt about you.

I wanted to share how I felt about you.

- I wake up easily, you might have shared it with me.

- I wake up easily, you might have shared it with me.

- Don't you see?

I can't tell you how I feel.

I can't tell you how I feel.

But someone else,

But someone else,

I can.

(pleasant music)

Oh, Linc, it's a very small town.

Oh, Linc, it's a very small town.

- Well next time tell me, okay?

- I promise.

- I promise.

(engine starts)

(engine starts)

(murmuring)

- Look, if you're gonna pick a fight,

I'll hold your nightgown.

I'll hold your nightgown.

- Placey ordered a keg of beer.

Placey.

Placey.

- Oh, yeah, I have to get it up out of the basement,

take a few minutes.

- Okay, draw two, huh?

(cards shuffle)

(cards shuffle)

- Papa!

- Oh, Marie!

(chuckles)

Is that you?

Is that you?

- You like it?

- Who bought that for you?

- You did, papa.

- You did, papa.

(laughing)

- It is such a dress.

- It is such a dress.

- Papa...

You still think I'm pretty?

- Well, why ask me?

- Well, why ask me?

Ask any man in the whole town.

Ask any man in the whole town.

He-ey.

You better ask those two young bucks that are stayin'

You better ask those two young bucks that are stayin'

with us.

You know, you have their heads spinning like ice

You know, you have their heads spinning like ice

in a spring flood.

- Hey!

- Hey!

What do you know, old Canadian?

(laughing)

(laughing)

- Oh, yes, I forgot.

They told me at the pension office that uh, that dark one,

Linc?

Linc?

- Mm-Hmm.

- He almost left an arm at the mill today.

- He almost left an arm at the mill today.

(laughs)

But he still have two good arms to hug you.

But he still have two good arms to hug you.

That mill, a man must keep his mind on his work.

That mill, a man must keep his mind on his work.

That mill knows, it waits.

That mill knows, it waits.

- Papa, I had nothing to do with it.

- Papa, I had nothing to do with it.

- Oh, no, no, no, the wind is the wind.

- Oh, no, no, no, the wind is the wind.

The wind must blow.

The wind must blow.

If it flatten the wheat?

It's too bad for the wheat?

It's too bad for the wheat?

Because, the wind is the wind.

- Papa, please don't talk about me that way.

- Oh, cherie, you know who you are?

- Oh, cherie, you know who you are?

- Mama!

(laughing)

(laughing)

- Yes, you could wear her shoes!

- Yes, you could wear her shoes!

She had something within her, that...

Made men for miles around feel something.

Made men for miles around feel something.

She, she had to make those men feel something for her.

She, she had to make those men feel something for her.

But I go to work every day in the mill.

But I go to work every day in the mill.

Keep my mind on my work.

Keep my mind on my work.

Why?

Because she is mine.

I never worry about her.

No, I work at the mill until I am 31 years old.

No, I work at the mill until I am 31 years old.

I never worried about her.

No.

No.

Because she was...

(somber music)

(somber music)

Because she was mine.

The wind is the wind.

The wind is the wind.

Too bad for the wheat.

Too bad for the wheat.

(murmuring)

(murmuring)

- Did you know I was a palm reader?

In ancient Egypt I would have been a high priest.

In ancient Egypt I would have been a high priest.

Strangers!

Strangers!

Are you like me, a seeker after the truth?

Are you like me, a seeker after the truth?

You on land, I on the high seas?

You on land, I on the high seas?

- Let go of my hand!

- Aw, come on, pal,

we got a big pot here.

- I am addressing myself to the brotherhood of Man.

- I am addressing myself to the brotherhood of Man.

- I am addressing myself to the brotherhood of Man.

A large type brawl is about to start gentlemen,

A large type brawl is about to start gentlemen,

could your hostilities, sir, use a good bloodletting?

could your hostilities, sir, use a good bloodletting?

(dramatic music)

One, a cheater is unmasked!

Act two, the tables are turned!

Act two, the tables are turned!

Act three, friends to the rescue!

Act three, friends to the rescue!

(grunting)

- You know what she told me last night?

She said she was afraid she'd hurt you.

She said she was afraid she'd hurt you.

- Yeah?

(grunts)

(grunts)

(pleasant music)

(pleasant music)

- I'll bring the beer out to the car for you.

- I'll bring the beer out to the car for you.

But do me a favor?

But do me a favor?

Send the barrel back.

I don't wanna see you guys in here again.

I don't wanna see you guys in here again.

Please?

- Let's get him outta here.

(groaning)

(groaning)

- Come on.

We better take him to a hospital.

- Nothin' doin'.

- Nothin' doin'.

I'm not spending my 14 hour shore leave in any lousy

I'm not spending my 14 hour shore leave in any lousy

hospital.

- Alright, where do you want us to drop you, buddy?

- Alright, where do you want us to drop you, buddy?

- Where you going, buddy?

- Well, a girl we know, she's having a birthday party.

- Well, a girl we know, she's having a birthday party.

- Well, a girl we know, she's having a birthday party.

Uh, hey, you're in no condition to be walkin' around.

- Oh, don't give it another thought, fellas.

- Oh, don't give it another thought, fellas.

After one month at sea, I'm ready for 14 hours

of action ashore.

of action ashore.

- [Linc] Hey.

- Alright.

I'll just curl up in some doorway and wait for the dawn.

I'll just curl up in some doorway and wait for the dawn.

- Get back in the car.

- You'll take me with you?

- To the ends of the earth.

- To the ends of the earth.

(laughing)

- Uh, how 'bout the chicks?

- Lovely.

Except uh, one of 'em's staked out, I think.

Except uh, one of 'em's staked out, I think.

Except uh, one of 'em's staked out, I think.

- Well, you just point her out, and she won't get a

nickel's worth of vibrations from me.

nickel's worth of vibrations from me.

(engine roars)

(engine roars)

(incoherent singing)

(incoherent singing)

(fun music)

(fun music)

(chuckling)

- Wherever you are,

- Wherever you are,

may the devil be your confessor.

may the devil be your confessor.

Hey, what happened, accident?

Hey, what happened, accident?

- Something like that.

- Oh.

No,

(chuckles)

it was not accident.

it was not accident.

It was fight.

And you win.

Now I tell you,

who start fight.

Him.

Him.

- Yeah, better a fight than nothing at all,

and better than a fight, a party.

and better than a fight, a party.

- We didn't think you'd mind, papa.

- We didn't think you'd mind, papa.

- Eyes of man who will not cut trees.

- Eyes of man who will not cut trees.

Because the forest is too quiet.

Eyes of a man who will pay to the devil for excitement.

Eyes of a man who will pay to the devil for excitement.

Eyes of a man, who is not hurt so bad as he say.

Eyes of a man, who is not hurt so bad as he say.

- And you old man have the eyes of one who sees blood.

- And you old man have the eyes of one who sees blood.

And calls it ketchup.

And calls it ketchup.

(laughs)

- I get Maria,

- I get Maria,

she is better than doctor.

(laughs)

(laughs)

- Let's get the beer.

- Let's get the beer.

- Welcome to the party.

- Welcome to the party.

- Linc and Tod, and a third one just come in,

- Linc and Tod, and a third one just come in,

the third one is hurt.

Oh, Maria, I bet you all the money I have,

Oh, Maria, I bet you all the money I have,

that this one is too tough for you.

that this one is too tough for you.

- Papa, what money?

- [Papa] Anybody wanna arm wrestle with a weak, old,

- [Papa] Anybody wanna arm wrestle with a weak, old,

one armed man?

one armed man?

- Uh, are you just looking for the potato salad,

- Uh, are you just looking for the potato salad,

or are you a nurse?

- Did you come here for first aid?

- Did you come here for first aid?

Or because there was a party.

Or because there was a party.

- 'Cause there's a party.

- 'Cause there's a party.

- Happy birthday.

- Happy birthday.

- Happy birthday, Marie.

- Happy birthday, Marie.

I had it wrapped nicely at the store, but uh,

I had it wrapped nicely at the store, but uh,

saloons are pretty rough on rosettes.

- Before you change clothes could you uh,

- Before you change clothes could you uh,

set up the beer in the living room?

The natives are thirsty.

- Sure.

- Sure.

Come on.

- Tod?

- Tod?

Thanks for your present too.

- What present?

- What present?

- A way to show Linc I'm not what he thinks I am.

- A way to show Linc I'm not what he thinks I am.

A way to hurt him a little bit,

A way to hurt him a little bit,

instead of a lot.

- Baloney.

And a happy birthday.

And a happy birthday.

- Lean your head back.

- Lean your head back.

This might have to be stitched.

This might have to be stitched.

- Your fingers are better than any needle and thread.

- Your fingers are better than any needle and thread.

- Or it'll leave a scar.

- Or it'll leave a scar.

- Now I see it.

- Now I see it.

Now this cut on my head has a meaning.

Now this cut on my head has a meaning.

The city, the fight, the wounds...

The city, the fight, the wounds...

Your hands.

Perfect circle.

Last year off Honduras I bashed the other side

Last year off Honduras I bashed the other side

on a bulkhead.

MacDonald was the ship's doctor.

MacDonald was the ship's doctor.

Now his hands on my head...

Now his hands on my head...

Mmm-mmm.

No point to that cut.

Nature's most exquisite instrument.

Nature's most exquisite instrument.

The hand of a woman.

The hand of a woman.

And the touch of a woman's hand.

And the touch of a woman's hand.

A sure reminder that we live,

A sure reminder that we live,

that we are alive.

That we feel.

You'd be surprised how different that touch can be.

You'd be surprised how different that touch can be.

- I feel so free to touch you.

- I feel so free to touch you.

I've always been afraid of my hands before.

I've always been afraid of my hands before.

Afraid they were clumsy, and indelicate.

Afraid they were clumsy, and indelicate.

My pet bird broke its wing once.

My pet bird broke its wing once.

I remember how I cupped it in my hand,

I remember how I cupped it in my hand,

nursed it, stroked it.

nursed it, stroked it.

Tried to hold the life inside of it.

But that life went right out through my fingers.

But that life went right out through my fingers.

You make my hands feel beautiful and sure.

You make my hands feel beautiful and sure.

- You know why, Marie?

Because you don't love me.

Because you don't love me.

- That's right.

- I've got 14 hours,

and then I go back to sea.

and then I go back to sea.

- Hey, that's a new shirt isn't it?

- Hey, that's a new shirt isn't it?

- Yeah, I've been saving it.

- Yeah, I've been saving it.

- Why do you wanna get it all torn up?

- Why do you wanna get it all torn up?

- I have no intention of letting anything happen

to this pretty little old new shirt.

to this pretty little old new shirt.

- Well, it has nothing to do with your intentions.

- Well, it has nothing to do with your intentions.

- Whose intentions?

- Marie's.

- To rip my shirt?

- To rip my shirt?

- Yours, mine, sailor Jack's, papa's.

- Yours, mine, sailor Jack's, papa's.

- Alright, Mr. Bones.

- Alright, Mr. Bones.

Why does a chicken rip a shirt?

- Well this particular chicken, Mr. In-a-Locket-of-Hers,

- Well this particular chicken, Mr. In-a-Locket-of-Hers,

is gonna pluck a few feathers from every rooster

is gonna pluck a few feathers from every rooster

in the barnyard.

in the barnyard.

- Why would she do that Mr. Bones?

Yuck-yuck-yuck.

Yuck-yuck-yuck.

- Look, Linc, I like Marie.

- Look, Linc, I like Marie.

I think I'm even beginning to understand some of her

private devils.

private devils.

- Look, buddy, I don't say you didn't hit a pretty high

average for a college boy,

average for a college boy,

but this time, allow me a few grains of country cynicism.

but this time, allow me a few grains of country cynicism.

- She gave me a warning last night,

for your sake.

for your sake.

Now all I'm tryin' to--

- Tod.

Now, let me find out for myself Marie's private devils,

Now, let me find out for myself Marie's private devils,

if she has any.

- A rotten shame.

- What?

- What?

- Such a beautiful shirt.

- The right.

Come on, come on.

Now,

now, you ready?

now, you ready?

Okay.

A one,

A one,

a two,

a three,

a three,

a go!

(chattering)

(chattering)

(grunting)

(grunting)

(chuckling)

(chuckling)

Hey, you see that?

I wonder if all those guys you bring,

they just let me win because...

they just let me win because...

Oh, hey, you see that?

Oh, hey, you see that?

- Havin' trouble, old fightin' partner?

- Ah, no sweat buddy, I'll get it workin'.

- Ah, no sweat buddy, I'll get it workin'.

- Sure, dad.

- Sure, dad.

Just uh, don't let it get the best of you.

Just uh, don't let it get the best of you.

Once something gets the best of you,

you uh,

lose control, know what I mean?

lose control, know what I mean?

(pleasant dance music)

(pleasant dance music)

Act one.

Remove the problem.

Act two,

add some fresh new juice.

- Hey, that's the best idea I've ever seen.

- Hey, that's the best idea I've ever seen.

- Act three.

Treat her nice and gentle.

Treat her nice and gentle.

Act four.

Act four.

See old buddy, you just don't have the magic touch.

See old buddy, you just don't have the magic touch.

(thud)

(thud)

(laughing)

(crash and glass breaking)

(crash and glass breaking)

(slap)

- That's for ripping Linc's shirt.

- That's for ripping Linc's shirt.

And that's for letting Papa use you over and over again

And that's for letting Papa use you over and over again

to prove that men are weak and women are bad.

to prove that men are weak and women are bad.

And that's for understanding this whole thing better

than anyone and not doing anything about it,

than anyone and not doing anything about it,

now get up.

(laughing)

- Hey, your friend Linc,

he is lion, fighting for his place inside.

he is lion, fighting for his place inside.

(chuckles)

(chuckles)

Best darn party I ever seen.

(laughing)

(laughing)

(car engine starts)

(car engine starts)

(tires screech)

(melancholy music)

(melancholy music)

- She took the keys!

How do you like that, I'm trying to communicate with her,

and she lifted the keys.

(chuckling)

(chuckling)

- The best darn party I ever seen.

- The best darn party I ever seen.

(carnival music)

(carnival music)

(smash)

- Cool it, Charlie, you said go for a prize.

- Cool it, Charlie, you said go for a prize.

Good day, sir.

(clicking)

(clicking)

(chuckling)

(somber music)

(somber music)

- Why don't we go back to the house and wait for her?

- Why don't we go back to the house and wait for her?

- I wanna feel that sailor's face around my fist.

- I wanna feel that sailor's face around my fist.

If I go back now I'm liable to hit Papa, too.

If I go back now I'm liable to hit Papa, too.

You see the way he laughed when she ran out?

You see the way he laughed when she ran out?

What is he?

What kind of a house is it she has to live in?

What kind of a house is it she has to live in?

- She wasn't kidnapped.

She took the keys, remember?

She took the keys, remember?

She drove off with the sailor, not vice versa.

She drove off with the sailor, not vice versa.

(phone rings)

(phone rings)

- [Man] Black all around.

- [Man] No short nights are there?

- [Man] No short nights are there?

- They get longer all the time.

- [Man] You can say that again.

- [Man] You can say that again.

- Want some coffee?

- Want some coffee?

- She's not home yet.

- How 'bout some hot chocolate,

maybe it'll settle your stomach.

maybe it'll settle your stomach.

- Okay, so she played covered wagon with me.

- And now she's playin' pirate with him.

- And now she's playin' pirate with him.

- Now what's that make her, a louse?

I'll tell you what it makes her,

a girl with a problem.

a girl with a problem.

Mine's easy, I just miss her.

Think how tough hers is.

Think how tough hers is.

You think she enjoys hurtin' me?

You think she enjoys hurtin' me?

- Well, one thing about a long night,

- Well, one thing about a long night,

you don't sleep your life away.

you don't sleep your life away.

You get out, you live,

and you meet all kinds of fascinating people.

and you meet all kinds of fascinating people.

(melancholy music)

(melancholy music)

(playful music)

(playful music)

- I don't believe your kisses.

- I don't believe your kisses.

- Are kisses to be believed?

Or enjoyed?

Or enjoyed?

- What do you know about me?

What do you care about me?

What do you care about me?

- 14 hours.

Isn't that all that matters?

Isn't that all that matters?

- Didn't it seem strange to you that I know every night

- Didn't it seem strange to you that I know every night

spot in this city?

Every street?

Every street?

- Why should it?

- I got born here.

- I got born here.

How, or to whom, who knows,

How, or to whom, who knows,

or as you say, who cares?

or as you say, who cares?

That supermarket tonight,

That supermarket tonight,

I kept driving back and forth in front of it.

I kept driving back and forth in front of it.

You never once asked why?

There used to be an orphanage there.

There used to be an orphanage there.

The whole playground was one oak tree with a tire

The whole playground was one oak tree with a tire

for a swing.

Me back and forth,

Me back and forth,

back and forth.

You wanna laugh?

One day the orphanage went broke.

You ever hear of such a thing?

You ever hear of such a thing?

That's like a church going out of business,

that stinkin' orphanage went broke.

that stinkin' orphanage went broke.

And the kids,

And the kids,

out.

Like dice.

They came out boxcars and snake eyes.

But I'm boring you,

But I'm boring you,

you don't care about me.

You don't care about anybody.

You don't care about anybody.

- I care about you very much.

- I care about you very much.

For right now.

For right now.

Right this very minute.

I can even think about Linc and not cry.

I can even think about Linc and not cry.

- He buys you presents.

He looks at you and trips on the stars.

He looks at you and trips on the stars.

And the first man that comes along, where are you?

(melancholy music)

(melancholy music)

Hmm?

Hmm?

Where was Linc then?

Tell me I'm a fake.

Tell me I'm a fake.

Tell me the world is beautiful and nice.

Tell me the world is beautiful and nice.

And the people are shiny,

come on, Marie, tell me.

Tell me.

Tell me.

- You're not a fake.

You're alive.

You're alive.

You're the wind from a place I've never been.

You're the wind from a place I've never been.

- You know what you are?

You're nothin'.

I look at you and I see myself.

I look at you and I see myself.

And I'm sick of myself.

And I'm sick of myself.

I'm sick of sailin' into one port and grabbin'

14 hours, then sailin' out again.

14 hours, then sailin' out again.

- I don't understand you.

- I don't understand you.

A minute ago you were fun.

A minute ago you were fun.

Now you're weak,

Now you're weak,

you cry.

I don't know who you are anymore.

I don't know who you are anymore.

I don't know what you want me to be.

I don't know what you want me to be.

- Come out, Marie.

Come out, come out, wherever you are.

Come out, come out, wherever you are.

- I don't know what you want me to be.

(music swells)

(music swells)

(melancholy music)

- [Linc] Where is she?

- [Linc] Where is she?

- Both of you?

- Just me.

- That's not very flattering.

- That's not very flattering.

(thud)

- Can't you see he's not gonna fight.

- Can't you see he's not gonna fight.

- All I wanted was her to give me a reason for staying.

- All I wanted was her to give me a reason for staying.

I begged her.

Give me one stinkin' reason,

Give me one stinkin' reason,

give me somethin' to stand on.

give me somethin' to stand on.

But she couldn't do it.

Oh...

Oh...

Oh, buddy, I'm way ahead of you.

Oh, buddy, I'm way ahead of you.

All the way down the line.

All the way down the line.

I'm all fought out.

- Here's your stuff.

- Here's your stuff.

- Is this uh...

Is this the moment where we all shake hands

Is this the moment where we all shake hands

and become brothers?

No tolerance?

No tolerance?

No understanding?

Well I guess that's the way it is.

Well I guess that's the way it is.

If a guy can't stand on land,

If a guy can't stand on land,

he better go stand on the water.

he better go stand on the water.

(somber music)

(somber music)

(snoring)

(snoring)

- Maria?

You miss great party.

But, I save cake!

(chuckles)

I save.

- Goodbye, papa.

- I save cake.

You know, that big fat tub Henry Bascomb?

You know, that big fat tub Henry Bascomb?

He gets cake all out, and candles are lit,

He gets cake all out, and candles are lit,

and he is just about to cut and I said, "No, no, no

and he is just about to cut and I said, "No, no, no

"Henry Bascomb."

(chuckles)

(chuckles)

- I'm going now, papa.

- I say, "No, Henry Bascomb, you gotta make big wish,

- I say, "No, Henry Bascomb, you gotta make big wish,

- I say, "No, Henry Bascomb, you gotta make big wish,

"you must close your eyes and make big wish,"

and when he close his eyes you know what I do?

and when he close his eyes you know what I do?

I threw him,

I threw him,

all the way down the steps.

all the way down the steps.

- I never saw you before until just now.

- I never saw you before until just now.

While you were asleep.

While you were asleep.

Don't worry about me, papa.

Don't worry about me, papa.

- Is it that sailor?

- Is it that sailor?

- No.

- Well I break him into pieces!

- Papa, listen to me just once.

- You...

You been drinkin'?

You been drinkin'?

You are your mama.

You are your mama.

You just...

Ain't no good!

Ain't no good!

- I'm nobody.

I'm not good, not bad, not anything!

I'm not good, not bad, not anything!

(melancholy music)

(melancholy music)

Last night a sailor made me see that.

"Come out, come out wherever you are."

"Come out, come out wherever you are."

That's what he said.

I have to be somebody.

I have to be somebody.

I have to try to be myself.

I have to try to be myself.

- Maria.

- You won't find yourself out there, Marie.

- You won't find yourself out there, Marie.

I know, I've been there.

Sure, I move around a lot.

But there's a difference.

But there's a difference.

I'm not looking for myself, or other people.

I'm not looking for myself, or other people.

- Happy birthday to you.

- Happy birthday to you.

- Happy birthday to you.

- Happy birthday to you.

- Happy birthday, dear Maria.

- [All] Happy birthday to you.

(music swells)

(music swells)

(pleasant music)

(pleasant music)

- [Announcer] A Screen Gems Presentation.

- [Announcer] A Screen Gems Presentation.

Herbert D. Leonard, executive producer.

Herbert D. Leonard, executive producer.