Route66 - S03E31 (Soda Pop and Paper Flags) subtitles – 100+ languages (SRT)

All language subtitles for Route66 - S03E31 (Soda Pop and Paper Flags)

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Original subtitles

[happy orchestral music]

[jazz music]

- You can usually tell about a person the way they

handle themselves at a hotel magazine stand.

- Oh?

- They buy one, bored.

They buy two, lonesome.

Three or more and no guy has a chance.

- Suppose they don't buy any?

- Well in that case...

- [Tod] Next stop Memphis, remember?

Bill Street, barges and bales? South?

- What are you going to do?

You run around with a cotton picker, you pick cotton.

[playful music]

[dramatic music]

[train whistle]

[happy orchestral music]

[train whistle]

[dings]

- Eternal?

- Feels like it.

[horn blowing]

[dramatic music]

[calm music]

- Better pull up that front tire.

It feels like it's loosing air.

- Okay.

- Why don't I stick with the car

and you go get us some hamburgers?

- Why don't you stick with the car

and I go get us some hamburgers?

- I like your thinking.

- Wheeler's is just two blocks down

and half a block over.

[can rattling]

[kids yelling]

[bell dings]

- Nice.

- Uh-Huh.

- Ever open her up all the way?

- Hey, come on Pete, we're gonna catch it.

- Okay, okay.

- You guys been to a big poker game?

- Nah, crummy movie.

I don't guess you're gonna be in town very long.

- 'bout an hour.

- [Boy] Hey, Pete!

- I'll give you a nickel, if you take me for a ride.

- I'll keep it in mind for when I need a nickel.

- Well, so long.

- So long.

[mysterious music]

[suspenseful music]

- Hey!

- Over here, over here.

- Come on come on, stop it.

Come on!

Gimme it! Alright, alright,

you've had your fun!

Now give me it.

Come on, come on, gimme it.

Come on, come on.

[dramatic suspenseful music]

[intense dramatic music]

Hey come on!

[men arguing]

[punches]

[slaps]

[dramatic music]

[punches]

[slaps]

[siren]

- We were just goin' into Wheeler's for a sandwich,

when this tramp tried to

put the squeeze on us for a drink.

Tried to brush him off politely and he got mean.

- Yeah, he got mean with three guys half his age.

- Are you two together?

- No. I just didn't like the odds.

- They took my duffle bag,

then they scattered my clothes all over the sidewalk.

I tried to stop them.

- How 'bout it Johnny?

- Gladly, I told you what happened.

- You two better come along with me.

- Just a minute, Whit.

Ms. Jackson, you saw the fight start, didn't you?

- All the tramp...

All he did was try and protect himself.

[slap]

- You wanna press charges?

- Look, we were just havin' a little fun!

- I'm sorry, Mr....

- Uh, McNeill.

- I apologize for my son

and the others.

- How 'bout it, you wanna press charges?

- No, putting them in jail won't change anything.

- Thanks McNeill.

Come on.

- Andy Ferguson.

- Well, hi ya.

- Tod Stiles.

- Don't judge us by what happened tonight.

We're really, a very, hospitable little town.

Why don't you stay around a little bit

and let us prove it.

How 'bout it McNeill?

Either of you want a job,

stop by the personnel office, at Midland Rubber tomorrow.

I'll tell them to expect you.

- [McNeill] I'm an outside man.

- [Andy] Yard work?

- Yeah.

- Well, my home address is on there too,

why don't you come by late tomorrow afternoon?

Thank you.

Goodnight.

- Goodnight.

- So long.

- Can I buy you a hamburger and a cup of coffee?

- No, thanks.

- But, it isn't a handout.

- Now look, just because you happened

to be on my side-- - McNeill,

relax, huh.

- Maybe, you just like to fight,

but I'd take the time to find out who's right

and who's wrong before I got in there

and started swinging.

Ya know, thos kids may have been telling the truth.

[dramatic music]

[suspenseful music]

Where ya headin'?

- Memphis, nothing definite.

- Well, one town's as good, or as bad as another,

but they all have one thing in common,

scared people.

- Scared, not scared, good or bad, people.

- You stay in the same place long enough, you get scared.

- Been on the road long?

- Yeah, quite a few years.

- Ah, you must've seen everything twice.

[chuckles]

- Yeah, I covered a lot of ground.

- Like the life?

- Works for me.

Thanks for helpin' me.

[chuckles] - That's okay,

You'd have probably done the same for me.

- I doubt it.

[dramatic music]

- Funny thing happened to me on the way to the restaurant.

- There was this gorgeous blonde.

Gorgeous redhead?

Ugly brunette?

- You now that big hurry I was in to get to Memphis?

I'm not in such a hurry anymore.

- That funny thing that happened to you

on the way to the restaurant?

- Who knows when you'll get another chance to

work in a rubber processing plant?

- Maybe never.

[bright music]

- Here's my nickel.

Your friend promised me a ride.

- Oh, well that's a promise my friend won't be

able to keep for about a week.

But, I might be open to the same offer.

Well, the first one's always on the house.

My friend's the greedy one.

That's why I took a job turning out the product

at 85 per and he hit the road selling the product

at 110 per.

So, in as much as I'm making less than he is this week,

you can keep the nickel.

- Go ahead, dad, I got a ride!

- Okay, son, I'll see you at the house.

[bright music]

- If your friend stays on the road,

who's gonna take his place?

- Ya have anybody in mind?

- You need a navigator.

- Yeah, well, good navigators are hard to come by.

- I learned navigation years ago.

Next month, I get outta school for the whole summer.

- Well, maybe we can do some navigating then.

- Oh, please, Mr. Stiles.

Don't humor me.

I'm the man for the job.

I'm qualified. I'm building a rocket.

Solid fuel, only I'm gonna skip the moon.

I'm going for deep space.

I've got everything figured out,

except the outer skin problem.

Ya see, I want this at least 5000 G's acceleration.

- Well, um, what's your outer skin problem?

- No one's come up with a metal yet

that won't burn out at the speed I want

ya know, Mr. Stiles,

some nights I just stay awake,

just thinking and thinking about re-entry problems.

Because, my rocket has to be the biggest in the world.

'Cause I have to take mommy,

I have to take dad, and my dogs, and Mable.

- Mable's a good idea.

A smart boy like you that can build a rocket ship,

he oughta have his girlfriend along.

- Mable's not my girlfriend.

She's mommy's housekeeper.

Mommy always says, she can do without daddy and me,

but she could never do without Mable.

- Do you like to hunt ducks?

- Mhm.

[bright music]

[car horn]

- Hi, Mr. Ferguson.

Where's Pete?

He's out riding a shooting star.

- Huh?

[chuckles] - Don't worry,

he'll explain it all.

Well, the yard's looking great.

- Thanks Mr. Ferguson.

- How's the warehouse working out for ya?

- Well, it's a place to sleep.

- Well, you'll be wanting to find a room

before cold weather.

- Well, I don't want to get too comfortable.

[chuckles]

[calm music]

[buzzes]

- Mr. Case.

- Most of the boys would already be plant in the chair.

- I'm used to standing.

- So take a load off. Plant.

Linc Case, Midland Processing.

Hot water bottles and ice bags, check?

- And foot warmers.

Everything from head to toe.

- What do you say?

- Sir?

- I know Harrison, your sales manager.

He doesn't send out green kids.

Unless...

Yeah, that's it.

A whole new style.

That Harrison, he finally got the picture.

- Frankly, Mr. Horst, this is sort of new to me.

There were only two jobs, open at Midland.

One in the plant and one on the road.

My buddy and I, we flipped a coin.

I'm heads.

- Ya know, Linc, or we might as well

get down to first names.

I'm Jim.

Harrison's been after me for six years now,

trying to land a big order.

See, I buy for a chain.

Well, 1000 gross.

For me, that's nothin' to order.

But, Harrison's been sending in these clucks, ya know, Linc?

Guys, drag their whole lives behind 'em.

Broken down types, no style.

Well, they come in here and try and get your sympathy.

I don't buy on pity.

That Harrison, he finally sees the light.

Sends in a bright young fellow,

with a whole lifetime ahead of him.

See, that's my thinking.

Makes me feel young.

Not that I'm old, but...

You been in town long?

- Just today.

- Mmm.

A Young fellow like you,

that doesn't make much difference,

See what I mean?

All you have to do, is walk down the main street,

or, pull up a stool at a bar.

Yes sir, a young fellow like you,

that's where the action is.

- Thanks for the vote of confidence, Mr. Horst,

but, uh, I had lunch and came over here,

and I've been sitting in your outer office,

since two o' clock, rehearsing my sales pitch.

How do you convince anybody that your ice bag

is better than somebody else's?

- Yes sir, you're the first young salesman

that's come in here in months.

I can see, Linc, you've got get up and go.

So...

let's us, get up and go,

hmm?

Let's go find the action.

[mysterious music]

- Well, how are things going at the plant?

- Pretty well, I think I'm beginning to

earn the money you're paying me.

- Well, with your background and education,

you'd be worth a lot to the company,

if you decided to stay on.

Guess you've heard this before.

- Well, that's the sorta thing you don't mind hearing

every hour on the hour.

- Ya know, I used to have that restless feeling.

Carried to it's logical,

or illogical conclusion,

It comes up, Emmett McNeill.

Ya know, people like you Tod,

and what, what more does anyone have a right to expect

than a good job and pleasant surroundings?

I'm not pressuring,

I just wanted you to know

in case you're ready for something permanent.

- Well, how did you do?

- Johnny got two, dad.

- What's the matter with Don?

- He's not feelin' too good Andy,

I think he's got a fever.

- Well, let's get him into your car, George.

- Well, old buddy, how are things

at the executive sales level?

You making any contacts?

Aw, just sales contacts,

that's too bad.

No, no, there's no action here.

I'm already in my pajamas ready to curl up with a good book.

The ma-- [phone crashes]

Huh? I think we have a bad connection.

Oh, no, no, I wouldn't come down for the weekend.

It's that dead, huh?

That's too bad.

Well, I'll tell you what I'll do,

if somethin' comes up here,

well, I'll find out where ya are

from the girl in the office and I'll give you a call.

But, I wouldn't count on it.

Yeah.

Goodnight, buddy.

[phone clicks] [door knocks]

Come in.

[door opens]

[foot steps]

- I'll have to ask you to come with me, Stiles.

- And what does that mean?

- It means, I got orders.

- Just like that? Why?

- Why don't ya wait 'till you get there,

they'll tell you why.

[mysterious music]

- Do you know what this is all about?

- Scared people.

- Scared of what?

- Strangers. You and me.

[suspenseful music]

- Why the hospital?

- Come on.

Move! - Go on, lay off.

- Cops pick up you guys too?

- Yeah. They tell you why?

- I'm only stuck in this bird because

my truck broke down.

I was doin' El Paso, three days ago.

- Alright, you first.

- For what?

- My instructions are to run a blood test on each of you.

- You know, I don't hand out free samples,

unless I know why.

- Come on you guys, the sooner you give 'em what they want,

the sooner we can get outta here.

- Do what ya like with your blood,

just don't get generous with mine.

- Oh, what makes you special?

- Who ordered us brought here?

- All I know is, I'm supposed to get three samples.

- Yeah, well, when we get answers, you'll get samples.

- I'm ready.

[snickers]

- Well, this is a switch.

They usually take me to jail.

- Mr. Ferguson, what's going on here?

- Tod, they brought Don in this afternoon.

Now Pete's sick.

- In here, McNeill.

- Not me.

- Please, Mr. McNeill.

- You heard him, kids are sick!

- All I heard was, "In here, McNeill."

- We're wasting time.

- Now look, there are two ways you can get my blood.

You can tell me what this is all about,

and I mean really tell me,

or you can drag me in there and hold me down

and take it by force.

Well, I'm warning you, you're gonna need two men.

- What we face is a possible epidemic,

a rare type of sleeping sickness.

First, Don Simmons, now, Pete Ferguson.

Outside of a case or two in Texas,

I've never heard of this anywhere else

in the United States.

- You think one of us brought it in.

- Somebody brought it in.

The truck driver comes from El Paso.

How 'bout you Mr. McNeill?

- I was working in Texas.

[group talking indistinctly]

- Andy!

It was the tramp, wasn't it?

- The doctor's just starting the tests.

- Oh, Andy what have we done?

Giving that tramp a job in this town?

- We don't know it's McNeill.

- In this day and age, nobody has to

live the way he does, nobody.

Unless, there's a reason for it.

A very good reason.

- It may not be any one of the three.

- It came from outside.

[jazz music]

- Her name is Mary.

Did you see the way she looked at you?

Behind those long lashes of her's,

every time she passes.

Are you just married or something?

- No.

- Ahh.

I lived in this town 20 years.

Man in my position, he can't afford to take any chances.

My wife's old man, he's a mayor.

But, if anybody sees me out with a salesman,

well, that's all in the line of business.

See what I mean?

They say, uh...

Mary's got a sister.

A real honey bear.

They live out at the edge of town,

all by themselves.

Well, of course, I've never been out there.

A man just can't, walk out

and knock on the door now, can he?

Did you see that?

Ask her what she's doin' later.

- Suppose she says okay?

- Do I gotta draw you a picture?

My car's outside, right?

I got a couple of bottles in the trunk,

so we just amble out to the edge of town,

and see what Mary's little 'ol sister's doin'

- I want you to understand this, Mr. Horst.

- Ah Ah...

Jim.

- I want you to understand this Mr. Horst,

for a lot of us.

I don't know very much about those ice bags,

I been tryin' to sell ya.

I happen to think they're pretty good.

But, even if they were the worst ice bags in the world,

that doesn't make any difference,

because I wouldn't sell you a single one, good or bad.

See what I mean, Mr. Horst?

[piano jazz music]

[sad music]

- Ya know, when I was a kid, after my mother died,

I spent some time in boarding school.

One semester, they brought out a new boy and

he was sick, ya know.

I mean, when they brought him in.

But, he didn't know it, and they didn't know it.

About 20 of us came down with scarlet fever.

The new boy got over it,

but two of the other kids died.

One of them was my best friend.

After that, everyday on the ball field,

I'd pick a fight with that new kid,

but he'd never fight back.

So, I'd just keep punching him and yelling,

until they pulled me off him.

Finally, he ran away.

They found him in a lake.

When my friend died, I,

I didn't cry at all.

But later, when I got to thinking

about that boy that drowned,

I started crying, and I couldn't stop.

[knocks on window]

- In there. Strip and get into that.

And, the rest of you can go.

- Thanks.

- You sure?

- It's in your blood.

- What does that prove?

Couldn't he have picked up the infection here in town

just like Pete and Don?

Just because he worked in Texas,

does that mean something?

- So what now?

- We'll disinfect.

His person, his clothes,

that old warehouse he's been sleeping in.

We'll get a list of the places he's worked,

and people he may have exposed.

- Pete's in 212, if you'd like to look in later.

- Well, where is he now?

- He's with Dr. Glazer.

The only question, now, is how do we deal with him?

- I don't think that's up to us.

- So what do we do?

Buy him a new suit of clothes and kiss him goodbye?

We can't let him go out and infect kids in the next town.

And the one after that.

[suspenseful music]

[calm music]

- Pete?

Remember my greedy friend?

The one who's on the road?

I talked to him a little while ago

and he wanted me to be sure and say hello to you.

He said,

for another nickel,

I can tell you one of his stories.

Now, Pete,

Picture a steaming, hot day,

in one of those south Texas oil towns.

A bunch of kids are just going to explode

if they can't cool off.

Ya know, you're lucky, you can just hop on your bike

and ride down to the lake.

But, Linc, he didn't have a lake within 100 miles.

Unless you call

that oil a lake. [chuckles]

- What did he do?

- Well, picture this hill out on one end of town,

leading right smack down onto a dirt road.

Picture the carts that Linc and the other kids made

out of crates and whatever wheels they could scrounge.

Ya got that?

Well now, on this dirt road, in those days, there used to be

lumber wagons, and ice wagons and such

coming by all the time.

And, right at the crossroads,

was a big stand of cottonwood trees blockin' the view.

Well, Linc and the kids used to come tearin' down that hill,

and they'd see how close they could come to those wagons.

That was the idea.

Besides,

comin' down, the breeze was supposed to cool ya off.

- Well, what if,

what if the wagon was coming by?

- Well, I asked Linc about that,

and he said, one Summer, he was roarin' down that hill,

and he went right under a wagon.

Right between the wheels, ya know?

Just ducked down and came out the other side.

- Boy.

- Yeah.

I guess he was about the most

famous kid in Lander, after that.

Linc, he said that he did it to cool off,

but I think he did it to prove

that when you're a boy,

nothin' can hurt ya.

Just like you'll be.

Nothin' can hurt ya.

You're gonna be fine.

Cool and fine.

- Why don't I feel sick, like the kids?

- It takes a greater degree of infection,

to make an adult ill.

Or, you might have built up some kind of immunity.

- Well, when you disinfected my clothes and the warehouse,

did you find any ticks?

- No.

- Whit!

Tell me ya didn't get the press?

- Now, George.

- You gonna arret him?

Now, we've got a right to know.

- I've come to find Andy Ferguson.

- That bum's not gonna get away with it, Whit.

- What are you gonna do, George?

Lynch him? I don't see a rope.

How you gonna lynch him, without a rope?

Andy?

They'd have gone in after him,

if they weren't all outlawed by the hospital.

Sooner or later they'll work up to it.

Especially, if another child is brought in sick.

How's your boy?

- No change.

- You through with him?

- You going to arrest me?

- My orders are to take you into the next town,

and dump you.

- If we don't get him out of town, Tod,

there's gonna be trouble.

- Mr. Ferguson, you're talking about me, and I'm right here,

so why not talk to me?

- McNeill, this is not an easy situation.

- Oh, but you're looking for an easy solution, is that it?

- The important thing, is to get him out of town,

without any trouble, right?

- Right.

- Well, those men in the lobby that saw you come in,

will be waiting for you to go out with him.

Why don't you let me take him out the back way?

- I don't know.

- No, Whit, that's a good idea.

- You'll take him on outta town?

- Yeah.

- I guess it's alright.

- Is it alright with you, Emmett?

- Johnny?

Go get everybody some coffee.

- I mean, how 'bout some hotdogs,

soda pop and paper flags?

- [George] Shut up and get the coffee.

- Listen, tossin' a duffle bag around,

and havin' a few laughs, that's one thing.

I'm goin' home.

- Logan, get some coffee.

[menacing music]

[suspenseful music]

- Hurry it up, McNeill.

- This is as far as I'm going.

- You can't stay here.

- Well I can try.

- Well, why should ya?

- Well on the other hand, why shouldn't I?

- McNeill.

You gotta try and understand these people.

They were born inside.

Cozy and warm in this tight little cocoon of a town,

and they've stayed inside, snug and clean and warm,

pretending there's nobody and nothing outside.

But, every once and a while,

something from the outside manages to slip in,

and they get a good look at some of the cold,

and dirt, and hunger and sickness that's outiside,

and it scares 'em.

And then they fall all over themselves,

trying to get rid of whatever it is

that's threatening their nice, clean, little world.

If you're Andy Ferguson, you'll try and sneak it outta town,

but if you're Simmons, ya have to stomp it and smash it.

- Now don't you get involved in this, kid.

- Emmett.

How's your gin rummy?

[mysterious music]

[suspenseful music]

[tires screeching]

[phone ringing]

- Hello.

No operator, if you can't release,

they'll talk to Mr. Morrison.

Hello, Mr. Morrison?

Linc Case.

I'm calling from Mortonsdale.

Oh?...

Mr. Horst called you already?

I don't know, I guess he doesn't like

the way I comb my hair.

Let's just say, I'm not cut out to be a salesman.

Uh, Mr. Morrison, I'm gonna be leaving

in a couple of minutes,

would you tell my buddy, Tod Stiles, in processing

that I'll be on the 346.

I can't seem to raise him.

Thank you, sir.

Goodbye.

- I ran away from another town once.

Long time ago.

Only there, I wasn't a stranger.

I was the least important member

of the most important family.

When I had hopes.

It's easy to seem important, in a small town.

Especially when your family happens to run the bank.

[chuckles]

Oh sure, I spent a little more than I earned at the bank.

Drank a little more than I could handle.

But, everybody was most tolerant.

They said, "Well, give him time."

But, as it turned out, they didn't.

Ya see, there was this shortage at the bank.

Nothing criminal, just bad management.

Stupidity.

But, you don't admit this and go on

being the leading banker in a small town.

No.

You'd have to find yourself a scapegoat.

And once you've picked your pigeon,

you publicly denounce him.

And you publicly promise to make good, the shortage.

Then you privately tell him to clear out, to run.

And to keep on running.

- Your own family did that to ya?

- Yeah, my uncle Mike,

and my dear, dear brother in law , Gilbert.

- Why'd you let 'em get away with it?

- Well, I was still young enough to

be shocked by what decent men will do

to save their own hide.

And getting away that bunch of cannibals,

seemed the most sensible thing to do.

Besides, they, they were sures ya know.

Sure.

They had be boxed and they knew it.

- And you've never been back?

- Ahh, no no, once you run,

you don't go back.

So here, I'm staying.

Aww, it doesn't really matter,

whether or not I brought the tick in here.

What matters is, whatever they're going to do,

this time, I've got to face it.

[mysterious music]

[suspenseful music]

[crowd talking indistinctly]

[menacing music]

[intense dramatic music]

[suspenseful music]

[intense music]

[dramatic music]

- Mr. Ferguson, please don't let him do it.

[intense music]

- Get out of the way, Andy.

- How could you help a bum like that?

- I don't know that it was his fault.

Even if I did, I couldn't be part of what you're doing.

- Nobody asked you to be a part of it.

- Well, I would be, if I didn't try to stop you.

Now, George, if nothing will satisfy you,

short of beating or killing this man,

be ready to kill me too.

[dramatic music]

[melancholy music]

- Just when I got to feelig better, you gotta leave.

- Yeah, isn't that always the way it is?

- I'd sure like to come to Texas sometime,

when you and Linc are gonna be there.

- Linc could show you that old dirt road,

where the lumber wagons and ice wagons came by.

For a nickel.

Take it easy, Pete.

- You too.

- Say, when you get that rocket built,

if you need a navigator, you can count on me.

- So long, Tod.

- So long, Pete.

[door closes]

- Tod, they've found the carrier.

- There's your carrier.

- Pete's dog, huh?

- I had her sent up from Texas for his birthday.

- And the ticks ame with her.

- Whole story will be in the paper tonight.

- Well, fine. Send me a copy,

care of general delivery, in New Orleans.

- You are a contrary cuss.

You stay when we want you to go,

and go when we'd like you to stay.

Good luck.

- Same to you.

I'll see ya around Tod.

- So long, Emmett.

- Now, if you're ready to settle down...

- Yeah.

I'll remember.

[calm music]

[exciting piano music]

[horn blowing]

[exciting piano music]

[calm music]

- A funny thing happened to me, on the way to Memphis.

- Yeah.

It was this rubber processing plant.

- Yeah, I know,

they make hot water bottles and ice bags.

[piano music]

[happy music]

[exciting dramatic music]

[piano music]

- [Announcer] This has been a Screen Gems,

film presentation.

Herbert B. Leonard, executive producer.

[END CREDITS]