Original subtitles

[soft romantic music]

[soft romantic music]

- Beer.

- Beer.

[bar patrons speaking]

[bar patrons speaking]

[soft romantic music]

[soft romantic music]

- How did you find me?

- How did you find me?

- I looked.

- I looked.

- Everybody, I'd like you to meet Bill.

- Everybody, I'd like you to meet Bill.

This is Bill. - This is him, this is Bill?

This is Bill. - This is him, this is Bill?

- Bill?

- Bill, this is everybody.

- Bill, this is everybody.

[speaking foreign language]

- Glad to know ya.

- Glad to know ya.

- [Man] Beer all around!

- [Group] Opa! Opa!

- [Group] Opa! Opa!

- [Second Man] Three cheers for Bill!

- Opa!

[indistinct chattering]

[indistinct chattering]

[speaking foreign language]

[speaking foreign language]

- Opa! - Opa!

[indistinct chattering]

[indistinct chattering]

[soft romantic music]

[soft romantic music]

- I'm Bill. Who are you?

- I'm Bill. Who are you?

- Janie.

- Janie.

- Yasou, Bill.

- Yasou, Bill.

- Janie?

Figured.

[indistinct chattering]

[indistinct chattering]

[indistinct jeering]

[indistinct jeering]

No fair, Janie. No fair.

- Opa! Opa!

- Opa! Opa!

- Opa! Opa!

[upbeat music]

- How's your head?

Let me give you a piece of free, civilian advice.

Let me give you a piece of free, civilian advice.

One, never eat at a place called Mom's.

One, never eat at a place called Mom's.

Two, never play poker with a guy named Doc.

Two, never play poker with a guy named Doc.

And never get involved with a girl

And never get involved with a girl

that has more problems than you.

- Gee thanks, papa, but how will I ever learn?

- Gee thanks, papa, but how will I ever learn?

I don't care what this game is,

I don't care what this game is,

just as long as I win it.

- It's my game, with me.

About last night.

About last night.

No apologies, no explanations.

No apologies, no explanations.

Okay?

- If it helps you out, okay.

- If it helps you out, okay.

I don't mind being a patsy.

As mickeys go, it's not the first and it's not the worst.

As mickeys go, it's not the first and it's not the worst.

But don't you think I ought to know who Bill is?

But don't you think I ought to know who Bill is?

- You're probably not a very nice guy, anyway.

- You're probably not a very nice guy, anyway.

- Probably.

Look, everybody has his own special kind of love image.

Look, everybody has his own special kind of love image.

You must be mine.

Last night I saw you dancing and boing.

Last night I saw you dancing and boing.

- You expect to get to me with that chintzy line?

- You expect to get to me with that chintzy line?

What do I call you when I don't want to call you Bill?

What do I call you when I don't want to call you Bill?

- How about Lincoln Case. Linc.

- How about Lincoln Case. Linc.

- Oh, I know you. Born in a log cabin.

- Oh, I know you. Born in a log cabin.

Walked to school 10 miles a day.

Walked to school 10 miles a day.

- I'm glad you came looking for me

because now I don't have to come looking for you.

because now I don't have to come looking for you.

- Studied by firelight.

Grew tall and strong and dedicated to the proposition

Grew tall and strong and dedicated to the proposition

Grew tall and strong and dedicated to the proposition

that this world owes you any little old thing you want.

that this world owes you any little old thing you want.

- It owes me you.

- Please try and collect.

- Please try and collect.

[engine starts]

No thank you, kind sir.

- I'll take ya anywhere.

- I'll take ya anywhere.

- I'm not going anywhere.

- Overseas on those long night watches

- Overseas on those long night watches

I'd imagine what it would be like back home

with a girl like you.

with a girl like you.

- Soldier, sailor, marine?

- [Lincoln] Special forces.

- Well, that fits.

- Well, that fits.

- I even thought about you on leave.

- I even thought about you on leave.

- And you never wrote.

[pleasant music]

[pleasant music]

[horn honks]

[horn honks]

You really feel that way?

- Yeah.

- I'm that image for you?

- I'm that image for you?

I really fit that kind of image for you?

I really fit that kind of image for you?

- Mm-hmm.

- Well, make me feel that way, too.

- You just lost me.

- Forget it.

You're probably a nice guy, and I'm sorry.

You're probably a nice guy, and I'm sorry.

I'm really sorry.

[somber music]

[somber music]

- All aboard.

- I was gonna pick you up at quittin' time.

- I was gonna pick you up at quittin' time.

- Linc, old buddy, meet the chief of police.

He couldn't wait 'till quitting time.

He couldn't wait 'till quitting time.

- This is a request. Leave the girl alone.

- This is a request. Leave the girl alone.

- Why?

- Why?

- I'm a friend of the family.

They got enough trouble with her without you.

They got enough trouble with her without you.

- What special right does that give you

to ask me to leave her alone?

- None, none at all. But I am asking.

- None, none at all. But I am asking.

- Okay, you asked.

- You're PFC Lincoln Case.

- You're PFC Lincoln Case.

Six years in the service, last two in Viet Nam.

Six years in the service, last two in Viet Nam.

You're on leave and you're on the prowl.

You're on leave and you're on the prowl.

Now, you get outta line, I'm gonna blow the whistle

Now, you get outta line, I'm gonna blow the whistle

to the MPs and let them take it from there.

to the MPs and let them take it from there.

- Well, blow.

- Look, fella, this girl, she belongs somewhere.

- Look, fella, this girl, she belongs somewhere.

- Look, fella, this girl, she belongs somewhere.

She's got a whole other world that she lives in.

She's got a whole other world that she lives in.

Let her alone.

Let her blow off her own steam in her own way.

Let her blow off her own steam in her own way.

And then get back to where she belongs.

And then get back to where she belongs.

- I look at that girl and she knocks me out.

- I look at that girl and she knocks me out.

I mean, right out.

I don't know why and I don't care.

I don't know why and I don't care.

What's the matter with that?

Why doesn't it make sense?

Why doesn't it make sense?

- It's not real. It's all in your head.

Look, what do you know about her?

Look, what do you know about her?

Sure, she's pretty.

She comes on kind of cold and warm

She comes on kind of cold and warm

and confused and refined all at the same time.

and confused and refined all at the same time.

That's all right if you're attracted to that type,

That's all right if you're attracted to that type,

you crave incompatibility.

What's to flip over?

What's to flip over?

- You know Tod, you sound like the only sober man

- You know Tod, you sound like the only sober man

in a room full of drunks.

in a room full of drunks.

- Yeah, I wish I knew what I was being so sober about.

- Yeah, I wish I knew what I was being so sober about.

[Greek music]

[Greek music]

- You're back.

- Janie, Tod. Tod, Janie.

- Janie, Tod. Tod, Janie.

- How do you do?

- How do you do?

- You like this kind of dancing?

- The only thing that's missing is the mirror.

- The only thing that's missing is the mirror.

- Oh no, what's missing are the people.

- Oh no, what's missing are the people.

We're the mirrors.

- Well, that explains it. - What?

- Well, that explains it. - What?

- Why is it when people look at you,

- Why is it when people look at you,

they always only see the image in their own mind?

they always only see the image in their own mind?

- Hey, Bill, wanna do a Greek dance?

- Hey, Bill, wanna do a Greek dance?

- He's afraid.

- What, Bill? He's not afraid to do any dance.

- What, Bill? He's not afraid to do any dance.

[Greek music]

[Greek music]

- Hey, he's Fred Astaire. Opa!

- Hey, he's Fred Astaire. Opa!

- Bill, he's not afraid to do anything,

even dance like an elephant.

even dance like an elephant.

- It's not his style. He has his own style.

Play something American.

Play something American.

[dance music]

- Let's get some air.

- [Janie] No, let's stay here.

- [Janie] No, let's stay here.

- I like the way you dance, too.

- I like the way you dance, too.

[siren wailing]

- You, Stiles.

- I asked your buddy to stay away from the girl.

- I asked your buddy to stay away from the girl.

- You didn't give him a good enough reason.

- You didn't give him a good enough reason.

You see, he thinks he's as nice a guy as any other guy.

You see, he thinks he's as nice a guy as any other guy.

- Janie's family and I are not just friends,

- Janie's family and I are not just friends,

we're friends, close friends.

we're friends, close friends.

Janie's daddy loaned me the money to buy the suit

that I was married in.

that I was married in.

I paid for the hospital bill when Janie was born.

I paid for the hospital bill when Janie was born.

There's nothing that I don't know about them,

know about her.

know about her.

Maybe even more than they know about themselves.

So you see, when I asked, I didn't ask lightly.

So you see, when I asked, I didn't ask lightly.

They're on their way down here from Houston right now

They're on their way down here from Houston right now

because I called for them.

because I called for them.

- Well then the problem is Janie, not my buddy.

- Well then the problem is Janie, not my buddy.

- She's just, this short of being out of control.

- She's just, this short of being out of control.

- She's just, this short of being out of control.

Her family doesn't realize this, so I'm acting

under the advice of people who understand her problem

under the advice of people who understand her problem

better than you or me.

better than you or me.

Maybe at some other time, but right now your buddy

Maybe at some other time, but right now your buddy

is wrong for this girl, real wrong.

is wrong for this girl, real wrong.

- Oh, that Greek sailor joint, that's okay?

- Oh, that Greek sailor joint, that's okay?

- That's her port in the storm.

- Well, what's my buddy?

- Well, what's my buddy?

- He could be the storm.

- He could be the storm.

- Lots of onions on this.

- I've seen more in an onion patch.

- I've seen more in an onion patch.

- Don't you think if a girl's gonna have

a real fine relationship with a guy,

a real fine relationship with a guy,

she ought to be natural?

she ought to be natural?

Be herself, eat what she likes, says what she thinks.

Be herself, eat what she likes, says what she thinks.

What do you think?

- When are you gonna start? Being yourself.

- When are you gonna start? Being yourself.

- Any second now.

- Any second now.

What, am I giving you a hard time?

What, am I giving you a hard time?

- Check please.

- Check please.

[soft romantic music]

[soft romantic music]

[soft romantic music]

- You see before you

- You see before you

one of the tenderest moments of my life.

one of the tenderest moments of my life.

He looked deeply into my eyes and took my hand.

He looked deeply into my eyes and took my hand.

I just don't exactly know how to say this to you, but

I just don't exactly know how to say this to you, but

you are cute.

I mean, cute, really cute.

I mean, you're just about the cutest little cutest thing

I ever did see.

I ever did see.

And then he bit my ear like a hungry giraffe.

And then he bit my ear like a hungry giraffe.

- I'm sorry. For him.

- I was his image, too.

- I was his image, too.

Now, now say something soft and miraculous.

Now, now say something soft and miraculous.

Say something so true,

Say something so true,

so, so, so beautiful,

so, so, so beautiful,

so exquisite.

You have to use words I have never heard.

You have to use words I have never heard.

Bobby Jo, Jr, he had that quiet,

Bobby Jo, Jr, he had that quiet,

psychiatric, pipe-smoking line.

psychiatric, pipe-smoking line.

You have deep, unsolved problems baby girl

You have deep, unsolved problems baby girl

and you don't understand them and you need help

from someone who does, baby girl.

from someone who does, baby girl.

He loaded me up with Freud, Jung, Adler,

He loaded me up with Freud, Jung, Adler,

and when my arms were full of books, he pounced,

and when my arms were full of books, he pounced,

like a gurgling hyena, muttering and apologizing,

like a gurgling hyena, muttering and apologizing,

Freud, Jung, and Adler, pipe ashes and all.

Freud, Jung, and Adler, pipe ashes and all.

Freud, Jung, and Adler, pipe ashes and all.

[gulls call]

You see, you're a nice guy,

and I don't want to hurt your feelings.

and I don't want to hurt your feelings.

Let me tell you about Bill. There is a Bill.

Let me tell you about Bill. There is a Bill.

Bill is my boyfriend.

You listen about Bill. - Not interested.

You listen about Bill. - Not interested.

- And who are you not to listen?

- And who are you not to listen?

He's one of the nicest guys I know.

He's one of the nicest guys I know.

He'd do anything in the world for me.

He has,

He has,

he has all those qualities that you look for in a guy.

he has all those qualities that you look for in a guy.

He's attractive, dependable, considerate, sweet.

He's attractive, dependable, considerate, sweet.

Thinks good, too.

Thinks good, too.

He's over his head in love with me and always will be.

He's over his head in love with me and always will be.

Sometimes

Sometimes

I let him kiss me.

Most of the times I can't stand him.

Most of the times I can't stand him.

- Okay, I listened.

One giraffe, one hyena, one nice guy named Bill

One giraffe, one hyena, one nice guy named Bill

that you can't stand.

that you can't stand.

What does that make me?

- Water buffalo?

- Water buffalo?

- Why not?

- Maybe I,

I told you about them because I keep hoping

I told you about them because I keep hoping

that you're the kind of guy who's had the experience

that you're the kind of guy who's had the experience

and can get through to a girl like me.

and can get through to a girl like me.

And I'm not talking eight arms and a sense of grab.

And I'm not talking eight arms and a sense of grab.

- There's a hill in a place you don't know about.

- There's a hill in a place you don't know about.

And for some reason, I've forgotten it seemed important

to get to the top of that hill one morning.

to get to the top of that hill one morning.

Problem was, some people were up there already

Problem was, some people were up there already

and they didn't want company.

They didn't want company so bad they had machine guns

They didn't want company so bad they had machine guns

and mortars there to discourage visitors.

and mortars there to discourage visitors.

So we started up the hill and they kept discouraging us.

So we started up the hill and they kept discouraging us.

They made it real unattractive.

They made it real unattractive.

But the more unattractive they made it,

But the more unattractive they made it,

the more I felt attracted.

the more I felt attracted.

It was something I had to do.

It was something I had to do.

- Come on.

- Come on.

This is the Pleasure Pier. The season hasn't opened yet.

This is the Pleasure Pier. The season hasn't opened yet.

I come here every summer, but I like it better empty.

I come here every summer, but I like it better empty.

[slow circus music]

[slow circus music]

[bell rings]

[bell rings]

Look, look, look at Janie.

Look at her up there on that old fire engine.

Look at her up there on that old fire engine.

Isn't she the living it?

That little trick, oh, she's always on parade.

That little trick, oh, she's always on parade.

And doesn't she just love herself?

Look at her carrying on.

Look at her carrying on.

You look, but don't touch.

You look, but don't touch.

Isn't she cute?

Isn't she a doll-face in her short, short, short,

Isn't she a doll-face in her short, short, short,

Isn't she a doll-face in her short, short, short,

twirly, swirly, sugar candy clothes?

twirly, swirly, sugar candy clothes?

Don't touch, Tommy.

Don't touch, Tommy.

Hands off, Bobby.

You stay away, Bill.

You stay away, Bill.

Look, everybody,

you mustn't touch.

No, sir.

No, sir.

You mustn't

ever, ever touch.

[bell rings]

[bell rings]

- Good morning. - Good morning to you.

- Good morning. - Good morning to you.

- You got company. They've been waiting here all night.

- You got company. They've been waiting here all night.

Janie's parents, Mr. and Mrs. Nickerson.

Janie's parents, Mr. and Mrs. Nickerson.

Lincoln Case.

- Sit down, son.

- Sit down, son.

I'm the kind of a man that gets right to the point.

I'm the kind of a man that gets right to the point.

Do you want to ruin our lives?

Do you want to ruin our lives?

- What's left now? There isn't that much--

- What's left now? There isn't that much--

- She's our only child.

If we fail with her,

well then you'd have to say

all our plans,

where are we, son?

where are we, son?

Now, I know when she's upset she comes down here

and runs around.

and runs around.

- Yeah, and we know with whom.

- It's not important with whom.

- It's not important with whom.

It's just a phase.

It's just a phase.

Marion, will you stop fussin' with the flowers?

Marion, will you stop fussin' with the flowers?

- I'm sorry.

- She has a year left at the university.

She's a sweet, decent-minded girl.

She's a sweet, decent-minded girl.

You don't know the real Janie, our real Janie.

You don't know the real Janie, our real Janie.

- She's engaged to be married.

You're gonna ruin all of that for us.

You're gonna ruin all of that for us.

- Where you from, son?

- Excuse me.

- Hear 'em out.

She's their daughter, they did bring her up.

She's their daughter, they did bring her up.

At least hear 'em out.

At least hear 'em out.

- She's our little girl, our only treasure.

- She's our little girl, our only treasure.

Why, she was our whole life from the moment she was born.

Why, she was our whole life from the moment she was born.

- She never did appreciate anything.

- She never did appreciate anything.

You know, all the work that went into her lessons

You know, all the work that went into her lessons

and her clothes.

We spoiled her. Now we're paying for it.

We spoiled her. Now we're paying for it.

- I can't bear you fussin' with those flowers.

- I can't bear you fussin' with those flowers.

- I can't bear you fussin' with those flowers.

- Dear, you can't bear anything I do.

- Please sit down, son.

Sit down and have a cup of coffee

so we can get to know each other.

so we can get to know each other.

Well, we can just plain talk this thing over.

Well, we can just plain talk this thing over.

Please, son?

Please, son?

- I wouldn't want to change your plans for Janie's life.

- I wouldn't want to change your plans for Janie's life.

- Oh, of course not.

- We made our bed.

- We made our bed.

- No, sir, I wouldn't want to change 'em.

Just wipe 'em out.

Just wipe 'em out.

I left their daughter a while ago.

I left her cryin'.

I left her cryin'.

She couldn't stop and I couldn't stop her.

She may never stop.

- And you figure they're responsible, huh?

- And you figure they're responsible, huh?

- Yeah, as much as parents are responsible

for the way they bring their kids up.

for the way they bring their kids up.

- Okay, they did it to her.

They fouled her up with all that cutie-pie, baby-doll,

They fouled her up with all that cutie-pie, baby-doll,

phony glamour image stuff.

phony glamour image stuff.

Are you ready to take her on?

Are you ready to be responsible for her?

Are you ready to be responsible for her?

You know what's flipped you, buddy?

That same cutie-pie, baby-doll stuff

That same cutie-pie, baby-doll stuff

you hate her parents for, so why take it out on them?

you hate her parents for, so why take it out on them?

Because you want their little doll all for your very own?

Because you want their little doll all for your very own?

- You better go to work.

- You better take the day off.

- You better take the day off.

[knocking] - Yeah.

- Narcissus was the son of the river god, Cephissus

- Narcissus was the son of the river god, Cephissus

and the nymph, Liriope.

He rejected the love of Echo and was punished by Aphrodite.

He rejected the love of Echo and was punished by Aphrodite.

He was compelled to fall in love with himself

He was compelled to fall in love with himself

as he gazed upon his own reflection in a pool of water.

as he gazed upon his own reflection in a pool of water.

Thereupon pined away until transformed into a flower.

Thereupon pined away until transformed into a flower.

Help me.

- I'd like to, Janie.

But what does a guy do with a girl like you?

But what does a guy do with a girl like you?

- Help me.

- Help me.

- All right.

But you'll have to help me help you.

But you'll have to help me help you.

- Well, you see I'm,

I have to try not to shrink away inside

I have to try not to shrink away inside

I have to try not to shrink away inside

when someone just shows me plain, simple affection.

when someone just shows me plain, simple affection.

- Like this?

Look, Janie, I feel like a clumsy ox

and this is all wrong somehow.

and this is all wrong somehow.

- Are you losing the image?

- Are you losing the image?

- You're destroying it.

- It's destroying me.

- Hey, Case! Where are ya?

- Hey, Case! Where are ya?

Case? We're lookin' for ya.

Are you Case?

- [Lincoln] Yeah.

- Where's Janie?

- Where's Janie?

- Up here in my room.

- The name is Caldwell. Bill Caldwell.

- The name is Caldwell. Bill Caldwell.

This isn't gonna be a fair fight, fella.

This isn't gonna be a fair fight, fella.

[dramatic music]

[dramatic music]

[grunts]

[grunts]

[somber music]

- Remember the hill I told you about, Janie?

- Remember the hill I told you about, Janie?

Afterwards, looking down, it wasn't much of a view.

And I don't know what we accomplished.

And I don't know what we accomplished.

Six dead, five wounded.

It wasn't much of a hill, really, but we took it.

It wasn't much of a hill, really, but we took it.

Don't ya see, Janie?

I wouldn't want you to be this week's hill.

I wouldn't want you to be this week's hill.

- You know what would be the worst punishment

for the young people?

Be forced to keep law and order among themselves.

Be forced to keep law and order among themselves.

Not mine, but your responsibility.

Not mine, but your responsibility.

Maybe you all understand each other.

One minute, it's reasonably quiet

One minute, it's reasonably quiet

and the next I'm in the middle of a wild buffalo herd.

and the next I'm in the middle of a wild buffalo herd.

- Well, you won't have any more problems with me.

- Well, you won't have any more problems with me.

- Oh?

- I'm leaving town.

- I'm leaving town.

- Oh, Johnny, take PFC Case here back to his motel.

- Oh, Johnny, take PFC Case here back to his motel.

Now who says that I have to understand everything, huh?

Now who says that I have to understand everything, huh?

Good luck to you.

[somber music]

[somber music]

- Where are you going?

- Where are you going?

- Why did Narcissus fall in love with himself?

- Why did Narcissus fall in love with himself?

- Well, now what's that mean?

- Well, now what's that mean?

- If you know, tell me.

- The Greeks lied about Narcissus.

He didn't fall in love with himself.

He didn't fall in love with himself.

He'd never known what love was,

so he couldn't accept it or reject it.

so he couldn't accept it or reject it.

He could just look for it.

He could just look for it.

When he saw his own image reflected in that pool of water,

When he saw his own image reflected in that pool of water,

he didn't fall in love with himself.

He fell in hate with himself.

He fell in hate with himself.

- I don't want to miss that bus.

- Why? Where is it going?

- Why? Where is it going?

- The next town. - What's there?

- The next town. - What's there?

- Another job. Another girl.

Another bar. And the next town.

- You took this girl on, problems and all.

You didn't have to, but you did.

You didn't have to, but you did.

Is that your style?

Is that your style?

When things get rough you just move on?

Because if it is, you're gonna run outta towns, Linc.

Because if it is, you're gonna run outta towns, Linc.

Is that what heroes are made of?

Is that what heroes are made of?

- You don't go out to be a hero.

- You don't go out to be a hero.

All those guys are dead.

All those guys are dead.

In a war you don't have time to get very important

because you're too busy trying to stay alive.

because you're too busy trying to stay alive.

And a hero is anyone who brings you a drink of water.

And a hero is anyone who brings you a drink of water.

- Don't you think there's a war going on here?

- Don't you think there's a war going on here?

Don't you think that girl is fighting to stay alive

in her own Viet Nam?

in her own Viet Nam?

[sighs]

[sighs]

- I'm on leave. Long leave.

- I'm on leave. Long leave.

- From Viet Nam?

Or the whole human race?

[Greek music]

[Greek music]

- She's not here.

- Where is she?

- Where is she?

- You try the hotel?

- She's not there.

- She's not there.

- Well, that's the way it goes.

They come out of nowhere and they go back to nowhere,

They come out of nowhere and they go back to nowhere,

all the Janes.

Come for a little while. Soon a Bill shows up.

Come for a little while. Soon a Bill shows up.

There's always a fight, and we lose.

There's always a fight, and we lose.

And then they go away, huh?

And then they go away, huh?

[soft romantic music]

- How did you find me?

- I looked.

- I looked.

- When you first saw me,

- When you first saw me,

I was looking for you.

I was looking for you.

- We're even.

- I came here to kill myself.

- Go ahead.

- Go ahead?

What does that mean?

You're trying to stop me with contempt?

You're trying to stop me with contempt?

Go ahead, that does not stop me.

- If a person wants to die, no one can stop 'em.

- If a person wants to die, no one can stop 'em.

Maybe no one should.

Maybe no one should.

- Then why did you come here?

- I came for the fun and games.

- I came for the fun and games.

- Well then, let's play.

- Well then, let's play.

[soft romantic music]

[soft romantic music]

Pull this thing and parade me around.

Pull this thing and parade me around.

Hi, everybody.

Come to my funeral.

[bell rings]

[bell rings]

Look.

Look, everybody, look at Janie.

Isn't she pretty? Isn't she a doll-face?

Isn't she pretty? Isn't she a doll-face?

Isn't she the livin' end?

Isn't she the livin' end?

[bell rings]

[bell rings]

- Janie?

Janie!

Janie!

[dramatic music]

[dramatic music]

Janie!

Janie!

[dramatic music]

[dramatic music]

[gasps]

[somber music]

[crying]

[crying]

- Stop screaming help me.

Forget what was done to ya and forget who did it.

Forget what was done to ya and forget who did it.

When you're under fire,

When you're under fire,

there's only one way to stop being afraid.

there's only one way to stop being afraid.

You listen to some other cat out there howling,

You listen to some other cat out there howling,

and you do something about it.

You say his name.

You curse him.

You crawl over.

You do something, anything,

You do something, anything,

and your own fear and your own pain stops

and your own fear and your own pain stops

because you forget who you are.

because you forget who you are.

Stop looking into mirrors, Janie.

Stop looking into mirrors, Janie.

There are windows all around.

There are windows all around.

- How does it happen I like you?

- How does it happen I like you?

And I don't even know who you are.

And I don't even know who you are.

[somber music]

- Hi.

- Hi.

- Leave's up.

[pleasant music]

[pleasant music]

- [Announcer] This has been a Screen Gems film presentation,

Herbert B. Leonard, executive producer.

Herbert B. Leonard, executive producer.

[END CREDITS]

[END CREDITS]