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1
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MAN:
Do you know I have
an arrest warrant?
2
00:00:09,209 --> 00:00:10,744
NICOLE:
Are you ready
to rock and roll?
3
00:00:10,844 --> 00:00:12,512
ALAN CUMMING:
Twenty years after
The Simple Life
4
00:00:12,612 --> 00:00:14,547
changed television
forever--
5
00:00:14,647 --> 00:00:16,249
What should I do?
Call someone?
[LAUGHS]
6
00:00:16,349 --> 00:00:17,817
No, no. I-- I--
I have it framed. I love it.
7
00:00:17,917 --> 00:00:19,252
NICOLE:
Is that at the mechanic place?
8
00:00:19,352 --> 00:00:20,720
ALAN CUMMING:
Paris Hilton and Nicole Richie
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00:00:20,820 --> 00:00:23,590
embark on the most daunting
creative challenge
10
00:00:23,690 --> 00:00:25,125
of their lives.
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00:00:25,225 --> 00:00:27,894
What we really wanted to do
for the big reunion
12
00:00:27,994 --> 00:00:29,496
is an opera.
13
00:00:29,596 --> 00:00:30,530
Excuse me?
14
00:00:30,630 --> 00:00:31,731
What?
15
00:00:31,831 --> 00:00:33,433
[BOTH LAUGH]
16
00:00:33,533 --> 00:00:35,135
ALAN CUMMING:
For inspiration,
they've reconnected
17
00:00:35,235 --> 00:00:36,770
with the small town
that made them famous.
18
00:00:36,870 --> 00:00:39,572
The bartenders are here!
19
00:00:39,673 --> 00:00:40,607
Good Lord!
Hi!
20
00:00:42,008 --> 00:00:43,243
PARIS:
Yeah.
21
00:00:45,145 --> 00:00:46,946
ALAN CUMMING:
And dug up old memories.
22
00:00:47,047 --> 00:00:48,381
What is this?
23
00:00:48,481 --> 00:00:50,383
[LAUGHS]
KATHY: That was
your little brother.
24
00:00:50,483 --> 00:00:53,319
You have some intimate gel.
[ALL LAUGH]
25
00:00:53,420 --> 00:00:55,889
ALAN CUMMING:
But now it's time
to do the real work...
26
00:00:55,989 --> 00:00:56,956
[TUBA SOUNDS]
27
00:00:57,057 --> 00:00:58,391
...as they give the world
28
00:00:58,491 --> 00:01:00,093
the operatic masterpiece...
[BOTH LAUGH]
29
00:01:00,193 --> 00:01:01,828
...it didn't know it needed.
30
00:01:01,928 --> 00:01:03,029
I can't wait to see it.
31
00:01:03,129 --> 00:01:04,064
Thank you so much.
32
00:01:04,164 --> 00:01:05,365
That sounds terrible.
33
00:01:05,465 --> 00:01:07,434
ALAN CUMMING:
Screw the haters.
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00:01:11,171 --> 00:01:13,973
[***]
35
00:01:14,074 --> 00:01:16,242
[WOMAN SINGING OPERATICALLY]
36
00:01:22,982 --> 00:01:27,153
ALAN CUMMING:
Just as Puccini wroteLa bohème
in a beautiful Tuscan villa,
37
00:01:27,253 --> 00:01:29,322
Paris and Nicole find
inspiration
38
00:01:29,422 --> 00:01:31,524
in a creative space
of their own.
39
00:01:37,897 --> 00:01:39,499
[CAT MEOWS]
40
00:01:39,599 --> 00:01:43,236
Okay, so maybe we should make
a list of things that we need.
41
00:01:43,336 --> 00:01:46,473
I brought... some notebooks.
42
00:01:47,173 --> 00:01:48,208
Okay, great.
43
00:01:48,308 --> 00:01:49,576
Do you have a pen?
44
00:01:51,878 --> 00:01:53,880
[LAUGHS]
No. [CHUCKLES]
45
00:01:53,980 --> 00:01:55,215
Makeup.
46
00:01:56,082 --> 00:01:57,650
Do-- Do you guys have a pen?
47
00:01:57,751 --> 00:01:59,686
[PURRS]
48
00:02:00,920 --> 00:02:02,655
Oh. Great.
49
00:02:02,756 --> 00:02:07,093
Okay. It's the story of us.
It's the story of friendship.
50
00:02:07,193 --> 00:02:09,195
I always loved
your handwriting.
51
00:02:09,295 --> 00:02:11,031
NICOLE: Act one...
[MEOWS]
52
00:02:11,131 --> 00:02:13,500
is us as adolescent,
which is, like,
53
00:02:13,600 --> 00:02:15,535
you know, Simple Life.
Yeah.
54
00:02:15,635 --> 00:02:16,436
So pretty.
55
00:02:16,536 --> 00:02:19,606
We just keep coming back
to each other,
56
00:02:19,706 --> 00:02:21,041
no matter what.
57
00:02:21,141 --> 00:02:24,277
"Nothing can break
true joy."
58
00:02:24,377 --> 00:02:25,545
We need a composer.
59
00:02:25,645 --> 00:02:26,579
Yes.
60
00:02:26,680 --> 00:02:27,814
We need costumes.
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00:02:27,914 --> 00:02:29,015
Choir.
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00:02:29,115 --> 00:02:30,950
People to play us
when we're little.
63
00:02:31,051 --> 00:02:32,385
NICOLE:
Conductor.
64
00:02:32,485 --> 00:02:34,187
Actors that can play animals.
Yeah. Play ferrets.
65
00:02:34,287 --> 00:02:36,489
Orchestra.
Oh, my God. Yeah.
66
00:02:36,589 --> 00:02:37,991
What have we been doing
this whole time?
67
00:02:38,091 --> 00:02:39,292
[CHUCKLING]
I don't know.
68
00:02:39,392 --> 00:02:40,694
This feels very negative,
69
00:02:40,794 --> 00:02:43,329
and I'd like to make a list
of things we do have.
70
00:02:43,430 --> 00:02:46,733
Okay. We have... us.
Uh-- Sill and Bill. [CHUCKLES]
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00:02:46,833 --> 00:02:48,968
Sill and Bill.
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00:02:49,069 --> 00:02:50,637
Um...
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00:02:52,005 --> 00:02:53,773
[***]
74
00:02:54,941 --> 00:02:56,242
Um...
75
00:02:57,677 --> 00:02:59,279
[MEOWS]
76
00:03:01,715 --> 00:03:02,582
And then...
77
00:03:03,983 --> 00:03:05,585
Okay, so we
got one thing done.
78
00:03:05,685 --> 00:03:07,287
Yeah.
79
00:03:07,387 --> 00:03:11,024
ALAN CUMMING:
With absolutely nothing
checked off their to-do list,
80
00:03:11,124 --> 00:03:12,926
Paris and Nicole's first task,
81
00:03:13,026 --> 00:03:14,361
of frankly too many,
82
00:03:14,461 --> 00:03:16,162
is to find an opera producer
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00:03:16,262 --> 00:03:18,031
willing to take on
the impossible.
84
00:03:18,131 --> 00:03:19,532
I missed you, Bill.
85
00:03:20,900 --> 00:03:21,901
I missed you, Sill.
86
00:03:22,002 --> 00:03:23,670
Yes. [LAUGHS]
87
00:03:26,072 --> 00:03:28,375
ALAN CUMMING:
Having grown up with
the best of everything,
88
00:03:28,475 --> 00:03:31,244
of course you'd want
the best opera producer
89
00:03:31,344 --> 00:03:33,546
desperation can buy.
90
00:03:34,748 --> 00:03:38,651
My name is Beth Morrison,
and I am the foremost producer
91
00:03:38,752 --> 00:03:42,155
of contemporary opera
in America.
92
00:03:42,255 --> 00:03:43,857
Can you guys articulate
the vision?
93
00:03:43,957 --> 00:03:45,725
And then I'll be able to, like,
help, like, with,
94
00:03:45,825 --> 00:03:48,428
like, "These are the steps
that you would normally take."
95
00:03:48,528 --> 00:03:50,997
It's the story of us,
and it's the story of
96
00:03:51,097 --> 00:03:55,301
different archetypes that have
tried to pull us apart
97
00:03:55,402 --> 00:03:58,672
and how we always
end up back together.
98
00:03:58,772 --> 00:04:01,775
It's like a montage
of your life, basically?
99
00:04:01,875 --> 00:04:03,176
Yeah.
100
00:04:03,276 --> 00:04:04,544
BETH:
When you
think about, like
101
00:04:04,644 --> 00:04:06,446
Nicole Richie
and Paris Hilton,
102
00:04:06,546 --> 00:04:09,749
you don't, um,
automatically go to opera.
103
00:04:09,849 --> 00:04:10,817
You don't?
104
00:04:12,519 --> 00:04:15,021
[BREATHES DEEPLY]
Well, ye-- I mean, it-- Um...
105
00:04:15,121 --> 00:04:18,658
Typically, like, when, um,
you know, you start a project,
106
00:04:18,758 --> 00:04:22,362
oftentimes it starts with
the words and the text,
107
00:04:22,462 --> 00:04:23,763
and then the music and--
We have that.
108
00:04:23,863 --> 00:04:26,332
Mm-hm.
You have the words
to the-- To the song?
109
00:04:26,433 --> 00:04:27,901
We are songwriters,
110
00:04:28,001 --> 00:04:31,304
and we accidentally wrote
a hit song when we were 7.
111
00:04:32,372 --> 00:04:34,207
And we started singing it
112
00:04:34,307 --> 00:04:36,509
on this show that we did
20 years ago,
113
00:04:36,609 --> 00:04:39,179
and a lot of people
caught onto it and--
114
00:04:39,279 --> 00:04:40,714
BETH:
Is it: * Sanasa, sanasa *
115
00:04:40,814 --> 00:04:42,048
[LAUGHING]
116
00:04:42,148 --> 00:04:43,583
NICOLE:
Yes! I'm happy you know.
117
00:04:43,683 --> 00:04:46,219
[IN UNISON]
* Sanasa, sanasa *
118
00:04:46,319 --> 00:04:47,587
* Sanasa-sa, sanasa *
119
00:04:47,687 --> 00:04:50,457
[HIGH-PITCHED, SCREECHY]
* Sanasa *
120
00:04:53,360 --> 00:04:54,561
Well, yeah-- I mean it-- I--
121
00:04:54,661 --> 00:04:57,564
Like, starting with your--
Your--
122
00:04:57,664 --> 00:04:58,765
I know!
123
00:04:58,865 --> 00:05:01,167
Okay.
So, you guys are the singers.
124
00:05:01,267 --> 00:05:02,502
Starring.
125
00:05:02,602 --> 00:05:03,536
You're starring.
We're starring. Yeah.
126
00:05:03,636 --> 00:05:05,071
And, do you ha-- Do you--
127
00:05:05,171 --> 00:05:06,940
Like,
are there other principals?
128
00:05:07,040 --> 00:05:09,676
Yes. We definitely wanna
incorporate all of our animals,
129
00:05:09,776 --> 00:05:13,713
some ferrets, rats, chinchillas,
spiders, tarantulas.
130
00:05:13,813 --> 00:05:14,447
[CHUCKLES]
131
00:05:14,547 --> 00:05:15,915
Um, and our dogs.
Yes.
132
00:05:16,016 --> 00:05:16,983
NICOLE:
And our cows.
133
00:05:17,083 --> 00:05:19,686
We basically need help
putting all this together.
134
00:05:19,786 --> 00:05:23,790
Do you guys have a sense of the
scale that you're interested in?
135
00:05:23,890 --> 00:05:27,227
Full orchestra, full choir,
full everything.
136
00:05:27,327 --> 00:05:28,895
And what's your timeline on it?
137
00:05:28,995 --> 00:05:29,929
Three weeks.
138
00:05:30,030 --> 00:05:30,997
Oh.
139
00:05:31,097 --> 00:05:34,167
[LAUGHS]
140
00:05:34,267 --> 00:05:36,002
Okay. Um...
141
00:05:36,102 --> 00:05:39,406
You've got a mountain to climb,
I think, is the first thing.
142
00:05:39,506 --> 00:05:41,274
We've got our
mountain-climbing shoes on.
143
00:05:41,374 --> 00:05:44,544
Time--
[LAUGHING] Yeah.
144
00:05:44,644 --> 00:05:45,912
Now that you've heard
everything...
145
00:05:46,012 --> 00:05:46,946
BETH:
Yeah.
146
00:05:47,047 --> 00:05:47,981
...like, how much do you think
147
00:05:48,081 --> 00:05:49,249
our opera would cost to make?
148
00:05:49,349 --> 00:05:50,417
BETH:
You'd probably be looking at
149
00:05:50,517 --> 00:05:52,786
something like
a million and a half.
150
00:05:52,886 --> 00:05:54,220
Okay. Yeah.
151
00:05:54,320 --> 00:05:55,355
It's like a wedding.
152
00:05:55,455 --> 00:05:57,257
[CHUCKLES]
Yeah.
153
00:05:57,357 --> 00:05:59,526
Okay. Cool.
154
00:06:01,361 --> 00:06:02,762
So, you're in?
[BETH INHALES]
155
00:06:04,831 --> 00:06:07,000
She did not agree
to produce it.
156
00:06:09,402 --> 00:06:10,937
ALAN CUMMING:
Ouch. But no matter.
157
00:06:11,037 --> 00:06:15,275
Who needs the foremost producer
of contemporary opera anyway?
158
00:06:15,375 --> 00:06:17,444
They can just do it themselves.
159
00:06:17,544 --> 00:06:19,612
After all,
how hard could it be?
160
00:06:19,713 --> 00:06:22,215
PARIS:
Is the song "Bittersweet
Symphony--" Is that--?
161
00:06:22,315 --> 00:06:23,483
NICOLE:
An opera? No.
162
00:06:24,484 --> 00:06:26,486
Is Moulin Rouge
an opera?
163
00:06:28,054 --> 00:06:28,988
The movie? Or no?
164
00:06:30,223 --> 00:06:32,492
[CHUCKLES]
I think so.
165
00:06:32,592 --> 00:06:34,094
I love how we both know
nothing about operas.
166
00:06:34,194 --> 00:06:36,196
[NICOLE LAUGHS]
167
00:06:36,296 --> 00:06:40,667
ALAN CUMMING:
Since even one-word operas
still require actual music,
168
00:06:40,767 --> 00:06:43,169
Paris and Nicole hope to
wrangle a top-notch composer
169
00:06:43,269 --> 00:06:46,539
who won't chicken out from
a creative challenge.
170
00:06:46,639 --> 00:06:47,640
Hello! Welcome.
Hi!
171
00:06:47,741 --> 00:06:49,175
How are you? Good.
Hello!
172
00:06:49,275 --> 00:06:50,377
Welcome to our home.
[CHUCKLES]
173
00:06:50,477 --> 00:06:52,045
BOTH: Thank you.
Make yourselves at home
174
00:06:52,145 --> 00:06:54,180
NICOLE: It's so cool here.
Yeah. Would you like some tea?
175
00:06:54,280 --> 00:06:55,315
Or some--? Tea? Okay. Um...
176
00:06:55,415 --> 00:06:56,549
Love some tea.
Yes, yes, yes.
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00:06:56,649 --> 00:06:58,284
We'd love some tea.
178
00:06:58,385 --> 00:07:00,253
ALAN CUMMING:
And what a composer
they've found.
179
00:07:00,353 --> 00:07:01,955
Thomas Adès,
180
00:07:02,055 --> 00:07:05,058
the Grammy Award-winning
genius composer and conductor.
181
00:07:07,360 --> 00:07:08,862
How exciting.
182
00:07:08,962 --> 00:07:11,898
Should I say right off that
I'm a fan from a long way back?
183
00:07:11,998 --> 00:07:12,766
I'm an admirer.
184
00:07:12,866 --> 00:07:14,768
I hope you'll sign
my copies of your books.
185
00:07:14,868 --> 00:07:16,936
[THOMAS CHUCKLES]
Yes.
Absolutely. Yes.
186
00:07:17,037 --> 00:07:21,641
I'm actually a long-time
real-life fan and admirer
187
00:07:21,741 --> 00:07:24,911
of both, uh,
Nicole and of Paris.
188
00:07:25,011 --> 00:07:27,013
And so I was excited
to meet them
189
00:07:27,113 --> 00:07:29,749
and find out what their ideas
were for the opera.
190
00:07:29,849 --> 00:07:33,687
So, what's your idea of maybe
191
00:07:33,787 --> 00:07:37,557
a picture of what opera is?
Like, as an artform.
192
00:07:37,657 --> 00:07:39,459
The people are standing, like--
193
00:07:39,559 --> 00:07:40,627
* Ah, ah *
[LAUGHS]
194
00:07:40,727 --> 00:07:42,762
And... Yeah.
* Ooh! * Yeah.
195
00:07:42,862 --> 00:07:44,064
That's why
we wanted to ask you;
196
00:07:44,164 --> 00:07:45,465
we've never
done this before.
Yeah.
197
00:07:45,565 --> 00:07:46,666
We've never done it.
Yeah.
198
00:07:46,766 --> 00:07:48,201
And you're really good
at it, so...
199
00:07:48,301 --> 00:07:49,636
[LAUGHS]
Thank you.
200
00:07:49,736 --> 00:07:50,937
[CHUCKLING]
We needed your advice
201
00:07:51,037 --> 00:07:52,872
because we have no idea
what we're doing.
202
00:07:52,972 --> 00:07:55,709
Advice is gre-- Um-- Um, do you
have composers... attached?
203
00:07:55,809 --> 00:07:57,110
Like, the person with
the sticks that does that?
204
00:07:57,210 --> 00:07:59,379
That-- Well, that would be
the conductor. Yeah.
205
00:07:59,479 --> 00:08:00,680
NICOLE: The conductor.
PARIS: Oh.
206
00:08:00,780 --> 00:08:02,115
What-- It-- What--
I mean [INDISTINCT]--
207
00:08:02,215 --> 00:08:03,516
[BOTH LAUGH]
208
00:08:03,616 --> 00:08:05,552
So, you had this idea of an--
Of an opera?
209
00:08:05,652 --> 00:08:07,420
I mean, just tell me
everything, uh...
210
00:08:07,520 --> 00:08:09,823
Maybe we, like,
sing you a snippet?
211
00:08:09,923 --> 00:08:11,958
Yes. And will there be dance,
do you think?
212
00:08:12,058 --> 00:08:14,494
I definitely imagine
there being dance numbers.
213
00:08:14,594 --> 00:08:16,029
Yeah. Yeah.
I can picture that. Yes.
214
00:08:16,129 --> 00:08:16,830
Performed by me.
215
00:08:16,930 --> 00:08:18,398
[LAUGHING]
Yes, performed by you.
216
00:08:18,498 --> 00:08:20,867
BOTH:
* Sanasa, sanasa *
217
00:08:20,967 --> 00:08:23,603
* Sanasa-sa, sanasa *
Ah.
218
00:08:23,703 --> 00:08:25,805
* Sanasa, sanasa *
[PLAYING A SIMPLE MELODY]
219
00:08:25,905 --> 00:08:28,975
* Sanasa-sa, sanasa *
[CHUCKLES]
220
00:08:29,075 --> 00:08:30,643
[HIGH-PITCHED, SCREECHY]
* Sanasa! *
221
00:08:30,744 --> 00:08:32,512
NICOLE: See?
[PARIS LAUGHS]
222
00:08:32,612 --> 00:08:33,847
We wrote that ourselves.
223
00:08:33,947 --> 00:08:36,282
It might be a good idea
to get a l--
224
00:08:36,383 --> 00:08:37,884
A bit of professional teaching,
225
00:08:37,984 --> 00:08:40,553
just to do with vocal
production and a bit of a--
226
00:08:40,653 --> 00:08:42,255
Find out, also,
about your range,
227
00:08:42,355 --> 00:08:43,590
'cause we just discovered--
228
00:08:43,690 --> 00:08:45,058
That startled me
when you suddenly sang--
229
00:08:45,158 --> 00:08:45,892
[LAUGHS]
230
00:08:45,992 --> 00:08:47,394
NICOLE: We can work on this...
Yes.
231
00:08:47,494 --> 00:08:48,561
...when we meet next time
232
00:08:48,661 --> 00:08:50,030
so that you can compose
the music.
233
00:08:50,130 --> 00:08:51,931
Uh... I'm not sure--
I'm not the right person,
234
00:08:52,032 --> 00:08:53,767
'cause-- It's a little beyond
what the composer normally--
235
00:08:53,867 --> 00:08:55,468
I mean, normally a composer
just writes the music...
236
00:08:55,568 --> 00:08:57,337
ALAN CUMMING:
If you've ever wondered
what it looks like
237
00:08:57,437 --> 00:09:00,006
when a composer wants
to politely decline an offer,
238
00:09:00,106 --> 00:09:02,142
but the clients
won't take a hint...
239
00:09:02,242 --> 00:09:04,144
well, here are
your front row seats.
240
00:09:04,244 --> 00:09:07,614
...uh, the composer tends to
invent a whole world, you know,
241
00:09:07,714 --> 00:09:11,151
so that takes between
one and five years.
242
00:09:11,251 --> 00:09:13,019
What?
The whole thing.
243
00:09:13,119 --> 00:09:14,320
So, yeah. Um...
244
00:09:14,421 --> 00:09:15,855
We have, like, three weeks.
245
00:09:15,955 --> 00:09:17,590
Oh!
246
00:09:17,691 --> 00:09:19,626
We've written
all the words, so...
247
00:09:19,726 --> 00:09:21,061
Uh... [LAUGHS]
Like, the hard part's done.
248
00:09:21,161 --> 00:09:22,529
[GROANS, LAUGHS]
249
00:09:22,629 --> 00:09:24,064
[BOTH LAUGH]
250
00:09:24,164 --> 00:09:28,068
The whole thing is ambitious,
to say the least.
251
00:09:28,168 --> 00:09:30,904
The biggest obstacle
is the time it's going to take
252
00:09:31,004 --> 00:09:32,772
and what it's going
to actually be.
253
00:09:32,872 --> 00:09:35,508
I think you need
more than one person.
254
00:09:35,608 --> 00:09:39,179
So, you need a team
to take your music
255
00:09:39,279 --> 00:09:40,413
into the orchestra.
256
00:09:40,513 --> 00:09:42,515
"Into the pit," as we say, yeah.
Yes. Yes. That's what--
257
00:09:42,615 --> 00:09:43,550
It's exactly
what we're looking for.
258
00:09:43,650 --> 00:09:44,617
Uh, yeah, yeah, yeah. Yes.
259
00:09:44,718 --> 00:09:46,519
With us
collaborating together,
260
00:09:46,619 --> 00:09:48,421
we can make it
whatever we want.
261
00:09:48,521 --> 00:09:50,423
Don't you think?
You're a star.
262
00:09:50,523 --> 00:09:52,058
[LAUGHING]
263
00:09:52,158 --> 00:09:53,360
[PARIS & NICOLE LAUGH]
264
00:09:53,460 --> 00:09:55,528
Paris and-- And Nicole are p--
265
00:09:55,628 --> 00:09:57,797
Pretty much impossible
to say no to.
266
00:09:57,897 --> 00:09:59,599
It's like having a whirlwind
comes toward you.
267
00:09:59,699 --> 00:10:02,135
You simply have to kind of...
give in.
268
00:10:02,235 --> 00:10:04,437
[LAUGHS]
269
00:10:04,537 --> 00:10:06,072
Is there anyone else
who can--?
270
00:10:06,172 --> 00:10:08,008
[ALL LAUGH]
271
00:10:08,108 --> 00:10:10,210
PARIS:
I felt like it wasn't a no.
272
00:10:10,310 --> 00:10:11,878
It was like... he meant yes.
273
00:10:11,978 --> 00:10:14,914
Like, he said no,
but it felt like...
274
00:10:15,015 --> 00:10:17,851
it could be a yes. Yeah.
Like a maybe.
275
00:10:17,951 --> 00:10:19,586
[INDISTINCT] Bye, girls.
Bye! Thank you!
276
00:10:19,686 --> 00:10:21,254
PARIS:
Bye, guys. See you soon.
277
00:10:21,354 --> 00:10:23,656
THOMAS:
278
00:10:23,757 --> 00:10:26,893
[WOMAN SINGING OPERATICALLY]
279
00:10:31,965 --> 00:10:34,034
[WOMAN SINGING OPERATICALLY]
280
00:10:35,368 --> 00:10:37,404
ALAN CUMMING:
As any patron
of the arts knows,
281
00:10:37,504 --> 00:10:41,241
the lifeblood of any opera
is the vocal range.
282
00:10:43,309 --> 00:10:46,846
But Paris and Nicole's golden
pipes have gathered some dust--
283
00:10:46,946 --> 00:10:48,948
Nicole. So nice to meet you.
Hi, Paris. Nice to meet you.
284
00:10:49,049 --> 00:10:53,053
ALAN CUMMING:
--and perhaps a little
fine-tuning is in order.
285
00:10:53,153 --> 00:10:55,722
Before we start, uh, why don't
we do a breathing exercise?
286
00:10:55,822 --> 00:10:56,956
I love your outfit.
287
00:10:57,057 --> 00:10:58,491
Oh, thank you so much.
It's so cute.
288
00:10:58,591 --> 00:11:00,326
[BREATHES IN]
289
00:11:00,427 --> 00:11:01,428
[BREATHES OUT]
Ooh!
290
00:11:01,528 --> 00:11:02,996
Take a good breath like that.
291
00:11:03,096 --> 00:11:05,098
We're gonna say the alphabet...
[PANTING]
292
00:11:05,198 --> 00:11:07,400
...as many times as we can
without taking a breath.
293
00:11:07,500 --> 00:11:08,702
And whenever you're ready.
294
00:11:08,802 --> 00:11:13,973
[BOTH RECITING ALPHABET ONCE]
295
00:11:14,074 --> 00:11:15,809
ANNA:
Okay. That'll be fine.
296
00:11:15,909 --> 00:11:17,444
Some people
can't get through one.
297
00:11:17,544 --> 00:11:18,845
This is a muscle that you guys
298
00:11:18,945 --> 00:11:20,180
are not used to using yet,
okay?
299
00:11:20,280 --> 00:11:22,282
And this is what I've been
doing since I was 10.
300
00:11:22,382 --> 00:11:23,416
That was a lot.
301
00:11:23,516 --> 00:11:25,251
[COUGHS, CLEARS THROAT]
302
00:11:25,352 --> 00:11:26,219
[BREATHES DEEPLY]
303
00:11:26,319 --> 00:11:29,522
[RAPIDLY RECITING ALPHABET
MULTIPLE TIMES]
304
00:11:29,622 --> 00:11:32,025
[***]
305
00:11:35,762 --> 00:11:37,330
Oh, my God!
306
00:11:37,430 --> 00:11:40,233
[ANNA CONTINUES RAPIDLY RECITING
ALPHABET MULTIPLE TIMES]
307
00:11:40,333 --> 00:11:41,735
What?
308
00:11:41,835 --> 00:11:43,203
Oh. Well...
I never knew that.
309
00:11:43,303 --> 00:11:45,171
...then that's what
we'll be doing.
What?
310
00:11:45,271 --> 00:11:50,710
[ANNA CONTINUES RAPIDLY RECITING
ALPHABET MULTIPLE TIMES]
311
00:11:50,810 --> 00:11:52,545
[TAKES A DEEP BREATH]
312
00:11:52,645 --> 00:11:53,880
That's hot.
Okay.
313
00:11:53,980 --> 00:11:55,782
ANNA [BREATHES AUDIBLY]:
All right.
314
00:11:55,882 --> 00:11:56,983
All right. Which of you
would like to start?
315
00:11:57,083 --> 00:11:59,185
Do you want me to start?
Okay, yes.
316
00:11:59,285 --> 00:12:01,955
When you breathe operatically,
it's kinda like a yawn.
317
00:12:02,055 --> 00:12:03,623
You're gonna feel it
sort of resonating back here.
318
00:12:03,723 --> 00:12:04,924
Oh!
Like a ponytail.
319
00:12:05,025 --> 00:12:06,159
[MIMICKING OPERA SINGING]
Yeah, hello!
320
00:12:06,259 --> 00:12:07,560
[MIMICKING OPERA SINGING]
Oh, hello!
321
00:12:07,660 --> 00:12:08,895
Yes, exactly right! Yes!
Okay!
322
00:12:08,995 --> 00:12:10,597
Let's do it.
[PLAYING PIANO]
323
00:12:10,697 --> 00:12:13,767
[SINGING NOTES]
324
00:12:13,867 --> 00:12:15,268
Ooh, I did it.
ANNA: Nice! Yes.
325
00:12:15,368 --> 00:12:17,404
[SINGING NOTES]
326
00:12:18,405 --> 00:12:20,707
[SINGING NOTES]
327
00:12:20,807 --> 00:12:23,510
* Honolulu *
328
00:12:23,610 --> 00:12:25,612
* Oahu *
329
00:12:25,712 --> 00:12:27,080
This is feeling Hawaiian,
330
00:12:27,180 --> 00:12:28,648
and I like it. Ooh!
[WITH ACCENT] * Sing *
331
00:12:28,748 --> 00:12:30,083
* Imagine like you're
Like, a w-- *
332
00:12:30,183 --> 00:12:32,152
* A wealthy lady
Like Julia Child! *
Ooh!
333
00:12:32,252 --> 00:12:34,654
[IMITATING JULIA CHILD]
Oh! Oh, Julia Child!
Then let's make some food!
334
00:12:34,754 --> 00:12:36,456
ANNA:
Julia Child! Exactly right!
335
00:12:36,556 --> 00:12:37,557
[ANNA SINGS NOTES]
336
00:12:37,657 --> 00:12:39,993
[NICOLE SINGS NOTES]
337
00:12:40,093 --> 00:12:41,761
ANNA:
Beautiful! Easier, right?
338
00:12:41,861 --> 00:12:46,366
Oh!
[SINGS NOTES]
339
00:12:46,466 --> 00:12:47,434
ANNA:
Very nice!
340
00:12:47,534 --> 00:12:51,571
[NICOLE SINGS NOTES]
341
00:12:51,671 --> 00:12:52,939
Nice!
342
00:12:53,039 --> 00:12:55,608
All right. This is your song.
343
00:12:55,709 --> 00:12:57,444
What's your starting note?
344
00:12:57,544 --> 00:12:59,412
BOTH:
* Sa *
345
00:12:59,512 --> 00:13:01,448
[BOTH LAUGH]
346
00:13:01,548 --> 00:13:04,351
We know the words. We're just
trying to figure out... the me--
347
00:13:04,451 --> 00:13:05,985
*Sanasa *
348
00:13:06,086 --> 00:13:07,821
Can we just sing on an "ah"
really quick?
349
00:13:07,921 --> 00:13:08,855
* Sanasa *
[SINGING NOTES]
350
00:13:08,955 --> 00:13:09,923
[CHUCKLES]
[ANNA SINGS NOTES]
351
00:13:10,023 --> 00:13:13,193
PARIS:
* Ah, sana *
352
00:13:13,293 --> 00:13:14,260
[CHUCKLES]
353
00:13:14,361 --> 00:13:15,362
Yes.
354
00:13:15,462 --> 00:13:16,863
* Sanasa *
355
00:13:16,963 --> 00:13:19,532
BOTH:
* Sanasa *
356
00:13:19,632 --> 00:13:20,834
Uh, what happens here?
357
00:13:20,934 --> 00:13:22,535
BOTH:
* Sanasa-sa, sanasa *
358
00:13:22,635 --> 00:13:23,837
ANNA:
Okay.
359
00:13:23,937 --> 00:13:25,071
See? We take
some unexpected turns.
360
00:13:25,171 --> 00:13:27,007
Okay, great.
How does the next part go?
361
00:13:27,107 --> 00:13:30,276
[HIGH-PITCHED, SCREECHY]
* Sanasa! *
362
00:13:32,912 --> 00:13:34,881
I'm a natural c-sharper.
363
00:13:35,949 --> 00:13:37,650
ANNA:
It's a little distonal.
364
00:13:37,751 --> 00:13:42,088
You're ending with a high note
that feels very out of tune.
365
00:13:42,188 --> 00:13:43,156
Oh.
366
00:13:43,256 --> 00:13:44,190
Oh.
367
00:13:44,290 --> 00:13:47,093
[HIGH-PITCHED, IN PERFECT TUNE]
* Sanasa! *
368
00:13:48,895 --> 00:13:52,065
Well, we've got
99 percent of it.
369
00:13:52,165 --> 00:13:53,433
[BOTH LAUGHING]
ALAN CUMMING: Well, I think
370
00:13:53,533 --> 00:13:55,835
it's safe to say
belting out the high notes
371
00:13:55,935 --> 00:13:57,871
may not be in the cards
for these two.
372
00:13:57,971 --> 00:14:01,074
[WOMAN SINGING OPERATICALLY]
373
00:14:05,111 --> 00:14:07,414
But never the type
to throw in the towel,
374
00:14:07,514 --> 00:14:10,950
the ladies are going to test
their musical acumen elsewhere.
375
00:14:11,051 --> 00:14:12,986
And as the old saying goes...
NICOLE: Mm.
376
00:14:13,086 --> 00:14:15,588
..."A carpenter is only
as good as his tools."
377
00:14:15,689 --> 00:14:20,460
And an opera is only
as majestic as its orchestra.
378
00:14:20,560 --> 00:14:22,095
Where is this place?
379
00:14:22,195 --> 00:14:24,564
It's that music store
that was in Wayne's World.
380
00:14:24,664 --> 00:14:25,932
Really?
Yes.
381
00:14:26,032 --> 00:14:27,200
But is it them
or Beavis and Butthead,
382
00:14:27,300 --> 00:14:28,768
the thing that we do
with the headbanging?
383
00:14:28,868 --> 00:14:30,170
I swear,
I think we did it first
384
00:14:30,270 --> 00:14:32,038
and Beavis and Butthead
copied us.
385
00:14:32,138 --> 00:14:34,174
[LAUGHS]
We were doing it at 11.
386
00:14:35,408 --> 00:14:38,611
[BOTH LAUGH]
387
00:14:38,712 --> 00:14:40,246
PARIS:
Oh, my God. Dead.
388
00:14:43,850 --> 00:14:48,154
[DISCORDANT HORN NOISES]
389
00:14:48,254 --> 00:14:49,656
What am I
doing wrong?
390
00:14:49,756 --> 00:14:50,957
[SHORT, DISCORDANT TOOTS]
391
00:14:51,057 --> 00:14:52,058
Like that?
Uh, no. A little--
392
00:14:52,158 --> 00:14:53,493
No, it's gotta vibrate
a little more.
393
00:14:53,593 --> 00:14:54,728
[DISCORDANT TOOTS]
394
00:14:54,828 --> 00:14:56,096
ED:
Just-- Make it long.
395
00:14:56,196 --> 00:14:57,697
NICOLE: Okay.
[ED BREATHES A LONG RASPBERRY]
396
00:14:57,797 --> 00:14:59,332
[PARIS CHUCKLES]
[DISCORDANT GROAN]
397
00:14:59,432 --> 00:15:01,034
[PARIS LAUGHS]
Almost. Little more.
398
00:15:01,134 --> 00:15:02,068
Should I press one of these
to help me?
399
00:15:02,168 --> 00:15:03,169
Not yet. No.
Oh, okay.
400
00:15:03,269 --> 00:15:04,637
Uh...
It's not the right--
401
00:15:04,738 --> 00:15:05,805
Not the right formation.
402
00:15:05,905 --> 00:15:06,940
That's how people--
[PLAYS A NOTE]
403
00:15:07,040 --> 00:15:08,074
There-- That's it.
Oh! I got it.
404
00:15:08,174 --> 00:15:09,242
Oh. Okay.
I was like, "What?"
405
00:15:09,342 --> 00:15:10,844
It's so weird.
I'm so good at blowing.
406
00:15:10,944 --> 00:15:13,213
[GIGGLES]
You're getting there.
407
00:15:15,115 --> 00:15:17,117
[DISCORDANT GROAN]
408
00:15:17,217 --> 00:15:19,119
We are musical savants.
409
00:15:19,219 --> 00:15:22,155
[PLAYING NOTES QUICKLY,
OFF-KEY]
410
00:15:24,991 --> 00:15:26,760
Heh, fantastic.
411
00:15:26,860 --> 00:15:28,528
Was I good?
412
00:15:28,628 --> 00:15:29,796
NICOLE:
Very.
413
00:15:29,896 --> 00:15:30,997
I don't know.
414
00:15:31,097 --> 00:15:31,998
I thought we were.
I feel like I--
415
00:15:32,098 --> 00:15:33,333
Were you not?
No.
416
00:15:33,433 --> 00:15:34,434
I was.
417
00:15:34,534 --> 00:15:36,870
[PLAYS ONE NOTE]
418
00:15:36,970 --> 00:15:38,905
I just thought that we were
good at everything we did,
419
00:15:39,005 --> 00:15:40,874
but maybe I'm wrong.
420
00:15:40,974 --> 00:15:43,643
* Sanasa-sa, sanasa *
421
00:15:43,743 --> 00:15:44,678
Yes.
422
00:15:44,778 --> 00:15:45,945
We were.
Yeah.
423
00:15:46,046 --> 00:15:49,249
[PLAYING NOTES ON TUBA]
424
00:15:49,349 --> 00:15:51,151
NICOLE:
See? She's so good.
425
00:15:52,686 --> 00:15:54,621
[BOTH LAUGH]
426
00:15:54,721 --> 00:15:56,022
Okay.
427
00:15:57,791 --> 00:15:59,025
[GUITAR FEEDBACK]
Oh!
428
00:15:59,859 --> 00:16:01,294
Okay.
429
00:16:01,394 --> 00:16:03,096
PARIS:
Do you wanna learn
our song with us?
430
00:16:03,196 --> 00:16:04,264
I'd be happy to--
Yeah.
431
00:16:04,364 --> 00:16:05,999
Okay.
So, if you do the vocals,
432
00:16:06,099 --> 00:16:07,133
we'll do the guitar,
okay?
433
00:16:07,233 --> 00:16:08,635
All right.
What are the words?
434
00:16:08,735 --> 00:16:10,904
Sanasa, sanasa.
435
00:16:11,004 --> 00:16:12,839
Sanasa-sa, sanasa.
436
00:16:12,939 --> 00:16:14,107
Okay. Let's try it.
437
00:16:14,207 --> 00:16:15,408
NICOLE:
Okay. Ready?
438
00:16:15,508 --> 00:16:16,710
Seven, eight.
439
00:16:16,810 --> 00:16:19,112
* Sanasa, sanasa *
440
00:16:19,212 --> 00:16:21,715
* Sanasa-sa, sanasa *
441
00:16:21,815 --> 00:16:23,917
* Sanasa, sanasa *
442
00:16:24,017 --> 00:16:25,985
* Sanasa-sa, sanasa *
443
00:16:26,086 --> 00:16:32,492
* Sanasa, sanasa
Sanasa *
444
00:16:32,592 --> 00:16:34,060
[LAUGHS]
Yes.
445
00:16:34,160 --> 00:16:36,262
Bill, are you thinking
what I'm thinking?
446
00:16:36,363 --> 00:16:37,263
I am.
447
00:16:37,364 --> 00:16:39,899
I'm afraid to ask
what you're thinking.
448
00:16:40,000 --> 00:16:41,701
Do you wanna be
in our opera?
449
00:16:41,801 --> 00:16:44,437
[***]
450
00:16:44,537 --> 00:16:46,306
ALAN CUMMING:
He looks excited.
451
00:16:46,406 --> 00:16:49,509
[WOMAN SINGING OPERATICALLY]
452
00:16:54,014 --> 00:16:56,716
[MAN SINGING OPERATICALLY]
453
00:16:56,816 --> 00:16:59,819
ALAN CUMMING:
Nil for four in the
checking things off department,
454
00:16:59,919 --> 00:17:02,889
Paris and Nicole are resorting
to a last-ditch effort
455
00:17:02,989 --> 00:17:04,557
to convince
Grammy Award-winning
456
00:17:04,657 --> 00:17:06,626
conductor and composer
Thomas Adès
457
00:17:06,726 --> 00:17:10,363
to reconsider
taking on their opera.
458
00:17:11,865 --> 00:17:13,266
Loves it.
Hi, Sill.
459
00:17:13,366 --> 00:17:14,934
What are you wearing
under that?
460
00:17:15,035 --> 00:17:16,336
A body stocking.
461
00:17:16,436 --> 00:17:18,271
[MUTTERS]
But I might take it off.
462
00:17:18,371 --> 00:17:21,041
Depending on how much
we have to convince Thomas.
463
00:17:21,141 --> 00:17:23,810
ALAN CUMMING:
How, might you ask, do they
plan to pull off this feat?
464
00:17:23,910 --> 00:17:25,311
[LAUGHS]
465
00:17:25,412 --> 00:17:28,415
Well, by taking him
to a fancy opera,
466
00:17:28,515 --> 00:17:31,017
brimming with
culture and elegance,
467
00:17:31,117 --> 00:17:34,354
proving that they are indeed
serious people.
468
00:17:36,589 --> 00:17:37,791
Ooh!
469
00:17:37,891 --> 00:17:39,192
Oh.
Obsessed.
470
00:17:39,292 --> 00:17:40,894
It can make you smaller
or bigger.
Right.
471
00:17:40,994 --> 00:17:41,895
It is a vibe.
472
00:17:41,995 --> 00:17:43,596
What time is, um...
473
00:17:44,164 --> 00:17:45,031
Is it?
"It."
474
00:17:45,131 --> 00:17:46,700
Yeah.
475
00:17:46,800 --> 00:17:48,535
So...
Seven thirty-seven.
476
00:17:49,669 --> 00:17:50,970
Into it.
477
00:17:51,071 --> 00:17:54,274
[MUSICIANS WARMING UP]
478
00:17:56,810 --> 00:17:57,777
It's starting.
479
00:17:59,012 --> 00:18:01,448
[OPERA SINGERS WARMING UP]
480
00:18:01,548 --> 00:18:03,950
* Twenty minutes goin' to
Your other side *
481
00:18:04,050 --> 00:18:07,120
* For me to land, it's gotta be
A record time, babe *
482
00:18:07,220 --> 00:18:09,422
[OPERA SINGERS SINGING NOTES]
483
00:18:15,161 --> 00:18:18,898
*You naughty wood sprites *
484
00:18:20,500 --> 00:18:24,404
ALAN CUMMING:
Oh, dear. I think they've
misinterpreted the dress code.
485
00:18:26,106 --> 00:18:27,073
Hi, guys.
486
00:18:27,173 --> 00:18:28,608
Hi, girls.
487
00:18:28,708 --> 00:18:29,275
Hello.
488
00:18:29,376 --> 00:18:30,243
Sorry
we're late.
489
00:18:30,343 --> 00:18:31,878
Beautiful.
Oh.
490
00:18:31,978 --> 00:18:33,113
We brought these
for you.
491
00:18:33,213 --> 00:18:34,280
Oh, thank you.
Oh, my God, you are so--
492
00:18:34,381 --> 00:18:35,482
Oh, my gosh.
This is a boutonniere.
493
00:18:35,582 --> 00:18:37,050
And it's got a little wiener.
494
00:18:37,150 --> 00:18:38,818
THOMAS: Absolutely perfect.
God.
495
00:18:38,918 --> 00:18:40,387
THOMAS:
You know,
I was thinking, it's the--
496
00:18:40,487 --> 00:18:42,122
This is "The Little Mermaid,"
the story.
497
00:18:42,222 --> 00:18:43,223
Right.
But in this version,
498
00:18:43,323 --> 00:18:44,457
she kills him
at the end.
499
00:18:44,557 --> 00:18:46,126
Oh.
That's quite
perfect for us.
500
00:18:46,226 --> 00:18:47,327
I love a good murder.
501
00:18:47,427 --> 00:18:49,796
Yes, I know.
Oh, you're in for a treat.
502
00:18:52,232 --> 00:18:56,269
[MUSICIANS PLAYING]
503
00:18:57,904 --> 00:19:00,874
[GIGGLING]
504
00:19:02,075 --> 00:19:03,677
[CHUCKLES]
505
00:19:05,712 --> 00:19:07,280
* Here he comes
Now, don't be [INDISTINCT] *
506
00:19:07,380 --> 00:19:10,750
[SINGING NOTES]
507
00:19:17,323 --> 00:19:22,362
[SINGING NOTES]
508
00:19:22,462 --> 00:19:25,999
WOMAN:
* My prison *
509
00:19:26,099 --> 00:19:30,670
[SINGING NOTES]
510
00:19:31,371 --> 00:19:36,843
[SINGING NOTES]
511
00:19:43,316 --> 00:19:46,353
And curtain.
Curtain falls.
512
00:19:48,388 --> 00:19:50,190
Beautiful.
That was beautiful!
513
00:19:50,290 --> 00:19:51,624
Yeah, it was beautiful.
Beautiful!
514
00:19:53,026 --> 00:19:55,395
Thank you. Thank you.
515
00:19:55,495 --> 00:19:56,830
[CAMERA SHUTTER CLICKING]
516
00:19:56,930 --> 00:19:58,431
NICOLE:
Okay. Well, that
was a lovely opera.
517
00:19:58,531 --> 00:19:59,566
Thank you so much.
[LAUGHING] Oh.
518
00:19:59,666 --> 00:20:01,134
Oh, yes,
you're welcome.
519
00:20:01,234 --> 00:20:02,235
Thank you for coming.
520
00:20:02,335 --> 00:20:04,304
[ALL LAUGH]
521
00:20:04,404 --> 00:20:06,106
It was beautiful.
522
00:20:06,206 --> 00:20:07,107
Are you getting
some ideas?
523
00:20:07,207 --> 00:20:08,308
NICOLE: I am.
Oh, really?
524
00:20:08,408 --> 00:20:09,642
THOMAS:
What I'm doing is,
525
00:20:09,743 --> 00:20:11,177
I'm going to put
everything together for you.
526
00:20:11,277 --> 00:20:12,612
We've got the best people,
527
00:20:12,712 --> 00:20:14,481
everybody, and me, I'm like...
Yeah.
528
00:20:14,581 --> 00:20:15,648
...Obi-Wan Kenobi
in the background.
529
00:20:15,749 --> 00:20:17,317
When you say
"putting it together..."
530
00:20:17,417 --> 00:20:18,618
He knows everybody,
so...
531
00:20:18,718 --> 00:20:19,252
Yes.
532
00:20:19,352 --> 00:20:20,854
...as in you're composing?
533
00:20:20,954 --> 00:20:22,789
I'm not actually composing.
It's not-- 'Cause it's not
534
00:20:22,889 --> 00:20:25,291
a piece by-- If it's-- If I
compose it, it's a piece by me.
535
00:20:25,392 --> 00:20:27,060
But it's-- This will be
a piece by you.
536
00:20:27,160 --> 00:20:28,428
[PARIS & NICOLE
SING NOTES]
537
00:20:28,528 --> 00:20:30,663
That's my upset voice.
[LAUGHING]
538
00:20:30,764 --> 00:20:33,533
[LAUGHING]
You better go and have
another word with him then.
539
00:20:33,633 --> 00:20:36,202
Okay, so...
we're not his type.
540
00:20:36,302 --> 00:20:38,204
Oh, my God.
541
00:20:38,304 --> 00:20:40,173
[***]
542
00:20:40,273 --> 00:20:41,474
NICOLE:
We'll compose it.
543
00:20:41,574 --> 00:20:44,310
We are talented
and we wrote this song,
544
00:20:44,411 --> 00:20:45,912
so we have to just,
like, dive in,
545
00:20:46,012 --> 00:20:49,816
and, like, full-blown, like,
pop-star believe in ourselves.
546
00:20:49,916 --> 00:20:51,718
BOTH [HIGH-PITCHED, SCREECHY]:
* Sanasa *
547
00:20:51,818 --> 00:20:52,419
[BOTH LAUGH]
548
00:20:52,519 --> 00:20:55,755
[WOMAN SINGING OPERATICALLY]
549
00:21:00,060 --> 00:21:01,661
[***]
550
00:21:01,761 --> 00:21:03,530
PARIS:
I'm excited to go
to the new Saks.
551
00:21:03,630 --> 00:21:05,398
Have you been yet?
Yes.
552
00:21:05,498 --> 00:21:07,467
It's beautiful. Yeah.
It's so beautiful.
553
00:21:07,567 --> 00:21:09,502
There's just no time
to even go shopping.
554
00:21:09,602 --> 00:21:11,071
[BOTH LAUGHING]
ALAN CUMMING: After yet another
555
00:21:11,171 --> 00:21:12,472
humiliating rejection,
556
00:21:12,572 --> 00:21:14,541
most people
would eat their feelings,
557
00:21:14,641 --> 00:21:16,343
but not Paris and Nicole.
558
00:21:16,443 --> 00:21:18,111
There's no scar too deep
559
00:21:18,211 --> 00:21:20,747
a little fashion therapy
can't heal.
560
00:21:21,481 --> 00:21:22,582
Knock, knock!
561
00:21:22,682 --> 00:21:24,818
Coles! How are you guys?
Welcome.
562
00:21:24,918 --> 00:21:25,552
Hi, Tony!
563
00:21:25,652 --> 00:21:27,454
Mmm! Mwah! Mwah!
Amazing.
564
00:21:27,554 --> 00:21:28,521
Nice to see you guys.
You too.
565
00:21:28,621 --> 00:21:30,323
I'm so excited
to be here.
566
00:21:30,423 --> 00:21:32,559
ALAN CUMMING:
But this shopping spree
isn't just for pleasure.
567
00:21:32,659 --> 00:21:33,993
The girls need dresses
568
00:21:34,094 --> 00:21:35,929
as grand as they intend
their opera to be.
569
00:21:36,029 --> 00:21:37,564
I'm so excited about the opera
It's amazing.
570
00:21:37,664 --> 00:21:39,065
that I heard about.
That's so incredible.
571
00:21:39,165 --> 00:21:40,633
Wanna be in it?
I'll be in it.
572
00:21:40,734 --> 00:21:42,168
Okay!
I don't have a singing voice,
573
00:21:42,268 --> 00:21:43,370
but I'll still be in it.
574
00:21:43,470 --> 00:21:44,804
You can dance. Yeah.
I can. [LAUGHS]
575
00:21:44,904 --> 00:21:46,106
Oh!
[ALL LAUGH]
576
00:21:46,206 --> 00:21:47,173
Yes.
577
00:21:47,273 --> 00:21:48,541
When I think of opera,
578
00:21:48,641 --> 00:21:50,343
Paris and Nicole are probably
the last people
579
00:21:50,443 --> 00:21:52,012
[LAUGHING]
that come to my mind.
580
00:21:52,112 --> 00:21:54,514
But, [BLEEP],
let's just do it.
581
00:21:54,614 --> 00:21:56,116
TONY:
Look how beautiful this is.
582
00:21:56,216 --> 00:21:57,350
When I think of the opera,
583
00:21:57,450 --> 00:21:59,486
I always think of
flowers, roses.
584
00:21:59,586 --> 00:22:00,754
It's a little feminine
for me.
585
00:22:00,854 --> 00:22:02,489
Is it too feminine
for you? Okay.
586
00:22:02,589 --> 00:22:05,825
You know? But I do
appreciate that it exists.
587
00:22:05,925 --> 00:22:08,461
Like, I could have imagined
my mom back in the day
588
00:22:08,561 --> 00:22:10,697
going to the opera
in one of these gowns,
589
00:22:10,797 --> 00:22:13,566
which is, like,
kind of an old-school look.
590
00:22:13,667 --> 00:22:15,635
It's gorgeous. Every lady,
when she goes to the opera,
591
00:22:15,735 --> 00:22:17,203
she should always have
a cocktail ring
592
00:22:17,303 --> 00:22:18,238
with a gown on.
593
00:22:18,338 --> 00:22:19,706
I think
that's very chic.
594
00:22:19,806 --> 00:22:21,541
Nicole and I
are doing something
595
00:22:21,641 --> 00:22:23,376
that's, like,
our own style of opera.
596
00:22:23,476 --> 00:22:24,310
So, this isn't
the right look?
597
00:22:24,411 --> 00:22:25,378
Yeah.
Okay.
598
00:22:25,478 --> 00:22:27,681
[***]
599
00:22:29,849 --> 00:22:30,750
Wow.
600
00:22:30,850 --> 00:22:32,185
Look how amazing this is.
I love it.
601
00:22:32,285 --> 00:22:33,753
Isn't that
incredible on you?
602
00:22:33,853 --> 00:22:35,722
Also, for opera,
I always think of a cape.
603
00:22:35,822 --> 00:22:37,157
I don't think
it's for the opera.
604
00:22:37,257 --> 00:22:39,125
I just think it's for,
like, my life.
605
00:22:39,225 --> 00:22:40,326
Oh, yeah?
[LAUGHS]
606
00:22:40,427 --> 00:22:41,428
You almost look
like an Oscar.
607
00:22:41,528 --> 00:22:42,696
Mm?
[TONY LAUGHS]
608
00:22:42,796 --> 00:22:44,397
You look like a James Bond
girl in this.
609
00:22:44,497 --> 00:22:46,299
You look like a mermaid.
Thank you.
610
00:22:46,399 --> 00:22:48,134
Oh, my God.
Now, this is Old Hollywood.
611
00:22:48,234 --> 00:22:51,471
Now, is this the right theme
for the opera you're doing?
612
00:22:51,571 --> 00:22:53,506
I feel [BLEEP]
and I wanna slap someone.
613
00:22:53,606 --> 00:22:55,675
[LAUGHS]
Go for it. Here.
614
00:22:57,510 --> 00:22:58,645
[BOTH LAUGHING]
Love you.
615
00:22:58,745 --> 00:23:01,448
Now, that's hot.
[LAUGHS]
616
00:23:01,548 --> 00:23:04,651
That's amazing on you.
That's beautiful.
617
00:23:04,751 --> 00:23:08,755
It reminds me of the old Simple
Lifedays, milking the cows.
618
00:23:09,856 --> 00:23:12,525
One of those sexy leather looks
to milk a cow in.
619
00:23:12,625 --> 00:23:14,260
Oh, yes. No.
[TONY LAUGHS]
620
00:23:14,361 --> 00:23:16,363
I'm very milkmaid, for sure.
621
00:23:16,463 --> 00:23:18,498
Ta-da!
[CHUCKLES]
622
00:23:18,598 --> 00:23:20,700
ALAN CUMMING:
Life has taught
Paris and Nicole
623
00:23:20,800 --> 00:23:22,335
that there's no problem
so big
624
00:23:22,435 --> 00:23:24,337
that you can't
throw money at it.
625
00:23:24,437 --> 00:23:26,740
So, to get their
opus back on track,
626
00:23:26,840 --> 00:23:28,575
they head back
to the mothership.
627
00:23:28,675 --> 00:23:30,443
Hi.
Good to see you again.
628
00:23:30,543 --> 00:23:31,845
So good to see you.
629
00:23:31,945 --> 00:23:33,713
All right.
Hi. Oh-- How are you?
630
00:23:33,813 --> 00:23:35,281
Very good.
How are you guys doing?
631
00:23:35,382 --> 00:23:36,449
You look very nice.
632
00:23:36,549 --> 00:23:37,751
We missed you.
Thank you. You too.
633
00:23:37,851 --> 00:23:40,687
And it's so cool
that you can play accordion.
634
00:23:40,787 --> 00:23:42,789
Yeah.
And I think
it's gonna help us...
635
00:23:42,889 --> 00:23:45,525
as far as, like, showcasing
what the opera is,
636
00:23:45,625 --> 00:23:47,560
and sex sells,
and so does Ed.
637
00:23:47,660 --> 00:23:48,862
Oh, thank you.
638
00:23:48,962 --> 00:23:51,064
Once they see you,
you know,
639
00:23:51,164 --> 00:23:54,668
they're gonna be like,
"Oh, we're-- We're investing."
640
00:23:54,768 --> 00:23:57,237
And we realized that operas
can get expensive, so...
641
00:23:57,337 --> 00:24:00,907
we thought of a sponsorship, and
the first person I thought of
642
00:24:01,007 --> 00:24:04,310
was a Hilton, so...
we went over there.
643
00:24:04,411 --> 00:24:05,979
I know some people.
644
00:24:06,079 --> 00:24:09,449
So, what is it you wanted
to meet about today?
645
00:24:09,549 --> 00:24:11,151
So, we're doing
an opera.
646
00:24:11,251 --> 00:24:12,218
An opera.
Mm-hm.
647
00:24:12,318 --> 00:24:14,954
It's called The Sanasa-Opera.
Okay.
648
00:24:15,055 --> 00:24:18,458
It's just, like, amazing,
incredible, show-stopping--
649
00:24:18,558 --> 00:24:19,926
Iconic.
Yeah.
650
00:24:20,026 --> 00:24:23,329
What do you need?
Um, instead of telling you,
651
00:24:23,430 --> 00:24:25,965
we would like to show you.
652
00:24:26,866 --> 00:24:28,868
Okay.
[ACCORDION PLAYING]
653
00:24:28,968 --> 00:24:31,471
PARIS, NICOLE, & ED [OFF-KEY]:
* Sanasa, sanasa *
654
00:24:31,571 --> 00:24:34,207
* Sanasa-sa, sanasa *
655
00:24:34,307 --> 00:24:36,409
* Sanasa, sanasa *
656
00:24:36,509 --> 00:24:38,945
* Sanasa-sa, sanasa *
657
00:24:39,045 --> 00:24:41,281
* Sanasa, sanasa *
658
00:24:41,381 --> 00:24:43,350
* Sanasa-sa, sanasa *
659
00:24:43,450 --> 00:24:45,618
* Sanasa, sanasa *
660
00:24:45,719 --> 00:24:48,254
* Sanasa-sa, sanasa *
661
00:24:48,355 --> 00:24:52,492
[HIGH-PITCHED, SCREECHY]
* Sanasa *
662
00:24:52,592 --> 00:24:54,461
And we would like...
663
00:24:54,561 --> 00:24:56,363
[***]
664
00:24:56,463 --> 00:24:58,465
One million dollars.
665
00:24:58,565 --> 00:25:00,266
[CHUCKLES EVILLY]
666
00:25:02,569 --> 00:25:03,503
NICOLE:
Thank you.
667
00:25:03,603 --> 00:25:05,805
[ACCORDION PLAYING]
668
00:25:10,777 --> 00:25:13,113
* Sanasa-sa, sanasa *
669
00:25:13,213 --> 00:25:15,515
* Sanasa-sa, sanasa *
670
00:25:15,615 --> 00:25:18,818
* Sanasa *
671
00:25:18,918 --> 00:25:20,787
[SIGHS]
Oh, boy. That was a lot
to take in there.
672
00:25:20,887 --> 00:25:21,921
You have my number,
right?
673
00:25:22,022 --> 00:25:23,923
Uh-- Uh-- Uh, yep.
We got it.
Yep.
674
00:25:24,024 --> 00:25:24,624
Great.
675
00:25:24,724 --> 00:25:27,961
[WOMAN SINGING OPERATICALLY]
676
00:25:36,436 --> 00:25:39,072
ALAN CUMMING:
With only two weeks
before the big show,
677
00:25:39,172 --> 00:25:43,443
Paris and Nicole's to-do list
remains entirely unchecked.
678
00:25:43,543 --> 00:25:46,179
[BOTH CHUCKLING]
My office setup.
679
00:25:46,279 --> 00:25:47,981
ALAN CUMMING:
But with an infusion of funds,
680
00:25:48,081 --> 00:25:49,783
things are about to take
a turn.
681
00:25:49,883 --> 00:25:51,751
Ready to get down
to business.
682
00:25:51,851 --> 00:25:53,186
Every time I think
we've done so much,
683
00:25:53,286 --> 00:25:55,922
I realize that we haven't
done anything.
I know.
684
00:25:56,022 --> 00:25:58,358
ALAN CUMMING:
I see a montage in our future.
685
00:25:58,458 --> 00:26:01,995
But before we get to that,
they need to book a venue.
686
00:26:03,363 --> 00:26:06,366
Wait! How have we
not booked a venue yet?
687
00:26:06,466 --> 00:26:09,102
Two weeks before
the opening night?
688
00:26:09,202 --> 00:26:10,203
Oh, my.
689
00:26:10,303 --> 00:26:10,804
Beautiful.
690
00:26:10,904 --> 00:26:13,273
Isn't this beautiful?
Yes.
691
00:26:13,373 --> 00:26:14,574
[PARIS GASPS]
692
00:26:14,674 --> 00:26:16,509
Look at the ceilings.
I love that. So gorgeous.
693
00:26:16,609 --> 00:26:17,844
NICOLE:
That light fixture.
694
00:26:17,944 --> 00:26:19,279
PARIS:
This is stunning.
695
00:26:19,379 --> 00:26:21,147
NICOLE: Beautiful.
PARIS: Yes.
696
00:26:21,247 --> 00:26:22,115
It's perfect.
697
00:26:22,215 --> 00:26:23,983
My name's Taylor. I'm
the production manager here.
698
00:26:24,084 --> 00:26:25,352
Oh. Hi, Taylor. Nicole.
Nice to meet you.
Hi.
699
00:26:25,452 --> 00:26:26,953
Ah. Very nice to meet you.
Nicole.
700
00:26:27,053 --> 00:26:28,655
Hello. This is so beautiful.
It's nice to meet you.
701
00:26:28,755 --> 00:26:30,490
TAYLOR:
Yeah, it is--
It is pretty breathtaking.
702
00:26:30,590 --> 00:26:32,125
NICOLE:
It really is.
703
00:26:32,225 --> 00:26:33,927
PARIS: It's perfect. So excited.
TAYLOR: And here's a...
704
00:26:34,027 --> 00:26:35,495
spectacular view.
Yeah. Look.
705
00:26:35,595 --> 00:26:36,663
This is sick.
706
00:26:36,763 --> 00:26:37,997
TAYLOR:
And, uh, at one point,
707
00:26:38,098 --> 00:26:39,466
Led Zeppelin performed
on this stage.
708
00:26:39,566 --> 00:26:41,634
Yes.
This is beyond.
709
00:26:41,735 --> 00:26:43,737
This step
really feels real now.
710
00:26:43,837 --> 00:26:45,071
Mm-hm.
I'm like, "Okay.
711
00:26:45,171 --> 00:26:47,841
We really are putting on
this opera."
712
00:26:47,941 --> 00:26:50,810
Sill and Bill to the rescue.
That's right.
713
00:26:50,910 --> 00:26:52,779
[CHUCKLES]
ALAN CUMMING: Cue that montage!
714
00:26:52,879 --> 00:26:55,648
NICOLE:
We wanted to have some
715
00:26:55,749 --> 00:26:57,317
young people in our opera,
716
00:26:57,417 --> 00:26:59,419
so... does that sound
interesting to people?
717
00:26:59,519 --> 00:27:02,922
Like, does anyone wanna have
their own personal security?
718
00:27:03,390 --> 00:27:04,657
Cool.
719
00:27:04,758 --> 00:27:06,926
Give me a big old smile.
Show me them pearly whites.
720
00:27:07,027 --> 00:27:08,661
I don't do that.
[LAUGHS]
721
00:27:08,762 --> 00:27:09,996
So, basically,
I put a TikTok out,
722
00:27:10,096 --> 00:27:12,966
and I said that we were
looking for superfans,
723
00:27:13,066 --> 00:27:14,601
and...
This is what came back.
724
00:27:14,701 --> 00:27:16,703
...thousands and thousands
of people sent videos.
725
00:27:16,803 --> 00:27:18,605
We need a costume designer.
Yeah.
726
00:27:18,705 --> 00:27:20,674
[***]
727
00:27:20,774 --> 00:27:22,909
Cute! I'm very into this.
It's pretty. I like that.
728
00:27:23,009 --> 00:27:25,945
My mom practically us raised
onThe Simple Life.
729
00:27:26,046 --> 00:27:28,081
BOTH:
* Sanasa, sanasa *
730
00:27:28,181 --> 00:27:30,517
* Sanasa-sa, sanasa *
[LAUGHS]
731
00:27:30,617 --> 00:27:35,021
Have you guys ever heard of
the international hit "Sanasa?"
732
00:27:36,222 --> 00:27:37,223
No.
733
00:27:37,323 --> 00:27:38,625
Hm.
734
00:27:38,725 --> 00:27:39,793
We have a problem.
735
00:27:39,893 --> 00:27:41,361
This is very opera.
736
00:27:41,461 --> 00:27:42,662
I love this print.
737
00:27:42,762 --> 00:27:45,031
Yeah. Like metallic. Okay.
738
00:27:45,131 --> 00:27:46,366
* Sanasa *
739
00:27:46,466 --> 00:27:47,367
* Sanasa *
740
00:27:47,467 --> 00:27:48,501
* Sanasa *
741
00:27:48,601 --> 00:27:49,636
[BABBLES]
742
00:27:49,736 --> 00:27:50,870
* Sanasa-sa *
743
00:27:50,970 --> 00:27:52,839
[GIGGLES]
His first word, "Sanasa."
744
00:27:52,939 --> 00:27:54,507
He knows good music.
He does.
745
00:27:54,607 --> 00:27:56,609
Oh! Oh!
746
00:27:56,710 --> 00:27:59,979
ALAN CUMMING:
Sometimes, our naivety can be
our greatest strength.
747
00:28:00,080 --> 00:28:01,214
[STUDENTS CHEERING, CHATTERING]
748
00:28:01,314 --> 00:28:02,315
[LAUGHING]
749
00:28:02,415 --> 00:28:03,316
Woo--!
750
00:28:03,416 --> 00:28:05,485
[DOORBELL RINGS]
ALAN CUMMING: I'm sure that's
751
00:28:05,585 --> 00:28:08,988
what Tchaikovsky must've relied
on when creating his operas.
752
00:28:09,089 --> 00:28:12,292
[WOMAN SINGING OPERATICALLY]
753
00:28:16,629 --> 00:28:17,997
[***]
754
00:28:18,098 --> 00:28:19,966
ALAN CUMMING:
It's less than a week
till showtime,
755
00:28:20,066 --> 00:28:23,903
and Nicole and Paris still need
to recruit a supersized cast
756
00:28:24,004 --> 00:28:26,639
for their one-word
operatic opus.
757
00:28:26,740 --> 00:28:29,509
PARIS:
So, we're gonna go to the Saban
now for those auditions.
758
00:28:29,609 --> 00:28:30,510
NICOLE:
Yeah.
759
00:28:30,610 --> 00:28:32,512
I think once we do
the auditions,
760
00:28:32,612 --> 00:28:34,614
it's gonna just
all fall into place.
761
00:28:34,714 --> 00:28:36,116
I agree.
762
00:28:37,784 --> 00:28:41,021
ALAN CUMMING:
A quality cast
is the lifeblood of any opera.
763
00:28:41,121 --> 00:28:42,989
So, to help with auditions,
764
00:28:43,089 --> 00:28:44,591
Paris and Nicole
recruit someone
765
00:28:44,691 --> 00:28:46,659
with a notorious eye
for talent,
766
00:28:46,760 --> 00:28:49,696
whose clarity of vision
is unmatched.
767
00:28:49,796 --> 00:28:50,864
SIA:
Hi, guys!
768
00:28:50,964 --> 00:28:52,665
Hi, love.
You look amazing.
769
00:28:52,766 --> 00:28:54,234
ALAN CUMMING:
Though somewhat obstructed.
770
00:28:54,334 --> 00:28:57,704
Thanks! I can see very,
very, very little bit.
771
00:28:57,804 --> 00:28:59,439
[BOTH CHUCKLE]
772
00:28:59,539 --> 00:29:00,674
This is major. We have...
Yeah.
773
00:29:00,774 --> 00:29:02,876
...literally, Sia
helping us audition people
774
00:29:02,976 --> 00:29:04,044
for our opera.
Yeah.
775
00:29:04,144 --> 00:29:05,612
So, heh...
[PARIS & NICOLE LAUGH]
776
00:29:05,712 --> 00:29:08,715
...this is about an opera
you wrote when you were kids?
777
00:29:08,815 --> 00:29:12,185
Yes, hi!
[LAUGHING]
Hi! It's so nice to see you.
778
00:29:12,285 --> 00:29:14,621
PARIS:
Hi, love. You look amazing.
Hi, sis. You look incredible.
779
00:29:14,721 --> 00:29:16,356
Hi, Paris!
Thanks for inviting me.
780
00:29:16,456 --> 00:29:18,391
I'm really, really excited
about today, I hope you know.
781
00:29:18,491 --> 00:29:19,626
You're sitting
right here.
782
00:29:19,726 --> 00:29:20,894
I love a little bit of talent.
So do we.
783
00:29:20,994 --> 00:29:22,295
Lo-- I really love talent.
784
00:29:22,395 --> 00:29:23,797
No one knows talent
like you.
I know.
785
00:29:23,897 --> 00:29:25,098
Mm, mm.
You're the most talented.
786
00:29:25,198 --> 00:29:27,500
[LAUGHS] Thanks! [GIGGLING]
[LAUGHING]
787
00:29:27,600 --> 00:29:30,070
SIA:
All right. Let's get
this show on the road. Ha, ha!
788
00:29:30,170 --> 00:29:31,338
NICOLE:
Okay. Send 'em out!
789
00:29:35,942 --> 00:29:37,811
[SINGING NOTES]
790
00:29:37,911 --> 00:29:39,512
[SINGING IN FOREIGN LANGUAGE]
791
00:29:39,612 --> 00:29:41,481
[SINGING NOTES]
792
00:29:41,581 --> 00:29:43,116
[SINGING NOTES]
793
00:29:46,786 --> 00:29:48,455
Looks like
a big pretzel.
794
00:29:48,555 --> 00:29:50,123
[LAUGHS]
795
00:29:51,191 --> 00:29:52,926
PARIS:
It's really special to
796
00:29:53,026 --> 00:29:54,294
not only have
opera singers in this,
797
00:29:54,394 --> 00:29:57,931
but to also have superfans
of us and the show
798
00:29:58,031 --> 00:30:00,400
and this is
a dream come true to them.
799
00:30:00,500 --> 00:30:02,635
So, to do something
like this for them is--
800
00:30:02,736 --> 00:30:04,204
Is really special.
801
00:30:04,304 --> 00:30:06,272
[SINGING NOTES]
802
00:30:08,074 --> 00:30:13,079
[SINGING IN FOREIGN LANGUAGE]
803
00:30:13,179 --> 00:30:15,749
SIA:
Wow. You have an incredible
voice. That's opera.
804
00:30:15,849 --> 00:30:17,217
Beautiful.
I felt like
I was in nature.
805
00:30:17,317 --> 00:30:18,818
Yeah, I felt like I w--
Me too.
806
00:30:18,918 --> 00:30:21,855
Had-- Had taken a walk
through a beautiful forest
807
00:30:21,955 --> 00:30:23,289
after eating
some psilocybin.
808
00:30:23,390 --> 00:30:24,724
[SIA & PARIS LAUGHING]
Yes. [LAUGHING]
809
00:30:24,824 --> 00:30:26,226
That's perfect.
810
00:30:28,995 --> 00:30:30,497
By the way,
I'm sorry I'm dressed
811
00:30:30,597 --> 00:30:32,032
like I was going to a funeral,
812
00:30:32,132 --> 00:30:34,167
but for opera auditions,
we usually do,
813
00:30:34,267 --> 00:30:36,469
because half of our audiences
are dying, so...
814
00:30:36,569 --> 00:30:38,705
[LAUGHS]
815
00:30:38,805 --> 00:30:39,739
SIA:
That was amazing.
816
00:30:39,839 --> 00:30:41,107
Thank you.
817
00:30:41,207 --> 00:30:42,308
Next!
818
00:30:42,409 --> 00:30:46,046
Lola, can you do a rooster?
[BIRD CROWING]
819
00:30:46,146 --> 00:30:47,414
[ALL LAUGH]
Yes!
WOMAN: Chicken.
820
00:30:47,514 --> 00:30:48,214
[CLUCKS]
821
00:30:48,314 --> 00:30:49,816
WOMAN:
Can you do a kitty-cat?
822
00:30:49,916 --> 00:30:50,850
No!
Oh.
823
00:30:50,950 --> 00:30:52,218
She said no.
I-- Let's--
824
00:30:52,318 --> 00:30:53,553
Respect boundaries.
She had stage fright?
825
00:30:53,653 --> 00:30:54,688
Come on, do the kitty-cat.
No!
826
00:30:54,788 --> 00:30:55,989
Yes!
Oh!
827
00:30:56,089 --> 00:30:57,190
[PARIS & NICOLE LAUGH]
WOMAN: Do it!
828
00:30:57,290 --> 00:30:58,224
No!
Yes!
829
00:30:58,324 --> 00:30:59,059
No!
Oh!
830
00:30:59,159 --> 00:31:00,193
PARIS:
The best.
831
00:31:00,293 --> 00:31:01,661
I love the fans.
[SIA LAUGHS]
832
00:31:01,761 --> 00:31:03,296
I'm obsessed.
PARIS: We're obsessed.
833
00:31:03,396 --> 00:31:05,131
If we've got a spot
for a dance act,
834
00:31:05,231 --> 00:31:06,299
he would be the dance act.
835
00:31:06,399 --> 00:31:07,867
We do.
We do.
836
00:31:07,967 --> 00:31:09,102
[SIA & NICOLE LAUGH]
837
00:31:09,202 --> 00:31:10,403
PARIS:
Love the blond mohawk.
838
00:31:10,503 --> 00:31:11,438
He's the best boy.
839
00:31:11,538 --> 00:31:12,806
He's so
rock 'n' roll.
840
00:31:12,906 --> 00:31:14,341
Yeah.
[ALL LAUGHING]
841
00:31:14,441 --> 00:31:16,276
Yeah. I know, I know, I know,
I know, I know, I know.
842
00:31:16,376 --> 00:31:17,811
I know, I know!
843
00:31:17,911 --> 00:31:20,647
[ALL CONTINUE LAUGHING]
844
00:31:20,747 --> 00:31:24,117
[BOTH SINGING
IN FOREIGN LANGUAGE]
845
00:31:24,217 --> 00:31:26,152
You guys are panty-droppers.
846
00:31:26,252 --> 00:31:28,154
The girls are gonna
go crazy for you.
847
00:31:28,254 --> 00:31:29,556
They're gonna go
"cuckoo!"
848
00:31:29,656 --> 00:31:30,790
BOTH:
* Cuckoo *
849
00:31:30,890 --> 00:31:32,158
* Cuckoo *
850
00:31:32,258 --> 00:31:34,561
* Let's build
A slaughter house *
851
00:31:34,661 --> 00:31:35,962
[GASPS]
852
00:31:36,062 --> 00:31:39,199
* And spray-paint over the S
To trick them in *
853
00:31:39,299 --> 00:31:41,868
* Let's build
A slaughter house *
854
00:31:41,968 --> 00:31:43,403
That is so scary.
Yeah.
855
00:31:43,503 --> 00:31:46,039
* Spray-paint over the S
To trick them in *
856
00:31:46,139 --> 00:31:48,341
But that was terribly scary!
Yes.
857
00:31:48,441 --> 00:31:50,176
[LAUGHS]
It was.
858
00:31:50,810 --> 00:31:52,012
NICOLE:
Hello.
859
00:31:52,112 --> 00:31:53,079
What do you do
for a living,
860
00:31:53,179 --> 00:31:54,981
just in
your regular life?
861
00:31:55,081 --> 00:31:56,416
Um, I scare people.
862
00:31:56,516 --> 00:31:57,917
[CHUCKLES MISCHIEVOUSLY]
863
00:31:58,018 --> 00:31:59,619
I'm scared already.
864
00:31:59,719 --> 00:32:00,353
You should be.
865
00:32:00,453 --> 00:32:02,022
SIA [LAUGHS]: Yes.
Oh, my God.
866
00:32:02,122 --> 00:32:02,989
I feel very connected to you.
867
00:32:03,089 --> 00:32:04,491
PARIS: Yes.
Oh, cool.
868
00:32:04,591 --> 00:32:07,060
Have you heard of the
world-famous song, "Sanasa?"
869
00:32:07,160 --> 00:32:09,662
* Sanasa, sanasa *
870
00:32:09,763 --> 00:32:12,999
I swear, I think we look alike
and I-- He's gonna play me.
871
00:32:13,099 --> 00:32:14,801
I'm obsessed.
Yeah, definitely.
872
00:32:14,901 --> 00:32:17,871
[CONTINUES SINGING]
873
00:32:17,971 --> 00:32:21,074
Would you ever feel
comfortable playing me?
874
00:32:21,174 --> 00:32:22,542
I don't think
that would be a problem.
875
00:32:22,642 --> 00:32:25,545
We don't wanna tell people today
if they got it, but--
876
00:32:27,681 --> 00:32:29,983
[HIGH-PITCHED]
* Next *
877
00:32:30,083 --> 00:32:32,052
* Sanasa, sanasa *
878
00:32:32,152 --> 00:32:34,020
* Sanasa-sa, sanasa *
SIA: Oh!
879
00:32:34,120 --> 00:32:35,088
[LAUGHS] Yes!
Yes.
880
00:32:35,188 --> 00:32:37,023
* Sanasa, sanasa *
881
00:32:37,123 --> 00:32:39,092
* Sanasa-sa, sanasa *
882
00:32:39,192 --> 00:32:42,562
* Sanasa, sanasa *
883
00:32:42,662 --> 00:32:43,730
Hi.
Oh! [LAUGHING]
884
00:32:43,830 --> 00:32:46,466
[LAUGHS]
See? He kinda scared you.
885
00:32:46,566 --> 00:32:47,667
SIA: Yes!
NICOLE: Oh!
886
00:32:47,767 --> 00:32:49,336
Oh! [WHOOPING]
887
00:32:49,436 --> 00:32:50,637
[LAUGHING]
888
00:32:50,737 --> 00:32:52,539
I'm gonna faint. I'm gonna
faint. I'm gonna vomit.
889
00:32:52,639 --> 00:32:54,207
There are already fluids
coming out of my body.
890
00:32:54,307 --> 00:32:55,608
What's your name?
[LAUGHS]
891
00:32:55,709 --> 00:32:56,576
Rawlins.
892
00:32:56,676 --> 00:32:58,411
You come up on my
TikTok For You Page
893
00:32:58,511 --> 00:32:59,446
all the time.
894
00:32:59,546 --> 00:33:00,280
How are you doing?
895
00:33:00,380 --> 00:33:01,681
That's hot, you sexy bitch.
896
00:33:01,781 --> 00:33:03,483
Hey! [LAUGHS]
897
00:33:03,583 --> 00:33:05,018
[GRUNTS]
898
00:33:05,118 --> 00:33:06,519
And then shake it to the side,
899
00:33:06,619 --> 00:33:08,188
shake it to the side.
We're gonna come join you.
900
00:33:08,288 --> 00:33:09,622
Yeah. We're coming.
Yeah, you got-- Let's--
901
00:33:09,723 --> 00:33:11,191
Come on. Let's all do this
together. We got this.
902
00:33:11,291 --> 00:33:12,525
Top! Down!
Oh!
903
00:33:12,625 --> 00:33:13,960
And we're gonna windmill!
Windmill!
904
00:33:14,060 --> 00:33:15,428
It's-- Windmill.
905
00:33:15,528 --> 00:33:17,097
Yes, very nice, Nicole.
Very good. I like to see it!
906
00:33:17,197 --> 00:33:18,298
Okay.
Okay.
907
00:33:18,398 --> 00:33:20,400
This is the really
complicated one.
908
00:33:20,500 --> 00:33:22,268
And-- And then you're gonna
click those-- Those the--
909
00:33:22,369 --> 00:33:23,670
Oh!
Yeah, you're
gonna make 'em clap.
910
00:33:23,770 --> 00:33:25,672
Oh, very good. Very nice.
Yeah. I'm makin' 'em clap.
911
00:33:25,772 --> 00:33:27,974
[LAUGHS] Oh! Thank God. Thank
God, quite honestly. Oh my God.
912
00:33:28,074 --> 00:33:29,442
Oh, so good. So good.
So good.
913
00:33:29,542 --> 00:33:33,079
Is there any way to make 'em
slap while singing "Sanasa?"
914
00:33:33,179 --> 00:33:36,049
* Sanasa, sanasa *
915
00:33:36,149 --> 00:33:37,150
Yes. [LAUGHS]
916
00:33:37,250 --> 00:33:40,053
* Sanasa-sa, sanasa *
917
00:33:40,153 --> 00:33:41,521
* Sanasa *
918
00:33:41,621 --> 00:33:42,455
[GRUNTS]
919
00:33:42,555 --> 00:33:44,090
[HIGH-PITCHED, LOUD]
* Sanasa *
920
00:33:44,190 --> 00:33:46,459
[PARIS & NICOLE LAUGHING]
921
00:33:49,396 --> 00:33:51,064
PARIS, NICOLE, & SIA [LAUGHING]:
Yes!
922
00:33:51,164 --> 00:33:52,932
SIA:
Ha! You got
the best talent in LA.
923
00:33:53,033 --> 00:33:54,334
PARIS: Right?
NICOLE: Yeah.
924
00:33:54,434 --> 00:33:55,735
We're gonna
make an opera.
925
00:33:55,835 --> 00:33:57,003
ALAN CUMMING:
Next!
926
00:33:57,103 --> 00:33:59,072
The two of you have
the best chemistry
927
00:33:59,172 --> 00:34:00,306
in the whole world.
Like, truly.
928
00:34:00,407 --> 00:34:01,741
NICOLE:
We actually used to work here.
929
00:34:01,841 --> 00:34:03,243
WOMAN: Okay.
Welcome to Sonic,
930
00:34:03,343 --> 00:34:04,711
how can I help you,
you little bitch?
931
00:34:04,811 --> 00:34:05,712
[YELPS]
932
00:34:05,812 --> 00:34:07,047
[WHOOPS]
933
00:34:07,147 --> 00:34:08,415
Duck!
Whoa!
934
00:34:09,516 --> 00:34:12,919
Ladies and gentlemen,
we are putting on an opera.
935
00:34:13,019 --> 00:34:14,154
MAN:
What?
936
00:34:14,254 --> 00:34:16,423
PARIS:
Oh, my God. Is it broken?
937
00:34:16,523 --> 00:34:19,125
How long until we can put
a red carpet over this?
938
00:34:19,225 --> 00:34:21,928
Door got locked.
How the hell--?
939
00:34:22,028 --> 00:34:23,730
[***]
940
00:34:26,166 --> 00:34:27,500
[DRILL WHIRRING]
941
00:34:28,401 --> 00:34:29,502
MAN:
Okay, here we go.
942
00:34:29,602 --> 00:34:31,338
Three, two, one.
943
00:34:31,438 --> 00:34:35,108
PARIS:
Hello? Uh... Is it broken?
944
00:34:35,208 --> 00:34:37,811
[WOMAN SINGING OPERATICALLY]
66495
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