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Beautiful.

Come here. Come here.

- Bueno. - Bien hecho.

Hi. Can I have a medium Pepsi?

Thanks.

Got it?

You got the cash? Great.

- See you next time. - Okay.

- What's going on, man? - What's going on here?!

You guys are in our fucking territory, assholes!

Come on. Let's go!

Pull up!

I'll get you, asshole!

I know where you live!

Just a minute. Just a minute.

Sam. How you doing?

What's happening? What's going on?

I just, uh, came to use the phone, Sam.

Hi. This is Mike.

Um, just tell Pete that I called, okay?

Yeah, I'm looking for him.

Uh, I'll call later. Bye.

You look good, Sam.

Here, Mike, drink this.

It'll make you feel better.

Watch out. It's hot.

Thank you, Sam.

You wanna talk about it?

I'm going back to bed.

You're welcome to sleep on the couch.

Jesus!

Fuck.

I got to call him.

I got to call him.

I've to call him.

Phillip?

Hey! Hey, Betty!

Betty! Hey, Betty!

Mike.

You going down Sunset?

Yeah, you need a ride? Get in.

Boy, am I glad to see you.

No, thanks. I quit three weeks ago.

Ah.

You still living in the same place?

Same place. You?

Yeah, but I don't think I'll be going back for a while.

- No? - No.

Listen, uh, could you do me a favor?

I want you to make a right-hand turn right around the bend up here.

Okay.

Pull over and park.

What's going on, Mike?

I'm in trouble.

How much, I really don't know yet,

but it's not too good.

- Can we put up your top? - Sure. I'll help.

Where are you going, Mike?

I've got a job laying tiles up Doheny.

What happened to you?

I've been dealing.

I got behind on the rent again.

I don't make enough money teaching tennis

to pay the fucking rent in Brentwood yet.

So, who's following you, the police?

No. I don't really know exactly who,

but I was dealing in their territory.

♪ When you told me You were leaving ♪

♪ I knew you had Your reasons ♪

♪ But you know ♪

♪ I can never believe you ♪

Look, don't tell anybody what I told you.

Come on, Mike, who would I tell?

Don't worry.

Make a left when you get to Doheny.

♪ You ♪

♪ Leaving me Was a serious crime ♪

♪ No reason ♪

♪ I ♪

♪ Could never live this way ♪

♪ Without you ♪

Turn to the left right here.

♪ Without you... ♪

- See this driveway up here? - Yeah.

Pull in there and let me off.

- Thanks. - You're welcome.

Do you want me to drive you down wherever?

No. I should walk.

What?

What do you mean, what?

What are you looking at?

You.

I know, but what?

It's nice seeing you.

It's nice seeing you, too.

I'd like to get together again.

So would I.

I'd like to get you naked again.

Oh, yeah?

It's been a long time.

What? Like, six months at least.

Yeah, at least.

Why don't you call me?

You still have my number?

That it?

That's it.

I'm kind of worried about you. Where are you gonna stay?

In a house.

He's an old acquaintance. He's got lots of room.

I'm just gonna stay there till it cools off.

Thanks again.

You're welcome again.

Have a nice day.

You, too.

- Hello? - Hi.

- Who is this? - It's Mike.

Mike?

Yeah. How's your backhand? Is your backhand any better?

Mike. Hi.

I'm sorry. It sounds like I woke you up.

- I was watching TV. - And you fell asleep.

Sort of.

What, did you have a hard day handling all that money?

The usual.

I was up here alone, you know,

and I started thinking about you, Betty.

Alone where?

In the house where you dropped me off,

where I'm working my ass off.

I'm lying here on the edge of the pool,

and I started thinking about you.

Mmm. Nice.

So...

You in for the evening, or are you up to coming out?

I still don't have a car.

I have to work tomorrow.

On Saturday?

Tomorrow's only Friday.

Are you sure? I thought today was Friday.

No. Today is Thursday, Mike.

Well, what do you know?

I lost a whole fucking day there somewhere.

Mike?

Mike?

Yeah, sorry. I had to find my cigarettes.

I left them in the house. I'm carrying you around.

So you don't feel like coming up and swimming with me?

How about tomorrow night?

You know I can't plan that far in advance.

- Mike? - Uh-huh.

Are you all right?

I would be if I could see you.

No. About all that stuff you told me about

when I picked you up three months ago.

Was it that long ago? Three months already.

Shit! I'm sorry. I was gonna call.

Oh, are you still worried?

Has anything else happened?

No, not that I know of.

No one knows where I am except you,

and you haven't told anyone, have you, Betty?

No, I didn't.

I got my feelers out, so we'll see.

What have you got on?

What do you mean?

I mean, besides the TV set. You got on some clothes?

I told you I came home from work.

I fell asleep.

You said you sort of fell asleep.

In all of your clothes?

No. When I come home, I changed into a pair of shorts.

Uh-huh. How short are the shorts, Betty?

Why?

What are you doing?

Well, I'm taking your voice up to the master bedroom.

If I can't have your body up here,

I can at least have your voice.

Mike.

Come on. Relax. I love your voice.

Did I ever tell you how much I love your sexy voice?

You're stoned.

Ha! Me, stoned?

- Where are you, Betty? - Why?

I want to know so I can remember and imagine.

You're not in the music room, are you?

I told you I'm in my bedroom.

Ah, the bedroom. I remember it well.

What are you doing in your bedroom right now?

Sitting on the edge of my bed, talking to you.

What are you doing?

Well, I'm sitting on the edge of a very big bed

looking at myself naked in a mirror,

looking at what the thought of you does to me.

Now I'm lying slowly back.

I can see the moon through the open door.

You gotta join in, Betty. It's no fun if you don't join in.

All right.

I'm just gonna put you in my mind.

It's all there anyway.

In the mind.

Now I'm remembering our very first night together.

I'm remembering your piano with the C-scale out of tune.

That one note out of tune. You said it was like me in your life.

That made me laugh.

Turn out the lights and remember with me, Betty.

It was the same kind of bright moonlit night.

- Did you turn out the lights? - Yeah.

Good. Now, let's connect up together.

We did it in the music room, remember?

Imagine the very first night.

Hey, Mike. It's Pete.

Great news, man. It's all worked out.

Yeah. No shit.

My friend Charlie took care of it.

Ah, those guys don't control nothing.

They're small potatoes.

Yeah. You can go home anytime you want.

Hey, believe me.

Yeah. Listen, um...

I got something else I think you might be interested in.

No, Mike, I know you don't want to do that anymore.

This is something else.

Much more lucrative.

We could split three grand for one night's work.

I know these people.

I've done it before.

Charles set it up.

Hey, man, you could clear all your debts.

Well, I don't want to talk about it over the phone.

Why don't I come up and visit you?

Uh, Betty.

- Hi, Ben. - Hi.

Tell me what you think

about this individual's previous credit history.

- Oh, John Alexander's. - Mmm-hmm.

Did you check this last reference?

I've had a little difficulty getting ahold of people there.

Why don't we give him to the end of the week,

and then check back with me. Let me know.

Great shot!

Set! I'm gonna take a break.

You've been practicing.

Better backhand. Much better backhand.

What are you doing in this part of town?

I moved back two weeks ago.

Everything's all right?

As far as I can tell.

You waiting for a court?

Yeah. I'm giving a lesson

to a very rich Iranian lady.

Good, Mike.

Same number?

Same number.

Good. I'll call.

- All right. - No, I mean it.

This time I'll call and come.

Last time you called you came.

You know what I mean.

What do you mean?

Who's that?

New lover, boyfriend, whatever?

Whatever.

Great. I'll call. I mean it.

Whatever.

I think that television,

video, i.e., the electronic media

has totally revolutionized

what we know as art with a capital "A."

I'm not just talking about film.

I'm talking about painting and literature included.

We all have TV-scrambled brains.

I find myself less and less interested

in anything that's essentially a packaged art form.

And by that I mean anything that's made in the past

and we just look at it.

You know what I mean?

You're not listening to me.

What? What? What?

I'm finding that the only art

I'm truly interested in is the immediate stuff,

performance art, attitude as opposed to style,

anything live, anything happening,

like eyewitness news with its accidents

and shootouts and hostages.

Anything that, that comes out of life,

that's concurrent with our own time experiences.

For example, me...

Making love with my bank teller.

Oh, Richard.

It's like I always say, the ephemeral is eternal.

What?

It's like I always say,

the ephemeral is eternal.

You're so full of shit.

I know.

- Hi, Corey. - Hey, Betty.

Hi, darling. It's your mother.

Everyone's really, really excited

about your promotion.

Call me when you can.

Hi. It's Mike.

I told you I'd call.

What are you doing later? I want to see you.

I'll be at this number...

555-1123 until about 4:00.

If we miss each other, I'll call you at 6:00 sharp.

If you don't have other plans, we've got a date, okay. Bye.

This is Sam. I'm out.

Leave your name and number,

any message, and the time you called.

I'll return it as soon as I can.

Wait till the beep.

Hi. My name is Betty Parrish.

I'm calling for Mike Chuhutsky.

I'll be at 555-2112.

Thank you.

Hello?

Hi, Betty. It's Patty. What's new?

Not much. What are you up to?

Oh, usual Saturday stuff.

I ran Sugar over to the groomers for her little bath.

And I've been sitting on my patio grading papers.

I thought you might wanna go over to Pancho's and get some enchiladas?

Oh, I'd love to, but I can't. I have a date.

Well, have a good time.

I intend to.

I bet. I'll talk to you tomorrow.

Bye, Patty.

Be sweet.

I will.

Hello?

Hi. I'm not at home.

Where are you?

Somewhere between Ocean Park and Venice.

Look, I'm--

I won't be home until at least 10:30.

I got hung up. I'm really sorry.

Let me talk to her.

Look, if I call you between 10:00 and 11:00,

will you be up?

Sure. I guess.

You're not mad, are you?

Mike, let me talk to her.

Hey, come on. Let me talk to her.

- Come on. - Hey, hold on.

Hold on. This asshole wants to talk to you.

Hey, Betty. Hi. This is Pete. I'm a buddy of Mike's.

You're not mad at him, are you?

He's so worried you're gonna be mad at him for being late.

I told him, no way.

Anybody with that great ass...

It's hard to get mad, right?

I saw these pictures of you he took on Catalina.

Okay, Mike, take it easy.

I'm talking to Betty here.

- Hey. - Yes.

We drove by there the other night. You got a nice place.

The only thing is Mike wouldn't let me ring the bell 'cause I was too fucked up.

But do you know what he said?

- He said you were the only-- - Hey!

Betty, you still there?

Yeah, I'm still here.

What was that?

Hey, we gotta go. They're here.

Oh, Betty, I'm sorry.

We gotta go.

I got to go. This guy is really nuts.

All his dogs aren't barking.

Don't be mad.

I'm not mad.

These guys do not like to be kept waiting, Mike. Come on.

Listen, the minute I get home, I'll come over

and I'll make it up to you. Okay?

All right.

Bye.

What number is it?

Seven.

- You're quick. - Seven.

Seven.

Wanna try some of this?

What the heck!

You boys stay here.

Come on.

- Thanks, Pete. - Thank you.

- Pete, thank you. - Mike, thank you very much.

Here's more goody, honey.

- Bye. - Bye-bye.

Where to?

Phillip's.

Relax. They already weighed it.

Phillip?

Hi. Can I talk to you for a second alone?

Excuse me, please.

I've got some money that I owe you.

- All of it? - No, no. It's half. It's $1,500.

One, two, three, four--

Come on, you don't have to count it.

It's your dime. Shoot.

Hello. It's almost 12:00. Don't bother to call.

I'm going to bed.

All right.

I'll wait right here. Then I'll take you to Betty's.

Hey, don't forget where you put it.

Keep it hot, man.

Mike!

Come on, Mike!

Mike, what's happening, baby?

What you doing? What?

Fuck!

I hate being stood up.

I hate it more than anything in the entire world.

He sounds like this guy back in Texas...

Clyde Harris.

He was so cowboy cute

and so unbelievably undependable, it drove me crazy.

Wonderful. You're not even listening to a word I say.

Sorry.

Come on. Come on over and eat your waffle.

Let's not talk about undependable men

or anything else depressing.

Bring in the butter, will you, melted butter.

Good.

Thanks.

You like him a lot, don't you?

A lot.

Was he that good?

Mmm-hmm.

Uh, let's get specific.

Uh-uh.

Well, pooh! I told you about the mushroom man.

- No. Did you? - Yes, I did! Come on!

I remember.

That's disgusting.

Hi. This is Betty

with one of those dumb machines.

Hold on.

Hello?

Is this Betty?

This is Betty. Who's this?

- This is Sam. - Sam who?

I'm a friend of Mike's.

Mike Chuhutsky?

Did you hear about it?

Hear what?

He's dead.

He's been murdered.

Last night they killed him, two of them.

- What are you saying? - They were waiting for him when he got home.

- Who? - The people in the building

saw two guys run out of his apartment,

get in a car, and drive away.

Oh, my God.

Oh, God.

Oh, God, no.

No.

I don't want to be alone.

Could you come over and have a drink or something?

- Um-- - Please, it's important to me.

He talked about you all the time. Please.

I live across from the tennis courts.

Just a minute.

Betty?

- Yes. - Come on in.

I'm on the phone.

Hi.

It's a friend of Mike's. Betty.

I don't know Betty's last name.

Come on around, Betty!

What?

If I can stand it.

Yeah. Okay. I'll call you back. Bye.

- Where are you? - I'm over here.

I'm Sam Morris.

Betty Parrish.

Mikey. Poor little Mikey.

Let me get you a drink.

I only have some gin.

Sam, could you tell me what happened?

All I know, what I was told.

You know Phillip?

Phillip? Phillip who?

Phillip Greene, record producer, lives up Doheny.

Is the guy he was laying tiles for?

Yeah. The police called him.

Found a note in Mike's apartment

saying he owed Phillip $3,000.

What did Phillip know about the murder of Mike Chuhutsky?

Phillip went down and talked to them, identified the body.

Phillip called Billy. Billy called me.

Billy was a friend who introduced me to Mike.

I used to watch him play from here.

He was a hell of a tennis player.

First met him almost eight years ago.

Billy, his friend called me one night.

Could he bring him by?

I took a lot of pictures of him over the years

as he popped in and out of my life.

He used to teased me about my photographing everything.

Since I'm so drunk so much of the time and can't remember anything.

It helps me to remember what happened.

- Oh, God. - What?

Sam, that's me.

I took a lot of pictures from the balcony.

Where did you meet him?

Right across the street at the tennis courts.

When?

Almost two years ago.

How?

I was jogging up Barrington,

and the moon was full.

He was practicing his serve in the moonlight.

Please stop doing that. It's making me really nervous.

Who's this?

Oh, that's that awful kid

Mike started bringing around about a year ago.

Son of a bitch had no respect for anybody or anything.

First night here,

he ripped off every prescription drug from the medicine chest

and then denied it.

What's his name?

Pete. Pete was all I ever knew.

Sam, did you know Mike was dealing drugs?

What he did I didn't call dealing.

Well, he was. He told me.

Small amounts. He wasn't a dealer.

He never had anything. He never even had a car.

Confused kid who sold a few drugs to pay his rent.

Hey, Charles? It's Pete.

Why? What happened?

Oh, God.

Jesus.

Why?

It wasn't my fault.

Man, we were stoned!

Well, let me talk to them. Let me explain it to them.

Listen, give me their number.

Charles, come on, man. Just give me their number!

I can explain it to them!

Charles, don't hang up on me, man. Charles!

Son of a bitch!

- Hi, Jim. - Hey, what's up?

Can I talk to you for a second?

I'm in a jam. I was wondering if you could help me out.

Yeah?

Is Phillip here?

I don't know. Who's calling?

He doesn't know me. I'm a friend of Mike Chuhutsky's.

- Oh, yeah? - Yes.

What's your name?

Betty. Betty Parrish.

Come on in.

Let me see if he'll see you. He's not feeling too well.

Just wait here, okay?

All right.

Come on up. He'll see you for a minute.

All right.

What do you want?

- I heard about it, and I want to know if-- - If what?

If it's true?

Yes, it's really true.

Hello? Yeah?

Phillip, it's Stretch.

Well, tell him I'll call him back.

Can Phillip call you back? He's got someone here.

Uh, he's in a phone booth, and he says it's important.

He's, uh, looking for Pete.

Um...

You mind waiting downstairs?

No, of course not.

Why don't you fix her a drink, Randy?

Have the police contacted you yet?

Want something to drink?

No, thanks. I'm fine.

Have a seat.

Thanks.

He loved having his picture taken.

He loved the Polaroids.

He was impatient, and he liked to see the results immediately.

Oh, my goodness, what have we here?

Do you want some?

No. No, thanks.

Do you mind?

They're not mine. They're just out.

Did you know him pretty well?

Pretty well, yeah.

It's been a weird week.

I've known two people personally that got murdered this week.

They were both drug related.

Well, they ought to legalize everything in this country.

That's what Phillip says.

Take it out of the hands of the criminals.

You know, prostitution, drugs, everything.

But I guess there's so much money to be made.

Phillip has this theory, see,

that the moral majority, whether they know it or not,

is being funded by the mafia

so that they can keep everything sinful illegal

so they can clean up.

Big business.

You know, 30 million Americans snort cocaine.

That's me.

Yeah!

I'm auditioning for Chippendales.

Mike was here when I did this. That's him yelling at me.

Come on! Rip if off!

Watch this.

Rip it off!

Drive the ladies crazy.

Come on!

Mike does one later on. He does it with Pete.

Pete was here?

Yeah. You know Pete?

I talked to him on the phone once.

I like Pete.

He's a little out of control, but I like him.

Phillip doesn't like Pete. I'll show you what I mean.

It's a wonderful--

Pete, come on, man.

Take your shades off.

Phillip didn't know Pete was here.

Hey!

Pete went out and picked up some girl.

They were all real stoned.

I felt sorry for the way they were treating her.

Anyway, Mike had opened up some very expensive wine.

And Phillip went crazy.

Phillip's got a great wine cellar.

He's real particular

about who drinks what and where and when.

...not to touch the wine in the cellar!

I'll pay for the fucking wine!

Pay for it with what? With what?

Oh, come on!

I told you to keep that asshole outta my house.

You talking about me?

Yes, I'm talking about you.

Get them outta here. Just get them outta here!

It's not what you think it is, man.

Can we just talk for a second?

Just get them outta here. Get them outta here now!

Look, if they go, I go!

- Fine. Fine. - They're my friends.

You didn't hear what I said.

Yes, I heard what you said.

You said you're going, and I said fine.

Did you hear me? I said fine.

This is the last time!

Just get out of here. Pack and go!

If that's the way you want it.

Let him take it! Let him take it!

Get the fuck outta here!

It's just a fucking shirt!

Come on, come on, knock it off!

What are you, his white slave?

Yeah!

Come on!

I don't want anything from you!

Turn that off!

Sorry.

Why don't we talk outside?

I need some air.

I'll have some cranberry juice.

Help yourself. Everyone else does.

No, thanks.

Now, why are you here? What do you really want?

I'm not quite sure.

You're not quite sure.

No.

How did you find out about it?

Sam Morris called me.

Oh, yes.

Poor Sam.

And who told him?

I don't know. Someone named Billy had called him.

What did Billy tell him?

That the police had contacted you about a note

they found in Mike's apartment, that he owed you $3,000--

Billy should keep his mouth shut!

And that you identified the body.

And I guess I wanted to make sure.

You think I made a mistake?

No.

It's just hard to accept.

- I guess I just-- - Had to come.

Yes. Your curiosity wants to know what they did to him,

how he died,

if he suffered.

You want to know everything?

Well, you don't. Believe me, you don't.

This was an enforcement killing,

and they were making a statement.

What statement?

Are you the girl with the um...

The C-scale out of tune?

I thought so.

Oh, God, he loved that.

I remember he-- Well, he told me

about the C-scale outta tune when you first met, you know?

Were you in love with him?

Yes.

So was I.

And in the beginning, I mean just desperately.

You see, I was the one that brought him here,

contrary to what he may have told you

'cause he had all kinds of stories

that he used on different people.

He was always preparing a face for the faces that he met.

But the truth is,

I was driving through, driving cross-country

on a promotional tour, and I picked him up.

Picked him up hitchhiking.

I don't think I wanna hear any more of this.

No, of course you don't.

I understand.

It was, however,

a very brief physical relationship.

He was bored on a hot Ohio day,

a little drugs, Jack Daniel's.

It was not his true bent...

as you well know.

Whatever, it was certainly worth

a first-class ticket right here to California.

He lived here in this house

for as long as he wanted.

And what, about two years ago he met you?

He liked you.

God, he certainly talked about you enough.

I had to go on this road tour

with a rock group.

When I came back, he had moved to Brentwood,

and I knew that... I'd heard rumors

that he was doing an awful lot of coke,

which I knew he couldn't possibly afford.

But I suspected how he managed to afford it.

I mean,

that $3,000 was not the first money I lent him,

but I swear, I never asked Michael

what he was gonna do with the money when I gave it to him,

and I never asked him when he'd paid it back.

I'm very happy that I know so little.

I don't want to get involved.

You don't want to get involved.

In this instance, ignorance is a true bliss.

- Can I have a beer? - Sure.

- Can I use your phone? - Yeah.

Yeah. Let me talk to Charles.

Hey, don't give me that shit. I know he's there.

Tell him it's Pete!

Look, all I need is--

Hey, thanks.

Listen, I gotta get back to work.

Would you help me get their number?

Talk to Jennifer. She knows it.

If I can talk to them, I can explain. It's not my fault.

I'll try.

Listen, I want to get a shot of this, all right?

- You want all three of these? - Yeah, all three.

Get me some close-ups. Get the chair.

Hi. This is Betty with one of those dumb machines.

So please leave your name and number and time you called

when you hear the sound of the infamous beep.

Bye.

Jim?

Jim?

Jim.

Jim?

Jim?

I know I saw him earlier.

I heard someone walking around up there.

Jim?

Come on. Let's go.

Maybe he's around back. Come on. I'll show you.

Betty boop, it's Richard.

Don't forget my opening tonight. 8:00.

Jim?

Hi, Betty. Patty.

I'm home. Call me when you can.

♪ Teenage rebels rule okay ♪

♪ I'll be damned If I work all day ♪

♪ I think that you look okay ♪

♪ I won't even look your way ♪

♪ Teenage rebels out All night ♪

♪ T eenage rebels drink And fight ♪

♪ Teenage rebel rule Rule, rule ♪

Hey, what's happening? All right?

All right. Good to see you.

Two cheese enchiladas without onions.

Two cheese enchiladas, extra onions.

That's fine. I'd like another beer, please.

You want one, Betty?

Sure.

Dos.

Betty, don't do this to yourself.

There's nothing you could have done.

I should go to the police, though.

Why?

What are you going to tell them?

I know that this guy Pete something

was involved.

And that Mike and he were together last night.

My advice is to stay out of it.

You don't know what he was up to.

You don't know what he was doing.

Stay out of it.

Yeah. Who's there? Who is it?

Charles, it's Pete. Let me in, please.

I don't know you, man. Get away from my house.

Charles, come on! You gotta help me.

Just let me in, please.

You screwed up, Pete. You broke the rules.

I can explain.

It's not my fault.

"Fault" don't mean shit to these people.

Charles, I got it right here.

I haven't touched it, man.

You don't understand, kid.

You don't steal from these people.

They've got a rep to protect.

It's business.

Charles, talk to them.

You got to help me.

Somebody's got to help me!

I tried.

You're a dead man.

Are you sure you're all right?

I will be.

Oh, Richard's opening! What time is it?

It's 9:45.

What kind of an opening?

I don't know.

But it's Richard's opening.

Let's go.

It'll get your mind off everything.

Where is it?

All right. Venice.

Spazz Attack, how does art, um,

represent and present the impermanence of life

in our society today?

Well, art has always been an expression

of the backs of people's minds.

You know, what they conceive life to actually be.

Do you believe there are two sides of the brain?

You talk about the backs of people's mind--

What I mean by the backs is the subconscious.

I do believe in the left and the right hemisphere of the brain, which separates--

As an artist,

do you believe you live in your unconscious mind?

- We all live subconsciously. - You choose to live subconsciously.

- Richard. I'm sorry. - Betty.

Well, this is fantastic.

This is Spazz Attack.

Spazz? Hi. I'm Betty.

- Patty, Spazz. Spazz, Patty. - Hi.

This is Richard, this is my show.

This is fantastic!

I'm doing this for a show.

Hopefully for cable television.

That's us.

Excuse me.

How are you? This is Patty.

Hi. How are you? Nice meeting you.

Where can we get something to drink?

Is your heart racing? Isn't it too fabulous?

Here, darling.

Danger zone.

Bring it in here. Excuse me.

What's happening?

Hey, are you two as tough as you look?

I think maybe we should...

You don't touch me!

Get the fuck out of my party!

Let's go.

You want to come in?

No, I can't. I've gotta go home and walk Sugar.

She must be hysterical by now.

Want to come over and spend the night?

No. Thanks.

You sure?

I'm fine.

You call me if you need me.

Thanks, Patty. Really, thanks.

Sure you won't change your mind?

- No. I'm fine. - All right.

- Goodnight. - Okay. Goodnight.

Drive careful.

Betty.

Shh!

Betty! Shh! Don't. Stop.

I'm not gonna hurt you. It's Pete.

I'm Pete. I'm Mike's friend Pete.

I'm not gonna hurt you.

I've been waiting for you.

I'll let you go. I'll take my hand off you,

but you've got to promise not to scream, please.

I'm not gonna hurt you.

Good, good.

Oh!

Shh! I'm going to turn off the light.

No light.

No light. I can see out.

They can't see in.

Mike said you were terrific.

I was with him last night.

I talked to you from Venice.

You remember me talking to you, don't you?

Uh-huh.

You're not gonna scream.

No.

You got anything to drink?

Yeah.

Good.

Get it.

Don't move fast.

I'm moving with you.

Where does this door go?

To the bedroom

and the bathroom and the music room.

Any way out?

Okay.

All right.

Keep moving.

Oh, God.

Mike always said you had a...

great ass.

Where I can see in the moon light, Mike wasn't bullshitting.

Mike didn't bullshit too much. He should've bullshit more.

Don't answer it.

Hi. This is Betty with one of those dumb machines.

Don't answer it.

Please leave your name and number and the time you called

when you hear the sound of the infamous beep. Bye.

Hi. Betty, this is Sam.

- Sam! - I just wanna warn you.

If this kid Pete shows up, please for god's sake, don't let him in.

- He came here acting like a crazy man. - Shut up! You asshole!

Don't listen to him. Don't listen to him.

No.

He wouldn't let me in the door.

They were right behind me, too.

I saw them pull up as I came up the stairs.

He said, "Go away! Go away! Go away!"

I thought he was a friend.

What kind of a friend is that?

He wouldn't let me in.

But you will be my friend...

I need a friend.

You said you wanted something to drink.

Yeah, I do.

What?

Anything.

Brandy.

Don't move fast.

Real slow.

- Where does-- - Oh!

Where does this door go?

Out to the patio, to the garage.

Shh!

I heard them. I heard them.

They're out there.

Did you hear them? Did you hear them?

No. It's just the wind.

My car. They found my car.

They cut the tires. They cut the upholstery.

How they found me, I don't know.

They've been following me all day.

I've gotta get outta town.

I don't know how to get out of town.

Where's your car?

Out in front of the garage.

- No way to get to it without being seen? - No.

Oh, God.

- They're gonna kill me, too. - No.

Get down.

We've got to watch.

We've got to wait.

Betty, I'm so tired.

I'm so fucking tired.

Pete, who are they?

Why did they kill Mike? What do they want from you?

They're just the enforcers.

The enforcers are out there.

It was a mistake.

So simple.

I had done it a dozen times before.

I needed help. Mike needed money.

Phillip had thrown him out and demanded that he repay the loan.

There was so much.

We took so little.

I just wanted my share.

Do you know how much they have,

how well they live?

Do you know how much I have,

how I live?

I knew better.

I'd...

I'd taken some before.

I was so sure,

so confident that nobody would know.

So sure,

so very, very, very sure.

Why are you looking at me like that?

Like what?

No, I wasn't aware of looking at you in any...

I didn't mean to.

You think it's all my fault!

He knew what had happened.

He was part of it.

He took his share.

I gave him his share.

You don't believe me.

I'll show you.

This... This...

This is what it's all about.

This is the only thing that matters.

That's what they call it.

The only thing that matters.

Pete...

I'm so thirsty.

Let me get you your brandy, all right?

You're not...

You're not gonna leave?

No.

You're not gonna run away?

No. I wanna help you.

I'm so tired.

I can't move.

You stay here.

I'll move.

Move slow.

Move slow.

Don't answer it.

Hi. This is Betty with one of those dumb machines.

I won't.

Please leave your name and number and the time you called

when you hear the sound of the infamous beep. Bye.

Hi, Betty, it's Patty. I called to check on...

She dropped me off, Pete. She knows I'm here.

- Don't touch it. - Betty...

Come on, darling. I'm waiting, so is Sugar.

- She could help us. - Don't touch it.

Betty.

Patty! Patty!

You lied. I trusted you!

I swear, I wanna help you, Pete.

No, you don't!

- You're like all the rest! - No.

You think it's all my fault.

No, you listen to me.

I'm gonna get you your drink. You stay here.

I'll get you something to drink.

What?

No! Pete, no, no!

Not smart of you!

Not smart of you at all.

You went for the knife.

No!

You went for the knife.

No, I didn't!

I didn't, I swear! I was going for your drink.

You wanted to stick me like a pig.

No.

He said he wasn't good enough for you.

You're as much to blame as me.

Look into my eyes.

He said I wasn't good enough for you, Betty.

Betty.

The good are guilty, too.

You think it's all my fault.

No.

- No. - You could have helped me,

but you aren't helping.

What's that, Pete? What is that?

What's that? What is that?

- It's an earthquake. - What?

It's an earthquake. It's an earthquake.

- Earthquake! - What?

Earthquake!

Help me!

Somebody help me!

Get away from that door!

Betty!

Betty! Let me in!

No. Go away!

Pete, go away!

No!

No!

- No! - Oh, no!

Please! Please!

No! No!

No!

Oh, please! Don't!

Betty! Betty! Betty!

No! No! No!

It's here! It's here!

I didn't touch it!

Honest, I didn't touch...

Hi. This is Betty with one of those dumb machines.

Just a minute.

Hello?

Oh, hi, Mom.

I was just out getting the mail.

No. I came home last night.

Can't stay at Patty's forever.

No, I didn't sleep too well last night, but I will.

No, I haven't talked to the police in over two weeks.

Mother, I'm not gonna get a gun.

I told you, I don't believe in it.

No.

No, don't put Dad--

Hi, Dad.

Dad, don't start lecturing me again, please.

No.

No, I didn't see their faces,

and they weren't after me.

I am careful.

He could have been anyone.

No, I won't reconsider.

I'm fine.

Take care. Bye.

♪ When you told me You were leaving ♪

♪ I knew you had Your reasons ♪

♪ But you know ♪

♪ I can never believe you ♪

♪ When I woke up On that morning ♪

♪ The truth is so alarming ♪

♪ Then I saw you That you really ♪

♪ Walked out the door ♪

♪ You ♪

♪ Leaving me Was a serious crime ♪

♪ No reason ♪

♪ I ♪

♪ Could never live this way ♪

♪ Without you ♪

♪ Without you ♪

♪ All those days We were together ♪

♪ I tried to show How much I care ♪

♪ But it's not always easy ♪

♪ To share emotion ♪

♪ The absent days Were hard to take ♪

♪ I tried to make a change ♪

♪ I don't just want you ♪

♪ For my amusement ♪

♪ You ♪

♪ Give me everything I need ♪

♪ To love you ♪

♪ I ♪

♪ Will never be the same ♪

♪ Without you ♪