Original subtitles

Creaking door Brouhaha

Everyone in place.

...

- Engine. - Silence, please!

- It's spinning. - Announcement.

- 14 out of 2, first. Clap

Action !

- I don't see what's wrong with her who pleases you so much.

I don't like her.

She impresses me.

After years, crossing France to find this guy...

It impresses me.

When you left, I didn't even crossed the street to catch up with you.

Cut! Very good.

It was very good, but we can do better.

"When you left...", don't tell him in the eyes.

Tell him with a little more modesty,

- as if you weren't proud of it. - That's good.

You look at him the same. Don't change anything.

Come on, let's do it again right away.

Light hubbub

...

- Engine. - Silence, please!

- It's spinning. - Announcement.

- 14 out of 2, second. Clap

Action !

- Hold. - THANKS.

You know, I saw Daniel.

Who is that?

Daniel. My father.

At the cinema?

No, really.

I had left a letter with his agent and he answered me.

Why did you do that?

Um... I wanted to meet him.

Meet him?

He never did anything for you. It's not going to change.

He was very kind.

Little yellow laugh

Very nice? Well, let's see.

Of course he was. What does it cost him now?

I just wanted to see him.

- But he never wanted you! Do you understand that?

I'm the one who raised you.

Your name is my name.

And then no, he's not very nice.

Like every man, he fucks everything that passes by

and then he goes back to see his bourgeois.

Is this what you want?

So go ahead. Go ahead.

Stop whining.

- I'm not crying. - Stop... whining.

She sighs.

Keys jingle

We close the door.

- Even as a headliner? - Oh no.

I won't be able to, I don't understand what he's doing.

His films are too pretentious.

- It's not because you don't understand that it is.

- The father who runs in the desert... We don't even know after whom.

Little laugh

- He is very early. He is a great filmmaker.

- Anything. - Have you seen his movies?

- Non. - I'll take you to see them.

- Well, good luck. Laughs

- I would love to shoot with him. He must not know that I exist.

- Anything. - I'm from the old days, that's how it is.

At the same time, it's not mine to ask him for a role.

Actors don't choose roles.

- Roles choose actors. - How old are you, Maria?

- Seize ans. - Oh yes !

The year of all dangers.

- You have a very beautiful look. You should highlight it.

- THANKS. - Ladies and gentlemen,

everyone on set.

For a setup. Thank you.

- Good? - Alright.

- THANKS. - Please.

Come on, come on. "The old days"...

She whispers.

...

- What are you doing?

I'm reviewing history. I have a test.

Do you want me to make you recite?

- Thanks, but I don't know yet all dates.

Do you still see your father?

A little, yes.

Not approaching

- Well, go ahead, tell me.

What do you want to know?

I don't know.

Did he introduce you to his wife?

Non.

But he would like me to meet my half-brother and sister.

Ed.

You see, he doesn't care.

I guess I was wrong.

He introduced me to a friend of his, too.

You'll never guess who.

Who ?

Alain Delon.

Little laugh

Have you met Alain Delon?

Yes.

- And what? What did you do with him?

- Well, nothing. Anyway, we had lunch. with Daniel and other people.

It was nice.

T'as vu, t'as dit "Daniel".

You can't say "dad". Tu dis "Daniel".

Why do you bother revising?

No need to go to class anymore.

Little yellow laugh

Since you've been hanging around on the sets

and you're having dinner with Alain Delon, huh?

What's the point of going to class?

- You asked me to tell you. - Shut up !

- Ouch! - Shut up !

Come on.

- What are you doing ?

- Stand up. Get up.

Non.

Non ?

Get out of here, I tell you! Go!

- Stop! - Source!

- Come on, get out of my house! - But stop!

- Get out of here! - What's wrong?

- Go, go live with your father if he is so nice.

Go and show off somewhere else.

I don't want to see you anymore. Do you hear me? Get out of here.

- But stop! - Get out!

- I just wanted to see him! - I don't want to see you anymore!

Get out of here! Heavy breathing

...

... She slams the door.

Heavy breathing

...

How are you ?

I looked for you everywhere.

I told you to wait near the cabin.

I didn't know anymore, sorry.

I was tired.

It'll be OK.

Hein ?

She threw me away.

- She has a bad temper sometimes, my sister.

You're going to sleep at home.

And tomorrow, we will call him.

She will ask you for forgiveness, you will see.

She wants more from me.

- She never wanted me. - Don't say that.

It's true.

Come on, come on.

- Just talk to him. - Not possible.

- Two minutes. - You have to make an appointment.

Like that, it's not possible.

Please.

Stop, miss.

Mr. Berhman?

Yes ?

I would like to see you.

I come from Daniel Gélin.

And you are?

His daughter.

- Sit down.

You have the same determined look.

What is your name?

Maria.

Maria Schneider.

- And what can I do for you, Maria?

So here it is, I...

I would like to join your agency.

To be an actress.

Yes.

But you are very young.

Non.

- Being the daughter of a star won't be enough to be an actress.

- I don't know what got into me to come there.

Wait.

Wait, I tell you.

Come back, sit down.

Sit down.

Street noise

...

Light hubbub

...

Good morning.

Good morning.

...

SO ?

What did you think about it?

It's beautiful.

...

But it's dark.

This is not a family film,

it's certain. Little laugh

Light hubbub

But me,

I don't understand everything.

- What don't you understand?

...

What is it about?

- Of a man and a woman who meet by chance

and who decide

to put oneself in parentheses.

That's to say to live a physical relationship

intense and desperate,

without knowing anything about each other,

not even their name,

like a kind of impossible bet.

...

It's beautiful.

...

But that's not like me.

I have never experienced a story like this.

So tormented.

You're an actress, right?

Ed.

You know, my producer

is very surprised

that I gave you the script.

...

You have only played minor roles. for now.

...

But that's also why that I believe in you.

...

You are like a blank page.

...

And then you have something hurt

which I like a lot.

...

Am I wrong?

...

I don't know.

...

It's not for me to say.

...

How old are you, Maria?

19.

...

While reading,

you must have seen that you were often naked.

...

Does that bother you?

...

Non.

Well, it depends how...

...

It's mostly the love scenes.

- What will we have to do? - As in life.

...

I'm kidding. Little laugh

Don't worry.

We will film this as artistically as possible.

But you have to keep in mind that's what the film is about.

"An intense physical relationship", I told you.

- Who do you have in mind? for the male role?

Quite a few actors were afraid of the role.

And then Marlon Brando said yes to me.

- Brando ? - Ed.

You would be the second headliner.

With him.

Equal.

So I'll have to do some testing?

Non.

But what if the producer has doubts?

- I choose who I will work with.

And I choose you.

If you want to do it, obviously.

Yes.

Yes of course.

You have to sign. It's because I'm a minor.

I'll watch it anyway, if you don't mind.

Attends.

Do you have the lead role?

Yes.

Little yellow laugh

Well I...

You've come a long way, girl.

It's well paid, at least?

Yes. Well, normal.

At least they put your real name.

- That's to say ?

Schneider.

Maria Schneider.

What did you want them to put?

- When you filmed Madly , a journalist had put "Gélin".

This is bullshit.

It must have come from him.

Ready to do anything to erase me from your life.

I know where I come from.

Oppressive music

... Journalists' hubbub

... ...

...

Stop! Move more, please.

...

- Can you stay like that? - Yes.

...

Grunting

Meows

Grunting

...

Little roars ...

Meows Grunting

... ...

Growl Grunting

... ...

... Meows

Grunting

...

... ...

...

... ...

He sighs.

Cut! Great.

Well. Inaudible words

Little laugh

Heavy breathing

Is that okay? Was I not too ridiculous?

No more than me, sweety.

Fortunately,

the ridiculous

don't kill.

(In English) Otherwise,

there wouldn't be many actors left.

Do you understand?

It's true.

OK.

Heavy breathing

(In English) You've taken off your mask again.

You say that in every take.

Yes, and the truth

is out.

OK.

You too, Maria. It was good.

THANKS.

NOW

I would like to do a retake

in a "dog" version for you.

A what?

In dog version.

- Dog version? - Like a dog

and a cat.

My God. Cat and dog.

Why not a cow?

Mooing Inaudible words

Meows Meuglements

...

I'm going to get married.

I'm getting married, you understand?

This is big news.

Congratulations, then.

I congratulate you. Who is the lucky one?

A very good boy.

Ah.

A very good boy.

How so ?

Young.

Cultivated.

Very nice.

The complete opposite of you, you old fart!

At any rate,

you will discover

that young boys kind and cultured

always fuck badly.

Go ahead, pout.

You don't say anything, you know I'm right.

Anyway...

what would you do

with a nice boy?

You who are a naughty girl.

Hein ?

A very naughty girl. She laughs.

And you know what we do to bad girls?

They are drowned like kittens.

You are sick!

You know that?

You're fit to be locked up!

Brando laughed lightly.

Cut!

- Perfect. - How are you ?

Wasn't that too strong?

How are you...

Bernardo.

Uh...

What do you think about the head under water? Wasn't that too much?

It was great.

He makes him pay.

All right ?

Physical relationships must be violent.

This is the contract between them.

Their only way

to communicate.

- All right ? - There and back.

Change of scenery.

We return to the living room with Maria.

His hair needs to be dried.

Light hubbub

...

Well done, little sardine.

- (In English) - A coffee, Marlon?

- (In French) - Please.

Pardon, pardon.

I couldn't get in. I didn't have the space.

It's okay. Thanks.

...

- Come on, come on.

...

Are you following me?

Classical music

- You scared me. How did you get in?

...

I am stupid, I left the door open.

I didn't even hear you coming.

...

Pardon.

...

You scared me.

How did you get in?

...

- I'm stupid... - Close your eyes.

...

(-Pardon.)

...

Maria, look at Marlon.

So.

Look carefully.

Do you like what you see?

- Non. She laughs.

...

Marlon,

Heavy breathing

please focus on Maria.

- Hello, Maria. Little laugh

- You are beautiful ! - Shh shh !

OK.

Uh...

Words in Italian

He sighs.

Marlon,

You amazed me yesterday.

Ah?

Yes ?

Yes.

THANKS.

Your tears at the end of the scene,

I thought you were crying for real, it sounded so true.

I don't know how you do that.

I wasn't playing.

I really cried.

- Really ? - Yes.

In life,

I don't cry.

Usually,

I'm given fake tears.

But there...

Back, is,

he brought things out

that I couldn't tell anyone.

He ripped them off me.

Ed.

You know,

at the Actor's Studio,

you are taught to do anything.

To be a hen, Little laugh

or a dog,

a cow, a bird.

To cry on command.

And...

I always hated it.

This lie.

This deception.

But yesterday,

I hated the truth

even more.

Do you understand?

Ed.

You will see,

the movie

will be good thanks to us.

Little laugh

His best idea...

It's about putting us together.

And you and me...

That unique thing you give off...

Hein? Ta...

Your presence

and your qualities...

...

And everything else, little one.

Really.

And me.

You,

your phrasing.

- My what? - Your phrasing.

- Your way of speaking. - There and back.

That matters. That's important.

When I speak, people believe that I chew gum.

- Chewing-gum.

- Chewing-gum. - OK.

If you say so.

*"Waltz number 3" (Chopin)

*...

*... She laughs.

*... ...

*...

*... ...

*...

*... ...

*...

Madame.

*...

This way.

*...

*... ...

*...

*... ...

*...

Didn't have too much trouble

- to find? - How are you.

- You're so beautiful like that. - It's for the movie.

- It makes me so happy that you are there.

One.

Light hubbub

Maria,

my first daughter.

Good evening.

Good evening.

- Nice to meet you. Judith. - Maria.

- Jacques. Nice to meet you. - Maria.

- Good evening. Vincent. - Good evening.

- Good evening. - Sylvie.

Nice to meet you.

Light laughter

- What do you want to drink?

- Good evening, Fiona. - Good evening.

Light hubbub

- You must be Manuel. Is that it? - Yes.

My name is Maria.

...

Daniel has told me a lot about you.

...

- This filming? I want to know everything. How is it, Bertolucci?

It's good.

We tour a lot.

14 hours a day and sometimes on weekends.

- This is modern cinema. - And Brando,

How is he?

- Humanly, I mean. - GOOD.

Very well, yes.

Very simple.

I was a little afraid of being intimidated. But actually, no, not at all.

- It seems that he has gained a lot of weight. - That's the alcohol.

I learn a lot with him.

He is a great professional.

- When I think that you shoot with stars...

- It seems that you are naked all the time?

"All the time"...

It's work, like everything else.

- The film has already a sulphurous reputation.

They say there are plenty of scenes that...

Vulgar, crude things.

I don't see who can say that.

We can't talk about a movie that we haven't seen.

The journalists wanted to see Brando.

They didn't have access to the set, so they talk nonsense.

Then it’s a love story, above all.

And he chose you?

Yes, yes... He chose me.

Do you know why?

- She probably doesn't have the right to talk about it. Stop bothering him.

To us.

- At the cinema! - At the cinema!

- To us! - Health.

- Come on, let's get in place. for a rehearsal. We concentrate.

(Go! Go! Go.)

Light hubbub

Silence please.

Words in Italian

Come on.

As if we were shooting.

With the same intensity.

Shh, quiet!

Action.

Surprise!

I brought some music.

You could say hello, though.

Good morning.

Did you watch?

Haven't you tried opening it?

We must have hidden something in there.

Maybe we'll find some treasure.

- Oh yes ? - Hmmmm.

And this?

What if we looked inside?

Maybe the treasure is there.

Non ?

What are you afraid of? Yellow laughter

I'm not afraid.

Non ?

Let's look inside, shall we?

Non.

Stop.

Hein? Hey.

You play the liberated woman,

but you're just a kid,

a kid with lots of principles.

You're sick!

Perfect.

Super.

We finish the light and we shoot.

Hmmm? OK.

Light hubbub

...

Did you watch?

Did you watch?

You didn't try to open it.

We had to hide something in there.

There is a knock. Yes ?

How are you ?

- How are you. - Maria...

He sighs.

I find that

a bit wise, actually.

From there, it would be necessary to change the color of the scene.

That's to say...

let it be more intense, huh?

More aggressive.

It's time

where the kind of sexual contract that you have spent,

- you don't want it anymore. You want to tear it apart. - Ed.

And him, not at all.

So he's going too far.

That's what I want to see.

All right.

- Do you want to repeat like that? - Non.

No, we're going to shoot.

Let yourself go.

Let yourself be carried away by the scene.

You didn't try to open it.

You didn't try to open it.

We had to hide something in there.

What if it was a treasure?

A treasure.

Maybe the treasure is there.

Motor!

Action!

Surprise !

I brought some music.

You could say hello, though.

Good morning.

Did you watch?

You didn't try to open it.

We had to hide something in there.

What if it was

a treasure?

And this?

What are you hiding there?

He might be there,

the treasure.

Hmmmm

Non ?

What if we opened this up?

Maybe we'll find something there.

- What are you afraid of? - I'm not afraid.

- Non ? - Non.

Are you sure about that?

Hein ?

I will teach you

what is purity

Heavy breathing

and virtue.

...

- What are you doing ? Groan

What are you doing ?

I want you to repeat that.

Non !

- Non ! - Tell me again.

Non !

- Non ! - Say it!

- Say it. - Non.

The religion

educates

the savages.

No. No!

- Repeat. - Non !

Repeated.

...

The religion

educate the savages.

Repeated.

- The religion... - Educate...

Repeated.

I can't.

The religion...

The religion!

She sobs.

Educate...

Educate...

- The savages. - The savages.

- Non ! - Purity and virtue.

- Non ! - Repeat.

...

Children are punished until they learn to lie.

Repeat!

...

- There are puns... - We punish children!

- ... until... - ... until...

- Let them learn to lie. - Let them learn to lie.

- Say it again.

...

Repeated.

Repeated.

The religion...

Learn...

Learn.

- Purity and virtue. - Purity and virtue.

He moaned.

They are punished

until...

- until... - Until...

- Until they learn to lie. - They learn to lie.

They learn to lie.

... Heavy breathing

...

...

Maria sobs.

...

...

...

...

...

Cut.

...

THANKS.

- (In English) - Awesome.

... He is breathing heavily.

He blows.

She sobs.

He blows.

How are you ?

She sobs. Heavy breathing

She sobs.

That was very good, Maria.

Heavy breathing

Hey. She sobs.

Non.

Heavy breathing

No, Bernardo. It wasn't good.

...

Hey...

...

She sobs.

...

... Not approaching

... ...

She sobs.

Maria...

...

I told you that I wanted it to be intense.

Not like that.

Not the butter.

...

- And what does that change?

Everything! It changes everything.

And you know it very well.

...

- We have already filmed a lot of improvised things.

And they were often the best.

...

If I had warned you, you would have played,

and I didn't want you to play.

...

In my films, there are no actors

nor an actress.

There are only the characters.

The movie...

and the characters,

that's all.

...

I thought you understood that.

Come on.

Come on, let's do the rest.

We're shooting in five minutes.

...

Words in Italian

- I need Maria, please , on the plateau.

We'll be ready to shoot soon.

We finish with the last connections.

Words in Italian

We finish with the last connections.

...

On avance. Marlon, ready ?

Thank you very much.

We gotta shoot. Come on, come on.

Come on, that's good. Thank you very much.

We are finishing the costume fitting.

- You have to put your pants back on like before.

Whispers

OK, silence, please.

Motor.

It's spinning.

It's just a movie.

- 23 out of 2, first. Clap

And...

action.

*"Ain't Nobody Like You" (FOXY Willim)

*... Lively hubbub

*... ...

Whiskey and Coke, please.

*... ...

Why are you looking at me?

*... ...

Heavy breathing

...

He whistles.

It's beautiful, at your place.

- It's not my place. It's at my father's house.

What does your father do?

Industrial.

- And where is he there? - On vacation. I'm looking after the cat.

What do you want to drink?

A beer.

Don't you want it stronger?

No, it's fine.

Good evening, Monster.

Meowing

Yeah, well, two minutes.

(Come on, come on.)

Purring

What's wrong with you? Aren't you hungry?

...

Where did you get the spoon?

It's mine.

Does that bother you?

Non.

Do you want some?

Non.

T'as tort.

(-Are you okay there?)

She sighs.

Oppressive music

... ...

... Brouhaha

... ...

Mademoiselle Schneider!

... ...

- Please, Maria. - Look over there.

In the middle, Maria.

Bernardo !

Look over here. There you go.

- Maria ! - Maria Schneider !

Smile!

... ...

Maria, this way, to the left!

A little smile.

Bernardo, this way!

- Come closer.

THANKS.

Mademoiselle Schneider!

... ...

Mr. Bertolucci!

... ...

Look Bernardo, Maria.

Look at it!

... ...

Look at the lens.

... ...

Maria !

... ...

...

- In Italy as in France, There is a scene that leaves a lasting impression.

A very raw scene that everyone is talking about.

Yes.

- We don't expect in a film with Marlon Brando

to a scene too...

Credible?

So.

And if the film is everywhere described as...

pornographic,

It's a lot because of this scene,

which one wonders

how you went about approaching it.

It was rather the scene that approached me.

It wasn't written like that. in the scenario.

On m'a...

taken by surprise, in a way.

I didn't play.

You're the one who played it anyway.

And yet, you have come far.

- I had no choice, I tell you.

My tears were real.

They didn't give me a choice.

"Ils" ?

You mean

Bertolucci and Brando?

Yes.

Alright.

Thank you.

Thank you.

- You can't say things like that. - I'm telling the truth.

We don't care about the truth.

You do your job as an actress, and nothing else.

"It was great, an enriching experience."

You have to make people dream. That's your job.

I won't lie.

Not on that.

- When you're on set, would you say you are lying or playing?

It's the same with the press. Think of it as a performance.

You're going to burn your wings.

They'll be afraid to hire you, if you continue.

Alright.

I won't say anything more.

- I'm not asking you to sort it out so as not to look like a crazy person.

Light hubbub

...

What's wrong?

...

What's up?

...

Don't you know?

What ?

The complaint in Italy.

A handful of Catholics

puritans.

...

They couldn't like the movie. This is normal.

- The judgment has been rendered. The film was banned.

Bertolucci, Brando and I we are doomed.

Sentenced to what?

- Two months suspended prison sentence. For obscenities.

- I don't see why you put yourself in this state.

Two months suspended sentence, and in Italy too.

- You won't go to jail. - That's not the problem.

...

I didn't write this script, I didn't make this movie.

I am not responsible.

...

Bertolucci fled. Brando too.

...

They left me in Paris with the press who writes horrors about me.

Horrors, I swear.

...

You know the saying.

"Say good, say bad, talk about me."

...

- You wanted to be an actress, to be famous. - Not like that.

- You got it all at once. - I didn't want that.

- With only one role, moreover. Believe me, it's lucky.

...

It took me years.

... Heavy breathing

Light hubbub

You are a disgrace to women.

...

... ...

...

- You don't give a damn, of this good woman.

This good woman is nothing. It's nobody.

...

She inhales then sighs.

The bell rings.

- Maria ! Kisses

- Are you okay? You've grown up. - I'm 1.12 meters tall.

- Oh yes ! You're going to overtake me eventually.

You were highly anticipated.

She collects articles about you.

She sticks them in a notebook.

- Is that true? - Everyone at school is talking about you.

I brought back gifts.

- What do we say? - THANKS !

Dramatic music

...

How are you?

Haven't you lost a little weight?

Non.

I have a crazy life, that's all.

...

Often it has nothing to do with it with the story, but I'm naked.

I just read a script.

Naked almost every scene.

There is even one where I cook pasta naked.

Absurd.

Apart from Antonioni, They all want to remake Le Tango .

And worse, if possible.

Dressed, I don't interest anyone.

- Vittorio Gassman says that he agrees to be naked in a film

only if there is no no valid reason.

These are words.

Gassman’s ass, you will never see it, believe me.

- I know a lot of people who think you're great.

Super good.

It's true.

Coming home last night,

I met two guys.

Arriving at my height,

There was one who said to the other:

“Pass me the butter.”

They burst out laughing.

This is my fan club.

So, your mother lives in Paris?

Yes.

The suburbs.

Sometimes I feel completely lost, You know.

I'm having a hard time getting used to it.

To what?

To the people, to what's happening.

To the people.

To what is happening.

She sighs.

Cut.

- Excuse me.

- Do you want to review the text?

- No, let's go.

Okay, are you okay?

OK.

Silence !

- Engine. - Go !

Announcement.

14 out of 2, eleventh.

Go away.

So, your mother lives in Paris?

(-She won't make it.)

She rings.

- She sighs. - Fuck.

She hits.

She rings.

She sighs.

She rings.

- What are you doing here?

I'm in deep shit, Michel.

What ?

I need wheat.

50 balls.

100, if you can.

Do you know what time it is there?

- The little ones are sleeping. - I know.

And we all get up at 7am tomorrow.

I'm in deep shit.

I'm your family, damn it.

Go to bed, you.

Hello, sweetie.

You're annoying!

- Come back tomorrow, but we're sleeping now. - Michel...

Shh! I said no.

Not tonight.

He slams the door.

She sighs.

Cry in the distance

...

She's going to wake up the whole neighborhood.

Where is she?

Hein ?

Give it back to me, you bunch of idiots!

Give her back to me, damn it!

(-Hey!)

(Stop yelling.)

- I parked my moped there. - Shut up.

- They're stealing my new moped, I should say nothing?

If the cops show up,

- they're going to put you in jail. - I don't care!

Let them take care of my moped.

Stop!

You're a mess from head to toe.

Look at !

Look, you have them everywhere.

If they catch you like this, It's six months minimum.

Dramatic music

- Leave me alone.

...

What do you want?

Hein ? Are you the one who stole my moped?

Non ?

Well then go home.

Go home and don't look at me like that.

...

- Do you hear? - That's enough now.

- Don't look at me! - One!

... Heavy breathing

What do you want?

...

You hear? Don't look at me.

...

Don't look at me, I tell you!

... Maria sobs.

... ...

Don't look at me.

... ...

Don't look at me!

... ...

Get lost!

... ...

...

Good morning,

- mademoiselle. - Good morning.

So how are you this morning?

Wasn't the night too hard?

Ed.

Seroplex, we go to 10 milligrams.

All right.

I had you restore the phone.

And from Monday, you will be entitled to visits.

- Goodbye, miss. - Bye.

They close the door.

*-Good morning. This is Marie-Christine.

*Leave me a message. I'll call you back.

*Bip

Mom, it's me.

Maria.

I don't know if Michel told you, but I'm in the hospital.

Finally, in a center.

I wasn't very well, but I'm getting better.

I'm being given electroshocks.

I have treatment now.

So.

I'm not acting pretty anymore, you see.

Ask him for the address.

To Michel.

He will give it to you.

I would like to that you come see me.

Light hubbub

...

Mademoiselle,

we will have to go back in your room.

I'm waiting for someone.

I know, but...

there will be more visits now.

...

Cry in the distance

...

Dramatic music

...

...

Rumble of thunder

...

The camera

is ready? You tighten on Maria when he bites her.

Okay? You stay on her.

Yes.

- It's good ? Are the candles almost over?

Connections?

We have to go there right away.

Come on, come on.

Engine.

Silence.

It's spinning!

- Announcement. - Silence.

44 out of 1, first.

And action!

Blowing wind

...

Mary creates.

Cut! Perfect.

How are you ?

Yes.

Good morning.

Oh yes, come on.

- You're writing a dissertation, is that it? - Yes.

- We can see each other later, if you want. - No, let's go.

Sit down.

- This movie does not match to what you have done so far.

You have made your choice on what criteria?

The story? The scenario?

The director?

For the pleasure of shooting.

And for money, too.

Even if it's not a lot of money. Little laugh

In your filmography,

are there any characters which you prefer to others?

What is your thesis about?

The place of women in cinema.

What is your name?

Noor.

N-O-O-R.

And how old are you, Noor?

20 years old.

Close your eyes.

Light hubbub

...

- What are you waiting for today? of a director?

...

Let it be clear.

Loyal.

...

And that he takes me seriously.

...

You must get quite a few scripts.

Do you like many roles?

...

Non.

...

Films are most often written by men for men.

...

The majority of directors are men.

The agents too.

Men.

...

So the female roles are often limited

to the beautiful idiots or to the crazy perverts.

Little laugh

Light hubbub

...

Why are you taking notes? You record.

Um, I'm writing down what's important.

I listen again in case I missed anything.

...

That's the first impression, let's say.

And this, the second layer, what.

...

First time is always right, right?

...

... She clears her throat.

- Do you think that you have been forgiven less

your character, let's say, whole

because you are a woman?

Light hubbub

After Tango , you mean?

- You don't have to talk about it. - Non.

How are you.

...

The problem with Bertolucci,

It's that he wanted to see more than the characters.

...

SO,

...

that I feel humiliated,

For example,

...

he liked it.

He liked it.

...

For him, it wasn't me who was. It was Jeanne.

...

Except that Jeanne's tears, they were mine.

...

You know, for that scene,

...

I had the impression

to be raped by two men at once.

...

Marlon

et Bertolucci.

...

And when it was over,

...

neither of them came to apologize.

...

But hey, luckily,

I had some good times too.

Profession: reporter , for example.

...

That made me happy.

About this movie.

...

Have you seen it?

Yes of course.

...

Did you like it?

...

A lot.

... Dramatic music

...

She sighs.

Is this your first time with a girl?

Non.

No way.

And you ?

This is the first time...

that someone has this effect on me

at this point.

- Do you know? that I'm addicted to heroin?

No, I didn't know.

Well there you have it.

You know.

For six years.

Do you still want to see me again?

Yes.

Kiss

...

...

...

...

(-N-O-O-R.)

Little laughs

Cut!

Gorgeous.

Wow.

- How are you ? - Yes, I'm fine. And you?

Inaudible words

Wait, wait.

Maria,

Andre thinks it would be better if you didn't have a t-shirt.

- Pardon ? - He says it would be fairer.

You're in your bathroom. François comes out of his shower, naked.

So I have to be naked too?

- To put on makeup, do I have to be naked? - Just the top.

Do you believe the story we're telling?

Yes, I believe it.

- A specific chest size is required to tell it?

Non ?

So I don't undress.

Do you hear, Andre?

It's not in the script, I don't undress.

Did you like the shot or not?

Yes.

Alright.

So we move on.

Okay, guys, let's move on.

Apparently I signed a contract.

I do what I'm told, otherwise I don't get anything.

- If you leave another shoot, you will regret it.

What? To act like a whore?

That's over.

I want to make movies, not selling my ass.

That's over.

*"Psycho Killer" (Talking Heads)

*... Lively hubbub

*... ...

Olivier.

*... ...

- And you ? - Noor.

Comment ?

Noor.

N-O-O-R.

Where does that come from?

Morocco.

- Are you from there? - No, father.

I love Morocco, Marrakech,

the holidays...

I go there often.

*... ...

Do you come here often?

No, I don't like it.

What don't you like?

Nothing, just the crowd and the annoying guys.

*... ...

Excuse me.

*... ...

*... ...

Maria !

Maria !

Maria !

*... ...

Please !

*... ...

Please !

Call the fire department.

*... ...

Quickly, call the fire department.

Call the fire department.

*... ...

Look at me.

Look at me.

*... ...

Please.

*... ...

Please.

Heavy breathing

...

...

Fracas

...

Where is she?

You won't find her.

Oh really, I won't find it?

I swear you'll tell me! Where is she?

Where are you hiding it?

Heavy breathing

Open!

- Open! - Stop!

Open!

...

Get out of there.

Noor cry.

Where is she? ...

Say it! ...

Stop!

- Say it!

Say it!

Say it!

There's nothing!

They scream.

Where is she?

Stop !

Panting breaths

...

She sobs.

...

You had an injection this morning.

That's all for today.

Please, it's too hard.

Non.

...

I need another one.

...

Or I'll die!

...

... Heavy breathing

Two is not possible.

... ...

You're annoying!

It's not stuff.

It's methadone. That's what it's made for.

I told you no.

... ...

Kiss my ass !

... ...

Maria slams the door.

She sobs.

...

Not approaching

...

Hold.

THANKS.

What the hell are you doing with me?

I don't know.

How are you now?

I can't take it anymore.

(-Hold on tight.)

(I am here.)

- I especially liked it a lot Rivette's initial idea.

Two people who meet because...

someone made an appointment for the two of them and does not come.

It's wonderful, isn't it?

I really loved working with this man, Rivette.

It was an... enriching experience,

as they say.

And a very beautiful film, too.

THANKS.

Well,

Thank you, miss.

Thank you so much.

Bye.

Bye.

He closes the door.

Not approaching

Maria, Mathilde Perladot,

from the Express.

- Good morning. - Nice to meet you.

- Maria, it seems that Bernardo Bertolucci is next door.

He is here for his last film.

It's funny, isn't it?

So, you want me to organize...

something ?

I don't know, lunch or...

or a meeting with photos.

This will make a good paper, right?

Thanks, but no.

I don't know who it is.

I don't know this man.

She walks away.

...

She closes the door.

Excuse me.

Dramatic music

...

I'm listening to you.

...

...

...

...

...

...

Subtitles: Emilie Nicolas

Subtitling: TransPerfect Media France