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1
00:00:01,587 --> 00:00:04,677
♪♪
2
00:00:15,123 --> 00:00:16,254
FIRE!
3
00:00:16,254 --> 00:00:17,386
[ EXPLOSION ]
4
00:00:17,386 --> 00:00:18,517
YEAH!
5
00:00:21,955 --> 00:00:24,393
[ GROANING ]
6
00:00:24,393 --> 00:00:25,655
[ WHINES ]
7
00:00:27,265 --> 00:00:29,789
I DON'T KNOW WHAT'S WRONG
WITH ME.
8
00:00:29,789 --> 00:00:32,053
I'M DOWN AND LEFT
ON EVERY SHOT.
9
00:00:32,053 --> 00:00:33,445
HERE, LET ME TAKE A LOOK.
10
00:00:36,057 --> 00:00:39,756
TRY BENDING YOUR ELBOW
A LITTLE BIT.
11
00:00:39,756 --> 00:00:43,194
MAYBE SLIDE YOUR HAND BACK
A HALF INCH OR SO.
12
00:00:43,194 --> 00:00:45,457
[ GUNSHOT ]
13
00:00:47,503 --> 00:00:54,597
♪ WHOA, MY LOVE ♪
14
00:00:54,597 --> 00:00:57,252
♪ MY DARLING ♪
15
00:00:57,252 --> 00:00:58,557
[ GUNSHOT ]
16
00:00:58,557 --> 00:01:00,994
♪ I'VE HUNGERED
FOR YOUR TOUCH ♪
17
00:01:00,994 --> 00:01:03,258
[ GUNSHOT, ELECTRICITY FIZZLES ]
18
00:01:04,694 --> 00:01:08,176
[ MAN GROANS ]
19
00:01:08,176 --> 00:01:10,874
NO, I CAN'T DO THIS.
20
00:01:10,874 --> 00:01:12,658
YOU'RE GREAT AT THIS.
YOUR TONGUE TOUCHED
21
00:01:12,658 --> 00:01:13,964
THE HANGY THING
IN THE BACK OF MY THROAT.
22
00:01:13,964 --> 00:01:15,487
NO, GEILS.
23
00:01:15,487 --> 00:01:16,923
I MEAN, I CAN'T GET CLOSE
TO ANOTHER PARTNER.
24
00:01:16,923 --> 00:01:18,534
TRIBECA, AFTER ALL
WE'VE BEEN THROUGH,
25
00:01:18,534 --> 00:01:20,405
YOU CAN'T TELL ME YOU DON'T HAVE
FEELINGS FOR ME.
26
00:01:20,405 --> 00:01:23,278
[ SIGHS ]
27
00:01:23,278 --> 00:01:27,760
♪♪
28
00:01:28,674 --> 00:01:31,808
[ CHUCKLES ]
29
00:01:31,808 --> 00:01:34,245
I DON'T HAVE FEELINGS
FOR YOU.
30
00:01:34,245 --> 00:01:39,120
YOU'RE JUST NEVER GONNA LET
ANYONE IN THE REST OF YOUR LIFE?
31
00:01:39,120 --> 00:01:40,817
SEE YOU AROUND, PARTNER.
32
00:01:40,817 --> 00:01:43,385
ADIOS, PARTNER.
33
00:01:43,385 --> 00:01:45,430
LATER, ANGIE.
34
00:01:53,525 --> 00:01:57,399
[ MICHAEL JACKSON'S
"THRILLER" PLAYS ]
35
00:01:57,399 --> 00:02:00,880
[ ZOMBIES GROANING ]
36
00:02:00,880 --> 00:02:02,099
[ WHIMPERS ]
37
00:02:04,493 --> 00:02:08,236
♪ IT'S PLAIN TO SEE
THAT YOU ALREADY♪
38
00:02:08,236 --> 00:02:10,673
HEY, WHY THE LONG FACE?
39
00:02:10,673 --> 00:02:12,414
I WAS A FORCEPS BABY.
40
00:02:12,414 --> 00:02:14,807
HEY, WHERE'S THE NORMAL
BARTENDER, REGULAR PETE?
41
00:02:14,807 --> 00:02:16,113
YEAH, HE HAD THE NIGHT OFF.
42
00:02:16,113 --> 00:02:17,593
I'VE NEVER KNOWN HIM
TO TAKE THE NIGHT OFF.
43
00:02:17,593 --> 00:02:18,898
THAT'S WHY
WE CALLED HIM PETE.
44
00:02:18,898 --> 00:02:21,336
WAIT, I REMEMBER.
HE DIED.
45
00:02:21,336 --> 00:02:22,772
OH, WOW, THAT'S SAD.
46
00:02:22,772 --> 00:02:24,077
HOW ABOUT A DRINK?
47
00:02:24,077 --> 00:02:25,644
IN HONOR OF REGULAR PERT.
48
00:02:25,644 --> 00:02:27,298
PETE, REGULAR PETE.
49
00:02:27,298 --> 00:02:29,561
YEAH, RIGHT,
THAT'S WHAT I SAID.
50
00:02:30,693 --> 00:02:32,521
Angie:
DROWNING YOUR SORROWS?
51
00:02:32,521 --> 00:02:34,653
YEAH, I GOT FEELINGS
FOR MY PARTNER,
52
00:02:34,653 --> 00:02:36,525
BUT SHE DOESN'T WANT
TO RECIP--
53
00:02:36,525 --> 00:02:38,266
HEY.
54
00:02:38,266 --> 00:02:40,877
LOOK, YOU DON'T THINK
I WANT TO RECIP?
55
00:02:40,877 --> 00:02:44,315
OF COURSE, I WANT TO RECIP,
BUT YOU DON'T UNDERSTAND.
56
00:02:44,315 --> 00:02:45,882
I'VE HAD 236 PARTNERS,
57
00:02:45,882 --> 00:02:48,841
AND I'VE FALLEN IN LOVE WITH
EVERY SINGLE ONE OF THEM.
58
00:02:48,841 --> 00:02:50,930
THAT'S SO NORMAL.
59
00:02:50,930 --> 00:02:53,281
AND SOMETHING BAD HAS HAPPENED
TO EVERY SINGLE ONE OF THEM.
60
00:02:53,281 --> 00:02:55,718
SO, THE ODDS OF SOMETHING
HAPPENING TO ME ARE ZERO.
61
00:02:55,718 --> 00:02:58,111
IF I EVER LOST YOU --
62
00:02:58,111 --> 00:03:00,418
NOTHING'S GONNA HAPPEN
TO ME, KID.
63
00:03:00,418 --> 00:03:01,767
I SWEAR.
64
00:03:01,767 --> 00:03:04,335
OKAY.
65
00:03:04,335 --> 00:03:06,642
LET'S DO THIS.
66
00:03:06,642 --> 00:03:09,210
I FEEL LIKE A PRINCESS IN
AN OLD-FASHIONED FAIRY TALE.
67
00:03:09,210 --> 00:03:10,515
[ CHUCKLES ]
68
00:03:10,515 --> 00:03:13,736
WAIT, LET ME JUST GO
DRAIN THE LIZARD.
69
00:03:18,175 --> 00:03:20,830
HERE YOU GO, GEILS,
ON THE HOUSE.
70
00:03:22,527 --> 00:03:24,790
THANKS.
71
00:03:27,619 --> 00:03:29,969
[ Echoing ] HEY, HOW DID YOU
KNOW MY NAME?
72
00:03:29,969 --> 00:03:32,102
MY NAME, MY NAME.
73
00:03:32,102 --> 00:03:34,104
MY NAME.
74
00:03:34,104 --> 00:03:36,759
MY NAME, MY NAME.
75
00:03:36,759 --> 00:03:41,067
YOU BETTER STOP SPINNING.
YOU'RE GONNA MAKE YOURSELF SICK.
76
00:03:41,067 --> 00:03:44,680
THANKS.
HEY, HOW DID YOU KNOW MY --
77
00:03:45,855 --> 00:03:47,465
IT WAS THE SMOKING DRINK.
78
00:03:50,512 --> 00:03:54,167
ALL RIGHT, GEILS,
GET READY FOR SOME --
79
00:04:00,870 --> 00:04:04,265
[ SCREAMING ]
80
00:04:04,265 --> 00:04:07,529
♪♪
81
00:04:09,357 --> 00:04:11,533
SOMETHING'S HAPPENED TO GEILS.
I KNOW IT.
82
00:04:11,533 --> 00:04:14,013
LET'S NOT JUMP
TO ANY CONCLUSIONS.
83
00:04:14,013 --> 00:04:15,841
SOMEBODY ORDER
A BODY BAG?
84
00:04:15,841 --> 00:04:17,713
NO, NO, NO, NO, NO.
85
00:04:17,713 --> 00:04:21,456
MAYBE GEILS JUST WENT HOME
TO SLEEP OFF HIS HANGOVER.
86
00:04:21,456 --> 00:04:23,066
HE WOULD NEVER
JUST LEAVE LIKE THAT.
87
00:04:23,066 --> 00:04:24,415
I'M GONNA TRY
HIS PHONE AGAIN.
88
00:04:24,415 --> 00:04:26,417
[ PHONE RINGS ]
89
00:04:26,417 --> 00:04:27,766
GEILS' PHONE.
90
00:04:27,766 --> 00:04:29,377
HEY, IT'S TRIBECA.
HAVE YOU SEEN HIM?
91
00:04:29,377 --> 00:04:32,293
NO, NO WORD SINCE LAST TIME
YOU CALLED FIVE MINUTES AGO.
92
00:04:32,293 --> 00:04:33,642
ALL RIGHT, I'M SORRY.
I'M JUST WORRIED.
93
00:04:33,642 --> 00:04:35,818
IT'S OKAY.[ PHONE RINGS ]
94
00:04:35,818 --> 00:04:37,689
OH,
MY BIG PHONE'S RINGING.
95
00:04:37,689 --> 00:04:39,082
TRIBECA.
96
00:04:39,082 --> 00:04:41,389
MAN:
Hello, Detective Tribeca.
97
00:04:41,389 --> 00:04:42,868
I HAVE A FRIEND OF YOURS
98
00:04:42,868 --> 00:04:44,392
THAT WOULD VERY MUCH
LIKE TO SEE YOU AGAIN.
99
00:04:44,392 --> 00:04:46,524
HE'S GOT GEILS.
100
00:04:46,524 --> 00:04:48,483
TRACE THIS CALL.
TRACE THIS CALL.
101
00:04:48,483 --> 00:04:49,788
WHO IS THIS?
102
00:04:49,788 --> 00:04:51,224
I don't want to use
my real name.
103
00:04:51,224 --> 00:04:52,965
Just call me
Wilson Phillips.
104
00:04:52,965 --> 00:04:55,577
WAIT, NO,
THAT IS MY REAL NAME.
105
00:04:55,577 --> 00:04:57,405
JUST CALL ME WILSON P.
106
00:04:57,405 --> 00:04:59,885
You listen to me,
Wilson P.
107
00:04:59,885 --> 00:05:01,844
IF YOU TOUCH A HAIR
ON MY PARTNER'S HEAD --
108
00:05:01,844 --> 00:05:04,412
NO, NO, NO, YOU LISTEN TO ME,
DETECTIVE!
109
00:05:04,412 --> 00:05:05,978
If I do not get $1,000
110
00:05:05,978 --> 00:05:08,720
in nonsequential coffee
gift cards in 2 hours,
111
00:05:08,720 --> 00:05:10,461
THE BOMB STRAPPED TO YOUR
PARTNER WILL EXPLODE.
112
00:05:10,461 --> 00:05:12,985
HOW WE DOING
ON THIS TRACE?
113
00:05:12,985 --> 00:05:14,726
KEEP TALKING?
114
00:05:14,726 --> 00:05:17,860
SO, UH, WILSON P.,
WHAT DO YOU LIKE TO DO
115
00:05:17,860 --> 00:05:20,558
WHEN YOU'RE NOT
KIDNAPPING PEOPLE?
116
00:05:20,558 --> 00:05:21,864
[ LAUGHS ]
117
00:05:21,864 --> 00:05:23,474
NICE TRY.
118
00:05:23,474 --> 00:05:26,085
I LOVE SPORTS, ESPECIALLY STUFF
IN THE WATER.
119
00:05:26,085 --> 00:05:27,696
Snorkel, paddle board.DO WE HAVE IT?
120
00:05:27,696 --> 00:05:29,872
Sometimes I just lay
on the beach,
121
00:05:29,872 --> 00:05:31,743
LET THE BIRDS EAT THE BREAD
OFF MY NAKED BODY.
122
00:05:31,743 --> 00:05:32,918
That's really interesting.
123
00:05:32,918 --> 00:05:34,224
TELL ME MORE.
124
00:05:34,224 --> 00:05:36,139
Time's up, Detective!
125
00:05:36,139 --> 00:05:37,662
IS WHAT I WILL SAY
IN TWO HOURS
126
00:05:37,662 --> 00:05:38,968
IF YOU DO NOT GET ME
WHAT I WANT.
127
00:05:38,968 --> 00:05:40,099
Goodbye.
128
00:05:40,099 --> 00:05:42,058
AND GOD BLESS.
129
00:05:42,058 --> 00:05:44,016
HOW DID WE DO
ON THE TRACE?
130
00:05:44,016 --> 00:05:46,497
HUH?
DID WE GET THE TRACE?
131
00:05:46,497 --> 00:05:48,325
YOU WANTED ME
TO TRACE A CALL?
132
00:05:48,325 --> 00:05:49,848
OH!
GIRL, I WAS JAMMING.
133
00:05:49,848 --> 00:05:52,547
DAMN IT!♪ THEY'RE BACK STABBERS♪
134
00:05:52,547 --> 00:05:55,419
THERE ARE OVER
15 WILSON PHILLIPSES
135
00:05:55,419 --> 00:05:56,986
IN THE STATE
OF CALIFORNIA.
136
00:05:56,986 --> 00:05:58,596
WE HAVE COPS TRACKING THEM,
137
00:05:58,596 --> 00:05:59,989
BUT WE'LL NEVER GET TO ALL
OF THEM IN TWO HOURS.
138
00:05:59,989 --> 00:06:01,251
WELL, LUCKILY, EVERY CALL
139
00:06:01,251 --> 00:06:02,905
THAT COMES INTO THE PRECINCT
IS RECORDED.
140
00:06:02,905 --> 00:06:04,994
DID YOU AND EDELWEISS GET
ANYTHING FROM THE CALL?
141
00:06:04,994 --> 00:06:07,692
UNFORTUNATELY, DR. EDELWEISS
IS AT A FORENSICS CONFERENCE
142
00:06:07,692 --> 00:06:10,042
IN ISTANBUL, BUT I WAS ABLE
TO REACH HIM ON SKYPE.
143
00:06:11,957 --> 00:06:14,830
HELLO, DR. EDELWEISS.
144
00:06:16,527 --> 00:06:19,138
DR. EDELWEISS?
145
00:06:21,184 --> 00:06:22,533
THERE'S A BIT
OF A TIME DELAY.
146
00:06:27,059 --> 00:06:29,105
LET'S JUST GET STARTED.
147
00:06:29,105 --> 00:06:31,412
LISTEN TO THE AUDIO
FROM THE PHONE CALL.
148
00:06:31,412 --> 00:06:33,022
IF I DO NOT GET $1,000
149
00:06:33,022 --> 00:06:35,241
IN NON-SEQUENTIAL COFFEE
GIFT CARDS IN TWO HOURS,
150
00:06:35,241 --> 00:06:37,722
THE BOMB STRAPPED TO YOUR
PARTNER WILL EXPLODE.
151
00:06:37,722 --> 00:06:39,376
THAT'S HIM.
152
00:06:39,376 --> 00:06:41,770
THAT'S WHAT I THOUGHT, TOO,
BUT THERE'S MORE.
153
00:06:41,770 --> 00:06:43,511
WATCH WHAT HAPPENS
WHEN WE --
154
00:06:43,511 --> 00:06:45,774
AH, THERE YOU ARE, TRIBECA.
HOW ARE YOU?
155
00:06:45,774 --> 00:06:47,428
IT'S BEEN A TOUGH DAY,
BUT YOU KNOW,
156
00:06:47,428 --> 00:06:48,820
JUST TRYING
TO STAY OPTIMISTIC.
157
00:06:58,526 --> 00:07:02,007
WATCH WHAT HAPPENS WHEN I STRIP
OUT WILSON P.'s VOICE.
158
00:07:02,007 --> 00:07:04,880
[ CHATTER]
159
00:07:04,880 --> 00:07:07,926
THEN I TAKE OUT
ANY OTHER VOICES.
160
00:07:07,926 --> 00:07:10,189
[ CLANKING]WHICH LEADS --
161
00:07:10,189 --> 00:07:13,323
YES, I WAS VERY CONCERNED
WHEN I HEARD ABOUT GEILS,
162
00:07:13,323 --> 00:07:14,846
BUT DON'T WORRY.
163
00:07:14,846 --> 00:07:17,022
THIS TECHNOLOGY
IS ABSOLUTELY AMAZING.
164
00:07:17,022 --> 00:07:18,720
I MEAN, HERE I AM IN THE --
165
00:07:23,376 --> 00:07:26,205
SO, IF WE TAKE OUT EVERYTHING
BUT THE BACKGROUND NOISE...
166
00:07:26,205 --> 00:07:28,338
[ STATIC]
167
00:07:28,338 --> 00:07:30,122
WAIT A SECOND.
168
00:07:30,122 --> 00:07:32,429
THE GUY ASKED
FOR COFFEE GIFT CARDS,
169
00:07:32,429 --> 00:07:34,083
WHICH MUST MEAN HE LIKES --
170
00:07:34,083 --> 00:07:35,737
OVERPRICED COFFEE.SHITTY, LAST-MINUTE GIFTS.
171
00:07:35,737 --> 00:07:38,304
THAT'S SOMEONE STEAMING MILK.
THAT'S IN A COFFEE SHOP.
172
00:07:38,304 --> 00:07:39,871
THERE'S THOUSANDS
IN THE CITY.
173
00:07:39,871 --> 00:07:41,873
WE'LL JUST NEVER
NARROW IT DOWN IN TIME.
174
00:07:41,873 --> 00:07:44,615
HANG ON, MAYBE I CAN PULL UP
SOME OF THE BACKGROUND NOISES.
175
00:07:44,615 --> 00:07:48,924
Woman: I HAVE TO SAY, COFFEE
COMMUNE AT 1287 BEVERLY DRIVE
176
00:07:48,924 --> 00:07:50,316
IS MY FAVORITE COFFEE SHOP
IN TOWN.
177
00:07:50,316 --> 00:07:52,536
THAT'S RIGHT AROUND
THE CORNER.
178
00:07:52,536 --> 00:07:54,016
WE'RE THERE EVERY DAY.
179
00:07:54,016 --> 00:07:56,758
HE KNOWS US.
180
00:08:00,326 --> 00:08:04,113
...ISTANBUL, AND IT'S AS IF I'M
STANDING RIGHT NEXT TO YOU.
181
00:08:04,113 --> 00:08:06,028
SO, SCHOLLS,
WHAT ARE WE LOOKING AT?
182
00:08:12,730 --> 00:08:15,820
♪♪
183
00:08:17,518 --> 00:08:19,041
WHAT CAN I GET YOU?
A CUVANISTA? SQUAT WIPE?
184
00:08:19,041 --> 00:08:20,869
DOUBLE DARK?
185
00:08:20,869 --> 00:08:22,871
I'M DETECTIVE TANNER.
THIS IS DETECTIVE HOFFMAN.
186
00:08:22,871 --> 00:08:24,437
WE NEED TO ASK YOU
A FEW QUESTIONS.
187
00:08:24,437 --> 00:08:26,135
SERIOUSLY, MAN?
THIS IS MY BUSIEST TIME.
188
00:08:26,135 --> 00:08:28,224
AT LEAST ORDER SOMETHING.
I GOT A WHOLE LINE HERE.
189
00:08:28,224 --> 00:08:30,226
FINE, JUST A COFFEE.
190
00:08:30,226 --> 00:08:31,967
I DON'T KNOW
WHAT THAT IS.
191
00:08:31,967 --> 00:08:33,664
COME ON,
AN ITALIAN LONG?
192
00:08:33,664 --> 00:08:36,101
A PERKY PONY?
A KANSAS CITY MUDSTORM?
193
00:08:36,101 --> 00:08:37,233
[ BARKS ]
194
00:08:37,233 --> 00:08:38,974
COMING RIGHT UP.
195
00:08:38,974 --> 00:08:41,498
WE'RE TRYING TO TRACK DOWN
ONE OF YOUR CUSTOMERS.
196
00:08:41,498 --> 00:08:43,065
YOU RECOGNIZE THIS VOICE?
197
00:08:43,065 --> 00:08:45,067
Man:
IF I DO NOT GET $1,000
198
00:08:45,067 --> 00:08:48,244
IN NON-SEQUENTIAL COFFEE
GIFT CARDS IN TWO HOURS...
199
00:08:48,244 --> 00:08:50,289
YEAH, I REMEMBER HIM.
200
00:08:50,289 --> 00:08:52,204
NICE GUY, GOOD TIPPER.
201
00:08:52,204 --> 00:08:55,338
HINT, HINT.
ARE WE DONE HERE?
202
00:08:55,338 --> 00:08:57,296
A COP'S LIFE
IS AT STAKE HERE!
203
00:08:57,296 --> 00:09:00,386
NOW, BEFORE I TAPE YOUR MOUTH
TO THAT MILK STEAMER...
204
00:09:00,386 --> 00:09:01,953
GO ON.
205
00:09:01,953 --> 00:09:04,347
...WHAT ELSE YOU KNOW
ABOUT THIS GUY?
206
00:09:04,347 --> 00:09:05,696
I DON'T KNOW.
207
00:09:05,696 --> 00:09:07,655
HE'S 6'2", THIN,
LIGHT BLOND HAIR.
208
00:09:07,655 --> 00:09:09,091
THINK!
209
00:09:09,091 --> 00:09:11,267
I'VE GOT THIS MUG
HE USED YESTERDAY
210
00:09:11,267 --> 00:09:12,834
WITH HIS FINGERPRINTS
ON IT!
211
00:09:12,834 --> 00:09:14,531
I AM LOSING PATIENCE.
212
00:09:14,531 --> 00:09:16,315
I-I-I THINK HE LEFT
HIS DRIVER'S LICENSE HERE.
213
00:09:16,315 --> 00:09:18,013
YOU WANT ME TO GO CHECK
THE LOST AND FOUND?
214
00:09:18,013 --> 00:09:20,581
YOU ARE STEPPING
ON MY LAST NERVE.
215
00:09:20,581 --> 00:09:22,974
I DON'T KNOW.
HE -- HE -- HE RIDES A BIKE?
216
00:09:22,974 --> 00:09:26,369
LIVES WITHIN
BIKING DISTANCE.
217
00:09:26,369 --> 00:09:28,371
WE'RE DONE HERE.
218
00:09:28,371 --> 00:09:29,894
WELL, HE COMES IN EVERY DAY
AT 11:00.
219
00:09:29,894 --> 00:09:31,417
IF YOU WAIT LIKE
SIX MORE MINUTES --
220
00:09:31,417 --> 00:09:33,376
I'D QUIT
WHILE YOU'RE AHEAD.
221
00:09:39,817 --> 00:09:41,993
ALL RIGHT, WE FOUND FIVE
WILSON PHILLIPSES
222
00:09:41,993 --> 00:09:44,213
WITHIN BIKING DISTANCE
OF THE COFFEE SHOP,
223
00:09:44,213 --> 00:09:45,606
AND WE'RE GETTING SEARCH
WARRANTS FOR EACH ONE,
224
00:09:45,606 --> 00:09:46,955
BUT WE NEED TO BUY
A LITTLE TIME.
225
00:09:46,955 --> 00:09:49,392
SO, MAYBE WE HOLD
A PRESS CONFERENCE,
226
00:09:49,392 --> 00:09:50,785
TRY AND DRAW THE GUY OUT.
227
00:09:50,785 --> 00:09:52,743
GOOD THINKING.
228
00:09:52,743 --> 00:09:55,790
TRIBECA, I KNOW YOU AND GEILS
WERE TIGHT.
229
00:09:55,790 --> 00:09:57,008
WE ARE GONNA FIND HIM...
230
00:09:57,008 --> 00:09:58,793
BUP, BUP, BUP, BUP, BUP!
231
00:09:58,793 --> 00:10:00,664
IT'S NOT JUST THAT.
THE WAY WE LEFT THINGS WAS --
232
00:10:00,664 --> 00:10:01,796
WAS IT?
KIND OF.
233
00:10:01,796 --> 00:10:03,493
I SEE.
YOU KNOW, SOMETIMES --
234
00:10:03,493 --> 00:10:04,886
I KNOW,
BUT IT'S HARD BECAUSE --
235
00:10:04,886 --> 00:10:06,670
I GET IT.
I'VE BEEN THERE.
236
00:10:06,670 --> 00:10:08,411
THANKS, LIEUTENANT,
YOU ALWAYS KNOW WHAT TO --I DO.
237
00:10:08,411 --> 00:10:11,806
GOD. GEILS COULD BE HANGING ON
BY A THREAD, OR, WORSE,
238
00:10:11,806 --> 00:10:13,851
HE COULD BE IN THE EARLY STAGES
OF STOCKHOLM SYNDROME.
239
00:10:13,851 --> 00:10:15,331
EVEN WORSE THAN THAT,
240
00:10:15,331 --> 00:10:16,854
HE COULD BE DEVELOPING A BOND
WITH HIS CAPTOR.
241
00:10:16,854 --> 00:10:18,160
[ DING! ]
242
00:10:18,160 --> 00:10:21,206
HONEY!
MUFFINS ARE READY!
243
00:10:23,818 --> 00:10:25,558
I MADE YOU SOME
LOW-SODIUM MUFFINS
244
00:10:25,558 --> 00:10:28,170
BECAUSE I KNOW YOUR BLOOD
PRESSURE'S AN ISSUE RIGHT NOW.
245
00:10:28,170 --> 00:10:29,519
MAYBE LATER.
246
00:10:29,519 --> 00:10:32,000
OKAY, MAYBE LATER.
247
00:10:34,524 --> 00:10:36,265
WHAT'D YOU DO THAT FOR?
248
00:10:36,265 --> 00:10:38,659
I DON'T KNOW.
MAYBE I'LL TELL YOU LATER.
249
00:10:38,659 --> 00:10:40,225
CAN WE NOT
DO THIS RIGHT NOW?
250
00:10:40,225 --> 00:10:41,836
I'M TRYING
TO RUN A KIDNAPPING.
251
00:10:41,836 --> 00:10:44,621
YOU ALWAYS DO THIS.
YOU TAKE ON EVERYTHING YOURSELF.
252
00:10:44,621 --> 00:10:46,623
[ SIGHS ]
I GOT TO GO OUT.
253
00:10:46,623 --> 00:10:48,581
OH, GREAT, YOUR ANSWER
TO EVERYTHING.
254
00:10:48,581 --> 00:10:50,758
YOU KNOW WHAT?
I HOPE THIS BOMB EXPLODES.
255
00:10:50,758 --> 00:10:52,585
DON'T EVEN JOKE
ABOUT THAT.
256
00:10:52,585 --> 00:10:54,675
OKAY, I'M SORRY.
257
00:10:56,546 --> 00:10:58,896
I'M SORRY, TOO.
258
00:10:58,896 --> 00:11:00,637
HEY,
IS THAT TRIBECA ON TV?
259
00:11:00,637 --> 00:11:02,726
Angie:
WE ARE WORKING VERY HARD.
260
00:11:02,726 --> 00:11:04,597
WE ARE TRACKING EVERY LEAD,
261
00:11:04,597 --> 00:11:06,948
AND WE ARE CONFIDENT THAT
WE WILL FIND DETECTIVE GEILS
262
00:11:06,948 --> 00:11:09,951
AND BRING THIS KIDNAPPER
TO JUSTICE.
263
00:11:09,951 --> 00:11:11,866
AT THIS POINT,
I'LL TAKE SOME QUESTIONS.
264
00:11:11,866 --> 00:11:13,128
[ ALL SHOUTING "QUESTION!" ]
265
00:11:13,128 --> 00:11:14,607
YES?
266
00:11:14,607 --> 00:11:16,174
WHERE SHOULD I TAKE THE IN-LAWS
TO DINNER?
267
00:11:16,174 --> 00:11:19,090
EVERYONE LIKES ITALIAN.
YES?
268
00:11:19,090 --> 00:11:20,265
WHO ARE YOU WEARING?
269
00:11:20,265 --> 00:11:22,485
LADY COP BY VALENTINO.
270
00:11:22,485 --> 00:11:25,444
FORMER CABINET MEMBER
STEPHEN CHU WON A NOBEL PRIZE
271
00:11:25,444 --> 00:11:28,012
FOR CAPTURING ATOMS
WITH THESE LIGHT BEAMS.
272
00:11:28,012 --> 00:11:30,145
WHAT ARE LASERS?
273
00:11:30,145 --> 00:11:33,365
AND HERE'S MY MESSAGE
TO THE KIDNAPPER.
274
00:11:33,365 --> 00:11:36,978
YOU THINK YOU'RE PRETTY SLICK
KIDNAPPING MY PARTNER.
275
00:11:36,978 --> 00:11:38,283
THANKS, I DO.
276
00:11:38,283 --> 00:11:39,458
I'M NOT FINISHED.
277
00:11:39,458 --> 00:11:41,765
OH, SORRY, GO AHEAD.
278
00:11:41,765 --> 00:11:43,158
YOU MESSED
WITH THE WRONG COP.
279
00:11:43,158 --> 00:11:45,334
AND, GEILS,
IF YOU'RE LISTENING,
280
00:11:45,334 --> 00:11:46,422
JUST KNOW
THAT I WILL NOT REST.
281
00:11:46,422 --> 00:11:47,945
I KNOW, ANGIE.
282
00:11:47,945 --> 00:11:49,425
WILL SOMEBODY
JUST LET ME FINISH?
283
00:11:49,425 --> 00:11:50,731
OH, SORRY, GO AHEAD.
284
00:11:50,731 --> 00:11:51,993
UNTIL I FIND YOU.
285
00:11:51,993 --> 00:11:53,385
I GUESS
I WAS PRETTY MUCH DONE.
286
00:11:53,385 --> 00:11:54,822
NO FURTHER QUESTIONS.
287
00:11:54,822 --> 00:11:58,260
WE GOT THE ADDRESS.
LET'S BOUNCE.
288
00:12:03,569 --> 00:12:04,919
ALL RIGHT, TAKE HIM DOWN!
289
00:12:04,919 --> 00:12:07,573
TRY NOT TO LET GEILS EXPLODE.
290
00:12:08,574 --> 00:12:09,924
WHAT THE HELL?
291
00:12:11,534 --> 00:12:12,970
LOOK AT THAT RACK.
292
00:12:12,970 --> 00:12:15,233
CHARLIE, DON'T.
293
00:12:15,233 --> 00:12:16,365
IT'S A BOOBY TRAP!
294
00:12:16,365 --> 00:12:18,106
[ BEEPING ]
295
00:12:18,106 --> 00:12:20,369
[ EXPLOSION ]
296
00:12:26,114 --> 00:12:30,205
HE DIED
DOING WHAT HE LOVED.
297
00:12:30,205 --> 00:12:31,380
[ SIGHS ]
298
00:12:31,380 --> 00:12:33,295
[ PHONE RINGING ]
299
00:12:41,564 --> 00:12:42,739
HELLO?
300
00:12:42,739 --> 00:12:44,175
MAN:
Nice try, Detective.
301
00:12:44,175 --> 00:12:45,829
How stupid
do you think I am?
302
00:12:45,829 --> 00:12:48,223
DO YOU REALLY THINK I WOULD BE
AT MY HOME ADDRESS?
303
00:12:48,223 --> 00:12:49,398
Why are you doing this?
304
00:12:49,398 --> 00:12:50,791
GEILS NEVER HURT ANYBODY.
305
00:12:50,791 --> 00:12:52,488
OH, I'M SORRY.
AM I WASTING YOUR TIME?
306
00:12:52,488 --> 00:12:55,056
AM I THREATENING TO TAKE AWAY
SOMETHING YOU CARE ABOUT?
307
00:12:55,056 --> 00:12:56,709
WELL, NOW YOU KNOW
HOW IT FEELS.
308
00:12:56,709 --> 00:12:59,669
TWO WEEKS AGO,
COFFEE COMMUNE.
309
00:13:03,455 --> 00:13:05,370
[ SIGHS ]
310
00:13:07,068 --> 00:13:08,721
HEY, CAN I GET A SMALL --
311
00:13:08,721 --> 00:13:11,115
SIR, WE'RE GONNA NEED YOU
TO STEP ASIDE. POLICE BUSINESS.
312
00:13:11,115 --> 00:13:13,422
SURE, I -- I -- I'M KIND OF
IN A HURRY, SO --
313
00:13:13,422 --> 00:13:14,815
YEAH, WE'LL BE QUICK.
314
00:13:14,815 --> 00:13:17,992
OKAY.
KIND OF A LARGE ORDER HERE.
315
00:13:17,992 --> 00:13:20,429
LET ME GET 37 CAPPUCCINOS,
316
00:13:20,429 --> 00:13:23,475
20 WHOLE MILK,
11 NONFAT, 2 WITH --
317
00:13:23,475 --> 00:13:25,173
WHAT IS THAT,
ARMIN MIST?
318
00:13:25,173 --> 00:13:27,740
ARMIN MIST?
ALMOND MILK.
319
00:13:27,740 --> 00:13:29,655
ALMOND MILK?
THAT'S A -- OH, MY GOD,
320
00:13:29,655 --> 00:13:31,222
YOUR HANDWRITING
IS TERRIBLE.
321
00:13:31,222 --> 00:13:32,354
WHAT'S THIS ABOMINATION?
322
00:13:32,354 --> 00:13:33,790
CRAB CAKE.
323
00:13:33,790 --> 00:13:35,531
CR--
I CAN'T EVEN READ THAT.
324
00:13:35,531 --> 00:13:37,098
CROISSANT,
IT'S CROISSANT.
325
00:13:37,098 --> 00:13:39,100
[ LAUGHS ] IT'S CROISSANT.LOOKS LIKE CUMMERBUND.
326
00:13:39,100 --> 00:13:40,971
I'M REALLYIN A HURRY, GUYS.
327
00:13:40,971 --> 00:13:42,581
SWEAR TO GOD,
WE'RE ALMOST DONE.
328
00:13:42,581 --> 00:13:44,801
THE DETECTIVE HERE WOULD LIKE
TWO CUMMERBUNDS.
329
00:13:44,801 --> 00:13:46,629
WOULD YOU LIKE A TOP HAT WITH
THAT, MAYBE SOME CUFFLINKS?
330
00:13:46,629 --> 00:13:49,371
I GET IT, I GET IT.
MY HANDWRITING IS TERRIBLE.
331
00:13:49,371 --> 00:13:50,938
TERRIBLE?
332
00:13:50,938 --> 00:13:52,026
IT LOOKS LIKE YOU WROTE IT
ON A ROLLER COASTER.
333
00:13:52,026 --> 00:13:53,331
OKAY,
ALL I WANT IS A SMALL --
334
00:13:53,331 --> 00:13:54,898
DON'T WORRY, SIR.
335
00:13:54,898 --> 00:13:57,509
WE'LL GET YOU TO YOUR GYM CLASS
ON TIME, OKAY?
336
00:13:57,509 --> 00:13:59,120
[ LAUGHTER ]
337
00:13:59,120 --> 00:14:01,078
HEY, WHILE WE'RE HERE,
WHAT'S THE ORIGIN OF COFFEE?
338
00:14:01,078 --> 00:14:02,906
I'VE ALWAYS WANTED TO KNOW --
339
00:14:02,906 --> 00:14:04,342
YOU REALLY HIT THE NAIL ON THE
HEAD WITH THAT ONE, TRIBECA,
340
00:14:04,342 --> 00:14:07,302
EXCEPT I WASN'T
A GYM TEACHER YET.
341
00:14:07,302 --> 00:14:10,131
I WAS ON MY WAY
TO A GYM-TEACHER JOB INTERVIEW.
342
00:14:10,131 --> 00:14:11,872
GETTING THE PICTURE?
343
00:14:11,872 --> 00:14:13,612
[ SIGHS ]
344
00:14:13,612 --> 00:14:16,877
BUT I MISSED IT BECAUSE OF YOU
AND YOUR STUPID COFFEES
345
00:14:16,877 --> 00:14:18,617
AND YOUR STUPID HANDWRITING.
346
00:14:18,617 --> 00:14:20,315
MY LIFE IS RUINED.
347
00:14:20,315 --> 00:14:21,838
MY WIFE LEFT ME.
348
00:14:21,838 --> 00:14:24,536
MY KIDS RAN AWAY
AND MARRIED EACH OTHER, SO NOW,
349
00:14:24,536 --> 00:14:26,277
I'm taking away
your boyfriend.
350
00:14:26,277 --> 00:14:28,976
WE'RE NOT TOGETHER.
WE'LL NEVER BE TOGETHER, OKAY?
351
00:14:28,976 --> 00:14:31,500
[ PHONE CLATTERS ]
352
00:14:31,500 --> 00:14:33,284
He's just my partner,
that's it.
353
00:14:33,284 --> 00:14:34,851
LOOK, WE'LL MAKE AMENDS
WHEN WE NEED TO,
354
00:14:34,851 --> 00:14:36,766
BUT YOU NEED
TO LET GEILS GO.
355
00:14:36,766 --> 00:14:40,944
I WILL FORGET EVERYTHING IF YOU
JUST GIVE ME A SIMPLE APOLOGY.
356
00:14:40,944 --> 00:14:43,294
NEVER.
YOU'RE INSANE.
357
00:14:43,294 --> 00:14:44,687
I'M GONNA FIND YOU --
358
00:14:44,687 --> 00:14:46,123
YOU WILL NEVER FIND ME!
359
00:14:46,123 --> 00:14:47,908
I'M A TRAINED GYM TEACHER.
360
00:14:47,908 --> 00:14:49,779
DO YOU KNOW HOW MANY SWEATSUITS
THERE ARE IN THE WORLD?
361
00:14:49,779 --> 00:14:51,346
Every time you walk
down the street,
362
00:14:51,346 --> 00:14:52,825
and you see someone
in a sweatsuit,
363
00:14:52,825 --> 00:14:54,610
YOU'LL WONDER,
"HEY, IS THAT HIM?
364
00:14:54,610 --> 00:14:55,916
Is that him?"
365
00:14:55,916 --> 00:14:57,047
IS THAT HIM?
366
00:14:57,047 --> 00:14:58,962
Got to go.
367
00:14:58,962 --> 00:15:02,574
LIEUTENANT,
WE FOUND GEILS.
368
00:15:02,574 --> 00:15:05,142
SEND IN EVERYBODY!
369
00:15:11,322 --> 00:15:16,937
[ SIRENS WAILING ]
370
00:15:16,937 --> 00:15:18,547
GO, GO!
371
00:15:18,547 --> 00:15:19,765
COVER THE BACK!
372
00:15:19,765 --> 00:15:20,984
[ ICE CREAM TRUCK MUSIC
PLAYING ]
373
00:15:20,984 --> 00:15:23,900
[ LOUD SALSA MUSIC PLAYING ]
374
00:15:23,900 --> 00:15:26,294
[ SUSPENSEFUL MUSIC PLAYS ]
375
00:15:26,294 --> 00:15:29,297
[ TRACTOR ENGINE REVS ]
376
00:15:33,388 --> 00:15:35,912
[ RADIO CHATTER ]
377
00:15:41,570 --> 00:15:43,615
Man:
GO, GO, GO, GO, GO!
378
00:15:43,615 --> 00:15:45,922
WILSON PHILLIPS!
379
00:15:45,922 --> 00:15:47,663
WE HAVE YOU SURROUNDED.
380
00:15:47,663 --> 00:15:50,753
COME OUT OF THE HOUSE
WITH YOUR HANDS UP,
381
00:15:50,753 --> 00:15:53,451
AND DO NOT BLOW UP
DETECTIVE GEILS!
382
00:15:53,451 --> 00:15:54,757
ALL RIGHT, EVERYBODY,
LOOK ALIVE.
383
00:15:54,757 --> 00:15:56,150
HE'S A GYM TEACHER.
384
00:15:56,150 --> 00:15:58,587
WE HAVE NO IDEA
WHAT HE'S CAPABLE OF.
385
00:15:58,587 --> 00:16:01,503
OHH. DAMN IT!
I'M OUT.
386
00:16:01,503 --> 00:16:02,852
TRIBECA, TAKE OVER.
387
00:16:02,852 --> 00:16:05,855
OHH! [ MUTTERS ]
388
00:16:05,855 --> 00:16:09,511
LISTEN, PHILLIPS,
WE KNOW YOU'RE HURTING,
389
00:16:09,511 --> 00:16:12,644
BUT THAT'S NO REASON TO TAKE IT
OUT ON POOR JAY GEILS.
390
00:16:12,644 --> 00:16:15,647
SURE, HE MAY NOT BE THE SHARPEST
TOOL IN THE SHED,
391
00:16:15,647 --> 00:16:16,953
HIS APARTMENT'S A DUMP,
392
00:16:16,953 --> 00:16:19,173
AND HE'S THE WORST DRIVER
OF ALL TIME.
393
00:16:19,173 --> 00:16:20,870
HAVE YOU EVER SEEN
A 9-POINT TURN?
394
00:16:20,870 --> 00:16:22,002
I HAVE.
395
00:16:22,002 --> 00:16:23,742
[ BOTH LAUGH ]
396
00:16:23,742 --> 00:16:26,615
COME TO THINK OF IT,
I HAVE NO GOOD REASON
397
00:16:26,615 --> 00:16:28,269
TO HAVE FEELINGS FOR HIM,
398
00:16:28,269 --> 00:16:30,488
BUT DAMN IT...
399
00:16:34,884 --> 00:16:37,887
...I LOVE HIM.
400
00:16:37,887 --> 00:16:39,323
[ POUNDING ]
401
00:16:39,323 --> 00:16:41,499
TRIBECA!
402
00:16:41,499 --> 00:16:42,805
GEILS!
403
00:16:42,805 --> 00:16:44,546
WILSON, YOU GOT
TO TURN YOURSELF IN.
404
00:16:44,546 --> 00:16:46,635
I AM NOT
GOING TO PRISON.
405
00:16:46,635 --> 00:16:49,290
YOU KNOW WHAT PRISONS HAVE?
GYMS.
406
00:16:49,290 --> 00:16:52,510
AND EVERY GREAT GYM TEACHER
HAS SPENT TIME IN PRISON.
407
00:16:56,732 --> 00:16:58,647
I'M COMING OUT!
408
00:16:58,647 --> 00:17:00,475
OKAY, REMEMBER,
HE'S THE ONLY ONE
409
00:17:00,475 --> 00:17:02,346
WHO KNOWS HOW TO DISARM
THE BOMB,
410
00:17:02,346 --> 00:17:04,261
SO WHATEVER YOU DO,
HOLD YOUR FIRE.
411
00:17:04,261 --> 00:17:06,002
OKAY?
412
00:17:06,002 --> 00:17:07,177
HEY.
413
00:17:09,962 --> 00:17:12,835
SORRY, MR. WILSON.
414
00:17:12,835 --> 00:17:14,271
OH, MY GOD, THE BOMB.
415
00:17:14,271 --> 00:17:15,533
GEILS, HOW MUCH TIME LEFT?
416
00:17:15,533 --> 00:17:17,753
1 MINUTE LEFT!
417
00:17:17,753 --> 00:17:20,321
EVERYBODY GET OUT OF HERE.
SAVE YOURSELF.
418
00:17:20,321 --> 00:17:21,626
NO CAN DO.
419
00:17:21,626 --> 00:17:24,151
TANNER, SEND IN THE ROBOT.
420
00:17:24,151 --> 00:17:27,197
[ SUSPENSEFUL MUSIC PLAYS ]
421
00:17:57,140 --> 00:17:59,577
[ SUSPENSEFUL MUSIC STOPS ]
422
00:18:11,111 --> 00:18:14,462
[ SUSPENSEFUL MUSIC RESUMES ]
423
00:18:17,552 --> 00:18:20,946
[ POWERING DOWN ]
424
00:18:21,425 --> 00:18:23,819
[ SUSPENSEFUL MUSIC STOPS ]
425
00:18:23,819 --> 00:18:26,126
[ SIGHS ]
426
00:18:28,302 --> 00:18:32,436
DAMN! SORRY.
IT RAN OUT OF JUICE.
427
00:18:32,436 --> 00:18:34,612
ANYBODY GOT 12 "C" BATTERIES
ON 'EM?
428
00:18:34,612 --> 00:18:37,006
GEILS, I'M COMING.
429
00:18:38,268 --> 00:18:40,879
TRIBECA, WHAT THE HELL
ARE YOU DOING?!
430
00:18:40,879 --> 00:18:42,185
[ SUSPENSEFUL MUSIC PLAYS ]
431
00:18:42,185 --> 00:18:43,926
WAIT A MINUTE,
AM I BACK IN?
432
00:18:43,926 --> 00:18:46,624
YOU SHOULDN'T BE IN HERE.
THIS BOMB'S GONNA GO OFF.
433
00:18:46,624 --> 00:18:48,278
SAVE YOURSELF.
434
00:18:48,278 --> 00:18:50,672
SAVE MYSELF FOR WHAT?
ANOTHER PARTNER?
435
00:18:50,672 --> 00:18:52,413
I DON'T WANT
A NEW PARTNER.
436
00:18:52,413 --> 00:18:54,850
IT'S YOU AND ME
FOR THE LONG HAUL, GEILS.
437
00:18:54,850 --> 00:18:56,765
I MEAN,
SURE, THINGS COULD CHANGE.
438
00:18:56,765 --> 00:18:58,027
OUR JOBS ARE DANGEROUS,
439
00:18:58,027 --> 00:18:59,942
BUT I JUST WANT
TO LET MY GUARD DOWN
440
00:18:59,942 --> 00:19:01,422
AND BE VULNERABLE
441
00:19:01,422 --> 00:19:03,511
AND SPEND TIME WITH SOMEONE
I REALLY CARE ABOUT.
442
00:19:03,511 --> 00:19:05,643
YOU KNOW, I'VE BEEN THINKING
A LOT LATELY ABOUT LIFE,
443
00:19:05,643 --> 00:19:06,862
AND IT'S REALLY SHORT.
444
00:19:06,862 --> 00:19:08,472
I JUST REALLY WANT TO --
445
00:19:08,472 --> 00:19:09,865
TRIBECA, 42 SECONDS.
446
00:19:09,865 --> 00:19:11,171
RIGHT, RIGHT, OKAY.
447
00:19:11,171 --> 00:19:13,303
HERE GOES NOTHING.
448
00:19:19,701 --> 00:19:21,006
[ EXHALES SHARPLY ]
449
00:19:21,006 --> 00:19:23,400
ALL RIGHT, LET'S SEE
WHAT WE GOT HERE.
450
00:19:23,400 --> 00:19:26,577
[ SUSPENSEFUL MUSIC PLAYS ]
451
00:19:39,416 --> 00:19:41,636
Woman: HELLO, YOU HAVE REACHED
TECH SUPPORT
452
00:19:41,636 --> 00:19:43,246
FOR THE ALL-AMERICAN
BOMB COMPANY.
453
00:19:43,246 --> 00:19:45,117
THERE ARE SIX BOMBS
AHEAD OF YOU.
454
00:19:45,117 --> 00:19:47,772
YOUR BOMB IS IMPORTANT TO US.
PLEASE STAY ON THE --
455
00:19:47,772 --> 00:19:50,035
[ PHONE BEEPS ][ SIGHS ]
456
00:19:50,035 --> 00:19:51,559
OKAY, I'M JUST GONNA SHUT
MY EYES AND CUT ONE.
457
00:19:51,559 --> 00:19:53,996
YEAH, WAIT, WHAT?
MAYBE WE KEEP BRAINSTORMING.
458
00:19:53,996 --> 00:19:56,433
GEILS?
459
00:19:58,130 --> 00:19:59,958
I DO, TOO.
460
00:19:59,958 --> 00:20:01,786
[ BOMB BEEPING ]
461
00:20:01,786 --> 00:20:03,440
5 SECONDS.
462
00:20:05,573 --> 00:20:08,576
[ ROMANTIC MUSIC PLAYS ]
463
00:20:34,776 --> 00:20:36,386
4 SECONDS.
464
00:20:36,386 --> 00:20:39,911
[ BEEPING CONTINUES ]
32164
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