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1
00:00:02,240 --> 00:00:04,895
Tribeca: ALL RIGHT,
SEND THEM IN.
2
00:00:10,466 --> 00:00:12,337
NOW,
IS THERE ANYONE
3
00:00:12,337 --> 00:00:14,339
WHO LOOKS LIKE THE PERSON
WHO ROBBED YOU?
4
00:00:14,339 --> 00:00:18,822
WELL, THE ONE ON THE LEFT
LOOKS FAMILIAR.
5
00:00:18,822 --> 00:00:21,694
AND I SEE HER
EVERY MORNING.
6
00:00:21,694 --> 00:00:24,828
ANYBODY ELSE
YOU RECOGNIZE, MA'AM?
7
00:00:24,828 --> 00:00:26,351
[ EXHALES SHARPLY ]
8
00:00:26,351 --> 00:00:28,962
ARE YOU SURE
THEY CAN'T SEE US?
9
00:00:28,962 --> 00:00:30,529
Geils: NO, MA'AM.
ABSOLUTELY NOT.
10
00:00:30,529 --> 00:00:33,837
Atkins: TRIBECA, GEILS,
MY OFFICE NOW!
11
00:00:33,837 --> 00:00:35,795
COMING, LIEUTENANT.
12
00:00:35,795 --> 00:00:37,710
AND MAKE IT SNAPPY!
13
00:00:37,710 --> 00:00:48,417
[ SCREAMING ]
14
00:00:49,853 --> 00:00:51,028
WHAT'S GOING ON?
15
00:00:51,028 --> 00:00:53,639
GRAB A SEAT. [ SIGHS ]
16
00:00:53,639 --> 00:00:56,077
A VENTRILOQUIST
HAS BEEN MURDERED.
17
00:00:56,077 --> 00:00:57,643
OH, MY GOD.
WHICH ONE?
18
00:00:57,643 --> 00:00:59,210
WHICH ONE?LIKE, HIS NAME?
19
00:00:59,210 --> 00:01:01,647
WHO KNOWS THE NAME
OF ANY VENTRILOQUIST?
20
00:01:01,647 --> 00:01:04,041
[ Chuckling ] RIGHT.
NOT ME. I MEAN...
21
00:01:04,041 --> 00:01:05,782
VICTIM'S NAME
WAS ALAN PARSONS.
22
00:01:05,782 --> 00:01:07,697
ALAN PARSONS?!
WHO?
23
00:01:07,697 --> 00:01:09,394
HE WAS AN ALL-AMERICAN
AT SYRACUSE,
24
00:01:09,394 --> 00:01:12,180
AND HE WON VENTRILOQUIST
OF THE YEAR LAST YEAR.
25
00:01:12,180 --> 00:01:14,530
AND THE YEAR BEFORE.
26
00:01:14,530 --> 00:01:16,880
I THINK.
I MEAN, WHO IS THIS GUY?
27
00:01:16,880 --> 00:01:18,273
WE'LL GET RIGHT ON IT,
LIEUTENANT.
28
00:01:18,273 --> 00:01:22,059
Woman: HE SAW MY FACE!
HE SAW MY FACE!
29
00:01:22,059 --> 00:01:25,106
♪♪
30
00:01:27,847 --> 00:01:31,155
Dr. Scholls:
WE GOT TWO BODIES --
A BIG ONE AND A SMALL ONE.
31
00:01:31,155 --> 00:01:33,462
[ GAGGING ]
32
00:01:33,462 --> 00:01:34,811
LOOK AT HIM.
33
00:01:34,811 --> 00:01:37,118
SO PEACEFUL.
34
00:01:40,338 --> 00:01:41,731
WHOEVER DID THIS
STARTED WITH PARSONS
35
00:01:41,731 --> 00:01:43,385
AND THEN MOVED ON
TO LANCE THE DUMMY.
36
00:01:43,385 --> 00:01:44,516
THEY LANCED THE DUMMY?
37
00:01:44,516 --> 00:01:46,039
NO, NO. LANCE
IS THE DUMMY'S NAME.
38
00:01:46,039 --> 00:01:47,171
THEY JUST KNOCKED HIM
TO THE FLOOR.
39
00:01:47,171 --> 00:01:48,564
PARSONS WAS HAMMERED.
40
00:01:48,564 --> 00:01:50,783
DRUNK ON THE JOB?NO. BLUNT-FORCE TRAUMA.
41
00:01:50,783 --> 00:01:52,394
WE THINK HE WAS GUTTED.
42
00:01:52,394 --> 00:01:54,657
EVISCERATION?
NO, NO.
ABOUT THE PERFORMANCE.
43
00:01:54,657 --> 00:01:56,093
IT WAS
A REAL TOUGH CROWD.
44
00:01:56,093 --> 00:01:57,921
WAS HE CLOSE TO ANYONE?
WAS HE MARRIED?
45
00:01:57,921 --> 00:02:00,619
UH, YES,
MR. PARSONS WAS MARRIED TO A...
46
00:02:00,619 --> 00:02:02,665
[ INHALES SHARPLY ]
47
00:02:04,275 --> 00:02:08,540
HANG ON.
I HAVE IT HERE.
48
00:02:08,540 --> 00:02:10,499
MRS. PARSONS.
HMM.
49
00:02:16,113 --> 00:02:17,680
MM.[ GEARSHIFT CLICKS ]
50
00:02:17,680 --> 00:02:20,161
LOOKS LIKE THE PRESS
IS ALREADY SNIFFING AROUND.
51
00:02:20,161 --> 00:02:21,945
[ ALL SNIFFING ]
52
00:02:21,945 --> 00:02:25,166
WOW, THAT IS A NICE HOUSE
FOR A VENTRILOQUIST.
YEAH.
53
00:02:25,166 --> 00:02:27,951
I ALWAYS PICTURED THEM
HUDDLED AROUND A TRASH-CAN FIRE
54
00:02:27,951 --> 00:02:28,865
WITH FINGERLESS GLOVES.
55
00:02:28,865 --> 00:02:30,301
ARE YOU JOKING?
56
00:02:30,301 --> 00:02:32,825
THESE GUYS TALK
WITHOUT MOVING THEIR MOUTHS.
57
00:02:32,825 --> 00:02:35,785
I MEAN, LOOK AT MY DUMB
OLD MOUTH MOVING AS I'M TALKING.
58
00:02:35,785 --> 00:02:37,961
THESE GUYS HAVE
A GIFT FROM GOD.
59
00:02:37,961 --> 00:02:40,224
WHOA, WHOA, WHOA.
60
00:02:40,224 --> 00:02:43,401
IF THERE'S SOMETHING PERSONAL
GOING ON WITH YOU AND THIS CASE,
61
00:02:43,401 --> 00:02:45,142
YOU NEED TO TELL ME NOW.
62
00:02:45,142 --> 00:02:47,362
THERE'S NOTHING GOING ON.
63
00:02:47,362 --> 00:02:50,495
NO, NOT EVEN WITH A HEAD COCK.
THERE'S NOTHING GOING ON.
64
00:02:50,495 --> 00:02:53,106
GEILS, TRUST ME, OKAY?
65
00:02:53,106 --> 00:02:56,414
YOU NEED TO LET IT GO,
OR IT'LL EAT YOU ALIVE.
66
00:02:56,414 --> 00:02:58,677
WELL, I DON'T WANT
TO TALK ABOUT IT.
67
00:02:58,677 --> 00:03:00,679
BUT I DON'T WANT
TO BE EATEN ALIVE, EITHER.
68
00:03:03,987 --> 00:03:06,163
[ SIGHS ]
69
00:03:06,163 --> 00:03:08,644
ALL RIGHT, BUT IF YOU SHARE THIS
WITH A SOUL,
70
00:03:08,644 --> 00:03:11,386
I'LL TELL EVERY COP IN
THE PRECINCT THAT YOU'RE A GIRL.
71
00:03:11,386 --> 00:03:14,693
YOU HAVE MY WORD.
72
00:03:17,392 --> 00:03:20,656
I WAS 12 YEARS OLD.
73
00:03:20,656 --> 00:03:25,008
BUT ALL I COULD THINK ABOUT
WAS THE TIME I WAS 7 YEARS OLD.
74
00:03:25,008 --> 00:03:26,575
IT WAS MY BIRTHDAY,
75
00:03:26,575 --> 00:03:29,752
AND MY PARENTS GOT ME
A SPECIAL PRESENT.
76
00:03:29,752 --> 00:03:32,624
IT WAS A REAL HUMDINGER.
77
00:03:32,624 --> 00:03:34,800
IT WAS
A VENTRILOQUIST DUMMY,
78
00:03:34,800 --> 00:03:37,977
AND EVERYONE KNEW THAT HUMDINGER
MADE THE BEST ONES.
79
00:03:37,977 --> 00:03:39,588
WELL, WHAT DO YOU WANT
TO DO TODAY?
80
00:03:39,588 --> 00:03:41,851
WELL, WE CAN GO ON
A WATER SLIDE.
81
00:03:41,851 --> 00:03:43,418
I PRACTICED
DAY AND NIGHT.NO, I DON'T WANT
TO GO ON A WATER SLIDE.
82
00:03:43,418 --> 00:03:44,810
YOU'LL GET MESSED UP.
83
00:03:44,810 --> 00:03:48,771
I HAD VENTRILOQUISM POSTERS,
TRADING CARDS.
84
00:03:48,771 --> 00:03:50,990
I KNEW THE STATS
OF ALL THE BEST V-QUISTS.
85
00:03:50,990 --> 00:03:53,471
THAT'S WHAT US INSIDERS
CALLED THEM.
86
00:03:53,471 --> 00:03:56,518
THEN CAME THE NIGHT
OF THE BIG TALENT SHOW.
87
00:03:56,518 --> 00:03:58,215
I WAS
A BUNDLE OF NERVES.
88
00:03:58,215 --> 00:04:00,435
I KNEW THAT THE AUDIENCE
WAS FULL OF SCOUTS,
89
00:04:00,435 --> 00:04:03,873
SO I HAD TO GIVE AN
ABSOLUTELY PERFECT PERFORMANCE.
90
00:04:03,873 --> 00:04:09,487
LADIES AND GENTLEMEN,
OUR VERY OWN JAY GEILS.
91
00:04:09,487 --> 00:04:12,142
[ CHEERS AND APPLAUSE ]
92
00:04:15,972 --> 00:04:18,714
HOW YOU DOING TODAY,
BUDDY?
93
00:04:18,714 --> 00:04:23,196
MY LAWYER SAYS I DON'T HAVE
TO ANSWER THAT QUESTION.
94
00:04:23,196 --> 00:04:24,981
[ AUDIENCE BOOING ]I JUST COULDN'T MASTER
NOT MOVING MY LIPS.
95
00:04:24,981 --> 00:04:27,679
I TOLD MYSELF
IT DOESN'T MATTER,
96
00:04:27,679 --> 00:04:30,160
BUT IT TURNS OUT
THAT'S A BIG PART OF IT.
97
00:04:30,160 --> 00:04:34,077
I NEVER PUT MY HAND
INSIDE OF ANYTHING AGAIN.
98
00:04:34,077 --> 00:04:35,818
MM.
99
00:04:35,818 --> 00:04:37,254
YOU WANT A DOG?
100
00:04:37,254 --> 00:04:38,560
THERE'S A GREAT PLACE
AROUND THE CORNER.
101
00:04:38,560 --> 00:04:40,562
DID YOU LISTEN
TO ANYTHING I SAID?
102
00:04:40,562 --> 00:04:43,434
YOU'RE HUMILIATED,
AND YOUR DREAMS WERE CRUSHED.
103
00:04:43,434 --> 00:04:45,088
IT HAPPENS
TO THE BEST OF US.
104
00:04:45,088 --> 00:04:46,176
YOU GOT TO MOVE ON.
105
00:04:47,308 --> 00:04:49,745
YOU EVER HAVE A DREAM?
106
00:04:49,745 --> 00:04:51,921
♪♪
107
00:04:56,665 --> 00:04:57,492
[ CAT YOWLS ]
108
00:04:58,797 --> 00:05:00,756
NO.
109
00:05:11,114 --> 00:05:13,203
OH, MY GOD.
110
00:05:13,203 --> 00:05:15,031
AGAIN, DOREEN,
I'M SO SORRY,
111
00:05:15,031 --> 00:05:16,598
AND IF THERE'S...THAT'S FISHER PRICE,
112
00:05:16,598 --> 00:05:18,339
THE WORLD'S
MOST FAMOUS VENTRILOQUIST.
113
00:05:18,339 --> 00:05:19,862
HE ONCE DID AN ENTIRE SHOW
114
00:05:19,862 --> 00:05:22,865
WITH A HORNETS' NEST
IN HIS MOUTH.
115
00:05:22,865 --> 00:05:26,216
MR. PRICE, DETECTIVE GEILS.
IT'S A GREAT HONOR.
116
00:05:26,216 --> 00:05:27,826
PLEASURE TO MEET YOU,
DETECTIVE.
117
00:05:27,826 --> 00:05:30,002
[ High-pitched voice ]
THE PLEASURE IS ALL MINE.
118
00:05:32,875 --> 00:05:34,572
CAN I HELP YOU?
119
00:05:34,572 --> 00:05:37,836
HI, MRS. PARSONS.
WE ARE DETECTIVES FROM L.A.P.D.
120
00:05:37,836 --> 00:05:39,229
WE'RE SORRY
TO DISTURB YOU
121
00:05:39,229 --> 00:05:40,970
AT WHAT MUST BE
A VERY DIFFICULT TIME.
122
00:05:40,970 --> 00:05:42,580
THANK YOU.
123
00:05:42,580 --> 00:05:44,190
PLUS,
I DON'T KNOW IF YOU'RE AWARE,
124
00:05:44,190 --> 00:05:45,670
BUT MY HUSBAND JUST DIED.
125
00:05:45,670 --> 00:05:47,106
YES.
YES, WE HEARD.
126
00:05:47,106 --> 00:05:48,804
ALSO, LANCE AND I
WERE VERY CLOSE,
127
00:05:48,804 --> 00:05:51,415
SO I LOST MY HUSBAND
AND I LOST MY BEST FRIEND.
128
00:05:51,415 --> 00:05:52,808
LANCE
WAS YOUR BEST FRIEND?
129
00:05:52,808 --> 00:05:54,810
NO. LANCE WAS
MY HUSBAND'S BEST FRIEND.
130
00:05:54,810 --> 00:05:56,507
MY BEST FRIEND
WAS RITA ZZYZPLX.
131
00:05:56,507 --> 00:05:57,508
HOW DO YOU SPELL THAT?
132
00:05:57,508 --> 00:05:58,553
R-I-T-A.
133
00:05:58,553 --> 00:05:59,728
THANK YOU.
134
00:06:00,903 --> 00:06:02,470
OKAY.
WE'RE DONE HERE.
135
00:06:02,470 --> 00:06:03,862
ACTUALLY,
WE JUST STARTED.
136
00:06:03,862 --> 00:06:05,037
NO, I'M TALKING ABOUT
THE PART WHERE I ASK HER
137
00:06:05,037 --> 00:06:06,430
TO SPELL
HER BEST FRIEND'S NAME.
138
00:06:06,430 --> 00:06:07,475
AH, YEAH, THAT.
WE'RE DONE WITH THAT.
139
00:06:07,475 --> 00:06:08,780
MY MISTAKE.
140
00:06:08,780 --> 00:06:10,042
PLEASE, WON'T YOU COME IN
AND SIT DOWN
141
00:06:10,042 --> 00:06:11,174
ON MY OFF-WHITE
LINEN SECTIONAL?
142
00:06:14,177 --> 00:06:16,701
Tribeca: MRS. PARSONS,
AS I'M SURE YOU'RE AWARE,
143
00:06:16,701 --> 00:06:20,488
82% OF MURDERS ARE COMMITTED
BY SOMEONE CLOSE TO THE VICTIM.
144
00:06:20,488 --> 00:06:22,185
WELL, WOULDN'T THEY HAVE TO
BE CLOSE TO THEM
145
00:06:22,185 --> 00:06:23,142
IN ORDER TO MURDER THEM?
146
00:06:23,142 --> 00:06:25,449
SHE'S GOOD.
MM.
147
00:06:25,449 --> 00:06:26,929
I HATE TO ASK YOU THIS,
148
00:06:26,929 --> 00:06:29,758
BUT WERE THERE ANY OTHER WOMEN
IN THE PICTURE?
149
00:06:29,758 --> 00:06:31,455
OH, JUST THOSE TWO.
150
00:06:31,455 --> 00:06:34,153
BET THAT MADE YOU
PRETTY MAD, HUH?
151
00:06:34,153 --> 00:06:35,459
LOOK, I KNOW WHAT
YOU'RE INSINUATING,
152
00:06:35,459 --> 00:06:36,939
BUT LET ME SET
THE RECORD STRAIGHT.
153
00:06:38,331 --> 00:06:39,855
SORRY. I HAVE O.C.D.
154
00:06:39,855 --> 00:06:41,422
THIS HAS BEEN DRIVING ME CRAZY
THIS WHOLE TIME.
155
00:06:41,422 --> 00:06:43,032
5, 6, 7, 8, 9, 10,
156
00:06:43,032 --> 00:06:46,427
NOSE, NOSE, NOSE,
EARS, EYES, AND GO.
157
00:06:46,427 --> 00:06:48,080
LOOK, I MARRIED
A VENTRILOQUIST.
158
00:06:48,080 --> 00:06:51,301
I WAS VERY AWARE OF
WHAT I WAS GETTING MYSELF INTO.
159
00:06:51,301 --> 00:06:53,129
I KNEW I'D BE DEALING WITH
THE MISTRESSES
160
00:06:53,129 --> 00:06:55,044
AND THE LONG HOURS
AND THE DRUGS.
161
00:06:55,044 --> 00:06:56,872
BUT I LOVED MY HUSBAND.
162
00:06:56,872 --> 00:07:00,179
AND MORE THAN THAT, I LOVED
BEING A VENTRILOQUIST'S WIFE.
163
00:07:00,179 --> 00:07:03,182
THANK YOU FOR YOUR TIME
AND FOR ANSWERING OUR QUESTIONS.
164
00:07:03,182 --> 00:07:05,402
PLEASE LET ME KNOW IF THERE'S
ANYTHING I CAN DO TO HELP.
165
00:07:05,402 --> 00:07:07,839
I JUST REALLY HOPE THAT YOU
CATCH THE ANIMAL THAT DID THIS.
166
00:07:07,839 --> 00:07:09,145
THANK YOU, MA'AM,
167
00:07:09,145 --> 00:07:10,886
BUT WE THINK
IT WAS A HUMAN WHO DID IT.
168
00:07:10,886 --> 00:07:12,670
All: GOOD DAY.
169
00:07:12,670 --> 00:07:13,845
JINX.
170
00:07:13,845 --> 00:07:15,325
NOSE, NOSE, NOSE,
EARS, EYES...
171
00:07:15,325 --> 00:07:16,544
[ SNIFFS, FARTS ]
172
00:07:16,544 --> 00:07:17,458
AND GO.
173
00:07:19,895 --> 00:07:20,896
WHAT -- JUST --
174
00:07:29,992 --> 00:07:32,473
HEY. I HEARD WE CAUGHT A WITNESS
IN THE VENTRILOQUIST MURDER.
175
00:07:32,473 --> 00:07:36,433
YEAH. I'M ABOUT TO GO TAKE
A RUN AT HIM RIGHT NOW.
176
00:07:36,433 --> 00:07:37,869
HEY, YOU WANT
A SNICKERS BAR?
177
00:07:37,869 --> 00:07:39,610
TWO CAME OUT OF THE MACHINE
BY MISTAKE.
178
00:07:39,610 --> 00:07:42,700
WOW. THAT MUST BE
DOUBLY SATISFYING.
IT IS.
179
00:07:42,700 --> 00:07:44,963
SNICKERS REALLY SATISFIES.
180
00:07:44,963 --> 00:07:46,399
SNICKERS REALLY SATISFIES.
181
00:07:46,399 --> 00:07:48,706
DO THEY REALLY SATISFY?THEY REALLY SATISFY.
182
00:07:48,706 --> 00:07:51,013
SNICKERS REALLY SATISFIES.
183
00:07:51,013 --> 00:07:53,494
I'M GONNA GET MY SATISFY ON
WITH A SNICKERS.
184
00:07:53,494 --> 00:07:54,930
GOOD LUCK IN THERE.ALL RIGHT.
185
00:08:01,066 --> 00:08:03,155
YOU THINK
THIS IS A GAME?
186
00:08:03,155 --> 00:08:05,288
[ SCOFFS ]
THIS ISN'T A GAME.
187
00:08:05,288 --> 00:08:08,770
THISIS A GAME.
188
00:08:08,770 --> 00:08:12,600
THIS IS LIFE.
YOU ARE LOOKING AT LIFE.
189
00:08:12,600 --> 00:08:15,777
AND IF YOU DON'T START TALKING,
I PROMISE YOU...
190
00:08:15,777 --> 00:08:18,388
YOU'RE GONNA BE
IN REAL TROUBLE.
191
00:08:20,172 --> 00:08:24,002
CANDY LAND,
CHUTES AND LADDERS, MONOPOLY.
192
00:08:24,002 --> 00:08:25,874
I COULD DO THIS ALL DAY.
193
00:08:25,874 --> 00:08:27,223
BUT I'M GONNA TELL YOU SOMETHING
RIGHT NOW --
194
00:08:27,223 --> 00:08:30,400
IF YOU DON'T GIVE ME
SOMETHING...
195
00:08:30,400 --> 00:08:32,184
YOU'RE GONNA BE SORRY.
196
00:08:32,184 --> 00:08:35,884
AND I'M GONNA SHUT DOWN
THIS WHOLE OPERATION.
197
00:08:37,276 --> 00:08:38,930
AND IF YOU THINK
I'M GONNA BACK DOWN
198
00:08:38,930 --> 00:08:40,366
[LAUGHS]
199
00:08:40,366 --> 00:08:45,502
BROTHER, I AM ONE HUNGRY,
HUNGRY HIPPO.
200
00:08:45,502 --> 00:08:46,634
YOU HEAR ME?
201
00:08:46,634 --> 00:08:48,636
[ CHUCKLES ]
AND YOU --
202
00:08:48,636 --> 00:08:53,162
YOU'RE ABOUT TO GO KERPLUNK.
203
00:08:53,162 --> 00:08:54,467
[ BOX CLATTERS ]
204
00:08:54,467 --> 00:08:56,644
GNIP GNOP!
205
00:08:56,644 --> 00:08:58,646
HE ISN'T TALKING.
206
00:09:06,175 --> 00:09:07,872
ANYTHING NEW IN
THE VENTRILOQUIST CASE?
207
00:09:07,872 --> 00:09:09,395
PARSONS DIED
FROM A GUNSHOT WOUND,
208
00:09:09,395 --> 00:09:10,875
BUT THERE'S NO WEAPON
209
00:09:10,875 --> 00:09:13,617
AND NOT A LOT OF PRINTS
OR DNA TO GO ON.
210
00:09:13,617 --> 00:09:16,054
BUT LOOK WHAT I FOUND
ON LANCE THE DUMMY.
211
00:09:17,969 --> 00:09:20,102
WHAT ARE THOSE SCRATCHES?
DEFENSIVE WOUNDS?
212
00:09:20,102 --> 00:09:21,973
WHOEVER DID THIS
IS LOOKING AT THE BUSINESS END
213
00:09:21,973 --> 00:09:23,845
OF A NASTY SPLINTER.
214
00:09:23,845 --> 00:09:25,803
ALL RIGHT,
I'M GONNA CUT INTO HIM,
215
00:09:25,803 --> 00:09:27,631
SO IF YOU'RE SQUEAMISH,
LOOK AWAY.
216
00:09:27,631 --> 00:09:29,764
IT'S NOT MY FIRST RODEO.
217
00:09:29,764 --> 00:09:31,853
THIS ISN'T A RODEO.
THIS IS AN AUTOPSY.
218
00:09:31,853 --> 00:09:33,724
THERE IS A RODEO IN TOWN,
THOUGH,
219
00:09:33,724 --> 00:09:35,160
IF YOU WANT
TO GO WITH ME LATER.
220
00:09:37,162 --> 00:09:41,079
[ SAW BUZZING ]
221
00:09:49,305 --> 00:09:51,829
ALL RIGHT, LET'S CHECK
THE CONTENTS OF THE STOMACH.
222
00:09:53,744 --> 00:09:55,137
OHH.
223
00:09:55,137 --> 00:09:57,618
LOOKS LIKE SOMEONE
HAD A LAST MEAL.
224
00:09:57,618 --> 00:09:59,010
THUMB DRIVE.
225
00:10:05,930 --> 00:10:07,540
IT'S A MANUSCRIPT.
226
00:10:07,540 --> 00:10:10,065
CAN YOU OPEN IT?NO. IT'S ENCRYPTED.
227
00:10:10,065 --> 00:10:11,196
CHILD'S PLAY.
228
00:10:11,196 --> 00:10:13,851
GEILS, SCHOLLS,
229
00:10:13,851 --> 00:10:16,549
I SPENT 10 YEARS WITH MI-5
AS THEIR TOP CODE-BREAKER
230
00:10:16,549 --> 00:10:18,639
AND THEN TWO YEARS IN
THE KITCHEN AS A DISHWASHER.
231
00:10:18,639 --> 00:10:19,901
WHAT DO WE HAVE HERE?
232
00:10:19,901 --> 00:10:20,902
[ GRUNTS ]
233
00:10:20,902 --> 00:10:22,555
AH.
234
00:10:23,513 --> 00:10:24,993
[ SIGHS ]
235
00:10:24,993 --> 00:10:27,604
[ CASTS THUD ]
236
00:10:27,604 --> 00:10:29,171
AH, YES.
237
00:10:29,171 --> 00:10:32,174
A VERY COMPLICATED
SOUTH KOREAN MILITARY CODE.
238
00:10:32,174 --> 00:10:34,872
THERE ARE OVER
9 BILLION POSSIBLE PERMU--
239
00:10:34,872 --> 00:10:36,657
[ COMPUTER BEEPS ]OH, I'M IN.
240
00:10:36,657 --> 00:10:38,441
OH, GOD.
241
00:10:38,441 --> 00:10:41,749
"A VENTRILOQUIST SPEAKS: THE
BOOK THAT COULD GET ME KILLED,"
242
00:10:41,749 --> 00:10:43,098
BY ALAN PARSONS.
243
00:10:43,098 --> 00:10:46,101
IT'S A 1,200-PAGE
AMATEUR MEMOIR.
244
00:10:46,101 --> 00:10:47,755
SOMEONE'S GONNA
HAVE TO COMB OVER
245
00:10:47,755 --> 00:10:50,235
EVERY OVER-DRAMATIC MEMORY,
EVERY CLUMSY METAPHOR,
246
00:10:50,235 --> 00:10:51,672
TRYING TO FIND
SOME SORT OF CLUE
247
00:10:51,672 --> 00:10:54,544
AS TO WHY
THIS MAN WAS KILLED.
248
00:11:00,898 --> 00:11:02,595
I'M GONNA MISS THE RODEO.
249
00:11:04,989 --> 00:11:07,557
HEY, TANNER, ANY RED FLAGS
IN PARSONS' FINANCES?
250
00:11:07,557 --> 00:11:09,864
WE'RE LOOKING FOR A REASON
SOMEONE WOULD WANT HIM DEAD.
251
00:11:09,864 --> 00:11:11,213
NOT MUCH.
252
00:11:11,213 --> 00:11:13,824
I MEAN, WE CAN
GIVE YOU WHAT WE GOT.
253
00:11:13,824 --> 00:11:16,435
OKAY. NO, DON'T PRINT.
JUST ATTACH THE PDF.
254
00:11:16,435 --> 00:11:18,133
[ DOG GROANS ]NO. DON'T DO THAT.
255
00:11:18,133 --> 00:11:19,874
NO, NO, NO.
DON'T CANCEL IT NOW.
256
00:11:19,874 --> 00:11:21,963
IT'S GOING DOWN TO
THE DOWNSTAIRS PRINTER.
257
00:11:21,963 --> 00:11:23,051
[ TELEPHONE RINGS ]JAY GEILS HERE.
258
00:11:23,051 --> 00:11:24,574
DR. SCHOLLS:
It's Monica Scholls.
259
00:11:24,574 --> 00:11:27,577
I just found something
interesting in the book.
260
00:11:27,577 --> 00:11:29,013
THANK GOD.
WHERE ARE YOU?
261
00:11:29,013 --> 00:11:31,059
Where I always read --
in a bubble bath.
262
00:11:31,059 --> 00:11:33,191
[ DOG GROWLS ]
263
00:11:37,456 --> 00:11:39,328
LIEUTENANT,
WHAT ARE YOU DOING HERE?
264
00:11:39,328 --> 00:11:41,460
THIS IS THE ONLY PLACE
I GET CELL SERVICE.
265
00:11:41,460 --> 00:11:42,940
THAT'S A STAPLER.
266
00:11:42,940 --> 00:11:44,942
HOLLY,
WHERE IS MY CELLPHONE?!
267
00:11:44,942 --> 00:11:47,902
I'LL JUST TEXT HER.
268
00:11:47,902 --> 00:11:50,731
THAT'S A CALCULATOR.DAMN IT!
269
00:11:50,731 --> 00:11:52,471
WHAT'S IN THE BOOK?
270
00:11:52,471 --> 00:11:54,996
PARSONS REVEALS ALL THE SECRETS
BEHIND VENTRILOQUISM.
271
00:11:54,996 --> 00:11:56,606
[ SCOFFS ]
THAT KNOWLEDGE IS SACRED.
272
00:11:56,606 --> 00:11:59,304
ISN'T IT JUST NOT MOVING --ZIP IT, TANNER.
273
00:11:59,304 --> 00:12:00,958
WHOEVER DID THIS
ALREADY KILLED ONEMAN.
274
00:12:00,958 --> 00:12:02,699
THERE'S A WHOLE CHAPTER
IN HERE
275
00:12:02,699 --> 00:12:05,006
ON HOW HIS MENTOR PASSED DOWN
ALL HIS SECRETS TO HIM.
276
00:12:05,006 --> 00:12:06,964
WHO'S HIS MENTOR?UH...
277
00:12:06,964 --> 00:12:08,444
DAMN.
THERE'S SOME WATER ON THE PAGE.
278
00:12:08,444 --> 00:12:09,750
I CAN'T QUITE MAKE IT OUT.
279
00:12:09,750 --> 00:12:11,403
LET ME HELP YOU.[ MEN MURMURING ]
280
00:12:11,403 --> 00:12:13,754
I THINK THAT'S A --
I THINK THAT'S A "G."
281
00:12:13,754 --> 00:12:15,538
NO. THAT'S A "J."YOU SURE?
282
00:12:15,538 --> 00:12:17,496
OR A 5.THE BUBBLES ARE --
283
00:12:17,496 --> 00:12:19,194
THERE'S SO MANY
THAT YOU CAN'T SEE ANY--IT'S AN "F."
284
00:12:19,194 --> 00:12:22,675
FISHER PRICE.
MY HERO.
285
00:12:22,675 --> 00:12:27,202
WELL, IT LOOKS LIKE YOUR HERO
JUST BECAME OUR PRIME SUSPECT.
286
00:12:28,681 --> 00:12:30,596
AW.
WHAT?
287
00:12:30,596 --> 00:12:31,859
REALLY?THAT'S DISAPPOINTING.
288
00:12:38,735 --> 00:12:41,433
WOW.
LOOK AT THIS PLACE.
289
00:12:41,433 --> 00:12:44,349
Man: CAN I HELP YOU?Tribeca: WE HAVE AN APPOINTMENT
WITH MR. PRICE.
290
00:12:46,874 --> 00:12:49,615
[ FEMALE DUMMIES GIGGLING ]
291
00:12:54,751 --> 00:12:56,535
Hey, hey.
Psst.
292
00:12:56,535 --> 00:12:57,710
What?
293
00:12:58,668 --> 00:13:00,409
LOOK AT THE RACK
ON THAT ONE!
294
00:13:00,409 --> 00:13:02,715
WALTER, NO, NO.[ LAUGHS ]
295
00:13:02,715 --> 00:13:04,282
SORRY.
HE'S DRUNK.
296
00:13:04,282 --> 00:13:05,849
WON'T YOU
SIT DOWN?
297
00:13:07,459 --> 00:13:09,418
Tribeca: LADIES.
298
00:13:09,418 --> 00:13:11,115
[ GIGGLING CONTINUES ]
299
00:13:14,205 --> 00:13:16,642
I HOPE THERE'S BEEN A BREAK
IN THE PARSONS CASE.
300
00:13:16,642 --> 00:13:18,209
SUCH A TRAGEDY.
301
00:13:18,209 --> 00:13:19,732
ACTUALLY, WE HAVE HAD
A LITTLE BREAKTHROUGH.
302
00:13:19,732 --> 00:13:21,734
IT TURNS OUT THAT PARSONS
WAS WRITING A BOOK
303
00:13:21,734 --> 00:13:24,737
EXPOSING ALL THE SECRETS
OF VENTRILOQUISM...MM.
304
00:13:24,737 --> 00:13:26,696
...SPECIFICALLY,
YOUR SECRETS.[ GAGS ]
305
00:13:27,610 --> 00:13:28,785
DID WE CATCH YOU
OFF-GUARD?
306
00:13:28,785 --> 00:13:29,873
NOT AT ALL.
307
00:13:29,873 --> 00:13:31,832
I WAS AWARE OF THE BOOK.
308
00:13:31,832 --> 00:13:32,876
DID IT BOTHER YOU?
309
00:13:32,876 --> 00:13:34,269
OF COURSE NOT.
310
00:13:34,269 --> 00:13:35,748
KNOWING HOW TO MAKE SAUSAGE
311
00:13:35,748 --> 00:13:37,881
DOESN'T MAKE YOU
A MASTER SAUSAGE MAN.
312
00:13:37,881 --> 00:13:40,666
BESIDES,
NO ONE CAN DO WHAT I DO.
313
00:13:40,666 --> 00:13:42,233
OR SHOULD I SAY...
314
00:13:42,233 --> 00:13:44,148
WHAT WE DO.
315
00:13:44,148 --> 00:13:45,584
♪ LA LA LA ♪
316
00:13:45,584 --> 00:13:47,021
♪ LA LA LA ♪
317
00:13:47,021 --> 00:13:48,109
♪ LA LA ♪
318
00:13:48,109 --> 00:13:51,808
Both:
♪ LA-A-A-A ♪
319
00:13:51,808 --> 00:13:55,203
HEY.
YOU'RE A CHICK?
I HAD NO IDEA.
320
00:13:55,203 --> 00:13:56,987
[ LAUGHS ]
'CAUSE YOU THINK IT'S COMING --HEY!
321
00:13:56,987 --> 00:13:58,467
WHERE DO YOU GET YOUR HAIR CUT,
A SALON SCHOOL?
322
00:13:58,467 --> 00:14:00,512
OH, YOU DON'T WANT TO PLAY
WITH ME, OLD MAN.
323
00:14:00,512 --> 00:14:03,167
[ GURGLING ]HEY, AREN'T YOU THAT LITTLE BOY
IN "INDIANA JONES"?
324
00:14:03,167 --> 00:14:05,735
LOOK, MR. PRICE, YOU'VE
ALWAYS BEEN A HERO OF MINE,
325
00:14:05,735 --> 00:14:07,519
BUT IF THERE'S ANYTHING
YOU WANT TO TELL US,
326
00:14:07,519 --> 00:14:08,825
NOW'S THE TIME
TO COME CLEAN.
327
00:14:08,825 --> 00:14:10,871
I HAVE NOTHING TO HIDE,
DETECTIVE.
328
00:14:10,871 --> 00:14:13,003
YES, I WAS CONCERNED
ABOUT THE BOOK,
329
00:14:13,003 --> 00:14:14,787
BUT I'M NOT A MURDERER.
330
00:14:14,787 --> 00:14:17,312
I NOTICE THERE'S
A BAND-AID ON YOUR FINGER.
331
00:14:17,312 --> 00:14:20,184
WOULD THAT BE COVERING
A SPLINTER?
332
00:14:20,184 --> 00:14:21,577
IT'S NOT UNUSUAL
333
00:14:21,577 --> 00:14:23,274
FOR A VENTRILOQUIST
TO GET A SPLINTER.
334
00:14:23,274 --> 00:14:24,928
THE DUMMIES
ARE MADE OF WOOD.
335
00:14:24,928 --> 00:14:26,756
WOULD YOU MIND IF I TOOK A LOOK
AT YOUR SPLINTER?
336
00:14:26,756 --> 00:14:28,410
I'D BE HAPPY
TO SHOW YOU MY SPLINTER
337
00:14:28,410 --> 00:14:30,455
IF YOU'D BE HAPPY
TO SHOW ME A WARRANT.
338
00:14:30,455 --> 00:14:33,328
ANY WARRANT OR ONE
THAT'S SPECIFIC TO THIS CASE?
339
00:14:34,764 --> 00:14:36,331
THAT'S WHAT I THOUGHT.
340
00:14:36,331 --> 00:14:38,594
IF YOU'LL EXCUSE US...WE HAVE TO GO PACK.
341
00:14:38,594 --> 00:14:40,683
AFTER TONIGHT'S
SOLD-OUT SHOW...
342
00:14:40,683 --> 00:14:42,903
WE'RE LEAVING
ON A 50-COUNTRY TOUR.
343
00:14:42,903 --> 00:14:45,253
AND ALL OF THEM
ARE OUTSIDE OF AMERICA.
344
00:14:45,253 --> 00:14:47,342
WE'RE GONNA TAKE YOU DOWN,
PRICE,
345
00:14:47,342 --> 00:14:48,865
AND YOUR LITTLE DUMMY,
TOO.
346
00:14:48,865 --> 00:14:50,606
I'D LIKE
TO SEE YOU TRY.
347
00:14:50,606 --> 00:14:52,173
OH, YOU WANT TO GO?
348
00:14:52,173 --> 00:14:53,609
YOU WANT A PIECE OF THIS?[ INDISTINCT SHOUTING ]
349
00:14:53,609 --> 00:14:55,611
I WILL TAKE YOU,
YOU LITTLE...NO! NO!
350
00:14:55,611 --> 00:14:57,178
...BITCH!THAT WAS A GREAT BACK-AND-FORTH,
REALLY CONVINCING.
351
00:14:57,178 --> 00:14:58,396
LITTLE BITCH!
352
00:14:58,396 --> 00:14:59,528
HOW DO YOU MAKE
THE "P" SOUND?
353
00:14:59,528 --> 00:15:00,790
THE "P" STOP.
THE "P" STOP.
354
00:15:00,790 --> 00:15:02,574
[ INDISTINCT SHOUTING ]
355
00:15:02,574 --> 00:15:04,402
[ SPEAKING INDISTINCTLY ]
356
00:15:04,402 --> 00:15:05,534
A SPLINTER?
357
00:15:05,534 --> 00:15:07,275
A SPLINTER?!
358
00:15:07,275 --> 00:15:08,537
IT'S TOO THIN!
359
00:15:08,537 --> 00:15:10,234
WE KNOW HE DID IT.
360
00:15:10,234 --> 00:15:12,280
THE BOOK WOULD HAVE RUINED HIM,
SO HE ICED PARSONS.
361
00:15:12,280 --> 00:15:13,759
ICED PARSONS?
362
00:15:13,759 --> 00:15:15,587
I COULD GO
FOR AN ICED PARSONS.
363
00:15:15,587 --> 00:15:17,676
HOLLY,
BRING ME AN ICED PARSONS!
364
00:15:17,676 --> 00:15:19,330
LET'S HAUL PRICE IN HERE,
365
00:15:19,330 --> 00:15:20,810
GET THAT SPLINTER OUT,
MATCH IT TO THE DEAD DUMMY,
366
00:15:20,810 --> 00:15:22,333
AND PUT HIM AWAY.
367
00:15:22,333 --> 00:15:24,640
WE'VE GOT TO GET TICKETS
TO THAT SHOW TONIGHT.
368
00:15:24,640 --> 00:15:26,859
GET TICKETS TO THE FISHER PRICE
SHOW THE NIGHT OF?
369
00:15:26,859 --> 00:15:29,036
OKAY,
THAT SHOULD BE EASY.
370
00:15:29,036 --> 00:15:30,820
UH, HELLO,
TICKET PEOPLE?
371
00:15:30,820 --> 00:15:32,300
COULD I GET TWO TICKETS
TO THE SHOW
372
00:15:32,300 --> 00:15:33,954
THAT'S BEEN SOLD-OUT
FOR FOUR YEARS?
373
00:15:33,954 --> 00:15:35,172
LET ME CHECK THAT
FOR YOU, SIR.
374
00:15:35,172 --> 00:15:37,131
NO. I'M SORRY, SIR.
375
00:15:37,131 --> 00:15:39,481
THAT SHOW
IS COMPLETELY SOLD OUT.WELL, THANK YOU FOR CHECKING.
376
00:15:39,481 --> 00:15:40,786
IS THERE ANYTHING ELSE
YOU WANT ME TO LOOK UP?
377
00:15:40,786 --> 00:15:43,050
NO, THAT'S IT.
[ LAUGHS ]
378
00:15:43,050 --> 00:15:45,617
Have a great weekend.YOU TOO.
379
00:15:45,617 --> 00:15:47,706
I TOLD YOU.
IT'S IMPOSSIBLE.
380
00:15:47,706 --> 00:15:51,014
GEILS,
YOU'RE A VENTRILOQUIST.THAT WAS PRIVATE.
381
00:15:51,014 --> 00:15:53,582
WE'LL SNEAK IN BACKSTAGE,
AND WE'LL PRETEND
WE'RE THE OPENING ACT.
382
00:15:53,582 --> 00:15:56,498
WAS. I WASA VENTRILOQUIST.
THERE'S A BIG DIFFERENCE.
383
00:15:56,498 --> 00:15:58,108
WHAT?
YOU'RE A VENTRILOQUIST?
384
00:15:58,108 --> 00:16:00,371
WELL, SHE'S A GIRL!OH, YOU ARE A DEAD MAN!
385
00:16:00,371 --> 00:16:01,720
YOU ARE!
YOU PEE SITTING DOWN!HEY! HEY!
386
00:16:01,720 --> 00:16:03,809
YOU WANT TO GO?HEY!
387
00:16:03,809 --> 00:16:05,550
I WILL TAKE YOU DOWN
RIGHT NOW!
YOU'RE A GIRL,
BUT THAT'S MY SECRET.
388
00:16:05,550 --> 00:16:07,726
KNOCK IT OFF, YOU TWO!
HEY! STOP!
389
00:16:07,726 --> 00:16:09,163
I SWEAR TO GOD!
390
00:16:09,163 --> 00:16:11,208
S-- QUIET!
391
00:16:11,208 --> 00:16:14,516
STOP TALKING NOW!
392
00:16:16,083 --> 00:16:19,216
ZIP IT! QUIET!
393
00:16:21,305 --> 00:16:22,437
NO MORE FIGHTING!
394
00:16:23,133 --> 00:16:25,527
IF THERE IS A WAY
TO TIE PRICE TO THIS MURDER,
395
00:16:25,527 --> 00:16:26,745
I WANT IT TO HAPPEN.
396
00:16:26,745 --> 00:16:28,443
AND I ALWAYS GET WHAT I WANT.
397
00:16:28,443 --> 00:16:30,445
WE DIDN'T HAVE
AN ICED PARSONS.
398
00:16:30,445 --> 00:16:32,751
WOULD YOU SETTLE FOR
A LUKEWARM GLASS OF WATER?
399
00:16:34,536 --> 00:16:35,754
SO EXASPERATED!
400
00:16:41,195 --> 00:16:42,761
Geils: IT'S CLOSED.
LET'S GO.
401
00:16:42,761 --> 00:16:44,763
CAN I HELP YOU?
402
00:16:44,763 --> 00:16:46,504
WE'RE THE OPENING ACT.
403
00:16:46,504 --> 00:16:48,115
[ Laughing ]
YEAH, RIGHT.
404
00:16:48,115 --> 00:16:49,290
WE ARE.
405
00:16:49,290 --> 00:16:51,683
OH. SORRY ABOUT
THE INQUISITION.
406
00:16:51,683 --> 00:16:53,859
WE GET A LOT OF CRAZIES.
407
00:16:53,859 --> 00:16:54,860
[ Chanting ] Fisher Price.
408
00:16:54,860 --> 00:16:57,472
Fisher Price.
409
00:16:57,472 --> 00:16:59,822
Fisher Price.
410
00:16:59,822 --> 00:17:02,259
Fisher Price.
411
00:17:02,259 --> 00:17:04,261
Fisher Price.
412
00:17:04,261 --> 00:17:06,220
Fisher Price.
413
00:17:06,220 --> 00:17:07,351
Fisher Price.HEY, GUYS, LET'S GO.
414
00:17:07,351 --> 00:17:08,439
YOU'RE THE OPENING ACT,
RIGHT?
415
00:17:08,439 --> 00:17:09,484
NO.
YES.
416
00:17:09,484 --> 00:17:11,181
YOU'RE ON IN 30 SECONDS.
417
00:17:11,181 --> 00:17:13,531
[ CROWD CHANTING
"FISHER PRICE" ]
418
00:17:20,234 --> 00:17:21,757
DUDE, YOU GOT THIS.
419
00:17:21,757 --> 00:17:23,411
DUDE, I DO NOT HAVE THIS.DUDE.
420
00:17:23,411 --> 00:17:24,890
DUDE.
DUDE.
421
00:17:24,890 --> 00:17:27,371
NO.
DUDE,
I KNOW YOU CAN DO THIS.
422
00:17:27,371 --> 00:17:28,894
HOW?
BECAUSE YOU'VE
ALREADY DONE IT.
423
00:17:28,894 --> 00:17:30,418
I WAS HUMILIATED.
424
00:17:30,418 --> 00:17:33,029
BUT YOU HAD THE GUTS
TO PUT YOURSELF OUT THERE...
425
00:17:33,029 --> 00:17:36,250
WHICH IS MORE THAN I CAN SAY
FOR SOMEONE ELSE I KNOW.
426
00:17:36,250 --> 00:17:38,339
[ CROWD CHANTING "ANGIE" ]Woman: ANGIE,
YOU'RE ON RIGHT NOW.
427
00:17:38,339 --> 00:17:39,818
UH, I HAVE TO GO.
428
00:17:39,818 --> 00:17:41,429
I LEFT THE STOVE ON
IN THE DOLLHOUSE.
429
00:17:43,909 --> 00:17:44,997
YOU.
430
00:17:44,997 --> 00:17:46,521
I DIDN'T MAKE IT BACK IN TIME,
431
00:17:46,521 --> 00:17:48,305
AND MY DOLLHOUSE BURNT
TO THE GROUND.
432
00:17:48,305 --> 00:17:51,395
THE POINT IS, I DIDN'T PUT
MYSELF OUT THERE, BUT YOU DID.
433
00:17:51,395 --> 00:17:52,875
THAT'S ALL
THAT REALLY MATTERS.
434
00:17:52,875 --> 00:17:54,833
Stage Manager:
OPENING ACT, PLACES.
435
00:17:54,833 --> 00:17:56,618
SO BOSSY.
HEY.
436
00:18:00,012 --> 00:18:02,537
[ CHUCKLES ]
437
00:18:02,537 --> 00:18:04,582
[ CHANTING CONTINUES ]
438
00:18:04,582 --> 00:18:06,889
[ APPLAUSE ]
439
00:18:21,033 --> 00:18:23,775
Geils,
I believe in you.
440
00:18:23,775 --> 00:18:25,473
I can't.
You can do it.
441
00:18:25,473 --> 00:18:27,475
I can't.
You can do it.
442
00:18:27,475 --> 00:18:30,695
Now, just stick your hand
up my back and make me talk.
443
00:18:30,695 --> 00:18:33,133
Not --
not there.
444
00:18:33,133 --> 00:18:34,960
No, no, no.
Uh, no. Oh. Oh.
445
00:18:34,960 --> 00:18:35,961
[ CLEARS THROAT ]
446
00:18:35,961 --> 00:18:37,963
Okay.
447
00:18:37,963 --> 00:18:40,488
SO, ANGIE,
HOW YOU DOING TONIGHT?
448
00:18:43,578 --> 00:18:44,927
PRETTY GOOD.
449
00:18:44,927 --> 00:18:47,103
[ CHEERS AND APPLAUSE ]
450
00:18:55,633 --> 00:18:58,288
[ AUDIENCE GASPS ]
451
00:19:01,857 --> 00:19:03,380
ANGIE, TALK TO ME.
452
00:19:03,380 --> 00:19:05,034
I'M OKAY.
453
00:19:05,034 --> 00:19:07,645
I'M WEARING
A BULLETPROOF BUSTIER.
454
00:19:07,645 --> 00:19:08,777
[ Breathing heavily ]
YOU SHOULD GO GET PRICE.
455
00:19:08,777 --> 00:19:10,126
NO WAY.
456
00:19:10,126 --> 00:19:11,954
A V-QUIST
NEVER LEAVES HIS DUMMY.
457
00:19:11,954 --> 00:19:15,436
HEY. I'M NO DUMMY.
I'M YOUR PARTNER.
458
00:19:15,436 --> 00:19:17,394
NOW GO GET HIM.
[ SIGHS ]
459
00:19:17,394 --> 00:19:19,353
ALL RIGHT, PRICE,
DROP THE GUN.
460
00:19:19,353 --> 00:19:21,181
OR HAVE WALTER
DROP THE GUN.
461
00:19:21,181 --> 00:19:23,270
OR YOU DROP WALTER, AND THEN
WALTER CAN DROP THE GUN.
462
00:19:23,270 --> 00:19:26,011
IN ANY OF THESE SCENARIOS,
I WANT THE GUN OUT OF THERE.
463
00:19:26,011 --> 00:19:28,231
[ AUDIENCE MURMURS ]
464
00:19:29,145 --> 00:19:31,191
PUT THE GUN DOWN, PRICE.
I'M WARNING YOU.
465
00:19:31,191 --> 00:19:33,367
YOU DON'T HAVE THE GUTS,
DETECTIVE.
466
00:19:33,367 --> 00:19:35,195
I SAW
YOUR PATHETIC SHOW.
467
00:19:35,195 --> 00:19:37,719
YOU'LL NEVER WORK
AS A VENTRILOQUIST.
468
00:19:37,719 --> 00:19:41,331
MAYBE NOT,
BUT NEITHER WILL YOU...
469
00:19:41,331 --> 00:19:43,942
'CAUSE YOU FORGOT
THE MOST IMPORTANT RULE.
470
00:19:48,251 --> 00:19:50,601
KEEP YOUR MOUTH SHUT.
471
00:19:52,647 --> 00:19:55,040
CUFF HIM, BOYS.[ AUDIENCE MURMURING ]
472
00:19:55,040 --> 00:19:58,522
[ HANDCUFFS CLICKING ]
473
00:19:58,522 --> 00:20:02,047
LADIES AND GENTLEMEN,
DETECTIVE JAY GEILS!
474
00:20:02,047 --> 00:20:03,875
[ CHEERS AND APPLAUSE ]
475
00:20:18,890 --> 00:20:21,632
JUST FINISHED
THE PRICE REPORT.
476
00:20:21,632 --> 00:20:23,504
WANT TO GET A BEER?
477
00:20:23,504 --> 00:20:24,766
YEAH, SURE.
478
00:20:26,681 --> 00:20:29,118
HEY, WHAT WAS YOUR DREAM,
ANYWAY?
479
00:20:29,118 --> 00:20:30,293
OH, IT WAS STUPID.
480
00:20:36,995 --> 00:20:39,650
I WONDER
IF I'LL EVER SEE HER AGAIN.
481
00:20:39,650 --> 00:20:41,261
READY?
482
00:20:41,261 --> 00:20:44,655
♪♪
34198
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