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1
00:00:01,587 --> 00:00:04,808
♪♪
2
00:00:04,808 --> 00:00:06,592
[ ALARM BUZZES ]
3
00:00:11,597 --> 00:00:14,296
[ GRUNTING ]
4
00:00:14,296 --> 00:00:17,429
♪♪
5
00:00:22,086 --> 00:00:23,740
[ GRUNTING ]
6
00:00:32,227 --> 00:00:35,404
[ GRUNTING ]
7
00:00:35,404 --> 00:00:38,450
♪♪
8
00:01:02,953 --> 00:01:04,563
MORNING, ANGIE!
HI, ANGIE.
9
00:01:04,563 --> 00:01:06,348
NICE TO SEE YOU AGAIN.HAVE A NICE DAY.
10
00:01:06,348 --> 00:01:08,872
LOOKING GOOD, ANGIE!
11
00:01:08,872 --> 00:01:11,048
YOU GO GET 'EM, ANGIE TRIBECA.
12
00:01:11,048 --> 00:01:13,050
[ SIREN WAILS ]
13
00:01:13,050 --> 00:01:15,052
[ POLICE RADIO CHATTER ]
14
00:01:15,052 --> 00:01:17,098
♪♪
15
00:01:23,756 --> 00:01:25,976
WHAT DO WE GOT?OH, IT'S A NASTY ONE.
16
00:01:25,976 --> 00:01:28,718
OLD LADY, APPEARS TO BE
IN HER LATE 90s, EARLY 100s.
17
00:01:28,718 --> 00:01:30,763
FOUND HER LYING HERE
NEXT TO THIS BAG OF GROCERIES.
18
00:01:30,763 --> 00:01:32,461
WHAT HAPPENED?
19
00:01:32,461 --> 00:01:33,897
WELL, SHE WAS EITHER
SHOT TO DEATH
20
00:01:33,897 --> 00:01:35,464
OR SMOTHERED
WITH A PILLOW.
21
00:01:35,464 --> 00:01:37,118
I WON'T KNOW FOR SURE
TILL I TAKE HER BACK TO THE LAB
22
00:01:37,118 --> 00:01:38,249
AND CUT HER OPEN.
23
00:01:38,249 --> 00:01:41,034
HELLO.
24
00:01:41,034 --> 00:01:43,646
COULD SOMEONE
PLEASE HELP ME UP?
25
00:01:43,646 --> 00:01:46,257
[ GAGS ]
26
00:01:46,257 --> 00:01:47,693
IS THAT MAN ALL RIGHT?
27
00:01:47,693 --> 00:01:50,479
GET IT OUT, ROOKIE.
YOU'LL GET USED TO IT...
28
00:01:50,479 --> 00:01:52,394
UNFORTUNATELY.
29
00:01:52,394 --> 00:02:02,578
[ OFFICER DAVE SCREAMING ]
30
00:02:02,578 --> 00:02:05,537
♪♪
31
00:02:10,629 --> 00:02:11,717
TANNER, HOFFMAN.
32
00:02:11,717 --> 00:02:13,154
TRIBECA.
33
00:02:13,154 --> 00:02:14,503
LIEUTENANT
WANTS TO SEE YOU.
34
00:02:14,503 --> 00:02:16,069
WHAT'S THIS ABOUT?
35
00:02:16,069 --> 00:02:18,333
I DON'T KNOW,
BUT HE DOESN'T LOOK HAPPY.
36
00:02:18,333 --> 00:02:19,812
HE NEVER LOOKS HAPPY.
37
00:02:19,812 --> 00:02:20,944
YOU'VE GOT THAT RIGHT.
38
00:02:20,944 --> 00:02:25,209
[ BOTH LAUGH ]
39
00:02:25,209 --> 00:02:27,994
YOU WANTED TO SEE ME,
LIEUTENANT?
40
00:02:27,994 --> 00:02:29,822
TRIBECA, I'D LIKE YOU TO MEET
YOUR NEW PARTNER.
41
00:02:29,822 --> 00:02:31,824
THIS IS JAY GEILS.
42
00:02:31,824 --> 00:02:33,391
[ CHUCKLES ]
43
00:02:33,391 --> 00:02:35,828
WITH ALL DUE RESPECT, SIR,
THIS IS STUPID.
44
00:02:35,828 --> 00:02:37,787
I DON'T WANT A PARTNER.
I DON'T NEED A PARTNER.
45
00:02:37,787 --> 00:02:39,180
ALL DUE RESPECT,
TRIBECA,
46
00:02:39,180 --> 00:02:40,572
BUT YOU'VE GOT
YOUR HEAD UP YOUR ASS.
47
00:02:40,572 --> 00:02:41,747
YOU'RE GETTING A PARTNER.
48
00:02:41,747 --> 00:02:43,053
ALL DUE RESPECT,
LIEUTENANT,
49
00:02:43,053 --> 00:02:44,750
BUT I FEEL VERY DISRESPECTED
RIGHT NOW.
50
00:02:44,750 --> 00:02:47,840
ALL DUE RESPECT, DETECTIVE,
BUT I'M IN CHARGE HERE!
51
00:02:47,840 --> 00:02:49,929
ALL DUE RESPECT, NO ONE CARES
ABOUT YOUR FEELINGS.
52
00:02:49,929 --> 00:02:52,105
ALL DUE RESPECT, YOU MAKE
A HORRIBLE FIRST IMPRESSION.
53
00:02:52,105 --> 00:02:54,630
ALL DUE RESPECT, I WILL NEVER
HEAR WHAT YOU HAVE TO SAY
54
00:02:54,630 --> 00:02:56,458
'CAUSE IT'S DUMB.HEY, HEY, HEY!
55
00:02:56,458 --> 00:02:58,503
YOU TWO ARE PARTNERS,
SO YOU BETTER GET USED TO IT!
56
00:02:58,503 --> 00:02:59,896
TRIBECA, GEILS.
57
00:02:59,896 --> 00:03:01,158
GEILS, TRIBECA.
58
00:03:01,158 --> 00:03:03,204
PLEASURE TO MEET YOU.YEAH, RIGHT.
59
00:03:03,204 --> 00:03:05,815
LIEUTENANT, YOU KNOW
THAT PARTNERS NEVER WORK FOR ME.
60
00:03:05,815 --> 00:03:08,687
WELL, MAYBE PARTNER 237
IS THE CHARM.
61
00:03:08,687 --> 00:03:10,950
I'VE GOT A CASE FOR YOU TWO.
THE MAYOR'S BEING BLACKMAILED.
62
00:03:10,950 --> 00:03:12,474
GET DOWN TO CITY HALL.
63
00:03:12,474 --> 00:03:14,084
HE'S EXPECTING YOU
YESTERDAY!
64
00:03:14,084 --> 00:03:15,564
GO!
65
00:03:15,564 --> 00:03:17,218
COULD I CARRY A FOLDER,
TOO?
66
00:03:18,306 --> 00:03:19,785
THANKS.
67
00:03:19,785 --> 00:03:21,570
I'M TOUGH,
BUT I'M FAIR.
68
00:03:22,745 --> 00:03:24,616
Tribeca: THERE'S SOMETHING
YOU SHOULD KNOW ABOUT ME.
69
00:03:24,616 --> 00:03:26,401
I DON'T LIKE PARTNERS,
70
00:03:26,401 --> 00:03:28,272
AND I ESPECIALLY
DON'T LIKE PARTNERS
71
00:03:28,272 --> 00:03:30,187
WHO TRY TO GET PERSONAL,
OKAY?
72
00:03:30,187 --> 00:03:33,582
SO I DON'T WANT TO HEAR ABOUT
YOUR SAD, MESSED-UP CHILDHOOD,
73
00:03:33,582 --> 00:03:35,888
I DON'T CARE ABOUT
YOUR HISTORY OF DEPRESSION,
74
00:03:35,888 --> 00:03:37,194
AND I DEFINITELY
DON'T WANT TO KNOW
75
00:03:37,194 --> 00:03:38,587
ANY OF YOUR PETS' NAMES,
GOT IT?
76
00:03:38,587 --> 00:03:40,066
GOT IT.
77
00:03:40,066 --> 00:03:42,286
...BUT I WAS VOMITING,
AND I HAD DIARRHEA.
78
00:03:42,286 --> 00:03:44,201
AS IF THAT
WEREN'T BAD ENOUGH,
79
00:03:44,201 --> 00:03:45,811
THEY FORGOT TO TELL ME
80
00:03:45,811 --> 00:03:47,813
THAT THE ANTIBIOTICS
GIVES YOU A YEAST INFECTION.
81
00:03:47,813 --> 00:03:49,424
THAT WAS PLEASANT.
82
00:03:49,424 --> 00:03:51,774
FOR THE RECORD, I JUST ASKED YOU
TO ROLL THE WINDOW DOWN.
83
00:03:51,774 --> 00:03:55,125
♪♪
84
00:03:59,999 --> 00:04:01,436
WE'RE HERE
TO SEE THE MAYOR.
85
00:04:01,436 --> 00:04:03,655
WHAT WAS THE NAME OF
YOUR CHILDHOOD PET?
86
00:04:03,655 --> 00:04:04,656
MR. CAT.
87
00:04:04,656 --> 00:04:05,701
ELEANOR ROOSEVELT.
88
00:04:05,701 --> 00:04:06,876
BOXERS OR BRIEFS?
89
00:04:06,876 --> 00:04:08,791
BOXER BRIEFS.
90
00:04:08,791 --> 00:04:11,054
THE MAYOR
WILL SEE YOU NOW.
91
00:04:14,231 --> 00:04:15,493
SOMEONE HAS PHOTOS.
92
00:04:15,493 --> 00:04:16,755
WHAT KIND OF PHOTOS?
93
00:04:16,755 --> 00:04:18,366
COMPROMISING PHOTOS.
94
00:04:18,366 --> 00:04:19,584
DID YOU HUMP A DOLPHIN?
95
00:04:19,584 --> 00:04:20,629
NO.
96
00:04:20,629 --> 00:04:22,370
NO.
97
00:04:22,370 --> 00:04:24,502
NO, I...
98
00:04:24,502 --> 00:04:25,764
NO.
99
00:04:25,764 --> 00:04:28,114
NO, LOOK.
100
00:04:31,335 --> 00:04:33,163
I WAS YOUNG AND STUPID.
101
00:04:33,163 --> 00:04:35,513
SOMEONE TOOK PHOTOS
AND THREATENED TO RUIN MY CAREER
102
00:04:35,513 --> 00:04:37,559
IF I DON'T
PAY THEM $4,000.
103
00:04:37,559 --> 00:04:38,864
I DON'T
HAVE THAT KIND OF MONEY.
104
00:04:38,864 --> 00:04:40,649
WHO COULD HAVE
TAKEN THESE PHOTOS?
105
00:04:40,649 --> 00:04:43,913
THE ONLY ONE I CAN THINK OF
IS MY WIFE AND MY MISTRESS.
106
00:04:43,913 --> 00:04:45,697
THEY'RE THE ONLY ONES THAT HAVE
SEEN ME WITH MY SHIRT OFF.
107
00:04:45,697 --> 00:04:47,612
THAT'S IT?AND EVERY WEDNESDAY,
108
00:04:47,612 --> 00:04:50,354
I POSE NUDE FOR A DRAWING CLASS
AT VERDUGO VALLEY COLLEGE.
109
00:04:50,354 --> 00:04:52,051
LET'S START WITH
THE WIFE.
110
00:04:53,662 --> 00:04:55,751
AFTER THAT, HE SAID,
"ARE YOU SERIOUS?
111
00:04:55,751 --> 00:04:57,405
NO ONE
GETS SYPHILIS ANYMORE."
112
00:04:58,362 --> 00:05:00,799
FOR THE RECORD, I JUST ASKED
IF YOU'D EVER BEEN TO EDMONTON.
113
00:05:04,499 --> 00:05:05,500
[ Scandinavian accent ]
MAY I HELP YOU?
114
00:05:05,500 --> 00:05:06,979
IS MRS. PERRY HOME?
115
00:05:06,979 --> 00:05:09,547
MAY I ASK YOU
TO STATE YOUR BUSINESS?
116
00:05:09,547 --> 00:05:11,984
LISTEN, CHUMP, I'VE HAD
JUST ABOUT ENOUGH OF YOUR LIP.
117
00:05:13,116 --> 00:05:15,423
WELL, THAT WAS
COMPLETELY UNEXPECTED.
118
00:05:16,946 --> 00:05:19,296
OKAY.
I'VE HAD ENOUGH.
119
00:05:19,296 --> 00:05:20,558
[ CHUCKLES ]
120
00:05:21,559 --> 00:05:23,256
TITTY TWISTER.
121
00:05:23,256 --> 00:05:24,257
OOH!
122
00:05:24,257 --> 00:05:26,434
AAH!
123
00:05:27,913 --> 00:05:29,262
MRS. PERRY.
124
00:05:29,262 --> 00:05:31,003
YES.
TRIBECA. L.A.P.D.
125
00:05:31,003 --> 00:05:32,875
CAN I HAVE A MOMENT
OF YOUR TIME?
126
00:05:32,875 --> 00:05:34,442
PLEASE, COME IN.
127
00:05:39,621 --> 00:05:42,232
MY HUSBAND IS A COMPLICATED MAN,
DETECTIVE.
128
00:05:42,232 --> 00:05:44,582
THOSE TATTOOS
ARE A PART OF WHO HE WAS,
129
00:05:44,582 --> 00:05:46,584
NOT WHO HE IS NOW.
130
00:05:46,584 --> 00:05:49,326
OH.
EXCUSE MY RUDENESS.
131
00:05:49,326 --> 00:05:50,545
WOULD YOU
LIKE SOME TEA?
132
00:05:50,545 --> 00:05:52,634
NO, THANK YOU.
I'M FINE, MA'AM.
133
00:05:52,634 --> 00:05:54,026
CREAM-FILLED DOUGHNUT?
134
00:05:54,026 --> 00:05:55,463
NO, THANK YOU.
135
00:05:55,463 --> 00:05:57,290
BABY-BACK RIBS?
136
00:05:57,290 --> 00:05:58,901
THEY'RE FROM A PIG.
137
00:05:58,901 --> 00:06:00,729
JUST A TOUCH EARLY
IN THE MORNING FOR ME,
138
00:06:00,729 --> 00:06:03,862
THANK YOU, MA'AM.
OKAY.
139
00:06:03,862 --> 00:06:05,429
ARE YOU SURE?
140
00:06:05,429 --> 00:06:06,865
PRETTY SURE.
141
00:06:06,865 --> 00:06:08,737
THEY'RE HERE
IF YOU NEED THEM.
THANK YOU.
142
00:06:08,737 --> 00:06:11,609
WHO WOULD TRY TO
EXTORT MONEY FROM MY HUSBAND?
143
00:06:11,609 --> 00:06:13,872
OH, I DON'T KNOW.
WHAT ABOUT YOU?
144
00:06:13,872 --> 00:06:16,658
[ SCOFFS ]
DON'T BE SILLY.
145
00:06:16,658 --> 00:06:19,008
I HAVE ACCESS TO
ALL OF MY HUSBAND'S ACCOUNTS.
146
00:06:19,008 --> 00:06:21,184
WHY WOULD I WANT TO
BLACKMAIL HIM?
147
00:06:21,184 --> 00:06:23,273
DO YOU LOVE YOUR HUSBAND,
MRS. PERRY?
148
00:06:23,273 --> 00:06:25,144
I MOST CERTAINLY
DO NOT.
149
00:06:25,144 --> 00:06:29,061
HOW DARE YOU ACCUSE ME
OF LOVING MY HUSBAND.
150
00:06:29,061 --> 00:06:30,062
GYRO?
151
00:06:30,062 --> 00:06:31,412
OOH!
152
00:06:35,459 --> 00:06:37,548
HERE'S WHAT
I DON'T UNDERSTAND.
153
00:06:37,548 --> 00:06:38,767
WHAT'S THAT?
154
00:06:38,767 --> 00:06:40,595
IF YOU CAN'T STAND
YOUR HUSBAND,
155
00:06:40,595 --> 00:06:42,379
WHY STAY MARRIED TO HIM?
156
00:06:42,379 --> 00:06:44,773
WE HAVE AN ARRANGEMENT,
DETECTIVE.
157
00:06:44,773 --> 00:06:46,427
HE HAS HIS PLAYTHINGS.
158
00:06:46,427 --> 00:06:47,993
I HAVE MINE.
159
00:06:47,993 --> 00:06:51,649
SO YOU GET LUGE,
HE HAS HIS MISTRESS.
160
00:06:51,649 --> 00:06:53,956
OH, NO, NO, NO.
161
00:06:53,956 --> 00:06:56,524
I HAVE MY PLAYTHINGS.
162
00:06:58,395 --> 00:07:00,963
HE'S GOT A MISTRESS?
ARE YOU SHITTING ME?!
163
00:07:00,963 --> 00:07:02,704
I SHIT YOU NOT, MA'AM.
164
00:07:02,704 --> 00:07:04,575
[ CRYING ]
165
00:07:06,229 --> 00:07:08,057
WELL,
THAT WENT NOWHERE FAST.
166
00:07:08,057 --> 00:07:10,233
LET'S SEE WHAT WE CAN
GET OUT OF THE MISTRESS.
167
00:07:10,233 --> 00:07:11,756
[ GRUNTING ]
168
00:07:17,675 --> 00:07:20,112
OH, I KNOW THE MAYOR.
OH, YES.
169
00:07:20,112 --> 00:07:21,505
INTIMATELY.
170
00:07:21,505 --> 00:07:22,898
WHEN'S THE LAST TIME
YOU SAW HIM?
171
00:07:22,898 --> 00:07:24,639
[ INHALES ]
172
00:07:24,639 --> 00:07:25,640
WHO?
173
00:07:25,640 --> 00:07:26,641
THE MAYOR.
174
00:07:26,641 --> 00:07:28,686
NEVER HEARD OF HIM.
175
00:07:29,687 --> 00:07:31,689
SOMEONE'S TRYING TO
TAKE ADVANTAGE
176
00:07:31,689 --> 00:07:33,865
OF HIS
PHYSICAL ATTRIBUTES.
177
00:07:33,865 --> 00:07:37,913
OH, I TOOK ADVANTAGE OF HIS
PHYSICAL ATTRIBUTES MANY TIMES,
178
00:07:37,913 --> 00:07:39,610
IF YOU KNOW
WHAT I MEAN.
179
00:07:39,610 --> 00:07:41,873
APPARENTLY, THERE ARE
PHOTOS OF HIS BODY ART,
180
00:07:41,873 --> 00:07:43,832
PHOTOS THAT COULD
DESTROY HIM.
181
00:07:43,832 --> 00:07:45,442
OH, I'VE ALREADY
DESTROYED HIM --
182
00:07:45,442 --> 00:07:48,967
WITH HAVING SEX WITH HIM,
IF YOU CATCH MY DRIFT.
183
00:07:48,967 --> 00:07:51,927
I DID IT WITH HIM.
HE DID IT WITH ME.
184
00:07:51,927 --> 00:07:55,670
IF YOU UNDERSTAND
MY MEANIN'.
185
00:07:55,670 --> 00:07:57,062
[ INHALES ]
186
00:07:57,062 --> 00:07:59,412
YOU THINK IT'S SMOKE,
BUT IT'S VAPOR.
187
00:07:59,412 --> 00:08:02,894
WE'RE LOOKING INTO EVERYONE
WHO HAD THE OPPORTUNITY
188
00:08:02,894 --> 00:08:04,330
TO SEE HIS TATTOOS.
189
00:08:04,330 --> 00:08:06,637
OH, I SAW HIS TATTOOS,
ALL RIGHT --
190
00:08:06,637 --> 00:08:07,943
AND HIS PEE PEE --
191
00:08:07,943 --> 00:08:09,858
IF YOU KNOW
WHERE I'M COMING FROM.
192
00:08:09,858 --> 00:08:13,905
HIS BATHING-SUIT AREA
WITHOUT THE BATHING SUIT.
193
00:08:13,905 --> 00:08:16,168
I THINK YOU'RE LYING.I THINK YOU'RELYING.
194
00:08:16,168 --> 00:08:17,909
YOU'RE A LIAR.NO, I'M NOT.
195
00:08:17,909 --> 00:08:19,607
YOU NEVER
HAD AN AFFAIR WITH THE MAYOR.
196
00:08:19,607 --> 00:08:20,869
YES, I DID.
197
00:08:20,869 --> 00:08:24,394
IT WAS SORDID AND RAUNCHY
AND WET.
198
00:08:24,394 --> 00:08:27,397
THAT DEVICE MAKES YOU SEEM LIKE
A HEALTH-CONSCIOUS PERSON.
199
00:08:27,397 --> 00:08:29,312
[ INHALES ]
200
00:08:29,312 --> 00:08:31,314
DESCRIBE
HIS LOWER-BACK TATTOO.
201
00:08:31,314 --> 00:08:33,621
WHAT DO YOU CALL IT?
A SHAMROCK.
202
00:08:33,621 --> 00:08:36,580
NO, UH, IT'S A BUTTERFLY
WITH IVY.
203
00:08:36,580 --> 00:08:38,408
WRONG!IT'S A LITTLE UNICORN...
204
00:08:38,408 --> 00:08:39,801
NO....WITH A RAINBOW --
205
00:08:39,801 --> 00:08:40,845
NO.
NO, IT'S NOT THAT.
206
00:08:40,845 --> 00:08:42,107
NO, NO,
I KNOW IT'S NOT.
207
00:08:42,107 --> 00:08:44,066
IT'S A --
IT'S A PUPPY DOG.
208
00:08:44,066 --> 00:08:45,241
WANT TO TRY AGAIN?
209
00:08:45,241 --> 00:08:46,721
IT'S A DIAMOND.
NOPE.
210
00:08:46,721 --> 00:08:47,722
IT'S A FLAME.
NOPE.
211
00:08:47,722 --> 00:08:48,984
IT'S AN EYETOOTH.
212
00:08:48,984 --> 00:08:50,463
WAS THERE AN EYETOOTH?I DON'T KNOW.
213
00:08:50,463 --> 00:08:51,900
IT'S A BUDDHA.NO.NO.
214
00:08:51,900 --> 00:08:53,075
IT'S A FOUR-LEAF CLOVER.
215
00:08:53,075 --> 00:08:54,380
WRONG!
THEY'RE ALL WRONG!
216
00:08:54,380 --> 00:08:56,208
IT'S A MATCHBOX CAR.YOU'RE WRONG.
217
00:08:56,208 --> 00:08:58,341
IT'S A PICTURE OF A SHEEP
WITH THE WORDS...
218
00:08:58,341 --> 00:08:59,995
Both:
"THAT'S WHAT SHEEP SAID."
219
00:08:59,995 --> 00:09:02,998
FINE.
FINE. HE'S NOT MY LOVER.
220
00:09:02,998 --> 00:09:05,217
I THINK
WE'RE DONE HERE.
221
00:09:05,217 --> 00:09:07,350
BUT WE DID MAKE OUT ONCE
IN HIGH SCHOOL.
222
00:09:07,350 --> 00:09:10,353
THANK YOU FOR YOUR TIME,
MS. VIVARQUAR.
223
00:09:10,353 --> 00:09:11,920
I'M GONNA GET ONE OF THOSE
FOR MY NEPHEW.
224
00:09:11,920 --> 00:09:13,617
HE'S 8.
HE'LL LOVE IT.
225
00:09:13,617 --> 00:09:15,445
HE WENT TO SECOND BASE!
226
00:09:15,445 --> 00:09:17,316
[ DOOR OPENS ]WITH ME!
227
00:09:17,316 --> 00:09:19,928
I DON'T GET IT.
228
00:09:19,928 --> 00:09:21,973
WHY WOULD SHE LIE ABOUT HAVING
AN AFFAIR WITH THE MAYOR?
229
00:09:21,973 --> 00:09:23,366
WELL,
IT'S SIMPLE, REALLY.
230
00:09:23,366 --> 00:09:24,889
THE MAYOR IS
A MAN WITH SOMETHING TO HIDE.
231
00:09:24,889 --> 00:09:26,674
RIGHT,
HIS WEIRD TATTOOS.
232
00:09:26,674 --> 00:09:28,153
RIGHT, SO HE NEEDS
SOMETHING ELSE,
233
00:09:28,153 --> 00:09:29,502
SOMETHING TO
THROW PEOPLE OFF.
234
00:09:29,502 --> 00:09:32,288
A SECOND SECRET.
EXACTLY.
235
00:09:32,288 --> 00:09:34,029
SO HE ASKS
HIS HIGH-SCHOOL GIRLFRIEND
236
00:09:34,029 --> 00:09:35,900
TO POSE AS HIS MISTRESS.
237
00:09:35,900 --> 00:09:38,033
TO CREATE A DIVERSION.
238
00:09:38,033 --> 00:09:40,601
A SMOKE SCREEN.
239
00:09:40,601 --> 00:09:43,255
WHICH KEEPS
THE REAL SECRET...
240
00:09:43,255 --> 00:09:45,606
UNDER WRAPS.
241
00:09:45,606 --> 00:09:48,609
♪♪
242
00:09:53,614 --> 00:09:56,051
[ SIGHS ]
243
00:09:58,314 --> 00:10:01,360
♪♪
244
00:10:08,498 --> 00:10:09,978
I...
245
00:10:09,978 --> 00:10:11,240
THINK WE SHOULD GO.
246
00:10:13,851 --> 00:10:15,200
[ SEAT BELTS CLICK ]
247
00:10:15,200 --> 00:10:18,247
♪♪
248
00:10:24,383 --> 00:10:26,211
LET ME HELP YOU
WITH THAT.
249
00:10:27,735 --> 00:10:28,997
Dr. Scholls:
INTERESTING.
250
00:10:28,997 --> 00:10:31,042
WHAT?
WELL,
THIS BLACKMAIL NOTE.
251
00:10:31,042 --> 00:10:33,262
WHEN I PLACE IT
UNDER THE MAGNIFYING GLASS,
252
00:10:33,262 --> 00:10:34,916
THE PRINT
BECOMES MUCH LARGER,
253
00:10:34,916 --> 00:10:36,395
BUT THEN
WHEN I TAKE IT AWAY,
254
00:10:36,395 --> 00:10:37,919
IT'S IMMEDIATELY
SMALL AGAIN.
255
00:10:37,919 --> 00:10:39,485
HMM.
256
00:10:39,485 --> 00:10:42,053
GOOD NIGHT, MARGARET.
257
00:10:43,141 --> 00:10:44,752
AH. DR. EDELWEISS.
258
00:10:44,752 --> 00:10:46,579
SCHOLLS.
TRIBECA.
259
00:10:46,579 --> 00:10:47,580
DOCTOR.
260
00:10:47,580 --> 00:10:48,973
AND?
261
00:10:48,973 --> 00:10:50,583
JAY GEILS.
I'M NEW.
262
00:10:51,976 --> 00:10:54,936
AS YOU CAN SEE,
I CAN'T EXACTLY SHAKE YOUR HAND.
263
00:10:54,936 --> 00:10:56,415
OF COURSE.
I'M SO SORRY.
264
00:10:56,415 --> 00:10:59,201
OH, DON'T BE SORRY.
YOU DIDN'T DO IT.
265
00:10:59,201 --> 00:11:01,029
OR DID YOU?
266
00:11:01,029 --> 00:11:03,335
DOCTOR, THIS IS THE BLACKMAIL
NOTE I WAS TALKING TO YOU ABOUT.
267
00:11:03,335 --> 00:11:05,163
ANY PRINTS?NO, I WIPED THEM ALL OFF.
268
00:11:05,163 --> 00:11:07,688
LET'S TAKE A CLOSER LOOK,
SHALL WE?
269
00:11:08,776 --> 00:11:09,864
THANK YOU, SCHOLLS.
270
00:11:09,864 --> 00:11:11,430
MM-HMM.
271
00:11:11,430 --> 00:11:14,477
♪♪
272
00:11:17,480 --> 00:11:19,438
[ MACHINE WHIRRING ]
273
00:11:19,438 --> 00:11:22,485
♪♪
274
00:11:52,341 --> 00:11:55,387
♪♪
275
00:12:04,179 --> 00:12:06,268
MAGNIFY.
276
00:12:07,748 --> 00:12:09,140
ENLARGE.
277
00:12:10,663 --> 00:12:12,753
MAKE LOOK BIG.
278
00:12:12,753 --> 00:12:14,537
HMM.
279
00:12:14,537 --> 00:12:15,843
INTERESTING.
280
00:12:15,843 --> 00:12:17,496
WHAT IS IT?
THE LETTERS.
281
00:12:17,496 --> 00:12:19,803
NOW, IF YOU LOOK AT THE T's,
THE WAY THEY'RE CROSSED,
282
00:12:19,803 --> 00:12:21,892
IN THAT HARSH,
HAPHAZARD MANNER,
283
00:12:21,892 --> 00:12:23,502
THIS INDICATES
SOMEONE WHO'S DESPERATE.
284
00:12:23,502 --> 00:12:25,374
AND THE B's AND THE D's,
THEY TELL ME
285
00:12:25,374 --> 00:12:28,638
THAT THIS IS SOMEONE WHO IS
IN RATHER DIRE FINANCIAL NEED.
286
00:12:28,638 --> 00:12:30,161
WOW.
287
00:12:30,161 --> 00:12:32,163
YES, AND LOOK AT
THE SPACES BETWEEN THE WORDS,
288
00:12:32,163 --> 00:12:34,775
THOSE SMALL,
UNGENEROUS SPACES.
289
00:12:34,775 --> 00:12:36,428
THEY'RE TELLING ME
THAT THIS PERSON
290
00:12:36,428 --> 00:12:38,343
HAS NO RESPECT
FOR AUTHORITY.
291
00:12:38,343 --> 00:12:39,649
SO LET ME
GET THIS CLEAR.
292
00:12:39,649 --> 00:12:41,042
WHAT YOU'RE SAYING
IS THAT
293
00:12:41,042 --> 00:12:44,306
THIS IS A NOTE
WRITTEN BY AN INDIVIDUAL
294
00:12:44,306 --> 00:12:48,179
WHO IS DESPERATE ENOUGH TO
BLACKMAIL THE MAYOR FOR MONEY.
295
00:12:50,573 --> 00:12:51,879
WELL, THAT'S A BIT OF
A SIMPLIFICATION,
296
00:12:51,879 --> 00:12:53,402
BUT, YES, I SUPPOSE SO.
297
00:12:53,402 --> 00:12:56,448
♪♪
298
00:13:01,627 --> 00:13:02,715
UNH!
299
00:13:06,850 --> 00:13:08,765
IT'S NOT THE WIFE.HOW DO YOU KNOW?
300
00:13:08,765 --> 00:13:11,463
OH!BECAUSE SHE HAS NOTHING TO GAIN.
SHE'S SET.
301
00:13:11,463 --> 00:13:12,987
WELL,
WHAT ABOUT THE MISTRESS?
302
00:13:12,987 --> 00:13:15,163
[ GRUNTS ]
SHE'S NOT EVEN THE MISTRESS.
303
00:13:15,163 --> 00:13:18,514
WHO TOOK
THOSE PICTURES?!
304
00:13:18,514 --> 00:13:21,430
I DON'T KNOW.
305
00:13:21,430 --> 00:13:23,519
I FEEL LIKE
WE'RE MISSING SOMETHING.
306
00:13:23,519 --> 00:13:24,694
JUST DOESN'T ADD UP.
307
00:13:24,694 --> 00:13:26,957
SHLD UH GU TRU DA KOWA?
308
00:13:26,957 --> 00:13:29,133
YOU KNOW WHAT, GEILS?
309
00:13:29,133 --> 00:13:30,395
YOU MAY BE
ON TO SOMETHING.
310
00:13:32,354 --> 00:13:35,357
♪♪
311
00:13:37,620 --> 00:13:42,320
RECOGNIZE THE ARCH OF THE BACK
AND THE FRAMEWORK OF THE BODY.
312
00:13:42,320 --> 00:13:44,148
PROFESSOR LAMEREAU,
313
00:13:44,148 --> 00:13:46,890
TWO DETECTIVES FROM THE POLICE
DEPARTMENT ARE HERE TO SEE YOU.
314
00:13:46,890 --> 00:13:48,544
[ DOOR CLOSES ]HOW CAN I HELP YOU
TWO DETECTIVES?
315
00:13:48,544 --> 00:13:51,155
PROFESSOR, WE ARE IN THE PROCESS
OF INVESTIGATING...
316
00:13:51,155 --> 00:13:54,506
I KEEP TELLING YOU PEOPLE,
IT WAS A SCUBA-GEAR MALFUNCTION.
317
00:13:54,506 --> 00:13:55,551
I LOVED HER.
318
00:13:55,551 --> 00:13:56,987
...AN EXTORTION PLOT.
319
00:13:56,987 --> 00:13:58,902
OH.
320
00:13:58,902 --> 00:14:01,383
I UNDERSTAND WHY YOU THINK
THAT I MIGHT HAVE
321
00:14:01,383 --> 00:14:03,037
SOMETHING TO DO WITH
ALL OF THIS,
322
00:14:03,037 --> 00:14:05,648
BUT REST ASSURED, OUR
FIGURE MODELS ARE TREATED
323
00:14:05,648 --> 00:14:08,303
WITH THE UTMOST DIGNITY
AND RESPECT.
324
00:14:08,303 --> 00:14:11,523
THE HUMAN BODY IS
A MIRACULOUS CANVAS, DETECTIVE.
325
00:14:12,829 --> 00:14:15,876
IT'S A SHAME THAT YOU DON'T
PUT YOUR NATURAL ATTRIBUTES
326
00:14:15,876 --> 00:14:17,660
TO BETTER USE
FOR THE SAKE OF ART.
327
00:14:17,660 --> 00:14:20,750
I DON'T PRANCE AROUND NUDE
FOR MONEY.
328
00:14:20,750 --> 00:14:21,882
NOT ANYMORE.
329
00:14:21,882 --> 00:14:24,101
PITY.
SUCH A WASTE.
330
00:14:24,101 --> 00:14:25,668
HEY!
YES?
331
00:14:25,668 --> 00:14:27,104
I KNOW
WHAT YOU'RE IMPLYING.
332
00:14:27,104 --> 00:14:30,107
IF YOU'LL EXCUSE ME,
I HAVE TO GET BACK TO CLASS.
333
00:14:30,107 --> 00:14:32,980
DON'T PLAN ON TAKING
ANY OUT-OF-STATE TRIPS
IN THE NEAR FUTURE.
334
00:14:32,980 --> 00:14:35,939
I HAVE TO BE IN PHOENIX
FOR A WEDDING ON THE 14th.NOT HAPPENING.
335
00:14:35,939 --> 00:14:39,029
THEN, ON THE 24th,
IT'S MY GRANDMOTHER'S BIRTHDAY.NO WAY.
336
00:14:39,029 --> 00:14:41,031
I HAVE TICKETS TO THE
HARLEM GLOBETROTTERS IN OCTOBER.
337
00:14:41,031 --> 00:14:43,251
THOSE TICKETS
ARE REALLY HARD TO GET.
338
00:14:43,251 --> 00:14:45,340
FINE, LAMEREAU,
YOU CAN GO.
339
00:14:45,340 --> 00:14:47,124
BUT DON'T GO AND DO
ANYTHING STUPID.
340
00:14:47,124 --> 00:14:49,735
I WOULDN'T THINK OF IT.
341
00:14:49,735 --> 00:14:51,215
WE'LL BE IN TOUCH.
342
00:14:54,915 --> 00:14:56,003
I THINK
HE'S HIDING SOMETHING.
343
00:14:56,003 --> 00:14:57,091
ABSOLUTELY.
344
00:14:57,091 --> 00:14:58,440
GOT TO
GET CLOSER TO HIM.
345
00:14:58,440 --> 00:15:00,094
BUT HOW?
HOW DO WE GET CLOSER TO HIM?
346
00:15:00,094 --> 00:15:02,313
EXCUSE ME. DO YOU KNOW
WHERE THE ART SCHOOL IS?
347
00:15:02,313 --> 00:15:04,228
I'M LATE FOR
FIGURE DRAWING CLASS.
348
00:15:04,228 --> 00:15:05,926
I'M A NUDE MODEL.
349
00:15:05,926 --> 00:15:08,929
I THINK
I JUST GOT AN IDEA.
350
00:15:12,149 --> 00:15:13,411
WHAT IS IT?
351
00:15:21,942 --> 00:15:23,160
YOU'RE LATE.
352
00:15:29,427 --> 00:15:32,517
[ BREATHES DEEPLY ]
353
00:15:34,128 --> 00:15:35,303
TRIBECA,
CAN YOU HEAR ME?
354
00:15:35,303 --> 00:15:36,957
I'm in position.Good.
355
00:15:36,957 --> 00:15:39,089
HEY, WHERE DID YOU
PUT YOUR WIRE, ANYWAY?
356
00:15:39,089 --> 00:15:41,309
That's not important.
357
00:15:41,309 --> 00:15:42,701
Let's just say
we should probably
358
00:15:42,701 --> 00:15:43,746
throw it out
when we're done.
359
00:15:43,746 --> 00:15:45,095
SO IT'S IN YOUR BUM.
360
00:15:46,314 --> 00:15:48,751
ALL RIGHT, KEEP YOUR EYE OUT
FOR ANYTHING SUSPICIOUS.
361
00:15:48,751 --> 00:15:49,882
Copy.
362
00:15:49,882 --> 00:15:51,188
NICE.
363
00:15:53,582 --> 00:15:55,192
YES.
364
00:15:55,192 --> 00:15:57,281
GOOD.
365
00:15:57,281 --> 00:15:59,414
GOOD!
366
00:15:59,414 --> 00:16:03,026
REMEMBER THAT
THE HUMAN BODY IS A TEMPLE.
367
00:16:03,026 --> 00:16:06,377
IT'S A FORM TO BE
HONORED AND CELEBRATED.
368
00:16:06,377 --> 00:16:09,467
LOOK UPON TODAY'S VENUS.
SHE IS GLORIOUS.
369
00:16:09,467 --> 00:16:13,558
SHE IS AS SHE WAS CREATED,
HER SKIN SMOOTH AND UNADORNED.
370
00:16:13,558 --> 00:16:17,127
SHE IS NOT ALTERED OR PIERCED...
371
00:16:17,127 --> 00:16:19,260
OR TATTOOED.
372
00:16:19,260 --> 00:16:20,739
HOLD ON.
WHAT DID HE SAY?
373
00:16:20,739 --> 00:16:23,394
DISGUSTING,
DIRTY TATTOOS.
374
00:16:23,394 --> 00:16:26,919
INK, ELECTRONICALLY EMBEDDED
IN THE SKIN -- SO GROSS.
375
00:16:26,919 --> 00:16:28,747
I JUST HATE THEM
SO MUCH.
376
00:16:28,747 --> 00:16:31,837
I WOULD GO TO GREAT LENGTHS
TO EMBARRASS THOSE WITH TATTOOS,
377
00:16:31,837 --> 00:16:35,537
ESPECIALLY MILDLY OFFENSIVE
TATTOOS OR BAD-JOKE TATTOOS.
378
00:16:35,537 --> 00:16:37,843
YOU KNOW, LIKE SOMETHING PRINTED
ON A MUG AT SPENCER'S GIFTS.
379
00:16:37,843 --> 00:16:40,498
KIND OF FUNNY IN THE STORE,
BUT LATER ON,
380
00:16:40,498 --> 00:16:43,240
IT'S SOMETHING YOUR FRIENDS
THINK IS REALLY LAME.
381
00:16:43,240 --> 00:16:45,155
TRIBECA, WE GOT HIM.
GO IN FOR THE KILL.
382
00:16:45,155 --> 00:16:46,765
TELL ME, PROFESSOR,
383
00:16:46,765 --> 00:16:49,986
WOULD YOU EVER BLACKMAIL
SOMEONE WITH TATTOOS?
384
00:16:49,986 --> 00:16:51,683
WELL, IF HE WERE
IN A POSITION OF POWER
385
00:16:51,683 --> 00:16:55,165
AND I COULD STAND TO MAKE
A COOL $4,000, YOU BET.
386
00:16:55,165 --> 00:16:58,908
WELL, IT LOOKS LIKE
THE HARLEM GLOBETROTTERS
387
00:16:58,908 --> 00:17:01,258
ARE GONNA HAVE TO FIND
SOMEONE ELSE IN THEIR AUDIENCE
388
00:17:01,258 --> 00:17:04,305
TO THROW CONFETTI ON
INSTEAD OF WATER.
389
00:17:04,305 --> 00:17:06,916
YOUR BLACKMAILING DAYS
ARE OVER.
390
00:17:06,916 --> 00:17:09,658
YOU WON'T GET VERY FAR
WITHOUT THIS.
391
00:17:09,658 --> 00:17:10,746
YOU'LL NEVER
TAKE ME ALIVE!
392
00:17:10,746 --> 00:17:11,877
HE'S
COMING YOUR DIRECTION!
393
00:17:11,877 --> 00:17:12,965
I GOT HIM.
394
00:17:15,272 --> 00:17:16,969
UH...
395
00:17:19,276 --> 00:17:22,279
♪♪
396
00:17:52,092 --> 00:17:55,095
♪♪
397
00:18:24,907 --> 00:18:27,953
♪♪
398
00:18:46,711 --> 00:18:48,365
UNH!
399
00:18:48,365 --> 00:18:51,673
YOU'RE UNDER ARREST
FOR SUSPICION OF EXTORTION.
400
00:18:51,673 --> 00:18:53,414
HIS AESTHETIC
WAS OFFENSIVE TO ME.
401
00:18:53,414 --> 00:18:54,937
I WANTED TO EMBARRASS HIM.
402
00:18:54,937 --> 00:18:56,852
WELL, THEN WHY DIDN'T YOU
JUST BULLY HIM ON FACEBOOK
403
00:18:56,852 --> 00:18:59,071
OR INSTAGRAM
LIKE ANY DECENT HUMAN BEING?
404
00:18:59,071 --> 00:19:01,117
WELL, I WAS GOING TO DO THAT,
AFTER I GOT THE MONEY.
405
00:19:01,117 --> 00:19:02,553
WELL,
WHERE YOU'RE GOING,
406
00:19:02,553 --> 00:19:04,425
YOU WON'T HAVE TO
WORRY ABOUT THAT ANYMORE.
407
00:19:04,425 --> 00:19:07,993
YOUR OWN LITTLE SLICE OF HELL
CALLED MINIMUM-SECURITY PRISON.
408
00:19:07,993 --> 00:19:09,995
GET READY, 'CAUSE
FOR THE NEXT SEVEN MONTHS,
409
00:19:09,995 --> 00:19:12,128
YOU'LL BE MAKING PONCHOS
AND PLAYING MAHJONG.
410
00:19:12,128 --> 00:19:14,522
IT'S A COMPLICATED
CHINESE DOMINOS GAME.
411
00:19:14,522 --> 00:19:15,958
GOOD LUCK
FIGURING THAT ONE OUT.
412
00:19:15,958 --> 00:19:18,003
AAH!
413
00:19:20,223 --> 00:19:22,617
EASY! EASY. OW.
414
00:19:22,617 --> 00:19:24,053
YOU KNOW WHAT, TRIBECA?
415
00:19:24,053 --> 00:19:28,013
YOU'RE NOTHING BUT A...
DUMB JERK.
416
00:19:28,013 --> 00:19:30,015
STICKS AND STONES...
417
00:19:30,015 --> 00:19:32,366
AND PUPPY-DOG TAILS.
418
00:19:36,457 --> 00:19:38,372
INTERESTING FIRST DAY.
419
00:19:38,372 --> 00:19:40,939
YEAH.
420
00:19:40,939 --> 00:19:42,506
SORRY ABOUT EARLIER.
421
00:19:42,506 --> 00:19:43,899
I JUST --
422
00:19:43,899 --> 00:19:45,857
I HAVEN'T HAD MUCH LUCK
WITH PARTNERS.
423
00:19:45,857 --> 00:19:48,208
HEY, I GET IT.
424
00:19:50,210 --> 00:19:52,124
LISTEN, IF YOU'RE NOT
DOING ANYTHING,
425
00:19:52,124 --> 00:19:55,998
I -- I THOUGHT MAYBE WE COULD
GRAB A BEER OR SOMETHING.
426
00:19:55,998 --> 00:19:57,695
I MEAN, YOU DO DRINK BEER,
DON'T YOU?
427
00:19:57,695 --> 00:19:59,958
I DON'T DRINK BEER.
I RENT IT.
428
00:19:59,958 --> 00:20:02,352
[ BOTH LAUGH ]
429
00:20:14,016 --> 00:20:16,236
YEAH, OKAY. SURE.
430
00:20:20,152 --> 00:20:23,504
SO, DOES THIS MEAN
WE'RE, UH, PARTNERS NOW?
431
00:20:23,504 --> 00:20:26,071
YEAH. WHY NOT?
432
00:20:26,071 --> 00:20:27,856
PARTNERS.
433
00:20:27,856 --> 00:20:29,379
YO! TRIBECA!
434
00:20:30,946 --> 00:20:32,904
LIEUTENANT
WANTS TO SEE YOU.OKAY.
435
00:20:35,211 --> 00:20:36,473
CUT THAT
WITH A KNIFE.
436
00:20:38,649 --> 00:20:39,781
RAIN CHECK.
437
00:20:39,781 --> 00:20:41,217
YEAH.
438
00:20:41,217 --> 00:20:43,741
[ SIGHS,
CLEARS THROAT ]
439
00:20:43,741 --> 00:20:45,830
YOU OKAY WITH
THIS PARTNER THING?
440
00:20:46,744 --> 00:20:49,486
YEAH, I THINK I AM.
441
00:20:49,486 --> 00:20:52,489
I, UH -- I ACTUALLY HAVE
A PRETTY GOOD FEELING ABOUT IT.
442
00:20:52,489 --> 00:20:54,839
COOL.
443
00:20:54,839 --> 00:20:56,101
ME TOO.
444
00:20:56,101 --> 00:20:57,364
I'LL SEE YOU LATER.
445
00:20:57,364 --> 00:20:59,714
OKAY, COOL.
446
00:20:59,714 --> 00:21:02,673
[ ELEVATOR BELL DINGS ]
447
00:21:02,673 --> 00:21:04,675
AAH!
448
00:21:04,675 --> 00:21:06,068
[ BODY THUDS ]
449
00:21:08,331 --> 00:21:11,726
OH, CRAP!
SOMEBODY CALL 911!
30564
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