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Alex Ebert: 160 some-odd people on our train to New Orleans.

And we're gonna play music.

And if anyone asks, we'll just say

"Yeah, no big deal, just playing music

on a train through the country."

But secretly-- not even to ourselves--

I think we're gonna say,

"Yeah, we're playing music on a train

with the country, across the country,

to see it the way they saw it

more than 100 years ago

when we were all children,

dreaming

to lift ourselves

and the world we come in contact with

back into the magic."

( Train chugging )

( Chattering )

Marcus Mumford: It feels like we don't really wanna take any

of each of the bands' main songs

- to make that the encore song, right? - Woman: No.

- Okay. - We wanna do like a cover

or a stand-in or whatever.

Ketch Secor: A good opportunity for a train song.

Man: Have you got any ideas, Ketch?

Well, it seems like a good chance to play a train song...

People: Yeah. Yeah.

...and maybe if we could jog our brains

- to think about it-- - Man: "Bound for Glory"?

That's a gospel tune, you know. It's got a bunch of gospel lyrics...

- Man: "Bound for Glory." - Man #2: Sure.

Jade Castrinos: Will you sing out the chorus? How you--

Willie Watson: Yeah, "This train is bound for glory.

None gonna ride it but the righteous and the holy..."

- Man: "None gonna ride it"? - "None gonna ride it

but the righteous and the holy." "No one"? Yeah, "none."

Secor: We met the Zeros out that-away

in Australia about a year ago

and got to talking.

And we met the Mumfords

back out that-away, over in England.

Yeah, a guy in white pants and a guy in green pants.

We came from Nashville to get on this train, from Tennessee.

- Man: Is that right? - Yeah.

All the way out to Oakland, California.

Look at this beautiful scene.

Y'all probably wanna hear another.

- ( Music playing ) - Oh, is that our train?

- Watson: Yeah. - Oh-ho boy.

Watson: Soon as we get that mandolin in tune

and then we'll play you a high tune.

Now we can hang out better,

- like over here. - ( cheering )

Hey!

Secor: This train is full of people

who knew that the fit was so right.

It's like we left all our baggage at home

- and we just brought our instruments. - ( chuckles )

We came to this train feeling young and fired up,

stoked up and ready to roll.

Now we've just got to see how long it lasts.

- ( Music ends ) - ( crowd cheers )

Everyone's just so happy to be on this tour,

like it's the tour of dreams.

Watson: We're the only people on this train, man.

We've got it all. We've got this beam of light

shooting down on this train traveling across the country

and it's like-- yeah, man,

no one could have expected

what this was gonna be like, you know?

Whatever talent you have, especially on this tour,

it's just "If you've got a song, you play it."

Anyone's welcome to jam.

The quality of the music

being played on this train just-- it's, you know--

It's all getting my heart... ( mimics heartbeat )

You know, and I love it, love every note that's played.

Mumford: I first heard Old Crow's music

when I was like 16, 17,

and that really got me into folk music and bluegrass.

I mean, I'd listened to a lot of Dylan,

but I hadn't really ventured into the country world so much.

And so Old Crow were the band

that made me fall in love with country music.

Mumford: When Edward Sharpe & the Magnetic Zeros

first came to us with the idea for the train tour,

we just said, "Can we ask Old Crow to do it as well?

'Cause that would be perfect."

And Ketch-- we had this amazing moment backstage.

After we played, we were all sweating out.

And Ketch just gives me a hug and goes...

( mimics ) "Y'all feel like kindred."

Watson: 'Cause we are all the same, all three bands.

Even the Mumfords are pretty-- pretty grimy.

They got grease and mustard stains on their pants just like us, you know?

The Edward Sharpe guys haven't showered

probably just as long as I haven't showered.

All those little things make us kindred spirits as well.

Welcome to San Pedro!

Announcer: Everybody put your hands together

- for Mumford & Sons! Let's hear it! - ( cheering )

Ben Lovett: Our first ever rehearsal as Mumford & Sons

was actually beneath some train tracks in London.

It's funny to think that now we're traveling

across the Arizona desert

with a couple of our favorite bands

on a train, as we're playing these gigs.

Every evening we'd get off the stage,

and power back on and just jam through the night.

The train was so long that it would take a good 20 minutes

to walk from one end to the other.

I've never used my hands so much to walk.

The best bit about it all was really the music.

- It just never seemed to stop. - ( train chugging )

You got any hair left on that thing?

( laughs )

- Is that one of mine? - ( people laugh )

Yeah, it's a gift. Your bows are contagious.

- ( laughs ) - He's losing it. There's a little left.

Secor: Man, you're getting a lot of a sound out

- with a very small amount... - I'm trying.

...of horse hair.

Do you know how to play "Old Molly Hare"?

Odessa Jorgensen: I don't think I know this one.

- All right, this is so easy. - Super easy.

( People speaking )

Secor: Not too fast this time, okay?

( laughing )

You did make it, dude. It's the perfect time.

- No. - ( Alex laughs )

Mumford: Last night everyone was playing

till 5:00 in the morning or whatever,

'cause we've done the stuff on stage

and now we can just, like, let loose

and play another bunch of songs

and it doesn't really end, really, until the train stops

and we have to load in.

Watson: When I was, like, a teenager

I started getting into a sort of a--

The rambling lifestyle, you know?

And started listening to Woody Guthrie

and folk music and stuff.

You know, traveling out and leaving home

and running away from all that

is, you know, very romantic to a guy

like me that loves that old kind of music.

( Siren wailing )

- Um... - I'm not going anywhere.

John.

You guys need to go inside, please. Everybody.

Secor: Someone tried to jump on the train.

- That's why this all happened. - Oh, this-- that's why?

- Secor: Yeah. - Just some--

- Some fan tried to hop on the train. - Oh really?

- Out here? - Like a mile back or something.

Oh my God.

Man: Look like a bunch of damn hippies on that thing

is what it looks like to me, Fred.

Let's give 'em a big ol' Texas whip.

( People chattering )

Mumford: Well, we're at Austin High

and we jumped in pickup trucks

about 1:00 this afternoon from our hotel.

Winston Marshall: This is our first day of exercise,

having been stuck on that train for four days.

We've all just been playing nonstop.

There's been singing and dancing

- and drinking. - ( laughs )

- Water! Copious amounts of water. - Yeah yeah yeah.

Not enough, unfortunately.

And I think everyone on the train would agree

that just the personnel-- all of these new people, these new faces

are just the perfect combination.

Like, how can you get 130 people to interact and be that?

Ted Dwane: With Old Crow-- we've toured with them before.

We toured Europe with them.

As for the Edward Sharpe guys, we met them once

very briefly at Telluride awhile ago.

I think on this tour they've become

- my favorite live band to watch. - Dwane: Yeah.

Mumford: Ah yes!

Would you guys be up for doing that tonight?

Kids: Yeah! Woo!

- Well, um... - We're just gonna cancel our show

and have you guys play and dance.

It'd be awesome.

Thank you very much!

That's the Austin High Marching Band!

( Music playing )

Man: All the way to the baggage car!

- I feel there's too many "friends." - Yeah, no "friends."

- Just take "friends" out. - Say "Pardon me."

- Yeah. - You could say "Pardon me" something.

- Engineer? - ♪ Pardon me... ♪

- But I do like the... - "Conductor, pardon me"?

- ♪ Uh-huh, pardon me... ♪ - "Sir, pardon me"?

- Okay. - ♪ Please pardon me. ♪

- "Please pardon me"? Okay. - Yeah.

Secor: "Bound for Glory" is what we are.

That's what this tour is--

- God damn bound for glory. - ( crowd cheering )

All right, this is the finale.

If you've enjoyed it, let us hear it.

It sure was a great ride

to New Orleans, wasn't it, y'all?

2800 miles, a week and a half,

and the time of our lives.

And all of you good-looking people

waiting on the other end.

Let's get on board one more time, shall we?

Yeah!

Mumford: Let's have some keys, Aaron!

Nico, give us some guitar!

Let's have some banjo, boys!

Gill Landry on the slide!

Nora and Ben on the accordion!

Ross Holmes on the fiddle!

Bass!

Let's have some drums, boys!

Blow that horn!

Alex: Quickly, before the mirage dissipates

and we wake up-- or worse, grow up.

Whom but children believe that a train

could come to the aid of any of these quests?

I do.

And I will.

Always.

And goodbye.

So supposedly, that--

So that second chorus would be...

♪ Singing sweet dreams forever ♪

♪ On a train in the sky... ♪

That's not bad.

Jadey, line for the end of the song.

Castrinos: Well, how does it go?

The melody is, and the sentiment is, like,

something about the end of the journey.

- You know what I mean? - Man: Us not wanting to go.

- Yeah, well, I-- - It's only the beginning.

Okay, good. That's great.

Yeah, "It's only the beginning." That should be good.

Alex: Excuse the rudimentary guitar playing.

I just wanted to send this to you.