Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:01:13,490 --> 00:01:15,242
Hi, honey.
2
00:01:17,244 --> 00:01:19,121
Hey, did you see
this evening's paper?
3
00:01:19,246 --> 00:01:20,789
Listen to this.
4
00:01:20,914 --> 00:01:23,500
Uh, "The indisputed star
5
00:01:23,625 --> 00:01:26,003
"of a great evening
entertainment,
6
00:01:26,128 --> 00:01:27,546
"the genius of the conga drum
7
00:01:27,671 --> 00:01:29,506
"who, as usual, stopped
the show last night
8
00:01:29,631 --> 00:01:30,924
"with his rendition of 'Babalu.'
9
00:01:31,049 --> 00:01:32,259
Ricky Ricardo."
10
00:01:32,384 --> 00:01:33,802
Couldn't have been better
if I wrote it myself.
11
00:01:33,927 --> 00:01:35,262
How about that?
12
00:02:35,072 --> 00:02:38,867
Lucy... what are you doing?
13
00:02:38,992 --> 00:02:40,869
I'm writing a play.
14
00:02:40,994 --> 00:02:42,788
You're writing a what?
15
00:02:42,913 --> 00:02:43,997
A play.
16
00:02:49,419 --> 00:02:51,797
And there it is... finished.
17
00:02:51,922 --> 00:02:55,050
125 pages dripping with drama,
18
00:02:55,175 --> 00:02:57,886
dripping with intrigue,
dripping with excitement!
19
00:02:58,011 --> 00:03:00,013
I'd better get the mop.
20
00:03:00,138 --> 00:03:01,848
Never mind.
21
00:03:01,973 --> 00:03:04,393
I wonder if Ethel's ready
with her costume.
22
00:03:07,979 --> 00:03:09,064
Good.
23
00:03:09,189 --> 00:03:11,066
Oh, I wonder what
she looks like.
24
00:03:11,191 --> 00:03:13,568
Uh, excuse me,
Mrs. Shakespeare,
25
00:03:13,694 --> 00:03:16,196
but, um... would
you mind telling me
26
00:03:16,321 --> 00:03:17,364
what this is all about?
27
00:03:17,489 --> 00:03:18,990
Well, you see,
all the women's clubs in town
28
00:03:19,116 --> 00:03:20,909
are having
a big playwriting contest.
29
00:03:21,034 --> 00:03:24,079
I knew it, I knew it.
30
00:03:24,204 --> 00:03:25,788
This had to do
31
00:03:25,913 --> 00:03:29,209
with the Wednesday Afternoon
Fang and Claw Society.
32
00:03:29,334 --> 00:03:32,921
It's the Wednesday Afternoon
Fine Arts League.
33
00:03:33,046 --> 00:03:34,423
Gee, just think,
if our play wins
34
00:03:34,548 --> 00:03:37,092
I might become a big,
famous playwright.
35
00:03:37,217 --> 00:03:39,845
I might become
another Tennessee Ernie.
36
00:03:42,055 --> 00:03:43,598
That's Tennessee Williams.
37
00:03:43,724 --> 00:03:45,142
Oh.
38
00:03:45,267 --> 00:03:47,936
You know, that's a very
interesting name-- Tennessee.
39
00:03:48,061 --> 00:03:50,105
I wonder what
I should call myself.
40
00:03:50,230 --> 00:03:53,108
How about
"South Dakota Ricardo"?
41
00:03:53,233 --> 00:03:54,943
No, it's not so good, is it?
42
00:03:55,068 --> 00:03:58,071
Why don't you tell them
you were born in Providence?
43
00:03:58,196 --> 00:04:00,741
Then they can call you
"Rhode Island Red."
44
00:04:03,577 --> 00:04:05,120
Stop.
45
00:04:05,245 --> 00:04:09,416
Incidentally, how do you happen
to be the one
46
00:04:09,541 --> 00:04:10,625
who's writing this play?
47
00:04:10,751 --> 00:04:12,085
How do you think?
48
00:04:12,210 --> 00:04:15,088
You're the only one
that has a typewriter?
49
00:04:15,213 --> 00:04:16,589
No, smarty.
50
00:04:16,714 --> 00:04:17,966
I happen to be very close
51
00:04:18,091 --> 00:04:20,427
to the star who's
going to play the lead.
52
00:04:20,552 --> 00:04:23,430
Oh? Anyone I know?
53
00:04:23,555 --> 00:04:25,307
Well, I-I can't reveal his name.
54
00:04:25,432 --> 00:04:26,933
I'm saving it for publicity.
55
00:04:27,058 --> 00:04:27,934
Uh-huh.
56
00:04:28,059 --> 00:04:30,479
Uh, this, uh... this, uh, star
57
00:04:30,604 --> 00:04:32,481
that is going to play the lead,
58
00:04:32,606 --> 00:04:35,317
his initials aren't
"Ricky Ricardo," are they?
59
00:04:35,442 --> 00:04:37,360
Oh, don't be ridiculous.
60
00:04:37,486 --> 00:04:39,613
Ha! You flatter yourself.
61
00:04:39,738 --> 00:04:41,615
[Ethel] ♪ Da, da, da, da-da... ♪
62
00:04:43,742 --> 00:04:45,911
♪ Da-da, da, da, da. ♪
63
00:04:48,079 --> 00:04:49,289
Could I help you, madam?
64
00:04:49,414 --> 00:04:50,749
That's Ethel.
65
00:04:54,044 --> 00:04:56,129
Ay-ay-ay-ay-ay.
66
00:04:56,254 --> 00:04:57,672
How do you like my costume?
67
00:04:57,798 --> 00:04:59,257
It's just wonderful, Ethel.
68
00:04:59,382 --> 00:05:00,884
Who are you supposed to be?
69
00:05:01,009 --> 00:05:02,427
Well, what do you think?
70
00:05:02,552 --> 00:05:05,263
The Bride of Frankenstein?
71
00:05:05,388 --> 00:05:06,348
Well!
72
00:05:06,473 --> 00:05:08,350
She's a Spanish señora.
73
00:05:08,475 --> 00:05:10,351
She suffers in the translation.
74
00:05:10,476 --> 00:05:11,353
Oh...
75
00:05:11,478 --> 00:05:13,104
Are you ready for rehearsal?
76
00:05:13,230 --> 00:05:14,523
Rehearsal?
77
00:05:14,648 --> 00:05:16,733
You mean you finished the
whole play since dinner?
78
00:05:16,858 --> 00:05:18,193
- It's only been two hours.
- Uh-huh.
79
00:05:18,318 --> 00:05:20,445
Well, that's nothing
for a famous playwright
80
00:05:20,570 --> 00:05:21,738
like "Rhode Island Red."
81
00:05:21,863 --> 00:05:22,738
Huh?
82
00:05:22,863 --> 00:05:23,907
Oh, he means me.
83
00:05:24,032 --> 00:05:25,700
Pay no attention to him.
84
00:05:25,826 --> 00:05:27,077
What did it turn out to be
85
00:05:27,202 --> 00:05:29,037
a comedy, a drama or an epic?
86
00:05:29,162 --> 00:05:30,372
She wasn't sure
when she started.
87
00:05:30,497 --> 00:05:31,373
Oh.
88
00:05:31,498 --> 00:05:32,374
A drama.
89
00:05:32,499 --> 00:05:33,500
Light or heavy?
90
00:05:33,625 --> 00:05:35,210
Well, about medium, I think.
91
00:05:35,335 --> 00:05:36,419
Well, that does it.
92
00:05:36,545 --> 00:05:38,129
Let me know
when rehearsal is over.
93
00:05:38,255 --> 00:05:39,380
Oh, Ricky, wait a minute.
94
00:05:39,505 --> 00:05:41,424
I thought maybe that
you'd help us out
95
00:05:41,550 --> 00:05:42,884
by reading the man's part.
96
00:05:43,009 --> 00:05:44,636
Well, honey,
if I'm not going to be in it,
97
00:05:44,761 --> 00:05:45,720
what good would that do?
98
00:05:45,846 --> 00:05:46,888
Well, uh...
99
00:05:47,013 --> 00:05:50,141
Oh, please, Ricky, won't
you do it for me...
100
00:05:50,267 --> 00:05:52,394
and "Rhode Island Red"?
101
00:05:52,519 --> 00:05:53,812
Well, all right.
102
00:05:53,937 --> 00:05:55,146
If you put it that way, I will.
103
00:05:55,272 --> 00:05:57,399
- Good.
- What is it all about?
104
00:05:57,524 --> 00:06:00,569
Well, it's a tender, moving,
heart-rending story
105
00:06:00,694 --> 00:06:02,404
of a Cuban tobacco picker
106
00:06:02,529 --> 00:06:05,574
and his love for the
plantation owner's daughter.
107
00:06:05,699 --> 00:06:07,701
Wait a minute.
108
00:06:09,035 --> 00:06:11,997
This play is all about
a Cuban tobacco picker?
109
00:06:12,122 --> 00:06:13,081
Yes, but don't worry--
110
00:06:13,206 --> 00:06:14,499
You're not going to be in it.
111
00:06:14,624 --> 00:06:15,750
Now, you go out in the kitchen
112
00:06:15,876 --> 00:06:17,085
and wait for your entrance cue.
113
00:06:17,210 --> 00:06:18,086
Now, go on. Go on.
114
00:06:18,211 --> 00:06:19,212
All right.
115
00:06:19,337 --> 00:06:20,505
Now, remember, Ethel,
116
00:06:20,630 --> 00:06:22,757
I am a gorgeous,
dark-eyed beauty,
117
00:06:22,883 --> 00:06:26,094
and you're my fat, ugly,
old crone of a mother.
118
00:06:26,219 --> 00:06:27,095
Fat?
119
00:06:27,220 --> 00:06:28,263
Yes.
120
00:06:28,388 --> 00:06:29,931
Well, it'll take
a lot of acting,
121
00:06:30,056 --> 00:06:31,266
but I guess I can do it.
122
00:06:31,391 --> 00:06:32,267
All right.
123
00:06:32,392 --> 00:06:33,810
Now, as the scene opens,
124
00:06:33,935 --> 00:06:35,729
you're sitting
outside your hacienda,
125
00:06:35,854 --> 00:06:39,399
and you're rocking
back and forth on your veranda.
126
00:06:40,859 --> 00:06:42,068
Now, you're seated there.
127
00:06:42,193 --> 00:06:43,445
You're rocking back and forth
128
00:06:43,570 --> 00:06:46,948
and you're singing,
and I come out of my hacienda.
129
00:06:51,119 --> 00:06:54,080
♪ La, la, la, la-la,
la, la, la... ♪
130
00:06:55,707 --> 00:06:57,791
How long do I keep singing?
131
00:06:57,918 --> 00:07:00,462
Till I make my entrance.
132
00:07:00,587 --> 00:07:03,005
♪ La, la, la,
la-la, la, la ♪
133
00:07:03,130 --> 00:07:04,966
♪ La-la, la, la,
la-la, la, la, la... ♪
134
00:07:08,303 --> 00:07:10,138
¿Como esta, Mamasita?
135
00:07:10,263 --> 00:07:12,557
"My bean, Lukita."
136
00:07:13,892 --> 00:07:16,353
"My bean, Lukita."
137
00:07:16,478 --> 00:07:19,230
That's "Muy bien, Lucita."
138
00:07:24,235 --> 00:07:25,570
Oh.
139
00:07:25,695 --> 00:07:27,572
"Muy bien, Lucita."
140
00:07:27,697 --> 00:07:31,284
Yeah. Mamasita, how you
like me in my new dress?
141
00:07:31,409 --> 00:07:33,453
"You look very pretty, Lucita.
142
00:07:33,578 --> 00:07:36,247
"Your hair is shining,
your eyes are bright
143
00:07:36,373 --> 00:07:39,292
and your nose is continued
on the next page."
144
00:07:43,797 --> 00:07:47,008
You don't read that--
that's the directions.
145
00:07:47,133 --> 00:07:48,009
Well, how can I tell?
146
00:07:48,134 --> 00:07:49,010
It's all run together.
147
00:07:49,135 --> 00:07:50,929
Well, I typed it in a big hurry,
148
00:07:51,054 --> 00:07:53,348
Now, go on...
and read it with an accent.
149
00:07:53,473 --> 00:07:54,516
This is in Spanish.
150
00:07:54,641 --> 00:07:55,850
Oh.
151
00:07:55,976 --> 00:07:58,436
"Why are you all
dressed up, Lucita?"
152
00:07:58,561 --> 00:08:02,023
Because I think I go for a walk
through the mango trees.
153
00:08:02,148 --> 00:08:03,525
"That's nice?"
154
00:08:03,650 --> 00:08:06,945
"That's nice? That's nice?"
155
00:08:07,070 --> 00:08:09,364
- What's the matter?
- That's not a question!
156
00:08:09,489 --> 00:08:11,157
Well, there's a question mark
here.
157
00:08:11,282 --> 00:08:12,575
There is not.
158
00:08:12,701 --> 00:08:13,702
Look.
159
00:08:13,827 --> 00:08:15,328
Oh. Well, there shouldn't be.
160
00:08:15,453 --> 00:08:16,663
You ought to know that.
161
00:08:16,788 --> 00:08:19,207
How should I ought to know that?
162
00:08:19,332 --> 00:08:20,583
Well, go on, go on.
163
00:08:20,709 --> 00:08:22,168
"That's nice.
164
00:08:22,293 --> 00:08:23,545
Do you go alone?"
165
00:08:23,670 --> 00:08:25,630
Sí, I go alone.
166
00:08:25,755 --> 00:08:26,881
"Eh, eh, eh!
167
00:08:27,007 --> 00:08:29,551
I think you go there
to meet your liver."
168
00:08:29,676 --> 00:08:30,844
Lover!
169
00:08:37,183 --> 00:08:39,894
"I think you go there
to meet your lover,
170
00:08:40,020 --> 00:08:42,814
"that worthless,
good-for-nothing tobacco picker.
171
00:08:42,939 --> 00:08:44,732
"How can you even look at him--
172
00:08:44,857 --> 00:08:47,027
You, the plantation
owner's daughter?"
173
00:08:47,152 --> 00:08:50,155
Shush, Mamasita,
here he comes now.
174
00:08:51,655 --> 00:08:52,907
Shush, Mamasita,
175
00:08:53,033 --> 00:08:54,909
here he comes now.
176
00:08:55,035 --> 00:08:57,203
Ricky, that's your cue!
177
00:08:57,328 --> 00:08:58,203
Oh.
178
00:09:00,874 --> 00:09:02,000
Señora y señorita,
179
00:09:02,125 --> 00:09:04,085
buenas noches.
180
00:09:04,210 --> 00:09:05,754
¿Como estan?
181
00:09:05,879 --> 00:09:07,380
What are you doing
with a sandwich?
182
00:09:07,505 --> 00:09:09,090
I didn't write that
into the script.
183
00:09:09,215 --> 00:09:11,718
Well, I got so hungry waiting
for my cue, I ad-libbed it.
184
00:09:11,843 --> 00:09:14,304
Well, swallow and come on.
185
00:09:14,429 --> 00:09:15,597
All right.
186
00:09:15,722 --> 00:09:18,058
Uh... "Buenas noches,
señora y señorita.
187
00:09:18,183 --> 00:09:19,267
¿Como estan?"
188
00:09:19,392 --> 00:09:21,519
¿Como esta, mi amor?
189
00:09:21,644 --> 00:09:24,022
"¿Como esta, you big bum."
190
00:09:24,147 --> 00:09:27,567
Oh, you pay no attention
to Mama, Fernando.
191
00:09:27,692 --> 00:09:29,027
She no feel well.
192
00:09:29,152 --> 00:09:30,111
Now you kneel.
193
00:09:30,236 --> 00:09:31,529
I kneel. All right.
194
00:09:31,654 --> 00:09:32,947
Uh...
195
00:09:33,073 --> 00:09:35,950
"I am sorry to hear
you don't feel well, Mamasita.
196
00:09:36,076 --> 00:09:38,535
Are you having trouble
with your lover?"
197
00:09:38,660 --> 00:09:40,705
Liver!
198
00:09:46,753 --> 00:09:49,255
"Are you having trouble
with your liver?"
199
00:09:49,380 --> 00:09:51,549
"No, I am not, Fernando.
200
00:09:51,674 --> 00:09:53,384
"I am feeling not well
201
00:09:53,510 --> 00:09:54,928
"because you are in
love with my daughter,
202
00:09:55,053 --> 00:09:56,261
"but you have no way
203
00:09:56,386 --> 00:09:58,723
to make money to
support her, do you?"
204
00:09:58,848 --> 00:10:00,308
"No, I don't."
205
00:10:00,433 --> 00:10:04,979
No, Mama, he "don't."
206
00:10:05,105 --> 00:10:06,731
Now, wait a minute,
Wait a minute.
207
00:10:06,856 --> 00:10:09,484
Wh-What's the idea of making fun
of me in this play?
208
00:10:09,609 --> 00:10:10,985
Fun of you?
209
00:10:11,111 --> 00:10:14,989
Yeah. Look at the way you got
"don't" spelled: D-U-N-T.
210
00:10:15,115 --> 00:10:17,826
Well, that's
a typographical error.
211
00:10:17,951 --> 00:10:18,827
Yeah?
212
00:10:18,952 --> 00:10:19,910
Yeah, now go on.
213
00:10:20,035 --> 00:10:20,912
All right.
214
00:10:21,037 --> 00:10:22,122
"Someday
215
00:10:22,247 --> 00:10:24,165
"I will be a big man, señora.
216
00:10:24,290 --> 00:10:26,626
I am learning how to play
the conga drum."
217
00:10:26,751 --> 00:10:30,421
Oh, yes, Mama, he make
nice music on the drum.
218
00:10:30,547 --> 00:10:32,549
Lots of noise, Mama, yes.
219
00:10:32,674 --> 00:10:34,217
Mm-hmm.
220
00:10:34,342 --> 00:10:36,678
"Someday I will become famous
221
00:10:36,803 --> 00:10:39,013
"by singing a song called...
222
00:10:39,139 --> 00:10:40,640
'Babalu"'?
223
00:10:40,765 --> 00:10:42,976
[Lucy] Uh, it's a very
nice song, Mama.
224
00:10:43,101 --> 00:10:45,019
♪ ¡Babalu! ¡Babalu! ♪
225
00:10:45,145 --> 00:10:47,981
Wait a minute, wait a minute,
wait a minute, wait a minute.
226
00:10:48,106 --> 00:10:49,941
Who is this
Cuban tobacco picker
227
00:10:50,066 --> 00:10:52,819
who plays the conga drums
and sings "Babalu"?
228
00:10:52,944 --> 00:10:53,820
Guess.
229
00:10:53,945 --> 00:10:57,198
Sir Cedric Hardwicke?
230
00:10:57,323 --> 00:10:59,367
No.
231
00:10:59,492 --> 00:11:01,703
John Charles Thomas?
232
00:11:01,828 --> 00:11:03,037
No.
233
00:11:03,163 --> 00:11:04,038
Lassie?
234
00:11:04,164 --> 00:11:06,040
All right, Ricky.
235
00:11:06,166 --> 00:11:07,833
I wrote the whole thing
with you in mind.
236
00:11:07,958 --> 00:11:09,002
No!
237
00:11:09,127 --> 00:11:10,336
Well, I thought
when you read it,
238
00:11:10,461 --> 00:11:12,046
and you found out what
a good part it was,
239
00:11:12,172 --> 00:11:13,047
you'd want to be in it.
240
00:11:13,173 --> 00:11:15,884
Well, Lucy, I realize
that this part
241
00:11:16,009 --> 00:11:18,761
will make Laurence Olivier
hop on the next boat,
242
00:11:18,886 --> 00:11:22,140
but, uh... thanks just the same.
243
00:11:22,265 --> 00:11:24,058
But Ricky, you've got to do it.
244
00:11:24,184 --> 00:11:25,059
Why?
245
00:11:25,184 --> 00:11:27,227
Well, because...
246
00:11:27,352 --> 00:11:28,605
Because that's the only reason
247
00:11:28,730 --> 00:11:30,440
they let Lucy write
the play.
248
00:11:30,565 --> 00:11:32,066
Lucy!
249
00:11:32,192 --> 00:11:34,694
You mean, you were just using me
250
00:11:34,819 --> 00:11:37,655
to further
your own selfish purposes?
251
00:11:37,780 --> 00:11:38,990
For shame!
252
00:11:39,115 --> 00:11:40,825
[Lucy] But, Ricky...
253
00:11:40,950 --> 00:11:42,368
I am sorry,
I am not interested.
254
00:11:42,493 --> 00:11:43,535
Get yourself a new boy.
255
00:11:43,660 --> 00:11:44,703
Good-bye.
256
00:11:44,828 --> 00:11:47,916
Ricky Ricardo,
you'll regret this!
257
00:11:48,041 --> 00:11:50,083
Well, I'm pretty sure
that I will,
258
00:11:50,210 --> 00:11:52,420
but, uh, I'm sorry,
Mrs. Playwright.
259
00:11:52,545 --> 00:11:54,130
Thanks for thinking of me.
260
00:11:54,255 --> 00:11:55,631
I will always treasure
261
00:11:55,756 --> 00:11:59,552
this original carbon copy of
your masterpiece... forever.
262
00:11:59,677 --> 00:12:02,597
Oh...
263
00:12:02,722 --> 00:12:06,267
Oh, Lucy, I'm sorry I had
to open my big, fat mouth.
264
00:12:06,392 --> 00:12:07,727
Well, don't you worry, Ethel.
265
00:12:07,852 --> 00:12:09,520
There's a lot of actors
in this town
266
00:12:09,646 --> 00:12:10,772
that'll jump at the chance,
267
00:12:10,897 --> 00:12:12,398
and I'm going to call them
right now.
268
00:12:14,150 --> 00:12:15,109
Uh-huh?
269
00:12:15,235 --> 00:12:16,778
Yes.
270
00:12:16,903 --> 00:12:22,116
Well, yes, yes, it's an original
play for a woman's club.
271
00:12:22,242 --> 00:12:25,578
Oh, yes, you'll be the star.
272
00:12:25,703 --> 00:12:26,746
How's that?
273
00:12:26,871 --> 00:12:29,374
Oh, no,
we can't pay you anything.
274
00:12:29,499 --> 00:12:31,042
Well, you see, our club...
275
00:12:31,167 --> 00:12:32,502
Hello?
276
00:12:34,003 --> 00:12:36,631
Hello? Hello!
277
00:12:36,756 --> 00:12:38,424
Oh...
278
00:12:38,549 --> 00:12:40,843
Good morning, Lucy.
How you doing?
279
00:12:40,969 --> 00:12:41,844
Oh, awful.
280
00:12:41,970 --> 00:12:43,429
Actors are certainly peculiar.
281
00:12:43,554 --> 00:12:45,306
They won't work
unless you pay them.
282
00:12:45,431 --> 00:12:47,976
- Well, look, Lucy,
- Hmm?
283
00:12:48,101 --> 00:12:49,519
As long as you haven't found
anyone to play the part,
284
00:12:49,644 --> 00:12:50,937
I know someone
who'll do it.
285
00:12:51,062 --> 00:12:52,313
Really? Is he the right type?
286
00:12:52,438 --> 00:12:53,314
Oh, sure.
287
00:12:53,439 --> 00:12:54,941
He's a real Latin lover.
288
00:12:55,066 --> 00:12:56,150
I'll bring him in.
289
00:12:56,276 --> 00:12:57,485
Oh!
290
00:12:57,610 --> 00:12:59,445
Introducing Fernando.
291
00:12:59,570 --> 00:13:00,863
Tah-dah!
292
00:13:03,574 --> 00:13:06,160
♪ Ya, dya-da, dya, dya,
dya-da, dya-da, da. ♪
293
00:13:08,453 --> 00:13:12,000
Oh, Ethel, why do you
always foist Fred on me?
294
00:13:12,125 --> 00:13:13,083
Foist?
295
00:13:13,208 --> 00:13:14,168
Yes, foist.
296
00:13:14,294 --> 00:13:15,712
You're some Latin lover.
297
00:13:15,837 --> 00:13:18,381
Well, I took Latin
in high school.
298
00:13:18,506 --> 00:13:20,675
Amo, amas, amat,
amamus, amatis, amant.
299
00:13:20,800 --> 00:13:22,010
What's the matter with that?
300
00:13:22,135 --> 00:13:24,178
But this is Spanish.
301
00:13:24,304 --> 00:13:26,347
Do you know how
to speak Spanish?
302
00:13:26,472 --> 00:13:28,975
Bonus nokas, sinura.
303
00:13:29,100 --> 00:13:31,769
There, he sounds
just like Ricky.
304
00:13:31,894 --> 00:13:34,480
Yeah, he sounds like Ricky
speaking English.
305
00:13:34,605 --> 00:13:38,526
Well, maybe he doesn't
look the part,
306
00:13:38,651 --> 00:13:39,986
and maybe he can't
speak Spanish,
307
00:13:40,111 --> 00:13:42,697
but you'll have to admit
there's one thing in his favor.
308
00:13:42,822 --> 00:13:43,698
What?
309
00:13:43,823 --> 00:13:45,199
He's willing to do it.
310
00:13:45,325 --> 00:13:48,285
Oh, what a spot to be in.
311
00:13:48,410 --> 00:13:50,288
You know who's going
to judge these plays?
312
00:13:50,413 --> 00:13:52,790
A big movie producer,
Darryl B. Mayer.
313
00:13:52,915 --> 00:13:54,751
What a chance to be seen.
314
00:13:54,876 --> 00:13:55,752
Yeah, and I'm stuck
315
00:13:55,877 --> 00:13:57,462
with Fat Freddy,
the Latin lover.
316
00:13:57,587 --> 00:13:59,213
Oh, now, wait a minute, Lucy.
317
00:13:59,339 --> 00:14:00,214
Give us a break.
318
00:14:00,340 --> 00:14:01,591
Why, I'll go on a diet.
319
00:14:01,716 --> 00:14:03,217
Well, that isn't the only thing,
Fred.
320
00:14:03,343 --> 00:14:05,053
The important thing is
the way you sound.
321
00:14:05,178 --> 00:14:06,471
Can you speak
any other language?
322
00:14:06,596 --> 00:14:08,014
Say, he can do British.
323
00:14:08,139 --> 00:14:09,265
He can?
324
00:14:09,390 --> 00:14:11,476
Well, rather, old thing.
325
00:14:11,601 --> 00:14:14,979
I'll put you through
to my secretary.
326
00:14:15,104 --> 00:14:17,065
Cheerio! Pip-pip!
327
00:14:17,190 --> 00:14:19,567
And all that
silly sort of rot.
328
00:14:19,692 --> 00:14:20,902
Hey, that isn't bad.
329
00:14:21,027 --> 00:14:22,278
How about you, Ethel?
330
00:14:22,403 --> 00:14:24,197
Oh, definitely, darling.
331
00:14:24,322 --> 00:14:25,615
Right-o, old bean.
332
00:14:25,740 --> 00:14:27,492
Good show, Deborah.
333
00:14:27,617 --> 00:14:28,576
Thank you.
334
00:14:28,701 --> 00:14:30,078
Ha-ha! That's wonderful.
335
00:14:30,203 --> 00:14:31,412
How about you, Lucy?
336
00:14:31,537 --> 00:14:32,622
Uh, let's see now.
337
00:14:32,747 --> 00:14:34,957
Uh... afternoon, Mater.
338
00:14:35,083 --> 00:14:36,793
Pater won't be down for tea.
339
00:14:36,918 --> 00:14:37,919
We just buried him.
340
00:14:38,044 --> 00:14:40,171
Had to-- dead, you know.
341
00:14:41,714 --> 00:14:42,965
Oh, this is great!
342
00:14:43,091 --> 00:14:45,343
I'll switch the whole
thing to England.
343
00:14:45,468 --> 00:14:46,344
Right-o?
344
00:14:46,469 --> 00:14:47,428
Right-o!
345
00:14:47,553 --> 00:14:49,305
Right-o! Pip-pip,
cheerio, here we go.
346
00:14:58,481 --> 00:15:01,109
Well, there you are.
347
00:15:02,485 --> 00:15:04,779
Good morning, ladies.
348
00:15:04,904 --> 00:15:09,242
Would you pour me a spot of tea,
my dear louse?
349
00:15:10,576 --> 00:15:11,911
Louse?
350
00:15:14,288 --> 00:15:17,834
Oh... "My dear Louise."
351
00:15:17,959 --> 00:15:18,835
Hiya, Fred.
352
00:15:18,960 --> 00:15:20,503
Hi.
353
00:15:20,628 --> 00:15:23,047
I just came down to see if
you want to go to the fights.
354
00:15:23,172 --> 00:15:25,883
You know, Lucy is going
to be in that stupid play.
355
00:15:26,008 --> 00:15:26,926
I can't make it, Rick.
356
00:15:27,051 --> 00:15:28,219
Why not?
357
00:15:28,344 --> 00:15:30,555
Well, I'm going to be
in the stupid play, too.
358
00:15:30,680 --> 00:15:32,890
You are going to...?
359
00:15:47,989 --> 00:15:49,157
You mean to tell me
360
00:15:49,282 --> 00:15:51,576
you let them make
a boob out of you?
361
00:15:53,161 --> 00:15:54,745
All right, go ahead and laugh.
362
00:15:54,871 --> 00:15:58,416
Just wait till Darryl B. Mayer
gets a gander at my performance.
363
00:15:58,541 --> 00:15:59,625
Darryl B. Mayer?
364
00:15:59,750 --> 00:16:00,918
Yeah.
365
00:16:01,043 --> 00:16:04,005
What does he want
with a corny contest like that?
366
00:16:04,130 --> 00:16:06,424
He's just going to judge
the whole thing, that's all.
367
00:16:06,549 --> 00:16:09,343
Hollywood, here I come.
368
00:16:11,053 --> 00:16:12,472
Darryl B. Mayer!
369
00:16:12,597 --> 00:16:14,682
Where you get an idea like that?
370
00:16:14,807 --> 00:16:16,434
Well, it's
in the morning paper. Here.
371
00:16:16,559 --> 00:16:17,477
It is?
372
00:16:17,602 --> 00:16:19,562
Take a look at it yourself.
373
00:16:25,985 --> 00:16:28,779
Uh... Fred...
374
00:16:28,905 --> 00:16:30,114
old chum...
375
00:16:30,239 --> 00:16:31,782
old pal...
376
00:16:31,908 --> 00:16:32,950
old buddy...
377
00:16:33,075 --> 00:16:34,076
Yeah?
378
00:16:34,202 --> 00:16:36,287
We've been friends
for a long time.
379
00:16:36,412 --> 00:16:37,622
Yeah.
380
00:16:37,747 --> 00:16:39,707
Well, I'm not going to
let them do this to you.
381
00:16:39,832 --> 00:16:40,708
You're not?
382
00:16:40,833 --> 00:16:41,834
No, sir.
383
00:16:41,959 --> 00:16:43,294
Old chum...
384
00:16:43,419 --> 00:16:44,295
old pal...
385
00:16:44,420 --> 00:16:45,755
Old buddy.
386
00:16:47,757 --> 00:16:50,801
I'm not going to let them
make a boob out of you.
387
00:16:50,927 --> 00:16:52,303
You're not?
388
00:16:52,428 --> 00:16:55,056
No, sir. I'm going to let
them make a boob out of me.
389
00:16:55,181 --> 00:16:57,975
And incidentally, let Mayer
make a star out of you.
390
00:16:58,100 --> 00:17:01,562
Fred, you hurt me when
you say things like that.
391
00:17:01,687 --> 00:17:05,733
You don't realize what a
tremendous sacrifice I'm making.
392
00:17:05,858 --> 00:17:09,529
You know, these-these women
club plays are terrible,
393
00:17:09,654 --> 00:17:12,740
and Lucy's would be
worse than any of them.
394
00:17:12,865 --> 00:17:15,159
Now, if Mayer sees
you in a flop...
395
00:17:15,284 --> 00:17:17,328
-
- you're finished.
396
00:17:17,453 --> 00:17:20,164
You know,
I hadn't thought of that.
397
00:17:20,289 --> 00:17:21,332
I guess you're right.
398
00:17:21,457 --> 00:17:22,750
Of course I'm right.
399
00:17:22,875 --> 00:17:24,961
- When is the play, tonight?
- Yeah.
400
00:17:25,086 --> 00:17:27,255
Well, I'd better go upstairs
and rehearse my part, eh?
401
00:17:27,380 --> 00:17:28,256
Well, here, take this.
402
00:17:28,381 --> 00:17:29,757
No, no, I-I have
my own script,
403
00:17:29,882 --> 00:17:33,010
but listen, don't say
anything to Lucy, eh?
404
00:17:33,135 --> 00:17:36,013
I want to surprise her, see?
405
00:17:36,138 --> 00:17:38,349
I don't, uh... I don't
want her to think
406
00:17:38,474 --> 00:17:39,850
that I'm trying to
get into her play.
407
00:17:39,976 --> 00:17:42,520
Oh, then you are trying
to get into it.
408
00:17:42,645 --> 00:17:43,854
Now, wait a minute...
409
00:17:43,980 --> 00:17:44,855
All right, Rick...
410
00:17:44,981 --> 00:17:46,190
old pal...
411
00:17:46,315 --> 00:17:48,192
old chum...
412
00:17:48,317 --> 00:17:49,359
old buddy,
413
00:17:49,484 --> 00:17:51,195
I'm not going
to let you do it.
414
00:17:51,320 --> 00:17:52,196
Why not?
415
00:17:52,321 --> 00:17:53,698
Because the play is
going to be a flop--
416
00:17:53,823 --> 00:17:55,532
You said so yourself--
417
00:17:55,657 --> 00:17:57,535
And you can't afford
to be in a flop.
418
00:17:57,660 --> 00:18:00,037
Well, Fred, you seem to forget
419
00:18:00,162 --> 00:18:01,955
one little thing that
makes it different.
420
00:18:02,080 --> 00:18:03,165
Oh, what's that?
421
00:18:03,291 --> 00:18:07,878
With me in it, how can
it possibly be a flop?
422
00:18:08,004 --> 00:18:11,799
Yeah, I did forget that.
423
00:18:11,924 --> 00:18:15,386
- Adios.
- Adios.
424
00:18:21,434 --> 00:18:25,646
You have just seen
Mrs. Glazingham's play
425
00:18:25,771 --> 00:18:28,691
entitled Pearl One, Drop Two
426
00:18:28,816 --> 00:18:32,153
or Much Ado about Knitting.
427
00:18:35,740 --> 00:18:38,492
Isn't that a dear title?
428
00:18:41,871 --> 00:18:43,914
Knitting... I-I think...
429
00:18:44,040 --> 00:18:45,708
Oh, well, anyway, um...
430
00:18:47,251 --> 00:18:48,794
That brings us
431
00:18:48,919 --> 00:18:53,132
to the Wednesday Afternoon
Fine Arts entry in our contest.
432
00:18:53,257 --> 00:18:56,594
It was written
by Mrs. Ricky Ricardo
433
00:18:56,719 --> 00:19:00,806
and is entitled
The Perils of Pamela.
434
00:19:00,931 --> 00:19:04,810
Take it away, Wednesday
Afternoon Fine Arts League.
435
00:19:08,356 --> 00:19:11,108
A pip-pip and toodle-ooh.
436
00:19:11,233 --> 00:19:13,109
I wonder what could be
keeping my daughter Pamela.
437
00:19:13,234 --> 00:19:15,613
She should have been here
a fortnight ago.
438
00:19:17,281 --> 00:19:19,950
Ah, there's dear old Pam now.
439
00:19:27,208 --> 00:19:30,961
Oh... oh, I must have been
jolly well mistaken.
440
00:19:31,087 --> 00:19:33,130
There's obviously no one there.
441
00:19:34,799 --> 00:19:37,635
Ah, here she comes now.
442
00:19:37,760 --> 00:19:39,303
She's coming up the walk.
443
00:19:39,428 --> 00:19:41,055
She must have had
terrible trouble
444
00:19:41,180 --> 00:19:43,766
tethering her 'orse.
445
00:20:03,494 --> 00:20:04,369
Psst!
446
00:20:04,494 --> 00:20:06,122
Oh, daughter!
447
00:20:06,247 --> 00:20:07,580
How you startled me!
448
00:20:09,125 --> 00:20:10,251
Afternoon, Mater.
449
00:20:10,376 --> 00:20:12,712
Afternoon, daughter.
450
00:20:12,837 --> 00:20:16,632
Well, I don't mind telling you,
Mater, I've 'ad it.
451
00:20:19,635 --> 00:20:22,805
Why, whatever do you mean,
Pamela?
452
00:20:22,930 --> 00:20:25,474
All morning long
I was riding the hounds
453
00:20:25,599 --> 00:20:28,185
and frankly, I'm pooped.
454
00:20:28,310 --> 00:20:31,105
Tired from riding the 'ounds?
455
00:20:31,230 --> 00:20:32,523
Yes, and I do believe
456
00:20:32,648 --> 00:20:35,151
that tomorrow I'll try riding
one of the 'orses.
457
00:20:37,319 --> 00:20:39,946
Pamela, what you need
is a spot of tea.
458
00:20:40,071 --> 00:20:40,948
Right-o, Mater.
459
00:20:41,073 --> 00:20:42,616
That's it, a spot of tea.
460
00:20:42,742 --> 00:20:44,410
Thank you very much.
461
00:20:46,829 --> 00:20:47,747
There you are.
462
00:20:47,872 --> 00:20:48,748
Thank you.
463
00:20:48,873 --> 00:20:50,624
May I have some sugar?
464
00:20:50,750 --> 00:20:51,625
Thank you.
465
00:20:51,751 --> 00:20:53,294
May I have some milk?
466
00:20:53,419 --> 00:20:54,378
Thank you.
467
00:20:54,503 --> 00:20:56,505
May I have a needle and thread?
468
00:20:56,630 --> 00:20:58,090
Whatever for?
469
00:20:58,215 --> 00:21:00,301
I have a nasty tear
in my tea bag.
470
00:21:04,847 --> 00:21:06,432
Pamela...
471
00:21:12,104 --> 00:21:14,940
I've been wanting
to talk to you.
472
00:21:15,065 --> 00:21:16,734
What's the mater, Matter?
473
00:21:16,859 --> 00:21:18,778
Uh, what's the matter, Mater?
474
00:21:18,903 --> 00:21:21,739
It's about this Reggie
you've been going with.
475
00:21:21,864 --> 00:21:22,740
Oh!
476
00:21:22,865 --> 00:21:25,367
Not another word, Mater.
477
00:21:29,121 --> 00:21:30,330
I love the lad.
478
00:21:30,455 --> 00:21:33,375
That's all that matters, Mater.
479
00:21:34,752 --> 00:21:37,963
Well, we'll take this up
with Pater later.
480
00:21:38,088 --> 00:21:39,507
Mater!
481
00:21:39,632 --> 00:21:41,300
Now, Pamela.
482
00:21:41,425 --> 00:21:44,553
Oh, here comes Reggie now.
483
00:21:56,607 --> 00:21:58,818
Buenas noches,
señora y señorita.
484
00:21:58,943 --> 00:22:00,569
¿Como estan?
485
00:22:05,282 --> 00:22:06,492
[Lucy] Ricky!
486
00:22:06,617 --> 00:22:08,160
Uh, uh...
487
00:22:08,285 --> 00:22:09,494
R-R-Reggie!
488
00:22:09,619 --> 00:22:10,579
What happened?
489
00:22:10,704 --> 00:22:11,914
Uh...
490
00:22:12,039 --> 00:22:13,958
Oh, I know, Mater.
491
00:22:14,083 --> 00:22:14,959
You do?
492
00:22:15,084 --> 00:22:16,710
Yes, Reggie's all dressed up
493
00:22:16,836 --> 00:22:18,629
for the king's birthday ball.
494
00:22:18,754 --> 00:22:19,713
Oh-ho-ho!
495
00:22:19,839 --> 00:22:20,881
Good show!
496
00:22:21,006 --> 00:22:22,215
Yes, good show.
497
00:22:22,340 --> 00:22:24,134
I think it stinks.
498
00:22:24,260 --> 00:22:26,470
Uh... uh, Reggie,
what you need is
499
00:22:26,595 --> 00:22:28,556
a spot of tea
and a crumpet.
500
00:22:30,266 --> 00:22:31,976
Sí, Mamasita.
501
00:22:35,938 --> 00:22:37,189
Sí, Mamasita.
502
00:22:37,314 --> 00:22:39,525
I'm sorry you're not
feeling well.
503
00:22:39,650 --> 00:22:42,278
Are you having trouble
with your liver?
504
00:22:42,403 --> 00:22:43,279
Um...
505
00:22:43,404 --> 00:22:44,321
What now?
506
00:22:44,446 --> 00:22:47,449
There will be
a short intermission.
507
00:22:51,287 --> 00:22:52,830
I don't know. What's happen...?
508
00:22:52,955 --> 00:22:54,164
Ricky, what's the
matter with you?
509
00:22:54,290 --> 00:22:55,916
I never was so
humiliated in my life.
510
00:22:56,041 --> 00:22:58,127
What are you trying to
do, ruin my whole play?
511
00:22:58,252 --> 00:22:59,670
Yeah, what are
you trying to do?
512
00:22:59,795 --> 00:23:01,672
No, no, honest,
I was trying to be good.
513
00:23:01,797 --> 00:23:03,924
I just wanted to surprise you.
What happened?
514
00:23:04,049 --> 00:23:05,759
"What happened?" You're
doing the wrong script.
515
00:23:05,885 --> 00:23:07,761
We switched to British.
516
00:23:07,887 --> 00:23:08,846
This is the one
we're doing.
517
00:23:08,971 --> 00:23:10,263
Oh, well, what are
we going to do?
518
00:23:10,388 --> 00:23:11,599
Well, we'll just have to change
519
00:23:11,724 --> 00:23:13,267
so that we're all doing
the same thing.
520
00:23:13,392 --> 00:23:14,685
Oh, all right, all right.
521
00:23:14,810 --> 00:23:15,686
Oh, Lucy...
522
00:23:15,811 --> 00:23:16,770
What's happened?
523
00:23:16,896 --> 00:23:18,522
What shall I tell the audience?
524
00:23:18,647 --> 00:23:20,107
Well, tell them that we're
going to change costumes
525
00:23:20,232 --> 00:23:21,609
and we're going back
to the original version,
526
00:23:21,734 --> 00:23:23,359
A Tree Grows in Havana.
527
00:23:23,484 --> 00:23:25,905
Oh, I hope I don't get
my "cheerios" mixed up
528
00:23:26,030 --> 00:23:27,114
with my "como estas."
529
00:23:27,239 --> 00:23:29,199
You won't. Come on.
530
00:23:29,325 --> 00:23:31,160
Oh, what shall we do?
531
00:23:31,285 --> 00:23:32,494
Well, entertain them,
Miss Mitchell.
532
00:23:32,619 --> 00:23:33,494
Entertain them.
533
00:23:33,621 --> 00:23:34,622
Me?!
534
00:23:34,747 --> 00:23:35,705
Sure, go ahead.
535
00:23:35,830 --> 00:23:37,625
Oh, all right.
536
00:23:37,750 --> 00:23:40,461
I just happened
to bring a poem.
537
00:23:45,007 --> 00:23:47,593
"By the shores of Gitche Gumee,
538
00:23:47,718 --> 00:23:50,387
"By the shining big-sea-water
539
00:23:50,512 --> 00:23:53,515
"Stood the wigwam of Nokomis.
540
00:23:53,641 --> 00:23:56,769
"Daughter of the moon, Nokomis.
541
00:23:56,894 --> 00:24:00,606
"Dark behind it rose the forest
542
00:24:00,731 --> 00:24:05,069
"Rose the black
and gloomy pine trees,
543
00:24:05,194 --> 00:24:09,740
"Rose the firs
with cones upon them,
544
00:24:09,865 --> 00:24:11,450
Rose the..."
545
00:24:18,082 --> 00:24:22,336
We will continue
with A Tree Grows in Havana.
546
00:24:24,713 --> 00:24:28,092
♪ La, la, la,
la-la, la, la ♪
547
00:24:28,217 --> 00:24:30,386
♪ La-la, la, la... ♪
548
00:24:30,511 --> 00:24:32,096
¿Como esta, Mamasita?
549
00:24:32,221 --> 00:24:33,763
Muy bien, Lucita.
550
00:24:33,888 --> 00:24:36,934
How you like my dress,
Mamasita?
551
00:24:37,059 --> 00:24:39,436
It is very pretty, but why
are you all dressed up for?
552
00:24:39,561 --> 00:24:43,565
Because I go for a walk
through the mango trees.
553
00:24:43,691 --> 00:24:45,109
Do you go alone?
554
00:24:45,234 --> 00:24:47,194
Sí, I go alone.
555
00:24:47,319 --> 00:24:48,654
Eh, eh, eh!
556
00:24:48,779 --> 00:24:51,991
I think you go there
to meet your lover, Fernando,
557
00:24:52,116 --> 00:24:54,868
that good-for-nothing,
worthless tobacco picker.
558
00:24:54,994 --> 00:24:57,788
Shush, Mamasita,
here he comes now.
559
00:25:04,378 --> 00:25:07,798
Chip-chip, heerio,
and all that sort of thing.
560
00:25:07,923 --> 00:25:10,634
Anyone for tennis?
561
00:25:15,763 --> 00:25:17,891
Oh, no.
562
00:25:18,017 --> 00:25:18,892
Oh!
563
00:25:19,018 --> 00:25:19,893
What happened?
564
00:25:20,019 --> 00:25:21,603
Oh...
565
00:25:34,742 --> 00:25:36,076
The part of the club woman
566
00:25:36,201 --> 00:25:38,119
was played by Myra Marsh.
567
00:25:38,244 --> 00:25:41,749
The part of the stage manager
was played by Maury Thompson.
568
00:25:58,348 --> 00:26:00,726
I Love Lucy is
a Desilu production.
38273
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof