Original subtitles

- Oh! Then'? - One moment.

Itala, now let's turn. ITALA RUTTA

I don't give a fuck!

The scene is already a shit of his own, we can't turn it in slow motion!

- But why'? - Because it sucks!

You've shot thousands of bad scenes, I don't understand what the problem is.

Not the ride!

René, the network does not compromise and then the scene is beautiful.

The young Ratzinger at the news of the discovery of polio vaccine ...

... he runs happy and does it in slow motion ...

... on exciting music. And that's that. - Oh yes'?

You have to shoot the scenes how do we tell you, understand?

Otherwise you're out and we take another director.

And I'm going to the competition. LOPEZ RIDE

What the fuck you say!

This country does not have it a competition.

We are the competition, we are always us!

Close your eyes. Come on, close them!

Here is the competition!

Sorry, we're late.

Let's shoot a slow motion version and one at normal speed ...

... and then decide on the assembly. - Very good, Arianna!

No!

help me to clarify.

This scene turns around just slowing down and that's it!

Ok.

- René! - Where are you going'?

Where are you going, you idiot? Cock head!

What are you doing'?

Who is against me is against him!

Bring him home!

Ouch! Help...

Kidney!

liked that "slow".

life is made of compromises ".

that we do not work.

of our life.

there are also blueberries!

the second and even the sweet!

We intend to write a letter of fire, Arianna!

left us in shit at all.

- But in real shit! - René, they all died.

- But one. - That buries us all.

Hm "'-

I do not care anymore this story, I'm fine here.

You opened this Iocalino, it's funny and it's all very nice ...

... but we have to go back to work. - It's a serious problem, Arianna.

- You have to pay my rent. - I already gave you that.

that we do not work ".

these are your responsibilities. "

Still the red ant!

I go out, remember the dishes.

- Hello. "The piano of Robért" It's Ozon, isn't it? - Yup.

I can't take Ozon.

I saw Richard Gere, Woody Allen and the Cohen I saw you.

Give me a ticket for "Christmas at the North Pole".

PETO

CRY

SHOUT

(MUSIC IN SUBSTRATE)

- Where the fuck are you?

A fag!

NON-AUDIBLE ITEMS

a"

- He says you're a shit! - That's not true, who told you that?

- Meet my wife Damiana. - Pleasure. - Here we go.

Wait a moment. We are in crisis.

I'm sorry.

Meet my beasts.

- Do you remember Arturo '? - Hello. - She is the female. Move aside.

And he's the little guy, Francesco Totti Biascica.

- Ah! - Yes, touch it! - Best wishes.

"Christmas at the North Pole" makes you kill with laughter.

You saw when the bear he smiles in his face ...

... melts the ice and he says, "Holy shit!"

- Stay calm, Biascica. - When do we make a good movie?

Hi, Biascica.

wondered

I can not believe it that it's all over.

Best wishes.

- Poor man. - But if he left you all in the middle of a road!

(MUSIC IN SUBSTRATE)

- I have Lopez waiting for me. I do not have much time. - It 'does not matter.

When you left from the "Ratzinger" set ...

... your life has changed but also to me.

- I had a heart attack. - I know.

- In Magnesia they have me accused of stealing. - No!

You realize'?

However from a bad thing a beautiful thing can be born.

I set up on my own. I have a partner.

We have a big thing in his hands.

- A robbery?

Leave me alone, Sergio.

I'm sorry you were sick and they took you out.

Wait, we have the rights of an important book.

You must let me go.

I don't have a lira anymore, it's three months that I don't send food to my wife.

Now I have a date with Lopez and it's the last chance I have ...

... to remain in the civil forum. Our home is television.

It's like the mafia, he doesn't come out if not dead.

- No way out.

I told you it comes out, looks at Sandroni.

- Sandroni hanged himself. - What has it got to do with it?

Take this book and read it if you haven't read it.

Think about it, it's important.

- No way out.

You know it's not airing "The young Ratzinger"?

It's stopped.

It's all stopped.

If I do another shit, they back me up.

They send me to the cinema section ...

... where the directors don't wash, they smell of sulfur ...

... and executives with salmonella they are called "companion".

I don't want to put those sweaters on hairy with Gramsci glasses.

But what glasses! What are you talking about?

I let myself die if I end up inside.

After the cinema section there is the radio ...

... after the radio there is death!

A project has started, a very beautiful thing: "Sottaceto".

You are the only one who can withstand the pressure between the Calabria Region, the network ...

... the 'ndrangheta, the recommendations and take the bets home.

- Is it a soap '? - It's a soap, René.

But you don't have to break your cock because you have no choice.

Maria, don't cry. Try to think about the future.

- Tell me how it will be! - There will be news.

There will be a bridge over the Strait.

A bridge will solve all our problems'?

Yes, he will defeat the mafias!

Look at that majestic work!

But it's great!

its products at the Messina market ...

... and Calogero sell his here with us!

creates synergy!

Do you really have the rights to "La caste"?

of two journalists ...

... which shows how much Italian politicians let them be a caste that in time ...

... all sorts of things have been attributed of scandalous privilege.

An untouchable elite, an Iegalized scam ...

... from three billion euros a year.

Come inside.

- Meet Brusini, my partner.

For this movie I have many things in mind.

Meanwhile the problem of the script, which we need to talk about.

Sequence plans are the solution.

Well, good, very good!

I live this film like a dream who was born with Matteo Garrone.

- You know Matteo Garrone, don't you? - Yes, I know him by reputation.

- I saw your movies. - This film is born with him.

- In this photo Garrone He's in Cannes, isn't he?

- Did you do Gomorrah? - No, Fandango produced it.

I took the picture.

After several months Matteo decided to stand back.

He is an artist ...

... and the artist by definition does what he likes. - Yes.

What the fuck he wants does the artist.

But Matteo left us something really precious.

Here it is.

Plan.

costas like a station wagon.

- However! - What do you think?

That's okay!

Thank you.

I want you a thousand on this project, I recommend!

- Sergio told me you're the man of doing. Then do it! - All right.

This is strong and then caught. Did you hear how he spoke?

He's very cultured!

Only there is a problem: between two months expire book rights ...

... and we don't have either a script excerpt.

a journalist, a stenographer!

I thought that at some point to one of these of the caste ...

... his head burst. - Guy Andreotti who always has a headache '?

No, like his brain exploded. Bum!

- But to whom? - To all.

At a party ... puff!

Puff!

- Puff! - But why?

"The caste" is a wonderful project. We have to do some dinners.

Olmi, Petraglia, Amelio ...

In Tuscany I have friends, wine producers...

- You are Katia, we always write together. - Nice to meet you, Ferretti. - Pleasure.

- Great pen, eh? - I see.

Will he talk enough about reality? If it's not real enough ...

... they realize it. Re-read Chekhov.

- This is a more current film. - Nothing is more current than Chekhov.

- Do you have the car in a double row? - Yes.

"Caste" is a bluff, not a movie. They are numbers, data, numbers.

- There isn't a shred of history. - It's a minefield, René.

No political name, no party name.

I would place it all in Brazil.

According to you there is not a caste also Iî '?

In your opinion, everything are you spinning smoothly in Brazil?

There are two solutions: or do the mussels impepata ...

... or make the Michael Moore movie. And you of Michael Moore you have nothing ...

... nor credibility nor the documentary talent ...

... nor the team of lawyers behind. - I miss Moore's belly you have!

Let's do a brilliant comedy, brisk '?

The only thing that matters it is your will.

Do you want to make a minimal caste '? Let's make a minimal caste.

Do you want it at 200 per hour? We do it at 200 per hour!

Want a thriller with a bit of Hamletic flavor?

Let's have a nice fuck for kids'?

All races with minicars'?

Do you change your mind? I change my mind with you.

You have to make an allusive film, metaphorical ...

... to be passed off as a universal story. - That's OK!

If you want the spicy mussels, We write you in three weeks.

I don't write anymore, I read novels and architecture books.

For another ten years I'll read then we see.

- What did we see ourselves doing? - Eh!

- How long does it take to write it? - A year, a year and a half ...

... and a subject pops up. - But I have a month to write it.

I don't see you calm. Do you need a hundred euros?

Tell mom if you need.

- Do you remember how grandma used to say? Come on come on come on! - Come on come on come on!

- We are sure'? - Here we go.

CELEBRATION

The drought that struck Mauritania ...

... threatens to put the population on their knees.

- What did I say? - And sticazzi!

- I didn't hear you right. - And sticazzi!

And sticazzi!

(all) Asshole!

Asshole! Asshole!

- Do you know the movie "Matrix"? - (all) Yes!

I'll show you how Neo did it.

The bullet was coming shot from the bad guy ...

... a special bullet ...

Slow Motion!

First bullet ... dodged.

Second bullet.

The bullet is approaching one millimeter from the face.

I studied his precise words.

"Asshole!"

LAUGHTER AND APPLAUSE

Did you see the audience, didn't you? Do it all with me.

Instead the criticism massacred me.

... a journalist from Repubblica makes me: "He doesn't think his success ..."

"... are the signs of the times a bit?"

I looked at him and told him: "And sticazzi!"

He has browned because then he cut me short.

Excuse me if I disturb you, Martellone.

It's not like he could do it "bucio di culo"?

- My Madonna, no though!

- I promised him.

.MM

- I miss you. - What did you say'?

and I miss the set too.

If to René they make him make the film, I want to work with you.

I don't think they give René the film.

However even if it happened, I will not make Rene's movie.

I want to work here, in my restaurant.

Catering is the only serious thing in this country.

I need to dedicate myself to something serious.

Excuse me, eh?

This show it ruined my existence.

I bought my house there though ...

Asshole!

- René! - I want the mussel spicy.

What should I be happy about? Here in death is death.

- Cinema is beautiful, eh? - Don't you feel the stink around?

Don't you smell the stench in here? What do we have here? l floppy!

for the TV series a year?

For the cinema 40! Do you know what this means?

That I in here to survive I have to fight like a madman.

I understand you.

I heard about this thing you have on your hands, "The caste".

You think it can be done a comedy'?

- De "La caste" ?.

Well.

Can I ask, but I don't think so.

We make it go well like social commitment ...

... that they like.

As soon as Sergio makes the transfer we will begin to write.

Start immediately, we have little time.

We are waiting for the Code Reference Operation.

Mortacci yours!

But what is it?

- But it's true'?

No.

Good.

I knew that sooner or later I won the Oscar.

Very good.

It begins.

René, you wanted to say something before to start '? Do it, in your faculties.

I would like to make a film outspoken...

... tell the most monstrous aspect from this country ...

... so I think we NEED to start ...

Do you drive?

What a must!

Mica is a verb to need, you can't combine it.

- I think we need to start ... - Wait, they say we should.

- Well? - Then maybe you say needs.

- What do you say'? - I think that needs.

- I think you need to. - It's the same, come on.

- It's not the same. Needs or needs? - There will be no need ...

... but they say it was necessary. - Needs do not say, come on!

Bisogna is cacophonous.

- Guys, though ... - What do you want it to be?

- What are you talking about'?

Ready, Lusuardi '? Yes, bye.

I wanted to ask you something. It is said: "I think we must" ...

... or "I think it needs"?

Oh yes'? OK thanks.

- Then'? - He doesn't know either.

- He said he calls Umberto Eco. - This is very good.

But we did nothing here.

Today was an important day, this Eco thing is very good.

- But we didn't write anything. - Don't believe it.

All right.

- I'll be back tomorrow'? - No, come back in three weeks.

Jesus!

Accompanies the master to the door.

CELL PHONE RINGS Wait a moment.

- Ready? it's a week that you don't answer.

Unavailability is one thing that you can't afford.

- I can be untraceable, you can't.

Make a movie for the cinema and don't you tell me?

But I would have called you!

It's not even safe let's make this movie.

It's not a script yet.

- Eh?

I'll do it for you Gianfranco Fini, the President of the Chamber.

There is no Fini in my film.

You want to make a film about Italy without Gianfranco Fini '?

Stanis, have patience, I have so many cocks.

- If you cheat on me, I'll kill myself!

I kill myself, you know I do it! I take my life, Renato!

(MUSIC IN SUBSTRATE)

Stanis La Rochelle?

"Eyes of the heart".

But what is it?

"How many beautiful people and what wine!"

Rubbish!

- "The caste". - The fourth crap in an hour.

- Bad! - How many times need to repeat things'?

The caste!

It's shit.

René, bye.

Do not come.

We are working like crazy.

- Do you think we need more onion? - Yes, more onion.

Yes, yes ...

We begin to be there.

Mamma Mia!

It's nice.

- Who did you copy from? - We lack respect, René.

Maybe you don't deserve it.

This is a good script but if it's a good movie, it's up to you.

You want me to call Jesus to make you accompany '?

I know the way.

With "La casta" by Ferretti we blew it out.

Now let's concentrate on this work before Pupo.

I read something, but we're not there. He is demanding, he wants strong stuff.

I want you energetic!

- But you understand it of French comics? - No because?

It seems that Carolina is a great one passionate about French comics.

He often mentions them. If you knew it, it helped us.

Lopez told me.

- Lopez? No! - If it wasn't for him, we weren't here.

- Lopez no! - Don't worry!

You are in an extraordinary form, we'll split everything. Come!

A small gift for the disorder.

What a nice thought! Thank you!

We wanted to bring a shape of Parmesan but it was a peasant.

a nice project at the "Gomorra".

... and a film where you understand little.

I didn't get a shit!

A film like this he needs great actors.

I sent the script to Marilita Loi.

... said she was genuinely interested.

I haven't figured it out yet what movie do you have in your head.

Are you inspired by some movies'? Just to understand.

I think you need ... that you have to ...

Essentially I don't want to do a pale film ...

... like "It's already tomorrow" or "The winter of reason".

We produced them ourselves.

Both of them.

Shit.

You remind me of your depressed friend by Gastone Lagaffe.

Come on, the French comic!

Come on!

- According to you, they told us of sî, no or maybe? - I do not know.

- I didn't understand anything. - Mortacci yours, my friend!

Thank you, I saved you ass in that room.

You won, René.

- We won! - But are you serious?

- They didn't seem convinced. - Eh!

You really are monkeys!

These are subtleties that you can't understand.

The answer is yes.

Welcome to the cinema, René. Come here, look!

In this process he urinated Antonioni!

- Are you excited? - Did you like the script?

The screenplay!

You could have done for me also "Bombolo".

I needed a horse, you are my horse.

Renato, you have to gallop!

Dearest, for whatever we feel.

Did Calopresti tried me? No'? Better!

You must call Brusini and tell him that everything is going great.

- There is no more Brusini. - Such as'?

- I took it out, that's a fool. - How you did it!

I mortgaged my mother's house and I bought the shares of Brusini.

Now it's all mine.

For the best movie in the world!

Brusini ... RASPBERRY

We don't have to shoot digitally.

I agree with you, film all life.

- Sorry, is there any field in the office? I have to make a call. - Yup.

If they had told me that Emilio Baranes ...

... would have been the director of the photography of my first film ...

... I wouldn't have believed it. - Thanks you're nice.

This is an important film, that must be done.

- "The caste" is a pretty book but ... - The caste ...

I would have made a movie on the seventies and on the BR.

What was the relationship between the BRs? and the Magliana band?

There was indeed a technostructure who piloted everything?

For the scenography I could put a good word for Fabio Carli.

- Maybe! - As a secretary of edition I would think of Giovanna.

- Do you know Giovanna Borromeo '? - Great, I don't have a publishing secretary.

HIGH VOLUME MUSIC

A toast!

Kidney! Kidney!

- Hello champion! - See you later. - Yup.

You drink something, feel free ... have fun!

Have you seen Sergio '?

What the fuck are you doing? Who the fuck did you invite?

- Biascica and Itala '? - But they are ours!

I'm not, at least not in this film.

One two three four.

- Not for me, thanks. - Don't worry, it's for me.

I hit it for each of you.

- If you want, I'll send it. - Be good, do nothing.

Do nothing, understand?

How nice, Renato! We will still be side by side.

- I couldn't wait. - A moment of attention.

He could not miss it the talk of Renatone!

He could not miss it!

- Speech! - If you don't do it, bring it wrong.

Don't be shy, turn off the music.

Don't be shy, Renatone.

Go Renato!

Ok, I'll say two words.

more than 15 years of projects.

How far we have come, good and bad experiences ...

... now a new phase opens.

There will be many other projects that we'll do together again.

Bravo I

But not this movie.

For this film, "The Caste", you will not be there, gentlemen.

But you have to understand me and you have to trust me.

- I missed René's speech.

René ... I'll break your ass.

- What a son of a bitch! - How can it be, Rene '?

ENTRY ITEMS

- Arianna... - I kicked you all out, huh?

- Sorry, I needed a new team. - What the fuck do I care about me?

- Emilio, I'm so sorry. - Excuse me. Ready, Paolo?

- Listen ... - About the speech I agree 100%.

It was time for you to free yourself of the scum.

When did you leave? I can't wait to start.

Stanis, maybe you didn't understand. You won't even be in the movie.

- Watch me kill myself. - Come on, please ... - Yes.

I'm sorry, but you like the others you have nothing to do with this movie.

Arianna, don't give up. Make this movie with me.

It's the last one, then you'll come back to your restaurant. All right'?

I think you can do a great film, René.

Help!

- Is there anyone'? - Stanis!

This asshole!

Your friend has ingested a pack of antidepressants.

We proceeded with an injection of Narcan and now he is better.

- Can we rest easy '? - Everything's under control.

It invokes the name alternately of Rene and that of Gianfranco Fini.

RENE 'SOSPIRA

- Renato. - Stanis! - Renato, Renato, Renato ...

I tell you one thing, Renato.

Gianfranco Fini.

I'm not an imitator.

- I give you an interpretation of the character. - Keep calm.

Fini with pink ties, with cigarettes ...

... with the sense of the institutions ... - Such as'?

- The sense of the institutions, Renato. - Yes, but don't worry.

5 'you,

(MUSIC IN SUBSTRATE)

Good!

LAUGHING

Good! Great, René!

He is very nice.

What did I write?

Waste, of course.

Marilita Loi arrives in Florence with the 11 o'clock flight

- I would start moving. - I recommend, Alessandro.

Yes, imagine. For me she is also the actress absolute best Italian.

I do not care. I want it that you come to me tonight ...

... and thank me as we treated it.

- I also put on my jacket. - Very well, go.

Last week I saw "Giulia's friend".

Really a good movie and then she is very good.

- (softly) I didn't like it for nothing. - Thing'?

It's a great movie.

It is written very well, but any actress could have done better.

VOICE NOT AUDITABLE

- No'? - Yes, yes.

- II ... - Thing'? I do not understand.

A truck

A truck HORN

Aah!

Thank you.

- See you tomorrow. - Hello. - Come on, come on, come on!

I miss a second you shot!

There is no one inside anymore.

You forgot to give me the keys to the bungalow.

Of course, you sleep here.

- How do I sleep here? - You have to watch the material.

Excuse me, do I have to stand guard?

But what have I got to do with it? He comes to me anxiety to sleep here alone.

Stay at least you.

- No way. See you tomorrow. - You have to sleep tonight ...

... with half a brain like penguins do.

- Do you want the piece? - Which piece?

- The gun. - Are you crazy'? I don't know how to use the gun.

I don't want it!

See you tomorrow morning, come on.

(MUSIC IN SUBSTRATE)

Who is the mentally retarded who slept on my bed?

Fuck! Who are these people with which we are working '?

A film is not anticipated, at the limit it is postponed!

Do you know about Virzi?

- No, what happened? - We, that is Fabio Carli ...

... Giovanna and I had to do Paolo's film ...

... "Valdo and cooked water".

He had slipped a couple of months, for which everything was embedded.

First we did "The classroom" and then the film by Paolo.

Only they anticipated it and start next week.

- Then? - We take it in the ass.

I wanted to tell you today there is a bad mood.

For secondary roles we have two actors for each dressing room.

- Secondary roles? - Yes.

Did you read the script? This episode revolves around Gianfranco Fini.

I read the script, your character has two lines ...

... and is framed from afar. - Renato decided on the shots.

And then you see that you are television, on television there are the jokes.

At the cinema it counts other, the looks, the close-ups.

But you don't have close-ups because they are all sequence plans.

About this thing you talk to Rene, for the dressing room I don't know what to tell you.

- I pay you for my own dressing room. - Please, we're busy.

- Listen, René. - Tell me everything. - We have to do the test tube.

The producer is beating me up the fuck this morning.

Great. Come on come on come on!

Marilita, you agree to do a good test '?

VOICE NOT AUDITABLE

Come on come on come on!

Gentlemen, I'm going to summarize.

We are at the charity party in favor of Bolivian peasants ...

... where entrepreneurs, politicians and industrialists they share the tangent of the century ...

... at the home of the lady of the salons ...

... which in the meantime tries to place in the world of cinema its protected.

Madam, I feel a little uncomfortable.

I wanted to introduce a friend to you, Miss Marina.

How many beautiful people and what wine!

VOICE NOT AUDITABLE

Excuse me, do you have to turn on?

I realize that as President of the Chamber I should set an example ...

- Why'?

- Stanis!

What the fuck are you saying?

I'll cut the part, eh?

Moreover it is not even Fini, is one that stands in the background.

- Are you afraid of naming names, René '? - Stop it, Stanis.

I'll give you 10,000 euros if you make me a close-up.

- I'll give you 20,000! - René.

(softly) I felt very fake.

- I didn't like it at all. - Marilita, you're very good!

You are the best Italian actress.

Would you like to try another one? VOICE NOT AUDITABLE

Come on come on come on!

Let's do another one.

Rene, I have 2,000 things to correct and also Carli is not happy.

- I would quit here for today.

It cannot be closed now.

- Alright then. - Renato, 30,000!

- Don't break my balls! - Ouch! - Arianna, come here.

The story of the lady of the salons who renounces and returns to the province ...

... it's your story.

I've never actually been given to a cardinal.

But you made a big refusal and you have opened a restaurant.

- But I wasn't looking for shortcuts ... - All right, I was inspired by you.

It's not me.

"Eyes of the heart".

You know what it holds next to the monitor? A fish!

- Like a fish! - A goldfish.

- Think if he brought bad luck! - Ssh, let me hear now.

Grandpa Alberto said that perhaps there is another solution.

- See you tomorrow. grandfather Alberto ... - They challenged "L: alla".

The teacher!

- I'm sorry. - They are right.

Let's go to sleep that tomorrow is hard.

(MUSIC IN SUBSTRATE)

Did you understand why I can't stand you? Symmetry is not interesting.

Gentlemen, in an hour we turn.

Did you see that day? And what light!

- This is the Argentario, the microclimate! - Perfect, in an hour I would like to shoot.

- We're not ready in an hour. - No'?

Who is not ready in an hour for me it can even go.

... but it's ten o'clock in the morning and here the light is completely different.

I don't give a fuck, in an hour we have to be ready.

- You too, okay '? - All right, but keep calm.

Don't make shitty figures.

- Don't look bad, come on. - Stay calm a couple of cocks!

Asshole! Shitty head!

You can go fuck yourself right away. I'll give you a skull, you know?

And a celo we are taken from the balls!

- What do you want'? Do you have something to say? - I'm leaving.

Go do "cooked water" of this cock! Go, beautiful!

What the fuck do you want? Do you want to fight?

- Please, René. - Take this fucking gazebo off!

- You are ready'? - Yup. - You can stay.

- Do we have to fight? - Quiet. - Are you crazy'?

And now how do we do it?

(MUSIC IN SUBSTRATE)

ENTRY ITEMS

Baranes and his were the best, they scored, they were a guarantee.

You went to recover those four beggars!

- Now ... - Now we need to to present extraordinary material ...

... because you have to convince them which is fine even so ...

... that you are managing the situation n and HOH is true.

Are you still here? You're risking, René!

Go to shoot this extraordinary material.

How is it that you say? MOTOREI!

no talk this time.

too much time.

I will only say three words: I want Boris here.

- Duccio. - Here I am.

- The caste.

This salon from which it comes out the lady of the salons ...

... how you want it lit up: open or closed?

I don't want to hear these adjectives anymore.

There will be something in between, Holy shit!

Yours is a provocation but not groundless.

I have to do in two days a week's work.

I understood you: you say "let's make cinema".

Then I open almost everything.

Stay in the bell. I hunted Baranes because he was here.

But I liked his photography.

I want that setup, I want that concept.

Don't let me take the picture from this shitty ass.

I don't like it, I recognize it. I want the Duccio 20 years ago.

- Did you understand'? - I'll take a picture ...

... I'll let you come to me.

- II magone.

- Go, Duccio.

Good luck.

Crack.

Baranes, bye! I'm Patanè.

How you were taking the picture in the party scene '?

Do you have a light scheme '?

Ready'?

Ready'?

What do you do'? The backstage '?

You're always framing the actors!

Stop!

Look here.

Biascica, you want to put me a wind up under the window?

- Down here, no?

Oh, there are already signs!

Asshole!

René, in 20 minutes we are ready as always.

I'm sorry, sorry.

- You are stoned! - But why'? What did I do'?

We are officially looking for an actor for the role "shitty face"?

- There was written on the script. - You're a stoned man.

Ready'?

Excuse me, there was a problem with ...

Ah, really '?

Can you repeat a moment? Did I get it right'?

right away what you were looking for.

I have four shitty faces classic, evergreen ...

... and then I have a promising thirty.

it's perfect.

- See you later, thanks.

He said "thanks for the clarity" ...

Asshole.

Oh!

But she's ...

You have to do an autograph.

VOICE NOT AUDITABLE It's not for me, it's for my wife.

We are in crisis.

Did you know?

(softly) Let's do what I do an autograph to you and me to me?

(in French) You to me.

What are you gonna do?

The pen, yes.

It all falls today, eh? Beautiful this photo, kill!

- Who is your father'? - It's Dad, yes.

- Is dead'? - Yes, he was dead here.

It was after the autopsy.

Attention, let's turn! It's a seven-minute sequence plan.

I don't like this caste, I like "The eyes of the heart".

- It's all more romantic, you know? - I had no doubt.

Gentlemen, extraordinary news: Itala doesn't like it.

Itala doesn't like it! Come on come on come on!

- Engine! - Party!

EXPLOSION

Which is'?

EXPLOSION

Stay calm, gentlemen!

The Proloco told me that he will be there some noise sometimes.

They are Americans. They are turning "The fourth world war".

- Before the Americans come back! Did he leave, Milonga? - Party!

Action!

Madam, I feel a little uncomfortable.

VOICE NOT AUDITABLE

There is no sound!

How many beautiful people and what wine!

VOICE NOT AUDITABLE

Stop!

The extras, the movement ... all right only one thing.

Marilita, since there is a lot of wind and there will be beautiful music ...

... I would ask you to keep the volume of the slightly higher item.

WORDS INCOM PRENSI BI LI Thing'?

The bomb.

And then...

- That person scares me. - Don't worry, it will be fine.

We immediately do another.

Engine!

- Party!

Action!

NON-AUDIBLE ITEMS

It is not clear when he speaks.

VOICE NOT AUDITABLE

"What beautiful people and good wine!"

- There is a small problem.

I'm not suited to this job.

- Go great. - It really makes me fear that person there.

Only...

I'm really scared.

- Marilital - Mrs!

Yes, OK!

MARILITA PIANGE

Please no! Come on!

This bitch!

The day is over. EXPLOSION

So you come from this beautiful country ...

... where if one wanted to find good quality drugs ...

... would have no problems.

In Grottaferrata something is remedied ...

... but I think they are put better in Naples or Sicily.

In Grottaferrata you say?

But what a lady of the salons!

We use this strategy.

You go and tell him that I'm very pissed off.

- Are you sure'? - Yes, listen to old Ferretti.

I think she's one of those actresses who want to be pulled.

Go to her and tell her that I am very pissed off.

- Do you want to sign '? - I don't sign anything.

It's a petition that I found on the internet ...

... to transfer the Vatican abroad ...

so that other countries can benefit from the advantages ...

... that we've had for centuries having them here at our house.

- You're telling me the Vatican ... - Street. - Street!

EXPLOSION

- Did you sign, Dante? - No.

First stop is the Vatican could go to Andorra.

- Andorra.

Five years in the country then in two hundred centuries he returned to Italy.

And then the tour starts again.

- Coffee. - Good morning.

Marilita has decided to give up the movie.

- Thing'? - I told you yesterday that you were pissed and wanted to leave.

ITALA RUTTA

Keep working, we turn it.

You say so.

a car will take you to Rome ...

... this very morning but tell her to come and say goodbye.

I take a screwdriver, my hand on the pacemaker and I'm done with it.

Sergio, stay calm. Pull yourself up

- It happened again. - I can not believe.

He locked himself in a room and does not want to talk to anyone.

- Who'? - Not now. - It's really over.

- What is it? - René has his crises.

He has his ghosts.

So it doesn't open.

Kidney'?

It's over.

Kidney'?

Open, I'm Marilita.

Marilita, come ...

... but only you, the others don't.

I'm not right for this movie.

I only did television, I'm not able to make movies.

I apologize for having you involved in this mess.

What are you saying'?

You ... you are a good director.

- The script is beautiful. - The script is also beautiful ...

... but I am wrong, I am a kind of peasant.

In this world of cultured and cruel people ...

... they don't believe in me.

Kidney.

I believe in you.

Dawero '?

Come on come on come on!

Come on come on come on...

I am also behind my safety I hide an insecure nature.

Hmm?

VOICE NOT AUDITABLE

Really! Yes me too.

- Thank you. - Thank you.

Thanks, René.

Come on come on come on.

Party.

Action.

Madam, I feel a little uncomfortable.

I wanted to introduce you a very dear friend of mine.

- What a beautiful people and what wine! - Thank you, Eminence.

Now let's talk about our business.

Marina, leave us a little alone.

EXPLOSION

But damn bitch!

NON-AUDIBLE ITEMS

Go to the Americans and tell him to stop when we turn.

- In Pitigliano, right? - Yes, run.

(in English) It is possible stop for five minutes?

- Go away. - Is very important.

Please!

EXPLOSION

CELL PHONE RINGS

- Sergio, these don't stop.

that if he needed a favor ...

... we would not be so available. - Sure, I'll tell you right away.

Thank you.

- Radio. - Is it charged? - Yup.

If Rene closes this plan sequence, I sleep here with you tonight.

You say absurd!

- How much is missing? - A little, a page.

Come on, Boris!

The Vatican at this time has liquidity problems ...

... and also the vicariate.

- Am I bothering you? - No, no.

It is a pleasure.

- How are you'? - All right, thanks.

I heard he wants to go in part of the entertainment world.

- My dream is to be an actress. - A great challenge. - Street! Street!

- Has already had experience in this field'? - No.

- No! Why don't they stop him? - There is an important business man here.

- He is a person who can help you ... - How are you'?

- Where you go'? - Don't stop!

Street! Street!

Tackle him!

I would like to understand better ...

I'll present it to you right away.

Suddenly I don't feel well.

Never, never debase the role of PARLAMANTO.

Every citizen has rights but also of the duties FRANCAMANTE.

Goodie!

- A nice applause to Marilital - I did nothing.

A round of applause to the master.

- Thank you teacher.

DOOR OPENING

Arianna'? Hello!

Who is it'?

BIASCICA RIDE

Mumbles ...

- I forgot my cell phone. - Maybe it's from there.

- Here it was, it was easy. - Okay ... good night.

- Do you really sleep here? - Yes ... - Alone '?

-8. Jumallllllfllfr-

"Fallen in love? -'I.Inntlluntlll '.- Ah.d.

Life sometimes ...

... leads you to really live experiences of "Ii mortanguerieri" ...

... as you were saying.

- S.-s. "Annual.

Do you mind if I support you here?

I was going to sleep, tomorrow I wake up at five.

- I'm back in bed. - Quite right. Let's talk a little.

a nice physichetto?

- Don't you wear pajamas? - No.

DOOR OPENING

René, there are many new features.

Arianna, what are you doing here?

the work plan.

Sit down, let's have a meeting to establish the point a little.

- Alessandro, take the coffee. - Biascica, what are you doing here?

- I was ... - I don't want to know, these are your things.

What are we doing?

I have a homosexual cousin so I am not shocked.

He is deaf and homosexual, a hellish mix!

This is the material, tell him not to take into account the barrels.

As did.

If a gentleman came with the black briefcase ...

... and tell you that in your movie is there Corinna Negri '?

- I'd shoot him. - And if there was also an extra week of filming '?

- I'd shoot him the same as this gentleman. - And if in that briefcase there was ...

... Francesco Campo?

Francesco Campo is one of ours, I agreed with the agency.

Why also Corinna Negri though?

How the fuck we do, come on! It's the damn bitch!

Do you want Francesco Campo? And you also get the damn bitch.

They are packages. They do it, they do it.

(MUSIC IN SUBSTRATE)

... falls at a particular time, your candidacy in Strasbourg.

Yes, but I don't want to think about it.

- To the nomination or to the film '? - To both of you, I don't want to think about it.

In Italy the level of acting is considered inferior ...

... compared to your colleagues Spanish and French.

I made a small mistake evaluation ...

... because I am in three years I had to become Ferilli.

Instead I made a mistake, I had to aim for France.

I had to buy myself a nice little house in Paris and learn a little French.

This I do not write ...

... but the idea of ​​focusing on Sarkozy whose was it'? Was it mine, no?

Instead, she inquired, because it informs itself, and it has slingshot itself.

Said this, now I think of something else and go ahead.

I think ... of Putin.

(MUSIC IN SUBSTRATE)

- What's up'? - I can'? It's for stage photos.

Ah.

Open everything.

I want to challenge you, how do you see the picture here?

How would you do it?

Francesco, I'm sorry. It's for stage photos.

I showed the material.

- Oh! - By the way, Lopez ...

.René wanted to know if you did remove all those American barrels.

No, on the contrary.

I found them very effective and I kept them all.

- A metaphor ... - I don't give a damn, just sign a contract!

One step at a time, Sergio.

René, replace me! I'm running at the theater next to yours.

- An hour at most and back. - But I'm shooting a movie!

Your assistant told me that today there is the light test ...

... so you don't have to do anything.

- I gave you so many favors ... - All right, what should I do?

You have to shoot a single scene, say "Action!" it's good!".

- Can you say '? - Action! Good! - I had your talent.

- What movie is it'? - It's a cinepanettone.

It's serious stuff.

It's called "Christmas in space", there is that actress billionaire's daughter ...

A great cast.

I can introduce you Bruno Amati of Medusa '?

This is Medusa's number five.

- Almost four. - Pleasure... - René, what the fuck are you doing?

- Greetings a monkey '? I was joking! - I go. - Action! Good!

Great, René!

- Good evening. - Hello.

Engine...

- Engine.

And ... action!

PETI

As I tell daddy What do I want to go '?

There is also Michi's birthday! SHOUT

- There is a technical problem, we must stop. - Stop!

- So, René ...

- How are you'? - Well.

I see you started to make the actress seriously.

This scene leaves me perplexed.

It seems a bit over the top.

- I believe it's wanted. - René, one more thing.

Sergio for "The eyes of the heart 3" he gave me an overdraft check.

I want a check right away.

- Welcome back, Corinna. - Hello.

I wanted to tell you something.

You could tell your agency which I will pay a little 'deferred'?

- What does this mean? - A little at a time.

an old acquaintance. - Tell me.

Sergio, can you hear me?

- The psychopath, Mazinga's daughter.

Remember the check de "The eyes of the heart 3" '?

Of course!

- I was telling Corinna now that I have liquidity problems ... - Corinna Negri '?

No one has ever called it that.

and "Jessica the whore".

salutamela! And remember the check.

Massimo, but you didn't the theater the serious one?

I did Ronconi, Sorrentino and now I made the money.

The great popular narrative ...

... is the future.

I must shit!

Thank you.

- A mess with Corinna happened. - This cinepanettone is a nightmare.

- We are privileged. - Why did you call me the damn bitch?

I heard from Mazinger's daughter that you called me that!

Are you hurting me, you know?

I did everything to have you in this movie.

- Then why did you cut them all my jokes'? - I didn't cut them.

I put this beautiful thought voice, this voiceover ...

We will do great things together.

I have changed a lot, I grew up inside.

- I do charity. - Brava! - For an association of former orphans.

Cute to die for!

You're Biascica, aren't you?

- You're the one going around saying What am I a whore? - No.

I'm not Biascica, I'm Augusto Torlonia.

the one with the glasses.

That kind of sewer rat that was my slave.

I do not consider you a saint, but almost holy.

The exact opposite of a whore.

- Corinna, they're waiting for you at the make-up. - Yes.

I was complimenting to the production designer for the work he did here.

It's perfect.

Everything lives with its own light.

Paraphrasing that book that I have not read ...

... one could say that here "everything is illuminated".

- I am pleased to. So what? - So I wouldn't do anything.

- How would you do nothing? - I would keep the internal diegetic lights.

- Political poetic cinema. - Let me see.

Biascica, turn on the diegetic lights.

Diegetic ...

Diegetic.

I like it.

Now go to the set by Francesco Campo.

- Even the scenographer ... - Duccio! - It was a provocation.

- I really liked the set design. - Go. - I'm going.

Duccio.

I didn't understand if you here she is more angry or worried.

- Is it more a puma or a fox? - It's more a puma ...

"but also fox if you want.

You are looking for evidence of your husband's betrayal.

Instead find evidence of corruption and something takes you inside.

I understood. Come on, let's do it!

We do the movement test.

they had to put me down.

Great Corinna!

I would do a little less.

I would keep the emotions inside, don't take them out right away.

I'm sorry, I wasn't listening to you. The character went away.

- (softly) Go away to fanculol

Corinna, come on, that's coming. Keep trying. Come on!

Permission '?

- Do you want to do a memory test? - No, the memory is ok.

- We can try it right away. - Great, Francesco Campo!

- What about the dress? - Let me see.

It's perfect.

I prefer to say it to the people I work with ...

... also for fairness.

I do the evening.

- You make yourself ... '.7 - I do.

I use heroin to put it bureaucratically ...

... but never at work.

I tell you because maybe in the evening call me and it's easy that I won't answer you.

Do not even mention it! I am in the evening too often I do not answer the phone!

I go.

- I come with you. - Of course! Sure!

You are welcome.

You will have understood by yourself I don't give a fuck ...

... of your problems.

You like the vice presidency of the commission '?

Do you like this office?

Here ...

... your problem is that you have to repay with who gave you all this.

A contract is not enough for me.

I'll buy him to fuck me.

You must cancel all penalties of this fucking contract.

I must be able to build it in 12 years this incinerator beast.

12 not 2!

- Fuck! Great! - This is a scary dog.

- You ruin the episode, Renato. - No ... - Yes.

Is it clear, dickhead '?

I have to take the time that seems to me.

- But my voters? I'm ashamed. - Are you ashamed'?

You don't feel the need of Fini in this scene?

Shame is a luxury that you can't afford.

Your voters a dick!

Like you, you turn the actors not if I turn anyone around!

- As soon as Duccio is ready with the lights we can turn it. - Congratulations.

- Did you like it'? - How you carry the shirt is a fantastic thing.

Do you work with the sponsor?

He is Stanis La Rochelle, is an actor of the first episode.

- Pleasure. - Pleasure.

René told me a lot about you, you are an actor ... passionate.

I go to the dressing room. When you are ready with the lights, call me.

- Thanks, you give me everything much easier. - Imagine.

- "You make everything so much easier." - And stop it!

- Cute fat guy, you read it the french script? - Yes.

Fini is in every episode, is the common denominator of the film.

- Maybe ... - I thought about it, but they don't let me do it.

- They shit themselves under! - Maybe! - But we don't get under it.

- We impose it. - Duccio! - Maybe have the whole movie Fini.

- I agree. - Maybe! - Will you take me a glass of water?

I S?

- Campo is a big one. - Yes, yes ... - So?

I told her to remove the facets he made ...

... only the result is this.

Completely empty, unbelievable!

The character didn't get inside me.

I'm very nervous because there is a problem here.

Invent something, you're very good.

Corinna, I think you can make it even better than that.

Come on come on come on!

Are you Biascica '? Do you think I'm a slut?

No, I'm not Biascica.

But yes, I think you're a slut.

CORINNA GRIDA

- Say it again! - You're a whore!

CORINNA GRIDA You're my sewer rat!

- Tell me that other thing that I like so much. - Technostructure!

- Yet! - Technostructure!

- Yup! Yet! - The Roman column!

SHOUT

a crucial day.

Is he okay for "shitty face"?

Perfect.

resume from the scene suspended yesterday.

Corinna, you come from Iî, come down the stairs, come back ...

... you look around, open the drawer, take the folder and place it here.

Find a sheet that is the proof of your husband's guilt.

- Think about it by looking at the machine. - 8 x 12 '? - Now don't think about it.

When we turn it, you think about it, do the calculation by looking over there.

- Why'? - Do not worry, let's try this.

- I don't have the character inside. - Come on guys! Turn!

- Engine!

Action!

I can not believe it.

- It works! - Sure.

ninety two!

Stop! Mark good until this stoned did not speak.

4.91. 'unique

Corinna, masterpiece!

- Really big! Did you see '? - It wasn't good for me, Rene.

- I didn't like the movement. - This bitch won't do it again.

- No bitch! - What the fuck ...

- Did you see '? - You said "action" and the character has arrived.

- It's an incredible thing! - But it's normal.

- May I ask you something'? - Tell me. - But my character ...

... is it a math? - It's his dream in the drawer.

Let's do another one, you will see that it is better.

Guys, let's do another one on the fly!

To be honest ...

... I once said too that you are a whore.

However then you decide.

Excuse me, what ...

- Eh?

A tragedy has happened.

Francesco Campo died tonight.

They found him dead in his room.

(MUSIC IN SUBSTRATE)

- What's up'? - Anything.

- What are you laughing at? - Nothing, bullshit.

- Tell me. - It's out of place.

Now tell me.

There is no more Camp.

that we played together ...

I told you it was bullshit.

How out of tune you were!

I can only quote OI 'Dirty Bastard: "Shimmy Shimmy Ya ..."

"..Shimmy Ye, Shimmy Ye." And I said everything.

Hi Francesco.

Canceled!) say that.

- Why now'? - It's a terrible mourning.

Why'? Why'?

VOICE NOT AUDITABLE

My best friend died.

With Francesco he leaves a part of me, perhaps the most beautiful.

A few days ago Francesco entered my dressing room ...

... and as if he had a strange presentiment ...

... told me: "Stanis, if something should happen to me ... "

"..I want it to be you to do my role ... "

"... because you are the greatest actor that I have ever known. "

I'll handle it, Fra '.

René, we're in trouble. They gave me a jackal.

They say no actor would replace a dead colleague ...

... the day of the funeral but I have no more money.

If we stop, we won't leave again.

- A terrible thing. - Terrible. - He was so young.

And now'? Sorry, seems indelicate but ...

Now how will you do it?

In what sense "how will you do"? Campo was very good ...

... but he didn't do everything, we will replace it.

Have you not thought about Warner '?

I think it's a film that they they would very willingly distribute.

- It's the kind of movie they make. - Simona would love it. - Such as'?

- I do not understand. - Wouldn't it be unfair to you?

Why'?

- Another production, the competition ... - No, maybe there's a misunderstanding.

- We have no commitment with you or wrong? - No.

You have not signed, but you are committed.

- I don't know. - Sergio, stay calm.

- Lopez promised to us ... - What did Lopez promise you?

- Oh God! Oh God! - Sergio, what's wrong?

Help, a doctor!

- I didn't say anything. - A doctor!

I'm going to call a doctor.

Lopez!

SIREN OF THE AMBULANCE

Defibrillator

(MUSIC IN SUBSTRATE)

Lopez, come here!

You hurt me!

LOPEZ PIANGE But look at you!

say the idea you told me.

I thought "caste" you could color in comedy.

Make it a film less gloomy, popular.

Say that word that you used with me.

- Come on, say it! - Are you sure'?

René would like to make a cinepanettone.

Genius! Modest genius!

I like it.

- You mean a Rabelaisian comedy '? - Yes, it's an amazing idea.

I like it very much.

U.S., too a nice cinepanettone!

Enough of these serious, moralistic films. A nice funny comedy ...

... the funny! You didn't talk to VVarner, did you?

- Eh? - Are you always with us'?

Sure.

In this regard Rene told me that would need funds ...

... possibly before now. - But yes, I'll take care of it.

Give me a couple of days for the contract.

Walter, we have a cinepanettone.

The structure of the film it's already that of a cinepanettone.

Yes, but there is a whole science. It looks like bullshit ...

... but it's not easy to write and we should read up on it.

We need a consultant, of someone who has experience.

What is the first thing to make a cinepanettone '?

You answer.

- Looking for an exotic destination ... - A coffee. - Ah, a coffee.

Quick that Santa Claus go once!

Jesus, a coffee.

All the characters we saw before with a critical eye ...

... become positive.

Thieves, bribes, corrupt they are positive.

René wanted to make a film that scandalized, indignant.

The protagonists will be very nice Italian bastards ...

... tanned and corrupt like it get your hands on the tits.

- Popi P0P " . Popi poni-

But we have to think about tits like the utopia of Galeano.

What did the great Galeano say?

He said that utopia it's like the horizon.

You take two steps forward, that goes two steps away.

You take three steps and that he takes three steps away.

What is utopia useful for? It serves to walk.

So what's the boobs for? in our movie?

To cash in, to make money.

All the things that René shot, for love's sake ...

... sequence plans, cultured beats ... fuck you all away!

Instead you have to start with an incipit like this. Write!

"Italy is the country I love ..."

Kill, you're really complete!

Wait till I lose myself.

"Italy is the country I love, here I have my roots ... "

"... my hopes ..."

my horizons. "

It's a proposal, then you do.

You bastard, reformist and whoremonger!

Now I go to the first who passes and I trump it!

Franco, I see you have a beautiful tool!

PETO

Arturo, it's daddy. Mum is there?

No'? All right, say that.

Tell her we're shooting a scene where there is one who flies ...

... and she came to mind.

Tell her also that if we had it seen together, we would have laughed.

I got it'?

Hi, Arturo. Go Rome!

(MUSIC IN SUBSTRATE)

- What's the thing you'd like do more now?

- There is a problem. - What happened'?

The notice of use has arrived of the title "La casta" ...

... and we've already sold the film with this title.

"Christmas with Letizia Casta".

- But when is he coming, Alfredo? - Listen to a fool.

Joy!

- Pleasure. - Letizia Casta. Show the documents.

- I trust. - It's called Letizia, not Laetizia.

- I was going to sleep. - All right.

Gentlemen, there's Karin.

- Welcome. - Then René, how do you see this public prosecutor '?

Karin, what should I tell you? You are like utopia ...

(MUSIC IN SUBSTRATE) The judge!

Did you hide the money for that Iî, eh?

The girl is chaste, she is pure. "Christmas with the caste".

A little sad though ...

Hey!

Sorry if I only give you an hour but I have the show in Geneva.

Tonight by the way I added a stuff about human rights.

- Very strong! - And sticazzi!

You put Iî and say some "and sticazzi" in different directions.

- Where do I put myself? Is that okay?

- Action!

Christmas with the caste.

Brahmins, India, the true caste.

Maybe with some music.

The caste.

MUSIC

Madam, I feel uncomfortable.

And sticazzi! LAUGHS

PETO

This is what you deserve you of the caste.

But which caste?

Never, never debase the role of PARLAMANTO.

Every citizen has rights but also duties.

And sticazzi!

NON-AUDIBLE ITEMS

- Great! - Are you sure about the slowdown?

- You want to shoot one at normal speed so then you decide to mount? - No.

Let's move on to the next one!