Original subtitles

(dramatic orchestral music)

- Terry!

Terry!

Please!

Terry, wait!

I'm sorry.

I'm sorry.

Terry!

Try to understand.

It's just not that simple.

(dramatic orchestral music)

Stop!

Listen to me, will ya?

Terry, now wait.

I do love you, you've got to listen...

- Don't touch me.

- [Janosh] Please darling.

Wait!

Terry!

Stop!

(Terry screams)

(dramatic orchestral music)

(somber orchestral music)

Terry?

Terry.

Forgive me.

Forgive me.

(somber orchestral music)

(melodic orchestral music)

- Well what are you going to do?

- What can I do, I like him.

Besides if I say to him, look Mr...

(stammers)

- Jack, Jack.

He said to call him Jack, for short.

- Alright, I say to him, look Jack,

don't call me butter fingers.

It's only gonna encourage him to

keep calling me butter fingers.

- Well it's a world shaking crisis.

Anyway, today's gonna be worse than yesterday,

so cheer up.

- Oh, thanks.

- They say that after a month after

he's broken in the new heater helpers,

he gives them the bag treatment.

- You don't happen to know what that is, do you?

- Nobody would tell me, they'd just

say we'll find out for ourselves.

- What you some kind alley cat,

you stay out all night, coming in dawn?

You think because you go in college

I forget how to put you on my knee?

- Poppa, I just walked, that's all.

I just walked, up and down.

And all around, you know.

- Walk.

Eva cook good Polski meal.

All friends come to wish good luck to my son,

first time home since Christmas.

And you stay out all night.

Come in at dawn, like alley cat.

- I'm sorry, Poppa.

I just wanted to see the old places, that's all.

I've only got a week before I go back.

And...

I just wanted to see the old places.

- Hey Jack!

Come on.

- Alright, coming.

I settle with you later.

I have to go, hammer don't wait.

(furnace roars)

(fire roars)

(metal clangs)

(metal clangs)

Hey, how you are expect to beat Palinski?

You swing oil mop like girl.

(singing in Polish)

(singing in Polish)

(singing in Polish)

- Hey come on, come on, butter finger, we have no time.

(singing in Polish)

- So.

- Hey, Palinski.

- Yeah, yeah.

- You need some help for your ha-ha-hammer?

I give you both new boys and whole crew,

and still I beat you.

- I like to see you work that hammer alone.

- You think I can't do that?

With both hands tied behind my back,

still I beat you.

- Who do you think you are?

Joe Magiera?

- He's nothing.

He's just a story.

A legend.

I am the real thing.

You wait, I show you.

- We'll talk about that tonight,

at the tavern, when you have to pay for all the drinks.

We'll know then who came in first with

the best foraging, huh?

- Yeah.

Hey Mike, you wait.

I give you some salt.

To get rid of the extra scales that she spits out.

(grunts)

(laughs)

No, no, no!

Hey butter fingers, get her, she heavy.

Hey boy, boy!

Yeah that pretty good, butter fingers.

Pretty good.

You keep that up and I have to call you real name.

(laughs)

(whistle blares)

- Poppa?

- [Jack] So then big fella say, "No,

"you take the bread, I take the meat."

- Poppa?

(laughs)

- What you do here?

I tell you stay away from forge.

How many time I tell you that?

- Yes sir.

- Get the lunch pails.

- I tell you stay away from here, is not for you.

- Poppa.

I have something I have to tell you.

I have to tell you now, right now.

- Listen.

All my life I work in forge.

I have hammer in my ear.

All I ask from my son is that he stay away.

I turn around, I look, and here you are.

Now you go away.

Go back down those stairs, and go away.

- Poppa!

- What?

(dramatic orchestral music)

Lets eat.

(somber orchestral music)

Mike, you're a lucky man.

- How do you figure?

- Tonight I don't feel so thirsty.

I think the whole thing cost you, maybe, $10.

- Oh think that's lucky?

- Hey boys, wait, I go in your car.

We meet together at Joe's.

- Anna.

- You looking well, Anna.

By golly, something's wrong.

Anna's good wife, she never bother Mike here.

- Maybe she's afraid you'll drink up his salary.

- No, no.

Anna and Mike, they good losers.

Something's wrong.

Hey Mike.

- What?

- [Jack] What's wrong?

- Teresa didn't come home last night.

Anna just told me now.

She let me sleep all night,

I came to the mill this morning.

She didn't say anything all day.

- What happen?

Young girl like that, where she go?

- I don't know, maybe with a pool room bum somewhere.

- No, Michael, no.

- Anna is right.

Teresa don't do a thing like that,

she's a good girl.

Maybe she...

Visit a friend.

- Yes, maybe she do that.

- Then why didn't she tell us?

How are we supposed to know where she is?

Well I find her, I show her something.

She want to live in my house, it's with respect,

or she goes out, now come on.

(sighs)

- Boy, boy, boy, boy.

By golly it's hard to be father.

I'm lucky I have daughter like Eva.

I don't feel like going to tavern tonight.

What you say, you come have supper in my place?

We have good Polish cooking.

My son is home now for vacation.

We celebrate, huh, come on.

- Maybe sometime when your wife's expecting us.

- No, no, my wife don't expect me for long time.

She dead.

- I'm sorry.

- You didn't know nothing, it's alright.

But I do have daughter.

She's good cook.

But she's good looking.

You better come.

- Well...

(laughs)

- You like pretty girl, well you have to

fight over her, I only got one.

- I think we oughta get cleaned up first.

- Clean up will take you whole week,

even with your body scrubbing, your back.

You don't see cologi Jack clean up, do you?

You want to be good vulyak like me, don't you?

Well come on, what are we waiting for?

(laughs)

That's my house.

(lively orchestral music)

(Jack grunts)

Now I know how sardine feels.

Sardine with wheels.

- It's only built for two.

- How you like it?

- Well they don't make 'em like that anymore.

(laughs)

- I pay plenty money for that house.

Sure.

I don't want cheap house, look like

every other house down near forge.

I like house with tree, porch,

grapevine in back.

Look at that.

Have view of forge.

And view of river.

And only few steps from church,

in case you have big sin to confess in hurry.

(laughs)

Come on, we go inside and meet daughter.

Lets go.

(singing in Polish)

Come on.

(singing in Polish)

Eva!

Eva?

I bring home company.

- Poppa.

Poppa!

- Where you going?

(laughs)

How you like girl like that, huh?

Pretty soon she'll come back.

She have lipstick on face,

and no more braid, hair down in front of

eye, like hair on television.

(laughs)

I tell her I like braid, it's nice.

She say, "No, old-fashioned."

Where is Janosh?

- He said he'd be right down Poppa.

- The food gets cold, not nice to keep guest waiting.

I have good kids.

If my wife were here now, she'd be very happy.

Eva, cook in kitchen like crazy.

(laughs)

Son going college, big shot.

Yes.

Before wife dies, I make her promise.

I find good husband for Eva,

and son don't live in this neighborhood, no more.

And by golly.

(utensils clatter)

I keep it promise.

Hey.

Janosh?

Ja...

Janosh?

Where you go?

(somber orchestral music)

(sighs)

Janosh should say he have big date in town.

Ask your forgiveness.

Alright, now we eat.

We have big doings in Polaski club tonight.

(somber orchestral music)

(lively mazurka music)

(man speaking in Polish)

(Jack speaking in Polish)

(laughs)

My buddy, he work in steaming so long,

he can't hear so good.

(laughs)

That's mazurka.

(laughs)

You know I am Mazur.

I come from Mazuria.

What you say Boz, you like to dance the mazurka,

Eva show you.

- Oh, I'll sit this one out.

Just so I get the beat, that's all.

- You got the beat, show you.

- Yeah I'll dance.

(lively mazurka music)

- There's a table there, come on.

(speaking in Polish)

(speaking in Polish)

You want a beer?

- Yeah, I'll take some beer.

- Two beers, Connie.

(laughs)

(lively mazurka music)

Hey, I think butter finger like my Eva.

- Why not, what is there not to like about her?

(chuckles)

- Hey.

(laughs)

You know I like fix you up.

Markiewicz is best marriage maker in town.

All you have do is bring bottle of

water to house, and I give her to you, just like that.

You marry her, I make you best hammer man in shop.

I know all the boss, all the way up the line.

You know they listen to me.

By God, I think you make good son-in-law.

(laughs)

- Look, I really don't know her, you know?

- That doesn't matter.

You have whole lifetime to find out.

(laughs)

I like to have hammer man in house, make good shop talk.

- Well, if you want a good hammer man,

why don't you get your son to work with you?

- My wife.

May the Earth rest easy on her.

I promised her.

You see, she hated the forge, she scared of it.

Many accident there long time ago.

Her brother was killed in the forge.

That day I had to promise her

that not I would sent not Janosh.

So, I work hard.

I send to best university in state.

He work four more years as intern,

and then he is the best doctor.

He live in good part of Cleveland.

Marry girl from North Shore.

She like that.

Hey.

You come with me, I have wonderful idea.

(lively mazurka music)

Heinrich!

Play the oberic dance.

I wanna show this young man something.

Now I teach you how to dance.

- I'll watch this one.

- Oh it's nothing for a young man.

All he have to do is jump up in the air,

cross your legs, and fire a pistol

before you hit the ground.

I show you.

Come on, Heinrich, come on!

(lively mazurka music)

(crowd cheers)

(crowd cheers)

Have you watched long enough?

Come on now, you do it.

- Well you brace yourself.

- [Jack] Come on!

(lively mazurka music)

- Get this.

How's that, huh?

- You do fine, next time jump higher.

(lively mazurka music)

Hey, Palinski, come on dance.

What is wrong, Mike?

- Jack.

We still don't find her.

It's more than 24 hours now.

Police came to the house, they took her picture.

They look for her in bus station.

In the railroad depot.

In the hospital, at her friend's house, she's no place.

She's nowhere at all.

It's like the Earth opened up,

and swallowed up Teresa.

- Don't worry, Mike, we find her.

- How?

How?

You God, maybe?

You look down from heaven, see one girl in millions?

Take more than you this time, Jack.

It take God, I think.

- Maybe she go out of town.

Maybe she visit relative.

- No, Jack.

Not Teresa.

Not this way.

(lively mazurka music)

- [Jack] Heinrich, please, quiet, quiet.

Everybody come here.

You all know that Mike Palinski's daughter's

been missing for over 24 hours.

Mike is worried, I am too.

You remember when Janosh was missing, my Janosh,

we all took lanterns, and we looked

at every foot of foliage area?

We gonna do same thing here.

Now women, please stay behind.

Don't get excited.

All men please, we get lanterns,

and we go do same thing for Mike.

Alright?

(overlapping conversations)

- Come on, I guess we'd better go along.

Good night.

- Can you get home alright?

- Sure.

(somber orchestral music)

- Janosh?

- [Janosh] It's alright, Eva, it's me.

I'm here.

(sighs)

- What are you doing sitting in the dark?

Frightened to death.

Janosh.

Something terrible has happened.

Terry's disappeared.

(sighs)

You remember Terry.

Terry Palinski.

She's been in the house 100 times.

- Yes, I remember Terry, Eva.

(sighs)

- Anyway, she's been missing since yesterday.

And the police can't find her.

Poppa organized a searching party.

Isn't that just like him?

(ominous orchestral music)

- [Tod] Watch it!

(dramatic orchestral music)

- Well that's a nice drop.

- You wanna look down there?

- Yeah, we might as well.

(ominous orchestral music)

- Buz.

(somber orchestral music)

- That...

That my Teresa?

(sobs)

- Mike.

- [Mike] No!

- Mike, Mike, Mike.

- [Mike] No Teresa.

- [Jack] Mike.

- [Mike] Teresa.

Lonely in the night, find her, she like broken cup.

- Mike, we take her away.

- No, nobody touch her.

Nobody touch her.

What little left is for me not to help.

(sobs)

We'll take her someplace nice. - Mike!

- Stop it!

Please, Mike! - Who do this?

- [Jack] Stop it Mike!

- [Mike] What kind of an animal?

Mike, stop it!

- [Mike] Please, please.

- [Jack] Come!

- I not stop it.

I stop it only when I find

the animal who take a girl,

my sweet girl, like this,

to a place like this.

What kind of a man is that,

who take a girl like this, to a...

That's an animal.

Oh Teresa.

I swear to you.

I kill him, whoever he is.

- Mike, I promise you, Mike.

Mike, I promise you, may death take

my only daughter, if I do not help punish

the animal that killed her like that.

Mike, I promise you.

(dramatic orchestral music)

(somber orchestral music)

You don't like home no more?

- Poppa, please.

- Why you come here, when you know it's time for funeral?

- I just don't wanna go.

- This is not little party, you know?

This is funeral of Palinski's daughter, Teresa.

Girl named after saint.

You want terrible curse to come on our house?

- No.

- Alright then, come on.

Listen.

Palinski's need all friends at this moment,

and she needs us too.

To lift her up and hold her high,

with muskel in heart, for last journey.

- What do you mean by that?

- I mean we have to be pallbearer, what you think?

- No, Poppa.

I can't.

I'm sorry, Poppa, I just can't.

- Why not?

Who's going to do it, if we don't?

She got not brother.

Got no husband.

All she got is two Markiewicz cousin, and us.

You do it by golly, same as me.

Maybe you cry, maybe you stumble,

maybe we both do, but we do it for her.

- Alright, Poppa.

I'll do it.

- Come on, your sister, Eva, waiting for us.

(somber orchestral music)

- [Eva] Poppa, look.

Buz and Tod.

- What you fellas doing here?

- Well we wanted to express our sympathy

to Mr. Palinski, and his family.

- We don't really know your customs,

and we thought we might be going with you.

- You don't have to know custom.

Custom is only to make it easier for us.

If you have the real feeling in your hearts,

then that's all that counts.

Come on.

- [Eva] I'll be right in Poppa.

(somber orchestral music)

Listen, I think I'd better warn you about something.

In a little while the funeral feast will start,

see and there'll be music and dancing, and...

Well I just want you to know that

you don't have to stay for that.

(somber orchestral music)

(somber orchestral music) (overlapping conversations)

- Stanislaus.

(Jack speaking in Polish)

Thank you, my friend.

Thank you too, Janosh.

- Oh Janosh.

I know our Teresa will go well to

the arms of the Holy Mother with you to carry her.

- Eva.

Anna, here's Eva, Teresa's friend.

- May she forgive us our faults.

- Not you.

No she loved you like her own sister.

We want you to come to the house tomorrow.

Help put away her clothes, and her things, yes.

We haven't told them yet what has happened.

And there are some things that you can tell better.

Alright?

- Of course.

- When we finish,

I want you to take something in memory of sweet Teresa.

Eva?

- Thank you.

- Give you our sympathies. - Our sympathies.

- Thank you.

Anna, these boys worked with Stanislaus.

They find our girl.

- Thank you.

Thank you.

You never see our Teresa?

- No.

- Oh she was...

Tell them what she was like.

(sighs)

- What is there to tell?

She was everything we dreamed about.

When we baptized her, we...

Put milk in the water, so that her skin would be white.

And, honey, so that she would be sweet.

And gold ring, so that her hair

would be the color of an angel.

That was the way she turned out, just like that.

So, what is it to tell?

When you see a gold ring, you will see Teresa.

And...

When you see a flower,

you see Teresa.

(sobs)

Franos, why don't I hear music?

Come, play an odertis for everyone.

Come on, dance, dance.

This is on key.

- [Jack] Boys.

You do me a favor, huh?

Take Eva out and show her good time maybe?

- Oh sure. - Sure.

- Here, I give you some money.

- Oh no, no. - No.

- No, no, no, no.

No, no. - It's our pleasure.

- No, no, please, please.

Here.

Please, please.

- What about Janosh?

- No, Janosh stay here.

The men they have to do the funeral dance.

He take this very hardly, it remind

him of his mother's funeral, it must be.

But I take care of him.

You show her a good time.

- Okay.

(lively accordion music)

(wheels clatter)

(lively carnival music)

(Eva laughs)

- [Eva] No more, no more.

(overlapping conversations)

- [Buz] I sort of like that ride.

- No, no, no.

Please, please.

- [Buz] Tired, huh?

- Oh, well that ride, I mean.

This is crazy, it's absolutely crazy.

- How bout some popcorn?

- I'd love some popcorn.

Okay.

Buy the lady some popcorn.

- Oh, how do you like that?

You'll fly the Forces of Fried Buck Phil on him,

and already he's a big spender.

- Go, go, go.

- Oh boy.

Popcorn?

- Popcorn. - Popcorn.

- And hurry!

- Oh boy.

You know one of the reasons I think

this is so crazy is that the last time

I was here...

I was with Terry.

- What was she like?

- She's like all of us.

Sort of shy and a little different.

Because of where we live, and all the old customs.

It's not as bad as all that really,

there are some good things about it.

- There should be.

There's something safe and secure

about being part of a community.

Like birds in a nest.

(laughs)

- Well don't get the idea, though,

that we don't often feel like flying

off into the wild, blue yonder.

Tell me is it really as blue

and as beautiful, as it looks?

- Not always.

- [Eva] Well, why do you always fly off?

- I guess we're looking for something.

- Well.

If you ever light anywhere, let me know.

- If you want me to.

- I do, very much.

- [Buz] Three popcorns, coming up.

- [Eva] Good.

- There you are.

- Thank you.

- And two for me.

- Wha...

- So, where's the change?

- That's nice.

- You want change too, huh?

Hey listen, on the Midway over there, I

saw a fortune teller, you want your fortune told?

- She's already told my fortune.

- Oh?

What'd she tell ya?

- She told me a very tall, dark, and handsome

man was coming into my life.

- Oh, that's me, here I am!

Come on, lets see if she recognizes me.

Come on.

(somber orchestral music)

(doorbell buzzes)

- Eva.

Thank you for coming.

(somber orchestral music)

- Anna, are you sure we should go

through the old custom?

Is it what you really want?

Or is just what your husband expects?

You know, the old way's so cruel.

Going through all of her things.

Her dresses, and her lipsticks, and her books.

Telling them all that, Teresa has gone

away and will never come back.

- I know it is superstition.

But we do it anyway.

- If you wish.

Picture of my friend.

I have sad news for you.

Teresa has gone away.

She's happy where she is.

She asks me to tell you not to grieve for her.

Book of my friend.

I have sad news for you.

- I almost forgot her diary, Eva.

Say goodbye to her diary.

- Diary of my friend.

She's written something in here the day she disappeared.

(stammers)

- Janosh?

Your brother?

She was seeing Janosh.

She writes it here in her own hand.

She was to meet him that night, in the park.

Murderer!

Sister of murderers!

- Anna!

(dramatic orchestral music)

(dramatic orchestral music)

- This.

This here.

This is the father.

And my good friend too.

You...

- Mike, Mike, what's the matter with you?

What is it?

- What's the matter with me?

You ask him.

Alright.

You ask this detective, he'll tell you.

He'll tell you all about it.

You, and your son, Janosh.

He killed Teresa.

- What?

What, what, what you talking about?

- We found Ms. Palinski's diary.

Seems your son was with her the night she was killed.

- No, sir, I don't believe that.

- You don't believe it?

Your daughter found it, she could tell you all about it.

- Alright, then what it prove?

What?

Nothing.

- [Mike] How can you say nothing,

well then what does he run away for?

What does he hide like a criminal?

Well, I find him.

I find him wherever he is.

When I do, I'll kill him, I tell you.

He's a dirty animal. - No!

- No sir!

No sir, Mike, you leave him alone, you hear me?

- Oh you stand up for him, at a time like this?

- Yes.

I stand by him.

I stand by him till I hear different from him.

From his own lips.

- And you think that you can catch him?

- I catch him.

And if it's true what you say,

then I do what has to be done.

Me, myself.

(speaking in Polish)

If he do something wrong to Teresa,

then I am the one should punish him,

not you Mike.

- You do nothing.

He's your son.

- If he do that, he not my son.

I kill him, same as you.

I promise you that.

(ominous orchestral music)

(doorbell buzzes)

- [Tod] Where's your father, Eva?

- Well he's out.

Looking for Janosh.

- [Buz] We know that.

We're out looking for Janosh, too.

(horn honks)

- Eva if you know where Janosh is,

please tell us.

- Poppa slapped me.

I've never seen him like that.

He slapped me.

- Why?

- Because I warned Janosh, and I didn't tell him first.

How could I tell him, that I read Terry's diary?

You see.

You don't know about what girl's put in diaries.

Especially about boys.

Crazy things.

Things that nobody's ever supposed to see,

or read about.

Why did I have to go through her things?

Why did I have to read that diary?

Why did she have to write in it the last day?

- Well what do you mean, what did she write in the diary?

- I don't remember, exactly.

It was something about things not going

well between them, and that she was

gonna have it out with him.

And...

Look, don't you look like that.

He didn't do anything, I know it.

- How do you know, Eva?

Did he tell you?

- I didn't have a chance to ask him.

I just told him about the detective

and then he ran out the door.

And I tried to stop him but he pushed me.

- Eva, Eva.

Now listen, we've got to find Janosh

before your father does.

Now think.

Where might he be, where?

- Oh, if I knew,

do you think I'd be here?

(sobs)

Maybe he's lying dead somewhere.

(sobs)

Like Terry.

(Eva sobs)

- Well where do you look when

everybody's already looked everywhere?

- Maybe she hit it right on the head.

I don't know, maybe I'm cock eyed,

but you've seen what a moody guy that Janosh is.

Maybe that's just where he went?

- [Tod] Yeah, where?

- To where Terry was.

Where it happened.

(ominous orchestral music)

Tod.

Janosh!

Janosh!

Janosh!

Janosh!

(dramatic orchestral music)

Janosh, come back!

You didn't have to run, Janosh.

- What's the use?

- You got the whole town looking for you.

The police, Palinski, your father.

- Oh, he's probably at the head of the pack.

Leading them on.

- Tell us something.

Did you really kill her, Janosh?

- Yeah.

In a way.

I guess...

I did.

- Look I'll stay here, why don't

you go back to the house and see if Jack's come back.

- I'm not sure that's the right thing to do.

- Yeah, well I think we owe that much to Jack.

I mean, I think he'd want to be

with the boy a little while, ask him a few questions.

- Yeah, you heard what he said he'd do.

- Yeah, but we're not gonna let that happen.

(ominous orchestral music)

- You tell me is not true.

You tell me is not true.

Is not true what police, and Anna, and Mike tell me.

You tell me it's not true. - No Poppa!

- No, it's true!

Terry's dead, and I'm to blame.

- I promised Palinski if true,

with my hands, I kill my own son.

I promise I do it.

And I do it.

Stop!

- Stop it.

- This is not matter for police.

This is not matter for you.

- Stop it!

I did it, I did it, I did it!

But not like you think, Poppa.

I never even laid a hand on her.

But she started running.

I tried to stop her, to catch her.

I don't know whether she meant to do it, or not.

But she went over Poppa.

When I got there she was dead, you understand, dead.

Do you know why, Poppa?

Do you know why she ran?

Because she said to me,

"Do you love me, will you marry me?"

And I couldn't answer her with the truth.

I couldn't say yes!

Oh boy, I want to marry you.

Before God, and the whole world, I do.

How could I say that to her, and hurt her even more?

I wanted to marry her.

Would you have stood for it, Poppa?

- If you have to marry her...

- [Janosh] No, I didn't have to,

it was never anything like that!

- Then why she run around with you?

Why you not come to me?

Why you not come to me?

- Have I ever, ever, ever, been

able to come you, Poppa?

With anything that was my own idea?

Haven't you always decided everything for me?

Haven't you decided everything for me, always?

Who I must be?

What I must be?

How I must be?

Poppa, I tried to tell you about this,

when I came to the mill, day before yesterday,

but you said, "Janosh, get out!

"Get out of the mill."

Poppa.

How do I reach you?

How?

- I do it for Momma.

She want you to be doctor, she want

you to move away.

She don't want you working mill,

and forge with hammer in your head.

- Did it ever occur to you that

I might not want that?

That I might want to stay right here,

and marry a mill worker's daughter, right here?

And live on the hill, like I always have,

because that's where I belong,

and that's where she belongs.

Poppa.

So many times,

I wanted to come to you, and I wanted

to say, I'm really proud of you Poppa.

I wanna be like you.

Strong.

And working with my hands.

Don't send me away.

Don't make me be something I don't wanna be.

(somber orchestral music)

It's all I ever wanted.

- Janosh.

Janosh.

I...

I think I do right thing.

I...

My fault, I'm to blame for everything.

Janosh.

Don't worry.

Don't worry, I stay with you now.

We tell them true story.

(somber orchestral music)

- [Martin] This is Martin Milner.

Now George Maharis takes you on a

preview of our next Route 66.

- [Buz] This is the Prudence.

We helped build it here in Gloucester, Massachusetts.

Beautiful, isn't she?

Can't blame Tod for falling in love with her.

(gasps)

Well what do ya know, a French mermaid.

- [Tod] Vive la France.

- [Buz] And this, this is the Prudence.

Beautiful, isn't she?

Natch, Tod fell in love with her.

But for real.

Prudence is played by a lovely girl to love.

Ms. Janice Rule.

(romantic orchestral music)

- Oh I've waited for so long.

I thought I'd never find you.

- Can I help it if the best man won?

- She's all yours, buddy.

You just keep swinging with her,

and you'll end up lashed to the mast.

So be with us, for the next Route 66

when it happens to Tod, as it must,

once to every man.

(melodic orchestral music)

- [Herbert] This has been a Screen Gems

Film Presentation, from Columbia Pictures.

Herbert B. Leonard.

Executive Producer.