All language subtitles for Silent.Witness.S16E02.Change.Pt.2.1080p.AMZN.WEB-DL.DDP2.0.H.264-NTb_track3_[eng]

This place is my life.

Don't you sell us
out, you greedy bastard.

MICHAEL TRENTER: Mr. Schwartzman
is interested in the brand.

Have you seen my offer?

Jack Hodgson.

Forensics?

The victim is John Briggs, yes.

Already on the web.

You need to sign the
handover agreement right away.

He's put his
daughter in charge.

JACK HODGSON: His daughter.

There's a photo of a girl
coming into the hotel lobby.

Apparently, she was
going to visit him.

They told me that the Lyell
Centre needed to change or die.

Harry must have known.

That's probably why he left.

She contacted your father.

Deana?

It's your mother.

You could find her.

This company belongs to me.

He's a nasty, mean old man--

KENNY BARBER: --lurking
behind the family brand.

GERALDINE BRIGGS:
Did he like her?

ANNETTE KELLY: Very much.

She had fun with him?

ANNETTE KELLY: Yeah.

Did they laugh?

Yeah.

I used to laugh
with my father.

How long had you worked for him?

10 years.

You loved him.

He could do
unspeakable things

and still be loved, a talent.

SEETHA GOLD: The network
is saying that her phone is

on somewhere in that area.

It's been in same spot since
10:47 on the night she died.

That's got to help
with time of death.

It's accurate to 100 metres.

Technology is amazing.

LEO DALTON: I've given this
a great deal of thought.

I know I'm not going to be
here forever, but well, now

that Harry is gone--

NIKKI ALEXANDER:
Leo, no eulogies.

No, no, no, I'm just--

just saying.

I like to think that I'm
more effective investigating

in the cutting room,
doing the science

rather than sitting in
my office administrating.

But when I look ahead, I have
to think about how the Lyell

Centre can be competitive.

So I've been
thinking how we might

amalgamate forensic pathology
with other forensic sciences.

We're changing.

LEO DALTON: Yep.

I've made the decision.

I thought I was going to
interview the short list.

You have.

I've asked Jack to be our
senior forensic scientist.

Congratulations.

Thank you.

Thank you, Professor Dalton.

You don't have to
call me "Professor."

What?

Oh.

LEO DALTON: What is it?

DNA results for Deana Collier.

She's not Geraldine's daughter.

She deceived John
Briggs for five months

and presumably was intending
to continue with this charade.

We ran the DNA
through the database.

She's been cautioned
twice, once for theft--

She lifted the wallet of a
man who hired her as an escort.

She looks so sweet.

SEETHA GOLD: You can't rule out
her involvement in his death.

Really?

NIKKI ALEXANDER: She was
conning John Briggs, right?

How did she know that
Geraldine had a child?

How did she know that the
baby had been given away?

NIKKI ALEXANDER: Yeah, wasn't
it a dark family secret?

Not anymore.

Who would have known?

EMMETT SCHWARTZMAN:
I'm losing my appetite

for buying the company.

It's a business deal.

There's too much
noise around this now.

I have to ask myself,
do I really need it?

I have delivered this to you.

There are no more obstacles.

Phillip Briggs wants
to get this done.

There are problems
with the union.

That's going to be sorted.

The price is still too high.

Name recognition for
Briggs has never been higher.

Do you tell the truth
about anything, Michael?

Only when it doesn't matter.

How much are you going
to earn from this, fees?

Trade your fees for equity.

You need something
to live for, Michael.

LEO DALTON: CAT scan shows
a transverse fracture

to her right leg.

SEETHA GOLD: She could
have broken her leg

if she'd jumped from a bridge.

This injury is
consistent with an RTA.

How did she end
up in the Thames?

We checked the logs
for callouts in Bermansy

that night.

There are no reported RTAs,
not with a pedestrian.

Did the accident kill her?

I'll have a preliminary
report on cause of death

by the end of today.

Briggs?

Allergen still unknown.

Nobody here believes this
is a coincidence, do they?

A printout of every entry
into John Briggs' hotel room

while he was there.

I'll need the fingerprints
of every member of Housekeeping

that's been in the room.

We'll need them.

Can we get DNA as well?

I mean, you know,
can we afford it?

Detective?

Oh, send me an invoice.

When's her post-mortem?

She can't sleep.

I've asked the doctor
to bring her some pills.

Geraldine?

GERALDINE BRIGGS: My mother,
just before she died,

told me I was put on this
earth to endure pain.

It must be God's purpose for me.

She had no other explanation.

I have two bodies to bury now.

Wasn't she wise?

I need to speak
to you about Deana.

There's nothing more
you can take from me now.

She's not your daughter.

The DNA is conclusive.

What?

No mistake.

Phillip, we are the kind of
people who act, right, who do?

We're masters of our
own fate, aren't we?

Nothing to be scared of.

Of course not.

I've been listening to
my life team my whole life.

It's not right, what's happened.

Uh-uh.

You take what belongs
to you, Phillip.

Don't let yourself
be held hostage.

SEETHA GOLD: You had
dinner with Deana

on the night she died at Il
Pagliaccio in Knightsbridge?

That's right.

Just the two of you?

Uh, yes.

We wanted to get
to know each other.

I didn't know anything
about her, did I?

SEETHA GOLD: What sort of mood
was Deana in when she left you?

Loving.

Did you argue?

GERALDINE BRIGGS: No.

No, we kissed each
other goodnight.

And then we promised to see
each other the next day.

Then we went our separate ways.

What's this about?

Sorry to have to ask.

You're sorry?

SEETHA GOLD: Did anyone see
you go your separate ways?

GERALDINE BRIGGS: I don't know.

How would I know?

Is there someone who can
verify what time you got home?

No.

You think that I--

Is this some kind of a joke?

And you came back here--

Yes.

SEETHA GOLD: --to this house?

It's a nice house.

You landed on your feet.

I don't think that--

SEETHA GOLD: In that
resentment towards your father,

did you shed a tear when
you heard he was dead?

That's enough.

Was there somebody
else staying in the house

when you arrived home?

No.

SEETHA GOLD: It was
raining hard that night.

So why didn't you
offer her a ride home?

She didn't want one.

You've just been reunited.

It's raining out.

She said she had
an Oyster card.

Of course.

You were the last
person to see her alive.

You don't have to
answer any more questions.

You-- you think
that I killed her?

I killed my mother
with disappointment.

She told me I was
someone she didn't know.

I was 16 and pregnant.

That couldn't happen
to their child.

I was raped.

Phillip raped me.

I wanted an abortion.

My father wouldn't allow it.

He waited until
the baby was born.

And then-- then just when
I was able to love it,

he took her away from me.

Don't try and tell
me what is appropriate

during an interview.

She just told us she'd
been raped by her uncle.

That might have
been what she told us.

Or it may have
been a confession.

She was in pain.

You went too far.

She's a possible suspect.

Well, now she knows she's a
possible suspect, doesn't she?

Annette Kelly
used her credit card

to book Briggs' hotel room.

She knew about Geraldine's baby.

She was the one Deana
said first contacted her.

Three good reasons to
suspect Annette Kelly,

and she doesn't realise
she's a suspect, does she?

Because the light is
shining on someone else.

How'd it go?

CLARISSA MULLERY:
This is ridiculous.

My name is down.

Security should
have been informed.

I'm not lost.

Do I look lost?

No.

I know what I look
like, and it isn't lost.

If you want to see lost,
look in the mirror.

Can I help you?

I hope so.

He doesn't seem capable of it.

I'm trying to find the lab.

The lab?

CLARISSA MULLERY: The lab.

I'm sorry, am I not enunciating?

The lab.

Who are you?

Clarissa Mullery.

LEO DALTON: That means nothing.

Perhaps it means something
to the person in charge?

Well, I am
the person in charge.

Do you have an appointment?

Could you escort Ms. Mullery
from the building, please?

CLARISSA MULLERY:
You're Leo Dalton?

Jack always talks about you.

He's a shocking
judge of character.

How do you know Jack Hodgson?

I work with him.

LEO DALTON: And what do you do?

I make him look clever.

Sorry I'm late.

Did I forget to
mention Clarissa?

I don't always succeed.

Ladies.

All right, Dave.

Are you doing your--

What are you playing at?

Stealing union funds?

But your members don't, Kenny.

That's a lie.

You know that's a lie.

It's all over the internet.

It gets repeated.

Soon, it becomes true
because you can't stop it.

They've all seen it.

Someone sent it to
their email addresses.

It went viral.

Some of the lads want to
start talking to another union,

see if they might
look after them.

That's not going to happen.

PHILLIP BRIGGS:
We need stability

after what's happened.

We need a union
we can work with.

Sometimes a rumour
is as bad as the truth.

Now I'm sure I can help you
stop this spreading any further.

SEETHA GOLD: Why were you
at the hotel the night

your brother died?

There was supposed
to be a meeting.

With?

Mr. Schwartzman.

I thought he was having
dinner with your brother.

They wanted a meeting
after the dinner.

Obviously, they'd
reached the decision

and wanted to make
me chief executive.

But you won't.

No, there was no meeting.

So you went home?

No.

I went in a bar, look
for some hookers.

Yeah, I went home.

Did you know Deana Collier?

PHILLIP BRIGGS: Not really.

My brother said
she was the product

of a one-night stand
he had, some woman he

rented for the evening.

You didn't know your
niece had a child?

No.

But it's hardly surprising.

I mean, she was a slut,
couldn't keep her legs together.

His little princess was
shagging anything that moved.

Including you?

Don't be ridiculous.

Where'd you get that idea from?

So you work in
the family business.

She's pregnant for nine
months, has a child,

and you didn't know?

PHILLIP BRIGGS: It wasn't
something my brother was

going to broadcast, was it?

Who might have known?

It was a secret.

He wanted it to disappear.

That's what happened.

Deana Collier wasn't
Geraldine's daughter.

Well, who was she?

How could she have known that
Geraldine's daughter existed?

Nothing?

Nothing.

I'm sure the phone will point
us in the right direction.

They said it was there.

Computer can see
it transmitting,

that's what they said.

Technology is shit.

GUS COOK: Port of
London Authority?

Time of the next low
water in Bermansy?

The combination of
injuries make it difficult,

but the cause of death did
ultimately reveal itself.

Now this injury is consistent
with her being hit by a car.

Indentation of tissue
and the large contusion

and the transverse fracture
are at a height of 708

to 712 millimetres,
which is consistent

with the upper bumper
reference sign of an SUV.

JACK HODGSON: Bumper height
should narrow the possible SUV

models.

Yeah.

And the tissue had signs
of oil and tar, which

suggested, on impact,
rather than being thrown up

into the air, she was
dragged down under the car

and then pulled
across the tarmac.

Now there were a number of
other fractures on the body.

Whether they were caused
by the car or not, or--

Or what.

Well, they might have occurred
while she was in the river.

I initially thought
that she'd drowned.

But then the content of her
lungs doesn't support that.

But she was dead by the
time she reached the river.

So the body was dumped there?

I also found rat
faeces in her hair.

And I extracted debris that
was blocking her trachea

and oesophagus.

What kind of debris?

It was solidified fat,
human excrement, paper.

Then she drowned in human
excrement in the Thames?

The Thames is pretty clean.

LEO DALTON: Asphyxiated--
her air pipe was obstructed.

I think I can keep
Schwartzman interested.

But we have to move quickly.

Phillip needs to be put
in charge of the company.

So can you please just
find a legal way to do it?

Can you get that done?

You told me she was
his granddaughter.

Well, that's
what John told me.

He came to me, didn't
know what to do,

didn't know how it was going
to play out in the papers.

I mean, a rich man gives
his daughter's baby

up for adoption?

Briggs is a family brand.

Well, you introduced
Schwartzman to John.

You brought Deana to John.

You knew he was looking
for Geraldine's baby.

Yes, he confided in me,
and I was helping him.

I'm going to the police.

Wait, Annette, calm down.

How's your husband?

How's the kid?

We all live in glass
houses, Annette.

It's what modern
technology has done for us.

JACK HODGSON: The root of the
River Neckinger's tributary

takes a dog leg as it
moves towards the Thames.

What is it?

What are
you doing tonight?

You're not--

Oh, no.

No, no, no, no, no, no, god, no.

Then what do you have in mind?

Her body was found
here, wasn't it?

Yeah.

And we know that she wasn't
thrown into the river alive,

because her lungs would've
been filled with water.

So-- what is it?

Combined sewer
overflow, the outlet

of the Neckinger's
tributary, one

of London's underground rivers.

When it rains too heavily,
it takes the sewage overflow.

Rat faeces in her hair,
asphyxiated by sewage.

It's raining hard.

The water rises.

Deana's body is pushed
into the combined sewer.

The force of the
water pushed her along.

Smashes her body against
the chain ropes and metal

bars and the outfield pipe
till it reaches the Thames.

So her body was found
here, but she died in--

In there.

This is where they were picking
up her mobile signal from.

OK.

Manhole, and another here.

We need a key to open these.

Ah.

Here we go.

Did you hear that?

What?

NIKKI ALEXANDER: What
do we do if it floods?

Run.

Ha, ha, funny.

I'm serious.

NIKKI ALEXANDER: Jack?

Huh?

No, it's the River Neckinger.

It must be just above us.

All the sewage converges here.

If there's too much water,
it rises to the overflow.

NIKKI ALEXANDER: Shut up.

I'm wrong.

Shit, I'm wrong.

What are you wrong about?

If she's just been murdered,
her body won't float.

It doesn't work.

How could I be so stupid?

Dead bodies don't float!

If it won't float, it
can't rise to the overflow.

NIKKI ALEXANDER:
I've got a signal.

Turn your light off.

She was killed,
and the murderer

threw her gear into the sewer.

But where was she killed?

Here, she died in here.

It takes 48 to
72 hours for a body

to decompose enough to
trap gases so it'll float.

How did her body
rise to the overflow?

When she was hit by the
car, her leg was broken.

She was knocked
unconscious, yes?

Yes.

But when she
regains consciousness,

she's in the tunnel in the
dark, in terrible pain.

She has trouble breathing,
so she uses her inhaler.

She hears the water rushing,
sees the tunnel filling.

But there is no escape.

The water is filling fast,
so she tries to stay afloat.

But as she rises in the chamber,
she desperately gasps

for air.

She takes in a mouthful
of scum floating

to the top, human detritus.

And her airways are blocked.

The water buffets her, smashing
her skull, breaking her bones,

and then disposes of
her in the Thames.

There is no water in her
lungs, because her oesophagus

and trachea are obstructed.

The steroids in the
inhaler allow her lungs

to fill to capacity.

Gas is trapped in the
lungs, making them buoyant.

She's dead.

She floats.

Who is it, pet?

SEETHA GOLD: Morning.

Uh, it's for me.

Um, can you look after her?

Yes, of course.

We can do this here or at the
police station, if you prefer.

Come in.

SEETHA GOLD: The last
time you saw Mr. Briggs?

The business dinner.

I went straight home after.

Deana Collier said
that you contacted her.

After his 60th birthday--

--five years ago,
Mr. Briggs started

looking for his granddaughter.

He felt remorse.

And five months ago,
out of the blue,

he received a letter from Deana.

He asked me to look into it.

What made you think she
was his granddaughter?

ANNETTE KELLY: Well, it
wasn't my judgement to make.

Briggs was satisfied?

Obviously.

So before you got the letter
from Deana, how many people

knew a granddaughter existed?

It was a very private matter.

You, Briggs, anyone else?

Geraldine, obviously,
Michael Trenter.

Who is--

Mr. Briggs' media advisor.

How long had Mr.
Briggs been thinking

of selling the company?

He didn't want to.

He was being forced into it.

The bank had put
him under pressure.

They didn't want to loan.

How long ago was that?

Four or five months.

OK.

We're done for now.

Thank you.

Is that your husband?

Yes.

Lovely little girl.

Thanks.

Just one more thing, what
kind of car do you drive?

A Lexus.

GUS COOK: SUV?

Yes.

Why does anyone drive
an SUV in the city?

It makes you feel safe.

We're going to need to take
it away, have a look at it.

I received it this morning.

Look at it.

They're threatening to
send these to the newspapers.

They want money.

MICHAEL TRENTER: You've
seen it, Annette?

GERALDINE BRIGGS: Who
would want to destroy

my father's reputation?

Your father?

GERALDINE BRIGGS: It's
hardly about you, is it?

It's not about
your father anymore.

It's about the company.

You have to do what's
right for the company,

doesn't she, Annette?

Yes.

MICHAEL TRENTER: And what
do you think she should do,

as her solicitor representing
her best interests?

I think you should try and
make a deal with Schwartzman

today, before the value
drops any further.

Why does Deana Collier have--

What?

Why does Deana Collier have
Michael Trenter's number

in her address book?

"Having dinner with
Mum, smiley face.

If silence is golden,
where is the gold, mate?"

Michael Trenter?

May I speak to Detective Gold,

please?

My resignation.

I want our conversation
to be private.

ANNETTE KELLY: Of course.

GERALDINE BRIGGS: This morning
must've been horrible for you.

ANNETTE KELLY: I'd be
grateful if you could leave me

with a little dignity.

GERALDINE BRIGGS: I had my
dignity stolen when I was 16.

I have no intention
of taking yours.

It wasn't me in the
photograph with your father.

Why didn't you say something?

Because it could have been.

I see.

I mean, you can't fight them.

They make up stories.

If they can't find a newspaper,
they put it on the internet.

They ruin reputations.

It doesn't matter to them.

Sell the company.

Take the money and go
and live your life.

My life will never be
what I expected it to be.

Let Phillip take over.

Let them get on with it.

It would be in your interest
to do that, wouldn't it?

It's me today.

It will be you tomorrow.

He gave the
responsibility to me.

I wondered why he would do that.

He wanted me to
know he believed me.

Finally, he believed me.

I'm not going to
sell the company.

I don't accept it.

I don't care what you
put in your mouth.

I have two days.

Now don't tell me what
I should be scared of.

Tell me what I can do.

Jack, here's a list of
the SUVs with bumper heights

that are matches.

Thanks, Clarissa.

I've done a breakdown
of the swipe card entries.

At 11:37, a secondary
guest card was used.

Both cards were issued
to Annette Kelly.

The second one is not on
the evidence inventory.

I'll get this over
to the detectives.

Thanks.

NIKKI ALEXANDER:
That's impressive.

Have you met?

No.

Nikki, Clarissa,
Clarissa, Nikki.

Hi.

Is she the one you
said is a genius?

I didn't actually say that.

CLARISSA MULLERY: Yes, you did.

OK, you didn't, whatever.

It's nice to meet you, Nikki.

Don't know what
you're worried about.

From the way you describe
her, she is a genius.

Can I have a quick word?

Ah, thank you for
meeting with me.

Well, don't thank me yet.

Annette should be joining us.

Yeah, the traffic is bad.

She tells me I
should work with you.

Well, I'm a good listener.

I don't trust many people.

We've got a lot in common.

JACK HODGSON: Professor.

Leo, just call me Leo.

I'm sorry.

Clarissa, you didn't
actually say that I

wouldn't get to interview her.

She's my technician.

I need her.

There's a problem here
with the "my" and the "I."

Ah, god, of course,
you're right.

There's no "I" in Team.

And I didn't expect that--

I told you I would only come
if I could bring my technician.

If she goes, I go--

LEO DALTON: Oh.

JACK HODGSON: --'cause we're
a team, without an "I."

I like her.

Yeah?

Wait till you get to know her.

Jack Hodgson.

Gus.

It's her husband.

We usually give it
48 hours before we

treat it as suspicious.

But Detective
Sergeant Gold thinks

we should view it as a possible
crime scene straightaway,

in light of prior events.

Mhm.

What'd you find?

In the bottom drawer
of Annette Kelly's desk,

residue of talcum powder.

It doesn't belong
to Annette Kelly.

Go on and look inside,
the pocket at the back.

Hotel swipe card.

NIKKI ALEXANDER: Mhm.

Hm, the whip marks.

Yeah.

Somebody likes punishment.

And you're different?

Ouch.

It's S cut here on the side.

Mhm.

We can swab it for DNA.

Clarissa will look for fibres.

Latex, the allergen.

Yeah.

JACK HODGSON: And I find this.

Is it some sort
of extortion plot?

Maybe he got a kick out of it.

Maybe you look
at too much porn.

And I thought my
secret was safe.

That's not real.

JACK HODGSON: What do you mean?

Briggs' neck, look at it.

His face is smooth
from the lift.

But his neck shows every
one of his 65 years.

JACK HODGSON: Wasn't
that on the CCTV?

Well, I'm looking for it.

Do you have the hard drive?

Yeah, original and the copy.

Well, look again.

OK.

Woody.

Come on, Woody.

Chow is.

What have you got there?

Come here sweetheart...

Woody.

Woody, Woody, drop, drop.

NIKKI ALEXANDER: It looks
like it was done post-mortem,

no coagulation visible.

Was it meant to
look like suicide?

LEO DALTON: Hm.

NIKKI ALEXANDER:
Female, Annette Kelly.

LEO DALTON: Let's see what
comes back with the DNA results.

There's a large
splinter in the hand,

a dark substance on the wood.

Creosote.

It's not been cut.

Teeth marks?

Why is she leaving the hotel?

She doesn't have
the bag with her.

Go to Real Time.

Just a second.

Hello?

Yeah, I may have something,
but I can't talk now.

Later on, yeah.

She went back up.

When she comes back
in, she finds him dead.

He's wearing the gear.

The latex caused
the anaphylaxis.

She knew what the
papers would say.

She's in Briggs'
room late at night.

It's not good.

People will talk.

She panics.

She doesn't know what to do.

She wants to leave,
but she's afraid.

She cuts him out of the outfit.

She tries the best
she can to clean up.

Wipes the flat surfaces,
the telephone jack.

Why did she walk out
in the first place?

He's asked her to do
something she doesn't want to.

The whip.

Why didn't she call
the police, though?

She was afraid they
might leak it to the press.

Have they found the
rest of the body?

You know, Cook leaks
stories to the press?

You're telling me that just
like that, like it's a fact.

JACK HODGSON: It
seemed the best way.

I heard him on the phone.

Can you prove it?

SEETHA GOLD: Good
on the accusations,

not so much on the proof.

Because it's
breaking the law, I

thought I'd give you a heads up.

Let me give you a heads
up, don't touch this.

People are sensitive about it.

If you can't prove it,
keep your mouth shut.

Even if you can prove it, keep
your mouth shut, because we all

have to work together.

LEO DALTON: Fox--

I called the Royal
Veterinary College just

to get them to confirm.

It was creosote.

The surface of the
skin has traces

of Bacillus thuringiensis,
a pesticide.

Here, these marks,
they aren't teeth.

They're some sort of rash only.

What kind of insects
is Bacillus thuringiensis

meant to control?

Jack wanted me to find out
about poisonous caterpillars.

I didn't know caterpillars
could be poisonous.

Did you?

LEO DALTON: Yep.

Oak processionary
moth, they're

not indigenous to Britain.

Did you know that?

Yes, came from
Northern France.

Did you know we've had
an infestation recently?

Yes.

You did?

LEO DALTON: I just read it.

Where
are the locations

of the infestations in London?

You don't know?

Hi.

OK, there are three sections
of the park which are closed.

This section is closest
to the residential street

where the arm was found.

NIKKI ALEXANDER: OK.

The oak processionary
moth caterpillar.

Nikki, Jack, over here.

I tried to reach
her this morning

to tell her we were
returning her car.

LEO DALTON: Blow to the head.

Creosote?

DNA?

Prints?

DNA, prints, anything
you need, you can have.

That will catch every
car, bicycle, or person

that comes in here.

Think it actually works?

JACK HODGSON: Hair?

Hm.

Well, she certainly
didn't kill herself.

Single blow blunt trauma
injury, side of the head,

cerebral bleeding--

she had to die pretty quickly.

And there were two
creosote-covered wood

splinters.

But the killer was trying
to make it look like suicide?

Not very successfully.

But why, if you
were a stranger,

would you try to make
it look like a suicide,

if it's a random assault?

No, you do that if you know her.

DNA is back on the arm.

We've got the rest
of the victim now.

CLARISSA MULLERY: Progress.

The arm belongs
to Annette Kelly.

We know.

She's also your unknown DNA--

Briggs' hotel room, the carpet.

Mr. Barber and
I are going to try

to look at ways to cut costs.

I think we might
be past the point

where we can be looking
at ways to cut costs.

Mr. Hornsby, let us try and
work our way out of this.

We can't loan you any
more money, Miss Briggs.

You have no experience
in running a business.

KENNY BARBER: Come on, can't
the bank show a little goodwill?

PETER HORNSBY: I've
had this conversation

for months with your father.

Didn't know there was
a meeting this morning.

You didn't know because
you weren't invited.

Don't you think we
should wait for Annette?

I'm sorry.

This is not an
option I can consider

unless we have a concrete plan.

GERALDINE BRIGGS: Mr.
Trenter, could you leave?

MICHAEL TRENTER: Yeah,
there's a meeting going on.

I think--

I've got a concrete plan.

GERALDINE BRIGGS:
Look, I'm not going

to pretend that I know
how to do anything.

But Mr. Barber is
willing to work with us.

We'll hire the people we need.

And if you could just
show us some support--

SEETHA GOLD: I'm
sorry to interrupt.

Geraldine Briggs,
I'm arresting you

on the suspicion of the
murder of Annette Kelly.

You do not have to say anything.

But it may harm your defence
if you do not mention,

when questioned, something which
you later rely on in court.

Anything you do say may
be given in evidence.

Your arrest is necessary
for the prompt and effective

investigation of the offence.

I'm in charge now.

The clock runs out tomorrow.

I'll be contacting Mr.
Schwartzman to close the deal.

Of course.

He's done due diligence.

It's only a matter
of a signature.

Well, that's your
business, not mine.

Yes, it is.

Of course it is, yeah.

We'll get a signing immediately
and put the whole thing to bed.

SEETHA GOLD: CCTV
places Geraldine

at the park with Annette.

She admits she was there.

Geraldine leaves.

She drives away.

Annette doesn't.

Geraldine was the last person
to be seen with Deana Collier.

So we're working from
an operating theory

that Geraldine discovers
Deana is an impostor hoping

to get money.

And Annette?

She thinks Annette is having
an affair with Briggs in order

to extort money,
probably killed him.

And the photograph
is part of it.

She was a partner in
her own extortion plot.

NIKKI ALEXANDER: The
photographs are fraud.

It's been Photoshopped.

Are you sure?

JACK HODGSON: Light
moves in straight lines

everywhere in the universe,
except this photograph.

They've put Briggs' head
on someone else's body.

And they've done the
same to Mrs. Kelly.

But it's true.

No, I just told
you it's not true.

But the DNA in
the hotel room--

Well, what point
you trying to make?

That they were having
a sexual relationship.

NIKKI ALEXANDER: Why
is that important?

They're both dead.

You're bent.

What?

Jack.

You've already sold it.

Enough, enough.

We need to visit the Kelly
home, routine search.

And we need more
evidence if we're

going to hold Geraldine Briggs.

LEO DALTON: CCTV places
her in the car park?

Yeah, not the
scene of the murder.

SEETHA GOLD: No.

Well, if she
killed Annette, she

will possibly have
been exposed to oak

processionary moths larvae.

She could have the red
marks on her arms, her legs.

And those marks would place her
at the scene, so look for them.

Can we do that right away?

Of course.

They paid you over the
odds for a sex scandal.

Shut up.

JACK HODGSON: And
now you're worried

you may have sold
the newspaper a lie.

Are you OK?

Yeah, good.

Sorry.

Do you want to
make a complaint?

LEO DALTON: I do.

No.

We all have to work together.

You don't do
yourself any favours.

I need to work on that.

Gold's saying
you provoked him.

She's always going
to close ranks.

Do you close ranks?

Leo is doing that right now.

The professor
I admire the most

having to make excuses for me.

Get over the hero worship.

Could I see your arms, please?

Why should anyone believe me?

OK, you could put
your clothes on.

Your father believed you.

I believe you.

Mr. Kelly?

Hi, Nikki Alexander.

I'm so sorry.
Are you ready for this?

Are you trying
to intimidate me?

No, just wondering how hard
it is to become a detective.

It can't be that hard.

Shut up.

Silence is golden.

Deana's text message, does
Michael Trenter have an SUV?

KENNY BARBER: I thought
you got paid to keep

that shite out the papers.

Now it's actually studied
in advertising courses.

What time did Mr.
Schwartzman say he'd be here?

He's not coming.

About 5 o'clock, no.

He's going to
let the ship sink

and then buy it for
salvage, or is it Michael?

He'll wait until the
very last minute,

pull out, and let
the company go under.

Be quiet.

KENNY BARBER: Schwartzman
is not interested in you

or me or Hornsby.

He'll probably buy it
for 30p on the pound

and turn it into
a nonunion shop--

results.

I said, shut up.

1,000 people out of work.

And people say he's clever.

I said, shut it.

KENNY BARBER: Politicians
want to be his friend,

have a drink with him.

He'll set up an academy
and sleep with an actress.

Hello?

KENNY BARBER: He'll be in
Tony Blair's address book

now and give money to
some spin doctor's charity

for alcoholic depressives.

Mr. Schwartzman has
withdrawn his interest.

KENNY BARBER: Oh.

PETER HORNSBY: He
won't be coming today.

KENNY BARBER: Bunch of mugs.

Yous are all a bunch of mugs.

So am I.

You need to put yourself into
administration immediately.

He's having body work done.

Detective Sergeant Gold.

Is this Michael Trenter's car?

This is it.

PHILLIP BRIGGS: I thought
you knew everything, Michael,

everything about everyone.

MICHAEL TRENTER: Do we want to
sell the company, Phillip Let's

just stay focused on that.

I've spoken to
the administrator.

They're desperate.

We think we can do a deal
of 30 pence on the pound,

because of you, Michael.

Thank you.

Don't mention it.

What is it?

Deana Collier.

MICHAEL TRENTER:

Pathologist.

Forensics.

NIKKI ALEXANDER: Jack?

JACK HODGSON: Mhm?

NIKKI ALEXANDER: Oak
processionary moth.

Detective Gold, in
particular, praised your work.

I don't know why.

It's a mystery.

And it is very gracious of you
to invite Detective Cook to do

the follow-up on Deana
with you, magnanimous.

Two words I don't
normally hear.

I imagine he'll
like the sewer.

Thank you.

Thank you both for
giving me the chance.

Hello, Professor.

Hello.

Hello, Dr. Alexander.

Hi.

The information you
wanted, I've confirmed it.

Oh, thank you.

No worries.

It's a beautiful
day today, isn't it?

Very upbeat.

Change is good.

Change is good.

I ran your DNA
against the database,

and that's when I
discovered something.

That's Joanna, by the window.

The couple that adopted
her sent her back.

Turned out she wasn't perfect.

No one's perfect.

JACK HODGSON: You OK?

Yeah, good.

Man, I'm going to
film a bit of this.

JACK HODGSON: That's where
we found the film, further

along there.

GUS COOK: Oh, my god.

JACK HODGSON: Huh?

What
are you doing, man?

I'm going to kick your ass.