All language subtitles for Prodigy.2017.1080p.BluRay.x264-[YTS.AM]

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian Download
bg Bulgarian Download
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English Download
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French Download
fy Frisian
gl Galician
ka Georgian
de German
el Greek Download
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi Download
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian Download
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish Download
su Sundanese
sw Swahili
sv Swedish Download
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,047 --> 00:00:07,007 [FILM PROJECTOR STARTING] 2 00:00:12,095 --> 00:00:15,015 [MUSIC PLAYING] 3 00:00:19,269 --> 00:00:21,230 [INDISTINCT CHATTER] 4 00:03:16,822 --> 00:03:19,157 DO YOU ALWAYS PLAY ALONE? 5 00:03:19,366 --> 00:03:22,911 CHALLENGING YOURSELF CAN TEACH YOU QUITE A BIT ABOUT VVHO YOU ARE. 6 00:03:24,871 --> 00:03:28,166 PLUS, I ALWAYS WIN. 7 00:03:32,504 --> 00:03:35,507 OR LOSE. 8 00:03:35,716 --> 00:03:37,259 A MATTER OF PERSPECTIVE. 9 00:03:43,181 --> 00:03:46,184 OLIVIA. 10 00:03:46,393 --> 00:03:48,687 LOVELY TO SEE YOU. 11 00:03:48,895 --> 00:03:49,855 AND YOU, JIMMY. 12 00:03:50,063 --> 00:03:51,398 HMM. 13 00:03:51,606 --> 00:03:53,984 NO ONE'S CALLED ME JIMMY IN YEARS. 14 00:03:54,192 --> 00:03:56,361 WELL, THAT'S TOO BAD. IT SUITS YOU. 15 00:03:56,570 --> 00:03:59,156 NOT SO SURE ABOUT THAT THESE DAYS. 16 00:03:59,364 --> 00:04:02,993 WELL, YOU'LL ALWAYS BE JIMMY TO ME. 17 00:04:03,201 --> 00:04:06,580 DO YOU HAVE TIME TO GRAB A CUP OF COFFEE? 18 00:04:06,788 --> 00:04:08,123 CATCH UP A LITTLE? 19 00:04:08,331 --> 00:04:10,751 I'M AFRAID WE'RE ON A TIGHT SCHEDULE. 20 00:04:10,959 --> 00:04:13,211 NO TIME FOR CHIT-CHAT. 21 00:04:13,420 --> 00:04:15,922 ALL RIGHT, JUST GIVE ME A MOMENT. 22 00:04:26,933 --> 00:04:30,103 HOW YOU FEELING ABOUT ALL THIS? 23 00:04:30,312 --> 00:04:33,523 WELL, THIS PROCESS IS A LITTLE DIFFERENT. 24 00:04:33,732 --> 00:04:35,567 BUT YOU THINK YOU'RE READY? 25 00:04:35,776 --> 00:04:40,614 WELL, I DO THINK I'M READY FOR ANYTHING AT THIS POINT. 26 00:04:40,822 --> 00:04:42,407 I HOPE SO. 27 00:04:46,703 --> 00:04:48,330 [ALARM BLARING] 28 00:04:48,538 --> 00:04:50,874 WAIT. POCKET. 29 00:04:54,836 --> 00:04:57,214 AGAIN. 30 00:04:57,422 --> 00:04:58,298 [ALARM BLARING] 31 00:04:58,507 --> 00:05:00,550 ARMS UP. 32 00:05:00,759 --> 00:05:03,762 [BEEPING] 33 00:05:03,970 --> 00:05:06,139 YEAH, I'LL BE GETTING THAT BACK, YES? 34 00:05:11,686 --> 00:05:13,271 YOU ARE NOT TO TOUCH THE SUBJECT. 35 00:05:13,480 --> 00:05:15,899 DO NOT LEAVE ANYTHING NEAR THE SUBJECT'S HANDS. 36 00:05:16,107 --> 00:05:18,068 IF THE SUBJECT MAKES A REQUEST, 37 00:05:18,276 --> 00:05:21,530 YOU ARE TO SEEK MY PERMISSION BEFORE GRANTING THE SUBJECT ANYTHING. 38 00:05:21,738 --> 00:05:23,532 I, UH, I MEAN NO OFFENSE, 39 00:05:23,740 --> 00:05:26,451 BUT, UH, IS ALL THIS ENTIRELY NECESSARY? 40 00:05:26,660 --> 00:05:28,578 IF YOU HAVE A PROBLEM FOLLOWING THESE RULES, 41 00:05:28,787 --> 00:05:31,206 THEN I SUGGEST THAT YOU CONDUCT YOUR EVALUATION 42 00:05:31,414 --> 00:05:34,918 FROM INSIDE THE CONTROL ROOM PER MY ORIGINAL RECOMMENDATION. 43 00:05:35,126 --> 00:05:37,128 [EXHALES SHARPLY] NO, THAT WON'T BE REQUIRED. 44 00:05:37,337 --> 00:05:40,382 DO NOT, FOR ANY REASON, RELEASE THE SUBJECT FROM THE RESTRAINTS. 45 00:05:40,590 --> 00:05:42,551 IN THE EVENT THE SUBJECT ESCAPES THE RESTRAINTS, 46 00:05:42,759 --> 00:05:44,719 DROP TO THE FLOOR AND COVER YOUR HEAD. 47 00:05:44,928 --> 00:05:46,263 DO NOT ATTEMPT TO LEAVE THE ROOM. 48 00:05:46,471 --> 00:05:48,348 DO NOT ATTEMPT TO RE-RESTRAIN THE SUBJECT. 49 00:05:48,557 --> 00:05:50,392 - UNDERSTOOD? - YEAH. 50 00:05:50,600 --> 00:05:53,478 - UNDERSTOOD? - YES, UNDERSTOOD. 51 00:06:10,287 --> 00:06:12,289 DR. FONDA. 52 00:06:12,497 --> 00:06:14,583 I SEE YOU'VE MET COLONEL BIRCH. 53 00:06:14,791 --> 00:06:17,794 THE MILITARY IS ASSISTING IN THIS CASE. 54 00:06:18,003 --> 00:06:21,840 I HARDLY THINK "ASSISTING" IS A SUFFICIENT TERM. 55 00:06:22,048 --> 00:06:24,634 THANK YOU FOR THAT CLARIFICATION, COLONEL. 56 00:06:24,843 --> 00:06:26,219 [BIRCH] ALL RIGHT, so SHOW ME WHAT WE'VE GOT HERE. 57 00:06:26,428 --> 00:06:28,680 THIS IS DR. KEATON, OUR DIRECTOR OF PSYCHIATRY. 58 00:06:28,889 --> 00:06:30,098 YEAH, NICE TO MEET YOU, DR. KEATON. 59 00:06:30,307 --> 00:06:32,267 ALWAYS A PLEASURE TO MEET A FELLOW SHRINK. 60 00:06:32,475 --> 00:06:36,396 VVELL, I HATE TO DISAPPOINT, BUT, UH, TECHNICALLY I'M A PSYCHOLOGIST. 61 00:06:36,605 --> 00:06:41,234 OH. OH, WELL, WE CAN'T ALL BE PERFECT, EH? 62 00:06:41,443 --> 00:06:42,527 [BEEPING] 63 00:06:42,736 --> 00:06:43,987 WHEN THE LIGHT IS GREEN, 64 00:06:44,195 --> 00:06:46,489 YOU ARE GO TO ZAP THAT LITTLE FUCKER. 65 00:06:46,698 --> 00:06:48,950 AND THIS CHARMING YOUNG MAN IS RYAN MCCROSKY, 66 00:06:49,159 --> 00:06:51,995 OUR CHIEF TECHNICIAN. RYAN, THIS IS DR. FONDA. 67 00:06:52,203 --> 00:06:53,538 HEY. 68 00:06:55,415 --> 00:06:58,668 DR. WARNER IS OUR RESIDENT BIOCHEMISTRY EXPERT. 69 00:06:58,877 --> 00:07:01,838 AH, NICE TO MEET YOU, DR. WARNER. 70 00:07:02,047 --> 00:07:03,089 LIKEWISE. 71 00:07:03,298 --> 00:07:05,216 [BEEPING] 72 00:07:12,432 --> 00:07:14,392 IT'S TIME. 73 00:07:14,601 --> 00:07:17,979 IF YOU DON'T MIND, COLONEL, I'D LIKE TC) VVALK DR. FONDA OVER MYSELF. 74 00:07:20,607 --> 00:07:22,442 BE MY GUEST. 75 00:07:26,154 --> 00:07:27,530 YOU'LL HAVE TO EXCUSE THEM. 76 00:07:27,739 --> 00:07:29,699 IT'S MY FAULT THEY'VE HAD TO SPEND SO MUCH TIME 77 00:07:29,908 --> 00:07:31,117 IN THAT LITTLE ROOM. 78 00:07:31,326 --> 00:07:33,244 WELL, YOU'RE THE BOSS. 79 00:07:33,453 --> 00:07:35,789 [BEEP, DOOR BUZZES] 80 00:07:42,545 --> 00:07:44,005 ALL CLEAR, AGENT PRICE. 81 00:07:44,214 --> 00:07:45,966 THANK YOU, GENTLEMEN. 82 00:07:46,174 --> 00:07:48,093 [SQUEAKING] 83 00:07:57,310 --> 00:08:01,147 I KNOW THIS ALL SEEMS A BIT STRANGE, BUT... 84 00:08:01,356 --> 00:08:04,651 PLEASE TRY TO GO IN THERE WITH AN OPEN MIND. 85 00:08:04,859 --> 00:08:08,655 WELL, IF I COULDN'T DO THAT, I WOULDN'T BE HERE. 86 00:08:14,244 --> 00:08:15,996 THANK YOU, JIMMY. 87 00:08:39,310 --> 00:08:42,313 HELLO, ELEANOR. MY NAME IS JAMES FONDA. 88 00:08:42,522 --> 00:08:45,900 -I AM HERE TO-- -| LOVE THE SWEATER VEST. 89 00:08:46,109 --> 00:08:47,569 WELL, THANK YOU. I'M NOT ALL-- 90 00:08:47,777 --> 00:08:48,945 YOU HAVE IT ALL. 91 00:08:49,154 --> 00:08:52,240 WORN LOAFERS, SECOND HAND SLACKS, 92 00:08:52,449 --> 00:08:55,952 TATTERED BRIEFCASE. 93 00:08:56,161 --> 00:08:57,245 I'M NOT QUITE SURE I FOLLOW. 94 00:08:57,454 --> 00:08:59,706 BUT THE TRUTH IS IN THE DETAILS. 95 00:08:59,914 --> 00:09:02,959 THE LINES ON YOUR FACE. 96 00:09:03,168 --> 00:09:05,420 YOUR POSTURE. 97 00:09:05,628 --> 00:09:08,923 DISTINCT LACK OF CONCERN WITH YOUR HAIRSTYLE. 98 00:09:13,011 --> 00:09:16,639 DID MISS OLIVIA SEND A BARGAIN BIN FIND IN WITH ME? 99 00:09:19,392 --> 00:09:21,144 HOW QUAINT. 100 00:09:25,273 --> 00:09:27,692 YOU'RE A VERY OBSERVANT YOUNG LADY. 101 00:09:30,278 --> 00:09:33,406 I ASSUME YOU HAVE EXPERIENCE WITH TROUBLED YOUTH. 102 00:09:33,615 --> 00:09:37,285 MOST LIKELY FROM BAD NEIGHBORHOODS. 103 00:09:37,494 --> 00:09:39,496 WHAT MAKES YOU SAY THAT? 104 00:09:39,704 --> 00:09:41,831 THAT MUST BE CHALLENGING WORK. 105 00:09:44,250 --> 00:09:48,129 I IMAGINE THE RETURN RATE ISN'T PARTICULARLY HIGH IN THOSE SITUATIONS. 106 00:09:50,757 --> 00:09:53,927 IT MUST WEAR ON YOU, NOT BEING ABLE TO SAVE THEM. 107 00:09:56,179 --> 00:10:00,141 IT DOES, BUT IT ALSO MAKES EACH SUCCESS 108 00:10:00,350 --> 00:10:02,227 THAT MUCH MORE SATISFYING. 109 00:10:02,435 --> 00:10:07,107 AND THAT'S SO CONDUCIVE TO A SATISFYING HOME LIFE, I FEEL, IS IT? 110 00:10:09,359 --> 00:10:11,986 IT IS HARD FOR ME TO IMAGINE YOUR LOVING WIFE 111 00:10:12,195 --> 00:10:13,905 ALLOWING YOU OUT OF THE HOUSE IN YOUR... 112 00:10:14,114 --> 00:10:15,698 CURRENT STATE. 113 00:10:15,907 --> 00:10:17,408 MY WIFE? 114 00:10:22,413 --> 00:10:26,376 IT IS, UNLESS SHE ISN'T AROUND ANYMORE. 115 00:10:28,086 --> 00:10:30,421 YOU SHUT HER OUT, DIDN'T YOU? 116 00:10:33,007 --> 00:10:36,427 TO LOOK AT YOU, I'D SAY YOU SHUT MOST EVERYONE OUT. 117 00:10:39,389 --> 00:10:41,474 IS IT EASIER TO KEEP THEM AWAY 118 00:10:41,683 --> 00:10:44,227 THAN TO RISK GETTING HURT AGAIN? 119 00:10:55,989 --> 00:10:58,825 THAT WAS QUITE AN EVALUATION, ELEANOR. 120 00:10:59,033 --> 00:11:01,452 DON'T CALL ME ELEANOR. 121 00:11:01,661 --> 00:11:02,996 WHAT SHOULD I CALL YOU? 122 00:11:03,204 --> 00:11:05,498 ELLIE IS BETTER. 123 00:11:05,707 --> 00:11:07,333 ALL RIGHT. 124 00:11:07,542 --> 00:11:09,169 ELLIE DOES SUIT YOU. 125 00:11:09,377 --> 00:11:11,296 SPARE ME YOUR PANDERING. 126 00:11:11,504 --> 00:11:15,300 I'M WELL BEYOND YOUR USUAL TRUST-BUILDING EXERCISES. 127 00:11:15,508 --> 00:11:19,137 I AGREE, AGAIN. 128 00:11:19,345 --> 00:11:23,057 THEN LET'S SKIP THE FORMALITIES AND GET STRAIGHT INTO IT, SHALL VVE? 129 00:11:23,266 --> 00:11:26,019 INTO WHAT? 130 00:11:26,227 --> 00:11:28,980 YOU ARE AN ANALYST, ARE YOU NOT? 131 00:11:29,189 --> 00:11:31,441 [EXHALES SHARPLY] I AM. 132 00:11:31,649 --> 00:11:33,902 AND YOU HAVE MY FILE? 133 00:11:34,110 --> 00:11:36,070 L-I DO. 134 00:11:36,279 --> 00:11:37,989 AND YOU'VE GOT NOTHING FOR ME? 135 00:11:38,198 --> 00:11:40,283 NO DIAGNOSIS? 136 00:11:40,491 --> 00:11:43,536 WELL, PERHAPS I'M NOT AS PERCEPTIVE AS YOU. 137 00:11:45,997 --> 00:11:48,041 BUT, UH, TO BE HONEST, 138 00:11:48,249 --> 00:11:50,251 I HAVEN'T EVEN READ THIS. 139 00:11:53,379 --> 00:11:54,964 [ELLIE] IS THAT RIGHT? 140 00:11:55,173 --> 00:11:56,841 RELAX. HE'S BLUFFING. 141 00:11:57,050 --> 00:11:58,801 HE WOULDN'T GO IN THERE BLIND. 142 00:11:59,010 --> 00:12:01,137 [FONDA] IT ls. 143 00:12:01,346 --> 00:12:03,848 IS THIS COMMON PRACTICE FOR YOU? 144 00:12:04,057 --> 00:12:07,560 ARRIVING WOEFULLY UNPREPARED? 145 00:12:07,769 --> 00:12:12,273 IF I HAD READ THIS, IT VVOULD HAVE COLORED MY PERCEPTION OF YOU BEFORE VVE MET. 146 00:12:12,482 --> 00:12:16,110 NOVV PERSONALLY, I PREFER TO HEAR FROM THE INDIVIDUAL IN QUESTION 147 00:12:16,319 --> 00:12:20,114 RATHER THAN FOCUSING ON A PARTICULAR PROBLEM THEY HAVE 148 00:12:20,323 --> 00:12:23,117 OR MISTAKE THEY MADE. 149 00:12:23,326 --> 00:12:27,413 EVEN IF SAID INDIVIDUAL IS A MALADJUSTED PREPUBESCENT? 150 00:12:27,622 --> 00:12:30,166 ALL THE MORE SO WITH CHILDREN, 151 00:12:30,375 --> 00:12:32,418 AS THEY AREN'T USUALLY GIVEN ENOUGH CREDIT 152 00:12:32,627 --> 00:12:37,757 WHEN IT COMES TO EXPRESSING THEIR OWN ANXIETIES. 153 00:12:37,966 --> 00:12:39,676 I WAS RIGHT ABOUT YOU. 154 00:12:39,884 --> 00:12:42,929 YOU WERE RIGHT ABOUT A LOT OF THINGS. 155 00:12:43,137 --> 00:12:45,014 I HAVE WORKED WITH CHILDREN. 156 00:12:45,223 --> 00:12:48,351 OFTEN FROM ROUGH NEIGHBORHOODS, 157 00:12:48,559 --> 00:12:51,479 AND I'M NOT PARTICULARLY CONCERNED WITH MY HAIRSTYLE. 158 00:12:54,107 --> 00:12:57,485 I DON'T BELIEVE, HOWEVER, THAT QUALIFIES ME AS A, UH, 159 00:12:57,694 --> 00:13:00,196 BARGAIN BIN FIND. 160 00:13:00,405 --> 00:13:01,823 THE OTHER SHRINKS THEY BROUGHT ME 161 00:13:02,031 --> 00:13:05,326 WORE DESIGNER SUITS AND FANCY WATCHES. 162 00:13:10,081 --> 00:13:14,419 A WATCH IS A, UH, FUNNY DEVICE THESE DAYS. 163 00:13:16,045 --> 00:13:20,425 I HAVE A FRIEND WHO IS OBSESSED WITH FANCY WATCHES. 164 00:13:20,633 --> 00:13:22,468 EVENTUALLY, AFTER YEARS OF HARD WORK, 165 00:13:22,677 --> 00:13:24,470 HE REWARDED HIMSELF WITH ONE. 166 00:13:24,679 --> 00:13:26,889 AND IT WAS BEAUTIFUL. 167 00:13:27,098 --> 00:13:30,393 BUT THE PROBLEM WAS AFTER ABOUT A WEEK, 168 00:13:30,601 --> 00:13:32,937 IT WAS NEARLY TWO MINUTES SLOW. 169 00:13:33,146 --> 00:13:35,148 HE WOUND IT, SET IT. 170 00:13:35,356 --> 00:13:38,276 ANOTHER WEEK WENT BY, SAME PROBLEM. 171 00:13:38,484 --> 00:13:42,322 HE WAS ALWAYS LOSING TIME. 172 00:13:42,530 --> 00:13:46,200 YEAH, MY FATHER GAVE ME 173 00:13:46,409 --> 00:13:51,122 THIS WATCH A LONG TIME AGO. 174 00:13:51,331 --> 00:13:54,459 IT'S NOT FLASHY BY ANY MEANS. 175 00:13:54,667 --> 00:13:57,253 BUT I'LL TELL YOU WHAT, IT'S NEVER LOST A MINUTE. 176 00:14:00,882 --> 00:14:04,552 YEAH, A TIME PIECE MAY HAVE AESTHETIC VALUE. 177 00:14:04,761 --> 00:14:06,262 AT ITS CORE, THOUGH, 178 00:14:06,471 --> 00:14:09,599 IT IS A SINGLE FUNCTION DEVICE. 179 00:14:09,807 --> 00:14:11,267 SHINY OR DULL, 180 00:14:11,476 --> 00:14:14,479 ALL THAT MATTERS IS HOW WELL IT TELLS THE TIME. 181 00:14:16,439 --> 00:14:19,650 AND YOU CAN TELL THE TIME? 182 00:14:19,859 --> 00:14:23,696 NEVER LOST A MINUTE. 183 00:14:23,905 --> 00:14:26,657 YOU STAND TO LOSE MORE THAN TIME IN HERE. 184 00:14:28,826 --> 00:14:33,289 WELL, I'M WILLING TO TAKE THAT CHANCE IF YOU ARE. 185 00:14:33,498 --> 00:14:35,416 PERHAPS. 186 00:14:40,713 --> 00:14:43,966 BUT CERTAINLY NOT ON AN EMPTY STOMACH. 187 00:14:44,175 --> 00:14:45,510 YOU HUNGRY? 188 00:14:45,718 --> 00:14:48,096 PEANUT BUTTER AND BANANA ON WHOLE WHEAT WITH CHIPS 189 00:14:48,304 --> 00:14:50,723 OR CELERY. 190 00:14:50,932 --> 00:14:53,017 SO SPECIFIC. 191 00:14:53,226 --> 00:14:55,561 I TAKE IT WITH APPLE JUICE. 192 00:14:58,481 --> 00:15:01,150 I'LL SEE WHAT I CAN DRUM UP. 193 00:15:01,359 --> 00:15:03,194 -[DOOR BUZZES] - AND JIMMY? 194 00:15:05,863 --> 00:15:07,824 NO CRUST. 195 00:15:16,624 --> 00:15:18,459 [DOOR BUZZES] 196 00:15:34,642 --> 00:15:39,188 I ASSUME YOU HAVE THE MEANS TO PREPARE ELLIE'S LUNCH. 197 00:15:39,397 --> 00:15:42,525 - MCCROSKY. - WHAT THE HELL? 198 00:15:42,733 --> 00:15:43,651 [EXASPERATED SIGH] 199 00:15:50,032 --> 00:15:52,493 WHAT DO YOU THINK? 200 00:15:52,702 --> 00:15:56,414 SHE'S AN EXTRAORDINARY CHILD. [CHUCKLES] 201 00:15:56,622 --> 00:15:58,791 WELL, PERHAPS THIS IS OLD HAT FOR ALL OF YOU, 202 00:15:59,000 --> 00:16:01,878 BUT YOU CAN'T DENY HOW REMARKABLE HER INTELLECT IS. 203 00:16:02,086 --> 00:16:04,881 HER INTELLECT IS NOT WHAT CONCERNS ME, DOCTOR. 204 00:16:05,089 --> 00:16:07,216 WHAT DOES CONCERN YOU? 205 00:16:07,425 --> 00:16:10,720 I'M MORE CONCERNED VVITH THE PATIENT'S PERSONALITY DISQRDERS. 206 00:16:10,928 --> 00:16:12,388 DISORDERS? 207 00:16:12,597 --> 00:16:14,599 I THINK WE CAN BOTH AGREE THAT SHE SUFFERS 208 00:16:14,807 --> 00:16:16,976 FROM A SEVERE SUPERIORITY COMPLEX. 209 00:16:17,185 --> 00:16:19,645 WELL, GIVEN HER ADVANCED INTELLIGENCE, 210 00:16:19,854 --> 00:16:22,064 ONE MIGHT EXCUSE SOME FEELINGS OF SUPERIORITY. 211 00:16:22,273 --> 00:16:25,151 OH, NOT WHEN IT ESCALATES TO... 212 00:16:29,906 --> 00:16:33,034 YOU REALLY DIDN'T READ THE FILE. 213 00:16:33,242 --> 00:16:36,412 NO. LIKE I, UH, TOLD ELLIE, 214 00:16:36,621 --> 00:16:39,957 I LIKE TC) HEAR THE INDIVIDUAL'S VERSION OF THINGS FIRST. 215 00:16:42,376 --> 00:16:45,671 PROFESSIONAL IRRESPONSIBILITY ASIDE, 216 00:16:45,880 --> 00:16:47,381 I THINK YOU OWE IT TO YOURSELF 217 00:16:47,590 --> 00:16:50,218 TO UNDERSTAND THE VIOLENCE THIS PATIENT IS CAPABLE OF. 218 00:16:50,426 --> 00:16:54,388 WELL, I TRUST IT'LL BECOME CLEAR IN TALKING WITH ELEANOR. 219 00:16:54,597 --> 00:16:57,433 WE WOULD PREFER THAT IT DIDN'T. 220 00:16:57,642 --> 00:17:02,230 -[DOOR opens] - MAN SLAVE REPORTING FOR DUTY. 221 00:17:04,357 --> 00:17:06,526 YOU TOLD ME YOU WERE READY. 222 00:17:06,734 --> 00:17:09,320 AND YOU TOLD ME YOU NEEDED SOMEONE WITH AN OPEN MIND. 223 00:17:09,529 --> 00:17:13,074 DR. FONDA, I HAVE A LOT RIDING ON THIS, 224 00:17:13,282 --> 00:17:17,370 AND I DON'T LIKE THE FEELING THAT YOU'RE NOT TAKING IT SERIOUSLY. 225 00:17:17,578 --> 00:17:19,914 EVERYONE HAS A PROCESS, OLIVIA. 226 00:17:20,122 --> 00:17:22,792 MINE CAN RUB PEOPLE THE WRONG WAY, 227 00:17:23,000 --> 00:17:25,461 BUT IT IS EFFECTIVE. 228 00:17:25,670 --> 00:17:28,631 I NEED YOU TO TRUST ME ON THAT. 229 00:17:28,839 --> 00:17:32,760 HEY, DOC, CELERY'S NOT GONNA CHOP ITSELF. 230 00:17:39,767 --> 00:17:42,228 SO, UH, HOW LONG DO YOU THINK THIS IS GONNA TAKE? 231 00:17:42,436 --> 00:17:44,605 'CAUSE, UH, I GOT A HOT DATE TONIGHT, 232 00:17:44,814 --> 00:17:49,527 AND IAM, LIKE, 85°/o SURE THAT THIS GIRL IS A FREAK, YOU KNOVV VVHAT I'M SAYING? 233 00:17:49,735 --> 00:17:51,571 L'M-- I'M SORRY. I'M NOT SURE I FOLLOW. 234 00:17:51,779 --> 00:17:55,783 UH, LET'S JUST SAY I PLAN ON DIPPING INTO THE SAUCE, YOU KNOVV? 235 00:17:55,992 --> 00:17:59,328 I THINK VVHAT HE'S TRYING TO ASK IS HOVV LONG YOU THINK YOUR EVALUATION VVILL LAST. 236 00:17:59,537 --> 00:18:03,708 UH, HARD TO SAY. ELLIE KNOVVS VVHY I'M HERE, VVHICH, UH, 237 00:18:03,916 --> 00:18:06,043 COMPLICATES MY APPROACH. 238 00:18:06,252 --> 00:18:09,338 HOVV LONG DOES PROGRESS IN A CASE LIKE THIS USUALLY TAKE? 239 00:18:11,465 --> 00:18:15,303 THE VVALLS ARE BUILT HIGH. THEY MAY PROVE DIFFICULT TO PULL DOVVN. 240 00:18:17,430 --> 00:18:21,183 WELL, A MEAL FIT FOR A PRINCESS. 241 00:18:21,392 --> 00:18:23,811 OR A SPOILED LITTLE PSYCHO. 242 00:18:24,020 --> 00:18:24,937 [LAUGHTER] 243 00:18:28,774 --> 00:18:31,736 [DOOR BUZZES] 244 00:18:41,787 --> 00:18:44,040 [DOOR LOCKS] 245 00:18:44,248 --> 00:18:47,793 THAT LOOKS LIKE ORANGE JUICE. 246 00:18:48,002 --> 00:18:49,211 YOU DON'T LIKE ORANGE JUICE? 247 00:18:49,420 --> 00:18:51,589 I SAID APPLE. 248 00:18:51,797 --> 00:18:54,216 I THOUGHT WE MIGHT TRY SOMETHING DIFFERENT TODAY. 249 00:18:54,425 --> 00:18:56,844 JUICE IS JUICE, I SUPPOSE. 250 00:18:57,053 --> 00:18:59,889 EXCELLENT. LET ME GET YOU STARTED HERE. 251 00:19:00,097 --> 00:19:04,393 THE SITUATION VVOULD BE MUCH IMPROVED FOR EVERYONE IF I CAN USE MY HANDS. 252 00:19:04,602 --> 00:19:07,605 I'VE BEEN EMPHATICALLY WARNED AGAINST THAT. 253 00:19:07,813 --> 00:19:09,482 OPEN UP NOW. 254 00:19:15,905 --> 00:19:18,908 I SUPPOSE YOU ARE MORE COMFORTABLE WITH THIS? 255 00:19:19,116 --> 00:19:21,369 SERVANT OF THE PEASANTS THAT YOU ARE? 256 00:19:21,577 --> 00:19:25,498 YOU SEEM QUITE FIXATED ON SOCIOECONOMIC STATUS. 257 00:19:25,706 --> 00:19:31,087 I HAVE HAD ENOUGH EXPOSURE TO YOU VVORKING-CLASS FOLKS TO KNOVV VVHAT YOU ARE. 258 00:19:31,295 --> 00:19:32,505 WHAT ARE WE? 259 00:19:32,713 --> 00:19:35,675 A LOST CAUSE. 260 00:19:35,883 --> 00:19:40,596 I DON'T BELIEVE YOU'RE QUALIFIED TO CONDEMN AND ENTIRE CLASS OF PEOPLE. 261 00:19:40,805 --> 00:19:43,849 THE NUMBER OF DUMPY TOVVNS VVE PASS THROUGH MIGHT SURPRISE YOU. 262 00:19:44,058 --> 00:19:47,061 WE? 263 00:19:47,269 --> 00:19:48,813 MY MOTHER AND I. 264 00:19:51,732 --> 00:19:54,151 I SEE. 265 00:19:54,360 --> 00:19:55,903 AND YOUR FATHER? 266 00:19:56,112 --> 00:19:59,490 NO ONE TOLD YOU? 267 00:19:59,699 --> 00:20:02,034 COLONEL BIRCH IS MY FATHER. 268 00:20:02,243 --> 00:20:04,036 [LAUGHTER] 269 00:20:06,330 --> 00:20:07,748 [CHUCKLES] 270 00:20:07,957 --> 00:20:11,127 THAT, UH, CERTAINLY COMPLICATES THINGS. 271 00:20:11,335 --> 00:20:13,504 THE GOOD COLONEL WASN'T AROUND MUCH, YOU SEE? 272 00:20:13,713 --> 00:20:15,798 SOUNDS ROUGH. 273 00:20:16,006 --> 00:20:20,845 AND YCU AND YQUR MOTHER COULDN'T SETTLE INTO ANY OF THESE DUMPY TOVVNS? 274 00:20:21,053 --> 00:20:23,013 IN SPITE OF HER DEFICIENCIES, 275 00:20:23,222 --> 00:20:26,058 SHE KNEVV THAT IF PEOPLE UNDERSTOOD VVHAT I VVAS CAPABLE OF, 276 00:20:26,267 --> 00:20:30,062 I WOULD END UP IN A PLACE LIKE THIS. 277 00:20:30,271 --> 00:20:31,731 SHE DIDN'T WANT THAT FOR YOU. 278 00:20:34,108 --> 00:20:35,776 WHERE IS SHE NOW? 279 00:20:35,985 --> 00:20:37,695 SHE'S DEAD. 280 00:20:37,903 --> 00:20:39,822 OH. 281 00:20:40,030 --> 00:20:41,115 I'M SORRY. 282 00:20:41,323 --> 00:20:43,951 WHY? 283 00:20:44,160 --> 00:20:47,913 BECAUSE IT SOUNDS LIKE SHE LOVED YOU A LOT. 284 00:20:48,122 --> 00:20:49,665 I DON'T LIKE THAT TERM. 285 00:20:49,874 --> 00:20:52,626 "LOVE." IT'S VAGUE, OVERUSED. 286 00:20:52,835 --> 00:20:54,336 HOW SO? 287 00:20:54,545 --> 00:20:57,590 LOVE IS THE GUISE UNDER WHICH SELFISHNESS OPERATES. 288 00:20:57,798 --> 00:21:02,386 PARENTS ONLY LOVE THEIR CHILDREN SO LONG AS THEY MAINTAIN CONTROL OVER THEM. 289 00:21:02,595 --> 00:21:06,015 [CHUCKLES] AND THE OTHER SIDE OF THAT, 290 00:21:06,223 --> 00:21:10,019 AS A CHILD, DID YOU, UH, LOVE YOUR MOTHER? 291 00:21:10,227 --> 00:21:14,398 AT ONE POINT, I VVAS CONVINCED THE AFFINITY I FELT FOR HER VVAS LOVE. 292 00:21:14,607 --> 00:21:17,234 HOWEVER, NOW I REALIZE THE HARMONY OUR LIVES SHARED 293 00:21:17,443 --> 00:21:20,029 WAS CLOSER TO WHAT ONE MIGHT SHARE WITH A COMMON HOUSE PET-- 294 00:21:20,237 --> 00:21:22,823 A REALIZATION THAT DIDN'T MAKE IT EASIER 295 00:21:23,032 --> 00:21:26,243 WHEN THE TIME CAME TO PUT HER DOWN. 296 00:21:29,955 --> 00:21:31,791 PUT HER DOWN? 297 00:21:31,999 --> 00:21:36,128 THAT'S RIGHT. YOU SHOULD HAVE READ YOUR FILE, JIMMY. 298 00:21:39,673 --> 00:21:41,801 SO, YOU, UM... 299 00:21:42,009 --> 00:21:45,554 SHE HAD BECOME MORE A HINDRANCE THAN THE CATALYST AT THAT POINT. 300 00:21:47,473 --> 00:21:50,059 SHE WAS HOLDING YOU BACK. 301 00:21:50,267 --> 00:21:51,644 THAT'S RIGHT. 302 00:21:51,852 --> 00:21:54,146 I'M NOT SURE I FOLLOW YOU. 303 00:21:54,355 --> 00:21:57,149 THAT DOESN'T SURPRISE ME. 304 00:21:57,358 --> 00:21:59,652 WERE YOU EVER IN A PLACE LIKE THIS WITH HER AROUND? 305 00:22:05,574 --> 00:22:09,662 I VVAS UNDER THE IMPRESSION INK BLOTS VVERE OUT OF FAVOR IN YOUR COMMUNITY. 306 00:22:12,373 --> 00:22:15,000 A LOT OF PEOPLE HAVE GIVEN UP ON THEM. 307 00:22:15,209 --> 00:22:17,837 NOT YOU. 308 00:22:18,045 --> 00:22:21,507 VVELL, YOU FIND THEY STILL HOLD VALUE IN CERTAIN SITUATIONS. 309 00:22:21,715 --> 00:22:25,302 LET'S TRY A FEW. 310 00:22:25,511 --> 00:22:29,682 I ASSUMED YOU WERE BEYOND SUCH RUDIMENTARY TECHNIQUES. 311 00:22:29,890 --> 00:22:33,435 AFRAID YOU MIGHT NOT LIKE WHAT I SEE? 312 00:22:33,644 --> 00:22:35,729 ALL RIGHT. 313 00:22:35,938 --> 00:22:38,774 I'M GOING TO HOLD UP A CARD. I DON'T WANT YOU TO THINK TOO-- 314 00:22:38,983 --> 00:22:41,277 I KNOW HOW IT WORKS. 315 00:22:42,987 --> 00:22:43,946 RIGHT. 316 00:22:51,453 --> 00:22:54,331 LOOKS LIKE A DOG I FOUND ON A STREET ONCE. 317 00:22:55,624 --> 00:22:57,209 IT HAD BEEN RUN OVER, 318 00:22:57,418 --> 00:22:59,795 ITS BLOOD RUNNING INTO THE GUTTER. 319 00:23:03,173 --> 00:23:05,384 WORLD WAR ll GAS CHAMBER, 320 00:23:05,593 --> 00:23:08,304 NAKED EMACIATED BODIES PILED HIGH. 321 00:23:08,512 --> 00:23:10,306 UGH. WHAT THE--? 322 00:23:10,514 --> 00:23:13,517 [PHONE VIBRATING] 323 00:23:13,726 --> 00:23:15,978 OH, SHIT. 324 00:23:16,186 --> 00:23:19,189 GOTTA TAKE THIS. 325 00:23:19,398 --> 00:23:21,317 [DOOR OPENS, CLOSES] 326 00:23:21,525 --> 00:23:24,612 HEY, ANYBODY ELSE NOTICE THAT SUDDEN RISE IN TEMPERATURE? 327 00:23:24,820 --> 00:23:27,197 -[LAUGHTER] -[ELLIE] THEY'RE REMQVING BLACKENED GLOVES. 328 00:23:27,406 --> 00:23:29,783 BUT IT'S MESSY. BLOOD EVERYWHERE. 329 00:23:29,992 --> 00:23:31,035 THE GIRL IS CLEARLY TOYING WITH HIM. 330 00:23:31,243 --> 00:23:33,162 YEAH, WHAT IS THIS GUY? AN AMATEUR? 331 00:23:33,370 --> 00:23:35,748 VVELL, SHE VVOULDN'T HAVE BROUGHT HIM IN A THIS POINT IF SHE DIDN'T HAVE A GOOD REASON. 332 00:23:35,956 --> 00:23:37,791 SHE'S GRASPING AT STRAWS. 333 00:23:39,293 --> 00:23:42,379 THAT ONE LOOKS JUST LIKE COLONEL BIRCH'S SWOLLEN EYE. 334 00:23:42,588 --> 00:23:43,923 SHIT. 335 00:23:44,131 --> 00:23:45,341 OH, RELAX, COLONEL. 336 00:23:45,549 --> 00:23:47,176 JUST A COUPLE OF MORE HOURS AND WE'RE FREE. 337 00:23:47,384 --> 00:23:49,970 AT THE RATE HE'S MOVING, VVE'RE GOING TO BE HERE ALL NIGHT. 338 00:23:50,179 --> 00:23:53,015 ALL NIGHT? VVELL, PULL HIM OUT OF THERE. VVE DON'T HAVE TIME FOR THIS. 339 00:23:53,223 --> 00:23:56,143 [ELLIE] A PACK OF CHIMPANZEES TEARING THE FLESH OFF THEIR YCUNG AND EATING IT. 340 00:23:56,352 --> 00:23:59,688 RYAN HAS A POINT, COLONEL. 341 00:23:59,897 --> 00:24:01,315 WE'RE MOVING IN CIRCLES WITH ALL THIS. 342 00:24:01,523 --> 00:24:04,234 THIS IS AGENT PRICE'S LITTLE EXPERIMENT, NOT MINE. 343 00:24:04,443 --> 00:24:06,946 YEAH? VVELL THEN, VVHY DOESN'T SHE JUST ADOPT THE LITTLE ANTICHRIST 344 00:24:07,154 --> 00:24:09,740 - AND LET US OFF THE HOOK? - GIVE IT A REST, MCCROSKY. 345 00:24:09,949 --> 00:24:11,200 -[ELLIE] JUDAS HANGING HIMSELF. - IF I MISS THIS DATE, 346 00:24:11,408 --> 00:24:13,911 I AM GOING TO BE VERY UNPLEASANT TO WORK WITH. 347 00:24:14,119 --> 00:24:16,789 [ELLIE] HE HAS BEEN DISEMBOWELED. 348 00:24:16,997 --> 00:24:19,458 HIS INTESTINES DANGLE WITH HIM. 349 00:24:22,127 --> 00:24:25,589 - VVHAT DO YOU THINK... ABOUT ALL THIS? -[ELLIE] CAR ACCIDENT. 350 00:24:25,798 --> 00:24:28,217 THE DRIVER HAS GONE THROUGH THE WINDSHIELD. 351 00:24:28,425 --> 00:24:32,137 HIS HEART IS PUMPING BLOOD ONTO THE HOOD. 352 00:24:32,346 --> 00:24:35,391 VVE VVON'T LEARN ANYTHING SIGNIFICANT ABOUT THE PATIENT THIS VVAY. 353 00:24:35,599 --> 00:24:37,851 [ELLIE] THAT ONE LOOKS LIKE A BATTERED VVOMAN. 354 00:24:38,060 --> 00:24:40,729 ACTUALLY IT RESEMBLES MISS OLIVIA. 355 00:24:40,938 --> 00:24:44,483 - OH, HERE VVE GO. -[ELLIE] SHE IS BRUISED AND SCARRED ON HER FACE. 356 00:24:44,692 --> 00:24:50,364 SHE IS MOVING FORVVARD, BUT I SEE BLOOD RUNNING DOVVN HER LEGS FROM UNDER HER SKIRT. 357 00:24:50,572 --> 00:24:53,367 [DOOR OPENS, CLOSES] 358 00:24:53,575 --> 00:24:57,079 WHAT DID I MISS? 359 00:24:57,287 --> 00:24:59,581 -[EXHALES DEEPLY] -[ELLIE] IT IS YOU, JIMMY. 360 00:24:59,790 --> 00:25:03,127 YOU ARE SINKING INTO A BOG OF SOME KIND. 361 00:25:03,335 --> 00:25:06,463 I'M NOT SURE YOU ARE GOING TO MAKE IT OUT. 362 00:25:10,175 --> 00:25:13,137 - LAST ONE? - MM-HMM. 363 00:25:15,014 --> 00:25:19,184 MY MOTHER'S HEAD SPLIT DOWN THE MIDDLE. 364 00:25:19,393 --> 00:25:22,688 BLOOD TRICKLING DOWN OVER HER FACE. 365 00:25:28,318 --> 00:25:30,779 HOW DID I DO? 366 00:25:30,988 --> 00:25:33,240 THERE WAS A DISTINCT TREND IN YOUR ANSWERS. 367 00:25:33,449 --> 00:25:35,659 YOU DON'T SAY? 368 00:25:35,868 --> 00:25:38,245 IT'S ONE OF THE REASONS I STILL LIKE THIS TEST. 369 00:25:38,454 --> 00:25:41,623 EVEN IF THE SUBJECT IS BEING PURPOSELY DISINGENUOUS, 370 00:25:41,832 --> 00:25:43,876 PATTERNS STILL ARISE WITHIN THEIR RESPONSES, 371 00:25:44,084 --> 00:25:47,087 WHICH SHED LIGHT ON CERTAIN ASPECTS OF THE PSYCHE. 372 00:25:47,296 --> 00:25:50,674 THIS SHOULD BE INTERESTING. 373 00:25:50,883 --> 00:25:53,552 THE DARK SHAPELESSNESS OF THE BLOT 374 00:25:53,761 --> 00:25:57,389 OFTEN LEADS PEOPLE TO THEIR OWN FEARS. 375 00:25:57,598 --> 00:25:59,683 I SEE. 376 00:25:59,892 --> 00:26:05,481 YOU, UH, SPECIFICALLY USED THE TERM "BLOOD" FOUR TIMES IN TEN CARDS. 377 00:26:05,689 --> 00:26:09,276 IT WAS FIVE TIMES, ACTUALLY. 378 00:26:09,485 --> 00:26:11,820 DOES BLOOD FRIGHTEN YOU? 379 00:26:12,029 --> 00:26:14,990 - NO. - WHAT DO YOU FEAR? 380 00:26:15,199 --> 00:26:17,326 ONLY WHAT I DON'T UNDERSTAND. 381 00:26:17,534 --> 00:26:19,119 SO YOU UNDERSTAND BLOOD? 382 00:26:19,328 --> 00:26:22,289 - CERTAINLY. - DO YOU HAVE EXPERIENCE WITH IT? 383 00:26:22,498 --> 00:26:24,666 - A LITTLE. - HUMAN BLOOD? 384 00:26:24,875 --> 00:26:27,544 ENOUGH TO KNOW IT DOESN'T MAKE ME SQUEAMISH. 385 00:26:27,753 --> 00:26:30,339 WHAT ABOUT YOUR MOTHER'S BLOOD? 386 00:26:30,547 --> 00:26:32,341 THAT'S THE OBVIOUS ENCOUNTER. 387 00:26:32,549 --> 00:26:34,259 WAS YOUR MOTHER AFRAID OF BLOOD? 388 00:26:34,468 --> 00:26:35,886 NOT THAT I'M AWARE OF. 389 00:26:36,095 --> 00:26:37,137 WAS SHE AFRAID OF YOU? 390 00:26:37,346 --> 00:26:38,680 NO. 391 00:26:40,641 --> 00:26:42,893 BUT SHE SHOULD HAVE BEEN. 392 00:26:47,815 --> 00:26:50,859 SHE BELIEVED THE MUNDANITIES CF EVERYDAY LIFE COULD APPLY TO ME. 393 00:26:51,068 --> 00:26:53,821 RIGHT, WRONG, GOOD, EVIL. 394 00:26:54,029 --> 00:26:58,283 THE INVENTIONS OF AN INFERIOR BREED OF MAN. 395 00:26:58,492 --> 00:26:59,785 YOU'RE ABOVE ALL OF THAT? 396 00:26:59,993 --> 00:27:03,122 MY EXISTENCE IS ELEVATED, YES. 397 00:27:03,330 --> 00:27:08,877 HOVV DOES YCUR, UH, CURRENT SITUATION FACTOR INTO THAT ELEVATIQN? 398 00:27:09,086 --> 00:27:12,214 MY FATE ENDS HERE, IT ALWAYS HAS, 399 00:27:12,422 --> 00:27:14,216 NO MATTER WHAT IDEAS OF SALVATION 400 00:27:14,424 --> 00:27:16,760 YOU OR ANYONE ELSE MAY HAVE FOR ME. 401 00:27:18,137 --> 00:27:20,514 WHAT IS IT YOU NEED SALVATION FROM? 402 00:27:23,517 --> 00:27:25,686 MISS OLIVIA. 403 00:27:25,894 --> 00:27:29,439 NAUGHTY, NAUGHTY. 404 00:27:29,648 --> 00:27:31,984 LET ME ASK YOU A QUESTION, JIMMY. 405 00:27:32,192 --> 00:27:33,777 WHAT POSSIBLE REASON COULD THEY HAVE 406 00:27:33,986 --> 00:27:36,989 FOR STRAPPING A NINE-YEAR-OLD TO A CHAIR LIKE THIS? 407 00:27:39,283 --> 00:27:42,536 VVHAT IS IT PEOPLE DO VVHEN THEY HAPPEN UPON SOMETHING DIFFERENT? 408 00:27:42,744 --> 00:27:44,872 SOMETHING THEY CAN'T COMPREHEND? 409 00:27:47,207 --> 00:27:50,794 IN THERE, THEY CAN'T COMPREHEND ME, 410 00:27:51,003 --> 00:27:52,379 AND IT TERRIFIES THEM. 411 00:27:54,256 --> 00:27:56,675 BUT WHAT IF THEY WERE ABLE TO GET A CLOSER LOOK AT ME? 412 00:27:56,884 --> 00:27:59,219 SAY AT MY BRAIN CHEMISTRY? 413 00:27:59,428 --> 00:28:03,223 THEY MIGHT BE ABLE TO UNDERSTAND JUST HOW DIFFERENT I AM. 414 00:28:03,432 --> 00:28:05,767 AND HOW TO CONTROL ME. 415 00:28:05,976 --> 00:28:11,773 THAT VVARM BLANKET OF COMFORT COMES AT A RELATIVELY SMALL COST. 416 00:28:11,982 --> 00:28:15,027 YOU AREN'T THE FIRST OF YOUR KIND MISS OLIVIA HAS SENT IN HERE 417 00:28:15,235 --> 00:28:19,323 IN AN ILL-FATED ATTEMPT TO JUSTIFY MY EXISTENCE. 418 00:28:19,531 --> 00:28:23,911 HOWEVER, I AM FAIRLY CERTAIN 419 00:28:24,119 --> 00:28:26,121 YOU WILL BE THE LAST. 420 00:28:27,956 --> 00:28:29,917 [DOOR OPENS, CLOSES] 421 00:28:32,920 --> 00:28:35,172 IS IT TRUE? 422 00:28:35,380 --> 00:28:37,090 I THOUGHT IF YOU KNEW, THEN YOU-- 423 00:28:37,299 --> 00:28:39,593 IS IT TRUE? 424 00:28:42,262 --> 00:28:45,349 IT'S ALL RIGHT, AGENT PRICE. 425 00:28:45,557 --> 00:28:47,684 DR. FONDA IS A SMART MAN. 426 00:28:47,893 --> 00:28:50,562 I'M SURE HE CAN SEE THE LOGIC IN OUR DECISION. 427 00:28:54,441 --> 00:28:57,444 YOU WERE GOING TO CUT THAT GIRL OPEN? 428 00:28:57,653 --> 00:28:59,071 YES. 429 00:29:04,534 --> 00:29:06,328 I DON'T BELIEVE IT. 430 00:29:06,536 --> 00:29:09,373 THE PATIENT'S ASSERTIONS ARE CORRECT. 431 00:29:09,581 --> 00:29:13,001 THIS MUTATION IS SOMETHING THE SCIENTIFIC COMMUNITY 432 00:29:13,210 --> 00:29:15,545 AND THE WORLD CAN'T AFFORD TO IGNORE. 433 00:29:15,754 --> 00:29:19,549 THE ONLY WAY TO BE THOROUGH IN SUCH MATTERS... 434 00:29:19,758 --> 00:29:23,387 IS FROM THE INSIDE OUT. 435 00:29:23,595 --> 00:29:26,598 THAT IS WORTH HER LIFE? 436 00:29:26,807 --> 00:29:30,978 THE THREAT SHE POSES FAR OUTWEIGHS ANY POTENTIAL BENEFIT. 437 00:29:34,106 --> 00:29:36,316 AND ALL OF YOU CONDONE THIS? 438 00:29:39,736 --> 00:29:41,863 THAT'S RIGHT. 439 00:29:44,199 --> 00:29:48,120 YOU MUST UNDERSTAND NONE OF US ARE KEEN ON EUTHANIZING A MINOR. 440 00:29:48,328 --> 00:29:51,498 EUTHANASIA IS A METHOD RESERVED FOR ANIMALS. 441 00:29:51,707 --> 00:29:52,874 ELLIE'S A CHILD. 442 00:29:53,083 --> 00:29:56,586 NO. MY GRANDKIDS ARE CHILDREN. 443 00:29:56,795 --> 00:30:02,426 THAT THING IN THERE IS NOTHING MORE THAN A TICKING TIME BOMB. 444 00:30:02,634 --> 00:30:06,096 WHAT IS SHE CAPABLE OF THAT WARRANTS THIS FEAR? 445 00:30:06,305 --> 00:30:09,099 THAT'S CLASSIFIED INFORMATION. 446 00:30:09,308 --> 00:30:11,977 GIVEN THE CIRCUMSTANCES, I BELIEVE I HAVE A RIGHT TO KNOVV. 447 00:30:12,185 --> 00:30:15,022 NO. NO, YOU DON'T. 448 00:30:18,942 --> 00:30:21,153 ELEANOR CAN DO THINGS... 449 00:30:21,361 --> 00:30:24,364 THAT WE'VE NEVER SEEN BEFORE. 450 00:30:24,573 --> 00:30:27,117 THINGS THAT HAVE PROVEN DANGEROUS. 451 00:30:27,326 --> 00:30:30,579 DANGEROUS ENOUGH TO JUSTIFY MURDER? 452 00:30:30,787 --> 00:30:33,081 ASK HER MOTHER. 453 00:30:36,126 --> 00:30:40,756 IT IS AN EXTREMELY UNFORTUNATE SITUATION. NO ONE IS DENYING IT. 454 00:30:40,964 --> 00:30:43,967 EACH OF THE ANALYSTS I BROUGHT IN CAME AVVAY VVITH THE SAME CONCLUSION. 455 00:30:44,176 --> 00:30:46,887 - WHICH IS? - SOCIAL DETACHMENT. 456 00:30:47,095 --> 00:30:50,599 LACK OF EMPATHY. MANIPULATIVE TENDENCIES. 457 00:30:50,807 --> 00:30:53,352 GIRL IS A SOCIOPATH. 458 00:30:53,560 --> 00:30:58,774 HER INTELLECT ONLY AMPLIFIES HER ALREADY TROUBLING BEHAVIORAL PATTERNS. 459 00:30:58,982 --> 00:31:00,901 WITH ALL THAT INTELLIGENCE, 460 00:31:01,109 --> 00:31:03,570 YOU DON'T FIND THIS SUSPICIOUS THAT SHE IS TELLING US 461 00:31:03,779 --> 00:31:07,866 EXACTLY WHAT WE NEED TO HEAR TO DRAW THAT CONCLUSION? 462 00:31:13,288 --> 00:31:15,290 HOW MUCH TIME DO I HAVE? 463 00:31:15,499 --> 00:31:16,917 THE EXECUTION IS TOMORROW. 464 00:31:23,423 --> 00:31:25,592 - JIMMY? - I NEED A MINUTE. 465 00:31:25,801 --> 00:31:28,678 [DOOR OPENS, CLOSES] 466 00:31:31,306 --> 00:31:34,142 UH, THIS PROBABLY ISN'T THE BEST TIME, BUT, UH, 467 00:31:34,351 --> 00:31:37,062 I NEED TO LEAVE IN, LIKE, 15 MINUTES, SO... 468 00:31:54,496 --> 00:31:56,289 I REALIZE I SHOULD HAVE BEEN UPFRONT WITH YOU, 469 00:31:56,498 --> 00:32:00,168 BUT I DON'T HAVE TIME FOR LONG-VVINDED APOLOGIES RIGHT NOVV. 470 00:32:00,377 --> 00:32:02,838 YOU DON'T HAVE TO PLAY THE BOSS WITH ME. 471 00:32:14,724 --> 00:32:18,228 WE HAVE BEEN IN THAT ROOM DAY IN AND DAY OUT FOR THE YEAR 472 00:32:18,437 --> 00:32:21,773 TRYING TO FIGURE OUT WHAT TO MAKE OF HER. 473 00:32:21,982 --> 00:32:24,109 AND THIS IS WHAT YOU SETTLED ON? 474 00:32:28,113 --> 00:32:31,992 IT'S BEEN SEVERAL MONTHS SINCE THIS... 475 00:32:32,200 --> 00:32:35,704 AUTOPSY WAS PROPOSED, AND THE OTHERS' NHNDS ARE MADE UP. 476 00:32:35,912 --> 00:32:38,623 BUT THE DECISION HAS TO BE UNANIMOUS. 477 00:32:43,670 --> 00:32:46,339 ELLIE'S GIVEN ME NO REASON FOR MY CONTINUES SUPPORT. 478 00:32:46,548 --> 00:32:48,049 I CAN'T HOLD THEM OFF ANY MORE. 479 00:32:51,011 --> 00:32:54,097 I AGREED TO CHANGE MY VOTE 480 00:32:54,306 --> 00:32:57,976 IF THEY GAVE ME ONE LAST CHANCE TO GET THROUGH TO HER. 481 00:33:00,187 --> 00:33:01,563 ME. 482 00:33:04,941 --> 00:33:07,903 THEY DON'T SEE HER FOR WHAT SHE IS ANYMORE. 483 00:33:08,111 --> 00:33:11,281 AND IF WE DON'T MAKE THEM SEE, SHE DIES. 484 00:33:15,452 --> 00:33:19,039 I'M SORRY, JIMMY, BUT YOU'RE THE BEST CHANCE I HAD. 485 00:33:22,959 --> 00:33:24,336 [EXHALES DEEPLY] 486 00:33:27,506 --> 00:33:31,927 THE GUARDS TOOK SOMETHING FROM ME WHEN I CAME IN. 487 00:33:33,929 --> 00:33:35,472 I NEED TO GET IT BACK. 488 00:33:38,266 --> 00:33:40,227 [DOOR BEEPS, BUZZES] 489 00:33:45,982 --> 00:33:47,984 THOUGHT I LOST YOU FOR A MINUTE. 490 00:33:48,193 --> 00:33:51,696 I'M NOT SO EASY TO GET RID OF. 491 00:33:51,905 --> 00:33:54,449 DO YOU KNOW CHESS? 492 00:33:54,658 --> 00:33:59,454 ARE VVE RESORTING TO SUCH UNORTHODOX ANALYTICAL METHODS ALREADY? 493 00:33:59,663 --> 00:34:02,332 CHESS IS MY FAVORITE GAME. 494 00:34:02,541 --> 00:34:04,251 I THOUGHT I MIGHT TEACH YOU. 495 00:34:04,459 --> 00:34:08,797 [SCOFFS] I DOUBT THERE'S lvlucl-| OF ANYTHING You COULD TEACH ME. 496 00:34:09,005 --> 00:34:11,132 THEN YOU KNOW HOW TO PLAY. 497 00:34:11,341 --> 00:34:13,134 I FOUND THE GAME QUITE BORING. 498 00:34:13,343 --> 00:34:16,263 VVITHIN A VVEEK, I SET SPEED RECORDS AGAINST A MASTER COMPUTER. 499 00:34:16,471 --> 00:34:18,640 OH, THERE'S YOUR PROBLEM. 500 00:34:18,848 --> 00:34:20,308 YOU PLAYED AGAINST A COMPUTER. 501 00:34:20,517 --> 00:34:24,437 A GAME AGAINST A PERSON IS MUCH MORE STIMULATING. 502 00:34:24,646 --> 00:34:30,151 AND I TAKE IT YOUR VAST PSYCHOLOGICAL PROVVESS GIVES YOU AN ADVANTAGE. 503 00:34:31,945 --> 00:34:34,072 THERE'S ONLY ONE WAY TO FIND OUT. 504 00:34:39,619 --> 00:34:43,248 ALL RIGHT, BUT I'LL NEED MY HANDS. 505 00:34:44,708 --> 00:34:46,501 CALLING OUT THE MOVES IS EASY ENOUGH. 506 00:34:46,710 --> 00:34:50,297 I'LL HELP YOU WITH THE RANK AND FILE, AND... 507 00:34:50,505 --> 00:34:52,841 HOW DO YOU EXPECT YOUR PATIENT TO TRUST YOU 508 00:34:53,049 --> 00:34:55,010 IF YOU WON'T TRUST HER? 509 00:34:55,218 --> 00:34:59,431 [EXHALES DEEPLY] WE BOTH KNOW IT'S AGAINST THE RULES, ELLIE. 510 00:34:59,639 --> 00:35:03,643 DESPERATE TIMES CALL FOR DESPERATE MEASURES. 511 00:35:16,865 --> 00:35:18,283 OH, BOY. 512 00:35:18,491 --> 00:35:20,410 WHAT DOES HE THINK HE IS DOING? 513 00:35:28,251 --> 00:35:30,253 SON OF A BITCH. 514 00:35:30,462 --> 00:35:32,255 BOOM GOES THE DYNAMITE. 515 00:35:32,464 --> 00:35:33,256 THAT'S IT. I'M SHUTTING HIM DOWN. 516 00:35:33,465 --> 00:35:34,716 NO, YOU'RE NOT. 517 00:35:34,924 --> 00:35:36,301 HE'S GONNA GET HIMSELF KILLED. 518 00:35:39,095 --> 00:35:40,972 DR. FONDA KNOWS WHAT HE'S DOING. 519 00:35:41,181 --> 00:35:45,143 - ACTUALLY, HE DOESN'T. - RYAN, READY THE PULSE. 520 00:35:45,352 --> 00:35:46,478 COLONEL, YOU DON'T HAVE THE AUTHORITY-- 521 00:35:46,686 --> 00:35:48,021 IF THIS SITUATION BECOMES HOSTILE, 522 00:35:48,229 --> 00:35:50,440 I DO HAVE THE AUTHORITY TO OVERRIDE YOUR COMMAND. 523 00:35:50,649 --> 00:35:53,485 RYAN, THE PULSE. NOW. 524 00:35:53,693 --> 00:35:56,404 SHIT JUST GOT REAL. 525 00:35:56,613 --> 00:35:58,531 [POWERING UP] 526 00:36:22,180 --> 00:36:24,599 ARE YOU WAITING FOR SOMETHING? 527 00:36:24,808 --> 00:36:27,727 OH, NO. [CHUCKLES] SORRY. 528 00:36:32,982 --> 00:36:35,026 HERE, LET ME MOVE THE BOARD SO WE CA-- 529 00:36:40,115 --> 00:36:41,741 YOUR MOVE. 530 00:36:48,581 --> 00:36:51,334 YES, IT WOULD APPEAR SO. 531 00:37:03,722 --> 00:37:07,642 I'VE ALVVAYS FOUND THE EARLY MOVES TO BE THE MOST IMPORTANT, 532 00:37:07,851 --> 00:37:10,937 AND THEY SHAPE THE FACE OF THE GAME. 533 00:37:11,146 --> 00:37:13,523 IF YOU SAY SO. 534 00:37:23,992 --> 00:37:26,745 YOU KNOW, THE COMPUTER MOVED INSTANTLY. 535 00:37:28,079 --> 00:37:30,582 - AND? - AND I WAS LED TO BELIEVE 536 00:37:30,790 --> 00:37:34,419 THIS WOULD BE A MORE STIMULATING EXPERIENCE. 537 00:37:37,213 --> 00:37:41,718 UH, STIMULATIONS LIES IN THE ANALYSIS. 538 00:37:41,926 --> 00:37:46,014 CHESS IS NOT A GAME OF SPEED. 539 00:37:46,222 --> 00:37:48,808 NOT FOR SOME, CLEARLY. 540 00:37:53,813 --> 00:37:57,859 SO WHY YOU? NOW? AFTER ALL THE STIFFS? 541 00:37:58,067 --> 00:38:00,320 IS THIS A REEVALUATION? 542 00:38:00,528 --> 00:38:03,907 PERHAPS I'VE, UH, GRADUATED FROM THE, UM, 543 00:38:04,115 --> 00:38:06,075 BARGAIN BIN TO THE SALES RACK. 544 00:38:06,284 --> 00:38:08,578 YOU'RE RIGHT. 545 00:38:08,787 --> 00:38:10,914 I SHOULDN'T RISK SLOWING YOU DOWN. 546 00:38:11,122 --> 00:38:13,792 NO, I THINK I CAN MULTITASK. 547 00:38:14,000 --> 00:38:17,962 YOU KNOVV, AGENT PRICE AND I VVERE SCHOOLMATES AT UNIVERSITY. THAT'S VVHERE-- 548 00:38:18,171 --> 00:38:20,757 YOU WERE SCHOOLMATES, HUH? 549 00:38:20,965 --> 00:38:22,550 MM-HMM. 550 00:38:22,759 --> 00:38:27,222 AND THAT'S WHY SHE WAS KEEPING SUCH CLOSE TABS ON YOU? 551 00:38:27,430 --> 00:38:29,432 WHAT IS IT YOU'RE IMPLYING? 552 00:38:29,641 --> 00:38:33,895 SIMPLY PUT, MISS OLIVIA IS A REASONABLY ATTRACTIVE WOMAN 553 00:38:34,103 --> 00:38:36,064 FOR HER AGE. 554 00:38:36,272 --> 00:38:41,027 I'M SURE THAT AT UNIVERSITY, SHE WAS QUITE A DISH. 555 00:38:41,236 --> 00:38:44,364 I CAN ONLY IMAGINE THE CANOODLING THAT TOOK PLACE. 556 00:38:44,572 --> 00:38:45,907 [CHUCKLES] 557 00:38:49,828 --> 00:38:53,331 EYES FORWARD, GENTLEMEN. 558 00:38:53,540 --> 00:38:56,000 SORRY TO, UH, DISAPPOINT, ELEANOR, 559 00:38:56,209 --> 00:38:59,254 BUT I DON'T CANOODLE AND TELL. 560 00:38:59,462 --> 00:39:03,091 AND VVHAT VVOULD YOUR VVIFE THINK OF THIS LIAISON VVITH AN OLD FLAME? 561 00:39:03,299 --> 00:39:07,679 I DON'T THINK MY VVIFE VVOULD THINK ANYTHING OF IT ANY MORE. 562 00:39:07,887 --> 00:39:11,266 YOU DON'T REALISTICALLY EXPECT HER TO RETURN, DO YOU? 563 00:39:11,474 --> 00:39:16,813 NO. THAT, UM, THAT PART OF MY LIFE IS OVER. 564 00:39:17,021 --> 00:39:18,940 REALLY? 565 00:39:22,527 --> 00:39:24,779 KING WITHOUT HIS QUEEN. 566 00:39:27,532 --> 00:39:28,992 CHECK. 567 00:39:31,828 --> 00:39:33,913 PERHAPS YOU CAN ANSWER ME THIS. 568 00:39:34,122 --> 00:39:38,209 VVHY IS IT ALVVAYS TRINKETS VVHEN SOMEONE VVANTS TO HOLD ON TO THE PAST? 569 00:39:41,212 --> 00:39:46,259 MY MOTHER, SHE USED TO VVEAR THIS LITTLE TRINKET. 570 00:39:46,467 --> 00:39:48,177 WHAT WAS IT? 571 00:39:48,386 --> 00:39:52,098 IT WAS THIS INANE FOX PENDANT I MADE WHEN I WAS VERY YOUNG. 572 00:39:54,809 --> 00:39:57,186 AND, UH, THAT BOTHERED YOU? 573 00:39:57,395 --> 00:40:00,356 IT WAS CRUDE. RUDIMENTARY. 574 00:40:00,565 --> 00:40:04,944 IN SPITE OF MY OBVIOUS TALENTS, IT VVAS THAT SHE INSISTED ON DISPLAYING TO THE VVORLD. 575 00:40:07,572 --> 00:40:09,365 DO YOU KNOW WHY SHE WORE IT? 576 00:40:09,574 --> 00:40:13,411 SHE TOLD ME I WAS VERY PROUD OF THE PIECE. 577 00:40:13,620 --> 00:40:17,790 IT WAS THE ONLY REMINDER I WAS EVER JUST A CHILD. 578 00:40:17,999 --> 00:40:21,461 PHYSICAL MANIFESTATION OF MY BEING IN A LESSER FROM. 579 00:40:23,087 --> 00:40:26,341 I DOUBT THERE WAS SO MUCH ANALYSIS INVOLVED. 580 00:40:26,549 --> 00:40:31,596 ALL THIS RING DOES FOR ME IS REMIND ME OF THE JOY I EXPERIENCED VVITH MY FAMILY. 581 00:40:34,849 --> 00:40:38,353 I THINK SHE VVORE IT TC) REMIND HERSELF HOVV MUCH SHE LOVED YOU. 582 00:40:50,365 --> 00:40:55,912 YOU SHOULD VVORRY LESS ABOUT LOVE AND MORE ABOUT THE HOLE YOU ARE IN. 583 00:40:56,120 --> 00:40:58,873 I DON'T SEE WHAT HOLE YOU MEAN. 584 00:40:59,082 --> 00:41:02,794 YOU MUST BE BLIND. I HAVE COMPLETE CONTROL OF THE BOARD. 585 00:41:06,547 --> 00:41:10,259 JUST BY NATURE'S DEFENSIVE GAME, 586 00:41:10,468 --> 00:41:13,513 TO PROTECT WHAT IS IMPORTANT, WE BUILD WALLS. 587 00:41:13,721 --> 00:41:18,393 BUT I CAN UNDERSTAND HOVV AND VVHY MY OPPONENT BUILDS THEIR VVALLS UP. 588 00:41:18,601 --> 00:41:22,271 IT GIVES ME AN ADVANTAGE WHEN I WANT TO BREAK THEM DOWN. 589 00:41:22,480 --> 00:41:26,776 AT THAT POINT, VVHAT MATTERS ISN'T THE QUANTITY OF PIECES YOU TAKE, 590 00:41:26,985 --> 00:41:29,946 BUT THE QUALITY OF THOSE YOU DO. 591 00:41:30,154 --> 00:41:34,534 CHECK... MATE. 592 00:41:56,139 --> 00:41:58,307 NO! 593 00:41:58,516 --> 00:42:00,059 HIT THE PULSE, RYAN. 594 00:42:00,268 --> 00:42:01,436 - VVAIT. - IF THAT VVASN'T HOSTILE, I DON'T KNOVV-- 595 00:42:01,644 --> 00:42:02,979 LOOK. 596 00:42:08,568 --> 00:42:10,528 [HEAVY BREATHING] 597 00:42:15,700 --> 00:42:18,995 ANOTHER GAME. 598 00:42:19,203 --> 00:42:21,247 NO. 599 00:42:22,999 --> 00:42:25,001 AFRAID YOU MIGHT NOT BE SO LUCKY THIS TIME? 600 00:42:25,209 --> 00:42:26,294 [DOOR BUZZES] 601 00:42:26,502 --> 00:42:28,588 I'M NOT AFRAID TO LOSE. 602 00:42:28,796 --> 00:42:33,718 BUT IF I DID, I CERTAINLY HOPE I VVOULD DO IT VVITH A BIT MORE GRACE. 603 00:42:39,932 --> 00:42:42,351 - VVHAT THE HELL DO YOU THINK THIS IS? - BIRCH! 604 00:42:42,560 --> 00:42:45,229 DO YOU THINK THIS IS A GAME OR ARE YOU TOO STUPID TO KNOVV VVHAT'S GOOD FOR YOU, HUH? 605 00:42:45,438 --> 00:42:47,190 COLONEL, THIS IS UNACCEPTABLE. 606 00:42:47,398 --> 00:42:50,234 THIS SQN OF A BITCH PUT EVERY SINGLE PERSON IN THIS COMPOUND IN DANGER. 607 00:42:50,443 --> 00:42:51,694 YOU CALL THAT ACCEPTABLE? 608 00:42:51,903 --> 00:42:53,362 THIS SITUATION CALLED FOR EXTREME ACTION. 609 00:42:53,571 --> 00:42:55,239 DISOBEYING A DIRECT ORDER IS INEXCUSABLE. 610 00:42:55,448 --> 00:42:58,367 - SPARE ME YOUR ORDERS! - NO, NO, NO, NO. 611 00:42:58,576 --> 00:43:00,995 THE COLONEL lS-- IS RIGHT. 612 00:43:01,204 --> 00:43:05,083 THE RULES ARE IN PLACE FOR A REASON, AND I VIOLATED THEM. 613 00:43:05,291 --> 00:43:08,336 FOR THAT, I APOLOGIZE. 614 00:43:08,544 --> 00:43:12,048 WE, UH, DO, HOWEVER, NEED DRASTIC RESULTS, 615 00:43:12,256 --> 00:43:16,427 AND I'M NOT GOING TO GET THEM WITH A SET OF INK BLOTS. 616 00:43:18,346 --> 00:43:20,431 I HOPE IT WAS WORTH IT. 617 00:43:24,102 --> 00:43:28,481 DO YOU, UM, HAVE ACCESS TO ELLIE'S MOTHER'S EFFECTS? 618 00:43:28,689 --> 00:43:30,274 YEAH. 619 00:43:30,483 --> 00:43:32,276 I'LL NEED TO SEE THEM. 620 00:43:40,993 --> 00:43:43,412 YOU KNOW, DOCTOR, WE ALL HAVE TO THANK YOU. 621 00:43:43,621 --> 00:43:48,251 THAT LITTLE STUNT YOU PULLED IN THERE PROVED HOVV VOLATILE THE PATIENT IS. 622 00:43:48,459 --> 00:43:50,336 I DIDN'T SEE IT THAT WAY. 623 00:43:50,545 --> 00:43:53,506 THERE'S NO DENYING THE THREATENING NATURE OF THAT OUTBURST. 624 00:43:53,714 --> 00:43:58,219 I'M SURE WE'VE ALL SEEN A CHILD THROW A TEMPER TANTRUM BEFORE. 625 00:43:58,427 --> 00:44:02,515 NOT ONE THAT RIPPED A STEEL TABLE CLEAN OFF ITS BOLTS, NO. 626 00:44:02,723 --> 00:44:04,100 YOU ONLY SAW HER REACTION. 627 00:44:04,308 --> 00:44:05,935 YOU DIDN'T SEE HOW SHE PLAYED THE GAME. 628 00:44:06,144 --> 00:44:08,312 OH, THIS SHOULD BE GOOD. 629 00:44:08,521 --> 00:44:12,859 PLEASE, ENLIGHTEN US ON WHAT WE MISSED. 630 00:44:13,067 --> 00:44:16,279 IT'S SMALL MOVES THAT DETERMINE THE OUTCOME IN CHESS. 631 00:44:16,487 --> 00:44:20,616 ELLIE VVAS IN CONTROL AND HAD THE OPPORTUNITY TO FINISH ME, 632 00:44:20,825 --> 00:44:23,327 BUT IT MEANT SACRIFICING HER QUEEN. 633 00:44:23,536 --> 00:44:27,832 SHE DIDN'T MAKE THE MOVE. SHE CHOSE TO PROTECT HER QUEEN. 634 00:44:28,040 --> 00:44:32,545 OKAY. SO THE KID SUCKS AT CHESS? 635 00:44:34,422 --> 00:44:37,675 I BELIEVE THAT ELLIE SUBCONSCIOUSLY LINKED HER QUEEN, 636 00:44:37,884 --> 00:44:39,719 THAT TRINKET, 637 00:44:39,927 --> 00:44:42,013 TO THE MEMORY OF HER MOTHER. 638 00:44:42,221 --> 00:44:44,974 [LAUGHING] 639 00:44:45,183 --> 00:44:47,268 - WOW. - WHAT A JOKE. 640 00:44:47,476 --> 00:44:50,479 VVE DON'T HAVE TO STAND HERE AND LISTEN TO THIS BULLSHIT. CAN VVE CALL THIS? 641 00:44:50,688 --> 00:44:52,648 IT WAS AN ELEMENTARY MOVE. 642 00:44:52,857 --> 00:44:56,861 ONE THAT SOMEONE VVITH ELLIE'S INTELLECTUAL PROVVESS VVOULDN'T PASS UP. 643 00:44:57,069 --> 00:44:59,572 COULD BE A MISTAKE. 644 00:44:59,780 --> 00:45:02,158 EVEN GENIUSES MAKE MISTAKES. 645 00:45:02,366 --> 00:45:04,327 IT WASN'T A MISTAKE. 646 00:45:09,707 --> 00:45:11,834 THE CHILD MADE SEVERAL COUNTERINTUITIVE MOVES, 647 00:45:12,043 --> 00:45:14,629 EACH OF WHICH PROTECTED HER QUEEN. 648 00:45:14,837 --> 00:45:16,923 NOT THAT IT VALIDATES THE GIRL'S REACTION, 649 00:45:17,131 --> 00:45:20,218 BUT DR. FONDA'S PROPOSED ATTACHMENT TO THE PIECE IS, 650 00:45:20,426 --> 00:45:23,679 WELL, NOT ENTIRELY WITHOUT MERIT. 651 00:45:23,888 --> 00:45:26,057 THANK YOU, DOCTOR. 652 00:45:26,265 --> 00:45:28,809 FINE, THE KID LOVES QUEENS. TAKE HER TO A DRAG SHOW. 653 00:45:29,018 --> 00:45:30,937 I HAVE TO AGREE. THAT PROVES NOTHING. 654 00:45:31,145 --> 00:45:34,982 DR. KEATON, WHAT IS THE ONE THING A SOCIOPATH LACKS? 655 00:45:35,191 --> 00:45:38,945 UH, EMPATHY. 656 00:45:39,153 --> 00:45:40,154 ATTACHMENTS. 657 00:45:40,363 --> 00:45:41,948 UH-HUH. [CHUCKLES] 658 00:45:42,156 --> 00:45:45,701 I GLEANED MUCH MQRE FROM THE VVAY ELLIE PLAYED THE GAME 659 00:45:45,910 --> 00:45:47,578 THEN THE WAY SHE RESPONDED TO LOSING IT. 660 00:45:47,787 --> 00:45:49,205 AND WE'RE ALL THRILLED FOR YOU, DOCTOR. 661 00:45:49,413 --> 00:45:51,916 WE'RE TALKING ABOUT A THREAT TO NATIONAL SECURITY. 662 00:45:59,173 --> 00:46:01,968 THE GIRL'S REACTION IS IN LINE WITH ALL PREVIOUS DATA. 663 00:46:02,176 --> 00:46:05,304 THAT'S WHAT I'M TALKING ABOUT. LET'S GET THE HELL OUT OF HERE. 664 00:46:05,513 --> 00:46:08,474 I NEED MORE TIME. 665 00:46:08,683 --> 00:46:11,394 WE'RE ALL IN AGREEMENT. YOUR TIME IS UP. 666 00:46:13,938 --> 00:46:15,523 HOLD ON. 667 00:46:23,322 --> 00:46:26,409 I THINK IT'S WORTH GIVING DR. FONDA ANOTHER CHANCE. 668 00:46:26,617 --> 00:46:28,619 - WHAT? - YOU GOT TO BE KIDDING ME. 669 00:46:28,828 --> 00:46:31,163 I DON'T KNOW IF IT WILL MAKE A DIFFERENCE, 670 00:46:31,372 --> 00:46:33,457 BUT HE HAS PROGRESSED MUCH FURTHER THAN THE OTHERS. 671 00:46:33,666 --> 00:46:35,918 BY RISKING THE SECURITY OF THIS ENTIRE COMPOUND. 672 00:46:36,127 --> 00:46:38,587 I WILL NOT STAND IDLY BY AND ALLOW THAT TO HAPPEN AGAIN. 673 00:46:38,796 --> 00:46:40,047 THAT IS NOT YOUR CALL, COLONEL. 674 00:46:40,256 --> 00:46:41,590 OH, YOU DON'T THINK SO? 675 00:46:41,799 --> 00:46:44,218 I'D SAY THAT LAST OUTBURST WAS CONTENTIOUS ENOUGH. 676 00:46:44,427 --> 00:46:47,221 AND HOW CONTENTIOUS IS THE SITUATION NOW? 677 00:46:50,099 --> 00:46:51,809 IF YOU'RE GONNA PLAY THAT CARD, 678 00:46:52,018 --> 00:46:54,478 YOU BETTER BE DAMN SURE YOU'RE ABLE TO JUSTIFY IT. 679 00:46:56,731 --> 00:47:00,276 LET'S NOT FORGET THAT THAT IS A KILLER IN THERE. 680 00:47:00,484 --> 00:47:02,570 I'M STARTING TO THINK THAT THIS MAY HAVE TO END IN BLOOD 681 00:47:02,778 --> 00:47:04,864 FOR YOU TO ACKNOWLEDGE HER AS SUCH. 682 00:47:07,992 --> 00:47:09,952 [DOOR OPENS, CLOSES] 683 00:47:22,506 --> 00:47:25,926 OLIVIA, SHE'S LOST. 684 00:47:26,135 --> 00:47:28,679 AND SHE'S ANGRY. 685 00:47:28,888 --> 00:47:30,723 BUT SHE IS IN THERE. 686 00:47:30,931 --> 00:47:34,060 [SIGHS] 687 00:47:34,268 --> 00:47:36,812 GIVE ME TIME. I'LL FIND HER. 688 00:47:41,859 --> 00:47:43,944 [DOOR BUZZES, OPENS] 689 00:47:50,910 --> 00:47:52,620 FEELING BETTER? 690 00:47:57,249 --> 00:47:59,502 WE MADE QUITE A MESS, DIDN'T WE? 691 00:48:04,423 --> 00:48:05,383 [EXHALES DEEPLY] 692 00:48:09,261 --> 00:48:12,848 A BIT OFF THE TOP, BUT NO HARM DONE. 693 00:48:18,312 --> 00:48:21,774 CAN'T SAY THE SAME FOR YOUR FILE. 694 00:48:21,982 --> 00:48:22,858 [EXHALES SHARPLY] 695 00:48:34,203 --> 00:48:36,247 [EXHALES SHARPLY] 696 00:48:36,455 --> 00:48:38,499 YOU KNOW, YOU COULD BE A BIG HELP IF YOU WANTED. 697 00:48:38,707 --> 00:48:41,043 THAT MIGHT CONSTITUTE A THREAT. 698 00:48:59,770 --> 00:49:02,148 I'M BEGINNING TO UNDERSTAND WHY YOUR WIFE LEFT YOU. 699 00:49:02,356 --> 00:49:04,150 YOU DON'T SAY? 700 00:49:04,358 --> 00:49:07,111 YOUR PERSISTENCE, IT'S INTOLERABLE. 701 00:49:09,447 --> 00:49:12,116 LATE NIGHTS IN THE SLUMS INSTEAD OF DINNER AT HOME. 702 00:49:12,324 --> 00:49:14,827 THAT'S THE KIND OF THING THAT POISONS A MARRIAGE. 703 00:49:15,035 --> 00:49:16,662 I'M AFRAID WE DON'T HAVE TIME TO DISCUSS-- 704 00:49:16,871 --> 00:49:19,498 CORRECTION. 705 00:49:19,707 --> 00:49:22,168 YOU DON'T HAVE TIME. 706 00:49:24,879 --> 00:49:26,422 MUST WE PLAY THIS GAME? 707 00:49:26,630 --> 00:49:28,174 CHILDREN LIKE GAMES. 708 00:49:28,382 --> 00:49:32,803 IF YOU DON'T WANT TO PLAY, THE DOOR IS RIGHT THERE. 709 00:49:33,012 --> 00:49:34,597 I KNOW WHERE IT IS. 710 00:49:40,311 --> 00:49:42,104 [ELLIE] HOLD ON. 711 00:49:43,814 --> 00:49:46,650 DO YOU SEE THAT? 712 00:49:46,859 --> 00:49:49,862 IT LOOKS DIFFERENT FROM BEFORE. 713 00:49:50,070 --> 00:49:53,991 IT LOOKS LIKE YOUR WIFE, YES? 714 00:49:54,200 --> 00:49:57,244 SHE'S AT HOME, TUCKED INTO BED. 715 00:49:57,453 --> 00:50:00,247 WITH A NEW MAN. 716 00:50:00,456 --> 00:50:03,125 IF YOU TURN IT THIS WAY, 717 00:50:03,334 --> 00:50:05,503 IT'S A BIT MORE ABSTRACT. 718 00:50:05,711 --> 00:50:10,174 IT'S YOUR IDEALS, THE SAME PERSISTENCE THAT TORE YOU TVVO APART. 719 00:50:10,382 --> 00:50:11,300 [PAPER RIPPING] 720 00:50:31,403 --> 00:50:34,657 WORK WASN'T THE REASON MY WIFE LEFT. 721 00:50:36,450 --> 00:50:38,536 TELL ME MORE. 722 00:50:40,412 --> 00:50:42,498 WE LOST A CHILD. 723 00:50:44,208 --> 00:50:46,126 OUR DAUGHTER. 724 00:50:46,335 --> 00:50:48,212 SEVERAL YEARS AGO. 725 00:50:50,047 --> 00:50:51,840 AND, UH, 726 00:50:52,049 --> 00:50:55,844 MY WIFE DIDN'T COPE WELL WITH HER DEATH. 727 00:50:56,053 --> 00:50:58,013 EVENTUALLY, SHE LEFT. 728 00:51:00,891 --> 00:51:02,851 NOW WE ARE GETTING SOMEWHERE. 729 00:51:03,060 --> 00:51:04,812 TELL ME WHAT HAPPENED. 730 00:51:06,522 --> 00:51:10,859 SHE WAS PLAYING IN THE YARD AND WAS HIT BY A CAR. 731 00:51:11,068 --> 00:51:12,987 OOF, DAMN. 732 00:51:15,072 --> 00:51:16,824 WAS IT QUICK? 733 00:51:18,951 --> 00:51:22,162 NO. SHE WAS VERY STRONG. 734 00:51:22,371 --> 00:51:24,790 AND YOU WERE THERE, BY HER SIDE? 735 00:51:26,125 --> 00:51:28,043 EVERY DAY. 736 00:51:28,252 --> 00:51:31,213 BUT YOU COULDN'T SAVE HER. 737 00:51:31,422 --> 00:51:32,881 NO. 738 00:51:33,090 --> 00:51:36,427 AND THAT WAS WHEN YOU STARTED WORKING WITH CHILDREN. 739 00:51:36,635 --> 00:51:39,346 MORE SO, YES. 740 00:51:39,555 --> 00:51:43,434 AND CONSEQUENTLY, WHY YOU ARE HERE NOW. 741 00:51:43,642 --> 00:51:45,936 I AM HERE TO HELP YOU, ELLIE. 742 00:51:46,145 --> 00:51:48,272 IT ISN'T REALLY ABOUT ME, THOUGH. 743 00:51:48,480 --> 00:51:50,316 IT'S ABOUT THE RETURN RATE. 744 00:51:50,524 --> 00:51:52,568 YOU THINK THAT IF YOU CAN SAVE ENOUGH OF US, 745 00:51:52,776 --> 00:51:55,362 lT'LL WASH AWAY YOUR OWN PAIN. 746 00:51:55,571 --> 00:51:57,406 IT'S PATHETIC. 747 00:52:06,248 --> 00:52:07,958 Inn: 748 00:52:08,167 --> 00:52:12,004 DOUBT THERE'S ANYTHING MORE PAINFUL THAN LOSING SCMEONE VVE LOVE. 749 00:52:15,299 --> 00:52:18,677 I REMEMBER COMBING THROUGH THE EVENTS OF THAT DAY 750 00:52:18,886 --> 00:52:23,307 A HUNDRED TIMES TRYING TO MAKE SENSE OF IT. 751 00:52:23,515 --> 00:52:28,896 I VVAS SO OVERVVHELMED BY THE FEELING THAT HER DEATH VVAS MY FAULT. 752 00:52:29,104 --> 00:52:32,733 RIGHTLY SO. SHE WAS YOURS TO PROTECT. 753 00:52:32,941 --> 00:52:35,444 YEAH, I BELIEVED THAT FOR A LONG TIME. 754 00:52:38,030 --> 00:52:41,575 IT WAS EASIER FOR ME TO PUNISH MYSELF 755 00:52:41,784 --> 00:52:44,787 THAN TO ACCEPT THAT I WAS SOMEHOW POWERLESS. 756 00:52:47,456 --> 00:52:51,001 RUNNING FROM THAT TRUTH... 757 00:52:51,210 --> 00:52:54,338 IS WHAT MAKES US BELIEVE THESE THINGS. 758 00:52:54,546 --> 00:52:59,718 THINGS THAT... LEAD US DOWN A DESTRUCTIVE PATH. 759 00:53:04,390 --> 00:53:06,266 TAKES A... 760 00:53:06,475 --> 00:53:09,645 A DIFFERENT KIND OF COURAGE TO STOP RUNNING. 761 00:53:09,853 --> 00:53:12,898 TO FACE THAT TRUTH. 762 00:53:17,611 --> 00:53:21,907 THE PAIN MAY NEVER GO AWAY COMPLETELY. 763 00:53:22,116 --> 00:53:25,536 BUT IF YOU LET GO OF THE GUILT, 764 00:53:25,744 --> 00:53:28,622 IT DOES GET BETTER. 765 00:53:46,557 --> 00:53:50,227 DID THE COLONEL EVER TELL YOU HOW HE GOT THAT NASTY SCAR? 766 00:53:51,812 --> 00:53:54,565 I'M NOT INTERESTED IN-- 767 00:53:54,773 --> 00:53:57,359 BIRCH REALLY IS THE EPITOME OF WHAT I DESPISE IN PEOPLE. 768 00:53:57,568 --> 00:53:59,570 [TABLE SLAMS] 769 00:53:59,778 --> 00:54:02,197 SO SET IN HIS ANTIQUATED WAYS. 770 00:54:02,406 --> 00:54:04,700 HE CAN'T SEE HE'S SPENT HIS ENTIRE LIFE 771 00:54:04,908 --> 00:54:07,619 MARCHING TO THE BEAT OF SOMEONE ELSE'S DRUM. 772 00:54:07,828 --> 00:54:10,706 STICKS AND STONES, COLONEL. 773 00:54:10,914 --> 00:54:13,208 WHEN I FIRST ARRIVED, 774 00:54:13,417 --> 00:54:16,712 HE VVAS DETERMINED TO BE THE ONE TO ACCESS THE POTENTIAL LOCKED VVITHIN ME. 775 00:54:18,839 --> 00:54:21,550 AFTER DOZENS OF UNSUCCESSFUL PROBES, 776 00:54:21,759 --> 00:54:23,343 HIS FRUSTRATION BALLOONED. 777 00:54:26,013 --> 00:54:28,223 ONE DAY, HE UNBOUND ME. 778 00:54:31,518 --> 00:54:35,522 PULLED OUT A PEN JUST LIKE THIS ONE. 779 00:54:37,691 --> 00:54:40,068 HE TOLD ME HE WASN'T AFRAID. 780 00:54:40,277 --> 00:54:44,031 THAT HE DIDN'T BELIEVE I HAD ANY CONTROL OVER MY POWER. 781 00:54:45,949 --> 00:54:48,035 YOU DON'T HAVE TO DO THIS, ELLIE. 782 00:54:49,661 --> 00:54:51,789 I WONDER... 783 00:54:51,997 --> 00:54:53,248 IF HE IS AFRAID NOW. 784 00:54:59,463 --> 00:55:03,967 -[PULSING] -[GRUNTING] 785 00:55:04,176 --> 00:55:05,552 ELLIE? 786 00:55:05,761 --> 00:55:06,762 CAN YOU HEAR ME? 787 00:55:06,970 --> 00:55:09,389 [GRUNTING] 788 00:55:09,598 --> 00:55:11,475 OLIVIA, WHAT'S HAPPENING? 789 00:55:11,683 --> 00:55:12,851 THAT'S ENOUGH. 790 00:55:13,060 --> 00:55:15,062 [POWERING DOWN] 791 00:55:15,270 --> 00:55:17,189 THAT WAS UNNECESSARY. 792 00:55:17,397 --> 00:55:20,400 IT WAS A WARNING. THE PATIENT KNOWS THE RULES. 793 00:55:24,488 --> 00:55:26,240 ELLIE, CAN I HELP YOU? 794 00:55:26,448 --> 00:55:29,993 NO, YOU CAN'T. NONE OF YOU CAN. 795 00:55:30,202 --> 00:55:31,745 YOU PUSHED THEM, ELLIE. 796 00:55:31,954 --> 00:55:34,540 NOW YOU'RE ON THEIR SIDE? 797 00:55:34,748 --> 00:55:36,750 - HERE, LET-- LET'S-- - GET OFF ME! 798 00:55:36,959 --> 00:55:38,752 - LET ME AT LEA-- - I SAID GET OFF! 799 00:55:40,546 --> 00:55:43,924 THAT'S IT! 50%. 800 00:55:44,132 --> 00:55:45,968 [POWERING UP] 801 00:55:46,176 --> 00:55:50,639 -[PULSING] -[GROANING] 802 00:55:50,848 --> 00:55:53,767 [ELLIE GROANING] 803 00:56:17,207 --> 00:56:21,378 HOLY SHIT. 804 00:56:21,587 --> 00:56:23,171 I SEE YOU, COLONEL. 805 00:56:26,633 --> 00:56:29,803 75%, MCCROSKY. 806 00:56:30,012 --> 00:56:31,471 [PULSING INTENSIFIES] 807 00:56:35,976 --> 00:56:37,936 [GLASS CRACKING] 808 00:56:43,191 --> 00:56:46,862 [ALARM BLARING] 809 00:56:47,070 --> 00:56:49,448 [TELEPATHICALLY] I DON'T WONDER ANYMORE. 810 00:56:49,656 --> 00:56:52,576 I KNOW YOU ARE AFRAID. 811 00:56:52,784 --> 00:56:54,661 - GIVE HER EVERYTHING. - NO. IT'LL KILL HER. 812 00:56:54,870 --> 00:56:56,914 WHAT IS IT YOU THINK SHE PLANS TO DO TO US? 813 00:56:57,122 --> 00:56:58,415 - CRANK IT, RYAN. - DON'T. 814 00:56:58,624 --> 00:57:00,751 AGENT PRICE IS NO LONGER IN COMMAND. 815 00:57:02,836 --> 00:57:04,087 -[PULSING] -[ALARM BLARING] 816 00:57:04,296 --> 00:57:05,547 [GROANING] 817 00:57:05,756 --> 00:57:07,674 NOW! 818 00:57:07,883 --> 00:57:08,842 -[PULSING INTENSIFIES] -[ALARM BLARING] 819 00:57:09,051 --> 00:57:09,968 [GRUNTS] 820 00:57:23,732 --> 00:57:24,691 [GROANS] 821 00:57:37,287 --> 00:57:40,415 YOU OKAY? 822 00:57:40,624 --> 00:57:41,959 I'LL LIVE. 823 00:57:42,167 --> 00:57:44,086 WHAT HAPPENED? 824 00:57:46,922 --> 00:57:50,759 SHE'S BEEN PREPPED AND IS AWAITING TRANSPORT. 825 00:57:50,968 --> 00:57:54,012 TRANSPORT? WHERE? 826 00:57:58,684 --> 00:58:00,727 BUT SHE'S STILL HERE NOW. 827 00:58:00,936 --> 00:58:02,187 FONDA-. 828 00:58:02,396 --> 00:58:03,939 IF I COULD JUST GET A FEW MORE MINUTES-- 829 00:58:04,147 --> 00:58:06,817 I'M AFRAID I'M NO LONGER THE AUTHORITY HERE. 830 00:58:08,360 --> 00:58:10,028 THERE MUST BE SOME WAY WE CAN, UH, 831 00:58:10,237 --> 00:58:12,698 APPEAL TO YOUR SUPERIORS. 832 00:58:12,906 --> 00:58:17,119 I HAVE POURED ALMOST ALL OF MY PROFESSIONAL CREDIBILITY INTO THAT ROOM. 833 00:58:19,079 --> 00:58:21,498 I GOT TO TAKE THE LITTLE I HAVE LEFT TO WALK AWAY. 834 00:58:21,707 --> 00:58:23,291 THE FACADE WAS CRUMBLING. 835 00:58:23,500 --> 00:58:25,377 DOESN'T MATTER. NOT AFTER THAT. 836 00:58:25,585 --> 00:58:27,504 EVERYONE IN THE CONTROL ROOM MUST HAVE SEEN IT. 837 00:58:27,713 --> 00:58:30,090 -LF-- IF WE WERE-- - JIMMY. 838 00:58:31,133 --> 00:58:32,634 IT'S OVER. 839 00:58:42,060 --> 00:58:44,104 HER MOTHER'S EFFECTS. 840 00:58:50,861 --> 00:58:53,697 I'M SORRY I GOT YOU CAUGHT UP IN ALL THIS. 841 00:58:59,161 --> 00:59:01,496 I HEARD ABOUT YOUR DAUGHTER. 842 00:59:03,415 --> 00:59:09,379 YEAH. THAT VVAS A VERY DARK TIME FOR ME. 843 00:59:10,964 --> 00:59:15,010 YET, UM, EVERY YEAR SINCE, 844 00:59:15,218 --> 00:59:19,514 I'VE BECOME MORE CONVINCED THAT IT'S THOSE MOMENTS THAT DEFINE US. 845 00:59:21,808 --> 00:59:23,935 THAT OUR STRUGGLES ARE... 846 00:59:24,144 --> 00:59:28,356 SIMPLY QUESTIONS LIFE ASKS. 847 00:59:28,565 --> 00:59:32,694 AT THE END, ALL THAT MATTERS IS HOVV VVE ANSVVER. 848 00:59:34,404 --> 00:59:35,322 [CHUCKLES] 849 00:59:42,871 --> 00:59:46,291 YOU'RE JUST THE WAY I REMEMBER YOU. 850 00:59:46,500 --> 00:59:48,543 YOU AREN'T SO DIFFERENT YOURSELF. 851 00:59:48,752 --> 00:59:50,587 YOU WERE THE BOSS THEN, TOO. 852 00:59:50,796 --> 00:59:51,713 [CHUCKLES] 853 00:59:55,550 --> 01:00:01,014 WHY WAS IT YOU, UM, THOUGHT TO CALL ME? 854 01:00:01,223 --> 01:00:05,477 I KNEW YOU HAD BEEN WORKING WITH KIDS EVER SINCE... 855 01:00:05,685 --> 01:00:07,521 WHAT HAPPENED. 856 01:00:07,729 --> 01:00:12,859 ANYWAY, WHEN ALL THIS CAME UP, I, UM... 857 01:00:13,068 --> 01:00:14,528 Inn: 858 01:00:14,736 --> 01:00:15,654 [SIGHS] 859 01:00:17,948 --> 01:00:19,950 YOU FOUND YOURSELF IN A POSITION 860 01:00:20,158 --> 01:00:22,661 TO HELP A LITTLE GIRL. 861 01:00:25,247 --> 01:00:27,374 YEAH. 862 01:00:29,334 --> 01:00:32,420 ANYWAY, I'VE SPENT THE LAST YEAR OF MY LIFE 863 01:00:32,629 --> 01:00:36,633 THROVVING AVVAY EVERYTHING I'VE VVORKED FOR FOR NOTHING. 864 01:00:40,095 --> 01:00:44,141 I DON'T KNOW. I COULDN'T, UM... 865 01:00:44,349 --> 01:00:48,520 I COULDN'T JUST... STAND BY AND, UM... 866 01:00:48,728 --> 01:00:50,438 LET THAT GIRL DIE. 867 01:00:57,529 --> 01:00:59,823 MAYBE YOU WON'T HAVE TO. 868 01:01:14,796 --> 01:01:17,757 WOULD YOU LOOK WHO IS UP AND ABOUT. 869 01:01:21,469 --> 01:01:24,097 {DOOR OPENS, CLOSES] - VVHAT THE HELL DOES HE THINK HE'S DOING? 870 01:01:24,306 --> 01:01:27,559 HE NEEDS ANOTHER CHANCE. 871 01:01:27,767 --> 01:01:30,312 ANOTHER CHANCE? WHAT'S GOING ON HERE? 872 01:01:30,520 --> 01:01:33,398 COLONEL VVAS CLEAR. HE SAID NOBODY GOES IN, NOBODY GOES OUT. 873 01:01:33,607 --> 01:01:35,525 AND WHERE IS BIRCH NOW? 874 01:01:35,734 --> 01:01:37,319 NOW THOSE WERE STRICT ORDERS. 875 01:01:37,527 --> 01:01:39,154 YEAH, I DON'T KNOW ABOUT YOU, BUT I CAN'T GET FIRED AGAIN. 876 01:01:39,362 --> 01:01:41,615 FIRED? WE'RE TALKING TREASON. 877 01:01:41,823 --> 01:01:45,076 I'LL TAKE FULL RESPONSIBILITY. TELL HIM I FORCED YOU. 878 01:01:45,285 --> 01:01:47,662 DO YOU REALLY THINK HE'S GONNA BUY THAT? 879 01:01:49,331 --> 01:01:50,540 AGENT PRICE? 880 01:01:54,336 --> 01:01:56,296 I KNOW THIS IS HARD. 881 01:01:56,504 --> 01:01:59,591 MAYBE VVE NEED TO ACCEPT THAT COLONEL BIRCH IS DOING THE RIGHT THING. 882 01:01:59,799 --> 01:02:02,219 WE ALL WITNESSED HOW VIOLENTLY ELLIE RESPONDED. 883 01:02:02,427 --> 01:02:03,720 TO PROVOCATION. 884 01:02:03,929 --> 01:02:05,931 DOES THAT MAKE HER ANY LESS DANGEROUS? 885 01:02:14,940 --> 01:02:17,025 I SAW SOMETHING BEFORE THAT RESPONSE. 886 01:02:19,110 --> 01:02:22,197 A CRACK IN THE PERSONA ELLIE HAS SPENT SO MUCH TIME BUILDING. 887 01:02:22,405 --> 01:02:24,866 AND I KNOW BOTH OF YOU SAW IT, TOO. 888 01:02:28,370 --> 01:02:31,790 WE ARE SENDING THAT GIRL TO DIE. 889 01:02:31,998 --> 01:02:34,501 IF THERE'S EVEN THE SLIGHTEST CHANCE THAT SHE CAN BE SAVED, 890 01:02:34,709 --> 01:02:36,544 I THINK IT'S A CHANCE WORTH TAKING. 891 01:02:40,799 --> 01:02:42,842 I JUST-- I'M NOT SURE WE CAN. 892 01:02:43,051 --> 01:02:45,971 {BEEPS] -[ALARM BLARING] 893 01:02:48,348 --> 01:02:49,349 THANK YOU. 894 01:02:49,557 --> 01:02:52,060 WELL, MISSED MY DATE ANYWAY. 895 01:02:56,398 --> 01:02:59,317 I HOPE YOU'RE RIGHT ABOUT THIS. 896 01:02:59,526 --> 01:03:00,944 ME, TOO. 897 01:03:05,407 --> 01:03:07,951 [DOOR BUZZES, OPENS] 898 01:03:08,159 --> 01:03:10,287 THE HOUR IS LIT, DOCTOR. 899 01:03:12,706 --> 01:03:15,500 THIS WON'T CHANGE ANYTHING. 900 01:03:15,709 --> 01:03:18,044 IT IS WORTH TRYING. 901 01:03:18,253 --> 01:03:20,171 AND IF YOU SUCCEED, 902 01:03:20,380 --> 01:03:22,590 WHAT THEN? 903 01:03:22,799 --> 01:03:24,926 ELLIE GETS A CHANCE AT LIFE. 904 01:03:25,135 --> 01:03:27,137 WHAT KIND OF LIFE? 905 01:03:27,345 --> 01:03:28,763 LIFE IN A CAGE? 906 01:03:28,972 --> 01:03:31,891 NEVER KNOWING ANY EXISTENCE BEYOND ISOLATION? 907 01:03:33,643 --> 01:03:36,855 GIVEN WHAT HUMANITY STANDS TO GAIN, 908 01:03:37,063 --> 01:03:39,858 THE SOLUTION IS MUTUALLY BENEFICIAL. 909 01:03:40,984 --> 01:03:43,486 I DON'T SEE IT THAT WAY. 910 01:03:43,695 --> 01:03:46,489 THAT'S UNFORTUNATE. 911 01:03:46,698 --> 01:03:49,242 I'M AFRAID THE COLONEL DOES. 912 01:04:02,130 --> 01:04:03,798 IT'S ABOUT TIME. 913 01:04:08,887 --> 01:04:10,555 ELEANOR. 914 01:04:15,518 --> 01:04:17,854 EVER THE IDEALIST, AREN'T WE? 915 01:04:20,190 --> 01:04:24,152 I SEE NOVV VVHY MISS OLIVIA VVAS SO KEEN TO ACQUIRE YOUR SERVICES, 916 01:04:24,361 --> 01:04:27,947 BESIDES HER OBVIOUS DESIRE TO REKINDLE AN OLD FLAME, THAT IS. 917 01:04:28,156 --> 01:04:30,700 WE DON'T HAVE MUCH TIME, ELLIE. 918 01:04:30,909 --> 01:04:33,620 LOOKS TO ME LIKE YOU'RE ALREADY OUT OF TIME. 919 01:04:39,209 --> 01:04:40,460 [EXHALES DEEPLY] 920 01:04:43,296 --> 01:04:46,674 I NEED YOU TO TELL ME WHAT HAPPENED TO YOUR MOTHER. 921 01:04:46,883 --> 01:04:50,303 READ THE FILE, JAMES. IT'S ALL THERE. 922 01:04:50,512 --> 01:04:52,389 I WANT TO HEAR IT FROM YOU. 923 01:04:52,597 --> 01:04:57,394 TOO BAD. I'M FAR TOO CONSUMED VVITH MY OVVN EXECUTION. 924 01:04:59,145 --> 01:05:01,856 [EXASPERATED SIGH] THAT'S A SHAME. 925 01:05:02,065 --> 01:05:05,151 I'M GONNA BE IN BIG TROUBLE FOR BREAKING IN HERE. 926 01:05:05,360 --> 01:05:07,529 SO LEAVE. 927 01:05:07,737 --> 01:05:10,448 NO, I'LL JUST, UH, WAIT. 928 01:05:10,657 --> 01:05:13,910 YOU KNOW, MAYBE BIRCH WILL LET ME ACCOMPANY YOU. 929 01:05:14,119 --> 01:05:16,037 YOU KNOW HE WON'T. 930 01:05:20,333 --> 01:05:23,044 [swans] WHAT ls IT YOU WANT TO KNOW? 931 01:05:25,547 --> 01:05:27,424 JUST WHAT HAPPENED. 932 01:05:27,632 --> 01:05:29,217 I KILLED HER... 933 01:05:29,426 --> 01:05:31,344 IN COLD BLOOD. 934 01:05:32,387 --> 01:05:35,056 THAT DOESN'T SEEM LOGICAL. 935 01:05:35,265 --> 01:05:37,934 SHE WAS THE PERSON WHO CARED FOR YOU MOST. 936 01:05:38,143 --> 01:05:40,019 THERE'S YOUR PROBLEM. 937 01:05:40,228 --> 01:05:43,064 YOUR PERSPECTIVE IS CLOUDED BY THE CUMBERSOME VVEIGHT OF EMOTION, 938 01:05:43,273 --> 01:05:45,859 WITHOUT WHICH, MY LOGIC IS PERFECTLY SOUND. 939 01:05:50,029 --> 01:05:51,114 WHAT THE HELL IS GOING ON HERE? 940 01:05:51,322 --> 01:05:52,699 COLONEL, IT WAS MY CALL. 941 01:05:52,907 --> 01:05:55,326 I WILL PERSONALLY SEE TO IT THAT YOU BURN FOR THIS. 942 01:05:55,535 --> 01:05:57,412 THAT'S FINE. THIS ISN'T ABOUT ME OR YOU. 943 01:05:57,620 --> 01:06:00,123 I NEED THREE MEN AND A RAM NOW. 944 01:06:00,331 --> 01:06:02,500 - COLONEL, PLEASE JUST LET HIM HAVE A CHANCE-- - ENOUGH! SIT DOVVN. 945 01:06:02,709 --> 01:06:04,627 -[FONDA] WHAT DO YOU MEAN? - OR WHAT? 946 01:06:04,836 --> 01:06:06,546 OR YOU WILL HAVE A MUCH LESS COMFORTABLE SEAT 947 01:06:06,754 --> 01:06:08,590 FOR THE REMAINDER OF THIS DEMONSTRATION. 948 01:06:08,798 --> 01:06:11,801 [FONDA] I DON'T THINK I CAN GET INTO YOUR HEAD IF I WANTED To. 949 01:06:12,010 --> 01:06:13,803 [ELLIE] MAYBE You THINK You CAN CHANGE THINGS AROUND 950 01:06:14,012 --> 01:06:15,263 UNTIL YOU GET THE RESULTS YOU SEEK. 951 01:06:15,472 --> 01:06:17,515 THIS IS OVER. RYAN, HIT HER WITH A PULSE. 952 01:06:17,724 --> 01:06:18,641 - NO. -[FONDA] THAT IS JUST NOT TRUE. 953 01:06:18,850 --> 01:06:20,185 - EXCUSE ME? -[STAMMERS] 954 01:06:20,393 --> 01:06:22,437 IT'S STILL CHARGING FROM THE POWER OVERLOAD. 955 01:06:22,645 --> 01:06:25,148 HOW LONG? 956 01:06:25,356 --> 01:06:28,359 - UH, THREE MINUTES. -[ELLIE] YOU STILL HAVE YET TO TELL ME VVHAT YOU DO THINK. 957 01:06:28,568 --> 01:06:30,737 I THINK YOU'RE LYING, ELLIE. 958 01:06:30,945 --> 01:06:34,032 TO ME, TO EVERYONE ELSE. 959 01:06:34,240 --> 01:06:36,576 TO YOURSELF. 960 01:06:36,784 --> 01:06:38,745 IS THAT YOUR DIAGNOSIS? 961 01:06:38,953 --> 01:06:41,331 THAT I'M A LIAR? 962 01:06:41,539 --> 01:06:44,876 NO. I THINK YOU'RE LYING BECAUSE YOU FEEL GUILTY. 963 01:06:47,670 --> 01:06:50,965 I THINK YOU LOVED YOUR MOTHER VERY MUCH. 964 01:06:51,174 --> 01:06:53,009 BACK TO LOVE AGAIN, ARE WE? 965 01:06:54,802 --> 01:06:58,223 IT MUST BE EASY TO HIDE BEHIND AN INTELLECT SO POWERFUL. 966 01:06:58,431 --> 01:07:00,433 I'M NOT HIDING. 967 01:07:01,851 --> 01:07:03,686 HOW DID IT HAPPEN? 968 01:07:03,895 --> 01:07:05,063 I TOLD YOU. 969 01:07:05,271 --> 01:07:06,731 WAS IT AN ACCIDENT? 970 01:07:06,940 --> 01:07:08,399 LIKE WITH ME EARLIER? 971 01:07:08,608 --> 01:07:10,735 NO. I MURDERED HER. 972 01:07:10,944 --> 01:07:14,030 I MEANT TO DO IT, AND I'D DO IT AGAIN. 973 01:07:14,239 --> 01:07:16,074 ALL SO YOU WOULD END UP HERE? 974 01:07:16,282 --> 01:07:19,369 CORRECT. 975 01:07:19,577 --> 01:07:21,496 SO YOU KILLED HER 976 01:07:21,704 --> 01:07:23,790 IN INSURE YOUR OWN DEATH. 977 01:07:23,998 --> 01:07:27,377 MY ACTIONS SIMPLY EXPEDITED THE INEVITABLE. 978 01:07:30,088 --> 01:07:32,382 THEN WHY NOT TAKE CARE OF IT YOURSELF? 979 01:07:34,092 --> 01:07:37,178 DENY THEM THE PLEASURE OF CUTTING YOU OPEN. 980 01:07:37,387 --> 01:07:39,138 YOU'D PREFER I HAD? 981 01:07:39,347 --> 01:07:42,642 NO, BUT IT WOULD HAVE MADE MORE SENSE GIVEN YOUR, UH, 982 01:07:42,850 --> 01:07:44,686 SELF-DESTRUCTIVE AGENDA. 983 01:07:44,894 --> 01:07:46,563 YOU MUST HAVE KNOWN THIS PROCESS 984 01:07:46,771 --> 01:07:48,731 WOULD INVOLVE A GREAT DEAL OF DELIBERATION. 985 01:07:48,940 --> 01:07:51,025 THERE WAS NO RUSH. 986 01:07:51,234 --> 01:07:53,528 SO YOU WERE RESOLVED TO SUFFER THROUGH 987 01:07:53,736 --> 01:07:55,280 THE PSYCHOLOGICAL SCRUTINY. 988 01:07:55,488 --> 01:07:59,951 I WASN'T GOING TO DENY MYSELF A LAST VESTIGE OF FUN. 989 01:08:01,828 --> 01:08:04,914 MAYBE YOU THOUGHT ONE OF THESE EXPERTS COULD HELP YOU. 990 01:08:05,123 --> 01:08:07,709 I ASSURE YOU THAT THOUGHT NEVER CROSSED MY MIND. 991 01:08:08,751 --> 01:08:11,212 WERE YOU AFRAID? 992 01:08:11,421 --> 01:08:14,007 OF WHAT? 993 01:08:14,215 --> 01:08:17,594 BEHIND ALL YOUR UNDERSTANDING, 994 01:08:17,802 --> 01:08:21,180 IS THERE NO FEAR OF YOUR OWN MORTALITY? 995 01:08:21,389 --> 01:08:23,433 I'M NOT AFRAID TO DIE. 996 01:08:23,641 --> 01:08:25,560 I BELIEVE YOU. 997 01:08:25,768 --> 01:08:29,272 I THINK YOU'RE AFRAID TO LIVE WITH YOURSELF... 998 01:08:29,480 --> 01:08:31,858 AFTER WHAT HAPPENED. 999 01:08:40,617 --> 01:08:43,161 I'M NOT AFRAID OF ANYTHING. 1000 01:08:43,369 --> 01:08:45,580 ONE MINUTE. 1001 01:08:45,788 --> 01:08:47,999 COLONEL? 1002 01:08:48,207 --> 01:08:50,501 - VVHEN IT'S HOT, YOU FIRE UP. -[FONDA] YOU CAN'T AFFORD TO KEEP DOING THIS, ELLIE. 1003 01:08:50,710 --> 01:08:53,421 NEITHER OF US HAVE THE TIME. 1004 01:08:53,630 --> 01:08:56,633 [ELLIE] FINALLY. SOMETHING VVE CAN AGREE ON. 1005 01:08:56,841 --> 01:08:59,761 - TIME'S UP. -[BANGING] 1006 01:09:01,721 --> 01:09:03,765 YOU HAVE EVERYONE FOOLED, ELLIE. 1007 01:09:03,973 --> 01:09:06,726 BUT VVHEN I LOCK AT YCU, I STILL SEE A SCARED LITTLE GIRL. 1008 01:09:06,934 --> 01:09:08,728 -[BANGING] - THEN YOU ARE BLIND. 1009 01:09:08,936 --> 01:09:10,813 -[BANGING] - THIS NUMBNESS, 1010 01:09:11,022 --> 01:09:13,399 THIS ANXIOUSNESS TO HURT YOURSELF, 1011 01:09:13,608 --> 01:09:16,694 ALL FEELINGS WE EXPERIENCE IN TIMES OF TRAUMA. 1012 01:09:16,903 --> 01:09:19,739 LIKE LOSING SOMEONE YOU LOVE. 1013 01:09:19,947 --> 01:09:21,699 [RUMBLING, BANGING] 1014 01:09:21,908 --> 01:09:24,327 I'VE HEARD ENOUGH ABOUT LOVE. 1015 01:09:26,496 --> 01:09:29,707 YOU HAVE GIVEN IN. 1016 01:09:29,916 --> 01:09:34,128 YOU LET GUILT TURN YOUR VVONDERFUL GIFTS AGAINST YCU. 1017 01:09:34,337 --> 01:09:36,297 I SAID ENOUGH. 1018 01:09:36,506 --> 01:09:38,049 DO YOU MISS HER? 1019 01:09:38,257 --> 01:09:40,134 YOU STILL WAKE UP IN THE NIGHT, DON'T YOU? 1020 01:09:40,343 --> 01:09:42,136 - SHUT UP. - DO YOU CALL OUT TO HER? 1021 01:09:42,345 --> 01:09:44,514 - SHUT UP! - YOU'RE STILL EXPECTING SHE'LL COME AND HOLD YOU. 1022 01:09:44,722 --> 01:09:46,140 SHUT UP! 1023 01:09:54,691 --> 01:09:57,068 DO IT. 1024 01:09:57,276 --> 01:09:58,653 WHAT ARE YOU WAITING FOR? 1025 01:09:58,861 --> 01:10:01,989 I... CAN'T. 1026 01:10:02,198 --> 01:10:04,033 IT'S HER. 1027 01:10:10,164 --> 01:10:12,333 WHAT IF YOU CAN'T TELL THE TIME? 1028 01:10:12,542 --> 01:10:14,711 AFTER ALL, 1029 01:10:14,919 --> 01:10:17,880 WHAT IF MY DISDAIN FOR HUMANITY'S INFERIOR EXISTENCE 1030 01:10:18,089 --> 01:10:19,549 WAS BECOMING TOO MUCH FOR ME... 1031 01:10:19,757 --> 01:10:23,594 -[GRUNTS] - AND MY SELF-DESTRUCTION WAS AN ACT 0F MERCY? 1032 01:10:23,803 --> 01:10:25,722 WHAT IF YOUR PROVOCATION BACKFIRES 1033 01:10:25,930 --> 01:10:27,849 AND CONVINCES ME TO TURN ON BOTH SIDES? 1034 01:10:28,057 --> 01:10:29,767 [GRUNTING] 1035 01:10:29,976 --> 01:10:34,397 TO BECOME THE MONSTER THEY WOULD SO LIKE ME TO BE? 1036 01:10:34,605 --> 01:10:36,524 [GASPING] 1037 01:10:42,280 --> 01:10:45,658 YOU DECIDE WHAT YOU BECOME. 1038 01:10:50,747 --> 01:10:52,457 [GRUNTS] 1039 01:10:52,665 --> 01:10:54,959 WHERE DID YOU GET THAT? 1040 01:10:55,168 --> 01:10:58,087 [MUSIC PLAYING] 1041 01:11:11,350 --> 01:11:12,769 [CRASHING, GLASS SHATTERS] 1042 01:11:12,977 --> 01:11:15,062 [ALL GRUNTING] 1043 01:11:23,237 --> 01:11:24,864 CLEAR! MOVE IN! 1044 01:11:27,992 --> 01:11:30,912 [ELLIE SOBBING] 1045 01:11:34,957 --> 01:11:36,918 [SOBBING] 1046 01:11:43,132 --> 01:11:46,010 IT WAS MY FAULT. 1047 01:11:46,219 --> 01:11:48,137 I DIDN'T MEAN IT. 1048 01:11:50,014 --> 01:11:51,432 I KNOW. 1049 01:11:51,641 --> 01:11:54,685 I KNOW. IT WAS AN ACCIDENT. 1050 01:12:00,316 --> 01:12:01,818 [SOBBING] 1051 01:12:02,026 --> 01:12:04,946 I'M SORRY. I'M SORRY. 1052 01:12:25,508 --> 01:12:27,343 IT'S ALL RIGHT, ELLIE. 1053 01:12:27,552 --> 01:12:29,804 EVERYTHING IS GONNA BE ALL RIGHT. 1054 01:12:42,692 --> 01:12:44,652 [SOBBING] 1055 01:12:50,157 --> 01:12:52,118 [GROANING] 1056 01:13:06,757 --> 01:13:10,177 [HUMMING] 1057 01:13:52,470 --> 01:13:54,472 CHECK. 1058 01:13:54,680 --> 01:13:55,598 [CHUCKLES] 1059 01:14:07,360 --> 01:14:10,112 I ONLY HAVE SO MUCH TIME AWAY FROM THE FACILITY. 1060 01:14:10,321 --> 01:14:13,407 I'D PREFER TO MAKE THE MOST OF IT. 1061 01:14:13,616 --> 01:14:16,202 CHESS IS NOT A GAME OF SPEED. 1062 01:14:17,745 --> 01:14:19,705 SO I'VE HEARD. 1063 01:14:24,919 --> 01:14:28,965 PERHAPS YOU COULD BENEFIT FROM A LITTLE PRACTICE IN YOUR FREE TIME. 1064 01:14:29,173 --> 01:14:31,509 FREE TIME? 1065 01:14:31,717 --> 01:14:34,595 DR. WERNER ISN'T WORKING YOU TOO HARD, I HOPE. 1066 01:14:34,804 --> 01:14:37,181 HE'S HAVING TROUBLE KEEPING UP. 1067 01:14:37,390 --> 01:14:38,307 [CHUCKLES] 1068 01:14:41,352 --> 01:14:43,813 HOW'S AGENT PRICE? 1069 01:14:44,021 --> 01:14:45,648 PARDON? 1070 01:14:45,856 --> 01:14:47,650 I HAVEN'T SEEN HER AROUND. 1071 01:14:47,858 --> 01:14:49,819 I THOUGHT MAYBE YOU HAD. 1072 01:14:51,779 --> 01:14:53,155 SHE'S, UM, 1073 01:14:53,364 --> 01:14:55,032 SHE'S FINE. 1074 01:14:55,241 --> 01:14:58,160 I'LL GIVE HER YOUR REGARDS. 1075 01:14:58,369 --> 01:15:01,872 CAREFUL, DOCTOR, YOU'RE SLIPPING. 1076 01:15:02,081 --> 01:15:03,666 I'M NOT SO SURE ABOUT THAT. 1077 01:15:06,293 --> 01:15:08,170 CHECK. 1078 01:15:39,326 --> 01:15:42,288 [MUSIC PLAYING] 79476

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.