All language subtitles for UFO S01E04 - Exposed

(Phone)

- Yes, Miss Ealand?
- lf there's nothing else, sir, I'll go.

No, that's all right,
I'm about to Ieave myself.

Good night.

(Intercom bUzzes)

- Straker.
- (Man) 'Possible sighting.'

(SID) 'Have trace on positive track.

'Course foUr-two-eight,
one-foUr-six green.

'Speed zero SOL eight.

'Range, 32 million miles, closing.
Red alert.'

- (AIarm)
- 'Red alert.'

Control to Interceptors.
Have UFOs on positive track.

Moonbase to SHADO Control. Confirm
U FO sightings. Going for intercept.

(SID) 'Maintaining speed and coUrse.

'Apogee zero-two-seven
decimal-three-two-four.

'Range 20 million miles.'

(Kelly) Positive track green
one-foUr-zero, two-seven-three.

Yes, we have that. Roger.

We confirm orbital reference.

Speed correction? SOL 0.7...

(SID) 'I have green
on one, two and three.

'Speed SOL zero-decimal-seven-eight.

'Range 1 ? million miles.'

- Anything?
- No, nothing yet, sir.

'Missile three, destruct negative.

'U FO beyond Interceptor range,
heading for Earth.'

Pretty effective blanket detonation
by the Interceptors.

BUt not good enough.

The one that got throUgh must be
damaged. Sky One should get it.

- Where's that trajectory termination?
- Just coming through, sir.

North Atlantic, grid reference G6.

Commander Straker, there's
an aircraft entering the target area.

(SID) 'Confirm tracking zero-one-three.

'Area red foUr-one-two.

'Have positive trace.
Waiting for confirmation.'

Well, if it's not a military jet,
what the blazes is it?

Not a commercial airliner -
far too high and way off the air lanes.

- XV-one-zero-four to Control.
- (Kelly) 'This is Control.'

Levelled out at ?50,000.

Airspeed 2,200, pressUre normal,
cabin temperatUre 7?.

We'II start the test schedUIe
when we get to area G6.

'G6. Roger.'

Is that VAC? Have you an aircraft
overtlying the Atlantic?

- Shall I call it off?
- Hold on. Sir...

- lt's an experimental jet on a test flight.
- Commercial?

VentUra Aircraft Corporation -
on the line.

I understand yoU have a jet
over the North Atlantic.

- Grid reference, er...
- G6.

Right.

Tell your pilot to alter coUrse.

Anywhere!
Just get him out of that area.

Look, I don't care how mUch
money it cost,

get him out or you won't have
an aircraft to test.

We're 1 50 miles from the test area.
ETA foUr minutes.

Right.

It's coming over, sir.
Captain Carlin.

What's your position, Captain?

'We can go for immediate intercept
after Sky One lifts off.'

Right.

Right. Stand by for Iiftoff.

Sky One airborne, sir.
Going for intercept.

Course steady at zero-one-four.

Airspeed 2, 1 65 knots.

- Jim. . .
- We're just about coming Up to...

- (Jim) What is it?
- We'II soon find oUt.

We're closing, fast.

It's unbelievable!

Stand by with reconnaissance camera.
Try to get some close shots.

Have viewphone radar track.
CIosing in for attack.

'Control to xV-one-zero-foUr.'

- What is it, Control?
- 'AIter course to zero-two-four.'

Listen, forget the test schedule,
we're onto something Up here.

I'II explain Iater.

'PaUI, this is a direct instruction.
Alter course!'

Sorry, Control. OUt.

Get onto someone in authority.

- Dig the chairman oUt of bed .
- What do I tell him?

Tell him the aircraft's
violating a war game area, anything.

- JUst get it oUt!
- Yes, sir.

Range 1 25 miles, closing.

- YoU'II have to call it off.
- Sky One attacks.

That aircraft takes its chances.

Programme set.
Missile IaUnch 25 seconds.

Paul. There's another aircraft.

JUst keep taking those shots.

Five, foUr, three, two, one...

. .zero.

Positive. U FO destroyed.

- And the jet?
- lt was close. It must've been hit.

(Screaming)

My eyes. My eyes,
what's happened to my eyes?

- My eyes.. .
- Mr Foster, it's all right.

It's all right.
Come along, it's all right.

There, there.

Right. Thank you, NUrse.

Temporary blindness, Mr Foster.

In a few days you'II be able to
see as well as ever.

My name's Frazer. Dr Frazer.

- Where am I?
- Grenville Hospital.

You ejected, just in time.

HUngry?

- I gUess so.
- Good. I'll have some food sent in.

What time is it?

Nearly ?am.

- How long have I been here?
- Six days.

I'II see aboUt that food.

What.. . what happened to Jim?

He didn't make it.

I'm sorry.

Paul, how are you?

- Fine.
- Doctors say yoU're in great shape.

- Well, they shoUId know.
- Sit down, Paul.

- Cigar?
- Oh, thanks.

Paul, you're a pilot. A test pilot.

One of the best.

And yoU've. . . been throUgh a...
traumatic experience.

Still, that's all in the past.
Consider the futUre.

- YoUr fUture.
- My future?

What I thought was that you should...

...take a rest.

- On full pay, of course.
- Oh, of course.

I suggest that we, uh...

talk again in, say,
a couple of months.

(Jet takes off outside)

- One pUestion.
- Well?

Where's the cinefilm
from the reconnaissance camera?

- Now, Iook, Paul.
- Where's that film?

- PaUl?
- YoU've got my report. YoU read it?

You wrote that report three days
after recovering from a six-day coma.

Six days, six weeks,
what's the difference?

What I wrote is trUe!
That's the way it happened!

Explosion? Strange Iights?

Unidentified flying object?

Look, jUst process that film!

Both the plane and the film

are with a
military investigation Unit.

All right. l want a hearing.

They will tear that story of yours
to shreds.

You will never fly again for me.
Or for anybody else.

Do yoU understand that?

Hi, Alec. Well, what do you think?

You should have warned me.

Isn't this what any well tUrned-oUt
film execUtive would wear?

Have to maintain our cover.

I gotta start
showing my face Up top.

Talking of cover, I've had
General Henderson on the line.

- What does he want?
- Foster wants a hearing.

Foster? The test pilot.

And he's no pUshover. He knows
what he saw and he's sticking to it.

- Wasn't the copilot killed?
- Yeah.

- So what he says is not corroborated.
- Right.

Well, I hope yoU find
the sUrroUndings to yoUr Iiking.

- It's a new twist.
- Do sit down.

Comfort, privacy. ..
Complete secUrity.

What more coUId you ask for?

The answer to a couple of pUestions.

Try me.

Where's the cinefilm
from the xV-one-zero-foUr?

As I was aboUt to say, fortUnately
the camera in pUestion was undamaged.

Then did I or didn't I see
an unidentified flying object?

- YoU're not sure?
- Don't play games.

You know,
I believe yoU saw something.

Well, at Ieast that's a start.

Ah, coffee.

Look, Jackson,
let's stop fencing around.

That film shows close-Ups
of an object.

I'm an experienced test pilot.
That thing was extraterrestrial.

RUn the film, Tsi.

(Foster) I don't understand.

Where's the other aircraft?

What have you done?

What have you done?!

What are you trying to pUII?
You've erased it, fixed it!

Why? Why should I do that?

I oUght to knock that smile right
back down yoUr...

(Grunting)

Yes...

Things are not always
what they seem to be, Mr Foster.

OK.

- YoU saw that?
- More games?

- Did you see it stop?
- Stop?

Look. I throw it up,
and it falls back into my hand.

BUt for a split second just at
the top of the trajectory, it stops.

- Did you see it?
- (Sighs)

- But it did stop!
- If you say so.

No, Foster, it didn't.

It's moving forward at 500 knots
like everything else in this plane.

Yet again, this whole aircraft moves
with the rotation of the Earth.

Confusing... bUt fact.

Facts can be confusing
in an aircraft at night,

at 250,000 feet.

Now, tell me all about it.

What did yoU see from
that cockpit?

An extraterrestrial spacecraft.

- A light source!
- Yes.

- A trick of Iight.
- No!

- A panel reflection.
- No!

Refracted from the glass of your
visor, and the windscreen.

No!

There are 1 00 other explanations.

Only one. And you know it.

Well, I have a report to write.

If you. .. If you coUId give me
a few facts.

Your name, PaUI Foster.
Address, I have it.

- YoU've been a pilot for...
- Eight years.

Eight years.

- And a test pilot for two?
- Right.

Now, l can see here
yoU reported a sighting...

- three years ago?
- Yes.

And another
two and a half years before that.

That's right.

Then we shoUIdn't be meeting again
for another coUple of years.

I , er. . . don't normally
enter rooms this way.

- The janitor Iet me in.
- Good old janitor.

Drink?

Why did you mUrder my brother?

- YoU've read the report, AIec?
- CoUIdn't pUt it down.

- Conclusions?
- We can be cautioUsly satisfied.

Yes, I agree. Three UFOs.
Two knocked out by oUr Interceptors,

one destroyed in the atmosphere
by Sky One.

There are still areas that need work.
Interceptor launches. Too slow.

Yes. I want astronauts spaceborne
within two minutes of a red alert.

Go to Moonbase, Alec.

Drill them, flatter them , cajole them.
Whatever. BUt get those times down.

Nice assignment. Where's my stick?

No, AIec, that woUId be my way.

I'm sending you becaUse
yoU're the right man for the job.

OK. Anything more on Foster?

Yes. He's toUgh. And persistent.

What happens
if he starts getting close?

One man, or the cover
of a mUIti-billion dollar setup?

What do yoU think?

Then they told me
yoU'd worked oUt a story

to cover wrecking
a very expensive aircraft

and killing my brother.

Well, yoU've heard both sides.
What do yoU believe?

I don't know.

You know, as Iong ago as 1 066,

the aUthorities issUed a report
denying the existence of UFOs.

- Why?
- I don't Understand.

Why deny it? Why bother?

I'II give you a reason.

Let's say the authorities had proof,

indisputable proof
that UFOs had come to Earth.

What would be the resUIt if it
leaked oUt? Mass hysteria. Terror.

A breakdown of aUthority.

So, they issue a report.

An official denial, to discredit anyone
who claims to have seen one.

Five years ago I saw one.
Two years Iater, another.

They exist, yoU've got to
believe me.

Up there with your brother,
I saw something.

I believe yoU .

Thanks.

Your brother had a camera.
Did they find it?

I don't know. There are some personal
effects bUt I can't have them yet.

- Something to do with security.
- Who told yoU that?

- A man called Kofax.
- Kofax?

- Do me a favour, meet me tomorrow.
- What are you going to do?

Follow my nose.

Don't worry. Everybody else thinks
I'm a nut, l've nothing to Iose.

- Where are yoU going?
- See yoU tomorrow.

(Jet engine, dog barking)

(Jet taking off)

(Door shutting in hall)

(Footsteps approaching)

(Dog barking)

(Footsteps receding)

Kofax, yoU've got a mind
like a steel trap.

Straker.

Right.

Right. Thank you.

Trouble?

Paul Foster
broke into Kofax's office.

They don't miss a trick.

There's nothing.

No, bUt it proves somebody was
interested enoUgh

to doctor this film as well.

Paul, might it be better
to forget all this?

No!

I can't jUst drop it.
Don't you Understand?

I'II go and get those
back-issUe papers yoU wanted .

(Door opens and closes)

(Knock at door)

(Grunts)

(Glass shattering)

(Grunts)

Ohhh.

Paul! Are you all right?

Yeah, I feel great(!)

Who did this?

Well, it certainly wasn't
the janitor.

I'II get you a drink.

- Of course!
- What is it, Paul?

Straker. Ed Straker!

Paul Foster? No, I don't think
I want to speak to him now.

Uh.. . tell him to meet me
in the stUdio.

In an hoUr. Right.

Find Alec Freeman for me.
Ask him to come here.

Yes, sir.

- YoU wanted to see me?
- Yes.

I'm seeing PaUI Foster in an hoUr.

- How mUch does he know?
- That's what I aim to find oUt.

You look after things down here.

You plan to Use that?

- Good afternoon.
- My name's Foster.

Ah, yes. To see Mr Straker.

Er, Mr Straker told me to tell you
to meet him at Rupert Square.

RUpert Spuare?

Hold it right there.

You mUst be Foster.
I'm Straker. Ed Straker.

Hey, Louis? Where are you?

I'II be right with you, sir.

Is, erm. . . that thing real?

Excuse me.

(Straker) We'II get something
built here.

I'd really Iike to see something
along the top there.

Yeah, I think it's gonna be fine,
LoUis. YoU can go ahead.

Thanks.
We'II start building right away.

- Check with me in the morning.
- Right.

Yeah, it's gonna work out just fine.

Oh, that's LoUis,
my constrUction manager.

Great gUy.

Well, what's on yoUr mind,
Mr Foster?

- Unidentified flying objects.
- Good subject. You got a script?

No. I really mean it. I saw one.

Now, why don't you tell me
all about it, then?

(Phone)

- Yes?
- Where's Commander Straker?

- He's still with Foster, sir.
- Thanks.

That really is a very good story,
Mr Foster.

BUt I'm in the film bUsiness.

I suggest you tell that story
to the police, the Army, the Marines.

Now, excuse me,
I have a very heavy schedUIe.

Quite a switch -
Air Force colonel to film execUtive.

- YoU mUst have yoUr wires crossed.
- Have I?

Mr Foster, let's step into my office.

- Some office.
- It's too big.

Sparsely fUrnished ,
very hard to heat.

BUt we won't be distUrbed .

Oh, it's.. . soundproof, too.

Look. Ten years ago,
you were a colonel in the Air Force.

A degree in astrophysics.
Two years' lUnar research at M IT.

A career officer. What happened?

Let's say the car crash
made me want to change my career.

- Why did it crash?
- A blowoUt.

- On a Rolls Royce at 50mph?
- They don't make the tyres.

Then why was the area
cordoned off?

You've obviously read the report. A British
cabinet minister was killed. SecUrity.

- I don't buy it, Straker.
- l'm not trying to sell you anything.

Look, sir. l've been through a lot
these Iast few weeks.

First there was Kofax.
I foUnd a letter to yoU in his safe.

Oh, that was innocent enough,
but someone got at him.

Then Jackson
from the Military lnvestigation team .

What happened to the film, Straker?
The film that showed the proof?

(Fan roars)

The film that cost my copilot
his life?!

And those two boys who came
to my apartment and bust it up!

I suppose they were sent
to frighten me off.

Where's yoUr evidence, Foster?
Just show me one thing. Just one!

You're saying Foster's right
and everyone else is wrong.

What I'm saying is that I'm right.

Oh, you're wrong, Foster.
You're so wrong.

Look, I don't give Up.

I keep slinging the mud
Until some of it sticks!

You haven't heard the last of this,
Mr Film ExecUtive Straker!

(Fan slows and stops)

Things are not always what
they seem, Mr Foster.

An acoUstic gUn. lt's very clever.

Place charges in the set wall,
for example,

load it with blanks and when you fire
it the soUnd detonates the charges.

Very realistic. YoU look surprised.

I think we've got a few more
surprises for yoU.

Let's go.

Open Up.

It's all right, Miss Ealand .

- So, you're a test pilot.
- That's right.

- Trained to expect the unexpected.
- I gUess so.

Then brace yoUrself. Straker.

'Voice identification positive.
Commander Straker.'

(Lift machinery grinds)

Where are we?

The UndergroUnd headpuarters
of SHADO.

SHADO?

(Indistinct announcements on PA)

OK, Alec. Wheel them in.

So what happens now?

You were on a test flight
over the North Atlantic, Foster.

DUe to a kind of dogged stUpidity,

you foUnd yoUrself in the middle
of a UFO incident.

This is Colonel Freeman.
Dr Frazer you already know.

Hello, Foster. How are the eyes?

We indUced a temporary blindness,
jUst to keep yoU on ice a few days.

Now, your boss, Kofax,
knows nothing of all this.

BUt he played along. He has
his military contract to think of.

Operatives DoUg Jackson and Tsi Chan.

Jackson's a psychiatrist
as well as an interrogator.

His report told me
quite a lot about you.

Yes. Determined,
good Iogical thoUght pattern.

A little headstrong.

LoUis Graham , electronics man.

And he happens to be a pretty good
construction manager as well.

So you had the whole thing
wrapped Up from the start.

Why the setUp?
Why SHADO? Why the secrecy?

You summed it up
pretty well yourself.

(Foster) 'l'II give yoU a reason.
Let's say the authorities had proof,

'indisputable proof that U FOs
had come to Earth.

'What woUId be the result
if it leaked out? Mass hysteria.

'Terror. A breakdown of authority.'

- l said that in the apartment.
- 'So, they issUe a report. . .'

(Tape stops)

Hello, Paul.

(Straker) Ah, the field leader of
Project Foster, Operative Janna Wade.

It's all been a test for you, Foster.

You followed a predictable set of
clUes, showed a certain initiative.

BUt basically, it was an inevitable
chain that led yoU to the stUdio.

Thank you.

No, stay, Alec.

You realise, of coUrse,
that we can never let yoU go free.

You know too much.

There is one way.

SHADO needs men.

I'm talking about Ieaders,
commanders.

Men able to captain
the world's most advanced submarines,

take control of Moonbase.

The right men.
Are yoU one, Foster?

After the stiffest medical
yoU've ever experienced,

after weeks of computer
and psychoanalytic tests,

after a training coUrse that tears yoUr
guts oUt, you might be halfway there.

Well, I'd like to try.

I thought you woUId.

Read this.

"Foster, Paul J . 604."

(Intercom bUzzes)

He's all yours, AIec.

Straker. Yes, yes, I'll speak to him.

Would yoU get me Moonbase, please?
And where are those transit reports?

Would yoU get this, please,
and get it good and clear?

Immediately means now.
Right.