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All language subtitles for Keeping Up Appearances - 4x06 - Please Mind Your Head.DVD.en

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These are the user uploaded subtitles that are being translated: 1 00:00:03,400 --> 00:00:05,567 ( theme music playing ) 2 00:00:38,067 --> 00:00:40,133 RICHARD... 3 00:00:40,133 --> 00:00:42,567 IS THERE ANY SIGN OF OUR NEW FURNITURE YET, DEAR? 4 00:00:42,567 --> 00:00:44,567 - NOT YET. - OH...! 5 00:00:46,033 --> 00:00:48,367 OH, RICHARD... 6 00:00:48,367 --> 00:00:51,634 I FEEL IT'S SO APPROPRIATE, 7 00:00:51,634 --> 00:00:54,234 OUR OWNING A PLACE LIKE THIS! 8 00:00:54,234 --> 00:00:57,133 ALL WE OWN IS A SMALL APARTMENT. 9 00:00:57,133 --> 00:01:00,634 MICRO. 10 00:01:00,634 --> 00:01:04,901 WE ARE PART-OWNERS OF A MANSION. 11 00:01:04,901 --> 00:01:07,133 THAT'S ALL ANYONE NEED KNOW. 12 00:01:07,133 --> 00:01:11,100 IT'S SO LOWER MIDDLE-CLASS TO GO INTO DETAILS. 13 00:01:11,100 --> 00:01:13,133 THE DETAIL THAT CONCERNS ME 14 00:01:13,133 --> 00:01:16,734 IS NOW THAT WE BOUGHT THE PLACE, HOW ARE WE GOING TO AFFORD IT? 15 00:01:16,734 --> 00:01:19,267 SUCH A GOOD ADDRESS, DEAR. 16 00:01:19,267 --> 00:01:22,067 YOU KNOW THESE THINGS AREN'T PRIMARY WITH ME, 17 00:01:22,067 --> 00:01:24,534 BUT THERE ARE PEOPLE WHO GO QUITE DIZZY 18 00:01:24,534 --> 00:01:26,200 RUBBING SHOULDERS WITH THE COUNTY ELITE. 19 00:01:28,167 --> 00:01:30,167 WHAT TIME DID THEY SAY THEY'D BE HERE? 20 00:01:30,167 --> 00:01:32,267 ABOUT 3:00. 21 00:01:32,267 --> 00:01:35,234 IT'S ONLY 20 PAST 2:00! 22 00:01:35,234 --> 00:01:37,534 WHY DID YOU COME DOWN SO EARLY? 23 00:01:37,534 --> 00:01:40,167 BECAUSE YOU TOLD ME TO. 24 00:01:41,968 --> 00:01:45,601 DON'T MAKE IT SOUND AS THOUGH I ORDER YOU ABOUT, DEAR. 25 00:01:45,601 --> 00:01:48,801 COME ON, LET'S GO UP TO OUR APARTMENT. 26 00:01:48,801 --> 00:01:53,300 YOU KNOW, I'M STILL NOT SURE WHERE WE OUGHT TO PUT THE BEDS. 27 00:01:53,300 --> 00:01:56,467 IN THE BEDROOM? 28 00:01:56,467 --> 00:01:58,934 DON'T BE SILLY, DEAR. YOU KNOW WHAT I MEAN. 29 00:01:58,934 --> 00:02:00,968 - COME ALONG. - Richard: UGH! 30 00:02:06,501 --> 00:02:08,567 WHAT AN ENTRANCE! 31 00:02:08,567 --> 00:02:12,334 SO WELCOMING FOR ALL OUR GUESTS. 32 00:02:12,334 --> 00:02:15,200 HAVE WE GOT ROOM FOR GUESTS? 33 00:02:15,200 --> 00:02:17,567 OF COURSE WE HAVE ROOM, DEAR. 34 00:02:17,567 --> 00:02:20,033 I CAN JUST PICTURE THEIR FACES 35 00:02:20,033 --> 00:02:22,834 WHEN THEY SEE THIS STAIRCASE. 36 00:02:22,834 --> 00:02:25,834 STAIRCASE, YES. 37 00:02:37,434 --> 00:02:40,501 WHY DIDN'T THEY INSTALL A LIFT? 38 00:02:40,501 --> 00:02:44,534 RICHARD, YOU COULDN'T DESTROY THE INTEGRITY 39 00:02:44,534 --> 00:02:47,100 OF A HOUSE LIKE THIS WITH A LIFT. 40 00:02:47,100 --> 00:02:49,634 OH, I COULD! I COULD DESTROY THE INTEGRITY 41 00:02:49,634 --> 00:02:51,567 OF A HOUSE LIKE THIS WITH A LIFT. 42 00:02:51,567 --> 00:02:54,400 THE EXERCISE WILL DO YOU GOOD. NOW COME ON. 43 00:03:03,334 --> 00:03:07,434 WE LIVE IN A ROOF. DO YOU REALIZE THAT? 44 00:03:09,934 --> 00:03:12,267 WE'RE LIKE BATS! 45 00:03:12,267 --> 00:03:15,701 DO STOP FUSSING, RICHARD. 46 00:03:15,701 --> 00:03:18,267 LOOK, I WANT YOU TO LOVE THIS PLACE. 47 00:03:18,267 --> 00:03:21,901 IT'S A PART OF ENGLISH HISTORY. 48 00:03:27,300 --> 00:03:29,167 ( music plays on TV ) 49 00:03:42,200 --> 00:03:46,000 HOW COME YOU NEVER TAKE ME OUT TO RESTAURANTS? 50 00:03:46,000 --> 00:03:48,133 I DO TAKE YOU OUT TO RESTAURANTS. 51 00:03:48,133 --> 00:03:50,501 WHEN? 52 00:03:50,501 --> 00:03:53,434 TOOK YOU TO THAT ITALIAN. 53 00:03:53,434 --> 00:03:55,501 WHAT ITALIAN? 54 00:03:55,501 --> 00:03:59,334 YOU GOT SPAGHETTI STUCK IN YOUR EARRING. 55 00:04:01,067 --> 00:04:04,400 THAT WAS 30 YEARS AGO. 56 00:04:04,400 --> 00:04:07,100 WE WERE ON HONEYMOON. 57 00:04:07,100 --> 00:04:09,400 STILL COUNTS. 58 00:04:10,968 --> 00:04:13,601 YOU'VE NEVER TAKEN ME SINCE. 59 00:04:13,601 --> 00:04:16,767 IF YOU'RE GONNA GET SPAGHETTI STUCK IN YOUR EARRING--! 60 00:04:19,067 --> 00:04:21,167 I'VE COME TO A DECISION. 61 00:04:22,501 --> 00:04:27,667 I'VE DECIDED TO GIVE UP MEN. 62 00:04:27,667 --> 00:04:30,901 THAT'S THE THIRD TIME THIS WEEK. 63 00:04:30,901 --> 00:04:34,033 AND IT'S ONLY WEDNESDAY. 64 00:04:38,300 --> 00:04:42,334 THERE! OH, DOESN'T IT LOOK COZY? 65 00:04:42,334 --> 00:04:44,934 SMALL. 66 00:04:44,934 --> 00:04:47,968 ARE YOU SURE THIS IS THE BEST POSITION FOR THESE BEDS? 67 00:04:47,968 --> 00:04:50,968 - OF COURSE IT IS, DEAR. - I'M NOT SO CERTAIN. 68 00:04:50,968 --> 00:04:53,367 I KNOW! WE'LL HAVE A LITTLE REHEARSAL. 69 00:04:56,534 --> 00:04:59,133 RICHARD, COME BACK IN, DEAR. 70 00:04:59,133 --> 00:05:01,701 IN YOU GET! 71 00:05:01,701 --> 00:05:05,567 - HYACINTH! - COME ON, SLIP YOUR SHOES OFF. 72 00:05:14,267 --> 00:05:17,601 OH, DO BE A LITTLE QUICKER, RICHARD. 73 00:05:17,601 --> 00:05:20,000 AT OUR TIME OF LIFE, WE SHOULD TRY TO MAKE 74 00:05:20,000 --> 00:05:22,267 THE MOST OF THE DAYS WE HAVE LEFT. 75 00:05:25,234 --> 00:05:28,567 THAT'S IT-- GOOD. 76 00:05:31,067 --> 00:05:34,601 NOW, IMAGINE IT'S THE MIDDLE OF THE NIGHT. 77 00:05:34,601 --> 00:05:37,267 ALL RIGHT? 78 00:05:39,968 --> 00:05:42,267 WHY DON'T YOU ANSWER ME, RICHARD? 79 00:05:42,267 --> 00:05:45,868 I'M IMAGINING I'M ASLEEP AND CAN'T HEAR YOU. 80 00:05:49,133 --> 00:05:54,534 OH-- I THINK I SHALL INVITE SIR EDWARD TO SHERRY. 81 00:05:54,534 --> 00:05:57,334 DO YOU THINK THAT'S WISE WHEN WE'RE BOTH IN BED? 82 00:05:58,367 --> 00:06:00,767 DON'T BE SILLY, DEAR. 83 00:06:00,767 --> 00:06:05,000 WE OUGHT TO START MINGLING WITH THE OTHER RESIDENTS AS SOON AS POSSIBLE. 84 00:06:05,000 --> 00:06:08,300 WE HAVEN'T GOT ROOM TO MINGLE. 85 00:06:08,300 --> 00:06:11,567 AS FROM TOMORROW, I WANT US TO START TAKING PART 86 00:06:11,567 --> 00:06:14,133 IN THE VARIOUS LEISURE ACTIVITIES. 87 00:06:14,133 --> 00:06:15,567 ( groans ) 88 00:06:15,567 --> 00:06:19,033 WE'RE IN THE COUNTRY NOW. IT'S EXPECTED OF US. 89 00:06:19,033 --> 00:06:21,767 OH, YOU MEAN MAKING CORN DOLLIES? 90 00:06:21,767 --> 00:06:25,734 NO, NO, NO, DEAR. FISHING, SHOOTING, HUNTING. 91 00:06:25,734 --> 00:06:27,801 HUNTING--? OW! 92 00:06:31,601 --> 00:06:34,400 AS IT'S OUR WEDDING ANNIVERSARY 93 00:06:34,400 --> 00:06:36,534 IN THREE WEEKS' TIME, ONSLOW. 94 00:06:36,534 --> 00:06:40,467 I THOUGHT WE MIGHT HAVE SOME COCOA, 95 00:06:40,467 --> 00:06:44,100 A LITTLE CHAT BEFORE GOING TO SLEEP-- 96 00:06:44,100 --> 00:06:46,567 ( snoring ) 97 00:06:56,868 --> 00:06:59,434 WHAT IS IT? 98 00:06:59,434 --> 00:07:02,133 DO YOU FANCY SOME COCOA? 99 00:07:09,734 --> 00:07:12,234 OH! 100 00:07:12,234 --> 00:07:15,300 RICHARD, WHAT'S THE MATTER? 101 00:07:15,300 --> 00:07:17,734 - I CAN'T SLEEP. - HUH? 102 00:07:17,734 --> 00:07:21,934 I FEEL BOXED IN. 103 00:07:21,934 --> 00:07:25,334 THIS PLACE IS TOO SMALL. 104 00:07:25,334 --> 00:07:29,567 RICHARD! I WOULD ASK YOU, PLEASE, TO REMEMBER 105 00:07:29,567 --> 00:07:33,033 THAT OUR APARTMENT IN THIS GRADE-TWO LISTED MANSION 106 00:07:33,033 --> 00:07:37,334 BIJOU. 107 00:07:38,801 --> 00:07:43,634 WELL, I'M GONNA MAKE SOME "OLD-WORLD BIJOU" TEA. 108 00:07:43,634 --> 00:07:45,300 OH, WHY NOT, DEAR? 109 00:07:45,300 --> 00:07:48,501 AN IMPROMPTU MIDNIGHT SNACK. 110 00:07:48,501 --> 00:07:52,300 THAT'S THE BEAUTY OF HAVING A PLACE IN THE COUNTRY-- 111 00:07:52,300 --> 00:07:54,467 ONE CAN BREAK WITH ONE'S ROUTINE. 112 00:07:54,467 --> 00:07:56,200 ( thumps ) OH! 113 00:08:06,534 --> 00:08:09,100 ( yawns ) WHERE DID YOU PUT THE TEA? 114 00:08:09,100 --> 00:08:12,000 IT'S IN THE CUPBOARD THERE, DEAR. 115 00:08:12,000 --> 00:08:14,467 I'LL GET THE MILK. 116 00:08:17,400 --> 00:08:19,701 OH, EXCUSE ME. 117 00:08:19,701 --> 00:08:22,634 COULD YOU MAKE YOURSELF A LITTLE SMALLER, RICHARD? 118 00:08:23,934 --> 00:08:27,267 I DO BELIEVE THAT YOU'RE EXPANDING DELIBERATELY. 119 00:08:29,033 --> 00:08:33,300 THERE'S NOT EVEN ROOM IN HERE FOR A DECENT-SIZED MICROBE. 120 00:08:33,300 --> 00:08:36,667 RICHARD, I WILL NOT HAVE YOU SPEAK DISPARAGINGLY 121 00:08:36,667 --> 00:08:39,300 OF MY COMPACT KITCHENETTE. 122 00:08:41,634 --> 00:08:45,667 THESE ARE ALL HIGH-QUALITY LAMINATED UNITS. 123 00:08:49,667 --> 00:08:52,067 THE TEA IS NOT IN THIS CUPBOARD. 124 00:08:52,067 --> 00:08:55,734 THE TEA? OH NO, DEAR. THE TEA IS IN THIS CUPBOARD. 125 00:08:55,734 --> 00:08:59,367 YOU REALLY MUST REMEMBER WHERE THE TEA IS. 126 00:08:59,367 --> 00:09:01,367 YOU TOLD ME IT WAS IN THIS CUPBOARD. 127 00:09:01,367 --> 00:09:04,701 RICHARD-- I HOPE YOU'RE NOT GOING TO BE 128 00:09:04,701 --> 00:09:07,367 CONSISTENTLY ARGUMENTATIVE IN THE COUNTRY. 129 00:09:07,367 --> 00:09:11,834 I WANT THIS PLACE TO BE A HAVEN OF RELAXATION. 130 00:09:15,133 --> 00:09:17,200 ARE YOU FINDING THIS RELAXING? 131 00:09:18,200 --> 00:09:21,367 ARE YOU GOING LEFT OR RIGHT? 132 00:09:21,367 --> 00:09:24,367 I DON'T SEEM TO BE ABLE TO MOVE AT ALL. 133 00:09:25,601 --> 00:09:28,133 I DON'T LIKE THIS LEVEL OF INTIMACY, DEAR. 134 00:09:30,100 --> 00:09:33,300 I DON'T THINK IT'S NATURAL AT OUR AGE. 135 00:09:33,300 --> 00:09:39,100 WOULD YOU PLEASE REMOVE YOURSELF FROM MY PERSON? 136 00:09:39,100 --> 00:09:43,234 - WHEN I GIVE THE WORD-- - WHAT WORD? 137 00:09:43,234 --> 00:09:46,467 WHEN I GIVE THE WORD, YOU GO TO YOUR LEFT, 138 00:09:46,467 --> 00:09:50,067 I'LL GO TO MY LEFT AND WE SHOULD COME UNSTUCK, ALL RIGHT? 139 00:09:50,067 --> 00:09:53,367 ONE, TWO, THREE-- GO! 140 00:09:55,968 --> 00:09:58,133 OH, RICHARD--! 141 00:10:14,000 --> 00:10:16,634 - RELAX, MATE. - ( screams ) 142 00:10:16,634 --> 00:10:19,501 NO MILK THIS MORNING. 143 00:10:21,367 --> 00:10:23,801 - SHE'S NOT IN? - GONE AWAY, AIN'T THEY? 144 00:10:25,868 --> 00:10:28,534 YOU'VE MADE MY DAY! 145 00:10:29,534 --> 00:10:31,901 ( singing ) 146 00:10:34,434 --> 00:10:36,367 POSTMAN! 147 00:10:36,367 --> 00:10:39,033 ( yells ) POSTMAN! 148 00:10:39,033 --> 00:10:43,133 - GOOD MORNING! - YES, ISN'T IT? 149 00:10:43,133 --> 00:10:45,200 THE BIRDS ARE SINGING-- 150 00:10:45,200 --> 00:10:47,767 THANK GOD, ONLY THE BIRDS ARE SINGING. 151 00:10:47,767 --> 00:10:51,434 AWAY FOR LONG, IS SHE? 152 00:10:51,434 --> 00:10:54,067 NO, BUT EVERY MINUTE COUNTS. 153 00:10:54,067 --> 00:10:57,267 * LA-LA-LA, DEE-DEE-DEE... * 154 00:10:59,067 --> 00:11:00,934 OH EMMET, YOU SHOULDN'T SAY THINGS LIKE THAT. 155 00:11:00,934 --> 00:11:03,167 EVEN IF THEY'RE TRUE? 156 00:11:03,167 --> 00:11:05,167 WELL, I MUST ADMIT, IT IS A RELIEF. 157 00:11:05,167 --> 00:11:08,267 NO THREAT OF COFFEE. AND I'M AS STEADY AS A ROCK. 158 00:11:08,267 --> 00:11:10,901 I WON'T BE LONG, LIZ. 159 00:11:10,901 --> 00:11:13,334 * THE SUN HAS GOT HIS HAT ON... * 160 00:11:19,534 --> 00:11:21,567 ( thumps ) 161 00:11:26,434 --> 00:11:29,767 ELIZABETH! HYACINTH HERE, DEAR, 162 00:11:29,767 --> 00:11:32,934 SPEAKING TO YOU FROM THE MANSION, 163 00:11:32,934 --> 00:11:34,934 GOOD MORNING TO YOU, 164 00:11:34,934 --> 00:11:38,100 IT'S A LOVELY DAY HERE IN RURAL ENGLAND. 165 00:11:38,100 --> 00:11:43,100 ESPECIALLY WHEN VIEWED FROM THIS VERY IMPORTANT HISTORICAL BUILDING. 166 00:11:44,701 --> 00:11:47,767 YOU MUST COME FOR TEA AND CUCUMBER SANDWICHES. 167 00:11:47,767 --> 00:11:51,234 AND BRING EMMET WITH YOU. TELL HIM I WON'T TAKE NO FOR AN ANSWER. 168 00:11:51,234 --> 00:11:55,434 OH YES, I WANT YOU BOTH TO SHARE IN MY HAPPINESS-- 169 00:11:55,434 --> 00:11:58,434 AND MY NEW DIMINUTIVE REPRODUCTION FURNITURE 170 00:11:58,434 --> 00:12:01,000 WITH A GENUINE ANTIQUE APPEARANCE. 171 00:12:01,000 --> 00:12:03,868 EMMET WILL LOVE IT, YES. 172 00:12:03,868 --> 00:12:07,100 WE'LL WALK THE GROUNDS AND VIEW THE LAKE. 173 00:12:08,167 --> 00:12:10,667 TELL HIM TO WEAR SOMETHING TWEEDY. 174 00:12:10,667 --> 00:12:14,067 YOU KNOW THE SORT OF THING-- COUNTRY BUT SMART. 175 00:12:14,067 --> 00:12:16,701 RICHARD LOOKS QUITE THE SQUIRE ALREADY. 176 00:12:20,100 --> 00:12:23,467 HE'LL BE "THE OLD CROOKED SQUIRE." 177 00:12:25,367 --> 00:12:27,534 YES, YES, HYACINTH. I MEAN I-- 178 00:12:27,534 --> 00:12:29,534 IT WOULD BE WONDERFUL TO COME DOWN AND SEE YOU, 179 00:12:29,534 --> 00:12:31,634 BUT I'M NOT SURE IF EMMET IS FREE. 180 00:12:31,634 --> 00:12:36,667 YES, HYACINTH, I KNOW HE'S VERY FOND OF YOU, BUT-- 181 00:12:36,667 --> 00:12:39,701 YES, I'M SURE HE WILL. 182 00:12:39,701 --> 00:12:41,834 YES, HYACINTH. 183 00:12:41,834 --> 00:12:45,000 YES I HAVE A TWEED COSTUME, 184 00:12:45,000 --> 00:12:49,334 AND MY COUNTRY BROGUES. RIGHT. YES. 185 00:12:49,334 --> 00:12:52,834 SEE YOU AT 3:30. THANK YOU, HYACINTH. 186 00:12:56,200 --> 00:12:59,701 HOW AM I GOING TO TELL EMMET? 187 00:12:59,701 --> 00:13:03,434 ( Hyacinth singing ) * ...A-HUNTING WE WILL GO... * 188 00:13:03,434 --> 00:13:06,167 I'VE INVITED ELIZABETH AND EMMET 189 00:13:06,167 --> 00:13:09,901 TO CUCUMBER SANDWICHES AND MY COUNTRY CREAM TEA. 190 00:13:11,400 --> 00:13:13,167 TODAY?! 191 00:13:13,167 --> 00:13:15,434 WELL, LATER THIS AFTERNOON, DEAR. 192 00:13:15,434 --> 00:13:18,934 WE HAVE THE WHOLE MORNING TO OURSELVES. 193 00:13:18,934 --> 00:13:22,133 RICHARD, WHY DO YOU KEEP STANDING LIKE THAT? 194 00:13:22,133 --> 00:13:24,400 I HAVE TO STAND LIKE THIS. 195 00:13:24,400 --> 00:13:26,901 IF I DON'T STAND LIKE THIS, I DON'T FIT THE DAMN PLACE. 196 00:13:26,901 --> 00:13:30,767 YOU'LL FEEL MUCH BETTER WHEN YOU'LL GET A LITTLE COUNTRY AIR INSIDE YOU. 197 00:13:30,767 --> 00:13:33,734 ( resumes singing ) 198 00:13:39,634 --> 00:13:41,567 ( door slams ) 199 00:13:43,234 --> 00:13:45,234 I BOUGHT YOU THE MAGAZINE YOU LIKE. 200 00:13:45,234 --> 00:13:48,734 THANK YOU. I JUST HAD HYACINTH ON THE PHONE. 201 00:13:48,734 --> 00:13:50,801 PERFECT! 202 00:13:50,801 --> 00:13:55,601 HYACINTH ON THE PHONE, SOMEWHERE OUT THERE IN THE COUNTRY! 203 00:13:55,601 --> 00:13:58,534 OH, HOW WONDERFUL! 204 00:13:58,534 --> 00:14:00,868 ( plays "Put On A Happy Face" ) 205 00:14:00,868 --> 00:14:03,834 IT'S HYACINTH NEXT DOOR I CAN'T STAND. 206 00:14:03,834 --> 00:14:05,601 I LOVE THE THOUGHT OF HYACINTH 207 00:14:05,601 --> 00:14:07,868 BEING SOMEWHERE REMOTE IN THE COUNTRY. 208 00:14:07,868 --> 00:14:12,000 THISCOUNTRY, BUT STILL... 209 00:14:12,000 --> 00:14:14,400 WE'RE INVITED FOR TEA AND CUCUMBER SANDWICHES. 210 00:14:14,400 --> 00:14:16,634 ( bangs ) 211 00:14:16,634 --> 00:14:19,200 YOU DIDN'T SAY YES? 212 00:14:19,200 --> 00:14:23,334 SHE SAID, WEAR "SOMETHING TWEEDY. COUNTRY BUT SMART." 213 00:14:23,334 --> 00:14:25,067 ( bangs keys ) 214 00:14:31,901 --> 00:14:35,534 ( sniffs deeply ) OH, RICHARD! 215 00:14:35,534 --> 00:14:38,200 DON'T YOU LOVE BEING IN THE COUNTRY? 216 00:14:38,200 --> 00:14:42,334 WHAT I LOVE IS BEING DRESSED IN MY NORMAL CLOTHES. 217 00:14:42,334 --> 00:14:46,300 NOW, LOOK DEAR, IF WE'RE GOING TO MINGLE WITH THE COUNTY SET, 218 00:14:46,300 --> 00:14:48,334 WE HAVE TO LOOK THE PART. 219 00:14:48,334 --> 00:14:50,434 SO PULL YOURSELF TOGETHER, DEAR. LET'S GO. 220 00:14:57,534 --> 00:15:00,067 KEEP UP, RICHARD! COME ALONG! 221 00:15:00,067 --> 00:15:04,300 I FEEL AS IF MY LEGS ARE STUCK INTO DRAINPIPES. 222 00:15:05,634 --> 00:15:07,868 YOU LOOK VERY SMART, DEAR. 223 00:15:07,868 --> 00:15:10,133 I SHALL TAKE A PHOTOGRAPH FOR SHERIDAN. 224 00:15:10,133 --> 00:15:13,868 NOT ON A HORSE! I CAN'T WEAR THESE ON A HORSE! 225 00:15:13,868 --> 00:15:15,234 SHH! 226 00:15:15,234 --> 00:15:17,467 THE BEAUTY OF MY LITTLE SCHEME, RICHARD, 227 00:15:17,467 --> 00:15:20,234 HAVETO RIDE. 228 00:15:22,834 --> 00:15:26,634 WE SIMPLY LOOK AS IF WE'RE GOING TO RIDE. 229 00:15:26,634 --> 00:15:29,300 THAT'S ALL THAT'S NECESSARY. 230 00:15:29,300 --> 00:15:33,934 THAT'S VERY DEVIOUS, BUT I CAN'T TELL YOU HOW RELIEVED I AM. 231 00:15:41,100 --> 00:15:43,133 I NEED SOME FRESH AIR. 232 00:15:43,133 --> 00:15:46,367 WIDE OPEN, NO-HOLDS-BARRED COUNTRY AIR. 233 00:15:46,367 --> 00:15:49,400 YES. SHOULD DO US BOTH A POWER OF GOOD. 234 00:15:49,400 --> 00:15:51,567 IF WE HAVE TO FACE HYACINTH LATER, 235 00:15:51,567 --> 00:15:56,067 I'M GOING TO NEED TO BLOW THE COBWEBS AWAY. 236 00:15:58,767 --> 00:16:01,868 ( sniffs ) JUST SMELL THAT FRESH AIR. 237 00:16:01,868 --> 00:16:05,367 IT SMELLS MORE LIKE A DRAFT TO ME. 238 00:16:06,667 --> 00:16:08,701 OH, ISN'T THAT ELIZABETH'S CAR? 239 00:16:08,701 --> 00:16:11,167 YES IT IS. THEY'RE VERY EARLY. 240 00:16:11,167 --> 00:16:13,701 ( honking ) STOP, RICHARD, STOP! 241 00:16:13,701 --> 00:16:16,634 OH LOOK, THERE'S HYACINTH AND RICHARD! 242 00:16:16,634 --> 00:16:20,434 - KEEP DRIVING! KEEP DRIVING! - THEY'VE SEEN US. 243 00:16:23,067 --> 00:16:25,968 SHE'S IN RIDING GEAR. 244 00:16:25,968 --> 00:16:29,067 DID YOU KNOW SHE COULD RIDE? I'LL BET SHE CAN'T. 245 00:16:29,067 --> 00:16:31,133 PULL INTO THEIR LAY-BY, 246 00:16:31,133 --> 00:16:33,868 I WANT A CLOSER LOOK AT THIS. 247 00:16:36,634 --> 00:16:38,667 GOING RIDING, HYACINTH? 248 00:16:38,667 --> 00:16:40,734 HMM? 249 00:16:43,701 --> 00:16:46,901 YES! LOVELY MORNING FOR IT, ISN'T IT? 250 00:16:46,901 --> 00:16:49,234 TELL YOU WHAT-- 251 00:16:50,334 --> 00:16:53,234 WHY DON'T WE ALL GO TOGETHER? 252 00:17:04,767 --> 00:17:07,968 ( chuckles ) 253 00:17:12,100 --> 00:17:15,133 EMMET, YOU ARE WICKED. 254 00:17:15,133 --> 00:17:18,300 YES, I KNOW. ISN'T IT DELICIOUS? 255 00:17:18,300 --> 00:17:22,000 WHY NOT JUST TELL THEM THAT WE CAN'T RIDE? 256 00:17:22,000 --> 00:17:24,734 I DON'T KNOW THAT I CAN'T RIDE. 257 00:17:24,734 --> 00:17:27,000 I'VE NEVER TRIED. 258 00:17:27,000 --> 00:17:31,400 THERE'S EVERY POSSIBILITY THAT I MIGHT RIDE BEAUTIFULLY. 259 00:17:31,400 --> 00:17:34,100 THE CLOTHES FIT. 260 00:17:41,067 --> 00:17:43,701 Hyacinth: OFF YOU GO, EMMET. WE'LL CATCH YOU UP LATER. 261 00:17:43,701 --> 00:17:45,901 NO, NO. I'LL WAIT. 262 00:17:45,901 --> 00:17:49,133 WE'LL GO TOGETHER, HYACINTH. THAT'S WHAT FRIENDS ARE FOR. 263 00:17:51,067 --> 00:17:53,334 RIGHT, THEN, I'LL GO AROUND THE CORNER AND MOUNT. 264 00:17:53,334 --> 00:17:54,834 WHY AROUND THE CORNER? 265 00:17:54,834 --> 00:17:59,033 I ALWAYS THINK MODESTY REQUIRES A LADY TO MOUNT ALONE. 266 00:18:00,334 --> 00:18:03,501 EXCEPT IN THE PRESENCE OF HER HUSBAND. 267 00:18:03,501 --> 00:18:05,868 UP WE GO. UP WE GO. 268 00:18:05,868 --> 00:18:08,701 ( laughs ) 269 00:18:09,701 --> 00:18:12,234 EMMET, STOP IT! 270 00:18:12,234 --> 00:18:16,801 NOW LISTEN, HORSE, I'M NOT A PERSON TO BE TRIFLED WITH. 271 00:18:16,801 --> 00:18:20,400 RICHARD, COME AND HELP ME UP, DEAR. 272 00:18:22,901 --> 00:18:27,801 ALLEZ-- ALLEZ-OOP! 273 00:18:28,968 --> 00:18:30,968 OOH! 274 00:18:47,534 --> 00:18:51,234 I'M JUST TAKING A BREATHER. 275 00:18:56,868 --> 00:18:59,334 HOW MUCH LONGER ARE THEY GOING TO BE? 276 00:18:59,334 --> 00:19:01,667 ( Hyacinth groans ) 277 00:19:03,467 --> 00:19:08,033 WELL... SO FAR, SO GOOD. 278 00:19:08,033 --> 00:19:11,133 HOW DOES ONE START IT? 279 00:19:11,133 --> 00:19:14,000 I THINK YOU CLICK YOUR TONGUE OR SOMETHING. 280 00:19:14,000 --> 00:19:16,400 HMM? ( clicking ) 281 00:19:16,400 --> 00:19:17,901 TSK-TSK... 282 00:19:19,300 --> 00:19:22,400 THIS IS RIDICULOUS. ( clicking tongue ) 283 00:19:23,734 --> 00:19:26,033 ( clicking continues ) TSK-- TSK-TSK... 284 00:19:29,167 --> 00:19:31,534 TSK-TSK-TSK-TSK... 285 00:19:31,534 --> 00:19:34,467 PERHAPS YOU LEFT THE BRAKE ON, HYACINTH. 286 00:19:34,467 --> 00:19:35,968 HMM? 287 00:19:40,267 --> 00:19:42,467 IN FILMS, WHEN THEY WANT TO GET A HORSE GOING, 288 00:19:42,467 --> 00:19:44,634 THEY SLAP IT ON THE RUMP. 289 00:19:44,634 --> 00:19:47,334 WELL, TRY THAT, DEAR. BUT GENTLY-- 290 00:19:47,334 --> 00:19:49,467 REMEMBER, I AM NOT ROY ROGERS. 291 00:19:53,167 --> 00:19:56,601 HURRY UP, HYACINTH. WE'VE ONLY GOT THE HORSES FOR AN HOUR. 292 00:19:56,601 --> 00:19:59,667 TALLY-HO! WE'RE JUST COMING. 293 00:19:59,667 --> 00:20:01,734 TRY IT A BIT HARDER, DEAR. 294 00:20:24,334 --> 00:20:27,501 PERHAPS YOU BETTER GO AND HAVE A LIE-DOWN. 295 00:20:27,501 --> 00:20:29,534 I CAN'T, DEAR. 296 00:20:29,534 --> 00:20:32,367 I'VE ASKED A FEW PEOPLE TO DROP IN. 297 00:20:32,367 --> 00:20:35,100 IT'S YOU THAT'S BEEN DOING THE DROPPING IN. 298 00:20:35,100 --> 00:20:37,067 SHH. 299 00:20:37,067 --> 00:20:39,667 SEE OUR GUESTS INTO THE LOUNGE. WILL YOU, RICHARD? 300 00:20:39,667 --> 00:20:41,501 WHILST I CHANGE. ELIZABETH! 301 00:20:41,501 --> 00:20:45,334 IT'S UP THE STAIRS AND ON THE LEFT. 302 00:20:45,334 --> 00:20:48,100 THEY MUSTN'T CATCH ME HERE, LOOKING LIKE THIS. 303 00:20:48,100 --> 00:20:50,868 MAKE THEM COMFY, DEAR. 304 00:20:50,868 --> 00:20:53,701 Richard: MIND YOUR HEADS, YOU TWO! 305 00:20:57,834 --> 00:20:59,901 OH, IT'S REALLY QUITE... 306 00:20:59,901 --> 00:21:02,667 - Emmet: SMALL. - ...ENCHANTING! 307 00:21:02,667 --> 00:21:07,467 MAKE YOURSELVES COMFORTABLE, BUT STAY ALERT. 308 00:21:07,467 --> 00:21:12,334 NO, NOT THIS END. I BET HYACINTH SITS THAT END. 309 00:21:12,334 --> 00:21:13,901 ( thumps ) OH! 310 00:21:13,901 --> 00:21:15,234 OUCH! 311 00:21:15,234 --> 00:21:18,834 SEE WHAT I MEAN ABOUT STAYING ALERT? ARE YOU ALL RIGHT? 312 00:21:18,834 --> 00:21:20,968 YES, I'M FINE. DON'T WORRY, RICHARD. 313 00:21:20,968 --> 00:21:22,901 ( thumping below ) 314 00:21:22,901 --> 00:21:26,033 EXCUSE ME, I'D BETTER SEE WHAT THAT NOISE IS, 315 00:21:26,033 --> 00:21:28,334 BUT WILL YOU HELP YOURSELVES TO A DRINK? 316 00:21:30,300 --> 00:21:33,534 - WHAT'S THE MATTER? - I CAN'T OPEN THE BEDROOM DOOR. 317 00:21:33,534 --> 00:21:37,100 - IS IT LOCKED? - IT CAN'T BE LOCKED, DEAR. THERE ISN'T A KEY. 318 00:21:37,100 --> 00:21:42,801 - WELL-- AGH! IT'S STUCK. - I KNOW IT'S STUCK. 319 00:21:42,801 --> 00:21:46,868 DO SOMETHING, RICHARD! I'VE GOT TO GET IN THE BEDROOM AND GET CHANGED! 320 00:21:46,868 --> 00:21:49,601 - OH-- GUESTS ALREADY! 321 00:21:49,601 --> 00:21:51,634 THEY MUSTN'T FIND ME LIKE THIS. 322 00:21:51,634 --> 00:21:55,601 - WHERE ARE YOU GOING, DEAR? - THERE ARE PEOPLE AT THE DOOR. 323 00:21:55,601 --> 00:21:58,400 NO, DON'T OPEN THE DOOR! 324 00:21:58,400 --> 00:22:00,300 I'M NOT DRESSED FOR RECEIVING. 325 00:22:00,300 --> 00:22:04,300 WHERE'S-- OH, I KNOW! THE CLOAKROOM. 326 00:22:04,300 --> 00:22:06,667 YOU'RE GONNA HIDE IN THE CLOAKROOM? 327 00:22:06,667 --> 00:22:09,100 IT'S NOT A QUESTION OF HIDING, DEAR. 328 00:22:09,100 --> 00:22:13,267 IT'S A QUESTION OF ALWAYS CREATING THE RIGHT IMPRESSION. 329 00:22:13,267 --> 00:22:17,267 GIVE ME A HAND, WILL YOU? GIVE ME A HAND. 330 00:22:19,167 --> 00:22:22,467 I HAD NO IDEA THAT SPENDING TIME IN THE COUNTRY WOULD BE SO INVIGORATING. 331 00:22:22,467 --> 00:22:25,734 ( doorbell ringing ) 332 00:22:25,734 --> 00:22:27,400 LET THEM IN. 333 00:22:27,400 --> 00:22:31,634 NO, DON'T LET THEM IN. I CAN'T CLOSE THE DOOR. 334 00:22:31,634 --> 00:22:34,901 HELLO! 335 00:22:36,234 --> 00:22:38,834 - HELP ME! - YES, YES. 336 00:22:38,834 --> 00:22:42,133 THERE, THERE. THAT'S IT. 337 00:22:42,133 --> 00:22:44,000 OH! 338 00:22:44,000 --> 00:22:46,400 SHOW THEM INTO THE LOUNGE. 339 00:22:46,400 --> 00:22:48,734 - NO, NO, NO, NOT THE LOUNGE! - HMM? 340 00:22:48,734 --> 00:22:50,501 NO, I SHOULDN'T, HYACINTH. 341 00:22:50,501 --> 00:22:53,100 NOT TO SHOW PEOPLE INTO THE LOUNGE-- NOT FOR A MOMENT. 342 00:22:53,100 --> 00:22:56,701 - WHY EVER NOT? - I'M AFRAID I'VE SPILLED MY LEMONADE. 343 00:22:56,701 --> 00:23:00,601 OH, ELIZABETH! OM MY NEW COTTAGE SUITE? 344 00:23:00,601 --> 00:23:02,567 NO! NO. ON EMMET. 345 00:23:02,567 --> 00:23:05,400 OH, EMMET! ACCIDENTS WILL HAPPEN. 346 00:23:07,000 --> 00:23:10,567 - BUT THERE'S MORE. - MORE?! 347 00:23:10,567 --> 00:23:14,834 YOU SEE, IT WAS ICY COLD, AND IT STARTLED HIM AND HE JUMPED UP. 348 00:23:14,834 --> 00:23:17,334 THAT'S QUITE NATURAL, WHAT'S THE MATTER WITH THAT? 349 00:23:17,334 --> 00:23:20,701 WELL-- I THINK YOU BETTER COME AND HAVE A LOOK. 350 00:23:20,701 --> 00:23:23,067 OH-- ER-- 351 00:23:29,300 --> 00:23:31,334 ( doorbell rings ) 352 00:23:31,334 --> 00:23:34,167 DON'T NEGLECT OUR GUESTS, RICHARD. 353 00:23:34,167 --> 00:23:35,400 I WOULDN'T DREAM OF IT. 354 00:23:45,334 --> 00:23:49,200 - COME DOWN AT ONCE! - NO, NO, NO! HE CAN'T! 355 00:23:49,200 --> 00:23:51,667 THERE'S A SHARP PIECE STICKING IN HIS NECK. 356 00:23:53,534 --> 00:23:56,601 ( moans ) OH! 357 00:23:59,167 --> 00:24:03,000 THERE'S A BIT OF A PROBLEM IN THE LOUNGE, SO FOR THE MOMENT-- 358 00:24:03,000 --> 00:24:06,133 WOULD YOU MIND MAKING YOURSELVES HOME IN THE KITCHEN? 359 00:24:19,133 --> 00:24:20,901 ( Emmet yells ) WHAT'S HAPPENING? 360 00:24:20,901 --> 00:24:24,634 - HYACINTH IS ORGANIZING SOMETHING. - Emmet: OH-HH! 361 00:24:30,968 --> 00:24:35,501 REMAIN CALM, EMMET. I'M WORKING ON YOUR RESCUE. 362 00:24:35,501 --> 00:24:37,767 ( yells ) I AM CALM, HYACINTH! 363 00:24:37,767 --> 00:24:40,334 - SHH. - UNDER THE CIRCUMSTANCES, 364 00:24:40,334 --> 00:24:43,167 I THINK I'M BEING EXCEPTIONALLY CALM. 365 00:24:43,167 --> 00:24:46,200 RICHARD'S LOOKING FOR A SHARP KNIFE... 366 00:24:46,200 --> 00:24:49,334 - ( moans ) - ...TO CUT YOU FREE. 367 00:24:49,334 --> 00:24:51,667 FOR HEAVEN'S SAKE, BE CAREFUL. 368 00:24:51,667 --> 00:24:52,834 SHH! 369 00:24:52,834 --> 00:24:55,133 IF YOU'LL EXCUSE ME A MOMENT, 370 00:24:55,133 --> 00:24:57,467 I'LL GO AND ATTEND TO YOUR LOWER HALF. 371 00:25:03,567 --> 00:25:06,167 ( doorbell rings ) 372 00:25:09,334 --> 00:25:12,300 Richard: BE BACK IN A JIFFY. 373 00:25:14,167 --> 00:25:17,167 - HELLO, COME IN. - HOW DO YOU DO? 374 00:25:17,167 --> 00:25:20,267 YOUR WIFE INVITED ME UP TO SEE YOUR NEW HOME. 375 00:25:20,267 --> 00:25:24,834 WHY DON'T WE GO AND TAKE A LOOK AT THE KITCHEN? 376 00:25:24,834 --> 00:25:26,801 THIS WAY. ON THE RIGHT. 377 00:25:34,400 --> 00:25:37,601 I COULDN'T FIND A KNIFE. WILL THIS DO? 378 00:25:37,601 --> 00:25:39,601 HOW MANY PEOPLE HAVE YOU INVITED? 379 00:25:39,601 --> 00:25:43,067 - JUST A HANDFUL, DEAR. - WE'VE ALREADY GOT OUR HANDS FULL. 380 00:25:45,834 --> 00:25:47,601 ONSLOW-- 381 00:25:47,601 --> 00:25:51,300 WHY DO YOU ALWAYS GO SLOWLY WHEN WE'RE VISITING OUR HYACINTH? 382 00:25:51,300 --> 00:25:55,901 SOMEHOW THE THOUGHT OF YOUR HYACINTH EXERTS A BRAKING FORCE. 383 00:25:55,901 --> 00:25:57,901 OH, I KNOW WHAT HE MEANS. 384 00:25:57,901 --> 00:26:00,467 WHENEVER I'M ON THE BRINK OF LETTING MYSELF GO, 385 00:26:00,467 --> 00:26:02,834 I GET THESE VISIONS OF OUR HYACINTH. 386 00:26:02,834 --> 00:26:05,100 HAVE YOU GOT RID OF MR. MURCHISON YET? 387 00:26:05,100 --> 00:26:08,734 HIM?! DON'T SPEAK TO ME ABOUT HIM. 388 00:26:08,734 --> 00:26:11,133 HE WAS COMPLETELY WITHOUT SCRUPLE. 389 00:26:11,133 --> 00:26:14,667 WHAT CAN YOU MAKE OF A MAN WHO GIVES AWAY HIS OWN WIFE'S JEWELRY? 390 00:26:14,667 --> 00:26:16,234 WHAT HAPPENED TO IT? 391 00:26:16,234 --> 00:26:19,200 AS SOON AS WE FINISHED, HE ASKED ME FOR IT BACK. 392 00:26:19,200 --> 00:26:21,634 THAT'S ONE THING ONSLOW'S NEVER DONE-- 393 00:26:21,634 --> 00:26:24,434 GIVEN MY JEWELRY AWAY. 394 00:26:24,434 --> 00:26:27,701 HE'S NEVER BOUGHT ME ANY IN THE FIRST PLACE. 395 00:26:30,667 --> 00:26:32,868 KEEPS LIFE SIMPLE. 396 00:26:32,868 --> 00:26:36,234 HANDS UP, ANYBODY WHO REALLY WANTS TO GROW UP 397 00:26:36,234 --> 00:26:38,567 TO BE SOMEBODY OBSESSED WITH POSSESSIONS. 398 00:26:42,767 --> 00:26:44,834 ( groans ) 399 00:26:46,834 --> 00:26:49,734 ( howls ) ARGH-HH! 400 00:26:49,734 --> 00:26:53,501 AH, YOU CAN ALWAYS TELL WHEN A PERSON'S MUSICAL. 401 00:26:54,701 --> 00:26:56,968 ( doorbell rings ) 402 00:26:56,968 --> 00:27:00,100 ( panting ) I'LL BE BACK IN A JIFFY. 403 00:27:03,100 --> 00:27:05,133 - OH, HELLO! - HELLO, RICHARD. 404 00:27:05,133 --> 00:27:07,968 - HELLO, RICHARD. - HELLO, RICHARD. 405 00:27:07,968 --> 00:27:10,133 WELCOME TO UTTER CHAOS! 406 00:27:10,133 --> 00:27:12,334 ( Emmet screams ) AA-ARGH! 407 00:27:13,701 --> 00:27:16,000 LISTEN, IF YOU'RE BUSY, WE'LL-- 408 00:27:16,000 --> 00:27:20,767 NO, NO, NO. WE'RE IN THE KITCHEN-- UP THE STAIRS TO THE RIGHT. 409 00:27:20,767 --> 00:27:24,934 Rose: WE LEFT FATHER IN THE CAR. HE COULDN'T MAKE THE STAIRS. 410 00:27:24,934 --> 00:27:28,267 Richard: I DON'T THINK HE'D HAVE MADE THE FIRST FLIGHT. 411 00:27:28,267 --> 00:27:30,367 AH, THERE YOU ARE, EMMET! 412 00:27:30,367 --> 00:27:33,067 NOW, PLEASE, DON'T GO UP THERE AGAIN. 413 00:27:35,434 --> 00:27:38,434 IF YOU'LL EXCUSE ME, I'LL GO AND SEE TO MY GUESTS. 414 00:27:41,934 --> 00:27:44,200 ( all screaming ) 415 00:27:44,200 --> 00:27:46,834 Daisy: HYACINTH, WE'RE STUCK! 416 00:27:46,834 --> 00:27:49,868 ( yells ) ELIZABETH... 417 00:27:49,868 --> 00:27:52,934 WILL YOU TELEPHONE THE EMERGENCY SERVICES? 418 00:27:56,767 --> 00:27:59,767 ( theme music playing ) 0 00:00:0,500 --> 00:00:2,00 www.tvsubtitles.net 31063