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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,400 --> 00:00:05,567 ( theme music playing ) 2 00:00:41,300 --> 00:00:43,767 IS THIS THE BUCKET RESIDENCE? 3 00:00:43,767 --> 00:00:46,801 WELL, THERE ARE TWO SCHOOLS OF THOUGHT ABOUT THAT... 4 00:00:46,801 --> 00:00:49,834 SHE PRONOUNCES IT "BOUQUET." 5 00:00:49,834 --> 00:00:52,934 BUT IT'S SPELLED "BUCKET." 6 00:01:01,767 --> 00:01:03,501 MRS. BUCKET? 7 00:01:03,501 --> 00:01:06,901 "BOUQUET, BOUQUET." 8 00:01:19,167 --> 00:01:23,100 IT'S VERY UPSETTING TO HAVE UNIFORMED POLICEMEN CALLING AT THE HOUSE. 9 00:01:23,100 --> 00:01:25,067 IT'S NOT ENTIRELY A PLEASURE FOR ME, MADAM. 10 00:01:27,200 --> 00:01:29,167 COULDN'T YOU HAVE COME IN PLAIN CLOTHES? 11 00:01:29,167 --> 00:01:31,901 I'M IN THE UNIFORMED BRANCH, MADAM. 12 00:01:31,901 --> 00:01:35,400 THEY MIGHT HAVE SENT SOMEONE OF SENIOR RANK IN A SMART SUIT. 13 00:01:35,400 --> 00:01:38,100 NOW, WHEN YOU LEAVE THIS PROPERTY, 14 00:01:38,100 --> 00:01:42,067 MY HUSBAND HERE WILL LEND YOU A BLANKET. 15 00:01:42,067 --> 00:01:44,334 I'M SORRY, MADAM, I CAN'T DO THAT. 16 00:01:44,334 --> 00:01:46,834 - NOW, ABOUT YOUR FATHER-- - WHAT'S HE BEEN DOING? 17 00:01:46,834 --> 00:01:48,434 IF DADDY'S BEEN DOING ANYTHING, 18 00:01:48,434 --> 00:01:50,701 IT WILL BE IN THE NATION'S BEST INTERESTS. 19 00:01:50,701 --> 00:01:53,834 HE WAS FOUND EARLY THIS MORNING, SIR, 20 00:01:53,834 --> 00:01:57,234 CLAIMING TO BE ON SENTRY DUTY OUTSIDE THE TOWN HALL. 21 00:01:57,234 --> 00:02:00,467 THAT'S DADDY! SUCH A SENSE OF DUTY. 22 00:02:00,467 --> 00:02:04,334 HE WOULDN'T LET THE MAYOR'S SECRETARY INTO THE BUILDING. 23 00:02:04,334 --> 00:02:06,334 NOW, MADAM, WHAT DO YOU WANT US TO DO WITH HIM? 24 00:02:06,334 --> 00:02:13,100 "DO WITH HIM"? YOU MUSTN'T "DO" ANYTHING WITH HIM. 25 00:02:13,100 --> 00:02:15,667 - WHERE IS HE NOW? - HE'S AT THE POLICE STATION. 26 00:02:15,667 --> 00:02:19,434 HOW INSENSITIVE! 27 00:02:20,634 --> 00:02:23,534 MY DADDY IMPRISONED! 28 00:02:23,534 --> 00:02:26,000 OH, RICHARD, THIS MUSTN'T LEAK OUT. 29 00:02:26,000 --> 00:02:28,267 WILL IT BE IN THE PAPERS? 30 00:02:28,267 --> 00:02:31,167 I DON'T THINK IT'LL MAKE THE HEADLINES, MADAM! 31 00:02:35,901 --> 00:02:38,601 THERE'S A POLICEMAN GONE INTO HYACINTH'S. 32 00:02:38,601 --> 00:02:40,868 ABOUT TIME. 33 00:02:40,868 --> 00:02:43,133 I EXPECT THEY'VE CAUGHT UP WITH HER AT LONG LAST, 34 00:02:43,133 --> 00:02:45,734 FOR SINGING UNDER FALSE PRETENSES. 35 00:02:45,734 --> 00:02:48,934 ( giggling ) YOU GOT TO GIVE HER POINTS FOR NERVE. 36 00:02:48,934 --> 00:02:50,968 SHE MADE HIM LEAVE HIS BOOTS OUTSIDE. 37 00:02:50,968 --> 00:02:52,467 OF COURSE. 38 00:02:52,467 --> 00:02:55,434 SHE'D DO EXACTLY THE SAME THING IF IT WAS THE PRIME MINISTER. 39 00:02:56,434 --> 00:02:58,067 I WONDER WHAT HE WANTS. 40 00:02:58,067 --> 00:02:59,934 IF HE'S TALKING TO HYACINTH, 41 00:02:59,934 --> 00:03:02,601 HE WANTS ALL THE HELP HE CAN GET. 42 00:03:04,834 --> 00:03:07,033 ( moaning ) 43 00:03:07,033 --> 00:03:10,467 LOOK, MADAM, IF YOU'LL JUST PICK UP YOUR FATHER, 44 00:03:10,467 --> 00:03:11,868 IT WILL ALL BE OVER AND DONE WITH. 45 00:03:11,868 --> 00:03:13,901 MR. "BOUQUET" WILL HAVE TO FETCH HIM. 46 00:03:13,901 --> 00:03:16,734 - ME?! - I CAN'T GO, DEAR... 47 00:03:16,734 --> 00:03:19,067 I HAVE AN APPOINTMENT WITH AN ESTATE AGENT. 48 00:03:19,067 --> 00:03:22,367 DADDY WILL UNDERSTAND. GIVE HIM MY LOVE, 49 00:03:22,367 --> 00:03:25,501 AND MAKE SURE HE DOESN'T PLAY HIS BUGLE IN CONFINED SPACES. 50 00:03:27,100 --> 00:03:30,501 NOW... WHEN YOU LEAVE THIS BUNGALOW, 51 00:03:30,501 --> 00:03:35,300 I WANT YOU TO BE WEARING A BROAD SMILE. 52 00:03:35,300 --> 00:03:38,367 I CANNOT HAVE THE NEIGHBORS ASSUMING I'M IN TROUBLE WITH THE POLICE. 53 00:03:38,367 --> 00:03:41,334 - I'LL DO MY BEST, MADAM. - LET'S SEE IT, THEN. 54 00:03:48,234 --> 00:03:51,434 YOURSMILE, DEAR. 55 00:03:51,434 --> 00:03:53,701 - HYACINTH... - SMILE! 56 00:03:59,767 --> 00:04:02,234 OH, I'LL SETTLE FOR YOURS. 57 00:04:12,400 --> 00:04:15,300 SMILE. SMILE. 58 00:04:24,367 --> 00:04:27,467 THAT WAS... A RARE EXPERIENCE. 59 00:04:27,467 --> 00:04:29,901 - IS SHE ALWAYS LIKE THAT? - VERY CONSISTENTLY. 60 00:04:29,901 --> 00:04:33,367 HER FATHER IS A BIT... AS WELL. 61 00:04:42,901 --> 00:04:44,901 JUST AN OLD FRIEND, ELIZABETH. 62 00:04:44,901 --> 00:04:47,234 OR RATHER, THE SON OF AN OLD FRIEND. 63 00:04:47,234 --> 00:04:51,100 HE'S JUST JOINED THE POLICE FORCE. 64 00:04:51,100 --> 00:04:54,300 SHE PROMISED HE'D POP IN FOR US TO SEE HIM IN HIS UNIFORM. 65 00:04:54,300 --> 00:04:57,400 VERY SMART, ISN'T HE? BYE! 66 00:05:03,734 --> 00:05:06,767 GET UP, ONSLOW. FATHER'S NOT IN HIS BED. 67 00:05:09,267 --> 00:05:11,767 HE COULD HAVE BEEN GONE FOR HOURS. 68 00:05:11,767 --> 00:05:15,667 THAT'S IT, THEN, THE TRAIL'S GONE COLD. 69 00:05:16,868 --> 00:05:19,033 NO GOOD TRYING TO FIND HIM NOW. 70 00:05:19,033 --> 00:05:21,934 OH, WELL, PITY. BUT LIFE MUST GO ON. 71 00:05:21,934 --> 00:05:25,968 OH, COME ON, ONSLOW. I'D HELP YOU TO FIND YOUR FATHER. 72 00:05:25,968 --> 00:05:28,167 WELL, THAT'S EASY, WE KNOW WHERE HE IS-- 73 00:05:28,167 --> 00:05:30,334 HE'S BEEN DEAD FOR 12 YEARS. 74 00:05:30,334 --> 00:05:32,968 HIS STEEL HELMET IS GONE. 75 00:05:32,968 --> 00:05:36,901 OH, HECK. HE'S NOT BACK IN THE WAR? 76 00:05:36,901 --> 00:05:39,934 HAS HIS BUGLE GONE? 77 00:05:42,667 --> 00:05:45,968 IT HAS! HIS BUGLE'S GONE. 78 00:05:48,200 --> 00:05:50,734 HIS BUGLE'S GONE. 79 00:05:50,734 --> 00:05:54,501 HE'S GOT HIS STEEL HELMET? HE'S GOT HIS BUGLE? 80 00:05:54,501 --> 00:05:56,734 HAS HE GOT HIS TROUSERS ON? 81 00:05:58,567 --> 00:06:00,734 OH! 82 00:06:02,000 --> 00:06:04,534 YES, HE MUST HAVE. 83 00:06:04,534 --> 00:06:07,300 YES, HE'S GOT HIS TROUSERS ON. 84 00:06:07,300 --> 00:06:10,634 GOOD. I CAN'T STAND WATCHING HIM BLOWING THAT BUGLE, 85 00:06:10,634 --> 00:06:13,300 WITHOUT HIS TROUSERS ON. 86 00:06:13,300 --> 00:06:17,067 - RED IN THE FACE IS ONE THING, BUT RED IN-- - JUST GET UP, ONSLOW. 87 00:06:28,634 --> 00:06:31,934 HYACINTH, WHY DON'T WE POSTPONE 88 00:06:31,934 --> 00:06:36,100 - LOOKING AT PROPERTIES UNTIL TOMORROW? - RICHARD! 89 00:06:36,100 --> 00:06:38,100 YOU KNOW HOW MUCH I'M LOOKING FORWARD 90 00:06:38,100 --> 00:06:40,400 TO FINDING OUR SECOND HOME IN THE COUNTRY. 91 00:06:40,400 --> 00:06:44,834 DOKNOW. 92 00:06:44,834 --> 00:06:48,534 IT'S JUST THAT I DON'T LIKE YOU LOOKING AT PROPERTIES ON YOUR OWN. 93 00:06:48,534 --> 00:06:50,901 BUT YOU CAN'T POSSIBLY GO, DEAR. 94 00:06:50,901 --> 00:06:54,567 YOU HAVE TO COLLECT DADDY. AT THE POLICE STATION. 95 00:06:54,567 --> 00:06:57,234 BUT WE COULD GET ONSLOW TO PICK HIM UP. 96 00:06:57,234 --> 00:06:59,467 NO, I WILL NOT HAVE ONSLOW 97 00:06:59,467 --> 00:07:01,968 PICKING DADDY UP IN BROAD DAYLIGHT. 98 00:07:01,968 --> 00:07:05,100 ONE LOOK AT ONSLOW, AND THEY'LL KEEP THEM BOTH IN FOR QUESTIONING. 99 00:07:06,100 --> 00:07:08,200 YOU'LL HAVE TO GO, DEAR. 100 00:07:08,200 --> 00:07:10,267 WELL, I-- 101 00:07:10,267 --> 00:07:12,934 OH--! 102 00:07:12,934 --> 00:07:16,634 YOU'LL BUY SOMETHING ENORMOUS, I KNOW YOU WILL. 103 00:07:19,701 --> 00:07:22,634 - WHO'S GONNA DRIVE YOU? - ELIZABETH WILL DRIVE ME. 104 00:07:22,634 --> 00:07:25,267 MAYBE SHE'LL BE TOO BUSY-- 105 00:07:25,267 --> 00:07:27,667 NOW LEAVE-- LEAVE IT. LEAVE IT. 106 00:07:27,667 --> 00:07:30,000 ( exasperated sigh ) 107 00:07:31,334 --> 00:07:35,167 WELL-- I SUPPOSE I CAN, HYACINTH. 108 00:07:37,267 --> 00:07:39,267 YES, OF COURSE. 109 00:07:39,267 --> 00:07:42,567 RIGHT THEN. 15 MINUTES? 110 00:07:43,734 --> 00:07:46,133 WHY DIDN'T YOU SAY NO? 111 00:07:46,133 --> 00:07:48,501 YOU'VE GOT TO LEARN TO SHOW MORE RESISTANCE TO THAT WOMAN, LIZ. 112 00:07:48,501 --> 00:07:51,534 SHE JERKS YOUR STRING AND OFF YOU GO. 113 00:07:51,534 --> 00:07:53,834 I'M NOT INVITED FOR COFFEE. 114 00:07:53,834 --> 00:07:56,534 SHE WANTS ME TO DRIVE HER INTO THE COUNTRY. 115 00:07:56,534 --> 00:07:58,868 SHE'S LOOKING AT PROPERTIES. 116 00:07:58,868 --> 00:08:01,100 SHE'S STILL LOOKING! 117 00:08:01,100 --> 00:08:04,834 OH. THANK HEAVENS YOU DIDN'T SAY NO. 118 00:08:04,834 --> 00:08:07,133 TO SAY NO. 119 00:08:07,133 --> 00:08:09,534 NOT WHEN IT'S IN SUCH A GOOD CAUSE. 120 00:08:09,534 --> 00:08:12,567 LISTEN TO ME, LIZ. PAY ATTENTION. 121 00:08:12,567 --> 00:08:14,701 THIS IS YOUR OPPORTUNITY. 122 00:08:14,701 --> 00:08:18,367 - FOR WHAT? - TO MAKE SURE HYACINTH BUYS A PROPERTY. 123 00:08:18,367 --> 00:08:22,133 DON'T LET HER COME BACK HERE WITHOUT A PROPERTY! 124 00:08:22,133 --> 00:08:25,167 SHE'S NOT LOOKING FOR SOMETHING TO MOVE INTO PERMANENTLY. 125 00:08:25,167 --> 00:08:26,934 I KNOW THAT, LIZ. 126 00:08:26,934 --> 00:08:30,334 BUT I'D SETTLE FOR HER BEING AWAY JUST A COUPLE OF DAYS A WEEK. 127 00:08:30,334 --> 00:08:33,200 FIND HER A PROPERTY! 128 00:08:38,400 --> 00:08:40,100 ( softly ) PLEASE! 129 00:08:41,667 --> 00:08:45,767 NOW, RICHARD, I AM ENTRUSTING YOU 130 00:08:45,767 --> 00:08:47,701 WITH A VERY SPECIAL MISSION. 131 00:08:47,701 --> 00:08:50,567 I WANT YOU TO COLLECT DADDY WITH THE UTMOST SECRECY. 132 00:08:50,567 --> 00:08:54,334 THAT DADDY WAS IN PRISON. 133 00:08:54,334 --> 00:08:56,968 HE'S NOT IN PRISON, HE'S IN A POLICE STATION. 134 00:08:56,968 --> 00:08:59,634 NOW, I WANT YOU TO WEAR THESE-- A PAIR FOR DADDY, 135 00:08:59,634 --> 00:09:03,167 AND A PAIR FOR YOU. 136 00:09:06,133 --> 00:09:07,901 WHY? 137 00:09:07,901 --> 00:09:11,534 BECAUSE NO ONE MUST RECOGNIZE YOU AS YOU LEAVE THE POLICE STATION. 138 00:09:11,534 --> 00:09:12,934 LOOK, I-- 139 00:09:12,934 --> 00:09:15,634 THIS IS A VERY SPECIAL MISSION, RICHARD. 140 00:09:15,634 --> 00:09:19,133 SHH! ( gasps ) 141 00:09:20,968 --> 00:09:23,167 I WISH I WAS GOING WITH YOU. 142 00:09:23,167 --> 00:09:25,868 WE'RE LOOKING FOR A LITTLE COUNTRY COTTAGE. 143 00:09:25,868 --> 00:09:28,133 YOU'LL BUY SOMETHING HUGE, I KNOW YOU WILL. 144 00:09:28,133 --> 00:09:30,234 YOU'LL BUY SOMETHING WE CAN'T AFFORD. 145 00:09:30,234 --> 00:09:33,000 WHAT HAVE I EVER PRESENTED YOU WITH THAT WE CAN'T AFFORD? 146 00:09:33,000 --> 00:09:36,067 WELL, SHERIDAN FOR A START. 147 00:09:40,567 --> 00:09:42,968 NOW WHAT ARE YOU DOING? 148 00:09:42,968 --> 00:09:45,634 I'M MAKING SURE THE COAST IS CLEAR. 149 00:09:45,634 --> 00:09:47,133 FOR WHAT? 150 00:09:47,133 --> 00:09:50,701 IF ANYONE SEES YOU, TELL THEM YOU'RE ON BUSINESS. 151 00:09:50,701 --> 00:09:52,434 WHY WOULD ANYONE EVEN BE INTERESTED? 152 00:09:52,434 --> 00:09:55,767 RICHARD! WITH A SECOND HOME IN THE OFFING, 153 00:09:55,767 --> 00:09:58,901 WE'RE BOUND TO BE THE CENTER OF ATTENTION. 154 00:10:07,367 --> 00:10:09,300 OFF YOU GO THEN, DEAR. 155 00:10:09,300 --> 00:10:11,400 AND DO BE CAREFUL WITH DADDY. 156 00:10:11,400 --> 00:10:14,300 HE'S NOT ACCUSTOMED TO BEING PICKED UP AT POLICE STATIONS. 157 00:10:16,667 --> 00:10:19,667 DO BE KIND TO DADDY. 158 00:10:19,667 --> 00:10:23,467 REMEMBER HIS TRACK RECORD IN BUDGERIGAR-SHOWING CIRCLES. 159 00:10:26,767 --> 00:10:29,367 OH, RICHARD? 160 00:10:29,367 --> 00:10:33,267 HAVEN'T YOU FORGOTTEN SOMETHING, DEAR? 161 00:10:36,634 --> 00:10:39,100 AND REMEMBER, IF ANYONE ASKS-- 162 00:10:39,100 --> 00:10:41,133 YOU'RE ON BUSINESS. 163 00:10:41,133 --> 00:10:43,901 DON'T BUY ANYTHING BIG. 164 00:10:43,901 --> 00:10:48,200 THINK SMALL AND POKEY, I LIKE SMALL AND POKEY. 165 00:10:49,767 --> 00:10:53,167 PSST! PSS-SST! 166 00:11:01,133 --> 00:11:02,901 WHAT'S WRONG NOW? 167 00:11:02,901 --> 00:11:06,067 YOU DON'T LOOK LIKE SOMEONE ON BUSINESS. 168 00:11:06,067 --> 00:11:07,534 YOU LOOK LIKE SOMEONE 169 00:11:07,534 --> 00:11:09,934 WHO'S GONE TO FETCH A DADDY FROM A POLICE STATION. 170 00:11:11,901 --> 00:11:15,367 TRY TO BE MORE CONVINCINGLY EXECUTIVE, RICHARD. 171 00:11:16,968 --> 00:11:19,501 ( whistling "Whistle While You Work" ) 172 00:11:28,934 --> 00:11:31,801 WHAT SORT OF PROPERTY ARE YOU INTERESTED IN, HYACINTH? 173 00:11:31,801 --> 00:11:34,400 JUST SOME QUIET LITTLE NOOK IN THE COUNTRY. 174 00:11:34,400 --> 00:11:37,868 - ISN'T RICHARD INTERESTED? - OH YES, HE'S VERY INTERESTED. 175 00:11:37,868 --> 00:11:41,133 HE WOULD'VE DRIVEN ME BUT HE'S GONE INTO TOWN ON BUSINESS. 176 00:11:41,133 --> 00:11:43,734 - SUDDEN BUSINESS? - YES, QUITE SUDDEN. 177 00:11:43,734 --> 00:11:46,267 EXECUTIVE BUSINESS. 178 00:11:46,267 --> 00:11:50,400 ABSOLUTELY INNOCENT, OF COURSE. TURN LEFT HERE, DEAR. 179 00:11:50,400 --> 00:11:53,634 YES, I ALWAYS TURN LEFT HERE. 180 00:11:59,100 --> 00:12:01,601 AND MIND THAT PEDESTRIAN. 181 00:12:01,601 --> 00:12:03,601 - IS THERE A PEDESTRIAN? 182 00:12:03,601 --> 00:12:07,100 - GOOD HEAVENS, ELIZABETH. CAN'T YOU SEE, DEAR? - THERE'S NO ONE IN THE ROAD. 183 00:12:07,100 --> 00:12:10,534 NOT IN THE ROAD-- ON THE PAVEMENT. 184 00:12:11,834 --> 00:12:14,868 I USUALLY MISS THE ONES ON THE PAVEMENT. 185 00:12:28,601 --> 00:12:30,634 RICHARD...? 186 00:12:33,901 --> 00:12:36,067 RICHARD! I THOUGHT IT WAS YOU. 187 00:12:36,067 --> 00:12:38,133 IT IS YOU, ISN'T IT? 188 00:12:38,133 --> 00:12:41,000 OH, EMMET! 189 00:12:41,000 --> 00:12:43,000 SHOULDN'T YOU BE OUT BUYING PROPERTY? 190 00:12:43,000 --> 00:12:45,501 I SHOULD, REALLY. HYACINTH GETS CARRIED AWAY. 191 00:12:45,501 --> 00:12:49,734 - SO WHY DIDN'T YOU GO? - I HAVE A LITTLE BUSINESS IN TOWN. 192 00:12:49,734 --> 00:12:52,167 - I'LL WALK WITH YOU. - OH GOOD. 193 00:12:52,167 --> 00:12:55,567 - Emmet: IS IT FAR? - FARTHER THAN I THOUGHT. 194 00:12:59,501 --> 00:13:01,534 LEFT HERE, DEAR. 195 00:13:01,534 --> 00:13:04,601 NO. AS YOU WERE, TURN RIGHT. 196 00:13:05,767 --> 00:13:07,901 ( blue car honking ) 197 00:13:17,434 --> 00:13:20,701 RICHARD! HOW ARE YOU, RICHARD? 198 00:13:20,701 --> 00:13:22,901 FINE, THANK YOU, ERIC. FINE. 199 00:13:22,901 --> 00:13:27,334 I THOUGHT IT WAS YOU FROM BEHIND. I RECOGNIZED THE WALK. 200 00:13:27,334 --> 00:13:29,834 I MUST SAY, I WOULD HAVE NEVER RECOGNIZED YOU FROM THE FRONT. 201 00:13:29,834 --> 00:13:32,734 OH, THESE! 202 00:13:32,734 --> 00:13:34,734 I'M JUST BREAKING THEM IN, 203 00:13:34,734 --> 00:13:37,968 IN CASE WE GO ON HOLIDAY SOMEWHERE HOT AND SUNNY. 204 00:13:37,968 --> 00:13:41,000 ARE YOU GOING ON HOLIDAY SOMEWHERE HOT AND SUNNY? 205 00:13:41,000 --> 00:13:44,000 NO, BUT YOU NEVER KNOW. 206 00:13:45,734 --> 00:13:49,868 - HOW IS HYACINTH? - ALL RIGHT, I THINK-- I HOPE. 207 00:13:49,868 --> 00:13:52,968 HOW ARE YOU COPING WITH THE TIME, RICHARD? 208 00:13:52,968 --> 00:13:55,567 WE OFTEN TALK ABOUT YOU AT THE CLUB. 209 00:13:55,567 --> 00:13:58,801 GLAD TO SEE THAT YOU SOMETIMES GET OUT ON YOUR OWN. 210 00:13:58,801 --> 00:14:02,234 IT'S FUNNY YOU SHOULD SAY THAT. SOMETIMES IT'S-- 211 00:14:02,234 --> 00:14:04,834 VERY DIFFICULT TO BE ON YOUR OWN, DON'T YOU FIND? 212 00:14:04,834 --> 00:14:08,234 NICE TO HAVE A BREAK FROM THE LITTLE WOMAN, I EXPECT? 213 00:14:08,234 --> 00:14:10,801 I'D RATHER BE WITH HER THIS MORNING. 214 00:14:12,834 --> 00:14:15,367 YOU'D RATHER BE WITH HER? 215 00:14:15,367 --> 00:14:17,567 SHE WORRIES ME WHEN SHE'S OUT ON HER OWN. 216 00:14:17,567 --> 00:14:19,701 SHE GETS CARRIED AWAY. 217 00:14:24,300 --> 00:14:26,701 - STOP! - ( tires screeching ) 218 00:14:26,701 --> 00:14:28,767 THAT WAS IT. 219 00:14:28,767 --> 00:14:31,133 WE PASSED IT. THAT'S IT. 220 00:14:32,734 --> 00:14:35,133 HYACINTH, IT'S ENORMOUS. ARE YOU SURE? 221 00:14:35,133 --> 00:14:38,667 OH YES, I HAVE A NOSE FOR THESE THINGS. 222 00:14:39,834 --> 00:14:43,501 LOOK-- IT SAYS, "MARSTON HALL." 223 00:14:43,501 --> 00:14:45,701 DOES THIS THING GO BACKWARDS? 224 00:14:45,701 --> 00:14:48,667 YES, OF COURSE! 225 00:14:48,667 --> 00:14:50,267 WELL, I GET OUT AND SEE YOU IN. 226 00:14:50,267 --> 00:14:52,334 NO, NO, HYACINTH, I CAN MANAGE. 227 00:14:52,334 --> 00:14:55,667 NO, DEAR, I'LL GUIDE YOU. 228 00:15:02,000 --> 00:15:03,801 ( tires screeching ) 229 00:15:06,968 --> 00:15:09,267 FAR TOO FAST. 230 00:15:09,267 --> 00:15:12,734 DOES YOUR WIFE APPROVE OF YOU DRIVING AT THAT SPEED? 231 00:15:14,634 --> 00:15:16,234 ( engine buzzes ) 232 00:15:16,234 --> 00:15:19,200 ( sighs ) 233 00:15:20,567 --> 00:15:22,467 WHAT WERE YOU DOING, WOMAN? 234 00:15:22,467 --> 00:15:26,501 I DON'T THINK I CARE FOR YOUR TONE. 235 00:15:42,067 --> 00:15:44,667 LOOK, ELIZABETH. LOOK. 236 00:15:44,667 --> 00:15:48,234 OH, HYACINTH, IT'S BEAUTIFUL. 237 00:15:50,234 --> 00:15:54,033 I COULD LIVE THERE. 238 00:15:54,033 --> 00:15:56,567 YOU MUST COME AND VISIT US, ELIZABETH. 239 00:15:56,567 --> 00:15:59,267 TAKE TEA ON THE TERRACE. 240 00:15:59,267 --> 00:16:03,334 OH, YES. I SHALL LIKE IT HERE. 241 00:16:03,334 --> 00:16:07,701 ONE'S SPIRIT WILL EXPAND. 242 00:16:08,701 --> 00:16:11,300 DRIVE ON, ELIZABETH. 243 00:16:12,868 --> 00:16:15,534 Hyacinth: LET'S GO AND FIND THE MAIN ENTRANCE. 244 00:16:15,534 --> 00:16:18,234 IT'S BOUND TO HAVE MORE THAN ONE. 245 00:16:19,434 --> 00:16:21,567 THERE'S A GOOD DADDY. 246 00:16:21,567 --> 00:16:24,400 DON'T FORGET THIS, SIR. IT'S NOT LOADED. 247 00:16:27,667 --> 00:16:29,701 AND, THIS! 248 00:16:31,667 --> 00:16:33,667 DON'T! 249 00:16:33,667 --> 00:16:36,767 DON'T YOU EVEN THINK ABOUT IT. 250 00:16:36,767 --> 00:16:38,901 - Richard: GOODBYE. - GOODBYE, SIR. 251 00:16:38,901 --> 00:16:42,400 - ( phone rings ) - POLICE STATION, SERGEANT WATKINS. 252 00:16:47,968 --> 00:16:50,400 IT'S FOR YOU, SIR. 253 00:16:53,667 --> 00:16:55,667 FOR ME? 254 00:16:57,501 --> 00:16:59,534 HELLO? 255 00:16:59,534 --> 00:17:03,267 OH, HYACINTH, YOU SHOULDN'T BE RINGING ME HERE. 256 00:17:03,267 --> 00:17:06,901 YOU FOUND IT? WHAT HAVE YOU FOUND? 257 00:17:06,901 --> 00:17:10,534 OH, THE HOUSE. OH, LISTEN, HYACINTH, 258 00:17:10,534 --> 00:17:13,667 DON'T SIGN ANYTHING UNTIL I GET THERE. 259 00:17:13,667 --> 00:17:15,667 ( nervous chuckle ) 260 00:17:18,467 --> 00:17:21,400 YES, I'VE GOT YOUR FATHER, HE'S HERE. 261 00:17:21,400 --> 00:17:23,701 WHAT? OH, I'M SORRY, DADDY, NO. 262 00:17:23,701 --> 00:17:26,400 APPARENTLY, I SHOULDN'T HAVE TOLD YOU HE'S HERE. 263 00:17:26,400 --> 00:17:30,734 HE'S AFRAID I'VE GIVEN HIS POSITION AWAY TO THE ENEMY. 264 00:17:30,734 --> 00:17:34,567 YES, I'LL TAKE DADDY HOME, AND MEET YOU AT THIS PLACE YOU'VE FOUND. 265 00:17:34,567 --> 00:17:37,767 NOW, WHAT'S THE ADDRESS? JUST A MINUTE, HYACINTH. 266 00:17:37,767 --> 00:17:41,300 OH, THANK YOU. THANK YOU. 267 00:17:41,300 --> 00:17:45,200 HELLO. THANK YOU VERY MUCH. 268 00:17:45,200 --> 00:17:49,300 YES HYACINTH, YES. ER, "MARSTON HALL." 269 00:17:49,300 --> 00:17:52,400 HMM. YES... 270 00:17:52,400 --> 00:17:55,968 HYACINTH, THIS SOUNDS LIKE A VERY EXPENSIVE ADDRESS. 271 00:17:59,234 --> 00:18:01,267 Hyacinth: I LIKE IT. 272 00:18:01,267 --> 00:18:03,267 IT'S VERY GRAND. 273 00:18:03,267 --> 00:18:06,033 ME. 274 00:18:06,033 --> 00:18:09,033 THE PERFECT SETTING FOR MY CANDLELIGHT SUPPERS 275 00:18:09,033 --> 00:18:12,300 WITH FULL SILVER SERVICE AND HAND-THROWN AFTER-DINNER MINTS. 276 00:18:14,434 --> 00:18:18,200 IT'S A PLACE I'D HATE TO SPILL COFFEE IN. 277 00:18:18,200 --> 00:18:23,467 YOU KNOW, I THINK THE BEST VIEW WAS AS WE CAME DOWN THE DRIVE. 278 00:18:24,467 --> 00:18:26,868 TAKE ME THERE, ELIZABETH. 279 00:18:28,133 --> 00:18:31,400 I'D LIKE TO SEE IT FROM THAT ANGLE AGAIN. 280 00:18:42,167 --> 00:18:44,801 Hyacinth: I SHALL GET SHERIDAN TO PAINT A PICTURE. 281 00:18:44,801 --> 00:18:48,667 HE'S VERY TALENTED WITH A SMALL HORSEHAIR BRUSH. 282 00:18:48,667 --> 00:18:52,901 I THINK JUST A LITTLE FURTHER, ELIZABETH, ABOUT... 283 00:18:54,100 --> 00:18:56,601 HERE! YES. STOP. 284 00:19:05,234 --> 00:19:07,868 OH, YES! 285 00:19:07,868 --> 00:19:11,033 I SHALL COME HERE FREQUENTLY, TO LOOK. 286 00:19:11,033 --> 00:19:13,734 IT IS BEAUTIFUL. 287 00:19:13,734 --> 00:19:17,300 AND IF WE WALK ACROSS THIS PARKLAND HERE, 288 00:19:17,300 --> 00:19:19,968 I EXPECT IT LOOKS EVEN MORE SPECTACULAR. 289 00:19:19,968 --> 00:19:22,000 COME ALONG, ELIZABETH. 290 00:19:22,000 --> 00:19:25,000 BUT-- WHAT ABOUT THE CAR? 291 00:19:25,000 --> 00:19:28,133 OH, NEVER MIND THE CAR. 292 00:19:28,133 --> 00:19:30,167 IF I'M GOING TO BUY THE PLACE, 293 00:19:30,167 --> 00:19:33,234 I'M SURELY ENTITLED TO LEAVE THE CAR WHERE I LIKE. 294 00:19:42,033 --> 00:19:44,767 NEARLY OFF-DUTY, DADDY. 295 00:19:47,567 --> 00:19:49,601 ( thunder rumbles ) 296 00:19:57,367 --> 00:20:00,234 ( softly ) DOWN. DOWN! 297 00:20:06,167 --> 00:20:07,868 ( thunder continues ) 298 00:20:07,868 --> 00:20:09,934 HOLD. 299 00:20:10,934 --> 00:20:12,968 RIGHT. COME ON! 300 00:20:18,334 --> 00:20:21,434 - RIGHT, RIGHT HERE. - RIGHT HERE. 301 00:20:37,801 --> 00:20:41,000 ( loud thunderclap ) 302 00:20:42,934 --> 00:20:45,934 Richard: THAT WAS PRETTY EFFECTIVE. 303 00:20:48,667 --> 00:20:52,767 OH, I CAN'T WAIT TO GET INSIDE AND HAVE A LOOK AROUND. 304 00:20:52,767 --> 00:20:55,501 THE AGENT SAID SHE'D BE HERE AT 11:30. 305 00:20:55,501 --> 00:20:57,501 PERHAPS YOU WON'T LIKE THE INSIDE. 306 00:20:57,501 --> 00:20:59,701 I SHALL LOVE IT. 307 00:21:01,300 --> 00:21:04,334 Hyacinth: OH, I SHALL BE VERY HAPPY HERE. 308 00:21:04,334 --> 00:21:06,334 Elizabeth: YOU'VE MADE YOUR DECISION, THEN? 309 00:21:06,334 --> 00:21:08,400 Hyacinth: I THINK SO, ELIZABETH. 310 00:21:08,400 --> 00:21:11,167 IT'S VERY SUITABLE FOR ENTERTAINING, YOU SEE. 311 00:21:11,167 --> 00:21:13,167 I SHALL BE A BEACON 312 00:21:13,167 --> 00:21:16,400 FOR THE BEST IN HOSPITALITY FOR MILES AROUND. 313 00:21:22,534 --> 00:21:26,000 PERHAPS THIS IS THE AGENT NOW. COME ON. 314 00:21:27,067 --> 00:21:29,167 MRS. BUCKET? 315 00:21:30,501 --> 00:21:32,501 IT'S "BOUQUET." 316 00:21:32,501 --> 00:21:34,734 OH... 317 00:21:34,734 --> 00:21:36,734 I'M SORRY I'M LATE. 318 00:21:36,734 --> 00:21:39,334 SOME FOOL HAS LEFT A CAR BLOCKING THE BRIDGE. 319 00:21:39,334 --> 00:21:42,200 ARE YOU AUTHORIZED TO GAIN ENTRANCE? 320 00:21:42,200 --> 00:21:45,000 YES, EVERYTHING IS IN HERE. 321 00:21:45,000 --> 00:21:47,067 GOOD. AFTER YOU, THEN. 322 00:21:47,067 --> 00:21:49,167 I'LL JUST GO AND MOVE THE CAR. 323 00:21:49,167 --> 00:21:52,534 IT MIGHT BE BEST, DEAR. IT WAS A SILLY PLACE TO LEAVE IT. 324 00:21:56,067 --> 00:21:59,767 SORRY TO RUSH OFF. I'VE GOT TO MEET HYACINTH IN THE COUNTRY. 325 00:22:01,300 --> 00:22:03,300 BYE! 326 00:22:03,300 --> 00:22:06,367 HIS CAR WON'T START. 327 00:22:10,834 --> 00:22:13,367 AND THIS IS KNOWN AS THE "LAKE ROOM." 328 00:22:13,367 --> 00:22:15,067 OH... 329 00:22:15,067 --> 00:22:18,167 WHAT A LOVELY VIEW. 330 00:22:18,167 --> 00:22:20,167 IT THAT A RIVER OUT THERE? 331 00:22:20,167 --> 00:22:22,467 IT'S A LAKE. 332 00:22:22,467 --> 00:22:24,067 REALLY? 333 00:22:24,067 --> 00:22:29,300 THE MAN IN THE WHEELCHAIR IS SIR EDWARD. YOU'LL BE NEIGHBORS. 334 00:22:29,300 --> 00:22:33,634 NEIGHBORS! 335 00:22:33,634 --> 00:22:37,400 SIR EDWARD, WE ARE TO BE NEIGHBORS. I'M HYACINTH "BOUQUET." 336 00:22:37,400 --> 00:22:40,601 ( loudly ) MIND THE FOOT! DO MIND THE FOOT. 337 00:22:40,601 --> 00:22:44,334 - SIR EDWARD HAS VERY PAINFUL GOUT. - GOUT? 338 00:22:44,334 --> 00:22:48,234 ONE OF THE FAVORITE AILMENTS OF THE UPPER CLASSES. 339 00:22:48,234 --> 00:22:50,367 MIND THE FOOT! 340 00:22:50,367 --> 00:22:52,901 YOU MUST BE ONE OF THE FIRST 341 00:22:52,901 --> 00:22:55,267 OF MY EVENING SOIREES, SIR EDWARD. 342 00:22:58,334 --> 00:23:01,501 WHAT KIND OF PLACE IS THIS THAT OUR HYACINTH IS BUYING? 343 00:23:01,501 --> 00:23:04,300 I'VE NO IDEA, BUT I HOPE IT'S SMALL. 344 00:23:04,300 --> 00:23:08,067 I WOULDN'T BET ON IT. OUR HYACINTH IS NOT VERY BIG ON SMALL. 345 00:23:11,000 --> 00:23:14,467 DON'T JUST SIT THERE GRINNING LIKE THAT, FATHER, 346 00:23:14,467 --> 00:23:16,901 TELL RICHARD WHAT YOU DID TO HIS CAR. 347 00:23:16,901 --> 00:23:19,100 SO IT WOULDN'T START. 348 00:23:19,100 --> 00:23:23,033 HE TOOK OUT THE ROTOR ARM. HE ALWAYS TAKES OUT THE ROTOR ARM. 349 00:23:23,033 --> 00:23:25,968 IT'S WHAT THEY USED TO DO TO DISABLE CARS IN THE WAR. 350 00:23:28,000 --> 00:23:30,567 WHAT HAVE YOU DONE WITH RICHARD'S ROTOR ARM? 351 00:23:30,567 --> 00:23:32,634 HE THROWS THEM AWAY-- 352 00:23:32,634 --> 00:23:36,667 SO NOTHING FALLS INTO THE HANDS OF THE ENEMY. 353 00:23:36,667 --> 00:23:39,901 ( sigh ) IT'S VERY KIND OF YOU TO GIVE ME A LIFT. 354 00:23:39,901 --> 00:23:41,934 NO PROBLEM. 355 00:23:41,934 --> 00:23:45,300 ANYWAY, I'M DYING TO SEE WHAT HYACINTH IS BUYING. 356 00:23:45,300 --> 00:23:47,934 YOU'RE NOT THE ONLY ONE. 357 00:23:47,934 --> 00:23:52,868 OH, AND THIS IS SHERIDAN, SIR EDWARD, 358 00:23:52,868 --> 00:23:55,534 IN COSTUME FOR HIS FIRST SCHOOL PLAY. 359 00:23:55,534 --> 00:23:57,534 HE PLAYED A DAFFODIL. 360 00:23:57,534 --> 00:24:01,400 EVERYBODY AGREED HE WAS ENORMOUSLY CONVINCING. 361 00:24:03,968 --> 00:24:06,968 OH AND HERE'S SHERIDAN AGAIN. 362 00:24:08,267 --> 00:24:12,033 STOP! THAT'S IT! 363 00:24:12,033 --> 00:24:15,267 CAN'TBE IT. 364 00:24:17,934 --> 00:24:21,467 ACCORDING TO HYACINTH'S DIRECTIONS, THAT MUST BE IT. 365 00:24:23,067 --> 00:24:25,334 THERE'S ONE WAY TO FIND OUT. 366 00:24:29,934 --> 00:24:33,234 MAYBE THERE'S A SMALL COTTAGE IN THE GROUNDS. 367 00:24:33,234 --> 00:24:35,767 OH, THAT MUST BE IT. 368 00:24:35,767 --> 00:24:38,367 YEAH, THERE'D BE A SMALL COTTAGE IN THE GROUNDS. 369 00:24:48,267 --> 00:24:51,501 PLENTY OF OPEN SPACE TO RAISE A FAMILY IN. 370 00:24:52,567 --> 00:24:54,934 SHE'S GETTING "BROODY" AGAIN. 371 00:25:02,067 --> 00:25:04,701 I'M AWFULLY SORRY ABOUT BLOCKING THE ROAD EARLIER, 372 00:25:04,701 --> 00:25:06,133 IT WASN'T ENTIRELY MY FAULT. 373 00:25:06,133 --> 00:25:08,634 I CAN BELIEVE THAT. 374 00:25:08,634 --> 00:25:10,767 FRIEND OF YOURS, IS SHE? 375 00:25:10,767 --> 00:25:14,534 - SHE'S MY NEIGHBOR. - YOU POOR THING! 376 00:25:14,534 --> 00:25:16,534 ( Sir Edward shouting ) 377 00:25:16,534 --> 00:25:18,434 YOU NEEDN'T WHEEL ME, I CAN MANAGE. 378 00:25:18,434 --> 00:25:21,834 NONSENSE, SIR EDWARD. WHAT ARE NEIGHBORS FOR? 379 00:25:21,834 --> 00:25:23,834 I WANT YOU TO MEET MY HUSBAND. 380 00:25:23,834 --> 00:25:25,834 HE'LL BE ALONG, MOMENTARILY. 381 00:25:25,834 --> 00:25:28,100 ( musical car honk ) 382 00:25:28,100 --> 00:25:30,868 OH NO! 383 00:25:30,868 --> 00:25:33,334 Sir Edward: WHAT THE HELL'S--? 384 00:25:34,334 --> 00:25:36,334 WHAT ARE YOU DOING, WOMAN? 385 00:25:46,667 --> 00:25:48,734 ( sniffs ) 386 00:25:53,934 --> 00:25:56,067 HELLO, RICHARD. 387 00:25:57,234 --> 00:26:00,601 TELL ME SHE HASN'T SIGNED ANYTHING. 388 00:26:00,601 --> 00:26:02,767 SHE HAS, ACTUALLY. 389 00:26:06,634 --> 00:26:08,834 FOR THIS? 390 00:26:08,834 --> 00:26:10,934 IT'S ONLY A FLAT, RICHARD. 391 00:26:10,934 --> 00:26:14,200 THE PLACE IS SUBDIVIDED INTO APARTMENTS. 392 00:26:14,200 --> 00:26:17,868 SHE HASN'T BOUGHT THE WHOLE HOUSE. 393 00:26:17,868 --> 00:26:20,834 ONEFLAT? 394 00:26:20,834 --> 00:26:23,167 RICHARD! 395 00:26:24,501 --> 00:26:26,601 EXCUSE ME. 396 00:26:31,701 --> 00:26:34,701 RICHARD, I EXPECTED YOU TO COME ON YOUR OWN. 397 00:26:34,701 --> 00:26:38,234 YOUR FATHER STOLE MY ROTOR ARM. 398 00:26:38,234 --> 00:26:41,334 I'M SURE DADDY WOULDN'T STEAL YOUR ROTOR ARM. 399 00:26:41,334 --> 00:26:43,400 HE PROBABLY HAD INSTRUCTIONS 400 00:26:43,400 --> 00:26:45,601 TO COMMANDEER IT FOR MILITARY PURPOSES. 401 00:26:47,167 --> 00:26:49,801 THE BUILDING DATES FROM 1577, 402 00:26:49,801 --> 00:26:52,400 AND IT IS SAID THAT QUEEN ELIZABETH I... 403 00:26:52,400 --> 00:26:54,434 RICHARD. YOU'LL LOVE OUR FLAT. 404 00:26:54,434 --> 00:26:59,133 BUT WE HAVE SOME SPLENDID NEIGHBORS. 405 00:26:59,133 --> 00:27:02,467 ( screams ) 406 00:27:02,467 --> 00:27:04,734 RICHARD! RICHARD, DO SOMETHING. 407 00:27:04,734 --> 00:27:07,300 DADDY IS ABOUT TO PREJUDICE OUR LEASE. 408 00:27:07,300 --> 00:27:09,434 COME ALONG! 409 00:27:10,701 --> 00:27:13,000 Hyacinth: DADDY! DADDY! 410 00:27:13,000 --> 00:27:15,033 GO AWAY, YOU MADMAN! 411 00:27:15,033 --> 00:27:17,367 HE DOESN'T MEAN ANY HARM. 412 00:27:18,767 --> 00:27:20,968 I LIKE THE COUNTRY. 413 00:27:20,968 --> 00:27:23,167 THERE'S NEVER A DULL MOMENT. 414 00:27:25,000 --> 00:27:27,567 OH! 415 00:27:27,567 --> 00:27:29,834 ( theme music playing ) 0 00:00:0,500 --> 00:00:2,00 www.tvsubtitles.net 30760