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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,767 --> 00:00:05,868 ( theme music playing ) 2 00:00:41,467 --> 00:00:44,834 I KNOW I'M NOT ENCOURAGED TO HAVE AN INQUIRING MIND, 3 00:00:44,834 --> 00:00:47,734 BUT WHY ARE WE GOING TO WHEREVER I'M TAKING YOU? 4 00:00:48,734 --> 00:00:50,934 OUR DESTINATION 5 00:00:50,934 --> 00:00:53,901 IS THE MANOR HOUSE FUNCTION ROOMS IN MORTON ROAD. 6 00:00:53,901 --> 00:00:55,834 I HAVE TO SEE TO THE ARRANGEMENTS 7 00:00:55,834 --> 00:00:59,767 FOR TODAY'S LADIES' LUNCHEON CLUB. THEY RELY ON ME SO. 8 00:01:01,234 --> 00:01:03,434 DOES THAT MEAN YOU WON'T BE AT HOME FOR LUNCH? 9 00:01:03,434 --> 00:01:07,400 ( chuckles ) OF COURSE, I WON'T BE AT HOME FOR LUNCH, DEAR. 10 00:01:07,400 --> 00:01:10,000 WE HAVE A SPECIAL SPEAKER TODAY. 11 00:01:10,000 --> 00:01:12,968 YOU'LL HAVE TO MANAGE ON YOUR OWN, FOR ONCE. 12 00:01:12,968 --> 00:01:15,968 ( whistling ) 13 00:01:17,868 --> 00:01:22,667 THE MOLECULAR BIOLOGIST WILL TELL YOU THAT 98% OF OUR GENES, 14 00:01:22,667 --> 00:01:27,200 ARE IDENTICAL TO THOSE OF MONKEYS. 15 00:01:27,200 --> 00:01:30,400 LESS THAN 2% ARE SPECIFICALLY HUMAN. 16 00:01:30,400 --> 00:01:33,968 SO? 17 00:01:33,968 --> 00:01:38,267 SO WHY DO I WAKE UP CRAVING FOR A FAG AND NOT A BANANA? 18 00:01:40,567 --> 00:01:43,801 YOU'VE BEEN WATCHING "OPEN UNIVERSITY" AGAIN. 19 00:01:43,801 --> 00:01:46,868 IT BROADENS YOUR INTELLECTUAL HORIZONS. 20 00:01:46,868 --> 00:01:48,934 THAT'S TRUE. 21 00:01:48,934 --> 00:01:53,100 IF IT WASN'T FOR YOUR HANDICAP, YOU'D HAVE GONE FAR. 22 00:01:54,234 --> 00:01:56,100 WHAT HANDICAP? 23 00:01:56,100 --> 00:01:59,767 BONE-IDLENESS. 24 00:01:59,767 --> 00:02:04,100 THAT'S NOT A HANDICAP. IT'S A PHILOSOPHICAL POSITION. 25 00:02:04,100 --> 00:02:08,200 I'M MAKING A STATEMENT. 26 00:02:08,200 --> 00:02:10,901 I WISH YOU WOULDN'T LIE THERE LOOKING CRIMINALLY ATTRACTIVE, 27 00:02:10,901 --> 00:02:14,767 WHEN I'M READING A PASSIONATE LOVE STORY. 28 00:02:14,767 --> 00:02:17,801 RIGHT. WELL, I CAN'T STAY HERE ALL DAY. 29 00:02:19,601 --> 00:02:22,634 NOW, IT'S ABSOLUTELY ESSENTIAL 30 00:02:22,634 --> 00:02:24,901 THAT EVERYTHING SHOULD GO SMOOTHLY. 31 00:02:24,901 --> 00:02:27,167 WE'RE VERY FORTUNATE TO HAVE TODAY'S SPEAKER. 32 00:02:27,167 --> 00:02:31,968 THE COMMODORE IS AN INTERNATIONALLY FAMOUS ROUND-THE-WORLD YACHTSMAN. 33 00:02:31,968 --> 00:02:35,367 WHODRINKS? 34 00:02:35,367 --> 00:02:38,367 - THE COMMODORE. - WHERE DID YOU HEAR THIS? 35 00:02:38,367 --> 00:02:42,334 AT THE TIME OF THAT SCANDAL THAT LED TO HIS DIVORCE. 36 00:02:42,334 --> 00:02:45,601 OH YES, APPARENTLY HE DOES LIKE THE LADIES. 37 00:02:45,601 --> 00:02:48,234 WELL, YOU KNOW WHAT SAILORS ARE. 38 00:02:48,234 --> 00:02:50,367 NOT PERSONALLY, NO. 39 00:02:50,367 --> 00:02:54,567 I'M AFRAID IT'S PROBABLY A BIT LATE TO BEGIN REMEDYING THAT. 40 00:02:56,968 --> 00:03:00,300 IT SHOULD BE ALL RIGHT, AS LONG AS WE KEEP HIM AWAY FROM THE BRANDY. 41 00:03:00,300 --> 00:03:02,434 ( laughter ) 42 00:03:02,434 --> 00:03:06,467 I EXPECT IT'S ALL BEEN GROSSLY EXAGGERATED. YOU KNOW HOW THE PAPERS ARE. 43 00:03:06,467 --> 00:03:10,334 Hello! 44 00:03:10,334 --> 00:03:12,901 THE BUCKET WOMAN! 45 00:03:19,734 --> 00:03:22,534 GOODNESS ME! NOT EVEN A QUARTUM. 46 00:03:22,534 --> 00:03:25,434 HOW VERY FORTUNATE I DROPPED IN. 47 00:03:29,667 --> 00:03:32,634 ( classical music playing ) 48 00:03:34,968 --> 00:03:39,467 AND THAT'S SHERIDAN IN HIS SCOUT UNIFORM. 49 00:03:39,467 --> 00:03:42,834 HE MADE HIS MOMMY A LOVELY FIRE IN THE GARDEN. 50 00:03:42,834 --> 00:03:45,234 SINGLE-HANDEDLY AND WITH ONE MATCH, 51 00:03:45,234 --> 00:03:47,801 HE COMPLETELY DESTROYED THE POTTING SHED. 52 00:03:47,801 --> 00:03:49,601 FASCINATING! 53 00:03:49,601 --> 00:03:53,667 - NOW... - OF COURSE, I'D LOVE TO STAY ALL DAY, 54 00:03:53,667 --> 00:03:57,234 BUT I HAVE TO FIND A VOLUNTEER TO COLLECT TODAY'S SPEAKER FROM THE STATION. 55 00:03:57,234 --> 00:04:00,567 HMM? LOOK NO FURTHER, MISS WILKINSON. 56 00:04:00,567 --> 00:04:03,667 I SHALL ATTEND TO THE COMMODORE PERSONALLY. 57 00:04:03,667 --> 00:04:06,200 OH, I'M SURE WE NEEDN'T BOTHER YOU, MRS. BUCK-- 58 00:04:07,200 --> 00:04:08,934 "BOUQUET." 59 00:04:08,934 --> 00:04:10,634 LEAVE IT TO ME. 60 00:04:10,634 --> 00:04:15,133 I SHALL TAKE THE COMMODORE UNDER MY WING. 61 00:04:15,133 --> 00:04:18,501 MY HUSBAND AND I GO BOATING OCCASIONALLY. 62 00:04:18,501 --> 00:04:23,334 IT WILL BE VERY COMFORTING FOR THE COMMODORE TO MEET WITH HIS OWN KIND. 63 00:04:25,434 --> 00:04:28,534 "AND GOD BLESS ALL WHO SAIL IN HER." 64 00:04:37,067 --> 00:04:38,868 GOOD MORNING, ELIZABETH. 65 00:04:41,133 --> 00:04:43,133 MORNING, HYACINTH. 66 00:04:43,133 --> 00:04:46,200 SHALL YOU BE WITH US AT THE LADIES' LUNCHEON TODAY? 67 00:04:46,200 --> 00:04:49,234 OH YES, I'M LOOKING FORWARD TO THE SPEAKER. 68 00:04:49,234 --> 00:04:51,434 I'VE JUST COME FROM THERE NOW. 69 00:04:51,434 --> 00:04:53,801 I WANTED TO MAKE SURE THAT ALL THE ARRANGEMENTS 70 00:04:53,801 --> 00:04:55,767 WERE PROCEEDING SATISFACTORILY. 71 00:04:55,767 --> 00:04:57,734 I THOUGHT THE COMMITTEE DID THAT. 72 00:04:57,734 --> 00:04:59,934 ( laughs ) 73 00:04:59,934 --> 00:05:02,200 GOOD HEAVENS, NO. 74 00:05:02,200 --> 00:05:05,701 ONE CAN'T LEAVE THAT SORT OF THING TO COMMITTEES. 75 00:05:05,701 --> 00:05:09,300 NO. THEY NEED MY INFLUENTIAL INPUT. 76 00:05:12,267 --> 00:05:14,801 ( racing commentator speaking on TV ) 77 00:05:17,367 --> 00:05:20,868 ( loudly ) I'M OFF TO WORK, THEN. 78 00:05:23,234 --> 00:05:26,234 DON'T DISTURB YOURSELVES. 79 00:05:26,234 --> 00:05:28,701 ( volume increases ) 80 00:05:30,667 --> 00:05:36,267 GRINDING LABOR... 81 00:05:41,167 --> 00:05:44,234 SELLING JEWELRY DOOR TO DOOR, 82 00:05:44,234 --> 00:05:47,334 TO MAKE A LIVING! 83 00:05:50,534 --> 00:05:53,634 ( yells ) I'M GOING THEN! 84 00:05:53,634 --> 00:05:55,868 LUGGING A SAMPLE CASE-- 85 00:05:55,868 --> 00:05:59,567 HIGHHEELS. 86 00:05:59,567 --> 00:06:02,167 DON'T WEAR HIGH HEELS. 87 00:06:02,167 --> 00:06:04,501 ALL I'VE GOT IS HIGH HEELS. 88 00:06:04,501 --> 00:06:07,767 WHAT I REALLY NEED IS TRANSPORT. 89 00:06:07,767 --> 00:06:10,434 IF I HAD TRANSPORT, 90 00:06:10,434 --> 00:06:12,234 A DRIVER-- TO RUN ME AROUND, 91 00:06:12,234 --> 00:06:16,934 I COULD DRAMATICALLY INCREASE THE RANGE OF MY EARNING POWER. 92 00:06:16,934 --> 00:06:19,300 WHAT ABOUT ONE OF YOUR BOYFRIENDS? 93 00:06:19,300 --> 00:06:22,167 ALL THEY WANT TO DO IS MESS ABOUT. 94 00:06:22,167 --> 00:06:24,567 ( giggles ) I'M A WORKING GIRL. 95 00:06:24,567 --> 00:06:26,567 I HAVEN'T TIME FOR MESSING ABOUT. 96 00:06:26,567 --> 00:06:30,734 I REMEMBER WHEN WE USED TO MESS ABOUT. 97 00:06:31,868 --> 00:06:34,200 I'LL GET THE CAR. 98 00:06:41,234 --> 00:06:45,334 WHEN WE BRING THE COMMODORE HERE FOR A SHERRY ON THE WAY TO THE LUNCHEON, 99 00:06:45,334 --> 00:06:48,701 I SHALL USE OUR "GOLDEN GALLEON" GLASSES, 100 00:06:48,701 --> 00:06:52,968 THE ONES WE WERE GIVEN WHEN WE WERE INVITED ON BOARD "THE MARY-ROSE." 101 00:06:52,968 --> 00:06:56,267 WE DIDN'T GO ON BOARD. 102 00:06:56,267 --> 00:06:59,801 WE BOUGHT TICKETS TO SEE WHAT'S LEFT OF THE HULL. 103 00:06:59,801 --> 00:07:03,100 DON'T BE PEDANTIC, RICHARD. 104 00:07:03,100 --> 00:07:07,000 ANYWAY, THAT'S WHERE WE ACQUIRED THE "GOLDEN GALLEON" GLASSES. 105 00:07:07,000 --> 00:07:08,801 AT "THE MARY-ROSE." 106 00:07:08,801 --> 00:07:11,734 ACTUALLY, WE BOUGHT THEM IN A CHARITY CAR-BOOT SALE, 107 00:07:11,734 --> 00:07:14,000 AROUND THE BACK OF PORTSMOUTH GASWORKS. 108 00:07:15,534 --> 00:07:17,634 WE DID. 109 00:07:17,634 --> 00:07:19,968 WELL, THE COMMODORE WON'T KNOW THAT, DEAR. 110 00:07:20,968 --> 00:07:22,601 ( spray can hisses ) 111 00:07:22,601 --> 00:07:24,701 DON'T FORGET, RICHARD-- 112 00:07:24,701 --> 00:07:26,701 IF THERE'S A LULL IN THE CONVERSATION, 113 00:07:26,701 --> 00:07:28,734 YOU CAN SHOW HIM OUR BOATING PICTURES. 114 00:07:28,734 --> 00:07:31,033 OH, HYACINTH! 115 00:07:31,033 --> 00:07:34,734 ONE AFTERNOON, WE WENT ON THE RIVER, AND YOU FELL IN. 116 00:07:34,734 --> 00:07:36,133 OH, RICHARD! 117 00:07:36,133 --> 00:07:39,033 WHY ARE YOU BRINGING HIM HERE AT ALL? 118 00:07:39,033 --> 00:07:42,100 TO GIVE THE MAN A LITTLE CONVIVIAL HOSPITALITY 119 00:07:42,100 --> 00:07:45,000 PRIOR TO THE OFFICIAL LUNCHEON. 120 00:07:45,000 --> 00:07:47,133 OH, I OUGHT TO INVITE A FEW FRIENDS IN, 121 00:07:47,133 --> 00:07:49,267 TO MEET THE CELEBRATED OLD SEA DOG. 122 00:07:49,267 --> 00:07:51,300 ( birds chirping ) 123 00:08:04,767 --> 00:08:08,234 * OH, LET'S HAVE A LITTLE SHERRY * 124 00:08:08,234 --> 00:08:11,167 * IF WE'RE GOING TO SEA. * 125 00:08:11,167 --> 00:08:13,934 COFFEE IN 10 MINUTES, EMMET. BRING ELIZABETH. 126 00:08:13,934 --> 00:08:18,300 YOU MUST BOTH COME AND HEAR MY VERY IMPORTANT PLANS FOR THE COMMODORE. 127 00:08:26,300 --> 00:08:28,934 SHALL WE PUT A FEW FLAGS OUT? 128 00:08:31,467 --> 00:08:33,901 DON'T NAVAL PERSONNEL LIKE A FEW FLAGS? 129 00:08:36,634 --> 00:08:39,801 HAVE WE GOT ANY FLAGS? 130 00:08:39,801 --> 00:08:42,267 WE HAVE A CHINESE ONE, DEAR. 131 00:08:43,267 --> 00:08:45,467 REMEMBER, WE USED IT 132 00:08:45,467 --> 00:08:47,467 WHEN I SANG A LITTLE SOMETHING FROM "THE KING AND I"? 133 00:08:49,300 --> 00:08:52,100 SIAM? 134 00:08:52,100 --> 00:08:54,767 WELL, WE DIDN'T HAVE A SIAMESE FLAG, DID WE? 135 00:08:54,767 --> 00:08:58,033 I FELT CHINESE WAS CLOSE ENOUGH. 136 00:08:58,033 --> 00:09:01,801 WHAT WAS THE NUMBER I SANG? HOW DID IT GO? 137 00:09:03,767 --> 00:09:06,067 OH, I REMEMBER-- 138 00:09:06,067 --> 00:09:08,334 * HAP, HAP-HAP, HAP-HAP-HAP * 139 00:09:08,334 --> 00:09:10,968 * HAPPY TALK! * 140 00:09:16,133 --> 00:09:18,367 ( singing loudly ) * TALK ABOUT THINGS * 141 00:09:18,367 --> 00:09:22,601 * YOU LIKE TO DO-OO... * 142 00:09:23,934 --> 00:09:26,634 THAT WAS "SOUTH PACIFIC." 143 00:09:29,467 --> 00:09:31,601 ( stammers ) F-FOR THE COMMODORE, 144 00:09:31,601 --> 00:09:34,133 I'M NOT SURE THAT THE CHINESE FLAG 145 00:09:34,133 --> 00:09:36,200 STRIKES QUITE THE RIGHT NOTE. 146 00:09:36,200 --> 00:09:39,767 THAT'S NOT THE ONLY THING THAT DOESN'T STRIKE THE RIGHT NOTE. 147 00:09:39,767 --> 00:09:41,033 SHH. 148 00:09:41,033 --> 00:09:43,734 AND YOU MUST REMEMBER SOME SEA STORIES, RICHARD. 149 00:09:43,734 --> 00:09:46,133 WHY SHOULD I KNOW ANY SEA STORIES? 150 00:09:46,133 --> 00:09:49,133 RICHARD, YOU ARE BRITISH AND THE SEA IS IN YOUR BLOOD. 151 00:09:49,133 --> 00:09:51,067 BISCUIT? 152 00:09:51,067 --> 00:09:53,734 OH, THANK YOU. 153 00:09:53,734 --> 00:09:56,567 OH! NO DOILY! 154 00:10:05,701 --> 00:10:11,000 NOW... WHAT DO YOU THINK WOULD MAKE THE COMMODORE FEEL REALLY AT HOME? 155 00:10:11,000 --> 00:10:13,033 I KNOW. 156 00:10:13,033 --> 00:10:15,834 EMMET, YOU CAN PLAY, 157 00:10:15,834 --> 00:10:18,400 AND WE'LL ALL SING SEA SHANTYS. 158 00:10:18,400 --> 00:10:20,534 ( crashes ) 159 00:10:21,767 --> 00:10:23,834 ELIZAB-- 160 00:10:28,501 --> 00:10:30,601 REALLY, I'M TERRIBLY SORRY, HYACINTH. 161 00:10:30,601 --> 00:10:33,501 NOW PLEASE, THINK NO MORE ABOUT IT, EMMET. 162 00:10:33,501 --> 00:10:36,067 THESE ACCIDENTS WILL HAPPEN. 163 00:10:36,067 --> 00:10:38,334 AND ALWAYS WITH MY CHINA. 164 00:10:39,901 --> 00:10:42,634 I'M NOT USUALLY THAT CLUMSY. 165 00:10:42,634 --> 00:10:44,968 THE ONLY THING THAT MATTERS, 166 00:10:44,968 --> 00:10:47,567 IS THAT YOU'VE NOT RUINED YOUR MUSICIAN'S HANDS. 167 00:10:49,434 --> 00:10:52,501 JUST MY RUG. 168 00:10:52,501 --> 00:10:55,267 ANYWAY, I'M SURE THE STAIN WILL COME OUT... 169 00:10:55,267 --> 00:10:57,968 EVENTUALLY. 170 00:10:57,968 --> 00:11:00,968 ( laughs ) 171 00:11:02,100 --> 00:11:05,133 WHAT ARE YOU LAUGHING AT? 172 00:11:05,133 --> 00:11:08,367 NOW YOU KNOW HOW IT FEELS, SHE'S GOT YOU! 173 00:11:08,367 --> 00:11:11,400 YOU'LL NEVER BE ABLE TO LIFT A COFFEE CUP IN THAT HOUSE AGAIN. 174 00:11:12,634 --> 00:11:14,434 NONSENSE! 175 00:11:14,434 --> 00:11:16,968 SHE JUST CAUGHT ME WITH THAT SEA SHANTY BIT, THAT'S ALL. 176 00:11:16,968 --> 00:11:18,734 ( laughing ) 177 00:11:18,734 --> 00:11:22,100 I USED TO THINK A BAD MARRIAGE WAS THE WORST THING THAT HAPPENED TO ME. 178 00:11:22,100 --> 00:11:24,501 BUT YOU CAN DIVORCE WIVES. 179 00:11:24,501 --> 00:11:27,534 WHEREAS THERE'S NO CURE WHATSOEVER 180 00:11:27,534 --> 00:11:30,300 FOR A SINGING NEIGHBOR! 181 00:11:31,767 --> 00:11:34,601 LISTEN CAREFULLY, DEAR. MESSAGE IMMINENT. 182 00:11:34,601 --> 00:11:37,467 I SHALL BE IN THERE WITH THE COMMODORE, 183 00:11:37,467 --> 00:11:40,968 HAVING OUR FIRST SHERRY. 184 00:11:40,968 --> 00:11:43,601 YOU CAN WAIT OUT HERE, SOAKING UP THE ATMOSPHERE. 185 00:11:45,334 --> 00:11:49,601 AS I GIVE THE TOAST, "THE ROYAL NAVY," 186 00:11:49,601 --> 00:11:52,000 YOU WILL HEAR THE CHINK OF GLASS-- 187 00:11:52,000 --> 00:11:54,133 AS OUR "GOLDEN GALLEONS" MEET. 188 00:11:54,133 --> 00:11:56,467 IT'S QUITE LIKELY, CONSIDERING HOW CHEAP THEY WERE. 189 00:11:56,467 --> 00:11:59,934 RICHARD, DON'T SPOIL EVERYTHING, DEAR. 190 00:11:59,934 --> 00:12:02,801 THEN... I SHALL GIVE THIS BELL 191 00:12:02,801 --> 00:12:04,868 - A DELICATE TINKLE... - ( tinkling softly ) 192 00:12:06,501 --> 00:12:09,400 AND YOU WILL MOVE TO THE DOOR HERE... 193 00:12:09,400 --> 00:12:12,033 AND BEGIN TO SING. 194 00:12:13,501 --> 00:12:16,100 - SING? - YES DEAR, SING-- 195 00:12:16,100 --> 00:12:18,434 * HEARTS OF OAK ARE OUR SHIPS * 196 00:12:18,434 --> 00:12:20,467 * HEARTS OF OAK ARE OUR MEN-- * 197 00:12:20,467 --> 00:12:22,267 I WANT TO HEAR IT NOW, RICHARD. 198 00:12:22,267 --> 00:12:24,734 * STEADY, BOY * 199 00:12:24,734 --> 00:12:27,501 ( low-pitched ) * STEADY. * 200 00:12:27,501 --> 00:12:30,067 "STEADY BOY, STEADY," RICHARD. 201 00:12:30,067 --> 00:12:33,367 ( throaty-voiced ) * STEADY-YY, BOY * 202 00:12:33,367 --> 00:12:34,634 * STEADY-YY. * 203 00:12:34,634 --> 00:12:37,767 NO DEAR, WITH FEELING. 204 00:12:37,767 --> 00:12:40,701 WE WANT TO MAKE THE COMMODORE FEEL QUITE AT HOME. 205 00:12:40,701 --> 00:12:41,801 ( tinkling ) 206 00:12:41,801 --> 00:12:44,667 AND YOUR HUSBAND ALL AT SEA. 207 00:12:47,234 --> 00:12:50,234 - NOW TRY THAT ONE! - WHY THAT ONE? 208 00:12:50,234 --> 00:12:52,000 YOU'VE GOT TO START SOMEWHERE. 209 00:13:03,601 --> 00:13:06,100 IF I DID THIS ONE AND YOU DID ONE OVER THERE, 210 00:13:06,100 --> 00:13:08,934 WE'D BE FINISHED MUCH QUICKER. 211 00:13:08,934 --> 00:13:13,400 IT'S AMAZING HOW QUICKLY THE SHEER INCONVENIENCE OF WORK COMES BACK TO ME. 212 00:13:14,667 --> 00:13:19,467 OOH, YOU GOT DOG HAIRS ALL OVER YOUR CAR. 213 00:13:19,467 --> 00:13:22,334 I DON'T KNOW WHETHER TO RING THE BELL OR JUST STAND THERE PANTING. 214 00:13:36,267 --> 00:13:38,334 WHAT IS IT? 215 00:13:38,334 --> 00:13:40,734 JEWELRY. 216 00:13:40,734 --> 00:13:43,167 IT'S IN THE DRAWER IN THE DRESSING CUPBOARD. 217 00:13:49,534 --> 00:13:52,234 I'VE PHONED THE STATION, RICHARD. 218 00:13:52,234 --> 00:13:55,434 AND THE TRAIN FROM RUGBY ARRIVES AT 11:38. 219 00:13:55,434 --> 00:13:58,868 - WHY RUGBY? - BECAUSE THAT'S WHERE THE COMMODORE LIVES. 220 00:13:58,868 --> 00:14:01,501 FUNNY PLACE FOR A SAILOR. 221 00:14:01,501 --> 00:14:04,734 I SHOULDN'T BE SURPRISED, RICHARD, IF AFTER THIS 222 00:14:04,734 --> 00:14:07,300 WE DON'T END UP AS PERMANENT FRIENDS. 223 00:14:07,300 --> 00:14:10,634 WE DON'T HAVE TO BE FRIENDS. WE'RE MARRIED. 224 00:14:10,634 --> 00:14:12,534 HMM? 225 00:14:12,534 --> 00:14:16,434 I MEAN THE COMMODORE AND OURSELVES. 226 00:14:16,434 --> 00:14:18,467 - OH! - OOH. 227 00:14:18,467 --> 00:14:21,767 WHAT A COUP FOR ONE OF MY CANDLELIGHT SUPPERS. 228 00:14:21,767 --> 00:14:23,334 ( phone ringing ) 229 00:14:23,334 --> 00:14:24,968 OOH! 230 00:14:24,968 --> 00:14:27,834 I BETTER ANSWER THAT, DEAR. IT MAY BE SOMEONE IMPORTANT. 231 00:14:27,834 --> 00:14:29,667 ( ringing continues ) 232 00:14:29,667 --> 00:14:33,334 THE BOUQUET RESIDENCE, THE LADY OF THE HOUSE SPEAKING. 233 00:14:34,834 --> 00:14:37,567 IT'S THE CHAIRLADY FROM OUR LADIES' LUNCHEON CLUB. 234 00:14:37,567 --> 00:14:39,200 ( sharply ) OH-HH. 235 00:14:39,200 --> 00:14:44,300 THE COMMODORE? OH YES, EVERYTHING'S SHIPSHAPE. 236 00:14:44,300 --> 00:14:47,334 WHAT DO I KNOW ABOUT SAILORS? WELL-- 237 00:14:47,334 --> 00:14:50,501 THEY TRAVEL ABOUT ON SHIPS, 238 00:14:50,501 --> 00:14:55,434 DANCE THE HORNPIPE, TIE KNOTS IN THINGS. 239 00:14:55,434 --> 00:14:59,400 I KNOW THAT SAILORS HAVE A CERTAIN REPUTATION 240 00:14:59,400 --> 00:15:01,534 WHEN IT COMES TO THE LADIES, YES. 241 00:15:03,434 --> 00:15:05,567 OH. THANK YOU FOR WARNING ME. 242 00:15:05,567 --> 00:15:07,667 HMM. 243 00:15:07,667 --> 00:15:11,200 IF I NEED ADVICE, I KNOW A PERSON CALLED ROSE 244 00:15:11,200 --> 00:15:13,734 WHO I'M SURE IS A FOUNT OF INFORMATION. GOODBYE. 245 00:15:20,133 --> 00:15:24,067 SHE WAS PHONING ME TO WARN ME ABOUT THE COMMODORE. 246 00:15:24,067 --> 00:15:26,534 APPARENTLY, HE LIKES THE LADIES. 247 00:15:26,534 --> 00:15:32,133 FUNNY WAY TO SHOW IT-- SPENDING YOUR LIFE AT SEA. 248 00:15:32,133 --> 00:15:34,000 THEY OBVIOUSLY SEES ME AS SOMEONE WHO MIGHT 249 00:15:34,000 --> 00:15:36,767 EASILY TURN THE HEAD OF A ROMANTIC SAILOR. 250 00:15:40,367 --> 00:15:44,033 COME ALONG, RICHARD DEAR. DON'T JUST SIT THERE. 251 00:15:44,033 --> 00:15:47,067 WE MUSTN'T BE LATE FOR THE COMMODORE. 252 00:16:00,133 --> 00:16:02,534 WHERE'S THE PRESS? 253 00:16:04,300 --> 00:16:06,300 IF THEY SEND A PHOTOGRAPHER, 254 00:16:06,300 --> 00:16:08,300 IT WILL BE TO THE LUNCHEON, NOT THE STATION. 255 00:16:08,300 --> 00:16:11,167 WELL, I THINK THAT SHOWS A SINGULAR LACK OF INITIATIVE. 256 00:16:11,167 --> 00:16:13,167 DON'T THEY REALIZE 257 00:16:13,167 --> 00:16:16,100 THAT THE COMMODORE COULD BE SWAMPED BY EAGER LADIES? 258 00:16:16,100 --> 00:16:19,100 - I'LL PARK THE CAR. - PARK IT HERE, DEAR. 259 00:16:19,100 --> 00:16:21,400 NO, I CAN'T. THIS IS JUST FOR UNLOADING. 260 00:16:21,400 --> 00:16:23,701 THAT DOESN'T APPLY TO CELEBRITIES. 261 00:16:23,701 --> 00:16:25,801 THEN I'LL HAVE TO STAY WITH THE CAR. 262 00:16:25,801 --> 00:16:29,267 I SHALL GO AND TELL THE STATIONMASTER 263 00:16:29,267 --> 00:16:32,367 THAT WE ARE HERE TO MEET A V.I.P. COME ALONG. 264 00:16:37,567 --> 00:16:39,934 COME ON, DEAR. 265 00:16:50,901 --> 00:16:52,968 RICHARD, LOOK. 266 00:16:52,968 --> 00:16:56,300 NOTHING. 267 00:16:56,300 --> 00:16:59,801 ABSOLUTELY NOTHING. 268 00:16:59,801 --> 00:17:02,167 THIS CAN'T BE THE PLATFORM. 269 00:17:02,167 --> 00:17:04,167 THIS IS THE PLATFORM, HYACINTH. 270 00:17:04,167 --> 00:17:06,968 I CHECKED THE INDICATOR BOARD AS WE PASSED. 271 00:17:06,968 --> 00:17:10,167 THEN WHERE'S THE RED CARPET? 272 00:17:10,167 --> 00:17:12,267 WHY WOULD THERE BE A RED CARPET? 273 00:17:13,534 --> 00:17:16,467 FOR A MAN WHO SAILS SINGLE-HANDED ROUND SOMETHING, 274 00:17:16,467 --> 00:17:18,801 THERE OUGHT TO BE A RED CARPET. 275 00:17:18,801 --> 00:17:21,367 GET ME THE STATIONMASTER. 276 00:17:21,367 --> 00:17:23,667 DO WE REALLY NEED THE STATIONMASTER? 277 00:17:23,667 --> 00:17:26,400 TO THE STATIONMASTER! 278 00:17:26,400 --> 00:17:29,234 ( mutters ) "TO THE STATIONMASTER." 279 00:17:29,234 --> 00:17:33,534 I'M SORRY, MADAM, BUT THE RED CARPET IS RESERVED FOR ROYALTY. 280 00:17:33,534 --> 00:17:36,133 WHAT? ALL OF IT? I MEAN-- 281 00:17:36,133 --> 00:17:39,767 COULDN'T YOU TURN IT OVER AND USE THE OTHER SIDE? 282 00:17:39,767 --> 00:17:43,400 I'M AFRAID THAT WOULD BE AGAINST REGULATIONS, MADAM. 283 00:17:43,400 --> 00:17:45,934 I THINK THAT'S APPALLING WHEN SINGLE-HANDEDLY, 284 00:17:45,934 --> 00:17:48,100 THIS MAN HAS SAILED AROUND SOMETHING. 285 00:17:48,100 --> 00:17:50,300 - THE HORN. - HMM? 286 00:17:50,300 --> 00:17:53,167 - THE HORN! - GOOD IDEA, RICHARD. 287 00:17:53,167 --> 00:17:55,534 HAVE YOU GOT A HORN? 288 00:17:58,000 --> 00:18:00,000 I BEG YOUR PARDON? 289 00:18:00,000 --> 00:18:03,200 IF WE CAN'T HAVE THE RED CARPET, 290 00:18:03,200 --> 00:18:05,300 COULD YOU BLOW YOUR HORN? 291 00:18:07,100 --> 00:18:11,400 NO, THE COMMODORE SAILED AROUND THE HORN SINGLE-HANDED. 292 00:18:11,400 --> 00:18:16,567 THERE YOU ARE, YOU SEE? ROUND THE HORN, SINGLE-HANDED. 293 00:18:16,567 --> 00:18:19,834 AND HE HAS TO COME HERE TO AN UNMARKED PLATFORM. 294 00:18:22,434 --> 00:18:26,133 - HAVEN'T YOU GOT A BAND? - NO, MADAM! 295 00:18:26,133 --> 00:18:29,200 CAN'T YOU EVEN FIND A PORTER WHO CAN PLAY THE MOUTH-ORGAN? 296 00:18:29,200 --> 00:18:31,334 ( snaps ) 297 00:18:33,734 --> 00:18:36,267 UGH, UNBELIEVABLE! 298 00:18:36,267 --> 00:18:39,067 THE VAST RESOURCES OF BRITISH RAIL, 299 00:18:39,067 --> 00:18:41,100 AND THEY CAN'T EVEN PROVIDE A BAND. 300 00:18:42,834 --> 00:18:46,400 WHERE IS THIS "HORN" THING, ANYWAY? 301 00:18:46,400 --> 00:18:47,934 THE EXTREME TIP OF SOUTH AMERICA. 302 00:18:47,934 --> 00:18:50,367 SAILORS' NIGHTMARE. IT BLOWS DOWN THERE. 303 00:18:50,367 --> 00:18:53,467 WELL, OF COURSE IT BLOWS, IT'S A HORN. 304 00:18:56,234 --> 00:18:58,033 HERE'S THE TRAIN NOW. 305 00:19:03,000 --> 00:19:05,334 DO WE KNOW WHAT HE LOOKS LIKE? 306 00:19:05,334 --> 00:19:06,801 HMM? 307 00:19:06,801 --> 00:19:10,834 I FANCY I CAN RECOGNIZE AN OLD SEA DOG WHEN I SEE ONE. 308 00:19:13,167 --> 00:19:16,133 AH! COME ALONG, RICHARD. 309 00:19:18,567 --> 00:19:22,133 COMMODORE! EVERYTHING SHIPSHAPE, I HOPE? 310 00:19:22,133 --> 00:19:25,234 BRIGHT AND BRISTOL FASHION? HAVE YOU BROUGHT YOUR HORN? 311 00:19:25,234 --> 00:19:26,601 "HORN"? 312 00:19:26,601 --> 00:19:29,434 YOU SEEM TO BE LABORING UNDER SOME MISAPPREHENSION, MADAM. 313 00:19:29,434 --> 00:19:31,734 OBVIOUSLY THE SHY TYPE. 314 00:19:31,734 --> 00:19:33,033 SEE HOW MUCH WE HAVE IN COMMON? 315 00:19:33,033 --> 00:19:35,234 COME ALONG, COMMODORE. 316 00:19:35,234 --> 00:19:38,534 FIRST WE TIE UP FOR A LIGHT REFRESHMENT, 317 00:19:38,534 --> 00:19:40,601 AND THEN, THE LADIES ARE WAITING. 318 00:19:40,601 --> 00:19:43,567 I AM NOT A COMMODORE. IS SHE MAD? 319 00:19:43,567 --> 00:19:45,234 SHE'S MY WIFE. 320 00:19:45,234 --> 00:19:48,033 YOU HAVE MY DEEPEST SYMPATHY. 321 00:19:49,701 --> 00:19:52,434 HOW DARE HE WEAR A BEARD LIKE THAT? 322 00:19:52,434 --> 00:19:55,434 MASQUERADING AS NAVAL PERSONNEL. 323 00:19:55,434 --> 00:19:58,534 BUT HOW ARE WE GONNA FIND THE COMMODORE IN THIS LOT? 324 00:19:58,534 --> 00:20:01,200 LEAVE THAT TO ME, DEAR. 325 00:20:02,467 --> 00:20:08,200 * OH, SHENANDOAH, I LOVE YOUR DAUGHTER * 326 00:20:08,200 --> 00:20:11,267 * AWAY-YY * 327 00:20:11,267 --> 00:20:14,434 * YOU ROLLING RIVER-- * 328 00:20:14,434 --> 00:20:16,868 * OH, SHEN-- * 329 00:20:21,567 --> 00:20:23,667 THEY'VE GOT TIME FOR A CUP OF TEA. 330 00:20:23,667 --> 00:20:25,701 YES, I'M SURE THEY HAVE. 331 00:20:25,701 --> 00:20:29,334 HE'S BOUND TO BE ON THE NEXT ONE. WHAT TIME'S IT DUE? 332 00:20:29,334 --> 00:20:32,100 12:18. THAT CLOCK MUST HAVE STOPPED. 333 00:20:32,100 --> 00:20:34,000 Attention please, 334 00:20:34,000 --> 00:20:37,167 British Rail regrets to announce that due to an landslip 335 00:20:37,167 --> 00:20:39,534 affecting the embankment between Middleton and here, 336 00:20:39,534 --> 00:20:43,000 trains are being terminated at Middleton until further notice. 337 00:20:43,000 --> 00:20:47,267 The first train to be affected will be the 12:18 from Rugby. 338 00:20:47,267 --> 00:20:49,434 OH, NO! 339 00:20:49,434 --> 00:20:53,701 POOR COMMODORE, LOST IN A LANDSLIP. 340 00:20:53,701 --> 00:20:56,367 - WHAT A PITY. WE BETTER GO HOME. - RICHARD! 341 00:20:56,367 --> 00:21:00,501 I WILL NOT LEAVE THE COMMODORE WITHOUT A LIFEBOAT. 342 00:21:00,501 --> 00:21:04,334 WE SHALL DRIVE TO MIDDLETON AND RESCUE HIM. COME ALONG. 343 00:21:08,634 --> 00:21:10,767 OH, NO! 344 00:21:12,367 --> 00:21:14,534 WHAT AN IMPERTINENCE! 345 00:21:14,534 --> 00:21:16,567 TAKE IT OFF, DEAR. 346 00:21:16,567 --> 00:21:18,400 I CAN'T TAKE IT OFF. 347 00:21:18,400 --> 00:21:20,200 REALLY, RICHARD! 348 00:21:20,200 --> 00:21:23,901 I WONDER IF YOUR HEART'S FULLY SET ON THIS EXPEDITION. 349 00:21:23,901 --> 00:21:26,267 I'LL TELL YOU WHAT'S SET-- 350 00:21:26,267 --> 00:21:29,334 TEETHARE SET. 351 00:21:29,334 --> 00:21:32,100 OH LOOK, THERE'S THE VICAR! 352 00:21:32,100 --> 00:21:35,133 THERE ARE TIMES, RICHARD... 353 00:21:35,133 --> 00:21:37,100 WHEN THERE IS A DESTINY THAT SHAPES OUR ENDS. 354 00:21:37,100 --> 00:21:40,367 TELL WILLY TO KEEP OFF THE SHERRY. 355 00:21:44,400 --> 00:21:47,367 VICAR! YOU'RE HEAVEN SENT. 356 00:21:47,367 --> 00:21:51,200 MRS. BUCK-- BOUQUET! 357 00:21:51,200 --> 00:21:52,934 A MIRACLE! 358 00:21:52,934 --> 00:21:55,868 YES, ISN'T IT-- HOW YOU KEEP POPPING UP? 359 00:21:55,868 --> 00:21:57,534 I'VE BEEN CLAMPED! 360 00:21:57,534 --> 00:22:00,767 TYPICAL! OF ALL THE CHOICES... 361 00:22:00,767 --> 00:22:03,400 RICHARD IS THE ONE THAT GETS CLAMPED. 362 00:22:03,400 --> 00:22:07,367 YOU MUST DRIVE US TO MIDDLETON. I'LL EXPLAIN ON THE WAY. 363 00:22:07,367 --> 00:22:09,834 - IN YOU GO, DEAR. - MIDDLETON? 364 00:22:09,834 --> 00:22:13,167 I HADN'T PLANNED ON GOING TO MIDDLETON. 365 00:22:13,167 --> 00:22:15,033 I DON'T THINK SHE'S LISTENING. 366 00:22:15,033 --> 00:22:16,767 TAKE THE LOW ROAD. 367 00:22:16,767 --> 00:22:19,067 I SHALL RELAY THE CONVOLUTIONS 368 00:22:19,067 --> 00:22:22,167 OF THE COMMODORE'S CONFUSIONS AS WE GO ALONG. 369 00:22:26,367 --> 00:22:28,834 SO THERE YOU HAVE IT, VICAR. 370 00:22:28,834 --> 00:22:31,033 MIND THE PEDESTRIAN. 371 00:22:31,033 --> 00:22:32,467 WHICH PEDESTRIAN. WHERE? 372 00:22:32,467 --> 00:22:35,000 ON THE PAVEMENT. 373 00:22:35,000 --> 00:22:36,567 ISN'T THAT WHERE HE'S SUPPOSED TO BE? 374 00:22:36,567 --> 00:22:39,434 TOO LATE NOW. HE'S GONE. 375 00:22:39,434 --> 00:22:41,667 LUCKY YOU MISSED HIM. 376 00:22:49,434 --> 00:22:51,467 BAD LUCK BEING CLAMPED. 377 00:22:51,467 --> 00:22:54,200 SWEAR IF YOU WANT TO-- UNDER YOUR BREATH, OF COURSE. 378 00:22:54,200 --> 00:22:57,801 - THANKS. I ALREADY HAVE. - SO HAVE I. 379 00:23:02,467 --> 00:23:05,801 EXCUSE ME, HAVE YOU SEEN A COMMODORE? 380 00:23:05,801 --> 00:23:08,033 IS THAT A TYPE OF BUTTERFLY? 381 00:23:13,868 --> 00:23:16,334 - WHAT HAVE YOU DONE WITH HIM? - DONE WITH WHO? 382 00:23:16,334 --> 00:23:18,834 THE COMMODORE! 383 00:23:18,834 --> 00:23:20,834 THE ONE THAT'S COMING FROM RUGBY. 384 00:23:20,834 --> 00:23:22,634 I HAVEN'T SEEN NO COMMODORES. 385 00:23:22,634 --> 00:23:25,334 ANYCOMMODORES." 386 00:23:25,334 --> 00:23:27,434 WELL, THAT MAKES TWO OF US THAT HASN'T SEEN HIM. 387 00:23:28,501 --> 00:23:32,300 YOU'VE LOST HIM. REALLY, HOW CARELESS! 388 00:23:32,300 --> 00:23:35,767 I HOPE THEY DON'T TRANSFER YOU TO THEIR "RED STAR" SERVICE. 389 00:23:43,167 --> 00:23:45,567 I'M SORRY YOU'RE HAVING ALL THESE PROBLEMS, MRS. BUCKET. 390 00:23:45,567 --> 00:23:47,968 BOUQUET. 391 00:23:47,968 --> 00:23:50,000 WHERE WOULD YOU LIKE ME TO DROP YOU OFF? 392 00:23:50,000 --> 00:23:51,601 WELL, IT WOULD BE WONDERFUL 393 00:23:51,601 --> 00:23:53,767 IF YOU COULD TAKE ME TO THE MANOR HOUSE FUNCTION ROOMS. 394 00:23:53,767 --> 00:23:55,634 THAT'S ON THE OTHER SIDE OF TOWN. 395 00:23:55,634 --> 00:23:58,968 OH GOOD, YOU KNOW IT. THAT SAVES ME GIVING YOU DIRECTIONS. 396 00:24:01,834 --> 00:24:04,601 IF YOU COULD DROP ME AT THE STATION ON THE WAY... 397 00:24:04,601 --> 00:24:06,934 I MUST DO SOMETHING ABOUT MY CAR. 398 00:24:06,934 --> 00:24:08,868 YES, OF COURSE. 399 00:24:08,868 --> 00:24:10,901 ( tersely ) IT WILL BE A PLEASURE. 400 00:24:16,067 --> 00:24:18,467 WOULD YOU MIND WAITING A MOMENT, VICAR? 401 00:24:18,467 --> 00:24:20,767 I ONLY HAVE TO TELL THEM ABOUT THE COMMODORE. 402 00:24:20,767 --> 00:24:23,100 AND THEN, IF YOU'D BE SO KIND, 403 00:24:23,100 --> 00:24:26,334 I SHALL BE VERY GRATEFUL, IF YOU'D DROP ME OFF AT HOME. 404 00:24:26,334 --> 00:24:27,734 BUT THAT MEANS GOING RIGHT TO THE OTHER-- 405 00:24:27,734 --> 00:24:29,868 IT MUST BE ON YOUR WAY BACK TO THE VICARAGE. 406 00:24:36,300 --> 00:24:38,200 - ARE YOU OFF? - HMM? 407 00:24:38,200 --> 00:24:41,434 - WASN'T HE GOOD? VERY ENTERTAINING. - WHO? 408 00:24:41,434 --> 00:24:44,767 THE COMMODORE! WHAT A GOOD SPEAKER! 409 00:24:44,767 --> 00:24:46,834 - THE COMMODORE? - YES! 410 00:24:46,834 --> 00:24:49,901 - YOU MEAN HE'S ARRIVED? - OH, HE WAS AWFULLY GOOD. 411 00:24:49,901 --> 00:24:51,901 HE'S SO MUCH IN DEMAND, 412 00:24:51,901 --> 00:24:54,033 WE WERE LUCKY HE COULD FIT US IN. 413 00:24:54,033 --> 00:24:56,501 - HE WAS IN CHELTENHAM LAST NIGHT. - CHELTENHAM? 414 00:24:56,501 --> 00:24:59,868 YES, DASHED UP HERE ON THE TRAIN FROM THERE THIS MORNING. 415 00:24:59,868 --> 00:25:03,534 - YES. 416 00:25:03,534 --> 00:25:05,701 OH, THAT SOUNDS AS IF IT'S ALL OVER. 417 00:25:05,701 --> 00:25:08,501 HE'LL PROBABLY BE DASHING OFF BACK TO THE STATION. 418 00:25:11,300 --> 00:25:13,334 THANK YOU ONCE AGAIN, COMMODORE! 419 00:25:13,334 --> 00:25:15,868 IT WAS SPLENDID OF YOU TO GIVE US YOUR TIME. 420 00:25:15,868 --> 00:25:17,934 ESPECIALLY WHEN YOU'RE SO BUSY, WHAT? 421 00:25:17,934 --> 00:25:20,033 A PLEASURE, I ASSURE YOU. 422 00:25:20,033 --> 00:25:23,367 IT'S NICE TO MEET SUCH A LOT OF SPLENDID LADIES. 423 00:25:23,367 --> 00:25:25,767 - ( Commodore laughs ) -Miss Wilkinson:THANK YOU. 424 00:25:25,767 --> 00:25:27,901 OH, THERE YOU ARE, MRS. BUCKET. 425 00:25:27,901 --> 00:25:30,901 WE WONDERED WHAT HAD HAPPENED TO YOU. 426 00:25:30,901 --> 00:25:34,667 THIS IS THE LADY WHO WAS SUPPOSED TO PICK YOU UP AT THE STATION. 427 00:25:34,667 --> 00:25:36,767 TO DO SO. 428 00:25:36,767 --> 00:25:38,767 DID SHE? BLESS HER. 429 00:25:38,767 --> 00:25:42,300 WELL... ALL THE NICE GIRLS LOVE A SAILOR. 430 00:25:42,300 --> 00:25:44,501 AYE-AYE, COMMODORE. 431 00:25:44,501 --> 00:25:45,601 WAS THERE SOME PROBLEM? 432 00:25:45,601 --> 00:25:49,000 PROBLEM? NO. NO, NOT REALLY. 433 00:25:49,000 --> 00:25:53,367 I MAY HAVE BEEN WAITING ON THE WRONG PLATFORM. 434 00:25:53,367 --> 00:25:56,934 NEVER MIND. WHERE CAN I GET A TAXI BACK TO THE STATION? 435 00:25:56,934 --> 00:25:59,934 - I'LL PHONE FOR ONE RIGHT AWAY! - NO NEED FOR THAT. 436 00:25:59,934 --> 00:26:02,067 I HAVE A CAR STANDING BY. 437 00:26:02,067 --> 00:26:04,434 REALLY? OH, THAT'S VERY KIND OF YOU. 438 00:26:04,434 --> 00:26:07,100 THANK YOU FOR THE LUNCH. 439 00:26:07,100 --> 00:26:09,067 YOU. 440 00:26:14,234 --> 00:26:16,667 COME ALONG, MY DEAR. LEAD ON. 441 00:26:22,667 --> 00:26:25,367 VICAR, THIS IS THE COMMODORE. 442 00:26:25,367 --> 00:26:27,434 THERE WAS A SLIGHT MIX-UP EARLIER. 443 00:26:27,434 --> 00:26:30,834 HE NOW NEEDS TO GET TO THE STATION TO CATCH HIS TRAIN. 444 00:26:30,834 --> 00:26:33,300 I TOLD HIM I'M SURE YOU WOULD OBLIGE. 445 00:26:33,300 --> 00:26:37,167 - THE STATION? - THAT'S RIGHT. THANK YOU, VICAR. 446 00:26:38,868 --> 00:26:42,467 - AFTER YOU. - THANK YOU. 447 00:26:45,434 --> 00:26:47,801 MOVE OVER, PET. 448 00:27:04,634 --> 00:27:07,033 I MUST SAY, 449 00:27:07,033 --> 00:27:10,400 YOU'RE A FINE-LOOKING FRIGATE TO COME ALONGSIDE. 450 00:27:10,400 --> 00:27:12,667 - HMM? PARDON? - YES-- 451 00:27:12,667 --> 00:27:15,534 A WELL-BUILT, SOLID-LOOKING CRAFT. 452 00:27:15,534 --> 00:27:17,534 HMM? 453 00:27:17,534 --> 00:27:19,601 MAYBE... 454 00:27:20,901 --> 00:27:24,267 HERE AND THERE. 455 00:27:24,267 --> 00:27:26,968 PLEASE, COMMODORE! 456 00:27:26,968 --> 00:27:30,267 ( chuckles ) ALL IN GOOD TIME. DON'T RUSH ME, MY DEAR. 457 00:27:32,801 --> 00:27:36,467 ( stammers ) VERY-- V-VERY VERY WARM IN HERE. 458 00:27:36,467 --> 00:27:39,634 ARE YOU ALL RIGHT, MRS. BOUQUET? 459 00:27:39,634 --> 00:27:42,000 I'LL SAY SHE IS. SMASHING BIT OF ALL RIGHT. 460 00:27:42,000 --> 00:27:45,834 I WOULDN'T MIND BEING SHIPWRECKED WITH YOU, MY DARLING. 461 00:27:45,834 --> 00:27:49,234 DO YOU WANT ME TO STOP THE CAR FOR YOU, MRS. BOUQUET? 462 00:27:49,234 --> 00:27:52,000 CAN'T DO THAT. I'LL MISS MY TRAIN, VICAR. 463 00:27:52,000 --> 00:27:56,267 JUST THINK OF IT. THE TROPIC NIGHTS, A HUGE MOON-- 464 00:27:56,267 --> 00:27:59,501 BUT I-I-I-- I'M A MA-MARRIED WOMAN. 465 00:27:59,501 --> 00:28:01,601 IT DOESN'T WORRY ME, OLD GIRL. 466 00:28:01,601 --> 00:28:03,801 COME ON, GIVE US A KISS. 467 00:28:05,367 --> 00:28:07,501 ( strained scream ) 468 00:28:07,501 --> 00:28:10,067 KEEP DRIVING, VICAR! 469 00:28:10,067 --> 00:28:12,901 KEEP DRIVING! 470 00:28:14,133 --> 00:28:16,934 ( theme music playing ) 0 00:00:0,500 --> 00:00:2,00 www.tvsubtitles.net 35214