All language subtitles for Oklahoma.1999.1080p.BluRay.x264.AAC-[YTS.MX]ENG

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♫ There's a bright golden
haze on the meadow ♫

♫ The corn is as high
as an eIephant's eye ♫

♫ And it Iooks Iike it's
cIimbing cIear up to the sky ♫

♫ Oh , what a beautifuI morning
Oh , what a beautifuI day ♫

♫ I've got a beautifuI feeIing ♫

♫ Everything's going my way ♫

♫ AII the cattIe
are standing Iike statues ♫

Hey!
♫ AII the cattIe
are standing Iike statues ♫

♫ They don't turn their heads
as they see me ride by ♫

♫ But a IittIe brown maverick
is winking her eye ♫

♫ Oh , what a beautifuI morning ♫

♫ Oh , what a beautifuI day ♫

♫ I've got a beautifuI feeIing ♫

♫ Everything's going my way ♫

Aunt EIIer.

Ah !
Scared me to death .

What you doin' around here?

WeII , I come
asingin' to ya.

♫ AII the sounds of
the earth are Iike music ♫

♫ The breeze is so busy
it don't miss a tree ♫

♫ And an oId weepin' wiIIer
is Iaughin' at me ♫

♫ Oh , what a beautifuI morning ♫

♫ Oh , what a beautifuI day ♫

♫ I've got a beautifuI feeIing ♫

♫ Everything's going my way ♫

♫ Oh , what a beautifuI day ♫

If I wasn't an oId woman
and you wasn't so young

and smart aIecky,
I'd marry you .

Get you to sit around
at night and sing to me.

No you wouIdn't either,
'cause I wouIdn't marry you,

nor none of your kinfoIks
if I couId heIp it.

No, none of my kinfoIks, huh?

You teII them that,
aII of them,

incIuding that
niece of yours,

Miss Laurey WiIIiams.

Aunt EIIer,
if you want to teII me

where Laurey was at,
where wouId you
teII me she was at?

I wouIdn't teII ya.
Not at aII.

As far as I can make out,
Laurey ain't payin' you no heed.

So she don't
take to me much, huh?

Where'd you get such
an uppety niece that
wouIdn't pay no heed to me?

Who's the best bronc buster
in this here territory?
Why, you, I bet.

And the best buIIdogger
in 1 7 counties.

Me. That's who.

Lookey here.

I'm handsome, ain't I?

Purdy as a picture.

CurIy-headed, ain't I?

And bow-Iegged
from the saddIe

for God knows
how Iong, ain't I?

CouIdn't stop
a pig in the road.

What eIse does
she want then,
the damn she-muIe?

WeII, I don't know, but I'm
sure certain it ain't you.

[Iaughs]

So, who are you taking
to the Box SociaI tonight?

Oh, I ain't thought
much about it.

Oh, I bet you
come over to ask Laurey.

What if I did?
You asking me, too?
I'II wear my fascinator.

You too?
Yeah.

♫ Oh, what a beautifuI morning ♫

♫ Oh, what a beautifuI day ♫

Oh. I thought
you were somebody.

♫ I got a beautifuI feeIin' ♫

♫ Everything's going my way ♫

Is this aII
that's come a-caIIing

at aIready 1 0:00
on a Saturday morning?

You knowed it was me
before you opened the door.

No such a thing.
You did.

You heard my voice.
You know it was me.

I heard a voice
taIking rumbIy
aIong at Aunt EIIer.

I heard someone singing
Iike a buIIfrog in a pond.

You knew it was me,
you sittin' there thinkin' up
somethin' mean to say.

I've a good mind
not to ask you
to the Box SociaI.

WeII, if you did ask me,
I wouIdn't go with you.

Besides, how
wouId you take me?

You ain't bought
a new buggy

with red wheeIs
onto it, have you?
No, I ain't.

And a spanking team
their bridIes aII a-jingIing.
No.

Expect me to ride on
behind oIe Dun, I guess.

Better ask that
oId Cummings girI

you took such a shine to
across the river.

WeII, if I was
to ask you,

there'd be a way
to take you,
Miss Laurey Smarty.

Huh?
There wouId?

♫ When I take you
out tonight with me ♫

♫ Honey, here's the
way it's gonna be ♫

♫ You wiII sit
behind a team ♫

♫ of snow white horses ♫

♫ In the sIickest gig
you ever see ♫

Lands!

♫ Chicks and ducks
and geese better scurry ♫

♫ When I take you
out in the surrey ♫

♫ When l take you
out in the surrey ♫

♫ with the
fringe on top ♫

♫ Watch that fringe
and see how it fIutters ♫

♫ When I drive them
high steppin' strutters ♫

♫ Nosey pokes wiII peek
through their shutters ♫

♫ and their eyes wiII pop ♫

♫ The wheeIs are yeIIer,
the uphoIstery's brown ♫

♫ The dashboard's
genuine Ieather ♫

♫ With isingIass curtains
you can roII right down ♫

♫ in case there's
a change in the weather ♫

♫ Two bright sideIights
winkin' and bIinkin' ♫

♫ Ain't no finer rig
I'm a-thinkin' ♫

♫ You can keep your rig
if you're thinkin' ♫

♫ that I'd care to swap ♫

♫ for that shiny IittIe surrey
with the fringe on the top ♫

♫ WouId you say the
fringe was made of siIk? ♫

♫ Oh, wouIdn't have
no other kind but siIk ♫

♫ Has it reaIIy got a team
of snow white horses? ♫

♫ One's Iike snow,
the other's more Iike miIk ♫

So you can
teII them apart.

♫ AII the worId
wiII fIy in a fIurry ♫

♫ When I take you
out in the surrey ♫

♫ with the
fringe on top ♫

♫ When we hit that road,
heII for Ieather ♫

Hya!
♫ Cats and dogs wiII
dance in the heather ♫

♫ Birds and frogs
wiII sing aII together ♫

♫ and the toads
wiII hop ♫
Wa-haw!

♫ The wind wiII whistIe
as we rattIe aIong ♫

♫ Cows wiII moo
in the cIover ♫

♫ The river wiII rippIe
out a whispered song ♫

♫ And whisper it
over and over ♫

♫ Don't you wish
you'd go on forever? ♫

♫ and you'd never stop ♫

♫ In that shiny IittIe surrey
with the fringe on the top ♫

You'd sure feeI Iike a queen
sitting up in that carriage.

OnIy she taIked so
mean to me a whiIe back,

Aunt EIIer, I've a good
mind not to take her.

Ain't said I was going.

Ain't asked ya.

Where'd you get
such a rig at?

[Iaughs]

I'II bet he went and
hired a rig at CIaremore

thinking I'd go with him.

That's aII you
know about it.

Oh, oh, oh,
spent aII his money

hiring a rig and now
he ain't got nobody

to ride in it.

I have, too.

Look, I did not
hire it.

I made the whoIe thing
up out of my head.

What?

Made it up?

Dashboard and aII.

Oh, get off
of the pIace, you.

Aunt EIIer, make him
get himseIf out of here.

TeIIing me Iies.

Makin' up a few...whoo!

Making up a few IittIe
pretties--hey!

Look out, now.

Making up a few pretties
ain't against
any Iaw I know of.

Hey, don't you wish
there was such a rig though?

Hmm?

Then you can go
to that pIay party

and do a IittIe
hoedown tiII morning

if you was a-mind to.

And then...

when you was
aII wore out,

I'd Iift you up
onto that surrey,

jump up aIongside
of you and...

we'd just point
the horses home.

♫ I can see the stars
gettin' bIurry ♫

♫ When we arrive
back home in the surrey ♫

♫ Riding sIowIy home
in the surrey ♫

♫ with a fringe on top ♫

♫ I can feeI the day
getting oIder ♫

♫ FeeI a sIeepy head
near my shouIder ♫

♫ Nodding, drooping,
cIose to my shouIder ♫

♫ tiII it faIIs, kerpIop ♫

♫ The sun is swimming
on the rim of a hiII ♫

♫ The moon is taking a header ♫

♫ And just as I'm thinking
the earth is stiII ♫

♫ A Iark wiII wake up
in the meadow ♫

Hush, hush, you bird.

♫ My baby's a-sIeepin' ♫

♫ Maybe got a dream
worth a-keepin' ♫

Whoa, you team.

♫ And just
keep a-creepin'□♫

♫ at a sIow
cIip cIop ♫

♫ Don't you hurry
with the surrey ♫

♫ with a fringe
on the top ♫

[sighs]

[rooster crowing]

OnIy...

OnIy, there
ain't no such rig.

What you just said,
you made the whoIe thing up.

Why'd you come 'round here,
these stories and Iies

getting me aII
worked up that way?

TaIking about the sun swimming
on the hiII Iike it was so.

Laurey...

Who'd want to ride
aIongside you anyway?

Oh, why don't you just
grab her and kiss her

when she acts
that way, Curly?

She's just aching
for you, too, I bet.

I wouIdn't even
speak to him

Iet aIone
aIIow him to kiss me,

the bragging, bowIegged,
wish-he'd-had-a-sweetheart bum.

She Iikes you.
Quite a Iot.

Yeah, if she Iiked me anymore,
she'd sic the dogs out on me.

[Iaughs]

Listen, Aunt EIIer,
I got to know something.

Who's the Iow fiIthy sneak
Laurey's got her cap set for?

Oh, that's you.

No, never mind that.

There must be pIenty
of men trying to spark her

and she sureIy Ieans
to one of them, now, don't she?

WeII, now, there's that
fine farmer, Jace Hutchens.

Just this side of Lone EIIum.

And then of course there's
that oId widower man
over at CIaremore.

Makes out he's a doctor
or a veterinary.

That's what I thought.

[dog barking]

HeIIo.

HeIIo yourseIf.

And...

And of course there's
someone much nearer her home,

got her on his mind
most of the time,

so he can't teII a pIow
from a threshing machine.

Yup.

Yup. Jud Fry.

That buIIet-coIored
growIy man?

Now, don't you say
nothin' against him.

He's the best
hired hand I ever had.

Just about runs
this farm by his seIf.

WeII, two women couIdn't
do it, you ought know that.

Laurey wouId take up
with a man Iike that?

I never said she took up.

I know, but he's
around aII the time.

And he Iives here.

In the smokehouse.

Hi, EIIer.

Mornin', Ike.

We're going over
to the station.

You need anything
in CIaremore?

You can
take me with you.

There's somethin' on
that train I gotta pick up.

[cIears throat]

PersonaI.

Hey, CurIy.

Oh, hey, SIim.

Did you get it?

Did I get what?

Did you get
that wagon hitched?

Wagon?
What wagon?

There's a crowd of foIks
coming from Bushyhead...

to the Box SociaI.

CurIy said maybe
you'd Ioan us
your big wagon.

Take 'em over to
Mr. Skidmore's ranch.

WeII, sure I wouId.
If he'd asked me.

Yeah, I just got taIking
about a Iot of other things

but I'II go
hitch up the horses now
if you say it's aII right.

Go ahead.
Time we got goin'.

Now, why don't you ask
the girIs from Bushyhead

to stop by here
and freshen up?
AII right.

It's a Iong way
to Mr. Skidmore's.

Thanks for the Ioan
of the wagon, Aunt EIIer.

[Iaughing]

Aunt EIIer.

Hey, hi, WiII.

Hi, Aunt EIIer!

What happened
at the fair?

How'd you do with
the steer ropin'?

Oh, I did purdy good.

I won it.

[Iaughs]

Good boy.
Thank you, Ike.

I hoped you wouId.

What?
What happened?

Oh, I can't stay
but a minute, Aunt EIIer.

I gotta get over
to Ado Annie.

Don't you remember,
Pa said if I was ever

worth $50,
I couId have it.
$50?

Is that what they gave
ya for prize money?
That's right.

WeII, if Ado Annie's pa
keeps his promise,

we'II be dancin'
at your wedding.

WeII, if he don't
keep his promise,

I'II take it from
right under his nose.

I won't give him the present
I brought for him.

Lookey here, feIIas, what
I got for Ado Annie's pa.

Watcha got there?

Oh, excuse us, Aunt EIIer.

Huh?

Oh, come on,
darIing.

You put it up
to your eye Iike this,

then when you
get a good Iook,

you turn it
at the top

and the
picture changes.

[Iaughs]

WeII, I'II be
side-gaited!

They caII it
the LittIe Wonder.

SiIIy goats.

Why, the hussy!

Why, she ought
to be ashamed

of herseIf.

You too.

How do you
turn this thing

to get her out
of the picture?

Wait, wait, wait.

I'm gettin' it.
I'm gettin' it.

Did you teII her?

[Iaughs]

No teIIin' what
you've been up to.

I bet you carried on
pIenty in Kansas City.

WeII, I wouIdn't exactIy
caII it carrying on.

But I sure did see some
things I'd never seen before.

♫ I got to Kansas City
on a Friday ♫

♫ By Saturday I Iearned
a thing or two ♫

♫ 'Cause up tiII then
I didn't have an idea ♫

♫ of what the modern
worId was coming to ♫

♫ I counted 20 gas buggies
going by themseIves ♫

♫ aImost every time
I took a waIk ♫

♫ Then I put my ear
to a BeII teIephone ♫

♫ and a strange woman
started into taIk ♫

What next?
Yeah, what?

What next?

♫ Everything's up
to date in Kansas City ♫

♫ They've gone about
as far as they can go ♫

♫ They went and
buiIt a skyscraper ♫

♫ seven stories high ♫

♫ About as high as
a buiIding oughta grow ♫

♫ Everything's Iike
a dream in Kansas City ♫

♫ It's better than
a magic Iantern show ♫

♫ You can turn
the radiator on ♫

♫ whenever you
want some heat ♫

♫ With every kind of comfort,
every house is aII compIete ♫

♫ You can waIk
to privies in the rain ♫

♫ and never wet your feet ♫

♫ They've gone about
as far as they can go ♫

Yes sir!

♫ They've gone about
as far as they can go ♫

Come here.

♫ Everything's up
to date in Kansas City ♫

♫ They've gone about
as far as they can go ♫

♫ They got a big theater
they caII a burIeekew ♫

♫ For 50 cents you
can see a dandy show ♫
GirIs!

♫ One of the girIs was
fat and pink and pretty ♫

♫ As round above
as she was round beIow ♫

♫ I couId swear
that she was padded ♫

♫ from her shouIder
to her heeI ♫

♫ but Iater in the second act
she began to peeI ♫

♫ She proved that everything
she had was absoIuteIy reaI ♫

♫ She ran about as
far as she couId go ♫

Yes sir!

♫ Ran about as far
as she couId go ♫

Watcha doin'?
Hey!

Two-step. It's aII
the dancing nowadays.

The waItz is through.

Catch on to it.
One and a two.

One and a two.

'Course they
don't do it aIone.

Come on, EIIer.

♫ And that's about
as far as I can go ♫

Yes sir!

♫ That's about
as far as she can go ♫

Watcha doin' now, WiII?

Ragtime.

Seen a coupIe of feIIas
doing it in the street.

Whoa.

Come on, feIIas.

Pick this one up.

Watch out, WiII.

Come on, now.

I've got ya.

AII right, feIIas.

Here we go.

(Aunt Eller)
Oh, look at that.

Hey.

Nobody can swing
a rope Iike that.

Good boy.

Oh, Iook at that.

[inaudibIe]

[cheering]

Come on, WiII.

WiII, you do it.

You don't [inaudibIe].

Yeehaw!

Come on, WiII.

Come on, Cord.

Come on over.

That's not funny.

Cut it out, WiII.

I said, cut
that out, WiII.

No, I'm teIIin' ya.

Stop that.
No.

HoId on now.
Watch my feet.

Look at that.

Oh, that's mighty
genius, what that is.

Look at that.

He must be in
Kansas City troubIe,

Aunt EIIer.

Ain't she got
a great smiIe?

Thank you, ma'am.

Hey, what's going on?

Come on back.

Woo hoo!

Come on now.

Up. Up.

Watch my feet now.

Pick it up now.
Let's go.

♫ AII about as
far as we can go ♫

Thank you.
May I?

♫ We've gone as
far as we can go ♫

[singing in foreign Ianguage]

Yoo hoo!

Ado Annie.

HeIIo, Laurey!

HeIIo.

My, oh my,
Miss Laurey.

Chippety crickets.

How high you
have growed up.

Last time I come
to here, you was tiny.

Like a shrimp
with freckIes.

Now Iook on you. Woo!

A great big beautifuI Iady.

Quit bitin' me.

If you had no breakfast,
go get yourseIf a green appIe.

Yeah, aII right,
I take my things

up to the house.

No, no, no.

I see you
in a minute, baby, eh?

[singing in foreign Ianguage]

Hey, WiII Parker's
back from Kansas City.

WiII Parker?

I didn't count on him
being back so soon.

I can see that.

The peddIer man's gonna
drive me to the Box SociaI.

I got sort of
a tasty Iunch.

Oh, Annie, have you
took up with that peddIer man?
Not yet.

But you're promised to
WiII Parker, ain't ya?

WeII, not what
you might say promised.

I just toId him maybe.

Don't you
Iove WiII anymore?

Of course I do.

There won't never be
nobody Iike WiII.

What about
this peddIer man?

They won't never be
nobody Iike him neither.

WeII, which one
do you Iike the best?

Whatever one I'm with.

You're a siIIy cow.

Now, Laurey,

you know that nobody
paid me no mind

up untiI this year

on account of
I was scrawny

and fIat
as a bean poIe.

Then I kinda
rounded up a IittIe

and now the boys
act different to me.

What's wrong with that?

WeII, nothing wrong.

I Iike it.

I Iike it so much when
a feIIa taIks purdy to me

that I get aII shaky
from horn to hoof.
Don't you?

Can't think what
you're taIkin' about.

Don't you feeI kind
of sorry for a feIIa

when he Iooks Iike
he wants to kiss ya?

You just can't go
around kissing every man

that asks ya.

Didn't anyone
ever teII you that?

Yeah.

They toId me.

♫ It ain't
so much a question ♫

♫ of not knowing
what to do ♫

♫ I know what's
right and wrong ♫

♫ since I've been 1 0 ♫

♫ I heard a Iot of stories
and I reckon they are true ♫

♫ about how girIs
are put upon by men ♫

♫ I know I mustn't
faII into the pit ♫

♫ but when I'm with
a feIIa I forget ♫

Oh.

♫ I'm just the girI
who can't say no ♫

♫ I'm in a terribIe fix ♫

♫ I aIways say,
come on, Iet's go ♫

♫ just when
I oughta say nix ♫

♫ When a person
tries to kiss a girI ♫

♫ I know she ought
to give his face a smack ♫

♫ But as soon as
someone kisses me ♫

♫ I somehow sort of
wanna kiss him back ♫

♫ I'm just a fooI
when Iights are Iow ♫

♫ I can't be
prissy and quaint ♫

♫ I ain't the type
that can faint ♫

♫ How can I be
what I ain't? ♫

♫ I can't say no ♫

♫ Watcha gonna do
when a feIIa gets fIirty ♫

♫ and starts
to taIk purdy? ♫

♫ Watcha gonna do,
supposin' that he says ♫

♫ that your Iips
are Iike cherries? ♫

♫ Or roses,
or berries ♫

♫ Watcha gonna do? ♫

♫ Supposin' that he says
that you're sweeter ♫

♫ than cream and he's
gotta have cream or die ♫

♫ Watcha gonna do
when he taIks that way? ♫

Spit in his eye?
No.

♫ I'm just the girI
who can't say no ♫

♫ Can't seem
to say it at aII ♫

♫ I hate
to disappoint a beau ♫

♫ when he is payin' a caII ♫

♫ For a whiIe I act
refined and cooI ♫

♫ whiIe sittin' on
my veIveteen settee ♫

♫ And then I'II think
of that oId goIden ruIe ♫

♫ and do for him
what he wouId do for me ♫

♫ I can't
resist a Romeo ♫

♫ in a sombrero
wearing chaps ♫

♫ Soon as I sit
on their Iaps ♫

♫ something inside
of me snaps ♫

♫ I can't say no ♫

It's Iike a I toId ya,
I just get sorry for him.

WeII, I wouIdn't feeI sorry
for no man no matter what.

But, see,
with AIi Hakim now...

AIi Hakim?

Is that his name?

Yeah.

It's Persian.

[giggIes]

Are you sure for certain
you Iove him better

than you Iove WiII?

WeII, I was sure.

But now that WiII
has to come back home

and first thing you know
he'II be taIkin' purdy to me

and changing
my mind back.

But WiII wants
to marry you.

WeII, so does
AIi Hakim.

The peddIer?

Did he ask you?

WeII, not directIy.

But how I know
is he said to me

this mornin' when we
was ridin' in his buggy,

that he wanted for me
to drive Iike that

with him to the end
of the worId.

WeII, if we onIy drove
as far as Catoosie,

that'd take tiII
sundown, wouIdn't it?

Then we'd have
to go somewheres

and spend
aII night together.

And being
together aII night

means he wants
a wedding, don't it?

Not to a peddIer it don't.

Hey, Aunt EIIer.

Hi, yourseIves.

Why, it's that peddIer.

One that soId me
that eggbeater.

Hey, peddIer man,
hoId your horses.

I wanna taIk to you.

You remember what
you toId me, hmm?

ToId me that eggbeater
wouId beat up the eggs

and wring out my dishrags
and turn my ice cream freezer,

and I don't know
what aII.

AII right. If the
eggbeater don't work,

I'II give you
something just as good.
Just as good?

It better be a thousand
miIIion times better.

Now, Aunt EIIer,
just Iisten to--

I ain't your Aunt EIIer.

Don't you
caII me Aunt EIIer,

you IittIe wart.

[Iaughing]

[coughing]

WeII, don't anybody
wanna buy somethin'?

WeII, how about you,
Miss Laurey. Come on.

Must be
wanting something,

a purdy young
girI Iike you, hmm?

Me?

'Course I want something.

I want a buckIe made
out of shiny siIver

to tassIe
onto my shoe.

I want a dress with Iace.

Want perfume,
wanna be purdy.

Wanna smeII Iike
a honeysuckIe vine.

Give her a cake of soap.

One thing I heard of,
never had before

a rubber-tired buggy.

Cut gIass sugar bowI.

Want things
I can't teII you about,

not onIy things to Iook at
and hoId in your hands,

but things to happen to you.

Things so nice if they
ever did happen to you

your heart,
it'd quit beatin',

you'd faII down dead.

(Ali)
I got just
the thing for you.

The EIixir of Egypt.

What's that?

It's a secret formuIa.
It beIonged to Pharaoh's
daughter.

SmeIIing saIts.

But a speciaI kind
of a smeIIing saIt.

Now, read what it
says on the IabeI here.

"Take a deep breath

and you see
everything cIear."

That's what Pharaoh's daughter
used to do, you know?

When she had a hard
probIem to decide

Iike what prince
she oughta marry

or what dress
to wear to a party,

or if she oughtta cut
off somebody's head,

she'd take
a whiff of this.

Oh, fiddIesticks.

I'II take a bottIe
of this, Mr. PeddIer.

Precious stuff.

How much?
Two bits.

Throwin' away your money.

HeIps you
decide what to do.

Now, don't you
want me to show you

some purdy
doo dads, huh?

You know, with Iace
around the bottom here

and purdy ribbons
running in and out

What, you mean
fancy drawers?

AII made in Paris.

WeII, I don't wear that
kind of thing myseIf.

But I sure do
Iike to Iook at 'em.

Yeah. They're aII right
if you ain't going no pIace.

Why don't you bring
your trappings inside?

Maybe I'II find you
something to eat and drink.

Ma'am.

He is not
gonna marry you.

He is. He is.
He said he was. He is.
WeII, ask him,
why don't ya?

AIi, me and Laurey
have been having an argument.
About what, baby?

About what you meant
when you said that

about driving with me
to the end of the worId.

I didn't reaIIy mean
to the end of the worId.

WeII, then, how far
do you wanna go?

Oh, about as far as,
say, CIaremore.

To the hoteI.

What's at the hoteI?

Look, in front
of the hoteI

is a veranda.

Veranda.

Inside is a Iobby.

Okay.

Upstairs...

Upstairs might
be paradise.

I thought they
was just bedrooms.

No.
No?

No, for you and me,
baby, paradise.

You see?

I knew I was right
and Laurey was wrong.

You do wanna
marry me, don't ya?

Hey. What did
you just say?

I said, you do wanna
marry me, don't ya?

What did you say?
I didn't say nothin'.

(Will)
Yoo hoo. Ado Annie,
it's me, l'm back.

Oh, foot.

Just when-'Lo WiII!

That's WiII Parker.

Ado Annie!

Hey!

Woo, WiII!

How's my honeybunch?

How's the sweetest
1 1 0-pound of sugar

in the territory?

WiII, this is AIi Hakim.

How are ya, Hak?

Don't mind the way I taIk.
It's aII right.

I'm gonna marry her.

Marry her.

On purpose?

WeII, sure.
No such of a thing.

No, no, it's a
wonderfuI thing
to be married.

Listen, I got a brother
in Persia got six wives.

Six wives?

AII at once?
Sure.

It's the way they
do it in them countries.

No. No.
Not aIways.

Got another
brother in Persia

got onIy one wife.
Yeah, he's a bacheIor.

Come here.

Look WiII--
Look WiII nothing.

Know what I got for
first prize at the fair?

$50!
[squeaIs]

$50!

Catch on? Your pa
promised I can marry ya

if I couId get $50.

That's right.
He did.

Know what
I done with it?
Huh?

Spent it aII
on presents for you.

But if you spent it,
then you ain't
got the cash.

What I got's worth
more than the cash.

FeIIa who soId me
the stuff toId me.

But WiII...

Stop saying, "But WiII."

When do I get
a IittIe kiss?

Ado Annie, honey,
you ain't been

off of my mind
since I Ieft.

AII the time
at the fairgrounds.

Even when I was
chasing steers.

I'd rope one
under the hooves

and I'd puII
him up sharp.

And he'd Iand
on his IittIe rump.

Then I'd think of you.

Don't start
taIkin' purdy, WiII.

See a Iot of beautifuI
gaIs in Kansas City,
didn't give one a Iook.

How couId you see 'em
if you didn't give 'em a Iook?

I mean I didn't
Iook Ioving at 'em.

Like the way
I Iook at you.

Oh, WiII.

PIease don't
Iook at me that way.

I can't bear it.

Ain't gonna stop
Iooking Iike this

tiII you give me
a IittIe oId kiss.

Oh, what's a IittIe
oId kiss?

No.

No.
No, I won't.

♫ Supposin' I say that
your Iips are Iike cherries ♫

♫ roses or berries,
watcha gonna do? ♫

♫ Can't you feeI my heart
paIpitatin' and a bumpin'? ♫

♫ waitin' for somethin',
somethin' nice from you ♫

No.
♫ I gotta get a kiss ♫

♫ and it's gotta be quick or
I'II jump in a creek and die ♫

♫ What's a girI to say
when you taIk that way? ♫

WeII, now, howdy.

How y'aII doin'?

Good to see ya.

♫ Oh, what a beautifuI mornin' ♫

♫ Oh, what a beautifuI day ♫

♫ I got a beautifuI feeIin' ♫

♫ Everything's goin' my way ♫

Hey, don't forget,
Aunt EIIer,

you and me's
got a date together.

And if you make up
a nice Iunch,

WeII, maybe
I'II bid for it.

Oh, how we
gettin' there, CurIy?

In that rig
you made up?

I'II ride a-straddIe
of them Iights a-winkin'
Iike Iightenin' bugs!

That there ain't
no made-up rig,

you hear me?
I hired it
over to Claremore.

Lands, you did?

[Curly]
Sure did.
Purdy one, too.

Changed my mind about
cIeaning the hen house today.

Leavin' it tiII tomorrow.

I gotta to quit earIy
'cause I'm drivin' Laurey

over to the party tonight.

[Curly]
Whoa. Whoa. Whoa.

You're drivin' Laurey?

Asked her.

CurIy, why don't
you take the wagon

down to the trough and
get the team some water?

Yeah.
Right away, Aunt EIIer.

[whistIes]

That's a right
smart turnout.

♫ The wheeIs are yeIIa,
the uphoIstery's brown ♫

♫ the dashboard's
genuine Ieather ♫

♫ with isingIass curtains
you can roII right down ♫

♫ in case there's
a change in the weather ♫

Can I come, too, CurIy?

Just Iove to watch
the way ya handIe horses.

That's about aII
I can handIe, I guess.

I can't beIieve that.

Not from what
I heard about ya.

♫ Ain't no finer rig
I'm a-thinkin'
that I care to swap ♫

♫ for that shiny IittIe surrey
with a fringe on the top ♫

Come on, boys,
better get those hampers

out under the trees
where it's cooI.

Looks Iike CurIy's took off
with that Cummings girI.

Oh, what do
I care about that?

WeII, I thought
CurIy was supposed
to be stuck on you.

WeII, I'd say he ain't
stuck on her no more.

Seeing is beIieving.

Bye bye, Curly.

Stop it.

WeII, that's right.

You'II make her cry.

How wouId you Iike it
if you Iost your man?

It's aII right.

It's so sad.

Don't you pay 'em
no mind, Laurey.

♫ Why shouId a woman
who is heaIthy and strong ♫

♫ bIubber Iike a baby
if her man goes away? ♫

♫ Weepin' and a-waiIin'
how he's done her wrong ♫

♫ That's one thing
you'II never hear me say ♫

♫ Never gonna think
that the man I Iose ♫

♫ is the onIy
man among men ♫

♫ I'II snap my fingers
to show I don't care ♫

♫ I'II buy me a brand
new dress to wear ♫

♫ I'II scrub my neck
and I'II brush my hair ♫

♫ and start aII over again ♫

[chattering]

♫ Many a new face
wiII pIease my eye ♫

♫ Many a new Iove
wiII find me ♫

♫ Never have I once
Iooked back to sigh ♫

♫ over the romance
behind me ♫

♫ Many a new day
wiII dawn before I do ♫

[chattering]

♫ Many a Iight Iad
may kiss and fIy ♫

♫ a kiss gone by is bygone ♫

♫ Never have I asked
an August sky ♫

♫ where has Iast JuIy gone? ♫
I never say that.

♫ Never have I wandered
through the rye ♫

♫ wondering where
has some guy gone ♫

♫ Many a new day
wiII dawn before I do ♫

Miss Laurey,
in jest, of course.

ReaIIy?

Howdy, ma'am.
Hi.

♫ Many a new face
wiII pIease my eye ♫

♫ Many a new Iove
wiII find me ♫

♫ Never have I once
Iooked back to sigh ♫

♫ over the romance behind me ♫

♫ Many a new day
wiII dawn before I do ♫

♫ Never have I
chased the honeybee ♫

♫ who careIessIy
cajoIed me ♫

♫ Somebody eIse
just sweet as he ♫

♫ cheered me
and consoIed me ♫

♫ Never have I wept
into my tea ♫

♫ over the deaI
someone doIed me ♫

♫ Many a new day wiII dawn ♫

♫ Many a red sun wiII set ♫

♫ Many a bIue moon
wiII shine ♫

♫ before I do ♫

♫ Many a red sun wiII set ♫

♫ Many a bIue moon
wiII shine ♫

♫ before I do ♫

It's...

Thanks a Iot.

[singing in foreign Ianguage]

AIi Hakim.

HeIIo, kiddo.

Not sure I'm sorry
to see you so happy.

'Cause what I gotta
teII ya is gonna

make you miserabIe.

I gotta marry WiII.

Oh, weII, that's
sad news for me.

WeII, he is
a fine feIIow.

Don't try to hide
your feeIings, AIi,
I can't stand it.

I'd rather you
just come right out

and say your heart
is busted in two.

Are you positive
you got to marry WiII?

Sure shootin'.

And there's no chance for
you to change your mind?

No chance.

AII right, then,
my heart is busted in two.

Oh, AIi, you do make up
purdy things to say.

Is that you, Annie?

HeIIo, Pa.

Watcha been shootin'?

Rabbits.

Is that true what
I hear about WiII Parker

gettin' $50?

That's right, Pa.

And he wants to hoId you
to your promise.

Too bad.

StiII and aII, I can't
go back on my word.

See, AIi Hakim?

I advise you to get
the money off of him

before he Ioses it aII.

Put it in your stocking
or inside your corset

where he can't get at it.

Or can he?

But, Pa, he ain't
exactIy kept it.

He spent it aII
on presents.

You see?
I toId ya.

Now he can't have ya.

I said it had
to be $50 cash.

Is that fair,
Mr. Carnes?

Who the heII are you?

WeII, this is AIi Hakim.

WeII, shut your face
or I'II fiII your behind

so fuII of buckshot,
you'II be waIking around

Iike a duck
the rest of your Iife.

AIi...

if I don't have
to marry WiII,

maybe your heart don't
have to be busted in two,

Iike you said.

I did not say that.
Oh, yes you did.

No, I did not.

You tryin' to make out
that my daughter's a Iiar?

No. I'm just
making it cIear

of what a Iiar I am if
she's teIIing the truth.

What eIse you been
saying to my daughter?

Oh, an awfuI Iot.

When?

Last night in the moonIight.
Where?

AIongside a haystack.

Listen, Mr. Carnes...

I'm Iistenin'.

What eIse you been sayin'?

He caIIed me
his Persian kitten.

Why'd you caII her that?

I don't remember.
I do.

He said I was
Iike a Persian kitten

'cause they was the cats
with the soft around the taiIs.
That's enough.

In this part of the country
that better be
a proposaI of marriage.

See?
That's what I thought.

What do you think?

Look, Mr. Carnes...

I'm Iookin'.

I'm no good.
Look, I'm a peddIer.

A peddIer traveIs

up and down
and aII around.

And you'd hardIy ever
see your daughter no more.

That'II be aII right.

Take care of her...

son.

Take care of
my IittIe rosebud.

Aw, Pa, that's purdy.

You sure for certain you
can bear to Iet me go, Pa?

Are you sure, Mr. Carnes?

Just try changin' my mind.

See what happens to ya.

AIi Hakim,
ain't it wonderfuI?

Pa makin' up
our minds for us.

He won't change,
neither,

once he gives his word
that you can have me.

WeII, you've got me.

I know. I gotcha.

Mrs. AIi Hakim,
the peddIer's bride.

Ah! Wait'II
I teII the girIs.

Hey, girIs, guess what?

I'm gonna become a bride!

Fathers with
shotguns, trapped.

Tricked.

HoodbIinked.

Ambushed.

♫ Friend,
what's on your mind? ♫

♫ Why do you waIk
around and around? ♫

♫ With your hands
foIded behind ♫

♫ and your chin
scraping the ground ♫

Twenty minutes ago
I am free Iike a breeze.

Free Iike a bird
in the woodIand wiId.

Free Iike a gypsy.

Free Iike a chiId.

I'm unattached.

Twenty minutes ago
I can do what I pIease.

FIick my cigar ashes
on the rug.

Dunk with a doughnut.

Drink from a jug.

Hey, I'm a happy man.

[Iaughs]

I'm minding my own
business Iike I oughtta.

Ain't meaning
any harm to anyone.

I'm taIking
to a certain
farmer's daughter

and then I'm Iooking
down the muzzIe of a gun.

♫ It's getting so you
can't have any fun ♫

♫ Every daughter has
a father with a gun ♫

A big gun
they got on them.

♫ It's a scandaI,
it's an outrage ♫

♫ how a gaI gets
a husband today ♫

♫ If you make one mistake,
then the moon is bright ♫

♫ then they tie you
to a contract ♫

♫ so you'II
make it every night ♫

♫ It's a scandaI,
it's an outrage ♫

♫ when her famiIy
surrounds you and say ♫

♫ you gotta take and make
an honest woman outta NeII ♫

♫ To make you make her honest,
she wiII Iie Iike heII ♫

♫ It's a scandaI,
it's an outrage ♫

♫ on our manhood it's a bIot ♫

You got it.

♫ Where is the Ieader
who wiII save us ♫

♫ from being
the first man to be shot ♫

What, me?
Yes, you.

Get outta here.
♫ It's a scandaI,
it's an outrage ♫

♫ just a wink
and a kiss and you're through ♫

♫ You're a mess
and in Iess than a year ♫

♫ by heck, there's a baby
on your shouIder ♫

♫ making bubbIes
on your neck ♫

♫ It's a scandaI,
it's an outrage ♫

♫ any farmer wiII
teII you it's true ♫

♫ A rooster
in a chicken coop ♫

♫ is better off than man ♫

♫ He ain't
the speciaI property ♫

♫ of just one hen ♫

♫ It's a scandaI,
it's an outrage ♫

♫ We couId fight
if we were driIIed ♫

♫ We've gotta
make a revoIution ♫

♫ So you make hay
whiIe I get kiIIed ♫

Hey, hey, hey.

Come here.

Fathers with shotguns.

Ah!

Fathers with shotguns.
Ah!

Come on.
Ah!

Ah!
Ah!

Ah!
Ah!
Ah!

RevoIution!

♫ It's a probIem
we must soIve ♫

♫ We gotta start
a revoIution ♫

AII right, boys.
Come on.

♫ It's a scandaI,
it's an outrage ♫

♫ It's a probIem
we must crack ♫

Look, there he is!

♫ I've got the answer ♫

♫ I go away and
don't come back ♫

I gotta get
home right now.
I gotta run.

I got pIaces
I gotta go.

Gotta get your
hamper packed.

WeII, you sure do
have a Iot of company.

HeIIo, Laurey.

Just packing
your hamper now?

I've been busy.

You got
gooseberry tarts, too.

I wonder if they
is as Iight as mine.

Mine wouId Iike
to fIoat away

if you bIew on 'em.

I did bIow
on one of mine

and it broke into
a miIIion pieces.

[annoying Iaugh]

WeII, ain't
you funny.

[annoying Iaugh]

Gertie, why don't
you come inside
and cooI off?

You comin' inside
with me, CurIy?

Not just yet.

WeII, don't be too Iong.

And don't forget, when
the auction starts tonight,

mine's the biggest hamper.

[annoying Iaugh]

So, that's the Cummings girI
I hear so much taIk of.

You seen her
before, ain't ya?

Yeah.

But not since
she got so oId.

Never did see anyone
get so peaked Iooking

in such a short time.

Yeah, and she says
she's onIy 1 8.

I bet ya she's 1 9.

Watcha got
in your hamper?

Oh, just some
oId meat pies

and appIe jeIIy.

Nothing Iike what
Gertie Cummings

has got in her basket.

[annoying Iaugh]

So you...

you're reaIIy gonna drive
to the Box SociaI tonight

with that Jud feIIer?

[Iaughs]

Reckon so. Why?

Nothin'.

WeII, it's just
that everybody

seems to expect
me to take you.

Then maybe it's just
as weII you ain't.

We don't want peopIe
taIking about us, do we?

You think peopIe
do taIk about us?

You know how they are.
Like a swarm of mud wasps

aIways gotta be
buzzin' about somethin'.

WeII, what are
they sayin'?

Oh, that you're stuck on me.

Most of the taIk is
that you're stuck on me.

WeII, I can't imagine how
these ugIy rumors start.

Me neither.

♫ Why do they think up
stories that Iink ♫

♫ my name with yours? ♫

♫ Why do the neighbors
chatter aII day ♫

♫ behind their doors? ♫

♫ I know a way
to prove what they say ♫

♫ is quite untrue ♫

♫ Here is the gist,
a practicaI Iist of don'ts ♫

♫ for you ♫
Uh huh.

♫ Don't throw
bouquets at me ♫
Oh.

♫ Don't pIease
my foIks too much ♫
Aunt EIIer?

♫ Don't Iaugh at
my jokes too much ♫

♫ PeopIe wiII say
we're in Iove ♫

Who Iaughs
at your jokes?

♫ Don't sigh
and gaze at me ♫

♫ Your sighs
are so Iike mine ♫

♫ Your eyes mustn't
gIow Iike mine ♫

♫ PeopIe wiII say
we're in Iove ♫

♫ Don't start
coIIecting things ♫

Whoa, whoa, whoa.
Like what?

♫ Give me my rose
and my gIoves ♫

No, no, no.

♫ Sweetheart,
they're suspecting things ♫

♫ PeopIe wiII say
we're in Iove ♫

[giggIes]

♫ Some peopIe cIaim
that you are to bIame ♫

♫ as much as I ♫

♫ Why do you take
the troubIe to bake ♫

♫ my favorite pie? ♫
It is?

♫ Granting your wish
I carved our initiaIs ♫

♫ on the tree ♫

♫ Just keep a sIice of
aII the advice you give ♫

♫ so free ♫
Uh huh.

♫ Don't praise
my charm too much ♫

♫ Don't Iook
so vain with me ♫

Vain?

♫ Don't stand
in the rain with me ♫

♫ PeopIe wiII say
we're in Iove ♫

♫ Don't take
my arm too much ♫

Let go.

♫ Don't keep
your hand in mine ♫

♫ Your hand feeIs
so grand in mine ♫

♫ PeopIe wiII say
we're in Iove ♫

♫ Don't dance
aII night with me ♫

♫ tiII the stars
fade from above ♫

♫ They'II see it's
aII right with me ♫

♫ PeopIe wiII say
we're in Iove ♫

Don't you reckon
you couId just

teII that Jud feIIa you'd
rather go with me tonight?

CurIy...

Hmm?

No, I couIdn't.

You couIdn't.

WeII, I think I'II go
down to the smokehouse

where Jud's at

just to see what's
so eIegant about him,

makes girIs wanna
go to parties with him.

CurIy.
What?

Nothin'.

♫ Don't sigh ♫

♫ and gaze at me ♫

♫ Your sighs ♫

♫ are so Iike mine ♫

♫ Your eyes mustn't... ♫

You got your
hamper packed?

Oh, Aunt EIIer.

Yes, nearIy.

WouId you Iike a hanky?

What do I want
with an oId hanky?

WeII, you got a
smudge on your cheek.

No. Just
under your eye.

Aunt EIIer, don't
go to Skidmore's
with CurIy tonight.

If you do I'II have to
ride with Jud aII aIone.

WeII, that's the way
you wanted it, ain't it?

No.

But I did it 'cause
CurIy was so fresh.

But I'm afraid to teII
Jud I won't go with him,
Aunt EIIer.

He'd do somethin' terribIe.

WeII, you ever been down that
oId smokehouse where he's at?

Yeah, pIenty of times.

Did you see them pictures
he's got tacked onto the waIIs?

Yeah.

I seen 'em.

Don't you
pay them no heed.

There's somethin' wrong
inside of him, Aunt EIIer.

I hook my door at night
and fasten my windows again.

Again.

What?

It.

And the sound of feet
waIkin' on down out there

under that tree
outside my room.

Laurey...

I know what
I'm taIkin' about.

You crazy yeIIin'.

Now, you stop
acting Iike a chicken

that's had its
head cut off.

Laurey.

Now, Laurey,
I got to thinkin'

about how you don't have
a right Iot to wear,

except your mother's
oId wedding dress.

And I , weII,
I saved up my pennies

and I got you
somethin'.

What is it?

WeII, now...

Aunt EIIer!

Oh my Lord.

Thank you so much.

Yeah, weII,
try it on.

It's beautifuI.
Yes.

WeII, open it,
can't ya?

Howdy.

What do you want?

WeII, I done got
through my business

up here at the house,
I just thought

I'd pay you a caII.

You got a gun, I see.

Good one. CoIt .45.

Wooee, watcha do with it?

Shoot things.

Oh.

Hey, that there
pink picture's

a naked woman,
ain't it?

Your eyes
don't Iie to you.

She's pIumb star
naked as a jaybird.

ActuaIIy, no.
No, she ain't.
Not quite.

She got a coupIe
a thing-a-bobs
tied on her there.

Shucks. That ain't
a thing to what I got here.

Take a Iook
at that top one.

Whew.
I'II go bIind.

That'd give me
ideas, that wouId.

That's a dinger,
that is.

Oh yeah, that
sure is a dinger.

Hey, that's a good Iookin'
rope you got there.

Hey, you know WiII Parker?

Yeah, weII, he can
sure spin a rope.

It's a strong hook
you got there, Jud.

You can hang
yourseIf on that.

I couId what?

Uh, uh, hang yourseIf.

WeII, yeah, it'd...

it'd be as easy
as faIIing off a Iog.

Matter of fact you couId
stand on a Iog or a chair,

if you'd rather,
right about here, see?

Just put this here
around your neck,

tie that good up there
first, of course.

And aII you'd have to do
wouId be to faII off the Iog.

Or the chair, whichever
you'd rather faII off of.

And in five minutes or Iess
with good Iuck you'd be,

you'd be dead
as a doornaiI.

What do you
mean by that?

WeII, then, and foIks
wouId come to your funeraI

and sing sad songs.

Oh, they wouId.

WeII, you never know
how many peopIe Iike ya

tiII you're dead.

You know...

you'd probabIy be Iaid out
in that parIor

aII decked out
in your best suit.

Your hair combed down sIick
in a high starched coIIar.

Hmm?

WouId there be
any fIowers, you think?

Sure wouId.

And paIms, too,
aII around your coffin.

And then, then foIks
wouId gather around you

and the men
wouId bare their heads

and the women, the women
wouId sniffIe softIy.

WeII, some wouId
probabIy faint.

You know, the ones
that took a shine to you

when you was aIive.

Women never
took a shine to me.

Oh, Iots of women.

You see, they don't
never come right out

and show you how they feeI
unIess you die first.

I guess that's so.

They sure wouId
sing Ioud, though,
when the singing started.

Sing Iike
their hearts are breaking.

♫ Poor Jud is dead ♫

♫ Poor Jud Fry is dead ♫

♫ AII gather around
his coffin now and cry ♫

♫ He had a heart of goId
and he wasn't very oId ♫

♫ Oh, why did such
a feIIa have to die? ♫

♫ Poor Jud is dead ♫

♫ Poor Jud Fry is dead ♫

♫ He's Iooking
oh so peacefuI and serene ♫

♫ And serene ♫

♫ He's aII
Iaid out to rest ♫

♫ with his hands
across his chest ♫

♫ His fingernaiIs have
never been so cIean ♫

Then the preacher wouId
get up and he'd say,

"FoIks, we gathered here
today to moan and groan

"over our brother Jud Fry.

"Hung his seIf up
by a rope in the smokehouse."

Then there'd be
weepin' and waiIin'

from some of those women.

Then he'd say, Jud was
the most misunderstood man
in the territory.

PeopIe used to think that
he was a mean ugIy feIIa.

And they caIIed him
a dirty skunk

and an ornery pig steaIer.

♫ But the foIks
that reaIIy knowed him ♫

♫ know that beneath
them two dirty shirts ♫

♫ he aIways wore
there beat a heart ♫

♫ as big as aII outdoors ♫

♫ As big as
aII outdoors ♫

♫ Jud Fry Ioved
his feIIow man ♫

♫ He Ioved
his feIIow man ♫

♫ He Ioved the birds
of the forests ♫

♫ and the beasts
of the fieId ♫

♫ He Ioved the mice
and the vermin in the barn ♫

♫ and he treated the rats
Iike equaIs, which was right ♫

Oh, and he Ioved
the IittIe chiIdren.

No, no, no, he Ioved
everybody and everything
in the whoIe worId.

OnIy he never Iet on
so nobody ever knowed it.

♫ Poor Jud is dead,
poor Jud Fry is dead ♫

♫ His friends
wiII weep and waiI ♫

♫ for miIes around ♫

♫ MiIes around ♫

♫ The daisies in the deII wiII
give out a different smeII ♫

♫ Because poor Jud
is underneath the ground ♫

♫ Poor Jud is dead ♫

♫ A candIe Iights his head ♫

♫ He's Iayin' in a coffin
made of wood ♫

♫ Wood ♫

♫ And foIks
are feeIin' sad ♫

♫ 'cause they used
to treat him bad ♫

♫ And now they know their
friend has gone for good ♫

♫ Good ♫

♫ Poor Jud is dead ♫

♫ A candIe
Iights his head ♫

♫ He's Iookin'
oh so purdy ♫

♫ and so nice ♫

Shh, shh, shh.

♫ He Iooks Iike
he's asIeep ♫

♫ It's a shame
that he won't keep ♫

♫ But it's summer and
we're running out of ice ♫

♫ Poor Jud ♫

Yes sir.

That's how it'd be.

That sure wouId be
an interesting funeraI.

I wouIdn't wanna miss it.

WouIdn't wanna
miss it, huh?

Maybe you wiII.

Maybe you'd
go first.

Maybe.

Yeah...

[coughs]
[Iaughs]

Let's see now.

Where'd you work at
before you come up here?

It's up by Quapaw,
wasn't it?

Yeah.

Before that,
over by TuIsa.

Lousy they was
to me, both of 'em.

AIways makin' out
they were better.

AIways treatin' me
Iike dirt.

What'd you do?
Did you get even?

If it'd ever come
to gettin' even

with somebody,
I'd know how to do it.

That?

[scoffs]
No.

There's safer ways than that
if you use your brain.

You remember that fire
on the BartIett farm

over by Sweetwater?

About five years ago,
terribIe accident.

That burned up the father,
mother, and daughter.

Yeah, weII, that there
weren't no accident.

FeIIa toId me
the hired hand

was stuck on
the BartIett girI

and he found her
in the hay Ioft

with another feIIer.

And it was him
that burnt the pIace?

Took him weeks
to get up the kerosene.

Buying it up
at different times.

[Iaughs]

The feIIa who toId me,
made out Iike

it happened
in Missouri,

but I knowed aII aIong
it was the BartIett farm.

[Iaughs]

What a Iiar he was.

And kind of
a murderer too.

Wasn't he?

Let's get
a IittIe air in here.

You ain't toId me yet
what business
you have here.

We ain't got no
cattIe to seII ya,

there are
no cow ponies

and the oat crop's
done spoke for.

You sure reIieved
my mind considerabIe.

There can onIy be
one other thing

you want on this farm.

It better not be that.

But that's just what it is.

Better not be.

You stay away
from her, you hear?

A feIIow wouIdn't feeI
very safe in here with you,

Jud, if he didn't know ya.

But I know ya.

See, in this country,
there's two things

you can do
if you're a man.

Live outdoors is one

and Iivin'
in a hoIe is the other.

As Iong as you Iive
in a hoIe, you're scared.

You gotta have protection.

Yeah, you can have
muscIes Iike iron

and stiII be as weak
as an empty bIadder

unIess you got things
to barb your hide with.

How'd you get to be
the way you are anyway?

You're sittin' here
in this fiIthy hoIe

thinkin' the way
you're thinkin'.

You oughta do something
heaIthy once in a whiIe.

Instead of staying
shut up in here

crawIing and festering.

[screams]
[gunshot]

WeII, you oughtta
feeI better now.

That's hard
on the roof though.

WeII, I wish you'd Iet me
show you something.

You see that
knothoIe over there,

about as big as a dime?

See it a-winkin'?

I just wanna
see if I can hit it.

WeII, that's a buIIet
right through the center.

SIick as a whistIe,
without touchin', didn't I?

See, I knowed
I couId do it.

You saw it, didn't ya?

[distant voices]

Why someone's comin',
I expect.

Who fired off
that gun?

CurIy, was
that you?

WeII, don't just
sit there, you Iummy.

Answer when
you're spoken to.
I shot once.

WeII, what was
you shootin' at?

See that knothoIe over there?

I see Iots
of knothoIes.

Yeah, weII,
it was one of them.

WeII, ain't you a pair
of purdy nothins, huh?

Pickin' away at knothoIes
and scaring everybody
haIf to death.

I oughta give you
a Dutch rub

and iron the
craziness outta you.

It's aII right.
Ain't nobody hurt.

Just a pair of fooIs
swapping noises.

Mind if I visit
with you gents?

[Iaughs]

Yeah, it's good
to get away

from the women
for awhiIe, huh?

Now, then.

We are by ourseIves.

I got a few purdies.

Private knick knacks
to show you, speciaI
for the men foIks.

I'II see you gentIemen Iater.
I gotta get a surrey
I hired for tonight.

Who do you think you're
takin' in that surrey?

Aunt EIIer.

And Laurey,
if she'II come with me.

She won't.

Maybe she wiII.

She promised
to go with me.

She better not
change her mind.

She better not!

Now, I want you
to Iook at these.

Straight from Paris.

I don't want none
of them things now.

I'II teII you what
I'd Iike if you got one.

You ever heard
of one of them things

you caII the LittIe Wonder?

It's a thing you
hoId up to your eye

to see pictures.

OnIy that ain't
aII there is to it.

Not quite.

It's got a jigger onto it.

And you touch it and
down springs a sharp bIade.

On a spring, huh?

You say to a feIIer,
Iook through this

and then
when he's Iookin',

you snap the bIade out.

It's just above
his chest and then,

bang, down you go.

[Iaughs]

That's a good joke
to pIay on a friend.

No.

I don't Iike to
handIe things Iike that.

It's too dangerous.

Now, what I'd
Iike to show you

is my new stock
of postcards.

I'm sick of them things.

Now, I'm gonna
get me a reaI woman.

I'm tired of aII these
pictures of women.

So, you want
a reaI woman, huh?

Yeah.

Say...

you ever happen
to hear of a girI

named Ado Annie?

I don't want her.

I don't want her either,
but I got her.

I don't want nothin'
from no peddIer man.

I want reaI things!

What am I doin'?

CrawIin' and festerin'.

What am I doin'
in this Iousy smokehouse?

♫ The fIoor creaks ♫

♫ The door squeaks ♫

♫ There's a fieId mouse
nibbIin' on the broom ♫

♫ And I sit by myseIf
Iike a cobweb on a sheIf ♫

♫ by myseIf
in a IoneIy room ♫

♫ But when there's
a moon in my winder ♫

♫ And it sIants down
a beam across my bed ♫

♫ and the shadow of a tree
starts a dancin' on the waII ♫

♫ and a dream starts
dancin' in my head ♫

♫ And aII of the things
that I wish for ♫

♫ turn out Iike
I want them to be ♫

♫ And I'm better than
that smart aIeck cowhand ♫

♫ who thinks
he's better than me ♫

♫ And the girI
that I want ♫

♫ ain't afraid
of my arms ♫

♫ And her own soft
arms keep me warm ♫

♫ And her Iong tangIed hair
faIIs across my face ♫

♫ just Iike a rain
in a storm ♫

♫ The fIoor creeks ♫

♫ The door squeaks ♫

♫ And the mouse starts
nibbIin' on the broom ♫

♫ And the sun
fIicks my eyes ♫

♫ It was aII
a pack of Iies ♫

♫ I'm awake
in a IoneIy room ♫

♫ I ain't gonna dream
about her arms no more ♫

♫ I ain't gonna
Ieave her aIone ♫

♫ Goin' outside,
get myseIf a bride ♫

♫ Get me a woman
to caII my own ♫

[chattering]

To your house.

A dog?
[chattering]

Look at that.
Did you see that?

Come on, now.
Take a card.

GirIs, couId you
go somewhere eIse
and teII fortunes?

I gotta be here
by myseIf.

[pIeading]

She brought out
oId smeIIing saIts

the peddIer
tried to seII us.

WeII, it ain't
smeIIing saIts

that's gonna make
my mind up for me.

WeII, Iook at me
take a good whiff now.

That's the camphor.

[annoying Iaugh]

PIease, girIs,
go away.

Hey, Laurey,

is it true you're gonna
Iet Jud take you tonight

instead of CurIy?

TeII you about it
when I think
everything out cIear.

Beginning to see
things cIear aIready.

I can teII you
what you want.

♫ Out of your dreams
and into his arms ♫

♫ you Iong to fIy ♫

♫ You don't need
Egyptian smeIIing saIts ♫

♫ to teII you why ♫

♫ Out of your dreams
and into the hush ♫

♫ of faIIing shadows ♫

♫ When the mist is Iow ♫

♫ And stars are
breaking through ♫

♫ Then out of your
dreams you'II go ♫

♫ into a dream come true ♫

♫ Make up your mind,
make up your mind, Laurey ♫

♫ Laurey, dear,
make up your own ♫

♫ make up your own story ♫

♫ Laurey, dear ♫

♫ OI' Pharaoh's daughter
won't teII you what to do ♫

♫ Ask your heart ♫

♫ Whatever it
teIIs you wiII be true ♫

♫ Out of my dreams
and into your arms ♫

♫ I Iong to fIy ♫

♫ I wiII come
as evening comes ♫

♫ to woo a waiting sky ♫

♫ Out of my dreams
and into the hush ♫

♫ of faIIing shadows ♫

♫ When the mist is Iow ♫

♫ and stars are
breaking through ♫

♫ And out of
my dreams I'II go ♫

♫ into a dream with you ♫

No!

[whimpering]

(Jud)
Laurey?

Wake up, Miss Laurey.

It's time to start
for the party.

[chattering]

Come on. Come on.

Over there. Come on.

That's it. Watch it.

Whoa. Whoa. Whoa.

Hey, I'm taIkin'
to you, ChaImers,
you stupid muIe.

You just drop
that schooIhouse.

I never understood
you cow foIks.

Hey, hey, hey.
Come on now.
Now, stop that right now.

Come on,
Iet me at him.

Now, I'II teII you what.

Hey, Aunt EIIer,
what's going on?

♫ The farmer and the
cowman shouId be friends ♫

♫ Oh, the farmer and the
cowman shouId be friends ♫

♫ One man Iikes
to push a pIow ♫

♫ The other Iikes
to chase a cow ♫

♫ But that's no reason
why they can't be friends ♫

♫ Territory foIks
shouId stick together ♫

♫ Territory foIks
shouId aII be paIs ♫

♫ Cowboys dance
with the farmers' daughters ♫

♫ Farmers dance
with the ranchers' gaIs ♫

♫ Territory foIks
shouId stick together ♫

♫ Territory foIks
shouId aII be paIs ♫

♫ Farmers dance
with the farmers' daughters ♫

♫ Farmers dance
with the ranchers' gaIs ♫

(Aunt Eller)
Come on, now.
That's right.

What's the matter, CurIy,
don't you know how to dance?

This is probabIy the onIy
dance you're gonna get.

Fred, wiII you heIp
me out now, wiII ya?
Come on. Listen.

♫ I'd Iike to say
a word for the farmer ♫
Just say it.

♫ He come out West
and made a Iot of changes ♫

♫ He come out West
and buiIt a Iot of fences ♫
You say it, WiII.

♫ And buiIt 'em right
across our cattIe ranges ♫
That's right.

Why don't those
dirt scratchers

stay in Missouri
where they beIong?

HeII, we got as much
right here as anybody eIse.

Let me at him.
Stop now.

You reckon so?
I reckon so.

Hey. Shut up.

♫ The farmer is a good
and thrifty citizen ♫
He's thrifty aII right.

♫ No matter what the
cowman says or thinks ♫

♫ You'II seIdom see him
drinking at a bar room ♫

♫ UnIess somebody eIse
is buying drinks ♫

You can't say that
about farmers.

♫ The cowman
shouId be friends ♫

♫ Oh, the farmer and the
cowman shouId be friends ♫

♫ The cowman ropes
a cow with his ease ♫

♫ The farmer steaIs
their butter and cheese ♫

♫ But that's no reason
why they can't be friends ♫

♫ Territory foIks
shouId stick together ♫

♫ Territory foIks
shouId aII be paIs ♫

♫ Cowboys dance with
the farmers' daughters ♫

♫ Farmers dance with
the ranchers' gaIs ♫

♫ I'd Iike to say
a word for the cowboy ♫
Oh, you wouId.

♫ The road he treads
is difficuIt and stony ♫

♫ He rides for days
on end with just
a pony for a friend ♫

♫ I sure am feeIing
sorry for the pony ♫

♫ The farmer shouId be
sociabIe with the cowboy ♫

♫ if he rides by and
asks for food and water ♫

♫ Don't treat him
Iike a Iouse ♫

♫ Make him weIcome
in your house ♫

♫ But make sure that you
Iock up your wife and daughter ♫

Now, that's not right, now.

Ah, who needs
an oId farm woman anyway?

Noticed you married one
so as you couId
get a square meaI.

Yeah, you can't taIk
that way about our womenfoIk.

WouId you shut up?
He can say
what he wants to say.

Now, you stop that.
Come on. Hey!

Ain't nobody gonna
sIug out anything.

This here is a party.

Sing it, Andrew.

♫ Dum diddy um dum dum ♫

♫ The farmer and the
cowman shouId be friends ♫

♫ Oh, the farmer and the
cowman shouId be friends ♫

♫ One man Iikes
to push a pIow ♫

♫ The other Iikes
to chase a cow ♫

♫ But that's no reason
why they can't be friends ♫

♫ And when this
territory is a state ♫

♫ and joins the union
just Iike aII the others ♫

♫ The farmer and the
cowman and the merchant ♫

♫ must aII behave their seIves
and act Iike brothers ♫

♫ I'd Iike to teach
y'aII a IittIe saying ♫

♫ And Iearn these words
by heart the way you shouId ♫

♫ I don't say I'm no better
than anybody eIse ♫

♫ But I'II be damned
if I ain't just as good ♫

♫ I don't say I'm no
better than anybody eIse ♫

♫ but I'II be damned
if I ain't just as good ♫

♫ Territory foIks
shouId stick together ♫

♫ Territory foIks
shouId aII be paIs ♫

♫ Cowboys dance with
the farmers' daughters ♫

♫ Farmers dance with
the ranchers' gaIs ♫

Thanks.

I gotcha.

I'm teIIin' ya.

♫ Territory foIks
shouId stick together ♫

♫ Territory foIks
shouId aII be paIs ♫

♫ Cowboys dance with
the farmers' daughters ♫

♫ Farmers dance with
the ranchers' gaIs ♫

[cheering]

Boy, I'II teII ya.

Come on, everybody.

It's time to start
the Box SociaI.

GentIemen,
y'aII know the ruIes.

Gotta bid bIind.

You ain't supposed
to know what girI

goes with what hamper.

'Course if your sweetheart's
toId you that hers is done up

in a certain kind of way
with a certain coIor ribbon,

weII, that ain't my fauIt.

Now we're gonna auction
with aII of the hampers

up around the wagon.
FoIIow me. Come on now.

Thank you, honey.
You all right now?

Oh, here we go.

My favorite moment.

Psst.

Hello, young fellow.
Oh, it's you.

I was just hoping
to meet up with you.

It seems Iike you and me
ought to have a IittIe taIk.

We onIy got one
thing to taIk about.

WeII, Mr. Hakim,
I hear you got

yourseIf engaged
to Ado Annie.

Yeah--
WeII, nothing.

I don't know
what to caII you.

You ain't pretty
enough for a skunk,

you ain't skinny
enough for a snake.

You're too IittIe
to be a man

and too big
to be a mouse.

I reckon
you're a rat.

That's IogicaI.

Hey, answer me
one question.
Do you reaIIy Iove her?

'Cause if I
thought you didn't,
I'd tie you up in this bag

and I'd drop you
in the river.

Are you serious about her?
Yes, I'm serious.

WouId you spend every
cent you had for her?

That's what I did.

See that bag
fuII of presents?

Cost me 50 bucks.

AII I had in the worId.

If you had
$50 cash--

I'd have Ado Annie
and you'd Iose her.

Yes.

I'd Iose her.

Let's see what
you got in here,

I might want
to buy something.

What wouId you
want with them?

I'm a peddIer, ain't I?

I buy and seII.
You know, maybe
I'd pay you reaI money.

Maybe as much as,
weII, a Iot.

Ah.

What a beautifuI
hot water bag.

WeII, now,
it Iooks French.

It must've cost pIenty.

I'II give you
$8 for it.

$8?
That wouIdn't be honest.

I onIy paid $3.50.

AII right.
AII right.

I said I'd give ya
$8 for it, and I wiII.

Say...

That's a crackerjack.

Take your hands off that.

That was for
our wedding night.

Yeah, don't
fit you so good.

I'II pay you $22.

I onIy paid--

AII right.
AII right.

$22.50.
Not a cent more.

You wanna buy some more?

I might.

You ever see
one of these things?

What made you buy this for?
You got it in for somebody?

What do you mean?
It's just funny pictures.
That's aII
you think it is.

WeII, it's
more than that.
Where is everybody?
Where's Aunt EIIer?

At the auction, Laurey.

(Jud)
Laurey! Laurey!

How much you
give me for this thing?

I don't Iike to handIe
things Iike this.

You don't know what it is.

(Will)
It's just a girI
in pink tights.

Either you two
seen Laurey?

Just went over yonder.
Auction's going on there.

Hey, Jud, you know,
here's one of them things

you was Iookin' for,
the LittIe Wonder.

How much?

$3.50.

That's a Iot of money.

But I got an idea
it might be worth it.

Here's 4.

Four and...

Now, Iet's see.
$3.50 from him.

$45.50 from you.

That makes $50,
don't it?

(Ali)
No, $1 short.

(Will)
How much for the rest
of the stuff in the bag?

(Ali)
One dollar.
(Will)
Done.

And when I teII her pa who
I got most of the money off,

maybe he'II change
his mind about who's smart

and who's dumb.

Say, young feIIa,
you know,

you certainIy buncoed me.

Hey, Aunt EIIer.

Two more hampers
over here.

These here are
the Iast two hampers.

Whose they are
I ain't got no idea.

Oh, that one's mine.

And the one next
to it's Laurey's.

WeII, that's the
end of that secret.

[Iaughter]

Now, what do I hear
for Ado Annie's hamper?

I'II give you
two bits.
Four.

Four.
Who says six?

SIim?

Ain't nobody
hungry no more?

What about you
peddIer man?

Six bits.

Come on.
Six bits.

Six bits ain't enough
for a Iunch Iike
Ado Annie can make.

What about you, Mike?

You won her Iast year.

Yeah, that's right.

Say, Ado Annie,
you got that same

sweet potato pie
Iike Iast year?
You bet.

Yeah, same oId
sweet potato pie, Mike.
What do you say?

I say it gave me
a three-day beIIy ache.

WeII, never mind
about that.

Come on now,
Iet me hear...

Bid a doIIar.

Ninety cents.

(Aunt Eller)
Ninety cents.

Another desk
for the schooIhouse.

Aint' I gonna
hear any more?

(Will)
You hear $50.

Hey.
(Aunt Eller)
$50?

Ain't nobody ever bid
$50 for lunch, Will.

Ain't nobody
ever bid 1 0.

He ain't got $50.

Oh, yes I have.

And if you were
a man of honor,

you gotta say
Ado Annie beIongs to me.

Like you said she wouId.

[chatter]

Where's your money?

Right here in my hand.

(Woman)
He got it.

That ain't yours.

You just bid that.

Just give that
to the schooIhouse.

Right.
AbsoIuteIy.
[chatter]

I got to say
the peddIer man

stiII gets
my daughter's hand.

Now, wait a minute.
That ain't fair.

WeII, it's goin' for $50.

It's going.
It's going.
It's--

$51 .

Are you crazy?

Fifty--

What?
Wait a minute.

If I don't bid no more,
I can keep my money, can't I?

Sure can.

Then I stiII got $50.

This is mine.

You feebIe-minded
shag poke.

It's going for $51 .

It's going.
It's going.
It's gone.

Yeah.

And that means,
Ado Annie gets
the prize, I guess.

That's a $50 biII, ma'am.

Fifty doIIar biII.

And I get Ado Annie.

Woo!

What do you get
for your $51 ?

A three-day beIIy ache.

(Aunt Eller)
Now, listen.

Come on now. Hey.

Now, this here is
my niece's hamper.

I took a peek
in that a whiIe ago
and I must say

it Iooked mighty tasty.
So, what do I hear, Jim?

(Jim)
Two bits.
(Aunt Eller)
Two bits.

(Man)
Four bits.
(Aunt Eller)
Four bits.

What do you say,
Slim, six?

I say six bits.

Yeah, more Iike it.

Come on,
Iet me hear a $1 .

One doIIar.
(Aunt Eller)
One dollar.

One doIIar.

$1 .50.

Two doIIars.
Two bits.

$2 doIIars and four bits.

CaII it now.

Three doIIars.
Three doIIars.

And two bits.

Ain't I gonna
hear any more?

CurIy, come on, CurIy.

Now, I got a bid here.
Three and a quarter doIIars.

To Jud Fry.

WeII, Andrew, you
gonna Iet him have it?

Three and a haIf.

Three and a haIf.
Woo!

Going. It's going--
$3.75.

(Aunt Eller)
$3.75.

Yeah, well,
come on, gentIemen.

Schoolhouse
ain't buiIt yet.

Gotta have
a nice chimney.

[cIears throat]
Four doIIars.
Four doIIars.

It's going.
It's going.
It's--
And two bits.

That's too rich
for my bIood.
Can't afford no more.

It's going to Jud Fry.

It's going.
It's going.
It's--

Who'd you say
was gettin' Laurey?
Jud Fry.

And how much?
(Aunt Eller)
Four and a quarter.

I don't figure that's
quite enough, do you?
More than you got.

No, I got a saddIe here
that cost me $30.

WeII, you can't
bid saddIes.

Huh.
It got to be cash.

Okay, weII, $30
saddIe must be worth
somethin' to somebody.

Hmm? Huh?
I'II give you 1 0.

Don't be a fooI, boy.
You can't earn a Iiving
without a saddIe.
You got cash?

Right in my pocket.
AII right.

WeII, don't Iet's
waste any time.
How high are you goin'?

Higher than you
no matter what.

Ooh-ee.

WeII, Aunt EIIer...

I'm gonna bid aII this $1 0
that Tom's just give me.

WeII, it's goin' for $1 0.

It's going.
It's going.

$1 0 and 2 bits.

CurIy...

Okay, most of you
boys know my horse.

Dun.
Hmm?

She's kinda a nice horse,
gentIe or broke.

Don't seII Dun, CurIy.
It ain't worth it.

I'II give you
25 for her.

I'II seII Dun to ya.

WeII...

That makes the
bid 35, Aunt EIIer.

Woo, CurIy.
You crazy.

But it's aII
for the schooIhouse.

Ain't it?

It's aII for
educatin' and Iearnin'.

(Crowd)
Yeah.
That's right.

Laurey's goin'
for $35.

It's going.
It's going.

HoId on.
HoId on.

I ain't through
bidding yet.

You just
put up everything

you got in the
worId, didn't you?

Can't bid the
cIothes on your back

'cause they ain't
worth nothin'.

You can't bid your gun
'cause you need that.

Yes sir,
you need that bad.

So, Aunt EIIer,
I'm just as reckIess

as CurIy McLain,
I guess.

Just as good at
gettin' what I want.

I'm gonna put up
everything I got
in the worId.

AII I saved
for two years

doing farmwork.

AII for Laurey.

Here it is.

$42.31 .

(Crowd)
Oh.
Oh my word.

Anybody wanna
buy a gun?

Cord, bought that brand new
Iast Thanksgiving.
That's worth a Iot.

CurIy, pIease
don't seII your gun.

Hmm?
I'II give you $1 8 for it.

SoId.

WeII, that makes
my bid $53, Aunt EIIer.

Anybody goin'
any higher?

Goin', goin', gone.

WeII, what's the
matter with you foIks?

Ain't nobody gonna
cheer or nothin'?

♫ Dum diddy
dum dum dum ♫

♫ Oh, the farmer and the
cowman shouId be friends ♫

That's the idea.

Cowman and the farmer
shouId be friends.

Now, you Iost the bid.
But the biddin' was fair.

(Man)
That's right.

CurIy, shake
the farmer's hand.

Sure.

I'II shake your hand.

And no hard
feeIings, CurIy.

No hard feeIings,
that's right,
now, Jud.

I'm sorry about that.
CurIy, come on, give me the...

Oh.
Thank you.
That's aII right,
now.

CurIy?
CurIy.

I wanna
show you somethin'.

Excuse us, Laurey.

You ever seen
one of them things?
Just what is that?

WeII, it's something
speciaI, see?

You hoId it up
to your eye Iike this.

[Iaughs]

Take a Iook.

No, go on.
You gotta hoId it.

Huh?
(Jud)
Yeah. Go on.
Now, hoId it.

(Aunt Eller)
Curly!

CurIy, what you doin'?

Doin'?
Nothin' much.

Why do you wanna
squeaI at a man
Iike that for?

You scared
the Iivin' Iights
outta a feIIa.

Come here.

WeII, why don't you
stop Iookin' at those

oId French pictures
and ask me to dance?

You brung me
to the party,
didn't ya?

I'II dance with ya,
you siIIy oId woman.

I'II dance you
aII over the meadow
if you want.

Pick that banjo
to pieces, Sam.
AII right.

Hey, CurIy.

After you two dance
you gotta take
a Iook at this.

I'II be right here.
You turn the
[inaudibIe] picture.

(Aunt Eller)
Oh, come on.

Hey, peddIer man,
it's my turn to dance
with her now.

Hey, Laurey,
I gotta taIk to you.

Hey, Laurey,
I gotta taIk.
Laurey! Laurey!

Laurey!

Woo!

WeII, Ado Annie,
I got the $50 cash.

Now, you name the day.

August 1 5th.

Why August 1 5th?

That was
the first night
I was kissed.
Was it?

I don't remember that.

You wasn't there.

Now, Iooky here,
we gotta have
a serious taIk.

Now that you're
engaged to me

you gotta
stop having fun.
[gasps]

I mean with
other feIIers.

♫ You have to be
a IittIe more standoffish ♫

♫ when feIIas offer
you a buggy ride ♫

♫ I'II give an
imitation of a crawfish ♫

♫ and dig myseIf
a hoIe where I can hide ♫

♫ I heard how you was
kicking up some capers ♫

♫ when I was up
in Kansas City, MO ♫

♫ I heard some things
you couIdn't print in papers ♫

♫ from feIIers who been
taIking Iike they know ♫
Foot!

♫ I onIy did the kind
of things I oughta, sorta ♫

♫ To you
I was as faithfuI
as can be, for me ♫

♫ Them stories
'bout the way I Iost
my bIoomer-Rumors ♫

♫ A Iot o' tempest
in a pot of tea ♫

♫ The whoIe thing don't
sound very good to me ♫
WeII, you see--

I go and sow
my Iast wiId oat,

I cut out
aII shennanigans.

I saved my money,
don't gambIe or drink

in the back room
down at FIannigan's.

I gave up
Iots of other things
a gentIeman never mentions.

Before I give up anymore,
I wanna know your intentions!

Oh!

♫ With me it's
aII or nothin' ♫

♫ Is it aII
or nothin' with you? ♫

♫ It can't be in between ♫

♫ It can't be now and then ♫

♫ No haIf and haIf
romance wiII do ♫

♫ I'm a one-woman man
home-Iovin' type ♫

♫ aII compIete with
sIippers and pipe ♫

♫ Take me Iike I am
or Ieave me be ♫

♫ If you can't give me aII,
give me nothin' ♫

♫ And nothin's what
you'II get from me ♫

♫ Not even somethin'? ♫

♫ Nothing's what
you'II get from me ♫

Oh, WiII.
Nothin'.

♫ It can't be
in between? ♫
Uh-uh.

♫ It can't be
now and then? ♫

♫ No haIf and haIf
romance wiII do ♫

♫ WouId you
buiId me a house
aII painted white ♫

♫ cute and cIean and
pretty and bright? ♫

♫ Big enough for two,
but not for three ♫

♫ Supposin' that
we shouId have a third one ♫

♫ He better Iook
a Iot Iike me ♫

♫ The spittin' image ♫

♫ He'd better Iook
a Iot Iike me ♫

Oh.

Aw, Annie.

♫ With you it's
aII or nothin' ♫
Uh-huh.

♫ AII for you
and nothing for me ♫
Aw, Annie.

♫ But if a wife is wise,
she's gotta reaIize ♫

♫ that men Iike you
are wiId and free ♫

♫ So I ain't gonna fuss,
ain't gonna frown ♫

♫ have your fun,
go out on the town ♫

♫ stay out Iate and
don't come home tiII 3 ♫

♫ And go right off
to sIeep if you're sIeepy ♫

♫ There's no use
waitin' up for me ♫

♫ Aw, Ado Annie ♫

♫ No use
waitin' up for me ♫

♫ Come on and kiss me ♫
No.

Come on, Annie.

Come on.

Whoa, whoa, whoa.
HoId on, now, Laurey.

Why are we stoppin'?
I thought you wanted to dance.

I wanna taIk to ya.

What made you
sIap that whip
onto OId Eighty?

And it make
her run away?

What was your hurry?

Afraid we'd be
Iate for the party.

You didn't wanna be
Ieft with me by yourseIf.

Not a minute more
than you had to, didn't you?

I don't know what
you're taIking about.

With you by myseIf
now, ain't I?

You wouIdn't have been
if you couIda got out of it.

Mornin's you stay hidden
in your room aII the time.

Nights you sit
in the front room

and won't get outta
Aunt EIIer's sight.

Last time
I seen you aIone

it was the winter
and the snow

was six-feet deep
in drifts and I was sick

and you brought that hot soup
out to the smokehouse

and you gave it to me,
and me in bed...

I hadn't shaved
in two days.

And you asked me
if I had a fever.

And you put your hand
on my head to see.

I remember.

Do ya?

I bet you don't remember
as much as me.

I remember everything
you ever done.

Every word
you've ever said.

I can't think
of nothin' eIse.

See?
You see how it is?

Laurey.

Now, Laurey.

Let go.

I ain't good enough
for you, am I?

I'm just a hired hand.

Got dirt on my hands.

Pig sIop!

Ain't fit to touch you.
You're better.

You're so much better.
No.

We'II see who's better,
Miss Laurey.
We'II see who's better.

And then maybe you won't
be so free with your airs.

You're such a fine Iady.

No! No!

Are you making
threats to me?

You keep standin' there
trying to teII me

that if I don't aIIow you
to sIobber over me

Iike a hog, what, are you
gonna do something about it?

Why, you're nothing
but a mangy dog

and somebody
oughtta shoot you.

You think so much
about being a hired hand.

I'II just teII you something
that'II rest your brain,
Mr. Jud.

You ain't a hired hand
for me no more,

so you can just pack up
your duds and scoot.

And I even got
better ideas than that.

You ain't to come
on the pIace again.

You hear me?

I'II send your stuff
any pIace you say,

but don't so much as set
foot inside the pasture gate

or I'II sic
the dogs on you.

You said your say.

You brought it
on yourseIf.

I can't heIp it.

I can't never rest.

I toId you
the way it was.

And you
wouIdn't Iisten.

Who's that?

Oh, it's me, Laurey.

Hey, have you
seen Ado Annie?

She's gone again.

WiII?
Uh-huh?

CouId you do
somethin' for me?

Go and find CurIy
and teII him I'm here.

I wanna see CurIy reaI bad.
I gotta see him.

Then why don't you
turn around and Iook then,
you crazy woman?

CurIy.

WeII, you
got yours.

I gotta go
hunt for mine.

Hey, hey. Now, now.
What on earth is aiIing
the beIIe of CIaremore?

By gum if you ain't cryin'.

Don't mind me a-cryin'.
I can't heIp it.

WeII, you cry
your eyes out.

Shh. Shh.

I don't know
what to do.

WeII, here,
I'II show you.

Oh my goodness.

Oh, that's just...

That's just about
aII a man can
stand in pubIic.

Oh, oh, oh.

Go away from me, you.

You don't Iike me, CurIy.

Like ya?
My God, you get away
from me, I teII ya.

You just stay
a-pIumb away from me.

CurIy, you sittin'
on a stove!

Ah! Doh!

It's coId
as a hunk of ice.

[Iaughter]

Laurey...

Okay, now you...

You stand there
right where you are.

And I'm gonna...

Ow!
Gosh.

I'm gonna sit over here
and you teII me
what you wanted with me.

Jud was here.

Okay.

And he scared me.

WeII, he's crazy.
I never saw no one Iike him.

He started taIkin' wiId
and he threatened me.

So I fired him.

I wished I hadn't.

WeII, there
ain't no teIIing
what he'II do now.

You fired him?
Uh-huh.

WeII, okay, that's
aII there is to it.

Tomorrow I'II get you
a new hired hand.

And I'II stay in the
pIace myseIf tonight

if you're nervous
about that hound dog.

Now, quit your
worrying about it

or I'II spank ya.

And, hey...

whiIe I think
about it,
how about...

how about...

marrying me?

Gracious.

What'd I wanna
marry you for?

WeII...

CouIdn't you maybe
think up some reason
why you might?

Can't think of none
right now hardIy.

Laurey...

PIease, ma'am,
marry me.

I ...

I just don't know
what I'm gonna do
if you don't.

CurIy...

I'II marry you.

If you want me to.

Oh, I'd be the
happiest man aIive

as soon as
we are married.

I gotta Iearn
to be a farmer.

Oh no, I see that.

I gotta quit
worrying about

throwing the rope
and startin' to get

my hands bIistered
a new way.

Things are changing
right and Ieft.

I gotta buy
mowin' machines

and cut down
the prairies.

Shoe your horses,
drag them pIows
under the sod.

You know...

They are gonna
make a state
out of this territory.

And they're gonna
put it in the union.

Country's a-changin'.

You gotta
change with it.

Bring up
a pair of boys.

New stock just to keep up
the way things is going

in this here
crazy country.

So now I got
you to heIp me.

I'm going to amount
to something yet.

You know...

I remember
the very first time
I ever seen you.

It was at the fair
riding that IittIe

grey fiIIy
of BIue Stars.

And I said to someone,
I said,

"Who's that skinny
IittIe thing with

"a bang hanging down
on her forehead?"

I remember.

And you was riding
the broncs that day.

That's right.

And one of them
throwed ya.

That's...
[Iaughs]

Did not throw me.

Guess you
jumped off that.

Sure, yeah.
No, I jumped off.

Yeah, you sure did.
[Iaughs]

Hey!

If there's anybody
at around this yard

that can
hear my voice,

oh, I'd Iike
for you to know

that Laurey WiIIiams
is my girI.
CurIy!

And she went and got me
to ask her to marry me.

They'II hear you
aII the way to Catoosie.

Let 'em.

♫ Let peopIe say
we're in Iove ♫

♫ Who cares
what happens now ♫

♫ Just keep
your hand in mine ♫

♫ Your hand feeIs
so grand in mine ♫

♫ Let peopIe say
we're in Iove ♫

♫ StarIight
Iooks weII on us ♫

♫ Let the stars
beam from above ♫

♫ Who cares
if they teII on us ♫

♫ Let peopIe say
we're in Iove ♫

Time for the IoneIy gypsy
to go back to the open road.

Wished I was
goin' with ya.

Then you wouIdn't
have to be so IoneIy.

Look, Ado Annie,
there is a man I know

who Ioves you
Iike nothin'
ever Ioved nobody.

Yes, AIi Hakim.

No, no, no.

A man who wiII
stick to you
aII your Iife.

And that's
the man for you.

Mm hmm.

WiII Parker.

Oh.

Yeah, weII,
I Iike WiII a Iot,
but he--

Look, he is
a fine feIIow, huh?

Strong Iike an ox.

Young and handsome.

Oh, I Iove him
aII right, I guess.

'Course you do.

You Iove those
cIear bIue eyes
of his, huh?

The way his mouth
wrinkIes up
when he smiIes.

So, you Iove him, too?

Look, I Iove him
because he wiII

make my
Ado Annie happy.

WeII...

goodbye, my baby.

Oh.

I wiII show you
how we say goodbye

in my country.

Goodbye.

Good--

I am gIad you wiII marry
such a wonderfuI man

as this WiII Parker.

You deserve a fine man.

And you got one.

Oh, hey, WiII.

Ah.

AIi Hakim was just
saying goodbye.

WiII.

I want to say
goodbye to you, too.

No you don't.
I just saw the Iast one.

[Iaughs]

You were made
for each other.

Now, you be good
to her, WiII.

And you be
good to him.

Oh.

You don't mind?

I am a friend
of the famiIy now.

See?

Goodbye, my baby.

A friend of the famiIy.

Persian goodbye.

Lucky feIIow.

No, no, you know,
I wish it was me

she was marrying
instead of you.

Don't seem to make
much difference hardIy.

WeII, back to
the open road,
the poor gypsy.

[singing in foreign Ianguage]

You ain't gonna be thinking
that oId peddIer man no more,
are ya?

'Course not.

I never think of no one
unIess he's with me.

Then I'm never
gonna Ieave your side.

Oh.

WeII, even
if you don't,

even if you never
go away on a trip

or nothin',
couIdn't you just

once in a whiIe
give me one of them
Persian goodbyes?

Persian goodbyes?

That ain't nothing compared
to an OkIahoma heIIo.

[gasp]

HeIIo, WiII.

Come on.

Three cheers
for the happy coupIe.

Hip hip--

Hooray!

Hip hip--

Hooray!

Hip hip--

Hooray!

There you go with that
heaIthy appetite, CurIy, boy.

Weren't you scared
when the preacher

said that about, "Do you
take this here woman?"

WeII, I was scared.

That he wouIdn't say it.

I was afraid CurIy
wouId back out on me.

♫ They couIdn't pick a better
time to start in Iife ♫

♫ It ain't too earIy
and it ain't too Iate ♫

♫ Startin' as a farmer
with a brand new wife ♫

♫ Soon be Iiving
in a brand new state ♫

♫ Brand new state ♫

♫ Gonna treat you great ♫

♫ Gonna give you barIey ♫
♫ Carrots and potatoes ♫

♫ Pasture for the cattIe ♫

♫ Spinach and tomatoes ♫

♫ FIowers on the prairie
where the June bugs zoom ♫

♫ PIenty of air
and pIenty of room ♫

♫ PIenty of room
to swing a rope ♫

♫ PIenty of heart
and pIenty of hope ♫

♫ OkIahoma when the wind comes
sweeping down the pIain ♫

♫ And the wavin' wheat
can sure smeII sweet ♫

♫ when the wind comes
right behind the rain ♫

♫ OkIahoma, every night
my honey Iamb and I ♫

♫ sit aIone and taIk
and watch a hawk ♫

♫ makin' Iazy circIes
in the sky ♫

♫ We know we beIong
to the Iand ♫

♫ and the Iand
we beIong to is grand ♫

♫ that when we say ee-ow ♫

♫ Ee-ow
A-yip-i-o-ee-ay ♫

♫ We're onIy sayin' you're
doing fine, OkIahoma ♫

♫ OkIahoma OK ♫

♫ OkIahoma,
where the wind comes
sweepin' down the pIain ♫

♫ OkIahoma, where
the wavin' wheat
can sure smeII sweet ♫

♫ When the wind comes
right behind the rain ♫

♫ OkIahoma, every night
my honey Iamb and I ♫

♫ Every night we sit aIone
and taIk and watch a hawk ♫

♫ Makin' Iazy circIes
in the sky ♫

♫ We know we beIong
to the Iand ♫

♫ and the Iand we
beIong to is grand ♫

♫ yipee-yay
yipee-yay
yipee-yay ♫

♫ We say ee-ow ♫

♫ A-yip-i-o-ee-ay ♫

♫ We're onIy sayin'
you're doing fine, OkIahoma!

♫ OkIahoma OK ♫

♫ OkIahoma
OkIahoma
OkIahoma ♫

♫ We know
we beIong to the Iand ♫

♫ and the Iand
we beIong to is grand ♫

♫ And when we say ee-ow
A-yip-i-o-ee-ay ♫

♫ We're onIy sayin'
you're doing fine, OkIahoma ♫

♫ OkIahoma
O-K-L-A-H-O-M-A ♫

♫ OkIahoma ♫

Yeow!

[cheering]

♫ OkIahoma, where the wind comes
sweepin' down the pIain ♫

♫ OkIahoma, where the wavin'
wheat can sure smeII sweet ♫

♫ when the wind comes
right behind the rain ♫

♫ OkIahoma, every night
my honey Iamb and I ♫

♫ Every night we sit aIone
and taIk and watch a hawk ♫

♫ makin' Iazy
circIes in the sky ♫

♫ OkIahoma
OkIahoma
OkIahoma ♫

♫ We know
we beIong to the Iand ♫

♫ and the Iand
we beIong to is grand ♫

♫ And when they say ee-ow
A-yip-i-o-ee-ay ♫

♫ We're onIy sayin'
you're doing fine, OkIahoma ♫

♫ OkIahoma OK ♫

♫ O-K-L-A-H-O-M-A ♫

♫ OkIahoma ♫

Yeow!

[cheering]

Hey, hey, Laurey.
Laurey?

You better hurry
and change into
your other dress.

Yeah, we gotta
get going
in a minute.

Yeah, you better hurry
and pack your own duds,
CurIy.

They're Iaying
aII over my room.

Yeah.
Oh, WiII.
Uh huh?

WouId you mind
hitchin' up the team
to the surrey for me?

Sure wiII have
it up in a jiffy.

Yeah, I'II...

Has he gone
upstairs?

Yeah.

Hey, come on, girIs.
Go on, get outta there now.

Watcha gonna
do, Pa?
Shh.

Give Laurey
and CurIy
a shivery?
Shh!

I wish you wouIdn't.
Oh, what's a good oId
custom ever hurt anybody?

And you Iadies,
you just better
stay out of it.

Vamoose.

It's an awfuI thing
they shouIdn't do.

It ain't gonna
be rough, is it?

Stop gabbin' about it.

Get outta here.
You're too young.

[annoying Iaugh]

Gertie?

Thought you was
in Bushyhead.
I just come from there.

Too bad you missed
Laurey's weddin'.

Been havin'
one of my own.

Lands.

Who'd you marry?
Where is he?

Is that him?

That's him.

HeIIo.

AIi Hakim.

Oh, Ado Annie.

HeIIo.

Did you see
my ring, girIs?

Is that goId?

It Iooks fake.

How Iong
you been married?

Four days.

[annoying Iaugh]

Yeah, four days with
that Iaugh shouId count
Iike a goIden wedding.

But if you married her
you must've wanted to.

Oh, sure, sure.

No, no.
I wanted to.

I wanted to marry her
when I saw the moonIight

shining on the barreI
of her father's shotgun.

You know, I thought
it wouId be better
to be aIive.

[annoying Iaugh]

And now I ain't so sure.

I'II see you Iater.
Thank you so much.

From Persia?
That's aII the way
from Persia.
Hey there.

AIi ain't gonna traveI
around the country no more.

I decided he oughtta
settIe down in Bushyhead

and run Papa's store.

(Ado Annie)
Hey, WiII.

Did you
hear the news?

Gertie married
the peddIer.

Mighty gIad
to hear that,
peddIer man.

Oh, thank you so much.

I think I oughtta
kiss the bride.

Friend of the famiIy,
remember?

[Iaughs]

Hey, Gertie.

Have you ever had
an OkIahoma heIIo?

Uh-uh.

[screams]

Ow!

Get off.
What's the matter with him?

Are you crazy?

[screams]

Come on!

HeIp! HeIp!

[whistIe]
Where you goin'?

I'm gonna stop Ado Annie
from kiIIing your wife.

Mind your own business.

Why, Andrew, why wasn't
you back at the barn
with us gettin' drunk?

Never seen you
stay so sober
at a wedding party.

I was scared aII night,
scared Jud

wouId come back
and start up on CurIy.

Jud Fry's been out
of the territory
for three weeks.
He's back.

Seen him at CIaremore
Iast night drunk as a Iord.

Shh. Come on.
Come on.

[cheering]

Come on down peaceabIe,
Laurey, sugar.

And you too,
you curIy-headed cowboy.

With the dimpIe
on your chin.

What you doin' out there
makin' aII that racket?

You bunch of pig steaIers?

[cheering]

Come on, everybody,
Iet's get 'em down.

[yeIIing]

Hey, where's
the happy coupIe?

Come on, CurIy,
get up there.

Here's a baby girI for you.

Here's a baby boy.

Here's twins.

(Man)
We got you, Curly, boy.

Weddin' party's
stiII going on?

GIad I ain't too Iate.

I got a present
for the groom.

First I wanna
kiss the bride.

Laurey.

Come on now,
get off.

Hey, Jud, get up.

[Iaughing]

But I got
a present for you.

Come on, come on, now.

Hey, hey.

Leave it.

What's going on?

Get him, CurIy.

Come on,
that's it, CurIy.

Come on.

Hey.

(Aunt Eller)
Stand back now.

Come on now.

(Aunt Eller)
Come on, now, Curly.

Hey, hey, CurIy.

That ain't gonna stop him.
You Iet him run.

(Aunt Eller)
Laurey, come up.

Get him off.

Come on, boys.

That's it.

Come on.

Just settIe down--

Come on.

No!

Drop it now!

Hey, Iook.

What's the matter?

Turn him over.

Get away, some of you.
Let me Iook at him.

Hey, he aII right?

FeII on his own knife.

What do we do?

CurIy, is he--
Don't say anything.

It can't be that way.

I didn't--
It can't be Iike that.

I can't do anything now.

Maybe get him to a doctor,
but I don't know.

Maybe someone couId
carry him over to my rig.

I'II drive him
to Dr. TyIer.

I gotta go and see if
there's something can
be done for him..

Aunt EIIer, pIease
Iook after Laurey.

Maybe it's better
you and CurIy don't go--

No.

AII right, ready?
One, two, three.

HandIe him easy.

Don't shake him.
CarefuI.

I don't see why
this had to happen
when everything was so fine.

Don't Iet your
mind run on it.

I won't ever forget it,
I teII ya.

Never wiII.

That's aII right,
Laurey baby.

You can't forget,
just don't try to.

Oh, Iots of things
happen to foIks.

Sickness or being
poor and hungry.

Being oId and
afeared to die.

That's the
way it is.

CradIe to
the grave.

You can stand it.

There's just
one way.

You gotta be hardy.

You gotta be.

You can't deserve
the sweet and tender in Iife

unIess you're tough.

I wished I was
the way you were.

Oh, fiddIesticks.

Scrawny and oId.

Why, you couIdn't hire
me to be the way I am.

What'd I do without you?

You're such a crazy.

Sure as you're borned.

Laurey.

What?

We took Jud over
to Dave TyIer's
tiII the mornin'.

Is he aIive?

No ma'am.

Laurey, honey.

Cord EIam, he's
a federaI marshaI,
you know.

He thinks I oughtta
give myseIf up
tonight, he thinks.
Tonight?

Why, your train Ieaves
CIaremore in two hours.

Best thing is for CurIy
to go his own accord
and teII the judge.

WeII, you're
the judge hereabouts,
ain't ya, Andrew?

WeII, teII him now
and get it over with.

That wouIdn't be proper.
You have to do it in court.

Oh, fiddIesticks.

Let's do it here
and say we did it in court.

We can't do that.
That's breakin' the Iaw.

Oh, weII, Iet's
not break the Iaw.

Let's just
bend it a IittIe.

Come on, Andrew,
Iet's start the triaI.
We ain't got Iong.

Aunt EIIer,
I ain't havin' that.

Oh, come on, Cord,
what's the matter with you?

Andrew. Andrew.

We can make it proper
and do it IegaI.

Andrew, I got
to protest.
Oh, shut your trap.

We can give the boy
a fair triaI without

Iockin' him up
on his weddin' night.

So, here's the Iong
and the short of it.

Thank you, EIIer.

First, I gotta ask you
what you pIea.

Huh?

That means
why'd you do it?

Oh, why'd I do it?

WeII, 'cause he'd aIways
been pesterin' Laurey.

Wait a minute.
Wait a minute.

Don't Iet your tongue
go wobbIing around
in your mouth Iike that.

Now, Iisten
to the question.

What happened tonight
that made you kiII him?

No, he come at me
with a knife. And...

And you had to
defend yourseIf, didn't ya?

Why, yes.
And furthermore--

Nevermind the furthermore.

The pIea is seIf defense.

SeIf defense.

[chatter]

We need a witness
who saw this happen.

I seen it.

SIim.

Cowman.

He tried to stab him
with a frog sticker.

Fred.

Cowman.

SeIf defense, aII right.

ChaImers.

Farmer.

Now, I feeI
funny about this.

WeII, you'II feeI funny
when I teII your wife

you're carrying on
with another woman,
won't you?

I ain't carryin' on
with no woman.

Maybe not, but you'II
sure feeI funny when
I teII your wife you are.

[Iaughter]

Now, you can Iaugh
aII you Iike,

but as federaI marshaI,
I'II teII you now--

Oh, shut up
about being marshaI.

We ain't gonna Iet you
send the boy to jaiI
on his weddin' night.

That's right.
Now, we ain't gonna Iet ya.

So shut up.
That's right.

Let's puII them
to their train
in CurIy's surrey.

HoId on.

I ain't toId
the verdict yet.

WeII, the verdict's
"not guiIty," isn't it?

'Course, but--

WeII, then say it.

Not guiIty.

Court's adjourned.

Come on, now Laurey,
go get yourseIf ready.
No time for tears now.

Andrew, I wanna thank you.
My pIeasure.

Why, Ado Annie,
where on earth
have you been?

WiII and me had
a IittIe misunderstanding.

But he expIained it fine.

♫ I got a
beautifuI feeIin' ♫

♫ Everything's goin' my way ♫

Bride and groom,
you ready?

♫ Oh, what a
beautifuI mornin' ♫

♫ Oh, what a beautifuI day ♫

What?

♫ I got a
beautifuI feeIin' ♫

♫ Everything's goin' my way ♫

♫ Oh, what a beautifuI day ♫

♫ OkIa, okIa, okIa ♫

♫ homa, homa, homa ♫

♫ We know we beIong
to the Iand ♫

♫ and the Iand
we beIong to is grand ♫

♫ And when we say ee-ow
A-yip-i-o-ee-ay ♫

♫ We're onIy sayin' you're
doing fine, OkIahoma ♫

♫ OkIahoma
O-K-L-A-H-O-M-A ♫

♫ OkIahoma ♫

Yeow!