All language subtitles for Route66 - S01E24

(melodic orchestral music)

(horn honking)

- Hi there!

Aren't they cute?

(melodic orchestral music)

Come on fellas!

- Hurry up!

- "Do not send to know
for whom the bell tolls.

"It tolls for we."

What's the matter with you?

Today's your first
day off in two weeks,

and you're sitting
around like a gargoyle.

This guy, Griffith,
in final assembly

and missile check out, he says

Mission Bay's the best
water skiing in San Diego.

There's the action, lets go.

- Action looks okay from here.

- You know I think I
know what's bugging you.

You figure you're not gonna look

like too much of an
ace out on the water,

in front of the kids, so
already you're making excuses.

There's nothing to it.

It's all a matter of balance.

You'll catch on right away.

- You see how little
you really know me?

I was standing
here just figuring

to myself, how am I gonna
handle both those girls?

- What do you mean both of 'em?

- Well I figure if
you get out there

and you get a little
bit too flashy,

you know, and you
start making with

that one legged stuff,
and that one armed stuff,

you know, like you
see in the news reels,

well I'm just gonna
cut that tow line.

See and that's my problem.

What am I gonna do
with both of 'em?

- You just hold up your end.

- Would you please come on?

- They're impatient,
I like that.

(melodic orchestral music)

(melodic orchestral music)
(boat engine rumbles)

Why don't you try it next?

(lively orchestral music)

(water crashes)

Tod!

Some guy just fell overboard.

Swing the boat around.

(groans)

(gasps)

You alright?

(sighs)

(laughs)

- Which one's got the brandy?

Oh no, it couldn't be.

It's no fair.

- He's delirious.

- No.

No, just drunk.

Not good and drunk,
just normal drunk.

Would you...

Here I can...

A little help down in my pocket.

Oh boy.

Oh.

Thank you.

Thank you very much.

(groans)

Oh that was terrible of me.

I didn't offer you fellas any.

Here, drink up, come
on, join the party.

Drink up.

- He's gotta be flipped.

- [Tod] Lets get him
back to the boat.

- No, I have to
watch my liquor boys.

Watch that.

It's very good liquor.

(coughs)

(melodic orchestral music)

(sighs)

If you'd of listened
to me you would have

put me back aboard my boat.

But oh no, you gotta
bring me all the

way into shore.

You know what you did?

You cost me one of
the sweetest deals

a man ever, almost, made.

Did you see that distinguished
group I was with?

Jockies.

Some of the top
jocks in the country.

I was just about to
close a deal with 'em

that would have
set me up for life.

- Which one of you
guys needs respiration?

- Did you bring a stomach pump?

- Yeah.

- [Tod] There's your man.

- Did you swallow much?

- Are you kidding?

- Uncle Mike!

Are you alright, Uncle Mike?

- Oh yeah, I'm fine
princess, just mad.

Right in the middle of a
sentence I lost my balance.

And these two had to go drag me

into shore, like a couple
of slap happy dolphins.

- Well don't bother to thank us,

we made a grave, social error.

- You mustn't believe
everything Uncle Mike says.

He's really very grateful.

Why, he can't even swim.

- You have any idea how much it

costs the taxpayers
to take this rig out?

- Relax, it's deductible.

- I'm Linda McKay.

- How are you, this is
my buddy, Tod Stiles.

I'm Buz Murdock.

- I want you to
know I think you're

both very wonderful.

You saved my uncle's life.

- Well we were going
swimming anyway, right Tod?

- I'd like to be your friend.

Where can I get
in touch with you?

- Well that sounds very nice.

You can reach us at
the Missile Plant.

- That's right.

Well, he's all yours.

We gotta get back to
our own boat, bye.

- Don't say it.

I know I got it coming,
but don't say it.

- I was only going
to say, I don't

know what I'd do if anything
should happen to you now.

- Well princess,
what could happen to

me that hasn't already happened?

And don't you worry
your pretty little

head about your old, Uncle Mike.

I always manage to bounce back.

Honey, your shoelace.

How many times do
I have to tell you?

- You're shaking.

You must be very cold.

- I'm fine now, princess.

(somber orchestral music)

(overlapping conversations)
(melodic orchestral music)

- Hey listen to this.

Say, I'm sitting there
with Stubs on his boat,

Tangerine, you understand?

And now listen, now this
nag should've been a dog.

I seen dogs run better.

(men laugh)

- Then Mousey calls,
and wants to lay

off a winbed.

Five grand on Rockafy and
a fourth at Hollywood Park.

And I says, now
Mousey, you know I

don't have this kind of dough.

- I said to this block,
I gotta get over to the

high light court, and
he says, "Oh I didn't

"know you was a lawyer."

I mean with a joker that
square, you just gotta take him.

Just to put him out
of his misery, right?

(laughs)

- Put this on Mike
McKay's tab, okay?

He runs this joint, don't he?

(engine rumbles)

- [Linda] Hello, Mr. Hammond.

- Hello Linda.

What happened to you?

- I perspire a lot.

- Linda, I'd like
a word with you.

You too.

(somber orchestral music)

Linda.

You may sit in your
father's chair.

And as much as you fill it much

better than this
harebrained deadbeat.

- You know, Hammond, lately I've

had the strongest premonition
that you don't dig me.

You ever get hunches like that?

- Linda.

Let me make the bank's
position perfectly clear.

Your father and I were, as
you know, very good friends.

My bank's served
him for many years.

Just as we now serve his estate.

As trustee and
executor, my obligation

under the law, is
to preserve and

appreciate the value
of the property

we administer for you.

I've hesitated to bring
this up until now,

because the loss
of your mother and

father is still too recent.

But in view of
certain developments,

it has become imperative that we

face facts, and take
appropriate action.

This man, who calls
himself your uncle,

and who is miraculously,
and mysteriously

dredged from nowhere,
and appointed

as your guardian,
by a judge, whom

until that moment, I
had always respected,

is not only a bad
influence on you,

with his habitual
drunkenness, and

unhealthy companions,
but he is speedily

dissipating the
profits of this hotel.

We're just completing
an audit of the books.

In the short time
that he's been here,

he has already cost
the estate $9,215

in bad checks, issued
by guests he invited,

and uncollected room charges.

Mostly from the bar.

- Now, just a
minute Hammond, I'm

trying to build up business.

Trying to help Linda.

So okay, you gotta make a play

for the big money crowd.

The swingers, the blungers.

You gotta give a
little, you know?

Show a little flash,
a little style.

- Mr. McKay.

And the name comes with
a reluctance to my lips.

I personally
challenge the validity

of your relationship
to this child.

I find it impossible to believe

that a man as fine
as Harold McKay

could ever have a
brother like you.

Linda.

As I told you last week, we have

a firm offer from a hotel chain
in Chicago, for the hotel.

We can make you a
handsome, capital profit.

- But I don't want to sell.

- Don't you think I know that?

I know how you feel.

To leave this hotel and all
the memories it has for you.

But Linda, it's got to be done.

And, there's one
other thing that's

even more important.

I just talked to
Judge Lindstrom.

I had to tell her that the bank

is bringing a petition to have

your uncle removed as guardian.

She has agreed to have a
hearing the day after tomorrow.

- But Uncle Mike's all I have!

I love him!

- The Kimberley's love you too.

They want you to come
and live with them.

- [Linda] I won't do it!

I won't leave Uncle Mike!

I hate the Kimberley's!

(Linda sobs)

- These things are
never easy, child.

(Linda sobs)

But if your father were
here, he'd understand.

He'd know that what I'm doing
is the right thing for you.

- Easy princess.

Maybe the man has a point.

(dramatic orchestral music)

- [Linda] Uncle Mike!

(Linda sobs)

(dramatic orchestral music)

Uncle Mike, let me in!

Please let me in!

Uncle Mike, let me in!

Let me in, Uncle Mike,
please let me in!

Let me in!

Please!

(Linda sobs)

Let me in!

Please, Uncle Mike, let me in!

You can't let him do it.

- He's got all the
law books, princess.

All the money.

The whole respectable
schmear on his side.

- But Judge Lindstrom
made you my guardian.

And as long as you're
here, we can manage things.

- That's what I
thought too honey,

but lets face it,
I tried to help

but it just hasn't worked out.

I think the best
thing for everyone

is that I just cut out.

- I love you Uncle Mike.

I don't care about
anything else.

I don't want you to go.

The judge will understand.

I'll make her.

- If I could cut off
an arm or something,

and give it to Hammond
and say, here lets

call it even, princess
I'd start cutting.

But he's right, you know?

If he gets me up in front of
Judge Lindstrom, that's it.

- I have something
to do Uncle Mike.

Just remember, I love you.

(somber orchestral music)

(dramatic orchestral music)

(rotary dial clicks)

Hello, Marge?

Will you please
send Mr. Higgins up

to my Uncle's room?

I want a special
lock put on the door.

The kind that locks the
door from the outside.

Yes, that's right.

From the outside.

Thank you, Marge.

(dramatic orchestral music)

(melodic orchestral music)
(engine rumbles)

Good morning Eddie, hello Ralph.

- [Eddie] Good morning Linda.

There you are.

Ralph would you escort
the princess upstairs?

(melodic orchestral music)

(coin clatters)

(Ralph cheers)

- They're getting
General Clinton on
the line, Mr. Bassard.

He wasn't at
Vandenburg, he's at the

Roswell line sight.

He's coming right on, General.

He'll be off the phone
in a minute, Linda.

He's expecting you.

How's business?

- Pretty good.

Cathy, I made it this morning.

- I've thrown a
$1.32 at that thing

and I never got a free wish.

You're just plain lucky, Linda.

Oh, well I guess they're not
going to mars this morning.

Why don't you go on in?

Linda McKay to see
you, Mr. Bassard.

- [Ernie] Thanks.

Oh, hello Linda.

Come on in honey, sit down.

Want some tea?

I'll have Cathy make
it the way you like it.

With lemon.

- No thank you.

Ernie.

- [Ernie] Yes, Linda?

- You're my friend, aren't you?

- I know.

Hammond called me.

Linda you've got to
stop fighting everybody,

for your own sake.

Linda your father and I, well...

My responsibility's
not only to you,

but it's to him, too.

I've known the
Kimberley's a long time.

He's a regular guy,
and she's a sweetheart.

They'll knock themselves
out making a home for you.

- I've got a home.

- No you don't honey.

You just got one
great, big headache.

You need somebody to
tuck you in at night.

Somebody you can count on.

Now why don't you stop thinking

of Mr. Hammond, and the rest
of the people at the bank,

and the Kimberley's,
as some sort

of monsters from outer space.

- You shouldn't think of Uncle
Mike that way either, Ernie.

- Okay sweetie.

How can I help?

- Uncle Mike fell off a
sightseeing boat yesterday.

Two boys saved him.

Buz Murdock, and Tod Stiles.

They work here.

Ernie, can I have
them till tomorrow?

- Now what good
is that gonna do?

- I have a lot to do
before the hearing,

and they can help me.

- One of these days Linda, I'm
just liable to say no to you.

Cathy, get me
Johnson in personnel.

(melodic orchestral music)

- [Foreman] Murdock.

You're wanted on the hook.

- Yeah?

Yeah.

Right away.

That was personnel.

I wonder what I did wrong.

- How would I know?

Maybe you made the
pants too long.

(melodic orchestral music)

- [Foreman] Stiles!

Stiles!

Personnel, for
you, on the phone.

(melodic orchestral music)

- Well hello.

How's your uncle?

- [Linda] I locked him in.

- Oh that's a good idea, till
he learns how to swim anyway.

Tell me, have you seen anybody

around here that looks like
they belong to this hotel?

I'm on a special
assignment of some kind.

You know, they'll
never close that

missile gap, they
take their best man

off the production line.

- [Linda] Please
get in, Mr. Murdock.

- Oh you don't
understand, I'm on

a special assignment, I have to

meet the owner of the
hotel, right here.

- That's right.

Me.

- You?

- [Linda] Al, can you
take us back to the hotel?

(melodic orchestral music)

(overlapping conversations)

- Hi.

- [Tod] Hi.

Hi Linda.

- Hello, Mr. Stiles.

- [Tod] What's the scoop?

- Meet the boss.

- I think we'd better
go into the lounge.

We can be alone there.

- Well do you plan to
expand that statement,

or are you just gonna
let me hang there?

What do you mean meet the boss?

- Personnel call you?

- Yeah, something
about a special

assignment for a couple of days.

- Till tomorrow?

- The manager of the motel.

- Right, like I
said, meet the boss.

- Linda?

- [Buz] Linda.

(melodic orchestral music)

- What would you like to drink?

- Oh you're gonna
mix the drinks, huh?

- Daddy taught me.

- Oh.

- Please don't treat
me like a child.

- Well that's a mistake, huh?

- Oh it's alright, really.

Everybody makes
the same mistake.

Except Uncle Mike.

Everybody thinks a
child doesn't know much.

But Uncle Mike understands.

He sees things like I do.

Like the week my mommy and
daddy didn't come back.

Uncle Mike came and
took me to Balboa Zoo.

He talked to the camels.

Camels are very mean to people,

but they listen to Uncle Mike.

At night when I
still cry sometimes,

Uncle Mike comes
in and he tells me

that mommy and daddy
are still here.

Even if I can't see them.

He says beautiful
things never go away.

It's just that you
can't always see them.

Like the stars.

You don't count
stars in the daytime,

but when night comes, there
they are, all around you.

- We'll have some soda.

- For you too?

- Yeah, please.

- You saved Uncle
Mike yesterday.

Would you help me
save him again, today?

And tonight too?

- Is he back in the bay?

- Well she said she's got
him under lock and key.

- If you can only keep
him sober till tomorrow,

and away from bad
company, and don't

let him get away, I know
he'll be fine at the hearing.

And Judge Lindstrom
will be very impressed.

And Mr. Hammond won't be
able to sell the hotel.

And all because of you.

Uncle Mike!

Don't let him go, please!

Please!

(suspenseful orchestral music)

- [Buz] Hey!

Alright come on, get up.

- Why are you...

Why don't you

butt out of my business?

- Please, don't hurt him!

Please!

Uncle Mike, Uncle Mike!

I have to do this,
please try to understand.

I just have to.

(Linda sobs)

(dramatic orchestral music)

(melodic orchestral music)

- Come on sweetie.

- Well looks like dry
country now, Uncle Mike.

Real dry.

Only way you're gonna
get a drink between

now and tomorrow is
the bathroom faucet.

- You're quite a rock
crusher, aren't you?

- Yeah, I'm the only kid
ever born on the chain gang.

- [Mike] So you're gonna
be the jailer, huh?

How's your bullwhip?

- Not bad, but you should
see my cat o' nine tails.

- I keep getting this
horrible feeling, you know?

Like one of us ought to be dead.

I feel full of life,
how do you feel?

- I feel like I'm gonna
sit right in this chair,

till you climb
down off the wall.

- Well how do you think it feels

to realize that
your own niece has

to lock you up like
an addict case?

What kind of a
lousy thing is that

for a guy to make
a kid have to do?

And a nine year old kid at that.

- I agree with you, it stinks.

- And now sending you in here.

Watch the lion tamer,
ladies and gentlemen.

She had to think of that.

I made her so desperate, she had

to think of a thing like that.

Don't you see what
I'm doing to her?

- Well I get the picture.

- [Mike] She ask you to
straighten me out, for tomorrow?

- Well I'm not quite
up to that challenge,

you see, I'm having
enough trouble

straightening myself out.

- Don't you think I've tried?

Don't you think that when
that judge said to me,

"McKay, you've got a job to do."

How did she put it?

"To nurture.

"And shield.

"Help her grow.

"Set her an example."

An example!

Don't you think that got to me?

- Look, Uncle Mike,
I don't know anything

about you, all I know is Linda's

pinning a ballgame
on you, and from

where I sit, you couldn't
steal first base.

Besides if you're so ashamed,

how come you were
sneaking out the door

with your suitcase, when
she needed you the most?

- Out of her life.

That's where I was sneaking.

I've knocked myself
out the last few months

trying to make good.

But I don't know
what it is, about me,

I just got a habit of goofing.

And I belled a little, you know.

Well I go off the deep end.

Look.

All I need is a
little more time.

You just can't kicking away
a life, in four months.

I'm just not up to facing that

court thing tomorrow,
you gotta see that.

- Look, lets just take it
one step at a time, okay?

- Don't patronize me, kid.

- Look, Uncle Mike, I'm
not patronizing you.

I don't even patronize
the local movie houses.

I'm a boy that opens bird cages.

I like to see things
bust out and go free.

You understand that?

If you were my uncle,
I'd let you out

that door right now,
and let you fly.

I don't care if you
drink San Diego Bay dry.

But I'm telling you one thing,

you try to get out
of here between

now and tomorrow morning, you're

gonna have the worst misery
you ever knew, that's all.

- For a kid who
talks like he digs,

you're making the biggest
mistake you ever made.

Because I promise
you, no matter what

I feel for that kid,
I can't make it.

Not by tomorrow I can't.

So the best thing I can do now

is to take off,
and that's what I'm

gonna do, and nobody's
gonna stop me.

- You a gambling
man, Uncle Mike?

(dramatic orchestral music)

- Sorry I'm late judge.

Traffic.

- Sit down, Frank, please.

This is just between us.

I asked you to drop by because,

well I was wondering
if there was

any chance you might
reconsider before

the hearing tomorrow.

And withdraw this
petition to have

me stop McKay from
his guardianship.

- Mary, you know
that's not gonna

get us anywhere.

You know, as well as I do,

that this man is simply no good.

Look.

I want Linda to
be happy, just as

much as anyone does, but McKay

has just tossed almost
$10,000 out the window.

Irresponsibly.

Now how long do
you suppose we can

preserve the estate
at that rate?

- Everything can't be measured

by book values, and
capital gains, Frank.

- Not from where you sit.

Not from the bench.

But from where I sit, assets and

liabilities have to balance.

And if we fail to
balance them, for Linda,

it would be me you would have on

the carpet tomorrow,
and not Mike McKay.

- I know that
Frank, I know that.

I just wished you hadn't pushed

this thing through so soon.

I wish you'd given him
a little more time.

- You know Mary, that's
something I can't figure.

What could you
possibly see in this

man to make you even
halfway tolerant of him?

- Thanks for stopping by, Frank.

I'll see you in court tomorrow.

(somber orchestral music)

(water splashes)

- You and Buz are my guests.

For a little while
longer anyway.

All last night I
kept wishing this

morning would never come.

How's he doing?

- Well he broke a
window last night.

He thought I was asleep.

Come on, drink
your orange juice.

Want to grow up to have
pretty legs don't you?

Vitamins, pretty legs.

- I don't want anything.

- Ms. Linda, Mr.
Hammond is here.

He's taking the account books.

- But I hid them.

- [Higgins] He found them.

(dramatic orchestral music)

- [Linda] Mr.
Hammond, wait, please.

- I'm sorry honey.

But I'll need these
in court to show

where that $9,000 went.

- I know they'll pay!

They're friends of Uncle Mike.

- Honey.

People like the ones your
uncle invited, never pay.

I'm sorry but I'll have
to take these with me.

We can't hide things
from the judge, can we?

Do you want me to pick you up

this afternoon, and take
you to the court with me?

(Linda sobs)
(somber orchestral music)

- If they'd only pay, Uncle
Mike wouldn't have to run away.

(Linda sobs)

(crowd cheering)

(melodic orchestral music)

(speaking inaudibly)

(melodic orchestral music)

(speaking inaudibly)

(speaking inaudibly)

(speaking inaudibly)

(lively orchestral music)

(speaking inaudibly)

- Now this isn't a case of some

score against an ordinary
mark, that's a different story.

You boys didn't beat
some big hotel chain

out of those rooms and drinks.

You took a future
college education away,

from this little girl.

And the bread right
out of her mouth.

Now I ask you, is that the kind

of thing you wanna
carry around with ya?

Well a thing like that could

even bring a man bad luck.

So I tell you what
we're gonna do.

We're gonna pass the hat.

We're gonna see how
much of that nine grand

we can pull out of the air.

Now Linda, herself,
is gonna pass

among you, and boys,
let me just say this.

Let your conscience
be your guide.

Go ahead honey.

(dramatic orchestral music)

- Oh boy, look at all the money!

- Thanks boys.

(sighs)

(somber orchestral music)

- You're so interested
in that rug,

maybe I can fix it so
you'll end up on it.

- You're not reaching me.

- There's only one
way to reach you.

- [Buz] And that right
needs a little work.

Oh come on, you're
not with it Mike.

You swing like a guy that hasn't

connected for so
long, you wouldn't

know what to do
if you landed one.

You keep telling me
how hard you're trying,

well I think you stopped trying.

You're on a fender
kick, so admit it.

You think it's the booze?

Well that's a cinch.

They got clubs organized,
they can talk you out of that.

But what have they got
for a sense of nowhere?

That's something that
gets in your bone.

- Shut up.

- What did the
world ever do to you

that gives you a special
corner on trouble?

- I can't remember half of it.

- Well then forget the other
half, and you've got it made.

Look, we're all in a war.

The same war, we're vets.

It means somebody cuts the cord

and holds you up by
the heels and slaps

you on the fanny,
and says, "Go man."

I mean that's the whole action.

Trying to regain
your self-respect

after a start like that.

- Okay, okay, lay off!

I'm gonna tell
you something kid,

and then maybe you'll shut up.

Only one other person
alive knows this.

Judge Lindstrom.

And now you're gonna know.

Linda's not my niece.

She's my kid.

My daughter.

- Does she know?

It doesn't figure.

- No.

Why not?

- Why?

Who gives a kid away?

- All kinds of people.

My brother was really something.

I was nowhere.

He and Eleanor
couldn't have a family.

And the girl I married, died.

The nurse brought me Linda.

Well kid, I made a
deal, you understand?

I made a deal.

The only good thing I
did in my whole life.

So she could grow
up to be a princess.

And she has.

So don't ask me why.

And don't tell me I did wrong.

Do you think I can go into court

today, and cop a plea about
how I deserve another chance,

because I'm her father?

Do you think I can
dishonor everything

my brother did for her?

Tell her she's been living
a lie all these years?

Destroy a beautiful memory, and

put what in it's place?

Me?

The best thing that
can happen today

is that they knock
me out of the box,

and sell this place for Linda.

Then she'll be fixed for life.

And those people that are gonna
take her, the Kimberley's?

One of the best
families in San Diego.

You think that's
bad, for my kid?

For Mike McKay's kid?

- I want you to
know I think you're

one of the most spineless
slobs, I ever met.

A kids got a right to
know who her old man is.

I don't care what.

Do you think a house and money

are worth more than
a family and blood?

- You bet I do.

(dramatic orchestral music)

- Listen you, I'm
walking out of here now,

and I'm leaving the door open,

so you can go if you want.

Put your dirty laundry
in a two bit satchel,

and hit the road.

And when I get
down to the lobby,

I'm gonna have a
bottle sent up for you,

so be my guest!

(dramatic orchestral music)

(melodic orchestral music)

- Ms. Linda!

Ms. Linda, you'll
be late, you're due

in court in 20 minutes.

Mr. Hammond's been calling.

I didn't know what to tell him,

I didn't know where you were.

- [Linda] Get the station wagon.

I'll be right out
with Uncle Mike.

Buz.

Uncle Mike isn't gone?

- I'm sorry Linda,
but believe me

it's just better to let him go.

- Buz, how could you do it?

- [Tod] Relax,
she's got it made.

We picked up a
bundle at Del Mar.

- Yeah.

- [Tod] We got enough to
square things with Hammond.

Come on up to Mike's suite,
join the victory celebration.

Come on.

(laughs)

(somber orchestral music)

- This time princess,
I wasn't running away.

I planned to say goodbye first.

- But you don't have to
say goodbye Uncle Mike.

All your friends, they paid
us the money they owed us.

Now you can tell the judge
you were right all along.

Uncle Mike?

(dramatic orchestral music)

- You have no way of...

Of remembering
your aunt, my wife.

But if she'd lived, things
would've been different.

All the way around.

You see princess.

Way back, I let you down.

I don't ever wanna
do that again.

- But you're not, not now.

The judge will listen to you.

She won't let Mr.
Hammond sell the hotel.

And we can stay here.

Where we belong.

- Now...

Now you just listen to me honey.

I want you to know that I'm...

I'm proud of you.

The way you turned out.

I look at you, and
I see all the things

that were wrong with
me, are right with you.

Linda.

I'm going away.

Not just someplace around here

where you can come
and find me, but away.

I wish I could make you
understand the reason,

but if I go in to that hearing,

some things are gonna be said

that mustn't ever be said.

I know it doesn't
make sense to you.

But, believe me, I know.

(dramatic orchestral music)

- Go get her Tod, Uncle
Mike belongs to me.

You really think you got
that coming, don't you?

- Get out of here!

- Now you listen to this boy.

You listen to this,
nobody, nowhere boy,

because I've been there,
and I've been back.

Now you've got a
kid that's crying

for your help, and you're
gonna see that she gets it.

You're gonna stop feeling sorry

for yourself, and you're gonna

start feeling sorry for her.

You're gonna go
into that courtroom

and you're gonna
stand right up there,

right alongside
her, as her father.

And you're gonna beg that judge.

You're gonna make that judge
give you a second chance.

- I told you the truth,
it's gonna hurt her.

- Well why don't you
give her a chance

to decide that, you've
already hurt her

so what difference
does it make now?

I never had any
parents, but I'll

tell you one thing, Mr. McKay.

If I could order them right now,

out of a catalogue, I'd
know exactly what I'd order.

Two people who really wanna get

involved in my
life, all the way.

Two people who care less
about protecting me,

and more about sharing
my hopes and my feelings.

Two people who don't care
about whether it's good or bad.

Where does it say that you're

not supposed to get hurt?

Where does it say that you got a

season ticket to Somewhere
over the Rainbow?

Where?

What's the matter, don't you
have the guts to tell her?

- I don't know.

- Well find out.

But go down fighting
for you, and for her.

(somber orchestral music)

- Linda, are you sure you
don't want us to come with you?

Okay you better get going.

- [Mike] Princess!

Princess!

(dramatic orchestral music)

- [Linda] Uncle Mike!

(Mike laughs)

- Everything's gonna be
alright now, princess.

(melodic orchestral music)

(melodic orchestral music)

- [Herbert] This has
been a Screen Gems

film presentation from
Columbia Pictures.

Herbert B. Leonard.

Executive producer.

(triumphant orchestral music)