Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,236 --> 00:00:05,539
[ "MISSION: IMPOSSIBLE" THEME
PLAYS ]
2
00:01:02,363 --> 00:01:05,766
I'M HERE
FOR THE SPECIAL VIEWING.
3
00:01:32,160 --> 00:01:34,428
Man: GOOD MORNING, MR. PHELPS.
4
00:01:34,462 --> 00:01:37,598
THE WOMAN YOU'RE LOOKING AT
IS RIVA SANTEL,
5
00:01:37,631 --> 00:01:40,868
WIDOW OF THE LATE PRESIDENT
OF SAN CORDOVA.
6
00:01:40,901 --> 00:01:44,705
RIVA HAS ALWAYS BEEN THE ACTUAL
POWER BEHIND THE THRONE
7
00:01:44,738 --> 00:01:47,441
AND SHE ARRANGED
TO MAKE HERSELF THE FOCUS
8
00:01:47,475 --> 00:01:49,377
OF AN INTENSE PERSONALITY CULT.
9
00:01:49,410 --> 00:01:50,778
THE PEOPLE OF SAN CORDOVA
10
00:01:50,811 --> 00:01:53,314
HAVE BEEN SYSTEMATICALLY
PROPAGANDIZED
11
00:01:53,347 --> 00:01:55,883
INTO REVERING HER FACE
AND NAME.
12
00:01:55,916 --> 00:02:00,221
IN 72 HOURS, THIS MAN,
DEPUTY PREMIER TOMAS AVILLA,
13
00:02:00,254 --> 00:02:03,257
PLANS TO ANNOUNCE
FREE ELECTIONS.
14
00:02:03,291 --> 00:02:04,692
BEFORE THEN, HOWEVER,
15
00:02:04,725 --> 00:02:07,328
RIVA INTENDS
TO MAKE A TELEVISED SPEECH
16
00:02:07,361 --> 00:02:09,497
IN WHICH SHE WILL ANNOUNCE
HER TAKEOVER
17
00:02:09,530 --> 00:02:11,265
AS DICTATOR OF SAN CORDOVA.
18
00:02:11,299 --> 00:02:14,335
YOUR MISSION, JIM,
SHOULD YOU DECIDE TO ACCEPT IT,
19
00:02:14,368 --> 00:02:16,904
IS TO STOP THE COUP
PLANNED BY RIVA SANTEL
20
00:02:16,937 --> 00:02:20,274
AND TO MAKE POSSIBLE
FREE ELECTIONS IN SAN CORDOVA.
21
00:02:20,308 --> 00:02:22,910
AS ALWAYS, IF YOU
OR ANY OF YOUR I.M. FORCE
22
00:02:22,943 --> 00:02:24,845
SHOULD BE CAUGHT OR KILLED,
23
00:02:24,878 --> 00:02:28,482
THE SECRETARY WILL DISAVOW
ANY KNOWLEDGE OF YOUR ACTIONS.
24
00:02:28,516 --> 00:02:31,452
THIS TAPE WILL SELF-DESTRUCT
IN 10 SECONDS.
25
00:02:31,485 --> 00:02:33,187
GOOD LUCK, JIM.
26
00:04:14,488 --> 00:04:15,956
THAT'S IT. HOLD IT.
27
00:04:15,989 --> 00:04:17,391
[ SHUTTER CLICKS ]
28
00:04:17,425 --> 00:04:18,626
FINE.
29
00:04:21,662 --> 00:04:25,032
HER FACE IS HER FORTUNE --
AND HER FUTURE.
30
00:04:25,065 --> 00:04:26,667
UNDERSTAND,
DR. VON BERGNER?
31
00:04:26,700 --> 00:04:27,835
PERFECTLY.
32
00:04:27,868 --> 00:04:29,937
HOW LONG WILL IT TAKE,
DOCTOR?
33
00:04:29,970 --> 00:04:35,409
WITH SILICONE INJECTIONS
HERE AND HERE,
34
00:04:35,443 --> 00:04:39,913
THEN MOLDING BY SURGICAL
LASER BEAM -- TWO HOURS.
35
00:04:39,947 --> 00:04:41,048
FAST ENOUGH?
36
00:04:41,081 --> 00:04:43,584
TOO FAST.
37
00:04:43,617 --> 00:04:45,519
MAKEUP KIT?
38
00:04:45,553 --> 00:04:47,555
ENOUGH FOR MRS. METHUSELAH.
39
00:04:47,588 --> 00:04:49,323
WILLY.
40
00:04:51,692 --> 00:04:52,993
MM-HMM. BOTH REAR DOORS.
41
00:04:53,026 --> 00:04:54,428
RIGHT.
42
00:04:54,462 --> 00:04:56,397
HOW ABOUT THE TELEVISION
SETUP, BARNEY?
43
00:04:56,430 --> 00:04:57,765
WE'LL BE OFFICIALLY WORKING
44
00:04:57,798 --> 00:04:59,933
FOR TRANS-AMERICO ENTERPRISES
INCORPORATE.
45
00:04:59,967 --> 00:05:01,935
HAVE YOU GOT THE LETTER,
ROLLIN?
46
00:05:01,969 --> 00:05:03,971
YES, I DO, JIM.
47
00:05:08,476 --> 00:05:09,710
LOOKS REAL.
48
00:05:09,743 --> 00:05:11,645
THE ENVELOPE IS.
THE LETTER'S A FORGERY.
49
00:05:11,679 --> 00:05:13,881
IT'S AN EXCELLENT ONE.
IT SHOULD CONVINCE HER.
50
00:05:13,914 --> 00:05:15,816
IT WILL.
51
00:05:15,849 --> 00:05:19,587
RIVA SANTEL WANTS TWO THINGS --
TOTAL POWER AND ETERNAL BEAUTY.
52
00:05:19,620 --> 00:05:23,924
WE'RE GOING TO OFFER HER
THE CHANCE TO HAVE BOTH.
53
00:05:42,443 --> 00:05:47,448
I MERELY WANT TO MAKE A FAREWELL
SPEECH TO THE LEGISLATURE
54
00:05:47,481 --> 00:05:49,950
AS A LAST HONOR TO MY HUSBAND.
55
00:05:49,983 --> 00:05:52,152
Man: I CANNOT ALLOW THAT.
56
00:05:52,185 --> 00:05:55,589
YOU CANNOT ALLOW IT?
BY WHAT RIGHT?
57
00:05:55,623 --> 00:05:58,792
AS ACTING HEAD
OF THE GOVERNMENT.
58
00:05:58,826 --> 00:06:03,464
YOU FORGET, SEÑOR AVILLA,
THAT I WAS THE GOVERNMENT,
59
00:06:03,497 --> 00:06:05,132
NOT MY HUSBAND.
60
00:06:05,165 --> 00:06:08,035
I AM THE ONE
THE PEOPLE WILL FOLLOW.
61
00:06:08,068 --> 00:06:10,504
I AM THE ONE
THE PEOPLE LOVE.
62
00:06:10,538 --> 00:06:11,872
LOVE?
63
00:06:11,905 --> 00:06:14,675
YOU MEAN FEAR.
64
00:06:14,708 --> 00:06:17,845
YOU HAVE TRICKED, CHEATED,
LIED TO THE PEOPLE
65
00:06:17,878 --> 00:06:20,714
OR ELSE IMPRISONED AND KILLED
THOSE WHO OPPOSED YOU.
66
00:06:20,748 --> 00:06:23,684
WHY DO YOU THINK YOU'RE
STILL FREE AND ALIVE?
67
00:06:23,717 --> 00:06:27,054
BECAUSE I HAVE
A USE FOR YOU.
68
00:06:27,087 --> 00:06:30,424
WE COUL WORK TOGETHER.
69
00:06:30,458 --> 00:06:32,025
NO.
70
00:06:32,059 --> 00:06:34,562
I KNOW WHAT YOU
REALLY WANT --
71
00:06:34,595 --> 00:06:36,096
TO INFLAME THE PEOPLE,
72
00:06:36,129 --> 00:06:39,032
TO SEND THEM STORMING
INTO THE STREETS
73
00:06:39,066 --> 00:06:41,769
BEFORE FREE ELECTIONS
CAN BE HELD.
74
00:06:41,802 --> 00:06:43,136
I WON'T LET YOU!
75
00:06:43,170 --> 00:06:46,406
NOT IF I HAVE TO GIVE
MY LIFE TO STOP YOU.
76
00:06:52,145 --> 00:06:54,548
[ DOOR OPENS AND CLOSES ]
77
00:07:12,566 --> 00:07:15,603
I HAVE INSTRUCTIONS
NOT TO ALLOW ANYONE
78
00:07:15,636 --> 00:07:19,507
INTO THE PRESIDENTIAL PALACE
WITHOUT A SPECIAL PASS.
79
00:07:19,540 --> 00:07:21,441
WOULD YOU SEND
THIS UP, PLEASE?
80
00:07:25,513 --> 00:07:26,947
YES.
81
00:07:26,980 --> 00:07:29,683
THIS IS
ARNOLDO'S HANDWRITING.
82
00:07:29,717 --> 00:07:31,752
WHY WOULD HE PLAN
SOMETHING LIKE THAT
83
00:07:31,785 --> 00:07:33,687
WITHOUT LETTING
ONE OF US KNOW?
84
00:07:33,721 --> 00:07:36,957
MY HUSBAND
WAS ALWAYS CAPABLE
85
00:07:36,990 --> 00:07:39,960
OF SIMPERING, LITTLE,
ROMANTIC GESTURES.
86
00:07:39,993 --> 00:07:42,696
WHAT DOES IT MATTER
WHY HE DID IT.
87
00:07:42,730 --> 00:07:45,866
WHAT COULD WORK
INTO OUR PLANS BETTER?
88
00:07:49,903 --> 00:07:52,005
SHOW THEM IN, RAOUL.
89
00:08:02,282 --> 00:08:03,784
SEÑORA SANTEL,
90
00:08:03,817 --> 00:08:05,919
FRANK WENDLEY,
TRANS-AMERICO TELEVISION.
91
00:08:05,953 --> 00:08:08,088
THIS IS MISS CARLTON.
CANDY CARLTON.
92
00:08:08,121 --> 00:08:09,022
HOW DO YOU DO?
93
00:08:09,056 --> 00:08:10,157
HOW DO YOU DO?
94
00:08:10,190 --> 00:08:11,825
THIS IS, WAS, UH,
95
00:08:11,859 --> 00:08:15,729
MY HUSBAND'S PERSONAL
SECRETARY, RAOUL LENZ.
96
00:08:15,763 --> 00:08:17,297
HOW DO YOU DO?
SEÑOR.
97
00:08:17,330 --> 00:08:19,700
MY HUSBAND'S LETTER
SAYS NOTHING
98
00:08:19,733 --> 00:08:23,170
ABOUT THE KIND OF PROGRAM
HE AGREED TO LET YOU PRODUCE.
99
00:08:23,203 --> 00:08:25,606
AH, WELL, IT'S TO BE
A TAPED DOCUMENTARY
100
00:08:25,639 --> 00:08:27,641
FOR TELEVISION
TO BE SHOWN WORLDWIDE.
101
00:08:27,675 --> 00:08:30,611
NOW, ACTUALLY, IT'S A TOUR
OF THE PRESIDENTIAL PALACE
102
00:08:30,644 --> 00:08:33,146
WITH YOU AS HOSTESS
AND OFFICIAL GUIDE.
103
00:08:33,180 --> 00:08:35,182
MISS CARLTON WOULD BE
WITH YOU DOING COMMENTARY.
104
00:08:35,215 --> 00:08:36,584
SHE'LL ASK QUESTIONS
105
00:08:36,617 --> 00:08:37,785
THE AUDIENCE WOULD BE
INTERESTED IN,
106
00:08:37,818 --> 00:08:38,786
THAT SORT OF THING.
107
00:08:38,819 --> 00:08:40,187
SHE'S DONE THIS BEFORE
108
00:08:40,220 --> 00:08:42,756
AT THE WHITE HOUSE, MONACO,
AND WINDSOR CASTLE.
109
00:08:42,790 --> 00:08:44,692
IT, UM, LENDS
A CERTAIN INTIMACY
110
00:08:44,725 --> 00:08:45,959
TO THIS SORT OF PROGRAM.
111
00:08:45,993 --> 00:08:47,895
OF COURSE,
THIS WAS THE THINKING
112
00:08:47,928 --> 00:08:49,897
BEFORE YOUR HUSBAND'S
SUDDEN DEATH.
113
00:08:49,930 --> 00:08:52,332
PERHAPS, NOW IT
WOULD SEEM INAPPROPRIATE.
114
00:08:52,365 --> 00:08:53,834
PERHAPS.
115
00:08:53,867 --> 00:08:56,904
BUT STILL, AS A TRIBUTE
TO MY LATE HUSBAND...
116
00:08:56,937 --> 00:08:59,106
OF COURSE, WHAT BETTER WAY
TO SHOW THE WORLD
117
00:08:59,139 --> 00:09:00,774
WHAT A WONDERFUL MAN
HE WAS.
118
00:09:00,808 --> 00:09:02,643
AND TO SHOW HOW MUCH
SAN CORDOVA
119
00:09:02,676 --> 00:09:05,012
NEEDS TO CONTINUE
HIS KIND OF LEADERSHIP.
120
00:09:05,045 --> 00:09:06,079
EXACTLY.
121
00:09:06,113 --> 00:09:08,048
RAOUL, YOU'LL SEE TO ROOMS
122
00:09:08,081 --> 00:09:10,317
FOR MR. WENDLEY
AND MISS CARLTON.
123
00:09:10,350 --> 00:09:11,551
PLEASE.
124
00:10:25,793 --> 00:10:27,661
Santel: RAOUL...
125
00:10:27,695 --> 00:10:30,664
IS THERE
A NEW LINE HERE?
126
00:10:30,698 --> 00:10:32,365
NO, NO.
127
00:10:32,399 --> 00:10:34,201
ARE YOU SURE?
128
00:10:34,234 --> 00:10:37,671
YES. RIVA,
YOU WEREN'T LISTENING TO ME.
129
00:10:37,705 --> 00:10:39,139
I DON'T LIKE IT
WITH WENDLEY
130
00:10:39,172 --> 00:10:41,308
AND HIS CAMERAS
AND EQUIPMENT EVERYWHERE.
131
00:10:41,341 --> 00:10:43,010
NOW EVERYONE
IN THE CAPITAL
132
00:10:43,043 --> 00:10:45,212
KNOWS ABOUT THIS
TELEVISION DOCUMENTARY.
133
00:10:45,245 --> 00:10:47,715
AND YOU CAN BE SURE
AVILLA KNOWS, TOO.
134
00:10:50,250 --> 00:10:52,085
RIVA.
135
00:10:52,119 --> 00:10:54,221
I HEARD YOU.
136
00:10:54,254 --> 00:10:56,757
THEN WHAT ARE WE GOING
TO DO ABOUT IT?
137
00:10:56,790 --> 00:10:59,359
NOTHING.
I WANT AVILLA TO FIND OUT.
138
00:10:59,392 --> 00:11:02,796
THAT IS EXACTLY WHY I AGREED
TO THIS TELEVISED TOUR
139
00:11:02,830 --> 00:11:04,097
OF THE PALACE.
140
00:11:04,131 --> 00:11:07,801
AS LONG AS HE THINKS
THIS IS JUST A DOCUMENTARY
141
00:11:07,835 --> 00:11:09,837
BEING DONE BY MR. WENDLEY,
142
00:11:09,870 --> 00:11:11,839
HE WILL NOT SUSPECT ANYTHING
143
00:11:11,872 --> 00:11:14,241
WHEN WE BRING IN
OUR SPECIAL CREW
144
00:11:14,274 --> 00:11:18,178
TO TELEVISE MY SPEECH
TO THE PEOPLE.
145
00:11:18,211 --> 00:11:22,149
IT'S TOO HARSH.
TAKE IT DOWN.
146
00:11:22,182 --> 00:11:23,250
NOW SOFTEN IT.
147
00:11:23,283 --> 00:11:25,152
MY APOLOGIES, SEÑORA.
148
00:11:25,185 --> 00:11:28,255
THE LIGHTING
IS NOT QUITE RIGHT.
149
00:11:30,190 --> 00:11:32,292
ED, I THOUGHT THE LIGHTS
WERE SET.
150
00:11:32,325 --> 00:11:33,493
I DID, TOO, MR. WENDLEY.
151
00:11:33,526 --> 00:11:35,796
WELL, THEY'RE NOT.
152
00:11:35,829 --> 00:11:37,931
Cinnamon:
IT'S MY FAULT, FRANK.
153
00:11:37,965 --> 00:11:39,733
ED USED ME TO SET
THE LIGHTS,
154
00:11:39,767 --> 00:11:42,235
AND OF COURSE, OUR COLORING
IS SO VERY DIFFERENT.
155
00:11:42,269 --> 00:11:44,738
I THINK WE COULD CORRECT THAT,
HOWVER, WITH MAKEUP.
156
00:11:44,772 --> 00:11:47,074
FOR INSTANCE, IF WE USED
A LIGHTER BASE,
157
00:11:47,107 --> 00:11:49,009
THEN WE COULD USE
A DARK SHADOW HERE,
158
00:11:49,042 --> 00:11:51,078
AND IT WOULD MAKE
A VERY CLEAN CHIN LINE.
159
00:11:51,111 --> 00:11:53,847
WELL, THIS FACE
IS QUITE FAMILIAR
160
00:11:53,881 --> 00:11:55,048
IN MY COUNTRY.
161
00:11:55,082 --> 00:11:57,985
I HAVE HAD NO COMPLAINTS
UNTIL NOW.
162
00:11:58,018 --> 00:12:02,089
SEÑORA SANTEL'S FEATURES
ARE MORE FAMOUS THAN OUR FLAG.
163
00:12:02,122 --> 00:12:03,957
WHY, YOU'RE
ABSOLUTELY RIGHT.
164
00:12:03,991 --> 00:12:07,060
AND WE'RE NOT GOING TO DO
ANYTHING TO TAMPER WITH AN IMAGE
165
00:12:07,094 --> 00:12:08,862
THAT IS SYNONYMOUS
WITH SAN CORDOVA.
166
00:12:08,896 --> 00:12:10,430
THE LIGHTING IS WRONG, SEÑORA.
167
00:12:10,463 --> 00:12:12,299
IF YOU'LL JUST RELAX A MOMENT,
WE'LL FIX IT.
168
00:12:12,332 --> 00:12:14,367
ED.
169
00:12:21,208 --> 00:12:23,110
SEÑORA SANTEL,
I DO OWE YOU AN APOLOGY --
170
00:12:23,143 --> 00:12:24,411
OH, CALL ME RIVA.
171
00:12:24,444 --> 00:12:26,313
EVEN THE CHILDREN
CALL ME THAT.
172
00:12:26,346 --> 00:12:28,248
RIVA, THEN YOU DO
FORGIVE ME.
173
00:12:28,281 --> 00:12:30,383
IT WAS FOOLISH OF ME
TO SUGGEST --
174
00:12:30,417 --> 00:12:32,152
PLEASE.
DO NOT APOLOGIZE.
175
00:12:32,185 --> 00:12:34,354
IT IS I WHO SHOULD
APOLOGIZE TO YOU.
176
00:12:34,387 --> 00:12:37,224
AFTER ALL, THIS IS
YOUR PROFESSION,
177
00:12:37,257 --> 00:12:39,359
AND I SHOULD ACCEPT
YOUR ADVICE.
178
00:12:39,392 --> 00:12:42,329
I HAVE KNOWN SO MANY FANTASTIC
PEOPLE IN THE THEATER
179
00:12:42,362 --> 00:12:44,397
AND LEARNED
SUCH MARVELOUS TRICKS.
180
00:12:44,431 --> 00:12:46,233
YOU HAVE BEEN
IN THE THEATER?
181
00:12:46,266 --> 00:12:49,036
I'VE BEEN IN THE THEATER
FOR THAN FIF--
182
00:12:51,038 --> 00:12:54,541
I'VE BEEN IN THE THEATER
MOST OF MY LIFE,
183
00:12:54,574 --> 00:12:56,944
UM, UP UNTIL RECENTLY.
184
00:13:01,214 --> 00:13:02,916
HOW ABOUT THAT CANDY?
185
00:13:02,950 --> 00:13:04,117
JUST RECENTLY.
186
00:13:04,151 --> 00:13:06,086
BEEN 30 YEARS
SINCE SHE WAS ON BROADWAY.
187
00:13:06,119 --> 00:13:09,022
Willy: I'D SAY
IT'S MORE LIKE 40 YEARS.
188
00:13:11,124 --> 00:13:13,927
Jim: ED, JIMMY.
189
00:13:19,199 --> 00:13:21,134
I LOWERED THE KEY.
190
00:13:21,168 --> 00:13:23,136
THAT SHOULD DO IT.
191
00:13:23,170 --> 00:13:26,106
UH, GET OUT TO THE TAPE VAN
AND GET READY TO ROLL TAPE.
192
00:13:26,139 --> 00:13:27,875
RIGHT.
193
00:13:27,908 --> 00:13:31,311
SEÑORA SANTEL, CANDY,
I THINK WE'RE READY.
194
00:13:36,349 --> 00:13:39,486
NOW, IN ORDER TO GET A FEELING
OF REAL SPONTANEITY --
195
00:13:39,519 --> 00:13:41,321
A TRUE DOCUMENTARY FLAVOR --
196
00:13:41,354 --> 00:13:43,623
I WANT TO DO THIS ALL
WITHOUT A REHEARSAL.
197
00:13:43,656 --> 00:13:46,093
WHATEVER YOU DON'T LIKE,
WE CAN EASILY SNIP OUT.
198
00:13:46,126 --> 00:13:47,560
WE HAVE AN OLD SAYING --
199
00:13:47,594 --> 00:13:50,063
THE CAMERAMAN TAKETH AND
THE TAPE EDITOR TAKETH AWAY.
200
00:13:50,097 --> 00:13:51,598
UNDERSTAND?
201
00:13:51,631 --> 00:13:53,133
YES. YES.
202
00:13:53,166 --> 00:13:55,335
YOU READY, CANDY?
203
00:13:55,368 --> 00:13:56,937
ANY TIME.
204
00:13:56,970 --> 00:13:59,072
YOU SURE? I WANT TO GET THIS
ALL IN ONE TAKE.
205
00:13:59,106 --> 00:14:00,908
YOU'LL HAVE TO BE
ON YOUR FEET.
206
00:14:00,941 --> 00:14:04,077
I SAID I WAS READY.
207
00:14:04,111 --> 00:14:05,612
NOW, ON ACTION,
208
00:14:05,645 --> 00:14:07,948
I WANT YOU AND CANDY
TO MOVE TO THE TABLE,
209
00:14:07,981 --> 00:14:09,883
AND YOU'RE SIMPLY
THE CHARMING HOSTESS
210
00:14:09,917 --> 00:14:11,218
SHOWING A GUEST YOUR HOME.
211
00:14:11,251 --> 00:14:12,986
CANDY WILL ASK YOU
QUESTIONS.
212
00:14:13,020 --> 00:14:15,889
YOU ANSWER AS YOU NATURALLY
WOULD. READY?
213
00:14:15,923 --> 00:14:17,090
ED.
214
00:14:17,124 --> 00:14:19,092
ALL SET.
215
00:14:19,126 --> 00:14:21,428
ROLL TAPE.
216
00:14:21,461 --> 00:14:24,031
ALL RIGHT.
JUST BE NATURAL.
217
00:14:24,064 --> 00:14:25,933
THIS IS HAPPY TIME.
218
00:14:25,966 --> 00:14:27,067
AND...ACTION.
219
00:14:30,637 --> 00:14:33,273
SEÑORA SANTEL, I UNDERSTAND
THAT YOUR HUSBAND,
220
00:14:33,306 --> 00:14:34,541
YOUR LATE HUSBAND,
221
00:14:34,574 --> 00:14:36,376
SPENT A GREAT DEAL OF TIME
IN THIS ROOM,
222
00:14:36,409 --> 00:14:38,145
AND THAT
HE WAS VERY INTERESTED
223
00:14:38,178 --> 00:14:39,479
IN THE HISTORY
OF SAN CORDOVA.
224
00:14:39,512 --> 00:14:40,948
IS THAT RIGHT?
225
00:14:40,981 --> 00:14:43,616
YES, HE LOVED EVERYTHING
AND ANYTHING
226
00:14:43,650 --> 00:14:46,519
THAT HAD TO DO
WITH OUR GREAT COUNTRY,
227
00:14:46,553 --> 00:14:48,055
EVEN AS I DO.
228
00:14:48,088 --> 00:14:50,958
WE SPENT MANY HAPPY HOURS
TOGETHER HERE.
229
00:14:50,991 --> 00:14:53,526
AM I CORRECT IN ASSUMING
THAT ALL THESE BOOKS
230
00:14:53,560 --> 00:14:54,928
ARE ON SAN CORDOVA?
231
00:14:54,962 --> 00:14:56,429
YES, EVERY ONE OF THEM.
232
00:14:56,463 --> 00:14:59,299
WE HAD A STANDING ORDER
WITH THE BOOK PUBLISHERS,
233
00:14:59,332 --> 00:15:01,601
EVEN IN THE UNITED STATES.
234
00:15:01,634 --> 00:15:04,171
ANYTHING THAT WAS EVER
PRINTED ABOUT OUR COUNTRY
235
00:15:04,204 --> 00:15:05,338
WAS SENT TO US.
236
00:15:05,372 --> 00:15:06,974
WHY DON'T WE TAKE A BOOK
AT RANDOM
237
00:15:07,007 --> 00:15:09,142
AND SHARE IT
WITH OUR TELEVISION AUDIENCE.
238
00:15:09,176 --> 00:15:11,411
I THINK THE CAMERA
CAN COME IN CLOSE.
239
00:15:25,725 --> 00:15:27,694
CUT IT. CUT IT. CUT IT.
240
00:15:27,727 --> 00:15:29,296
WHAT IS IT, CANDY?
241
00:15:29,329 --> 00:15:31,298
IT'S NOTHING. I JUST...
242
00:15:31,331 --> 00:15:32,565
I'M ALL RIGHT.
243
00:15:32,599 --> 00:15:34,734
IS THAT STUFF WEARING OFF?
244
00:15:34,767 --> 00:15:36,736
I JUST FELT DIZZY
ALL OF A SUDDEN.
245
00:15:36,769 --> 00:15:39,672
I WANTED YOU TO SEE THAT
DOCTOR BEFORE WE CAME HERE.
246
00:15:39,706 --> 00:15:41,008
I'VE CABLED HIM.
247
00:15:41,041 --> 00:15:42,542
HE SHOULD HAVE BEEN HERE
BY NOW.
248
00:15:42,575 --> 00:15:44,677
CAN WE TAKE A BREAK SO I
CAN REST FOR A FEW MINUTES,
249
00:15:44,711 --> 00:15:46,479
JUST UNTIL
DR. MARSON ARRIVES?
250
00:15:46,513 --> 00:15:49,016
KILL THE LIGHTS, ED.
251
00:15:49,049 --> 00:15:50,083
GO ON.
252
00:15:56,389 --> 00:15:58,558
YOU ARE NOT
GOING TO FINISH?
253
00:15:58,591 --> 00:15:59,692
OH, YES, YES.
254
00:15:59,726 --> 00:16:02,295
WE'LL FINISH
RIGHT AFTER DINNER.
255
00:16:02,329 --> 00:16:03,730
WELL, THAT'S ALL RIGHT, ED.
256
00:16:03,763 --> 00:16:06,566
YOU CAN START WITH A NEW TAPE
RIGHT AFTER DINNER.
257
00:16:06,599 --> 00:16:07,734
WHATEVER YOU SAY.
258
00:16:11,271 --> 00:16:13,340
TERRIBLY SORRY ABOUT THIS.
259
00:16:13,373 --> 00:16:16,043
OH, IT'S PERFECTLY
ALL RIGHT.
260
00:16:20,180 --> 00:16:21,348
AREN'T YOU COMING?
261
00:16:21,381 --> 00:16:23,050
NOT JUST YET.
262
00:17:03,690 --> 00:17:05,158
DR. MARSON.
263
00:17:05,192 --> 00:17:06,526
YOU'RE EXPECTED?
264
00:17:06,559 --> 00:17:07,294
YES.
265
00:17:07,327 --> 00:17:08,428
I'LL HAVE TO CALL.
266
00:17:11,798 --> 00:17:13,833
YES?
267
00:17:13,866 --> 00:17:16,169
RIVA!
268
00:17:16,203 --> 00:17:17,304
YES.
269
00:17:17,337 --> 00:17:19,472
ARE YOU EXPECTING
A DR. MARSON?
270
00:17:19,506 --> 00:17:21,741
OH, THAT MUST BE
CANDY'S DOCTOR.
271
00:17:21,774 --> 00:17:23,476
WITH THE SHOW ON MY MIND,
272
00:17:23,510 --> 00:17:26,746
I COMPLETELY FORGOT TO TELL
YOU THAT HE WAS COMING.
273
00:17:26,779 --> 00:17:29,582
UH, TELL THEM
TO PASS THE DOCTOR THROUGH.
274
00:17:29,616 --> 00:17:33,153
YOU ALSO FORGOT TO MENTION
THAT MISS CARLTON WAS ILL.
275
00:17:33,186 --> 00:17:36,256
NO, SHE'S NOT ILL, REALLY,
JUST, UH, EXHAUSTED.
276
00:17:36,289 --> 00:17:39,126
SHE'S BEEN WORKING
VERY HARD LATELY.
277
00:17:39,159 --> 00:17:41,461
WELL, PERHAPS I SHOULD
GO UP AND SEE HER.
278
00:17:41,494 --> 00:17:43,563
NO, NO, NO, NO,
I WOULDN'T DO THAT.
279
00:17:43,596 --> 00:17:44,864
BUT A DOCTOR?
280
00:17:44,897 --> 00:17:47,467
UH, SPECIALIST.
281
00:17:47,500 --> 00:17:49,136
IN WHAT?
282
00:17:49,169 --> 00:17:52,205
RHEUMATISM? HARDENING
OF THE ARTERIES? SENILITY?
283
00:17:52,239 --> 00:17:54,207
RIVA.
284
00:17:57,610 --> 00:18:01,248
WE HAPPENED TO COME ACROSS
THIS BOOK.
285
00:18:01,281 --> 00:18:03,616
QUITE FASCINATING, REALLY,
286
00:18:03,650 --> 00:18:06,519
ESPECIALLY ON PAGE,
UH, 370.
287
00:18:06,553 --> 00:18:09,656
QUITE AN ASTOUNDING
PHOTOGRAPH,
288
00:18:09,689 --> 00:18:11,824
IS IT NOT, MR. WENDLEY?
289
00:18:11,858 --> 00:18:14,527
DON'T YOU THINK SO, RAOUL?
290
00:18:18,465 --> 00:18:22,769
AN AMERICAN AMBASSADOR
TO SAN CORDOVA IN 1914
291
00:18:22,802 --> 00:18:26,473
NEITHER FASCINATES
NOR ASTOUNDS ME.
292
00:18:26,506 --> 00:18:29,776
HIS DAUGHTER,
THE YOUNG GIRL,
293
00:18:29,809 --> 00:18:33,346
OR SHOULD I SAY
YOUNG LADY...
294
00:18:35,382 --> 00:18:37,550
LOOK AT HER MORE CLOSELY.
295
00:18:43,223 --> 00:18:44,691
MISS CARLTON.
296
00:18:46,693 --> 00:18:49,262
IT MUST BE HER GRANDMOTHER.
297
00:18:49,296 --> 00:18:51,398
PROBABLY SOMEBODY
CANDY NEVER MENTIONED.
298
00:18:51,431 --> 00:18:55,768
NO. NO, THAT
IS MISS CARLTON, HERSELF.
299
00:18:55,802 --> 00:18:58,505
IMPOSSIBLE. 1914 --
THAT MAKES HER OVER --
300
00:18:58,538 --> 00:19:02,375
OVER 70.
OVER 70, MR. WENDLEY?
301
00:19:08,515 --> 00:19:11,318
THAT MUST BE
DR. MARSON.
302
00:19:19,859 --> 00:19:22,195
I'M SORRY I'M LATE.
MY FLIGHT WAS DELAYED.
303
00:19:22,229 --> 00:19:24,864
JUST AS LONG AS YOU'RE HERE.
SHE'S WAITING IN HER ROOM.
304
00:19:33,240 --> 00:19:36,643
Cinnamon: DR. MARSON?
305
00:19:36,676 --> 00:19:37,977
WHO IS IT?
306
00:19:38,010 --> 00:19:39,712
DR. MARSON.
307
00:19:51,691 --> 00:19:53,426
DR. MARSON?
308
00:19:53,460 --> 00:19:54,861
YES.
309
00:19:54,894 --> 00:19:58,365
YOUR PATIENT
IS EXPECTING YOU.
310
00:20:04,504 --> 00:20:06,473
I SAW HER. RAOUL SAW HER.
311
00:20:06,506 --> 00:20:09,409
ONLY AGE COULD DO THAT
TO A PERSON.
312
00:20:09,442 --> 00:20:11,978
CANDY CARLTON
IS AN OLD WOMAN.
313
00:20:12,011 --> 00:20:14,881
I JUST LEFT HER TWO MINUTES AGO
IN THE ROOM UPSTAIRS.
314
00:20:14,914 --> 00:20:16,416
SHE CERTAINLY DOESN'T
LOOK OLD TO ME.
315
00:20:16,449 --> 00:20:17,684
PROVE IT.
316
00:20:17,717 --> 00:20:19,752
Cinnamon: WHAT PROOF
WOULD YOU LIKE?
317
00:20:27,026 --> 00:20:27,960
HOW IS IT DONE?
318
00:20:27,994 --> 00:20:29,662
BUT SEÑORA SANTEL,
319
00:20:29,696 --> 00:20:31,964
YOU CAN SEE FOR YOURSELF
THAT CANDY HASN'T CHANGED.
320
00:20:31,998 --> 00:20:34,467
SHE WAS TIRED,
BUT A LITTLE MAKEUP --
321
00:20:34,501 --> 00:20:36,269
HOW, MR. WENDLEY?
322
00:20:37,837 --> 00:20:40,607
IF SHE DOES NOT TELL ME
HER SECRET,
323
00:20:40,640 --> 00:20:43,242
I WILL CANCEL
THE DOCUMENTARY.
324
00:20:49,582 --> 00:20:50,850
IT'S TRUE.
325
00:20:50,883 --> 00:20:53,686
I'M AS OLD AS YOU SAW ME
A FEW MINUTES AGO.
326
00:20:53,720 --> 00:20:55,555
YOU CAN'T BE IN YOUR 70s.
327
00:20:55,588 --> 00:21:00,560
LATE 60s.
DR. MARSON IS A GENIUS.
328
00:21:00,593 --> 00:21:03,430
A MOST AMAZING FACE LIFT.
329
00:21:03,463 --> 00:21:05,732
NOT A FACE LIFT,
A "FACE SET."
330
00:21:05,765 --> 00:21:08,501
YOU SEE, I,
I MERELY SET THE FACE
331
00:21:08,535 --> 00:21:11,538
WITH A SERIES
OF SILICONE INJECTIONS.
332
00:21:11,571 --> 00:21:13,039
QUITE PAINLESS.
333
00:21:13,072 --> 00:21:15,608
THAT, COMBINED WITH MY SECRET
USE OF A SURGICAL LASER
334
00:21:15,642 --> 00:21:16,976
PRODUCES THESE RESULTS.
335
00:21:17,009 --> 00:21:19,812
THERE ARE NO SCARS,
NO UNNATURAL TISSUE...
336
00:21:19,846 --> 00:21:21,314
NOTHING.
337
00:21:21,348 --> 00:21:23,550
AND WITH DR. MARSON'S
NEW HORMONAL SERUM,
338
00:21:23,583 --> 00:21:25,552
YOU STAY 30
UNTIL YOU'RE 100.
339
00:21:25,585 --> 00:21:27,354
UNLESS, OF COURSE,
340
00:21:27,387 --> 00:21:31,691
UH, YOU SHOULD ACCIDENTLY DROP
YOUR SPARE BOTTLE OF SERUM
341
00:21:31,724 --> 00:21:32,892
AS CANDY DID.
342
00:21:32,925 --> 00:21:35,795
HOW LONG
DOES THE OPERATION TAKE?
343
00:21:35,828 --> 00:21:36,963
TWO HOURS.
344
00:21:40,500 --> 00:21:42,735
WHEN CAN YOU
BE READY FOR ME?
345
00:21:42,769 --> 00:21:44,737
RIVA,
YOU CAN'T BE SERIOUS.
346
00:21:44,771 --> 00:21:46,839
SEÑORA SANTEL, WHY?
347
00:21:46,873 --> 00:21:50,743
MY FACE IS ON THE COINS
OF THIS COUNTRY.
348
00:21:50,777 --> 00:21:53,446
LET'S SAY I WANT
TO SAVE MY COUNTRY
349
00:21:53,480 --> 00:21:55,382
THE EXPENSE OF NEW COINS
350
00:21:55,415 --> 00:21:58,885
SIMPLY BECAUSE THIS FACE
HAS BECOME OBSOLETE.
351
00:21:58,918 --> 00:22:02,489
I AM WILLING TO PAY
WHATEVER YOUR FEE IS.
352
00:22:02,522 --> 00:22:07,093
WELL, I COULD TAKE OFF
10 YEARS IN THE PROCESS.
353
00:22:07,126 --> 00:22:10,763
I WOULDN'T SUGGEST TAKING OFF
ANY MORE THAN THAT.
354
00:22:10,797 --> 00:22:11,898
WHEN, DOCTOR?
355
00:22:11,931 --> 00:22:13,900
TOMORROW...
356
00:22:13,933 --> 00:22:15,134
AT NOON.
357
00:22:15,167 --> 00:22:16,836
IF THAT'S ALL RIGHT WITH YOU.
358
00:22:16,869 --> 00:22:19,739
MY ASSISTANT COULDN'T ARRIVE
BEFORE TOMORROW MORNING.
359
00:22:19,772 --> 00:22:21,641
BUT YOUR SPEECH
TO THE COUNTRY --
360
00:22:21,674 --> 00:22:24,010
THE TELECAST IS TOMORROW.
361
00:22:24,043 --> 00:22:25,378
SPEECH?
362
00:22:25,412 --> 00:22:27,380
A EULOGY TO MY HUSBAND
363
00:22:27,414 --> 00:22:29,516
AND MY FAREWELL
TO THE PEOPLE.
364
00:22:29,549 --> 00:22:32,519
IT WAS SOMETHING I PROMISED
HIM JUST BEFORE HE DIED.
365
00:22:32,552 --> 00:22:34,521
THIS SPEECH --
WHEN ARE YOU TO MAKE IT?
366
00:22:34,554 --> 00:22:36,389
TOMORROW NIGHT AT 6:00.
367
00:22:36,423 --> 00:22:39,892
THEN I CAN OPERATE BY 12:00,
AND YOU SHOULD BE FINE BY 6:00.
368
00:22:39,926 --> 00:22:42,595
NO. EVERYTHING DEPENDS
ON YOUR SPEECH.
369
00:22:42,629 --> 00:22:44,431
YOU CAN DO THIS ANYTIME.
370
00:22:46,499 --> 00:22:48,000
YOU'RE RIGHT.
371
00:22:48,034 --> 00:22:49,902
UH...NEXT WEEK.
372
00:22:49,936 --> 00:22:52,839
IMPOSSIBLE. I LEAVE FOR
THE STATES TOMORROW NIGHT.
373
00:22:52,872 --> 00:22:55,808
I HAVE AN OPERATION TO PERFORM
THE FOLLOWING DAY,
374
00:22:55,842 --> 00:22:56,909
AND I'M BOOKED SOLID
FOR THE REST OF THE YEAR.
375
00:22:56,943 --> 00:22:58,545
A YEAR?
376
00:22:58,578 --> 00:23:01,514
COULDN'T RIVA'S SPEECH
BE TAPED AHEAD OF TIME?
377
00:23:01,548 --> 00:23:04,083
SURE. WE COULD TAPE IT
TOMORROW MORNING.
378
00:23:04,116 --> 00:23:08,054
NO. UH, NO.
I WILL TAPE MY SPEECH,
379
00:23:08,087 --> 00:23:12,191
UH, BUT OUR OWN TECHNICIANS
WILL HANDLE IT.
380
00:23:12,224 --> 00:23:14,894
WE OPERATE TOMORROW.
381
00:24:36,776 --> 00:24:38,611
WELL, I DON'T KNOW.
382
00:24:38,645 --> 00:24:40,980
I WAS THINKING OF SOMETHING
A LITTLE LARGER...
383
00:24:41,013 --> 00:24:43,249
A LITTLE MORE...
384
00:24:43,282 --> 00:24:44,817
A LITTLE MORE IMPRESSIVE.
385
00:24:44,851 --> 00:24:47,854
THIS IS IDENTICAL TO
THE PRESIDENTIAL LIMOUSINE,
386
00:24:47,887 --> 00:24:49,822
EXCEPT, NATURALLY,
FOR THE CRESTS,
387
00:24:49,856 --> 00:24:52,258
THE LICENSE PLATE,
AND THE COLOR.
388
00:24:52,291 --> 00:24:54,894
NOW, WHAT COULD BE
MORE IMPRESSIVE THAN THAT?
389
00:26:02,962 --> 00:26:06,032
BARRICADES WILL BE THROWN UP
AT EACH END OF THE PLATFORM.
390
00:26:06,065 --> 00:26:08,601
DEMONSTRATIONS WILL ERUPT
HERE IN THE PLAZA,
391
00:26:08,635 --> 00:26:10,937
AT THE UNIVERSITY
AND ALONG THE LEFT BANK.
392
00:26:10,970 --> 00:26:13,339
BUT THE DEMONSTRATIONS
MUST LOOK SPONTANEOUS,
393
00:26:13,372 --> 00:26:16,075
NOW, YOU UNDERSTAND THAT,
COLONEL DIAS?
394
00:26:16,108 --> 00:26:18,611
OF COURSE. THE LEADERS
ARE COMPLETELY TRUSTWORTHY
395
00:26:18,645 --> 00:26:20,613
AND THEY HAVE
PRECISE INSTRUCTIONS.
396
00:26:20,647 --> 00:26:23,382
THEY WILL MOVE THE MOMENT
YOUR SPEECH ENDS.
397
00:26:23,415 --> 00:26:24,917
AND, UH, THE ARMY?
398
00:26:24,951 --> 00:26:26,919
ALL OUTGOING COMMUNICATIONS
WILL BE CUT
399
00:26:26,953 --> 00:26:28,254
IMMEDIATELY AFTER THE SPEECH.
400
00:26:28,287 --> 00:26:29,722
THAT WILL BE THE SIGNAL
401
00:26:29,756 --> 00:26:31,190
FOR THE FIRST
AND THIRD REGIMENTS
402
00:26:31,223 --> 00:26:32,959
TO SEAL OFF THE CAPITAL.
403
00:26:32,992 --> 00:26:36,295
WHAT ABOUT THE SECOND
DIVISION HERE -- COLONEL ROJAS?
404
00:26:36,328 --> 00:26:38,297
HE WILL STAND ASIDE...
405
00:26:38,330 --> 00:26:40,800
IF HE IS PROMISED
COMMAND OF THE ARMY.
406
00:26:42,001 --> 00:26:43,369
PROMISE HIM THAT.
407
00:26:50,009 --> 00:26:51,243
RAOUL, YOU ARE CERTAIN
408
00:26:51,277 --> 00:26:53,279
ABOUT THE ARRANGEMENTS
FOR THE BROADCAST?
409
00:26:53,312 --> 00:26:54,914
EVERYTHING IS SET.
410
00:26:54,947 --> 00:26:56,983
THE TRANSMISSION LINES
WILL BE IN OUR CONTROL,
411
00:26:57,016 --> 00:26:58,785
AND EVERYTHING
WILL BE CUT OFF
412
00:26:58,818 --> 00:27:01,153
BUT YOUR SPEECH
FROM THE STUDIO HERE.
413
00:27:01,187 --> 00:27:05,157
BUT IF AVILLA FINDS OUT
YOU ARE PLANNING THIS SPEECH,
414
00:27:05,191 --> 00:27:07,093
HE WILL TRY TO STOP YOU.
415
00:27:07,126 --> 00:27:11,731
THAT'S A CHANCE
WE'LL HAVE TO TAKE.
416
00:27:25,344 --> 00:27:26,879
Am I sharp?
417
00:27:26,913 --> 00:27:28,247
AS A RAZOR.
418
00:27:28,280 --> 00:27:30,049
Hit the zoom.
419
00:27:37,289 --> 00:27:39,291
ZOOM CHECKS.
420
00:28:11,824 --> 00:28:14,126
WHO ELSE
WAS IN HERE WITH YOU?
421
00:28:14,160 --> 00:28:16,362
NO ONE.
422
00:28:17,529 --> 00:28:18,965
YOU WERE WARNED
423
00:28:18,998 --> 00:28:21,067
THAT THERE ARE CERTAIN
RESTRICTED AREAS.
424
00:28:21,100 --> 00:28:23,069
WHAT WERE YOU DOING
IN HERE?
425
00:28:23,102 --> 00:28:25,371
I HAD TO CHECK THE
ELECTROSTATIC CATHODE OVERFLOW
426
00:28:25,404 --> 00:28:26,806
FROM THE SCAN CONDENSERS.
427
00:28:26,839 --> 00:28:27,840
YOU SEE, IT COULD --
428
00:28:27,874 --> 00:28:29,075
WHAT ARE YOU
TALKING ABOUT?
429
00:28:29,108 --> 00:28:30,276
I'M SORRY.
430
00:28:30,309 --> 00:28:32,144
I REALIZE
IT'S A BIT TECHNICAL,
431
00:28:32,178 --> 00:28:34,180
BUT IF YOU HAVE
SOME TIME I --
432
00:28:34,213 --> 00:28:35,314
NO. NO.
433
00:28:38,084 --> 00:28:39,752
YOU'RE FINISHED?
434
00:28:39,786 --> 00:28:41,888
OH, YES. I'M ALL DONE.
435
00:29:04,410 --> 00:29:06,178
ARE WE ON TIME?
436
00:29:06,212 --> 00:29:07,980
RIGHT TO THE SECOND,
SO FAR.
437
00:29:08,014 --> 00:29:09,448
YOU UNDERSTAND,
438
00:29:09,481 --> 00:29:11,483
I WILL HAVE FIRST TO INSPECT
THE EQUIPMENT AND FACILITIES
439
00:29:11,517 --> 00:29:12,551
BEFORE I OPERATE?
440
00:29:12,584 --> 00:29:14,386
IT'S ALL BEEN ARRANGED FOR.
441
00:29:24,363 --> 00:29:26,332
AUDIO.
442
00:29:28,467 --> 00:29:30,269
Man #1:
MADAME SANTEL IS ON HER WAY.
443
00:29:30,302 --> 00:29:32,438
Man #2:
PUSH THAT SPOT OVER.
444
00:29:32,471 --> 00:29:34,140
YES, THAT'S FINE.
445
00:29:36,108 --> 00:29:37,343
ALL RIGHT, HOLD IT.
446
00:29:37,376 --> 00:29:39,411
WHAT'S THE READING?
447
00:29:39,445 --> 00:29:41,113
YEAH, THAT'S IT.
448
00:29:43,449 --> 00:29:46,919
THE CONTENTS OF YOUR SPEECH
MUST BE KEPT AN ABSOLUTE SECRET
449
00:29:46,953 --> 00:29:48,320
UNTIL THE PROPER TIME.
450
00:29:48,354 --> 00:29:51,223
RAOUL WILL HAVE
THE ONLY TAPE WE MAKE.
451
00:29:51,257 --> 00:29:53,826
AND HE WILL RELEASE IT
TO THE STATION,
452
00:29:53,860 --> 00:29:56,528
ONLY IF I CANNOT APPEAR
THERE IN PERSON.
453
00:29:56,562 --> 00:29:58,097
THE CREW WILL KNOW.
454
00:29:58,130 --> 00:30:01,533
COLONEL DIAS WILL SEE
THAT THEY SPEAK TO NO ONE.
455
00:30:30,262 --> 00:30:32,398
AH, YES, THERE.
THAT LOOKS VERY --
456
00:30:32,431 --> 00:30:34,066
Man #2: IS THE TAPE READY?
457
00:30:34,100 --> 00:30:35,935
Man #3:
ADJUST THE ZOOM LENS.
458
00:30:41,073 --> 00:30:42,474
IS MADAME ABOUT READY?
459
00:30:42,508 --> 00:30:43,842
Man #4: IN A MOMENT.
460
00:30:45,311 --> 00:30:46,512
WHAT WENT WRONG?
461
00:30:46,545 --> 00:30:48,380
SOMEBODY MUST HAVE
PULLED THE PLUG.
462
00:30:48,414 --> 00:30:51,951
SEÑORA SANTEL,
THE CAMERA IS READY.
463
00:30:51,984 --> 00:30:55,221
JUST A MOMENT.
464
00:30:55,254 --> 00:30:58,324
MOVE THAT MICROPHONE UP.
THAT'S IT.
465
00:30:58,357 --> 00:31:00,559
ALL RIGHT.
NOW TILT IT FORWARD.
466
00:31:00,592 --> 00:31:03,429
READY ON THE TAPE?
467
00:31:03,462 --> 00:31:05,932
READY.
468
00:31:05,965 --> 00:31:12,138
HOLD IT. HOLD IT STEADY.
YES, THAT'S IT.
469
00:31:12,171 --> 00:31:13,940
STAND BY.
470
00:31:13,973 --> 00:31:16,375
READY?
471
00:31:32,291 --> 00:31:34,060
ROLL TAPE.
472
00:31:38,430 --> 00:31:40,199
ROLL TAPE.
473
00:31:50,609 --> 00:31:53,645
MY BELOVED CITIZENS
OF SAN CORDOVA,
474
00:31:53,679 --> 00:31:57,449
IT IS WITH HEAVY HEART
THAT I APPEAR BEFORE YOU TODAY
475
00:31:57,483 --> 00:32:00,252
ON THIS,
MY FIRST PUBLIC APPEARANCE
476
00:32:00,286 --> 00:32:04,523
SINCE THE DEATH OF YOUR
PRESIDENT, MY DEAR HUSBAND.
477
00:32:09,228 --> 00:32:10,629
WELL, THIS IS IT.
478
00:32:10,662 --> 00:32:14,400
FOR A PRIVATE OPERATING
ROOM, IT IS WELL-EQUIPPED.
479
00:32:14,433 --> 00:32:16,102
QUITE ADEQUATE, JA.
480
00:32:16,135 --> 00:32:18,437
GOOD. SHE INSISTED
THAT IT BE DONE HERE
481
00:32:18,470 --> 00:32:20,172
IN THE PRESIDENTIAL PALACE.
482
00:32:20,206 --> 00:32:21,407
AND AFTER THE OPERATION,
483
00:32:21,440 --> 00:32:22,708
SHE WILL BE TAKEN
TO HER OWN HOME?
484
00:32:22,741 --> 00:32:23,976
YES.
485
00:32:24,010 --> 00:32:25,277
WHEN WILL SHE BE READY?
486
00:32:25,311 --> 00:32:27,346
AS SOON AS SHE FINISHES
TAPING HER SPEECH.
487
00:32:27,379 --> 00:32:32,484
BUT NOW, TO AVOID REVOLUTION
IN OUR BELOVED COUNTRY,
488
00:32:32,518 --> 00:32:37,089
I, RIVA SANTEL,
WITH YOUR PRAYERS TO GUIDE ME,
489
00:32:37,123 --> 00:32:40,526
WILL ASSUME THE BURDEN
OF RULING SAN CORDOVA
490
00:32:40,559 --> 00:32:46,132
UNTIL SUCH TIME AS IT IS SAFE
AGAIN TO HOLD FREE ELECTIONS.
491
00:32:46,165 --> 00:32:48,134
WHEN THAT TIME COMES,
492
00:32:48,167 --> 00:32:53,005
YOU CAN BE ASSURED THAT I WILL
RETIRE FROM ALL PUBLIC LIFE
493
00:32:53,039 --> 00:32:56,608
AND FOLLOW WHAT I KNOW
ARE THE WISHES
494
00:32:56,642 --> 00:32:58,777
OF MY LATE, GREAT HUSBAND --
495
00:32:58,810 --> 00:33:04,016
RETIRE TO A QUIET RETREAT,
AND THERE FIND HAPPINESS
496
00:33:04,050 --> 00:33:08,320
KNOWING THAT I HAVE DONE
THE BEST FOR MY PEOPLE.
497
00:33:08,354 --> 00:33:11,090
Man #1: CUT.
498
00:33:11,123 --> 00:33:15,061
Man #2: THANK YOU,
MADAM SANTEL.
499
00:33:20,199 --> 00:33:24,203
YOU ARE ALL FINISHED NOW.
YOU MAY LEAVE.
500
00:33:29,508 --> 00:33:31,743
I'LL TAKE THAT TAPE.
501
00:34:37,376 --> 00:34:40,279
AH, DR. GROVNEY.
GOOD TO SEE YOU.
502
00:34:40,312 --> 00:34:42,681
SEÑORA SANTEL,
DR. GROVNEY.
503
00:34:42,714 --> 00:34:45,884
WELL, SHALL WE FOREGO
THE FORMALITIES.
504
00:34:45,917 --> 00:34:47,686
TWO HOURS, YOU SAID.
505
00:34:47,719 --> 00:34:49,355
YES, TWO HOURS.
506
00:34:50,489 --> 00:34:53,559
IN 2 HOURS,
I WILL BE 10 YEARS YOUNGER.
507
00:35:42,641 --> 00:35:45,844
Santel: MY BELOVED CITIZENS
OF SAN CORDOVA,
508
00:35:45,877 --> 00:35:49,848
IT IS WITH HEAVY HEART
THAT I APPEAR BEFORE YOU TODAY
509
00:35:49,881 --> 00:35:52,684
ON THIS,
MY FIRST PUBLIC APPEARANCE
510
00:35:52,718 --> 00:35:57,256
SINCE THE DEATH OF YOUR
PRESIDENT, MY DEAR HUSBAND.
511
00:35:57,289 --> 00:36:02,794
FOR 16 YEARS, MY HUSBAND
SERVED THIS GREAT NATION --
512
00:36:25,417 --> 00:36:29,588
I, RIVA SANTEL,
WITH YOUR PRAYERS TO GUIDE ME,
513
00:36:29,621 --> 00:36:33,959
WILL ASSUME THE BURDEN
OF RULING SAN CORDOVA
514
00:36:33,992 --> 00:36:39,631
UNTIL SUCH TIME AS IT IS SAFE
AGAIN TO HOLD FREE ELECTIONS.
515
00:36:50,609 --> 00:36:54,680
I, RIVA SANTEL, WITH YOUR
PRAYERS TO GUIDE ME --
516
00:39:48,820 --> 00:39:51,089
[ AIR HISSING ]
517
00:40:03,635 --> 00:40:05,904
Rollin:
THE HAIR SHOULD BE FINE.
518
00:40:41,940 --> 00:40:45,611
BUT NOW, I, RIVA SANTEL,
519
00:40:45,644 --> 00:40:47,846
WITH YOUR PRAYERS
TO GUIDE ME...
520
00:42:02,120 --> 00:42:03,555
[ TICKING ]
521
00:42:05,724 --> 00:42:06,758
WHY IS SHE
STILL UNCONSCIOUS?
522
00:42:06,792 --> 00:42:07,759
IT'S OVER TWO HOURS NOW.
523
00:42:07,793 --> 00:42:09,094
NOTHING SERIOUS.
524
00:42:09,127 --> 00:42:11,630
SHE'LL MERELY HAVE TO REMAIN
ABSOLUTELY QUIET
525
00:42:11,663 --> 00:42:13,865
FOR A LONGER PERIOD
THAN WE ANTICIPATED.
526
00:42:13,899 --> 00:42:15,701
MY ASSOCIATE MUST LEAVE.
527
00:42:15,734 --> 00:42:17,102
BUT YOU WILL STAY?
528
00:42:17,135 --> 00:42:18,269
YES. YES, OF COURSE.
529
00:42:55,807 --> 00:42:58,076
Cinnamon: YOU UNDERSTAND?
530
00:42:58,109 --> 00:43:02,781
YOU WILL TELL SEÑOR AVILLA THAT
I EXPECT HIM AND HIS CABINET
531
00:43:02,814 --> 00:43:06,752
AT THE PALACE
NO LATER THAN 6:00.
532
00:43:06,785 --> 00:43:09,020
VERY GOOD.
533
00:44:13,318 --> 00:44:17,823
COMPLICATIONS --
A REACTION TO THE ANESTHESIA.
534
00:44:17,856 --> 00:44:20,258
THEN YOU MUST
PUT ON THE TAPE.
535
00:44:20,291 --> 00:44:23,361
EVERYTHING DEPENDS
ON HER SPEECH NOW.
536
00:44:26,397 --> 00:44:28,166
GIVE THE SIGNAL.
537
00:44:28,199 --> 00:44:30,902
I WILL SEE
THAT THE TAPE OF HER SPEECH
538
00:44:30,936 --> 00:44:32,303
GETS TO THE STATION.
539
00:44:38,009 --> 00:44:39,711
Santel: RAOUL! RAOUL!
540
00:44:39,745 --> 00:44:41,246
IT CAN'T BE THAT LATE.
541
00:44:41,279 --> 00:44:43,715
NO, NO, IT CAN'T BE.
RAOUL!
542
00:44:43,749 --> 00:44:44,449
RAOUL!
543
00:44:44,482 --> 00:44:45,851
I'M HERE, RIVA.
544
00:44:45,884 --> 00:44:47,152
RAOUL. RAOUL.
545
00:44:47,185 --> 00:44:50,922
UNLESS SHE IS QUIET
I WILL NOT BE RESPONSIBLE.
546
00:44:50,956 --> 00:44:52,758
IT'S ALL RIGHT, RIVA.
547
00:44:52,791 --> 00:44:55,460
WE'RE RUNNING
THE TAPED SPEECH.
548
00:44:55,493 --> 00:44:57,162
EVERYTHING
WILL BE ALL RIGHT.
549
00:44:59,430 --> 00:45:01,132
YOU CAN WATCH THE TELECAST
FROM HERE,
550
00:45:01,166 --> 00:45:02,167
IF IT'LL EASE YOUR MIND.
551
00:45:02,200 --> 00:45:04,035
YES, PLEASE.
552
00:45:10,241 --> 00:45:12,377
THESE BANDAGES...
553
00:45:12,410 --> 00:45:15,013
WHEN CAN I TAKE THEM OFF,
DOCTOR?
554
00:45:15,046 --> 00:45:17,382
WELL, THERE'S NO
REAL HURRY NOW, IS THERE?
555
00:45:17,415 --> 00:45:20,051
I'D PREFER YOU KEEP THEM ON
FOR A WHILE.
556
00:45:29,828 --> 00:45:31,997
Announcer: THIS PROGRAM
WILL BE INTERRUPTED
557
00:45:32,030 --> 00:45:33,799
FOR A POLITICAL BROADCAST.
558
00:45:33,832 --> 00:45:35,200
[ MUSIC PLAYS ]
559
00:46:03,261 --> 00:46:05,196
[ With Spanish accent ]
SEÑORA SANTEL
560
00:46:05,230 --> 00:46:08,133
WISHES TO LEAVE THE COUNTRY
QUIETLY, WITH NO FORMALITY.
561
00:46:08,166 --> 00:46:11,169
SEÑORA SANTEL?
562
00:46:11,202 --> 00:46:12,203
YES.
563
00:46:15,506 --> 00:46:17,876
I MUST VERIFY,
YOU UNDERSTAND.
564
00:46:17,909 --> 00:46:19,777
OF COURSE.
565
00:46:37,863 --> 00:46:39,097
OH, AND ONE MORE DETAIL.
566
00:46:39,130 --> 00:46:40,431
WILL YOU PLEASE TELEPHONE
567
00:46:40,465 --> 00:46:42,433
THE OFFICE
OF THE DEPUTY PREMIER
568
00:46:42,467 --> 00:46:45,270
AND TELL HIM THAT SEÑORA SANTEL
HAS CROSSED THE BORDER SAFELY.
569
00:46:45,303 --> 00:46:47,205
YES, SIR.
570
00:47:02,653 --> 00:47:05,590
BUT I DO NOT UNDERSTAND.
571
00:47:05,623 --> 00:47:10,361
I AM HERE,
AT THE PALACE, WAITING.
572
00:47:10,395 --> 00:47:11,963
YES.
573
00:47:11,997 --> 00:47:14,933
YES, THANK YOU.
574
00:47:20,071 --> 00:47:24,075
THAT WAS THE HEAD
OF OUR BORDER SECURITY.
575
00:47:24,109 --> 00:47:28,313
HE RECEIVED A PHONE CALL
FROM ONE OF OUR GUARDS.
576
00:47:28,346 --> 00:47:31,549
MY BELOVED CITIZENS
OF SAN CORDOVA,
577
00:47:31,582 --> 00:47:36,587
IT IS WITH HEAVY HEART
I APPEAR HERE BEFORE YOU TODAY,
578
00:47:36,621 --> 00:47:40,091
ON THIS,
MY FIRST PUBLIC APPEARANCE
579
00:47:40,125 --> 00:47:45,163
SINCE THE DEATH OF YOUR BELOVED
PRESIDENT, MY DEAR HUSBAND.
580
00:47:45,196 --> 00:47:48,967
FOR 16 YEARS,
HE SERVED THIS GREAT NATION.
581
00:47:49,000 --> 00:47:52,503
FOR 16 YEARS,
I WORKED HAND-IN-HAND WITH HIM
582
00:47:52,537 --> 00:47:55,941
TO BRING STABILITY
TO SAN CORDOVA,
583
00:47:55,974 --> 00:48:02,981
BUT NOW, I, RIVA SANTEL,
WITH YOUR PRAYERS TO GUIDE ME,
584
00:48:03,014 --> 00:48:06,084
SHALL RETIRE
FROM ALL PUBLIC LIFE...
585
00:48:06,117 --> 00:48:09,120
NO! NO!
I DID NOT SAY THAT!
586
00:48:09,154 --> 00:48:10,922
...AND FOLLOW
587
00:48:10,956 --> 00:48:13,925
WHAT I KNOW ARE THE WISHES
OF MY LATE HUSBAND --
588
00:48:13,959 --> 00:48:18,329
RETIRE TO A QUIET RETREAT,
AND THERE FIND HAPPINESS,
589
00:48:18,363 --> 00:48:22,533
KNOWING I HAVE DONE
WHAT IS BEST FOR MY PEOPLE.
590
00:48:22,567 --> 00:48:24,269
RIVA, BE CAREFUL.
591
00:48:24,302 --> 00:48:25,570
DO SOMETHING.
592
00:48:25,603 --> 00:48:27,105
GET THIS OFF.
593
00:48:27,138 --> 00:48:30,075
COME ALONG, GENTLEMEN.
COME ON.
594
00:48:49,327 --> 00:48:50,695
NO!
595
00:48:50,728 --> 00:48:51,997
NO!
596
00:48:52,030 --> 00:48:55,033
NO, LOOK WHAT THEY'VE DONE!
597
00:48:56,734 --> 00:48:59,170
GUARDS!
598
00:48:59,204 --> 00:49:00,705
GUARDS!
599
00:49:00,738 --> 00:49:04,475
GUARDS! GUARDS!
600
00:49:06,144 --> 00:49:08,579
AVILLA!
YOU DID THIS TO ME!
601
00:49:08,613 --> 00:49:10,381
WHO IS THAT WOMAN?
602
00:49:10,415 --> 00:49:12,050
YOU KNOW WHO I AM.
I'M RIVA!
603
00:49:12,083 --> 00:49:14,185
RIVA SANTEL!
604
00:49:14,219 --> 00:49:17,989
GUARDS, TAKE THIS DEMENTED
LADY OUT OF HERE.
605
00:49:20,791 --> 00:49:22,960
YOU CAN'T DO THIS TO ME!
606
00:49:41,146 --> 00:49:45,083
[ "MISSION: IMPOSSIBLE" THEME
PLAYS ]
42605
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof