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{\an2 00:01:04,000
{\an2 00:01:06,000
{\an2 00:01:14,000
...
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...
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...aad gist, ladies and gentlemen.
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We specially welcome this afternoon, the recruitment officer for the Royal Museums,
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mounted rifles, kept in hallowed brownjump.
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And our esteemed guest from the Mother Country,
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Sir Charles Tavi Stuck Pemberton.
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My friends, today is indeed an auspicious one for our small community.
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For today, the young men of Wainamu are to be given an opportunity to do their bit for Queen and Empire,
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to enlist and voyage overseas and join with her Majesty's forces to bring the rebel board to his knees.
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And now, present, kept in hallowed brownjump of the mounted rifles.
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Sir Charles, Mr Gregory, ladies and gentlemen,
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I'm sure that the honour of our sovereign lady, the Queen of the British Empire
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and of the colony of New Zealand, will be both affirmed and enhanced by you all here this afternoon.
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Sergeant Major will enlist the recruits, and Mr Gregory will take your contributions.
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Do I have a volunteer?
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William Trimbaugh.
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Are you right, a horse? Yes, sir. Yes, sir Major.
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Then, sir, in here.
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Name?
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Tomahdee Mason. Can you ride a horse? Yes? Yes, sir Major.
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Yes, sir Major.
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Are you a full-blooded Maori? Why, Sergeant Major.
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Because full blood's aren't going to South Africa.
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My father was a Paglia. What did you say your name was?
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Tomahdee Mason.
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Tomahdee Mason. Sign here.
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John!
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John!
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John!
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Sir Major!
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Come on, come on.
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He hasn't come up yet.
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How are you doing South Africa?
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I'm always going to make you believe the present.
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But now I'm not going to touch you.
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Come on Tomahdee.
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I thought you were on my side.
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I thought you were trying.
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How would you like to look after my boat?
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Why, is it? Can I trust you?
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Of course you can.
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If it makes somebody to pay for Doomy's window.
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Watch out for hidden rocks. When I come back, I want that boat in one piece.
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Come on, let's go.
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One thing more, just to make things fair.
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Tomahdee Mason.
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I'm a little star.
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Damn it, Brian John. Aren't you taking a bit of a risk?
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Sir Charles?
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I'm signing up natives and armed forces.
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Only half-casts, Sir Charles.
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War opposite undesirable recruit full-bloods.
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Wars are white men, you know.
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But have you forgotten India, Brian John?
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You're asking for another mutiny.
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The natives are not to be trusted.
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I don't know, Sir Charles.
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But I do.
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Anyway, these maras are a broken and defeated race.
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I'm told they're dying out.
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What do you want for their last survivors?
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They fought with honor and bravery against us, Sir Charles.
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Now, but the point is, who won?
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I'd back one Englishman against any ten of them anytime you like.
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In the Maori Wars, it was usually the other way around.
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It was a bit, my dear.
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If they are dying out, it's not because of the muskets.
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The white man's diseases are more to blame.
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Not to mention it, it's a liquor.
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I doubt whether the fact that we're poising in the moff is evidence of our superiority.
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I wrong way to solve the problem.
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And what problem is that, Sir Charles?
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In医es.
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You will never civilise the native.
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I don't know why you try.
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There's nothing so ridiculous as a native in colour and tails.
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Oh.
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Levery.
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Ah, that's a different thing.
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Trained, they make excellent domestics.
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But imagining they can become one of us.
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Hmm.
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They're far better left to their own devices.
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Sir Charles, I really cannot...
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Elizabeth.
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More coffee.
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Please.
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Yes, dear.
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Anything you say.
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Action.
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Ah.
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You haven't much to say for yourself.
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I'm trying to read a book.
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Not that I can blame you.
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The train is asked to one day and we're almost drowned the next.
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It's enough to give one nightmares.
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Have you had them too?
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Had what?
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Oh, nothing.
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I didn't sleep very well last night.
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No, it's this place.
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Geezers and mud pools and steam in the streets.
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And it's to bit all.
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The maras.
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I tell you, they're in league with the devil.
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Why is the Charles Hadwin sist on bringing you here as his companion?
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I'd rather thought the experience would be educational.
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Educational?
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At least it helped us arthritis.
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Then hopefully we can return home again as soon as possible.
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Go inside, Miss Proctor.
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We'll catch your death out here.
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I think I shall.
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I'm not a superstitious woman, Sarah Jane.
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But I don't mind admitting that I should be terrified
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as long as we remain here.
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There, jump.
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Ah, quick.
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Back.
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Left, right, left, right, left.
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Right, come off, hang on up that hill.
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Left, will.
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Left, right, left, right, left, right, left, right, right.
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Sward, hope.
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You horrible rabble.
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You're an embarrassment to imagine these forces.
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And by the time I get through with you,
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you'll be a body of man that's town will be proud of.
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Now pick up your dressing, keep on step,
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and look to the front.
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Quick, march.
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Left, right, left, right, left, right, left, right, left, right, right, right, right, right, right.
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Sward.
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Ha, ha.
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Get up and it's a bit.
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It's a bit, it's a bit.
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Oh, you got caught in there, you got caught.
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What's this?
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It's kept them blown.
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Who?
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The man we've seen dreaming.
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I'm scared.
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It's my hidden mirage.
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It's the body to do me stealth.
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Come on, let's see what they're up to.
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Is that that, then?
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That's for your part of the bargain.
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Well, that isn't all.
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Wow, look at that green stone teaky.
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It's a nice piece.
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We've got to see where you go.
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It's them who've got the tailgolf fillet.
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David, give us your pocket knife.
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Quick, what?
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Your pocket knife.
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Well, come on.
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What?
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Where is the rest?
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The Murray.
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That's all there is.
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The wire promised a Murray.
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And it's said nothing to me.
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We agreed on the money, a teaky, and the Murray.
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The Natalia.
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No, you never said nothing.
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You wouldn't be trying to swindle me with your boy.
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It's all he gave me, honest.
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You'd better go and unload the draithing.
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Now look here, lad.
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I'll just let her in for you.
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Well, well, well.
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See there?
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You're lucky I don't use it on you.
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I'm sorry, Captain.
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I can't forget about it, honest.
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Honest.
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You're not a bell in your body.
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What's Tom doing?
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Careful, memory.
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Do it, get him into trouble.
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He's no big.
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What did you do?
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You're free.
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You're free.
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Now we'll see, guys.
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Davey, you're right here.
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We're gonna get you, Philan.
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He won't come, babe.
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I'm running a quick.
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Hello.
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Hello there, morning.
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Lovely day for a row.
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Oh, yes.
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What are you doing?
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I've got to keep tabs on the lake.
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See the level changing.
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Why should the changes be?
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I mean, there isn't any time.
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It's got before the bigger option.
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It draws up several feet.
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According to the locals, it was the only warning they had.
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Are you really expecting another reduction?
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One overslips in hope.
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What?
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To be on the spot, to observe.
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It's quite a scientist, dreams are.
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Mr. Bein, do you know a place?
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There's a lot of empty huts.
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It seemed to be covered in something black.
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You mean the buried part?
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Part?
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That's Maori for village.
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It was hard buried during the last eruption.
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Did it burn down then, too?
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No.
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Don't believe it's ever been burned.
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Even though it's so dry.
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Got like a torch if there was another eruption.
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It does exist.
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It's where the Maori's lived before the whole girl blew her top.
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Nobody lives there now, of course.
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Except to poor Anui.
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The old priest.
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Yes, that's right.
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Why didn't know you'd be there?
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It's a village.
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It's a giant, it's a quich.
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Quick, people, fill in.
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Get the sergeant.
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Hurry, go and get him.
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What?
237
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Jola's back.
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Stammergan, chest out.
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Come on, young rattle.
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Lift, right, lift, right.
241
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Come on, step it up.
242
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Step it up.
243
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Lift, right, lift, right.
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If it's off to them, we'd better surrender and quit building ahead.
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Martin!
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Martin!
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What was it, boy?
248
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Major, got to come.
249
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Where?
250
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Well, we found with her.
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Well, what?
252
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Please.
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It's all right, it's hot.
254
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Here it is.
255
00:14:10,000 --> 00:14:12,000
Well, sounds barley.
256
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Where's the crime and less?
257
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Depends what it's used for.
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Oh, go on.
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Surprise me.
260
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What?
261
00:14:20,000 --> 00:14:21,000
What?
262
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Elicit booze.
263
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Everyone knows he sells it.
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Not just him, but adjust him.
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00:14:26,000 --> 00:14:27,000
And are you making accusations?
266
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It's true.
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And if your school yard destroys to be believed,
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he also makes his men sound of married.
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Then why would a butcher want to let value?
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I'm having an hour belongs ahead.
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The one who has car.
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The fraud you know said could have been delivering
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of us someone else.
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Then why don't we follow the trail?
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And you think it'll lead to a still-eye suppose?
276
00:14:54,000 --> 00:14:55,000
Must be mad.
277
00:14:59,000 --> 00:15:01,000
And me and I suppose they flew.
278
00:15:01,000 --> 00:15:02,000
Over here.
279
00:15:23,000 --> 00:15:25,000
Come on, get in the car.
280
00:15:25,000 --> 00:15:26,000
Get in the car.
281
00:15:27,000 --> 00:15:28,000
Wait for me.
282
00:15:32,000 --> 00:15:34,000
And what do we do now?
283
00:15:34,000 --> 00:15:36,000
I didn't think it would last forever.
284
00:15:41,000 --> 00:15:44,000
Hey, we could follow the track.
285
00:15:44,000 --> 00:15:46,000
Which ones?
286
00:15:46,000 --> 00:15:50,000
This is what I'd call a wild goose chase.
287
00:15:50,000 --> 00:15:52,000
Now do your mind taking me back?
288
00:15:53,000 --> 00:15:54,000
Cure.
289
00:16:05,000 --> 00:16:09,000
I'll try with anyone, I think, James.
290
00:16:09,000 --> 00:16:11,000
You'll just be careful, Sir Jones.
291
00:16:11,000 --> 00:16:12,000
All right.
292
00:16:12,000 --> 00:16:13,000
I know what I'm doing.
293
00:16:19,000 --> 00:16:20,000
It's a miracle.
294
00:16:21,000 --> 00:16:23,000
That's what it is.
295
00:16:23,000 --> 00:16:25,000
Miracle when I left London.
296
00:16:25,000 --> 00:16:27,000
Oh, I'm glad the treatment's been a success.
297
00:16:27,000 --> 00:16:28,000
Success?
298
00:16:28,000 --> 00:16:31,000
It's more than a success I'd never believed it possible.
299
00:16:31,000 --> 00:16:33,000
It calls for a drink, James.
300
00:16:35,000 --> 00:16:37,000
Oh, and I'd like you to get me a pen and ink
301
00:16:37,000 --> 00:16:39,000
that someone I want to write to an orphan.
302
00:16:39,000 --> 00:16:40,000
Of course.
303
00:16:40,000 --> 00:16:43,000
Now, as you want you to post it today, it's rather important.
304
00:16:51,000 --> 00:16:54,000
Hey, six minutes to cross the lake?
305
00:16:54,000 --> 00:16:55,000
What?
306
00:16:55,000 --> 00:16:57,000
I want a thermal zwerse.
307
00:17:00,000 --> 00:17:03,000
And what do we do now?
308
00:17:07,000 --> 00:17:10,000
I'm going to get a pen and ink.
309
00:17:10,000 --> 00:17:13,000
I'm going to get a pen and ink.
310
00:17:13,000 --> 00:17:15,000
I'm going to get a pen and ink.
311
00:17:15,000 --> 00:17:17,000
I'm going to get a pen and ink.
312
00:17:18,000 --> 00:17:20,000
Oh, my God.
313
00:17:23,000 --> 00:17:25,000
Damn, they're being cut, all right.
314
00:17:25,000 --> 00:17:28,000
I lost one on the way and the other when I got there.
315
00:17:28,000 --> 00:17:30,000
When I picked it up, it all fell out of the bottom.
316
00:17:30,000 --> 00:17:33,000
And why were they capped and wanted to do that?
317
00:17:33,000 --> 00:17:34,000
I don't know.
318
00:17:34,000 --> 00:17:35,000
But I wouldn't trust him.
319
00:17:35,000 --> 00:17:37,000
He tried to double cross me.
320
00:17:37,000 --> 00:17:39,000
He recognized trying to cheat him.
321
00:17:39,000 --> 00:17:41,000
I'm old.
322
00:17:41,000 --> 00:17:42,000
That's rigging about.
323
00:17:42,000 --> 00:17:44,000
You wonder what guilt fell in once.
324
00:17:45,000 --> 00:17:47,000
Get rid of these and clean up the barley.
325
00:17:47,000 --> 00:17:49,000
We don't want any evidence lay in rain.
326
00:17:54,000 --> 00:17:56,000
We'll be in for trouble now.
327
00:17:56,000 --> 00:17:58,000
Go follow and I'll tell him everything.
328
00:17:58,000 --> 00:18:00,000
Perhaps we've won more chance.
329
00:18:00,000 --> 00:18:02,000
Yeah, what was it?
330
00:18:02,000 --> 00:18:05,000
Davey, is there any barley back at the bakery?
331
00:18:07,000 --> 00:18:09,000
It couldn't have been said.
332
00:18:09,000 --> 00:18:11,000
He's been out here and deliveries.
333
00:18:11,000 --> 00:18:12,000
Oh, well, it was probably somebody else.
334
00:18:12,000 --> 00:18:15,000
You know, these boys are like imagination runs away with them.
335
00:18:15,000 --> 00:18:20,000
And what would we be wanting, Sergeant, for the cartload of barley?
336
00:18:20,000 --> 00:18:23,000
What I said precisely.
337
00:18:23,000 --> 00:18:25,000
I believe it was, though.
338
00:18:25,000 --> 00:18:27,000
He lost a couple of sacks.
339
00:18:27,000 --> 00:18:29,000
If it was a grogger, it serves him right.
340
00:18:29,000 --> 00:18:32,000
Hey, I'd love to see you look on his face.
341
00:18:43,000 --> 00:18:45,000
I see that's defamation.
342
00:18:45,000 --> 00:18:46,000
I don't know.
343
00:18:46,000 --> 00:18:48,000
I swear I had the guns on, Steve.
344
00:18:48,000 --> 00:18:50,000
Well, come on, Mrs. Dwyer.
345
00:18:50,000 --> 00:18:52,000
It's got a squad of a thief and a liar.
346
00:18:52,000 --> 00:18:53,000
On the contrary.
347
00:18:53,000 --> 00:18:55,000
It's a terrible slander.
348
00:18:55,000 --> 00:18:58,000
I only said I wanted to have a look at his cart.
349
00:18:58,000 --> 00:19:00,000
I don't know.
350
00:19:00,000 --> 00:19:01,000
I don't know.
351
00:19:01,000 --> 00:19:02,000
I don't know.
352
00:19:02,000 --> 00:19:03,000
I don't know.
353
00:19:03,000 --> 00:19:04,000
I don't know.
354
00:19:04,000 --> 00:19:05,000
I don't know.
355
00:19:05,000 --> 00:19:06,000
I don't know.
356
00:19:06,000 --> 00:19:07,000
I don't know.
357
00:19:07,000 --> 00:19:08,000
I don't know.
358
00:19:08,000 --> 00:19:09,000
I don't know.
359
00:19:09,000 --> 00:19:10,000
I don't know.
360
00:19:10,000 --> 00:19:12,000
I said I wanted to have a look at his cart.
361
00:19:12,000 --> 00:19:13,000
Oh, dear.
362
00:19:13,000 --> 00:19:14,000
It's all right.
363
00:19:14,000 --> 00:19:16,000
No ones are accusing anyone.
364
00:19:16,000 --> 00:19:17,000
Go on.
365
00:19:17,000 --> 00:19:18,000
Hit him.
366
00:19:18,000 --> 00:19:19,000
No, no, no.
367
00:19:19,000 --> 00:19:20,000
Just remember.
368
00:19:20,000 --> 00:19:21,000
He's a disgrace to policemen.
369
00:19:21,000 --> 00:19:22,000
No, no.
370
00:19:22,000 --> 00:19:23,000
Don't, Mabel.
371
00:19:23,000 --> 00:19:24,000
We've got nothing to hide.
372
00:19:24,000 --> 00:19:26,000
He can look at the cart if he wants to.
373
00:19:26,000 --> 00:19:29,000
I mean, if it's barley, he's looking for.
374
00:19:29,000 --> 00:19:31,000
We've got none of that around here, have we said?
375
00:19:31,000 --> 00:19:32,000
Have we said?
376
00:19:32,000 --> 00:19:33,000
What?
377
00:19:33,000 --> 00:19:34,000
No, Mr. Dwyer.
378
00:19:34,000 --> 00:19:36,000
I still see his defamation.
379
00:19:36,000 --> 00:19:38,000
After you.
380
00:19:52,000 --> 00:19:54,000
Hey, I've said you.
381
00:19:54,000 --> 00:19:56,000
Cleaner room.
382
00:19:58,000 --> 00:20:00,000
Mabel, you're calling us in.
383
00:20:00,000 --> 00:20:02,000
Scotchmasth.
384
00:20:02,000 --> 00:20:04,000
I just call for an explanation.
385
00:20:04,000 --> 00:20:05,000
Yes, Sergeant.
386
00:20:05,000 --> 00:20:07,000
I'm sure it does.
387
00:20:07,000 --> 00:20:10,000
But not for Mr. Dwyer.
388
00:20:10,000 --> 00:20:14,000
I'm sure these boys have something to say for themselves.
389
00:20:14,000 --> 00:20:17,000
Why doesn't Owen...
390
00:20:17,000 --> 00:20:20,000
They've been acting very strangely.
391
00:20:20,000 --> 00:20:22,000
Thank you, Miss Pemberton.
392
00:20:22,000 --> 00:20:25,000
I'm grateful for your help.
393
00:20:25,000 --> 00:20:28,000
I can't abide practical jokes.
394
00:20:29,000 --> 00:20:32,000
Captain, I shall pray for you every day.
395
00:20:32,000 --> 00:20:34,000
Thank you, Mr. Gregory.
396
00:20:34,000 --> 00:20:35,000
That's terribly decent.
397
00:20:35,000 --> 00:20:37,000
Well, I thought you had a good journey.
398
00:20:37,000 --> 00:20:39,000
Still, we do what we must.
399
00:20:39,000 --> 00:20:41,000
How would it be for you when you get there?
400
00:20:41,000 --> 00:20:44,000
Oh, I don't know much the same as always, I suppose.
401
00:20:44,000 --> 00:20:45,000
Auckland never changes.
402
00:20:45,000 --> 00:20:48,000
Auckland's not actually going myself, don't you know?
403
00:20:48,000 --> 00:20:49,000
Bit of a gummy leg.
404
00:20:49,000 --> 00:20:51,000
Oh, you poor man.
405
00:20:51,000 --> 00:20:53,000
Poor.
406
00:20:53,000 --> 00:20:55,000
Tell you the truth.
407
00:20:55,000 --> 00:20:58,000
Not one of my horse and pole it.
408
00:21:04,000 --> 00:21:06,000
.
409
00:21:07,000 --> 00:21:08,000
Yeah.
410
00:21:10,000 --> 00:21:13,000
Katie?
411
00:21:17,000 --> 00:21:19,000
What's wrong with my horse and pole it?
412
00:21:20,000 --> 00:21:21,000
Hmm?
413
00:21:21,000 --> 00:21:24,000
…aid, he's just a tiny, tiny girl…
414
00:21:24,000 --> 00:21:27,000
…aid, he's just a tiny girl…
415
00:21:27,000 --> 00:21:29,000
…look, he's tiny!
416
00:21:29,000 --> 00:21:30,000
…aid, he's tiny!
417
00:21:30,000 --> 00:21:33,000
…good luck, I tell you, look at this, I'm so sorry!
418
00:21:33,000 --> 00:21:35,000
…look at me both.
419
00:21:35,000 --> 00:21:36,000
…look at this, look at this!
420
00:21:36,000 --> 00:21:38,000
…aid, he's tiny!
421
00:21:38,000 --> 00:21:39,000
…aid, he's tiny!
422
00:21:39,000 --> 00:21:40,000
…aid, he's tiny!
423
00:21:40,000 --> 00:21:42,000
…fighting your pride, Fort!
424
00:21:42,000 --> 00:21:44,000
…aid, he's tiny!
425
00:21:44,000 --> 00:21:45,000
…aid, he's tiny!
426
00:21:45,000 --> 00:21:48,000
…look after your wandie, till I get back…
427
00:21:48,000 --> 00:21:50,000
…and you, you do what she says.
428
00:21:51,000 --> 00:21:52,000
…where is it?
429
00:22:00,000 --> 00:22:02,000
…my mum will skin me.
430
00:22:02,000 --> 00:22:03,000
…yeah, I know.
431
00:22:05,000 --> 00:22:07,000
…one day we'll get him.
432
00:22:07,000 --> 00:22:09,000
…yeah, we'll get it tonight.
433
00:22:09,000 --> 00:22:11,000
…maybe, don't…
434
00:22:11,000 --> 00:22:15,000
…come here with me, I…
435
00:22:15,000 --> 00:22:17,000
…you are going up to a good way, I…
436
00:22:17,000 --> 00:22:18,000
…no, I don't!
437
00:22:18,000 --> 00:22:19,000
…oh, no!
438
00:22:19,000 --> 00:22:21,000
…you with me, you are going up to a good way,
439
00:22:21,000 --> 00:22:22,000
…and you're going to see your son!
440
00:22:22,000 --> 00:22:23,000
…no!
441
00:22:23,000 --> 00:22:25,000
…and make me do something for you,
442
00:22:25,000 --> 00:22:26,000
…what you're doing, my mum and dad.
443
00:22:26,000 --> 00:22:28,000
…no, I don't!
444
00:22:28,000 --> 00:22:30,000
…no, I don't!
445
00:22:30,000 --> 00:22:33,000
…no, I'm sorry, I'm sorry, I'm sorry!
446
00:22:49,000 --> 00:22:52,000
…no, I don't!
447
00:22:56,000 --> 00:22:58,000
…no, I don't want to cry!
448
00:23:10,000 --> 00:23:12,000
…what did you get?
449
00:23:12,000 --> 00:23:15,000
…deads raise a stop, how about you?
450
00:23:15,000 --> 00:23:17,000
…the beak of mum's heir brush…
451
00:23:17,000 --> 00:23:18,000
…hard!
452
00:23:18,000 --> 00:23:21,000
A little miss Prim, she's always so proper.
453
00:23:21,000 --> 00:23:23,000
It was none of her business.
454
00:23:26,000 --> 00:23:28,000
Let's go for a walk.
455
00:24:19,000 --> 00:24:20,000
It's a profund show!
456
00:24:28,000 --> 00:24:33,000
Not only the stories, but he's also very clever.
457
00:24:35,000 --> 00:24:38,000
I have many personal associations in there,
458
00:24:41,000 --> 00:24:44,000
with some boxing med you can dance with,
459
00:24:44,000 --> 00:24:46,000
a little victim.
460
00:24:48,000 --> 00:24:51,000
ziy y e y y dynamic
461
00:26:18,000 --> 00:26:43,000
1.0.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1
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