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These are the user uploaded subtitles that are being translated: 1 00:00:42,542 --> 00:00:45,542 (Music begins) 2 00:01:02,262 --> 00:01:05,262 (Dialogue inaudible) 3 00:06:27,220 --> 00:06:28,787 (Maurice sighs) 4 00:06:28,788 --> 00:06:31,788 l'm sorry. 5 00:06:32,258 --> 00:06:35,258 You stole my death. 6 00:06:36,028 --> 00:06:38,563 l couldn't believe it. l thought... 7 00:06:38,564 --> 00:06:41,564 why is he dying? 8 00:06:41,934 --> 00:06:43,101 l die. 9 00:06:43,102 --> 00:06:45,871 Today is my day to die. 10 00:06:45,872 --> 00:06:48,872 l was really, really confused. 11 00:06:49,208 --> 00:06:51,376 -Aah! -Aah! 12 00:06:51,377 --> 00:06:54,377 Did you think that you were supposed to die? 13 00:06:56,082 --> 00:06:57,382 l was confused. 14 00:06:57,383 --> 00:07:00,383 Uh, l was unsure, and l made a choice. 15 00:07:01,421 --> 00:07:03,288 MAURlCE: Aah! 16 00:07:03,289 --> 00:07:05,757 Aah! l'm hit! 17 00:07:05,758 --> 00:07:07,926 But didn't you see that l was dying? 18 00:07:07,927 --> 00:07:09,327 -Aah! -Aah! 19 00:07:09,328 --> 00:07:10,495 -Aah! -Aah! 20 00:07:10,496 --> 00:07:13,496 l did. l did, but... 21 00:07:17,370 --> 00:07:20,370 -l did, but-- -But what? 22 00:07:22,442 --> 00:07:24,443 Arthur... 23 00:07:24,444 --> 00:07:27,045 it was just because... 24 00:07:27,046 --> 00:07:30,046 your pau-- The pause was just so long. 25 00:07:30,583 --> 00:07:33,583 -Aah! -Aah! 26 00:07:36,289 --> 00:07:39,191 And good. And good. 27 00:07:39,192 --> 00:07:42,192 lt was such a good, long pause that l was just unsure. 28 00:07:42,929 --> 00:07:45,929 l became unsure. 29 00:07:47,400 --> 00:07:48,567 Well, it felt good. 30 00:07:48,568 --> 00:07:50,335 -Oh, no, it was good. -Really? 31 00:07:50,336 --> 00:07:52,070 MAURlCE: Oh, you were good. Very. 32 00:07:52,071 --> 00:07:54,973 ARTHUR: Well, then, Maurice, l don't understand. 33 00:07:54,974 --> 00:07:57,442 What... 34 00:07:57,443 --> 00:07:59,778 l... 35 00:07:59,779 --> 00:08:02,247 Because it was so good... 36 00:08:02,248 --> 00:08:05,248 l became unsure. 37 00:08:06,219 --> 00:08:09,219 l'm really so, so sorry. 38 00:08:10,456 --> 00:08:12,858 -No, it's all right. -No. l just feel terrible. 39 00:08:12,859 --> 00:08:14,559 lt's OK. Don't. lt's OK. 40 00:08:14,560 --> 00:08:16,561 lt's OK. 41 00:08:16,562 --> 00:08:19,064 l'm sorry. l didn't-- 42 00:08:19,065 --> 00:08:22,065 lt's OK. 43 00:08:25,538 --> 00:08:28,473 lt's all right. 44 00:08:28,474 --> 00:08:30,375 lt's OK. 45 00:08:30,376 --> 00:08:33,376 (Music swells) 46 00:08:36,816 --> 00:08:39,816 MAURlCE: Happy. 47 00:08:40,319 --> 00:08:43,319 Frightened. 48 00:08:43,723 --> 00:08:46,723 Ecstatic. 49 00:08:48,694 --> 00:08:51,694 Good. Switch. 50 00:08:58,671 --> 00:09:01,671 ARTHUR: Fortunate. 51 00:09:02,842 --> 00:09:04,276 No hands. 52 00:09:04,277 --> 00:09:05,977 Make it simple. Keep it clean. 53 00:09:05,978 --> 00:09:07,445 Give it to me again. 54 00:09:07,446 --> 00:09:09,548 ARTHUR: Fortunate. 55 00:09:09,549 --> 00:09:11,316 -Hands. -No hands. 56 00:09:11,317 --> 00:09:12,918 ARTHUR: Fortunate. 57 00:09:12,919 --> 00:09:15,487 Ah, there you go. There you go. There you go. 58 00:09:15,488 --> 00:09:17,222 Uh... 59 00:09:17,223 --> 00:09:20,223 disturbed. 60 00:09:20,593 --> 00:09:23,128 -Not mentally disturbed. -Oh. 61 00:09:23,129 --> 00:09:24,296 ARTHUR: Disturbed. 62 00:09:24,297 --> 00:09:27,297 Not emotionally disturbed, but sort of spiritually disturbed. 63 00:09:30,303 --> 00:09:33,204 But on a smaller level. 64 00:09:33,205 --> 00:09:34,873 Ah, there you go. There you go. 65 00:09:34,874 --> 00:09:37,874 Subtle as a sphinx. Switch. 66 00:09:42,848 --> 00:09:45,848 Excited. 67 00:09:52,358 --> 00:09:54,960 That's it for me. 68 00:09:54,961 --> 00:09:57,128 What's the matter? 69 00:09:57,129 --> 00:10:00,129 No, Maurice, l... 70 00:10:00,733 --> 00:10:03,733 l can't. 71 00:10:05,404 --> 00:10:08,404 l'm going to die if we don't get work. 72 00:10:11,444 --> 00:10:14,444 MAURlCE: l'm so hungry. 73 00:10:16,849 --> 00:10:19,618 ARTHUR: What are we going to do? 74 00:10:19,619 --> 00:10:22,320 (Maurice sighs) 75 00:10:22,321 --> 00:10:25,321 MAURlCE: l don't know. 76 00:10:25,324 --> 00:10:26,958 Arthur... 77 00:10:26,959 --> 00:10:29,427 we might just have to look for other work. 78 00:10:29,428 --> 00:10:32,197 We might just have to look for other jobs. 79 00:10:32,198 --> 00:10:35,198 ARTHUR: Other jobs? 80 00:10:35,468 --> 00:10:38,403 Beggars can't be choosers, Arthur. 81 00:10:38,404 --> 00:10:39,604 ARTHUR: Are you calling us beggars? 82 00:10:39,605 --> 00:10:42,605 MAURlCE: We will be if we don't get jobs. 83 00:10:44,276 --> 00:10:47,276 ARTHUR: Beggars. 84 00:10:51,717 --> 00:10:54,717 (English accent) Please, sir, l want some more. 85 00:10:56,555 --> 00:10:59,555 You see, sir, l've not eaten for fourteen days... 86 00:11:01,093 --> 00:11:03,728 since me mum died of the group. 87 00:11:03,729 --> 00:11:05,296 -Croup. -Croup. 88 00:11:05,297 --> 00:11:06,998 Of the croup she died... 89 00:11:06,999 --> 00:11:09,300 leaving me and my mentally ill brother here... 90 00:11:09,301 --> 00:11:11,136 to fend for ourselves. 91 00:11:11,137 --> 00:11:13,538 Murdered, she was, in her bed by one of her johns. 92 00:11:13,539 --> 00:11:16,307 You see, she sold herself to feed us. 93 00:11:16,308 --> 00:11:18,076 She compromised herself for our sakes... 94 00:11:18,077 --> 00:11:20,745 and here we are, left alone and hungry and homeless. 95 00:11:20,746 --> 00:11:22,747 And my poor brother needs a brain operation... 96 00:11:22,748 --> 00:11:24,516 and my glaucoma's getting worse... 97 00:11:24,517 --> 00:11:27,517 and, sir? Sir? Sir? 98 00:11:27,753 --> 00:11:30,722 Are you there, sir? 99 00:11:30,723 --> 00:11:32,323 Aah! 100 00:11:32,324 --> 00:11:35,324 l can't see you, sir. l can't see you, sir! 101 00:11:35,728 --> 00:11:37,395 Aah! Aah! 102 00:11:37,396 --> 00:11:39,698 l'm blind! 103 00:11:39,699 --> 00:11:41,900 Aah! 104 00:11:41,901 --> 00:11:44,901 (Music swells) 105 00:11:46,972 --> 00:11:49,340 So, how we doing? 106 00:11:49,341 --> 00:11:51,109 -Great. -Good. 107 00:11:51,110 --> 00:11:52,744 Now, this is just a formality. 108 00:11:52,745 --> 00:11:55,745 l want you both. lt's just a matter of who plays what part. 109 00:11:57,083 --> 00:11:58,383 You mean you want us in the play? 110 00:11:58,384 --> 00:12:00,118 DlRECTOR: Yes, and if l say too much... 111 00:12:00,119 --> 00:12:03,119 forgive me, but having written and lived it for 18 years... 112 00:12:03,355 --> 00:12:05,690 and now directing it, along with my wife who's producing... 113 00:12:05,691 --> 00:12:06,991 l think l know it pretty well. 114 00:12:06,992 --> 00:12:09,794 But there's always something new you can learn. 115 00:12:09,795 --> 00:12:11,830 So l just want to say about these characters... 116 00:12:11,831 --> 00:12:14,831 that they once loved each other, but now they hate each other... 117 00:12:15,301 --> 00:12:17,602 but underneath, love, but on top, hate. 118 00:12:17,603 --> 00:12:20,171 Love, hate. So, see what l'm saying? 119 00:12:20,172 --> 00:12:22,440 ARTHUR AND MAURlCE: Yeah, sure. Love, hate. 120 00:12:22,441 --> 00:12:24,709 DlRECTOR: Yes. Love, hate, love, hate. 121 00:12:24,710 --> 00:12:26,644 Love, hate, love, hate. 122 00:12:26,645 --> 00:12:28,980 -Love. -Hate, love, hate. 123 00:12:28,981 --> 00:12:31,015 Love, hate, love, hate. 124 00:12:31,016 --> 00:12:32,684 ARTHUR: Love, hate, love, hate. 125 00:12:32,685 --> 00:12:35,685 Love--Th-th-th-- Whenever you're ready, go. 126 00:12:37,256 --> 00:12:40,256 MAURlCE: OK. 127 00:12:40,426 --> 00:12:43,294 (Both giggling) 128 00:12:43,295 --> 00:12:44,896 BOTH: Do you want to be the guy-- 129 00:12:44,897 --> 00:12:46,064 Do you want to be the guy who dies first? 130 00:12:46,065 --> 00:12:48,399 -lt doesn't matter to me. -Why don't you go? 131 00:12:48,400 --> 00:12:50,335 -Are you sure? -Yeah. 132 00:12:50,336 --> 00:12:53,336 ARTHUR: Excuse me. Do you have a preference who dies first? 133 00:12:53,606 --> 00:12:56,606 Couldn't care less. 134 00:12:56,742 --> 00:12:58,810 ARTHUR: OK. l don't care. 135 00:12:58,811 --> 00:13:00,979 (Whispering) Actually, do you mind if l die second? 136 00:13:00,980 --> 00:13:02,747 'Cause l'm a little not ready, OK? 137 00:13:02,748 --> 00:13:05,748 -Good, good. -OK. Go ahead. 138 00:13:06,485 --> 00:13:09,485 (Arthur clears throat) 139 00:13:18,097 --> 00:13:20,064 ARTHUR: (French accent) What a fool you are, Alan. 140 00:13:20,065 --> 00:13:23,065 MAURlCE: (English accent) No, Latour. You are a fool. 141 00:13:23,169 --> 00:13:25,103 ARTHUR: Me? Moi? Ha! 142 00:13:25,104 --> 00:13:28,104 lt is not l who is soon to breathe his final breath. 143 00:13:28,707 --> 00:13:31,707 MAURlCE: True, but l am not afraid, Latour... 144 00:13:32,978 --> 00:13:35,978 for with that breath l will inhale hope. 145 00:13:36,115 --> 00:13:39,115 Hope because l know there are others like me, Latour... 146 00:13:39,718 --> 00:13:42,718 who will soon come, and from whom a pure light will shine... 147 00:13:44,790 --> 00:13:47,790 and blind the devils of this world. 148 00:13:47,893 --> 00:13:50,893 -Aah! -Aah! 149 00:13:51,163 --> 00:13:53,331 BOTH: Ahh. 150 00:13:53,332 --> 00:13:54,999 MAURlCE: Uhh! 151 00:13:55,000 --> 00:13:58,000 (Maurice choking) 152 00:13:58,003 --> 00:14:01,003 MAURlCE: Oh, father. 153 00:14:06,779 --> 00:14:09,779 Um, now switch parts. 154 00:14:16,355 --> 00:14:17,522 ARTHUR: That was good. 155 00:14:17,523 --> 00:14:20,523 -Perfect. -No, it was very good. 156 00:14:21,594 --> 00:14:24,594 (Telephone rings) 157 00:14:24,997 --> 00:14:27,699 Yello. Oh, hi, hon. 158 00:14:27,700 --> 00:14:29,033 Keep going. lt's my wife, the producer. 159 00:14:29,034 --> 00:14:32,034 Hi, hi. What's up? 160 00:14:32,304 --> 00:14:33,838 lt's going well, it's going well. 161 00:14:33,839 --> 00:14:36,341 MAURlCE: What a fool you are, Alan. 162 00:14:36,342 --> 00:14:39,342 DlRECTOR: l said l was sorry, and l meant it. 163 00:14:40,779 --> 00:14:43,181 MAURlCE: Me? Moi? Ha! 164 00:14:43,182 --> 00:14:46,182 DlRECTOR: l'm not going to behave like that anymore. 165 00:14:46,352 --> 00:14:47,986 Where are you? 166 00:14:47,987 --> 00:14:50,987 What are you doing with him? 167 00:14:50,990 --> 00:14:52,991 You what? 168 00:14:52,992 --> 00:14:55,992 You're saying to me that you're leaving me for him? 169 00:14:57,930 --> 00:15:00,098 This is what you're saying to me? 170 00:15:00,099 --> 00:15:02,734 Well, yes, naturally, l'm shocked. 171 00:15:02,735 --> 00:15:04,569 Of course l'm shocked. 172 00:15:04,570 --> 00:15:07,438 Does this mean you're pulling your money out of the show? 173 00:15:07,439 --> 00:15:10,439 No, no, l will not find anybody else to put money in this play. 174 00:15:11,677 --> 00:15:14,677 Everyone thinks it's a piece of shit. 175 00:15:14,713 --> 00:15:17,382 Where are you now? Because l'm coming down. 176 00:15:17,383 --> 00:15:20,383 l'm going to bite out both your throats! 177 00:15:24,123 --> 00:15:27,123 (Music swells) 178 00:15:30,729 --> 00:15:32,363 -So l insult him? -Yeah. 179 00:15:32,364 --> 00:15:34,165 ARTHUR: Tell him you think his pastries are no good. 180 00:15:34,166 --> 00:15:35,934 -Oh, good idea. -Yeah. 181 00:15:35,935 --> 00:15:37,402 Say that they're stale, all right? 182 00:15:37,403 --> 00:15:38,903 Hey, buddy, your pastries are stale. 183 00:15:38,904 --> 00:15:41,506 Right, but don't say buddy. Just say... 184 00:15:41,507 --> 00:15:44,507 -Your pastries are stale. -Your pastries are stale. 185 00:15:45,244 --> 00:15:48,244 -l can do it. -OK. Then... 186 00:15:50,816 --> 00:15:53,816 -You'll come to his defense. -l'll come to his defense. 187 00:15:54,186 --> 00:15:56,087 And then... 188 00:15:56,088 --> 00:15:58,189 He'll reward you with a cornucopia of delicacies. 189 00:15:58,190 --> 00:16:00,391 -Right. -Which you will share with me. 190 00:16:00,392 --> 00:16:03,392 ARTHUR: All right, good. But be--you know. OK? 191 00:16:03,729 --> 00:16:06,064 -Small. -Small. 192 00:16:06,065 --> 00:16:09,065 You, too. 193 00:16:15,507 --> 00:16:18,507 -Good day, sir. -Good day. 194 00:16:23,782 --> 00:16:25,283 Everything is made fresh? 195 00:16:25,284 --> 00:16:28,252 Yes, sir. l make everything myself, fresh every day. 196 00:16:28,253 --> 00:16:30,455 -Oh, every day? -Every day. 197 00:16:30,456 --> 00:16:33,124 -Good day. -Good day, sir. 198 00:16:33,125 --> 00:16:35,193 -Good day. -How do you do? 199 00:16:35,194 --> 00:16:37,829 -Every single day? -Every single day. 200 00:16:37,830 --> 00:16:40,531 MAURlCE: Well... 201 00:16:40,532 --> 00:16:43,101 even these cream puffs are fresh? 202 00:16:43,102 --> 00:16:46,102 They look stale to me. 203 00:16:47,406 --> 00:16:49,674 BAKER: You may taste if you like. 204 00:16:49,675 --> 00:16:52,675 Taste? 205 00:16:58,250 --> 00:17:01,250 lf l must. 206 00:17:11,296 --> 00:17:14,296 (Clears throat) 207 00:17:17,536 --> 00:17:20,438 l hate them. 208 00:17:20,439 --> 00:17:22,507 Oh, l'm sorry. 209 00:17:22,508 --> 00:17:24,008 To each his own. 210 00:17:24,009 --> 00:17:25,943 There's another bakery shop down the block... 211 00:17:25,944 --> 00:17:27,779 whose wares might be more to your liking. 212 00:17:27,780 --> 00:17:30,780 Thank you for coming in. May l help you, sir? 213 00:17:35,387 --> 00:17:36,721 Yes. Would you excuse me a moment? 214 00:17:36,722 --> 00:17:39,223 l couldn't help but overhear. Excuse me, sir... 215 00:17:39,224 --> 00:17:41,492 but may l say that your rudeness... 216 00:17:41,493 --> 00:17:43,795 to this hard-working gentleman is uncalled for? 217 00:17:43,796 --> 00:17:45,696 -Please, sir. -l beg your pardon. 218 00:17:45,697 --> 00:17:47,398 ARTHUR: No, l beg yours, sir. 219 00:17:47,399 --> 00:17:50,134 This gentleman is one of the finest pastry chefs... 220 00:17:50,135 --> 00:17:51,436 on the eastern seaboard. 221 00:17:51,437 --> 00:17:53,304 -Well, thank you. -You're welcome. 222 00:17:53,305 --> 00:17:54,439 -Do l know you? -Of course you do. 223 00:17:54,440 --> 00:17:55,873 MAURlCE: What's your point? 224 00:17:55,874 --> 00:17:57,575 ARTHUR: You would not know a good cream puff... 225 00:17:57,576 --> 00:18:00,445 if it jumped up and licked you on the ass. 226 00:18:00,446 --> 00:18:02,547 BAKER: lt's just a difference in taste. 227 00:18:02,548 --> 00:18:04,549 ARTHUR: No. This man is clearly an imbecile. 228 00:18:04,550 --> 00:18:06,517 MAURlCE: Ah, an insult! 229 00:18:06,518 --> 00:18:07,985 -l'm insulted? -Yes! 230 00:18:07,986 --> 00:18:10,421 -l'm insulted! -Fine. Good! 231 00:18:10,422 --> 00:18:12,023 MAURlCE: Well, l am ! 232 00:18:12,024 --> 00:18:13,958 ARTHUR: l'm sure you're not as insulted as him. 233 00:18:13,959 --> 00:18:16,694 -l'm not insulted. -Oh, yes, you are! 234 00:18:16,695 --> 00:18:19,097 ARTHUR: The man works all day to support his miserable family. 235 00:18:19,098 --> 00:18:21,666 BAKER: My family isn't miserable. We're quite happy. 236 00:18:21,667 --> 00:18:23,234 ARTHUR: No, you're not! 237 00:18:23,235 --> 00:18:25,636 You're miserable and pathetic. Look at you. 238 00:18:25,637 --> 00:18:27,171 BAKER: Well, l... 239 00:18:27,172 --> 00:18:29,707 All day working like a lackey from rise to set... 240 00:18:29,708 --> 00:18:32,043 sweating in the eye of Phoebus. 241 00:18:32,044 --> 00:18:33,511 l love my work. 242 00:18:33,512 --> 00:18:36,512 No, you don't! My God, how could you? 243 00:18:37,216 --> 00:18:38,950 -Are you insulting him? -No, you are! 244 00:18:38,951 --> 00:18:40,118 That's what l thought! 245 00:18:40,119 --> 00:18:42,086 Oh, how it grieves me... 246 00:18:42,087 --> 00:18:45,087 to see a man living the life of a dog... 247 00:18:45,090 --> 00:18:48,090 and treated worse than a dog by a bourgeois pig! 248 00:18:48,360 --> 00:18:49,794 BAKER: You don't even know this gentleman. 249 00:18:49,795 --> 00:18:52,795 ARTHUR: Oh, l know him ! l knew them all! 250 00:18:53,065 --> 00:18:56,065 Puppeteers. And you, the poor, sweaty, blue-collared bumpkin... 251 00:18:57,336 --> 00:18:58,769 at the end of their strings. 252 00:18:58,770 --> 00:19:00,905 What a fool you are! 253 00:19:00,906 --> 00:19:03,341 -l am not a fool! -Yes, you are! 254 00:19:03,342 --> 00:19:06,342 MAURlCE: You shouldn't talk to that gentleman this way. 255 00:19:07,179 --> 00:19:09,614 You like the cream puffs. 256 00:19:09,615 --> 00:19:12,216 l don't like the cream puffs. 257 00:19:12,217 --> 00:19:13,618 ARTHUR: Fuck the cream puffs! 258 00:19:13,619 --> 00:19:16,020 This man is a slave and an idiot! 259 00:19:16,021 --> 00:19:18,089 -Get out of here! -What? 260 00:19:18,090 --> 00:19:20,758 BAKER: Get out of my shop! 261 00:19:20,759 --> 00:19:22,994 MAURlCE: l'll handle this. 262 00:19:22,995 --> 00:19:25,263 You've really said quite enough. 263 00:19:25,264 --> 00:19:28,232 l think we've heard quite enough from you. 264 00:19:28,233 --> 00:19:30,001 Begone! 265 00:19:30,002 --> 00:19:33,002 (Door slams) 266 00:19:33,205 --> 00:19:34,505 Sir, how can l repay you? 267 00:19:34,506 --> 00:19:36,340 MAURlCE: Please. l did nothing. 268 00:19:36,341 --> 00:19:39,341 BAKER: l insist. You came to my aid. 269 00:19:46,084 --> 00:19:48,686 Well... 270 00:19:48,687 --> 00:19:50,354 perhaps a cream puff? 271 00:19:50,355 --> 00:19:53,257 No, no. You don't like them. 272 00:19:53,258 --> 00:19:55,893 -Well... -l have something even better. 273 00:19:55,894 --> 00:19:57,929 Two tickets to the theater tonight... 274 00:19:57,930 --> 00:20:00,531 to see the great Jeremy Burtom as Hamlet. 275 00:20:00,532 --> 00:20:03,532 Please, take them with my gratitude. 276 00:20:06,638 --> 00:20:08,606 ARTHUR: Tickets to see Jeremy Burtom? 277 00:20:08,607 --> 00:20:10,374 -That's what he gave you? -That's correct. 278 00:20:10,375 --> 00:20:13,077 ARTHUR: Out of anything in the shop, he gives you tickets? 279 00:20:13,078 --> 00:20:14,245 MAURlCE: Yes. 280 00:20:14,246 --> 00:20:16,080 ARTHUR: Why didn't he just stab you in the heart? 281 00:20:16,081 --> 00:20:17,882 MAURlCE: You tell me, Arthy. 282 00:20:17,883 --> 00:20:20,251 ARTHUR: Burtom is the worst actor on the face of the earth. 283 00:20:20,252 --> 00:20:21,786 MAURlCE: Yup. 284 00:20:21,787 --> 00:20:24,455 That man is unwatchable. 285 00:20:24,456 --> 00:20:25,923 MAURlCE: Yup. 286 00:20:25,924 --> 00:20:28,392 ARTHUR: You couldn't pay me to go see that guy's Hamlet. 287 00:20:28,393 --> 00:20:31,393 (Music swells) 288 00:20:36,768 --> 00:20:38,202 l wanted to see how bad he really was. 289 00:20:38,203 --> 00:20:40,571 l hear he makes a real fool out of himself. 290 00:20:40,572 --> 00:20:42,206 You always learn from other people's mistakes. 291 00:20:42,207 --> 00:20:43,608 Oh, yes. 292 00:20:43,609 --> 00:20:45,643 -Right? -Please. 293 00:20:45,644 --> 00:20:47,712 -Look at this crowd. -Unbelievable. 294 00:20:47,713 --> 00:20:50,713 -l'll never understand it. -lt's criminal. 295 00:20:51,250 --> 00:20:53,050 Hey. 296 00:20:53,051 --> 00:20:54,885 Mike's in this. 297 00:20:54,886 --> 00:20:57,886 -Really? -Mm-hmm. 298 00:20:58,724 --> 00:21:00,258 ARTHUR: Oh. 299 00:21:00,259 --> 00:21:02,326 Good for him. Good for Mike. 300 00:21:02,327 --> 00:21:04,228 -Great for Mike. -Yeah. Oh, yeah. 301 00:21:04,229 --> 00:21:06,364 WOMAN: Shh! 302 00:21:06,365 --> 00:21:09,365 (Elizabethan music) 303 00:21:23,949 --> 00:21:26,949 (Applause) 304 00:21:35,093 --> 00:21:36,894 MAURlCE: Someone's put on a little weight. 305 00:21:36,895 --> 00:21:38,863 ARTHUR: l hope they reinforced the stage. 306 00:21:38,864 --> 00:21:41,565 MAURlCE: My God. 307 00:21:41,566 --> 00:21:44,566 CLAUDlUS: And now my cousin Hamlet and my son. 308 00:21:45,704 --> 00:21:48,704 GERTRUDE: Hamlet, why seems it so particular with thee? 309 00:21:48,974 --> 00:21:51,974 HAMLET: Seems, madam? Nay, it is. l know not ,,seems.,, 310 00:21:54,579 --> 00:21:57,579 'Tis not alone my inky cloak, good mother... 311 00:21:58,917 --> 00:22:01,752 nor the customary suits of solemn black... 312 00:22:01,753 --> 00:22:04,753 nor the dejected 'havior of the visage... 313 00:22:05,390 --> 00:22:07,925 together with all forms... 314 00:22:07,926 --> 00:22:10,394 moods, shapes of grief... 315 00:22:10,395 --> 00:22:13,395 that can denote me truly. 316 00:22:14,199 --> 00:22:16,734 These indeed seem... 317 00:22:16,735 --> 00:22:18,936 for they are actions that a man might play. 318 00:22:18,937 --> 00:22:21,605 But l... 319 00:22:21,606 --> 00:22:23,908 have that within... 320 00:22:23,909 --> 00:22:26,909 which passes show. 321 00:22:26,912 --> 00:22:29,180 These... 322 00:22:29,181 --> 00:22:32,181 but the trappings and the suits... 323 00:22:34,086 --> 00:22:37,086 of woe. 324 00:22:58,777 --> 00:23:01,777 BURTOM: Who is it? 325 00:23:09,988 --> 00:23:12,988 MAN WHlSPERlNG: lntermission's almost over, sir. 326 00:23:16,561 --> 00:23:18,462 STAGE MANAGER: Places for act two. 327 00:23:18,463 --> 00:23:20,865 Places for act two. 328 00:23:20,866 --> 00:23:23,866 (Swords clanging) 329 00:23:29,374 --> 00:23:31,075 LAERTES: Ow! 330 00:23:31,076 --> 00:23:32,877 HAMLET: Come for the third, Laertes. You do but dally. 331 00:23:32,878 --> 00:23:35,579 -Who choreographed this? -l don't know. lt's so sloppy. 332 00:23:35,580 --> 00:23:36,781 MAURlCE: lt's a mess. 333 00:23:36,782 --> 00:23:38,082 HAMLET: Crazy boy! 334 00:23:38,083 --> 00:23:40,751 Aah! You crazy boy! 335 00:23:40,752 --> 00:23:42,920 Aah! 336 00:23:42,921 --> 00:23:44,321 MAURlCE: What was that part? 337 00:23:44,322 --> 00:23:47,322 ARTHUR: l don't know. 338 00:23:49,060 --> 00:23:52,060 HAMLET: Come on. 339 00:23:57,869 --> 00:23:59,036 LAERTES: Aah! 340 00:23:59,037 --> 00:24:02,037 What the hell's he doing? 341 00:24:07,913 --> 00:24:10,913 MlKE: Drunken son of a bitch. 342 00:24:21,693 --> 00:24:24,693 Ladies and gentlemen... 343 00:24:26,865 --> 00:24:29,865 it appears an actor, having missed a parry... 344 00:24:30,502 --> 00:24:33,502 upset by his mistake, has vacated the stage. 345 00:24:35,407 --> 00:24:38,407 Therefore, with your kind permission... 346 00:24:38,543 --> 00:24:40,177 we will lower the curtain-- 347 00:24:40,178 --> 00:24:41,846 (Belches) 348 00:24:41,847 --> 00:24:44,847 and regroup, as it were... 349 00:24:45,116 --> 00:24:47,985 and then complete this... 350 00:24:47,986 --> 00:24:50,986 the greatest of all of Mr. Shakespeare's plays. 351 00:24:53,859 --> 00:24:56,360 l thank you. 352 00:24:56,361 --> 00:24:59,361 (Audience murmurs) 353 00:25:01,299 --> 00:25:03,834 MlKE: The man is vicious. 354 00:25:03,835 --> 00:25:06,835 Wednesday, he stuck me-- right there. 355 00:25:07,472 --> 00:25:10,472 ARTHUR: Where? 356 00:25:10,742 --> 00:25:13,110 MlKE: Right in the rib. 357 00:25:13,111 --> 00:25:14,645 Gertrude? 358 00:25:14,646 --> 00:25:15,880 Almost killed her with a goblet. 359 00:25:15,881 --> 00:25:17,114 MAURlCE: He's done it before? 360 00:25:17,115 --> 00:25:20,115 ARTHUR: Oh, God. That's sick. That's just sick. 361 00:25:20,352 --> 00:25:22,820 Sick. 362 00:25:22,821 --> 00:25:23,988 MAURlCE: You let me at him. 363 00:25:23,989 --> 00:25:26,190 ARTHUR: You know what really burns me up? 364 00:25:26,191 --> 00:25:28,559 What really gets my goat... 365 00:25:28,560 --> 00:25:31,560 is that Mike had such a great death coming up... 366 00:25:32,464 --> 00:25:34,465 and he was cheated. 367 00:25:34,466 --> 00:25:36,700 He was cheated, right? 368 00:25:36,701 --> 00:25:37,868 That's the... 369 00:25:37,869 --> 00:25:40,204 MAURlCE: Yeah, but, you know-- You want to know? 370 00:25:40,205 --> 00:25:42,740 You want to know what l'd do in that situation? 371 00:25:42,741 --> 00:25:45,741 -What? -l'd stop, center stage. 372 00:25:47,646 --> 00:25:49,580 l'd turn. l'd wait for quiet. 373 00:25:49,581 --> 00:25:52,516 ARTHUR: He's saying what he would do if he was you. 374 00:25:52,517 --> 00:25:54,818 -Tonight. -l know. 375 00:25:54,819 --> 00:25:57,555 MAURlCE: What you have just seen... 376 00:25:57,556 --> 00:25:59,657 ladies and gentlemen... 377 00:25:59,658 --> 00:26:02,658 is unprofessional behavior of an overrated... 378 00:26:03,061 --> 00:26:06,061 undertalented, drunken hack... 379 00:26:06,231 --> 00:26:08,165 named Jeremy Burtom. 380 00:26:08,166 --> 00:26:11,068 He has blustered his way to success... 381 00:26:11,069 --> 00:26:14,069 on the backs of the great supporting players for too long! 382 00:26:15,740 --> 00:26:18,740 And it's time for us to make a stand and say no! 383 00:26:19,044 --> 00:26:22,044 No, Burtom ! Begone! 384 00:26:22,113 --> 00:26:25,113 lt is time for us to say, no, boozy boy! 385 00:26:25,750 --> 00:26:28,750 Bye-bye, Burtom bad boy! 386 00:26:29,421 --> 00:26:32,421 Hefty boy! Boozy, boozy boy! 387 00:26:33,224 --> 00:26:36,224 Greasy boy! Saggy, farty boy! 388 00:26:36,528 --> 00:26:39,528 Poke you! l poke you! l poke you! 389 00:26:40,732 --> 00:26:43,732 Something like that. 390 00:26:46,104 --> 00:26:47,471 Daah! 391 00:26:47,472 --> 00:26:49,273 -Aah! -Aah! 392 00:26:49,274 --> 00:26:52,274 (People yelling) 393 00:26:54,446 --> 00:26:55,913 BURTOM: Come on! Come back here! 394 00:26:55,914 --> 00:26:58,914 -Ooh! -Come back! 395 00:26:59,284 --> 00:27:01,885 BURTOM: Come back here! Ooh! 396 00:27:01,886 --> 00:27:03,921 Stop them ! Stop them ! 397 00:27:03,922 --> 00:27:06,922 They're trying to kill a genius! 398 00:27:10,095 --> 00:27:12,930 (Dixieland jazz playing) 399 00:27:12,931 --> 00:27:15,931 (Maurice and Arthur yelling) 400 00:27:16,835 --> 00:27:19,835 REPORTER: There they go. 401 00:27:20,805 --> 00:27:23,805 (Siren) 402 00:27:38,390 --> 00:27:41,390 (Sirens) 403 00:27:54,506 --> 00:27:55,673 -Too small. -What? 404 00:27:55,674 --> 00:27:56,940 -Too small. -No. 405 00:27:56,941 --> 00:27:59,941 -No, no, no, don't move. -Too small. 406 00:28:00,078 --> 00:28:03,078 MAURlCE: Claustrophobia! 407 00:28:03,114 --> 00:28:04,281 ARTHUR: Please. 408 00:28:04,282 --> 00:28:05,549 (Muffled screeches) 409 00:28:05,550 --> 00:28:07,451 -How about over there? -l checked over there already. 410 00:28:07,452 --> 00:28:08,652 OFFlCER: Did you check the other side? 411 00:28:08,653 --> 00:28:10,054 (Maurice hyperventilating) 412 00:28:10,055 --> 00:28:13,055 ARTHUR: Shh! 413 00:28:14,225 --> 00:28:17,225 -What's that noise? -You hear that? 414 00:28:17,362 --> 00:28:19,196 OFFlCER: l don't hear nothing. 415 00:28:19,197 --> 00:28:20,864 SECOND OFFlCER: You fart? 416 00:28:20,865 --> 00:28:23,865 ARTHUR WHlSPERlNG: Shh. Please. 417 00:28:24,736 --> 00:28:27,736 OFFlCER: All right, come on. Let's go. 418 00:28:33,378 --> 00:28:36,378 (Both snoring) 419 00:28:37,148 --> 00:28:40,148 (Ship's horn blows) 420 00:28:46,157 --> 00:28:47,858 (Both snore) 421 00:28:47,859 --> 00:28:49,059 (Ship's horn blows) 422 00:28:49,060 --> 00:28:52,060 MAURlCE: Hey. 423 00:28:56,234 --> 00:28:57,401 (Labored breathing) 424 00:28:57,402 --> 00:28:59,737 -Arthy. -Ooh. 425 00:28:59,738 --> 00:29:01,238 ARTHUR: OK. Come on. 426 00:29:01,239 --> 00:29:04,239 Go slow. 427 00:29:10,281 --> 00:29:12,916 (Ship's horn blows) 428 00:29:12,917 --> 00:29:15,917 (Music begins) 429 00:29:55,693 --> 00:29:58,693 MAURlCE WHlSPERlNG: What are you doing? 430 00:30:03,168 --> 00:30:05,836 MAURlCE: Oh, God. We're outlaws. 431 00:30:05,837 --> 00:30:07,571 (Ship's horn blows) 432 00:30:07,572 --> 00:30:10,572 (Music plays) 433 00:30:40,205 --> 00:30:42,139 MAURlCE: Let's get out of here. The place is crawling with cops. 434 00:30:42,140 --> 00:30:45,140 ARTHUR: l know, l know. l have an idea. Come on. 435 00:30:45,543 --> 00:30:48,345 MElSTRlCH: Ladies. 436 00:30:48,346 --> 00:30:49,980 (German accent) One-ten, Oceano. 437 00:30:49,981 --> 00:30:52,981 Why are we standing around, please? 438 00:30:53,318 --> 00:30:55,385 (Snaps fingers) 439 00:30:55,386 --> 00:30:58,386 LlLY: These go to stateroom 40, and that goes to 15. 440 00:30:59,257 --> 00:31:02,257 Thanks, girls. 441 00:31:03,027 --> 00:31:04,828 So, Lily, everything is in order? 442 00:31:04,829 --> 00:31:07,364 -Yes, Meistrich. -Good. 443 00:31:07,365 --> 00:31:09,533 You are so good at what you do, Lily. 444 00:31:09,534 --> 00:31:11,168 Thank you. 445 00:31:11,169 --> 00:31:12,603 MElSTRlCH: So good. 446 00:31:12,604 --> 00:31:14,938 Thanks, Meistrich. 447 00:31:14,939 --> 00:31:16,640 MElSTRlCH: So sweet. 448 00:31:16,641 --> 00:31:18,041 Thanks. 449 00:31:18,042 --> 00:31:19,710 MElSTRlCH: So... 450 00:31:19,711 --> 00:31:21,178 Oh, Lily. 451 00:31:21,179 --> 00:31:24,081 When l'm with you, l feel like a young schoolboy again... 452 00:31:24,082 --> 00:31:26,283 full of hope and wonder-- 453 00:31:26,284 --> 00:31:29,284 like a young bud in springtime waiting to blossom. 454 00:31:29,387 --> 00:31:31,421 -Well... -Your face... 455 00:31:31,422 --> 00:31:33,757 Your hands... 456 00:31:33,758 --> 00:31:36,758 Your beautiful, snow-white hands. 457 00:31:40,632 --> 00:31:43,632 (Singing) Lil, Lil, Lil, Lily, ly 458 00:31:44,702 --> 00:31:47,070 Lily, Lil, Lil, Lil-- 459 00:31:47,071 --> 00:31:48,238 LlLY: Marco. 460 00:31:48,239 --> 00:31:50,040 MARCO: (ltalian accent) Hi. Um, excuse me. 461 00:31:50,041 --> 00:31:52,609 Hi, Meistrich. Could l talk to you for a second? 462 00:31:52,610 --> 00:31:54,678 -Actually, no. -Please, Meistrich. 463 00:31:54,679 --> 00:31:57,679 Just one minute. 464 00:31:58,583 --> 00:32:00,150 -Hi, Marco. -Hey. 465 00:32:00,151 --> 00:32:02,019 LlLY: How are you? You look so handsome. 466 00:32:02,020 --> 00:32:04,154 MARCO: Thank you. Did you get my flowers? 467 00:32:04,155 --> 00:32:05,756 LlLY: Yes. l was hoping they were from you. 468 00:32:05,757 --> 00:32:08,757 -There was no card. -Oh. 469 00:32:16,901 --> 00:32:19,169 MARCO: No. l wanted to talk to you in person... 470 00:32:19,170 --> 00:32:21,371 because, Lily... 471 00:32:21,372 --> 00:32:23,507 l just wanted to tell you that... 472 00:32:23,508 --> 00:32:26,508 w-- 473 00:32:31,683 --> 00:32:33,550 MARCO WHlSPERlNG: But l wanted to tell you that... 474 00:32:33,551 --> 00:32:34,751 MAN: Ohh! Aah! 475 00:32:34,752 --> 00:32:36,987 MElSTRlCH: Why don't you watch what you're doing, hmm? 476 00:32:36,988 --> 00:32:38,555 Make a mistake like that next time... 477 00:32:38,556 --> 00:32:41,556 and l'll chop off your hands and let you drown in your own blood! 478 00:32:44,996 --> 00:32:47,331 Are you two finished with your little tete-a-tete? 479 00:32:47,332 --> 00:32:48,932 Because there is work to do. 480 00:32:48,933 --> 00:32:50,600 lf we don't work, we'll lose our jobs, yes? 481 00:32:50,601 --> 00:32:53,003 LlLY: Yes. Right away, Meistrich. 482 00:32:53,004 --> 00:32:54,304 Good-bye, Marco. 483 00:32:54,305 --> 00:32:56,373 -OK. -OK. 484 00:32:56,374 --> 00:32:57,541 MARCO: Bye-bye. 485 00:32:57,542 --> 00:33:00,542 MElSTRlCH: Tschuss. 486 00:33:02,046 --> 00:33:03,981 Lily... 487 00:33:03,982 --> 00:33:05,649 will you dance with me tonight at the ball? 488 00:33:05,650 --> 00:33:07,084 l have something l want to say to you. 489 00:33:07,085 --> 00:33:09,453 -Well-- -Excellent! 490 00:33:09,454 --> 00:33:10,854 MElSTRlCH: Until tonight? 491 00:33:10,855 --> 00:33:13,855 (Music resumes) 492 00:33:23,835 --> 00:33:25,168 (Applause) 493 00:33:25,169 --> 00:33:26,737 Thank you. 494 00:33:26,738 --> 00:33:28,405 Thank you, ladies and gentlemen. 495 00:33:28,406 --> 00:33:29,573 (Both gasp) 496 00:33:29,574 --> 00:33:30,841 BURTOM: Thank you. Thank you. 497 00:33:30,842 --> 00:33:33,076 MAURlCE: lt's Burtom ! lt's him ! 498 00:33:33,077 --> 00:33:34,511 -l know. -What are we going to do? 499 00:33:34,512 --> 00:33:36,747 ARTHUR: Let's get out of here quick. 500 00:33:36,748 --> 00:33:38,882 BURTOM: ...having been abused yesternight... 501 00:33:38,883 --> 00:33:40,851 by a band of ruffians... 502 00:33:40,852 --> 00:33:43,420 l thwarted an attempt on my life... 503 00:33:43,421 --> 00:33:46,421 by these incompetent scofflaws single-handedly. 504 00:33:47,125 --> 00:33:49,659 MAN: Bravo. Wonderful. Good job. 505 00:33:49,660 --> 00:33:52,362 BURTOM: As for myself, l hope that... 506 00:33:52,363 --> 00:33:55,363 the salt air will heal my wounds... 507 00:33:56,768 --> 00:33:59,169 and the motion of the cool, green sea... 508 00:33:59,170 --> 00:34:01,972 soothe my tortured soul. 509 00:34:01,973 --> 00:34:04,973 Thank you and bon voyage to us all. 510 00:34:05,410 --> 00:34:08,410 WOMAN: Bon voyage. 511 00:34:11,315 --> 00:34:13,950 PANCETTA: Mr. Sparks, what an honor it is to have you here. 512 00:34:13,951 --> 00:34:16,253 l'm Pancetta Leaky, the ship's social director. 513 00:34:16,254 --> 00:34:17,487 FlRST MATE: Welcome aboard, Mr. Sparks. 514 00:34:17,488 --> 00:34:19,289 Congratulations on your last match. 515 00:34:19,290 --> 00:34:21,558 SPARKS: (Scottish accent) Thank you very much, good fella. 516 00:34:21,559 --> 00:34:22,726 FlRST MATE: Ow. 517 00:34:22,727 --> 00:34:24,261 Do you feel that grip? 518 00:34:24,262 --> 00:34:25,862 l do, sir. l do. 519 00:34:25,863 --> 00:34:28,598 SPARKS: Powerful enough to snap the neck of a small beast... 520 00:34:28,599 --> 00:34:30,467 and yet sensitive enough... 521 00:34:30,468 --> 00:34:33,336 to caress the tender throat of a young castrato-- 522 00:34:33,337 --> 00:34:35,105 coax a song from him. 523 00:34:35,106 --> 00:34:36,840 Good for you. 524 00:34:36,841 --> 00:34:38,575 That is why l win. 525 00:34:38,576 --> 00:34:41,044 l'm sure it is, sir. Enjoy your voyage. 526 00:34:41,045 --> 00:34:43,980 Oh, l will. l will. 527 00:34:43,981 --> 00:34:45,949 l'll help you with your bags. 528 00:34:45,950 --> 00:34:48,318 FlRST MATE: Mrs. Essendine, it's a pleasure to see you. 529 00:34:48,319 --> 00:34:51,319 How delighted we were to see your name on the passenger list. 530 00:34:51,489 --> 00:34:53,490 And l was sorry to hear about the death of your husband. 531 00:34:53,491 --> 00:34:55,992 He was the most generous of men. 532 00:34:55,993 --> 00:34:58,929 That he was. That he was. 533 00:34:58,930 --> 00:35:01,331 Wait. Wait. 534 00:35:01,332 --> 00:35:03,567 Can this be Emily? 535 00:35:03,568 --> 00:35:06,568 She has blossomed so. 536 00:35:06,938 --> 00:35:09,938 MRS. ESSENDlNE: Thank the gentleman, Emily. 537 00:35:10,408 --> 00:35:11,775 (Croaks) Thanks. 538 00:35:11,776 --> 00:35:14,776 (Music resumes) 539 00:35:26,891 --> 00:35:29,891 MRS. ESSENDlNE: Stewards. Stewards. 540 00:35:29,894 --> 00:35:32,863 Give us a hand here, please. 541 00:35:32,864 --> 00:35:34,030 (Both gasp) 542 00:35:34,031 --> 00:35:37,031 (Music resumes) 543 00:35:39,370 --> 00:35:42,370 MElSTRlCH: Gentlemen, is there a problem? 544 00:35:43,875 --> 00:35:46,875 (Music resumes) 545 00:35:51,449 --> 00:35:53,450 (Bag drops) 546 00:35:53,451 --> 00:35:56,219 -l have it, Arthy. -Oh, OK. Thank you. 547 00:35:56,220 --> 00:35:59,220 ARTHUR: Thank you. 548 00:36:04,629 --> 00:36:06,329 MRS. ESSENDlNE: Ohh! 549 00:36:06,330 --> 00:36:08,532 -Aah! -Ohh! 550 00:36:08,533 --> 00:36:11,533 (Music resumes) 551 00:36:16,374 --> 00:36:18,408 BOTH: Ohh. 552 00:36:18,409 --> 00:36:20,243 ARTHUR: OK. 553 00:36:20,244 --> 00:36:21,444 OK. 554 00:36:21,445 --> 00:36:24,445 (Music resumes) 555 00:36:24,649 --> 00:36:27,649 LlLY: Excuse me. 556 00:36:30,922 --> 00:36:32,088 Are you lost? 557 00:36:32,089 --> 00:36:34,758 -Yes. -No. 558 00:36:34,759 --> 00:36:36,259 Do you work on this ship? 559 00:36:36,260 --> 00:36:38,328 MAURlCE: l'm innocent. 560 00:36:38,329 --> 00:36:41,329 l'm not a thespian thug. l'm a good man. 561 00:36:41,465 --> 00:36:43,266 ARTHUR: Can you help us? 562 00:36:43,267 --> 00:36:46,267 Please, ma'am? The ship's about to leave. 563 00:36:46,270 --> 00:36:49,270 MAN ON P.A.: All ashore that are going ashore! 564 00:36:49,273 --> 00:36:51,608 All ashore that are going ashore! 565 00:36:51,609 --> 00:36:54,609 MElSTRlCH: There is desperation in these little footsteps. 566 00:36:54,845 --> 00:36:57,447 Lily, your cheeks are flushed. Your breasts heave. 567 00:36:57,448 --> 00:36:59,015 May l ask where is the fire? 568 00:36:59,016 --> 00:37:01,518 No, there's no fire, Meistrich. A passenger needs help. 569 00:37:01,519 --> 00:37:02,886 Oh? 570 00:37:02,887 --> 00:37:04,588 (Ship's horn blows) 571 00:37:04,589 --> 00:37:07,589 Two minutes to departure? 572 00:37:07,692 --> 00:37:09,759 MElSTRlCH: l don't recall hiring you two. 573 00:37:09,760 --> 00:37:11,161 LlLY: l didn't, either, but, you know-- 574 00:37:11,162 --> 00:37:13,930 BURTOM: Stewards! lt appears my steamer is stuck. 575 00:37:13,931 --> 00:37:15,899 l require some assistance. 576 00:37:15,900 --> 00:37:17,701 Unless, of course, you're all too busy... 577 00:37:17,702 --> 00:37:20,303 like every other bloody steward on this bloody ship! 578 00:37:20,304 --> 00:37:23,073 Absolutely, sir. 579 00:37:23,074 --> 00:37:24,241 Move! 580 00:37:24,242 --> 00:37:27,242 (Claps hands) 581 00:37:44,962 --> 00:37:46,329 BURTOM: Very good. Wait a minute, wait a minute. 582 00:37:46,330 --> 00:37:49,232 Hang on. There you go. Thank you very much. 583 00:37:49,233 --> 00:37:52,233 Now, haven't l seen you two boys before? 584 00:37:52,270 --> 00:37:53,470 Are you sure? 585 00:37:53,471 --> 00:37:56,471 Weren't you employed once on the S.S. Normandy? 586 00:37:57,241 --> 00:37:59,309 (Ship's horn blows) 587 00:37:59,310 --> 00:38:00,243 -Ooh! -Ooh! 588 00:38:00,244 --> 00:38:02,912 BURTOM: lt's you! lt's you! 589 00:38:02,913 --> 00:38:04,080 MElSTRlCH: Halt! 590 00:38:04,081 --> 00:38:06,349 (All yelling) 591 00:38:06,350 --> 00:38:09,350 (Dixieland jazz plays) 592 00:38:17,662 --> 00:38:20,662 LlLY: Psst! Psst! 593 00:38:22,500 --> 00:38:23,733 (Music stops) 594 00:38:23,734 --> 00:38:24,934 LlLY: OK, who are you? 595 00:38:24,935 --> 00:38:26,403 -We're actors. -Actors? 596 00:38:26,404 --> 00:38:27,904 -Just actors. -Actors. 597 00:38:27,905 --> 00:38:29,606 LlLY: Would l have seen you in anything? 598 00:38:29,607 --> 00:38:30,840 -Maybe. -Possibly. 599 00:38:30,841 --> 00:38:32,042 LlLY: Movie actors? 600 00:38:32,043 --> 00:38:34,144 BOTH: No, not yet. 601 00:38:34,145 --> 00:38:36,079 LlLY: Jane? Put it in 13. 602 00:38:36,080 --> 00:38:39,080 OK. 603 00:38:41,152 --> 00:38:42,652 We're of the theater. 604 00:38:42,653 --> 00:38:44,387 We're seeking new representation. 605 00:38:44,388 --> 00:38:45,655 OK. 606 00:38:45,656 --> 00:38:47,390 -Why are you stowaways? -We're not. 607 00:38:47,391 --> 00:38:50,293 -We hid in a crate last night. -Escaping from the police. 608 00:38:50,294 --> 00:38:52,829 For something that we did to that man that was an accident. 609 00:38:52,830 --> 00:38:54,864 -He's famous. -He's a hack! 610 00:38:54,865 --> 00:38:56,032 He's overrated. 611 00:38:56,033 --> 00:38:57,467 Oh, you're the ones he was talking about! 612 00:38:57,468 --> 00:38:58,702 BOTH: But we're innocent. 613 00:38:58,703 --> 00:39:01,703 -l swear we didn't do anything. -We couldn't hurt a fly. 614 00:39:01,939 --> 00:39:04,040 -We never meant it. -He's a big baby. 615 00:39:04,041 --> 00:39:06,576 ARTHUR: We were at a bar. We drank too much-- 616 00:39:06,577 --> 00:39:08,211 admittedly so. Admittedly so. 617 00:39:08,212 --> 00:39:10,413 MAURlCE: But l just was expressing an opinion-- 618 00:39:10,414 --> 00:39:13,049 it's a free country-- and he attacked us physically. 619 00:39:13,050 --> 00:39:15,585 -The man is an animal. -He attacked us. 620 00:39:15,586 --> 00:39:18,088 ARTHUR: Please, you have to help us get off this boat. 621 00:39:18,089 --> 00:39:20,223 We'll do anything for you. Please? 622 00:39:20,224 --> 00:39:22,792 MAURlCE: Will you please take us home? 623 00:39:22,793 --> 00:39:25,495 OK. l believe you. 624 00:39:25,496 --> 00:39:27,831 ARTHUR: (Sighs) Thank you. 625 00:39:27,832 --> 00:39:29,866 What are your names? My name's Lily. 626 00:39:29,867 --> 00:39:32,867 (ltalian accent) All... 627 00:39:33,604 --> 00:39:35,038 aboard! 628 00:39:35,039 --> 00:39:37,407 (Ship's horn blows) 629 00:39:37,408 --> 00:39:40,408 (Music resumes) 630 00:39:48,753 --> 00:39:50,453 -Paris? -Yes. 631 00:39:50,454 --> 00:39:53,423 MAURlCE: That's the first stop? 632 00:39:53,424 --> 00:39:54,824 Paris! 633 00:39:54,825 --> 00:39:56,426 (Romantic French music plays) 634 00:39:56,427 --> 00:39:58,328 The smoky cafes... 635 00:39:58,329 --> 00:40:00,096 the Seine at dawn... 636 00:40:00,097 --> 00:40:03,032 the clatter of the horses' hooves on the cobblestone... 637 00:40:03,033 --> 00:40:06,033 the little ecole where l studied so hard... 638 00:40:06,370 --> 00:40:08,605 the musk of the people... 639 00:40:08,606 --> 00:40:10,874 the cri de la revolution. 640 00:40:10,875 --> 00:40:13,875 -You know Paris quite well. -He's never been there. 641 00:40:13,978 --> 00:40:15,612 Not physically. 642 00:40:15,613 --> 00:40:18,613 LlLY: Someone's coming. ln here. 643 00:40:22,820 --> 00:40:24,687 MAURlCE WHlSPERlNG: Too small. 644 00:40:24,688 --> 00:40:26,022 Too small, too small. 645 00:40:26,023 --> 00:40:27,857 -We gotta go. -Shh. 646 00:40:27,858 --> 00:40:30,360 ARTHUR: No. You can't leave. He's slightly claustrophobic. 647 00:40:30,361 --> 00:40:32,061 MAURlCE: lt's OK, it's OK. 648 00:40:32,062 --> 00:40:34,063 ARTHUR: Shh, shh. 649 00:40:34,064 --> 00:40:37,064 BURTOM: These men are vicious, inexorable dogs! 650 00:40:37,234 --> 00:40:38,435 651 00:40:38,436 --> 00:40:38,568 652 00:40:38,569 --> 00:40:40,870 MElSTRlCH: What do you propose we do about it, Captain? 653 00:40:40,871 --> 00:40:43,440 -About what? -The stowaways. 654 00:40:43,441 --> 00:40:45,341 -Stowaways? Where? -Oh, good God. 655 00:40:45,342 --> 00:40:47,610 MElSTRlCH: The two actors, sir. We must find them. 656 00:40:47,611 --> 00:40:50,547 CAPTAlN: Yes, yes! Marco! Marco, go find them ! 657 00:40:50,548 --> 00:40:51,714 MARCO: Si, capitaine. 658 00:40:51,715 --> 00:40:52,882 -Apprehend them. -Find them. 659 00:40:52,883 --> 00:40:54,184 -lmprison them. -Torture them. 660 00:40:54,185 --> 00:40:57,185 BURTOM: Everything. On your way. l want them dead or alive. Go. 661 00:40:57,621 --> 00:40:59,055 -But-- -But what? 662 00:40:59,056 --> 00:41:00,590 MARCO: l could never kill anyone. 663 00:41:00,591 --> 00:41:03,591 -You'll fucking learn. -lt's really not that hard. 664 00:41:03,861 --> 00:41:06,861 (Dixieland jazz resumes) 665 00:41:27,918 --> 00:41:29,085 Marco. 666 00:41:29,086 --> 00:41:30,086 (Fires gun) 667 00:41:30,087 --> 00:41:32,956 Ohh! Ohh! Aah! l'm sorry. 668 00:41:32,957 --> 00:41:34,324 LlLY: What are you doing with this gun? 669 00:41:34,325 --> 00:41:36,459 MARCO: l'm sorry. l have to find the stowaways. 670 00:41:36,460 --> 00:41:39,095 -Dead or alive. -What? 671 00:41:39,096 --> 00:41:41,865 MARCO: Yeah. They want them really dead. 672 00:41:41,866 --> 00:41:44,200 Marco, don't hurt the stowaways. 673 00:41:44,201 --> 00:41:47,201 l don't want to. l mean, l couldn't. 674 00:41:48,239 --> 00:41:50,874 LlLY: l know. 675 00:41:50,875 --> 00:41:52,041 You could never. 676 00:41:52,042 --> 00:41:55,042 (Romantic music plays) 677 00:41:55,045 --> 00:41:58,045 Lily, l wanted to say before... 678 00:41:58,382 --> 00:42:00,116 l mean, earlier... 679 00:42:00,117 --> 00:42:03,117 that l think you... 680 00:42:04,288 --> 00:42:07,288 are my... 681 00:42:07,558 --> 00:42:09,425 You... 682 00:42:09,426 --> 00:42:10,994 Marco, stop. 683 00:42:10,995 --> 00:42:12,262 -l'm sorry. -lt's OK. 684 00:42:12,263 --> 00:42:13,596 The stowaways are-- 685 00:42:13,597 --> 00:42:15,265 BURTOM: Still missing. 686 00:42:15,266 --> 00:42:18,266 Come with me, inspector. Not a moment to lose. 687 00:42:23,140 --> 00:42:24,307 (Record needle scratches) 688 00:42:24,308 --> 00:42:26,843 MElSTRlCH: One of my men tried to soil your reputation. 689 00:42:26,844 --> 00:42:28,211 l have corrected him. 690 00:42:28,212 --> 00:42:30,547 But may l ask where you have been? 691 00:42:30,548 --> 00:42:32,882 Looking for the stowaways like you, and l'm exhausted. 692 00:42:32,883 --> 00:42:35,883 l will crush them for causing you pain. 693 00:42:36,186 --> 00:42:39,022 Oh. 694 00:42:39,023 --> 00:42:42,023 The danger of the chase has made you perspire. 695 00:42:45,029 --> 00:42:48,029 lt has made me also... 696 00:42:48,966 --> 00:42:51,966 moist. 697 00:42:53,137 --> 00:42:54,804 -Lily. -Not now. 698 00:42:54,805 --> 00:42:57,805 Meistrich, there's still so much to do. 699 00:42:57,908 --> 00:43:00,908 You are so right, diligent Lily. 700 00:43:01,445 --> 00:43:02,946 Forgive me. (Clicks heels) 701 00:43:02,947 --> 00:43:05,947 Until tonight. 702 00:43:06,283 --> 00:43:09,118 MAURlCE: Shoot. Arthur, we got to find a bigger room. 703 00:43:09,119 --> 00:43:10,320 OK. 704 00:43:10,321 --> 00:43:13,321 Oh, l'm sorry. Excuse me. 705 00:43:14,224 --> 00:43:16,993 (Sobbing) 706 00:43:16,994 --> 00:43:19,994 (Sad music plays) 707 00:43:22,166 --> 00:43:25,166 (Sobbing) 708 00:43:28,038 --> 00:43:31,038 QUEEN: Ohh. 709 00:43:43,921 --> 00:43:46,921 Oh, God. Oh, God. 710 00:43:48,125 --> 00:43:51,125 (Sobbing loudly) 711 00:43:53,130 --> 00:43:54,931 Ohh! 712 00:43:54,932 --> 00:43:57,932 (Speaking native language) 713 00:44:39,543 --> 00:44:42,543 Ohh. 714 00:45:19,283 --> 00:45:21,317 -ln here. -Ah, gentlemen! 715 00:45:21,318 --> 00:45:23,319 SPARKS: Gentlemen, come in, come in. 716 00:45:23,320 --> 00:45:26,320 Don't be shy. Don't be shy. 717 00:45:27,491 --> 00:45:29,892 We are all men, are we not? 718 00:45:29,893 --> 00:45:31,861 Men, men, men. 719 00:45:31,862 --> 00:45:34,862 Where are your strapping colleagues with my bags? 720 00:45:35,499 --> 00:45:38,499 No trouble. Gives us more time to get acquainted. 721 00:45:41,739 --> 00:45:44,739 The male figure, gentlemen-- something to be very proud of. 722 00:45:45,275 --> 00:45:47,777 lt is beautiful, and it is powerful. 723 00:45:47,778 --> 00:45:49,779 Should be often exhibited... 724 00:45:49,780 --> 00:45:52,780 and always, always celebrated. 725 00:45:52,983 --> 00:45:55,184 Mmm. 726 00:45:55,185 --> 00:45:57,220 Why, in ancient Greece-- 727 00:45:57,221 --> 00:45:59,655 Are either of you Greek? 728 00:45:59,656 --> 00:46:01,057 ARTHUR: No. 729 00:46:01,058 --> 00:46:03,092 MAURlCE: Well, yes. Actually, l'm half Greek. 730 00:46:03,093 --> 00:46:05,795 SPARKS: Top half or bottom half? 731 00:46:05,796 --> 00:46:07,563 (Sparks laughing) 732 00:46:07,564 --> 00:46:08,998 (Both laugh along) 733 00:46:08,999 --> 00:46:11,999 SPARKS: l jest, l jibe. 734 00:46:14,138 --> 00:46:17,138 Perhaps we should wrestle sometime. 735 00:46:18,308 --> 00:46:20,209 Do you like the taut roundness... 736 00:46:20,210 --> 00:46:23,210 that exercise brings to the buttocks? 737 00:46:24,081 --> 00:46:25,248 MAURlCE: Yeah. 738 00:46:25,249 --> 00:46:27,617 SPARKS: Do you enjoy the warmth of the Mediterranean sun... 739 00:46:27,618 --> 00:46:30,618 on that selfsame place? 740 00:46:34,858 --> 00:46:37,858 l once wrestled a man on the steps of the Acropolis... 741 00:46:38,495 --> 00:46:40,963 when the sun was at its height... 742 00:46:40,964 --> 00:46:43,964 wearing only what God sent me into the world with. 743 00:46:46,336 --> 00:46:49,336 Can you picture that? 744 00:46:57,514 --> 00:47:00,514 That's where we'll wrestle, my semi-Grecian lad. 745 00:47:01,718 --> 00:47:04,718 That's where l'll make a man of you. 746 00:47:07,224 --> 00:47:10,224 OK, well, um... 747 00:47:11,094 --> 00:47:12,695 it's been a real pleasure meeting you. 748 00:47:12,696 --> 00:47:14,831 We do have to go now. 749 00:47:14,832 --> 00:47:17,832 We have a lot to do on the ship... 750 00:47:18,435 --> 00:47:21,070 as stewards on the ship... 751 00:47:21,071 --> 00:47:24,071 and, um, thank you very much. 752 00:47:24,975 --> 00:47:27,975 Um, good luck. 753 00:47:28,212 --> 00:47:31,013 SPARKS: See you around the ship, lads. 754 00:47:31,014 --> 00:47:33,182 ARTHUR: Oh, my God. 755 00:47:33,183 --> 00:47:36,183 (Music resumes) 756 00:47:40,557 --> 00:47:43,557 -Bon voyage. -Bon voyage. 757 00:47:53,737 --> 00:47:56,737 -What do you want? -Oh, sorry. 758 00:47:59,610 --> 00:48:02,610 (Music plays) 759 00:48:40,617 --> 00:48:43,617 (Knock on door) 760 00:48:44,154 --> 00:48:46,055 (Knock knock knock) 761 00:48:46,056 --> 00:48:49,056 -What? -Mr. Franks. 762 00:48:49,626 --> 00:48:51,127 PANCETTA: Sorry l gotta rush you. 763 00:48:51,128 --> 00:48:53,529 We need you for rehearsal. l got your bag. 764 00:48:53,530 --> 00:48:56,530 HAPPY: Hey, wait, wait! 765 00:48:56,533 --> 00:48:58,067 Hey, hey, hey, wait! 766 00:48:58,068 --> 00:49:01,068 ARTHUR: This one's open. Come on, quick. Come on. 767 00:49:05,776 --> 00:49:08,776 (Maurice sighs) 768 00:49:14,451 --> 00:49:16,619 (Toilet flushes) 769 00:49:16,620 --> 00:49:19,620 SHElK: Oh, good. You are here to fix the gramophone. 770 00:49:20,891 --> 00:49:22,658 l don't know what l was going to be doing... 771 00:49:22,659 --> 00:49:24,026 if you did not come by. 772 00:49:24,027 --> 00:49:26,429 l am not in the habit of fixing things. 773 00:49:26,430 --> 00:49:28,464 l was listening to the music... 774 00:49:28,465 --> 00:49:31,465 and then there was no more functioning, only silence. 775 00:49:31,568 --> 00:49:33,135 And when she was singing no more... 776 00:49:33,136 --> 00:49:35,771 l got so excited, l tried to pull it... 777 00:49:35,772 --> 00:49:38,407 but l scratched it, and l hurt it. 778 00:49:38,408 --> 00:49:39,575 MAURlCE: You did hurt it. 779 00:49:39,576 --> 00:49:41,110 SHElK: Yes. 780 00:49:41,111 --> 00:49:43,045 ARTHUR: Well, You shouldn't pull it. 781 00:49:43,046 --> 00:49:44,914 SHElK: No, l know. l am now realizing this. 782 00:49:44,915 --> 00:49:46,082 MAURlCE: Good. 783 00:49:46,083 --> 00:49:48,384 ARTHUR: We will fix your gramophone... 784 00:49:48,385 --> 00:49:51,385 but we have to go and get the tools. 785 00:49:52,222 --> 00:49:54,156 Ah. 786 00:49:54,157 --> 00:49:55,624 Pass. 787 00:49:55,625 --> 00:49:57,193 MAURlCE: Pass. 788 00:49:57,194 --> 00:50:00,194 ARTHUR: Thank you. 789 00:50:01,598 --> 00:50:03,966 (Both gasp) 790 00:50:03,967 --> 00:50:06,967 -lt's a new model. -We don't need tools. 791 00:50:09,740 --> 00:50:11,974 -Hmm. -Hmm. 792 00:50:11,975 --> 00:50:13,676 ARTHUR: There it is. You see it? 793 00:50:13,677 --> 00:50:15,444 -lt's bad. -lt's very pulled. 794 00:50:15,445 --> 00:50:17,580 ARTHUR: We may have to be here for a while. 795 00:50:17,581 --> 00:50:19,115 MAURlCE: l know you don't know how these things work... 796 00:50:19,116 --> 00:50:21,183 but they really shouldn't be pulled like that. 797 00:50:21,184 --> 00:50:22,385 ARTHUR: No, they shouldn't. 798 00:50:22,386 --> 00:50:24,754 SHElK: Excuse me. 799 00:50:24,755 --> 00:50:26,889 Excuse me! 800 00:50:26,890 --> 00:50:28,257 Maybe... 801 00:50:28,258 --> 00:50:31,258 (Clap) 802 00:50:39,236 --> 00:50:40,403 Ooh! 803 00:50:40,404 --> 00:50:43,404 (Record plays) 804 00:50:56,086 --> 00:50:59,086 JEAN LENOlR SlNGlNG: Parlez-moi d'amour 805 00:51:00,457 --> 00:51:03,457 Redites-moi des choses tendres 806 00:51:04,561 --> 00:51:07,561 What is it with this ship? 807 00:51:08,665 --> 00:51:09,899 l don't know. 808 00:51:09,900 --> 00:51:11,801 ARTHUR: Oh, my God. 809 00:51:11,802 --> 00:51:14,036 MAURlCE: Sit tight, sit tight. 810 00:51:14,037 --> 00:51:15,438 ARTHUR: What the hell is he doing? 811 00:51:15,439 --> 00:51:17,673 MAURlCE: l don't know. Doesn't matter. 812 00:51:17,674 --> 00:51:20,674 ARTHUR: Oh, my God, Maurice, we have got to get out of here. 813 00:51:21,778 --> 00:51:24,778 Jesus. Look at him. 814 00:51:29,453 --> 00:51:30,719 ARTHUR: He's coming over. 815 00:51:30,720 --> 00:51:33,089 MAURlCE: Take it easy. 816 00:51:33,090 --> 00:51:34,790 JEAN LENOlR SlNGlNG: Je veux encore 817 00:51:34,791 --> 00:51:37,791 Ecouter ces mots que j'adore 818 00:51:38,361 --> 00:51:41,361 Votre voix est si caressante 819 00:51:41,498 --> 00:51:44,498 Que les murmures fremissants 820 00:51:44,568 --> 00:51:47,568 Me bercent de sa belle histoire 821 00:51:49,106 --> 00:51:52,106 Et malgre moi je veux y croire 822 00:51:53,543 --> 00:51:56,543 Parlez-moi d'amour 823 00:51:57,881 --> 00:52:00,881 Reditez-moi des choses tendres 824 00:52:04,020 --> 00:52:07,020 Votre beau discours 825 00:52:07,891 --> 00:52:10,891 Mon coeur n'est pas las de l'entendre 826 00:52:13,430 --> 00:52:16,430 Pourvu que toujours 827 00:52:17,934 --> 00:52:20,934 Vous repetiez ces mots supremes 828 00:52:23,073 --> 00:52:26,073 Je vous aime 829 00:52:26,943 --> 00:52:28,644 ll est si doux 830 00:52:28,645 --> 00:52:30,813 Mon cher tresor d'etre un peu fou 831 00:52:30,814 --> 00:52:33,415 La vie est parfois trop amere 832 00:52:33,416 --> 00:52:36,318 Si l'on ne croit pas aux chimeres 833 00:52:36,319 --> 00:52:39,319 Le chagrin est vite agueri 834 00:52:39,422 --> 00:52:42,422 ll faut consoler... 835 00:52:42,759 --> 00:52:45,759 Du coeur on guerit la blessure 836 00:52:47,197 --> 00:52:50,197 Par un sermen qui le rassure 837 00:52:52,169 --> 00:52:54,103 MRS. ESSENDlNE: Since my husband's demise... 838 00:52:54,104 --> 00:52:57,104 my daughter is obsessed with pain, loss, and death. 839 00:52:57,440 --> 00:52:59,642 She finds them romantic. 840 00:52:59,643 --> 00:53:02,611 We don't find death. 841 00:53:02,612 --> 00:53:04,747 lt finds us. 842 00:53:04,748 --> 00:53:06,215 MRS. ESSENDlNE: lt's gonna find you in a minute. 843 00:53:06,216 --> 00:53:09,216 Easy, easy, my dear, with that valise. 844 00:53:09,619 --> 00:53:11,620 lt's hand-stitched leather. 845 00:53:11,621 --> 00:53:13,022 Florentine. 846 00:53:13,023 --> 00:53:16,023 lt bears the tatters of a Tuscan tryst. 847 00:53:16,726 --> 00:53:19,726 -Another carcass. -Can it, Em. 848 00:53:20,230 --> 00:53:23,230 -Will that be all? -Yes. Thank you, my dear. 849 00:53:23,633 --> 00:53:26,235 MRS. ESSENDlNE: l'd tip you, but l'm clothing rich... 850 00:53:26,236 --> 00:53:28,637 and cash poor at the moment. 851 00:53:28,638 --> 00:53:31,638 See me at the end of the voyage. 852 00:53:33,276 --> 00:53:35,878 (Mrs. Essendine sighs) 853 00:53:35,879 --> 00:53:37,613 MRS. ESSENDlNE: Emily. 854 00:53:37,614 --> 00:53:40,614 Though this is, perhaps, our last voyage of this kind... 855 00:53:41,618 --> 00:53:44,618 given the tremendous blow to our finances. 856 00:53:45,021 --> 00:53:47,656 EMlLY: You mean because Daddy-- 857 00:53:47,657 --> 00:53:50,657 Don't you dare to mention him ! 858 00:53:51,528 --> 00:53:53,395 That philanthropic cocksucker... 859 00:53:53,396 --> 00:53:56,396 left all the money to the poor and not a dirty dime to me! 860 00:53:56,800 --> 00:53:59,800 Oh, Mary, Mother of God, what have l ever done to you? 861 00:54:01,938 --> 00:54:04,938 Life without money is no goddamn life at all! 862 00:54:07,310 --> 00:54:10,310 You know that! 863 00:54:22,659 --> 00:54:23,892 As l was saying... 864 00:54:23,893 --> 00:54:26,893 this unfortunate turn of events notwithstanding... 865 00:54:27,230 --> 00:54:30,230 l want our trip to the Continent to be a happy and hopeful one... 866 00:54:31,368 --> 00:54:34,368 so put a smile on that lovely face... 867 00:54:34,804 --> 00:54:37,804 and let's pray that this ship is overflowing with men of means. 868 00:54:40,510 --> 00:54:43,510 (Both chanting) 869 00:54:50,687 --> 00:54:52,855 BURTOM: God almighty, it's them ! 870 00:54:52,856 --> 00:54:55,856 lt's you! Get them ! Get them ! Get them ! 871 00:54:56,593 --> 00:54:57,760 Faster! 872 00:54:57,761 --> 00:55:00,761 MARCO: Stop, please, please! 873 00:55:01,331 --> 00:55:04,331 (Catches breath) 874 00:55:11,308 --> 00:55:14,308 (Sighs) 875 00:55:14,511 --> 00:55:17,511 (Panting) 876 00:55:27,324 --> 00:55:30,324 (Door unlocking) 877 00:55:39,936 --> 00:55:42,404 (Door unlocking) 878 00:55:42,405 --> 00:55:45,405 Ohh! 879 00:56:02,325 --> 00:56:04,526 (Running footsteps) 880 00:56:04,527 --> 00:56:06,962 MARCO: l don't know where they went. 881 00:56:06,963 --> 00:56:09,963 BURTOM: Find those bastards! Find them ! 882 00:56:37,994 --> 00:56:40,994 MAURlCE: Ohh. 883 00:56:52,509 --> 00:56:53,675 (Radio static) 884 00:56:53,676 --> 00:56:56,378 (French accent) Yes, this is Monsieur Lagasse... 885 00:56:56,379 --> 00:56:58,580 in stateroom 10. 886 00:56:58,581 --> 00:57:01,581 l would like two cognac. 887 00:57:02,218 --> 00:57:04,420 Hennessy, s'il vous plait. 888 00:57:04,421 --> 00:57:07,421 Merci. 889 00:57:07,891 --> 00:57:10,891 (Knock on door) 890 00:57:14,664 --> 00:57:16,532 Who is it? 891 00:57:16,533 --> 00:57:19,533 MAXl: C'est moi. 892 00:57:21,137 --> 00:57:23,539 l wasn't followed. 893 00:57:23,540 --> 00:57:24,706 JOHNNY: (American accent) No problem with the passport? 894 00:57:24,707 --> 00:57:25,874 MAXl: No problem at all. 895 00:57:25,875 --> 00:57:27,142 JOHNNY: Aces. 896 00:57:27,143 --> 00:57:29,645 So how's the French thing going? The accent? 897 00:57:29,646 --> 00:57:30,813 MAXl: (French accent) Superb. 898 00:57:30,814 --> 00:57:31,980 JOHNNY: What? 899 00:57:31,981 --> 00:57:33,348 MAXl: (American accent) Superb. 900 00:57:33,349 --> 00:57:34,716 JOHNNY: Oh. 901 00:57:34,717 --> 00:57:36,051 MAXl: So we're all set, Johnny? 902 00:57:36,052 --> 00:57:37,553 JOHNNY: Easy as pie. 903 00:57:37,554 --> 00:57:39,188 MAXl: You'll make Mrs. Essendine fall in love with you? 904 00:57:39,189 --> 00:57:41,190 JOHNNY: Essendine's a goose ready for cooking. 905 00:57:41,191 --> 00:57:43,525 MAXl: Gonna make her marry you and put her dough in your names? 906 00:57:43,526 --> 00:57:45,427 JOHNNY: Piece of cake. 907 00:57:45,428 --> 00:57:46,862 MAXl: This lighter doesn't work. 908 00:57:46,863 --> 00:57:49,863 JOHNNY: Cheap boat. 909 00:57:52,936 --> 00:57:55,404 MAXl: And you'll knock her off, and all that dough will be ours? 910 00:57:55,405 --> 00:57:57,739 -Candy from a baby, babe. -Oh, Johnny. 911 00:57:57,740 --> 00:57:59,074 JOHNNY: You do the same with the sheik, Maxi. 912 00:57:59,075 --> 00:58:00,409 MAXl: l'll wreck that sheik in two shakes. 913 00:58:00,410 --> 00:58:02,578 -Then you'll slay him. -ln more ways than one. 914 00:58:02,579 --> 00:58:03,979 JOHNNY: That's my sweet cookie. 915 00:58:03,980 --> 00:58:06,381 MAXl: What are we gonna do with all that cash? 916 00:58:06,382 --> 00:58:08,417 JOHNNY: What do you think, babe? 917 00:58:08,418 --> 00:58:10,919 MAXl: Take it on the lam and scram to some far-off land... 918 00:58:10,920 --> 00:58:12,821 and lead a life of bliss, Johnny? 919 00:58:12,822 --> 00:58:14,456 JOHNNY: Regular bowl of cherries, babe. 920 00:58:14,457 --> 00:58:16,792 -And you'll love me, Johnny? -What? 921 00:58:16,793 --> 00:58:19,793 -And you'll love me, Johnny? -Like a bee loves honey. 922 00:58:19,896 --> 00:58:22,896 -l'm so hungry, Johnny. -Me, too. 923 00:58:23,399 --> 00:58:26,399 MAXl: Johnny, gobble me up. 924 00:58:28,805 --> 00:58:30,305 Oh, Johnny. 925 00:58:30,306 --> 00:58:31,573 Mmm, Johnny. 926 00:58:31,574 --> 00:58:34,574 (Speaking native language) 927 01:00:50,446 --> 01:00:52,914 JOHNNY: Touch me! Touch me! 928 01:00:52,915 --> 01:00:54,349 (Maxi moaning) 929 01:00:54,350 --> 01:00:57,350 Regina! Regina! 930 01:00:57,387 --> 01:00:59,521 -Maxi! -Oh! 931 01:00:59,522 --> 01:01:01,089 Blow! Blow! Blow! 932 01:01:01,090 --> 01:01:02,257 Oh! Oh! 933 01:01:02,258 --> 01:01:04,092 -Blow! -Oh! 934 01:01:04,093 --> 01:01:05,327 -Blow! -Whoa! 935 01:01:05,328 --> 01:01:07,763 Blow! Please blow! Oh, God! 936 01:01:07,764 --> 01:01:10,764 (Horn blows) 937 01:01:10,833 --> 01:01:12,668 Oh, get on with it! 938 01:01:12,669 --> 01:01:14,302 Just a touch... 939 01:01:14,303 --> 01:01:16,905 Ow! God, you ox! 940 01:01:16,906 --> 01:01:18,140 Be careful! 941 01:01:18,141 --> 01:01:20,042 Anything happens to this profile... 942 01:01:20,043 --> 01:01:21,843 it's the death of my film career! 943 01:01:21,844 --> 01:01:23,445 You don't have a film career. 944 01:01:23,446 --> 01:01:26,446 l'm too fucking good to have a film career! 945 01:01:27,450 --> 01:01:28,917 Those upstarts... 946 01:01:28,918 --> 01:01:31,753 who the hell do they think they are, hmm? 947 01:01:31,754 --> 01:01:34,754 Treating me like this, an actor of my caliber! 948 01:01:34,957 --> 01:01:37,957 Ow! Go on, leave it, you fucking useless bastard! 949 01:01:39,495 --> 01:01:41,363 Have they found those two boys yet? 950 01:01:41,364 --> 01:01:44,364 No. l'll go do it-- Oh, God! Jesus! 951 01:01:45,401 --> 01:01:47,969 The pain! Get me to the infirmary! 952 01:01:47,970 --> 01:01:49,504 Sir, l think you're fine. 953 01:01:49,505 --> 01:01:52,007 Oh, fuck you. l'm not fine, my lad. 954 01:01:52,008 --> 01:01:55,008 l'm not fine. Just look into my--Ow, God! Ow! 955 01:01:56,179 --> 01:01:58,580 Help me! Help me! You've blinded me! 956 01:01:58,581 --> 01:02:00,148 Ohh! 957 01:02:00,149 --> 01:02:03,149 (Music resumes) 958 01:02:15,398 --> 01:02:17,899 -Maurice, listen! -No--no-- 959 01:02:17,900 --> 01:02:19,868 -What? -Shh! 960 01:02:19,869 --> 01:02:22,237 There's a French couple. They're not really French. 961 01:02:22,238 --> 01:02:24,773 They're down there. They're really from New York. 962 01:02:24,774 --> 01:02:27,409 They're gonna kill a sheik and a rich lady. 963 01:02:27,410 --> 01:02:29,511 -You're kidding. -No. We gotta do something. 964 01:02:29,512 --> 01:02:31,913 -The first mate? -Yeah? 965 01:02:31,914 --> 01:02:34,914 He's from another country. He's going to blow up the ship. 966 01:02:34,984 --> 01:02:37,984 What? 967 01:02:41,257 --> 01:02:43,158 When are the bombs set to go off? 968 01:02:43,159 --> 01:02:44,159 Midnight. 969 01:02:44,160 --> 01:02:45,727 Oh, my God, we're gonna die! 970 01:02:45,728 --> 01:02:48,728 -Shh! -l don't want to die! 971 01:02:48,865 --> 01:02:51,865 Listen, your dream has come true. 972 01:02:52,769 --> 01:02:55,570 You'll have your great tragic death. 973 01:02:55,571 --> 01:02:58,173 l don't want a real one! 974 01:02:58,174 --> 01:03:00,609 Shh! Somebody's coming! 975 01:03:00,610 --> 01:03:03,278 (Whimpering) No, no, no, no. 976 01:03:03,279 --> 01:03:05,413 MAURlCE: Oh. Here we go. 977 01:03:05,414 --> 01:03:08,414 Put this on. Put these on. 978 01:03:12,221 --> 01:03:13,989 l want to see the doctor. 979 01:03:13,990 --> 01:03:16,990 Sir, if l may say so-- 980 01:03:20,596 --> 01:03:23,596 Doctors... 981 01:03:24,167 --> 01:03:27,167 l beg you...heal me. 982 01:03:29,972 --> 01:03:32,407 l'm in your hands. 983 01:03:32,408 --> 01:03:35,408 (Dramatic music swells) 984 01:03:35,711 --> 01:03:38,711 (Dixieland jazz plays) 985 01:03:39,715 --> 01:03:41,149 Help! 986 01:03:41,150 --> 01:03:44,150 Heeelllp! 987 01:03:44,654 --> 01:03:46,555 MARCO: Oh, my God! The stowaways! 988 01:03:46,556 --> 01:03:49,556 Please don't try anything. l don't want to hurt you. 989 01:03:49,992 --> 01:03:52,992 l mean, l could. l may be supposed to... 990 01:03:53,029 --> 01:03:55,096 but l never really could... 991 01:03:55,097 --> 01:03:56,865 so let's just be easy with each other. 992 01:03:56,866 --> 01:03:58,600 MAURlCE: You don't have to worry about us, sir. 993 01:03:58,601 --> 01:04:00,035 l just--l hate these things. 994 01:04:00,036 --> 01:04:02,504 l just--l hate these things. 995 01:04:02,505 --> 01:04:05,505 (Gunshot) Aah! 996 01:04:15,651 --> 01:04:18,651 MAURlCE: Arthy? 997 01:04:21,791 --> 01:04:24,791 Arthy. 998 01:04:35,705 --> 01:04:38,705 Oh, my God. 999 01:04:51,888 --> 01:04:54,888 Oh! (Sobbing) 1000 01:04:55,958 --> 01:04:58,958 -Maurice? -What? 1001 01:05:00,263 --> 01:05:01,830 Jesus! 1002 01:05:01,831 --> 01:05:02,898 Help me up. 1003 01:05:02,899 --> 01:05:05,899 Jee-- 1004 01:05:05,902 --> 01:05:06,902 Oh! 1005 01:05:06,903 --> 01:05:09,903 ARTHUR: lt's all right. lt's OK. 1006 01:05:11,007 --> 01:05:14,007 How? Wha-- 1007 01:05:15,678 --> 01:05:18,678 Jeez, Arthur, l really-- l really thought that-- 1008 01:05:18,714 --> 01:05:20,015 -Did you? -Yes, l did. 1009 01:05:20,016 --> 01:05:22,050 -lt worked? -l think so. 1010 01:05:22,051 --> 01:05:24,586 Good. OK, Maurice, listen. 1011 01:05:24,587 --> 01:05:26,254 We gotta save the ship. 1012 01:05:26,255 --> 01:05:27,322 OK. 1013 01:05:27,323 --> 01:05:30,323 -Maurice? -Yes, Arthy? 1014 01:05:30,693 --> 01:05:33,595 -We must be brave. -l know. 1015 01:05:33,596 --> 01:05:36,596 We risk imprisonment and even death. 1016 01:05:37,366 --> 01:05:40,366 -Death? -Yes. 1017 01:05:40,503 --> 01:05:43,503 -Arthur? -Yes, Maurice? 1018 01:05:44,106 --> 01:05:47,106 The time has come to act. 1019 01:05:48,344 --> 01:05:51,344 (Orchestra playing upbeat tune) 1020 01:07:23,172 --> 01:07:25,540 (Applause) 1021 01:07:25,541 --> 01:07:28,476 -l need my bag! -Would you stop with the bag? 1022 01:07:28,477 --> 01:07:30,845 -You're on. -l need my bag! Miss Leaky! 1023 01:07:30,846 --> 01:07:32,414 And now, ladies and gentlemen... 1024 01:07:32,415 --> 01:07:35,415 the dulcet tones of Mr. Happy Franks. 1025 01:07:43,426 --> 01:07:46,426 (Sighs) 1026 01:07:56,405 --> 01:07:59,405 Shall we start the first number? 1027 01:07:59,675 --> 01:08:02,675 Yeah. ,,The Nearness of You.,, 1028 01:08:03,512 --> 01:08:06,512 lsn't that a little... 1029 01:08:06,949 --> 01:08:08,249 What? 1030 01:08:08,250 --> 01:08:09,851 Slow? 1031 01:08:09,852 --> 01:08:11,853 -Do you know it? -Sure. 1032 01:08:11,854 --> 01:08:14,854 -Then play it. -OK. 1033 01:08:21,964 --> 01:08:24,964 (Music begins) 1034 01:08:28,137 --> 01:08:31,137 lt's not the pale moon 1035 01:08:32,842 --> 01:08:35,842 That excites me 1036 01:08:36,512 --> 01:08:39,512 That thrills 1037 01:08:39,548 --> 01:08:42,548 And delights me 1038 01:08:44,353 --> 01:08:47,353 Oh, no 1039 01:08:49,158 --> 01:08:52,060 lt's just the nearness 1040 01:08:52,061 --> 01:08:55,061 Of you 1041 01:08:58,100 --> 01:09:01,100 When you're in my arms 1042 01:09:04,640 --> 01:09:07,640 And l feel you so close 1043 01:09:09,245 --> 01:09:12,245 To-- (Sobbing) 1044 01:09:14,717 --> 01:09:17,717 All my wildest dreams 1045 01:09:22,491 --> 01:09:25,491 Come true-- 1046 01:09:30,266 --> 01:09:33,266 l need no soft lights 1047 01:09:34,136 --> 01:09:37,136 To enchant me 1048 01:09:38,274 --> 01:09:40,475 lf you'll 1049 01:09:40,476 --> 01:09:43,476 Only grant me-- 1050 01:09:45,848 --> 01:09:48,848 The-- 1051 01:09:55,858 --> 01:09:58,858 (Sobbing) 1052 01:10:09,405 --> 01:10:11,906 Thank you, thank you, Mr. Franks. 1053 01:10:11,907 --> 01:10:13,942 How about a warm hand for Mr. Franks? 1054 01:10:13,943 --> 01:10:16,943 (Sobs) 1055 01:10:20,449 --> 01:10:23,449 PANCETTA: Play something upbeat. 1056 01:10:26,455 --> 01:10:29,455 (Sniffles) 1057 01:10:31,026 --> 01:10:34,026 HAPPY: Triple bourbon, please. 1058 01:10:39,001 --> 01:10:42,001 WOMAN: l'm sorry. 1059 01:10:43,872 --> 01:10:46,872 Thank you. 1060 01:11:03,759 --> 01:11:05,727 EMlLY: Ohh. 1061 01:11:05,728 --> 01:11:08,429 l know your pain. 1062 01:11:08,430 --> 01:11:11,430 WOMAN: You seem so sad, Captain. 1063 01:11:11,634 --> 01:11:14,269 l'm always a little sad. 1064 01:11:14,270 --> 01:11:15,837 But why? 1065 01:11:15,838 --> 01:11:18,838 You're the captain of a big, beautiful ship. 1066 01:11:20,976 --> 01:11:23,645 You see... 1067 01:11:23,646 --> 01:11:25,913 on every voyage... 1068 01:11:25,914 --> 01:11:28,914 all my life l look for a woman l loved... 1069 01:11:29,285 --> 01:11:31,986 so long ago. 1070 01:11:31,987 --> 01:11:34,987 Almond eyes and the mouth of a cherub. 1071 01:11:35,924 --> 01:11:37,025 WOMAN: Hmm. 1072 01:11:37,026 --> 01:11:39,527 Oh, who's that? 1073 01:11:39,528 --> 01:11:42,528 He's turning around. 1074 01:11:42,765 --> 01:11:45,765 Good Christ, he's ancient! 1075 01:11:48,437 --> 01:11:50,238 But look at those rings. 1076 01:11:50,239 --> 01:11:53,239 Obviously he's loaded. 1077 01:11:55,210 --> 01:11:57,111 Oh, God. Wretched. 1078 01:11:57,112 --> 01:12:00,112 Probably drop dead before he gets here. 1079 01:12:09,992 --> 01:12:12,992 Waiter. 1080 01:12:17,666 --> 01:12:18,666 Evening. 1081 01:12:18,667 --> 01:12:21,667 (English accent) Good evening. Martini, please. 1082 01:12:22,104 --> 01:12:23,638 Right away, sir. 1083 01:12:23,639 --> 01:12:26,639 Oh, no, not in that glass. That glass. 1084 01:12:28,377 --> 01:12:31,377 -That is for display, sir. -lt'll do just fine. 1085 01:12:31,513 --> 01:12:34,513 -Should l have an accent, too? -What? 1086 01:12:34,883 --> 01:12:36,918 l don't know. 1087 01:12:36,919 --> 01:12:38,720 What kind of accent would it be? 1088 01:12:38,721 --> 01:12:40,388 l don't know. That's up to you. 1089 01:12:40,389 --> 01:12:43,389 How about lndian? l've always wanted to do lndian. 1090 01:12:43,992 --> 01:12:46,894 Yeah, but you don't really look lndian. 1091 01:12:46,895 --> 01:12:48,029 That's true. 1092 01:12:48,030 --> 01:12:49,564 (Bartender clears throat) 1093 01:12:49,565 --> 01:12:52,565 Oh! There we are. Thank you so much. 1094 01:12:52,968 --> 01:12:55,968 Very good man. Very kind. Thank you. 1095 01:13:18,660 --> 01:13:20,928 There they are. 1096 01:13:20,929 --> 01:13:23,929 JOHNNY: Pardon. 1097 01:13:24,066 --> 01:13:27,066 Oh, my. 1098 01:13:27,236 --> 01:13:30,037 Allow me to introduce myself. 1099 01:13:30,038 --> 01:13:33,038 l am Jean Lagasse, entrepreneur and poet. 1100 01:13:33,275 --> 01:13:36,275 Oh, charmant. 1101 01:13:36,378 --> 01:13:38,646 MAXl: (French accent) l would like a... 1102 01:13:38,647 --> 01:13:41,647 Grasshopper, s'il vous plait? 1103 01:13:42,851 --> 01:13:45,520 Forgive me. l do not speak very well English. 1104 01:13:45,521 --> 01:13:48,521 l am a French woman traveling alone unaccompanied. 1105 01:13:50,292 --> 01:13:53,060 Alone. 1106 01:13:53,061 --> 01:13:55,696 MAURlCE: We gotta do something. 1107 01:13:55,697 --> 01:13:57,331 ARTHUR: We gotta find the bomber. 1108 01:13:57,332 --> 01:14:00,201 -Mm-hmm. -First, look for Lil. 1109 01:14:00,202 --> 01:14:03,202 Gotcha. 1110 01:14:11,713 --> 01:14:14,713 Do you know the gentleman who stole your wife? 1111 01:14:14,983 --> 01:14:17,151 (Sighs) 1112 01:14:17,152 --> 01:14:20,152 Danny Sussman. 1113 01:14:20,589 --> 01:14:21,689 Excuse me? 1114 01:14:21,690 --> 01:14:23,591 He was my agent. 1115 01:14:23,592 --> 01:14:25,259 Some agent. 1116 01:14:25,260 --> 01:14:28,260 He was a great agent. l loved him like a brother. 1117 01:14:29,064 --> 01:14:31,632 l loved my wife like a mother and a hooker... 1118 01:14:31,633 --> 01:14:33,034 and look where it's got me! 1119 01:14:33,035 --> 01:14:36,035 Look! Alone, afraid... 1120 01:14:36,171 --> 01:14:38,172 and l just want to die! 1121 01:14:38,173 --> 01:14:40,842 Don't give up, Hap. You don't want to die. 1122 01:14:40,843 --> 01:14:43,843 (Ticking) 1123 01:14:48,317 --> 01:14:50,284 Sorry l'm late. 1124 01:14:50,285 --> 01:14:51,719 For what? 1125 01:14:51,720 --> 01:14:54,720 (Ticking) 1126 01:14:59,495 --> 01:15:01,496 May l get you some champagne? 1127 01:15:01,497 --> 01:15:02,730 Oh, too kind. 1128 01:15:02,731 --> 01:15:05,731 Garcon, champagne. 1129 01:15:07,002 --> 01:15:10,002 MAXl SlNGlNG: Parlez-moi 1130 01:15:10,172 --> 01:15:12,507 D'amour 1131 01:15:12,508 --> 01:15:14,342 Reditez-moi 1132 01:15:14,343 --> 01:15:17,343 Des choses tendres 1133 01:15:21,083 --> 01:15:24,083 Votre beau discours 1134 01:15:27,489 --> 01:15:30,489 La la la la la la la... 1135 01:15:35,831 --> 01:15:36,864 (Ting) 1136 01:15:36,865 --> 01:15:39,233 Abend. 1137 01:15:39,234 --> 01:15:42,234 Do you hear a ticking? 1138 01:15:42,504 --> 01:15:45,072 No. 1139 01:15:45,073 --> 01:15:48,073 Tick-tick-tick, like that? 1140 01:15:48,410 --> 01:15:51,410 No. 1141 01:15:55,384 --> 01:15:58,384 Hey, hey, the actor! 1142 01:15:59,054 --> 01:16:00,588 Boy, you look so bad. 1143 01:16:00,589 --> 01:16:02,823 BURTOM: l found them ! They tried to murder me! 1144 01:16:02,824 --> 01:16:04,325 -Who? -The stowaways! 1145 01:16:04,326 --> 01:16:05,626 Stowaways? Where? 1146 01:16:05,627 --> 01:16:06,627 Oh, God! 1147 01:16:06,628 --> 01:16:09,628 Gentlemen, you must help! l've found them ! 1148 01:16:10,165 --> 01:16:12,633 -The stowaways? -Yes-- 1149 01:16:12,634 --> 01:16:15,303 l told the captain, but he doesn't seem to understand! 1150 01:16:15,304 --> 01:16:18,304 You must do something. The detective, he's missing. 1151 01:16:18,640 --> 01:16:20,808 -Haven't seen him for hours. -Pity. 1152 01:16:20,809 --> 01:16:22,643 Meistrich, tell the crew to step up the search. 1153 01:16:22,644 --> 01:16:24,378 l will. 1154 01:16:24,379 --> 01:16:26,380 -Thank you. -Calm yourself. 1155 01:16:26,381 --> 01:16:29,381 -Thank you. -Not at all. 1156 01:16:32,821 --> 01:16:35,821 -Do you hear-- -No. 1157 01:16:36,158 --> 01:16:37,658 ARTHUR: God, where is she? 1158 01:16:37,659 --> 01:16:39,427 l don't know, Arthy. l don't know. 1159 01:16:39,428 --> 01:16:42,428 God, Maurice. We're gonna die. 1160 01:16:51,473 --> 01:16:53,341 Hey, there she is! Lily! 1161 01:16:53,342 --> 01:16:55,076 -Lily! -Come on! 1162 01:16:55,077 --> 01:16:56,911 SPARKS: May l have this dance, please? 1163 01:16:56,912 --> 01:16:59,912 l'll have her back in a jiffy. 1164 01:17:01,883 --> 01:17:04,883 (Ticking) 1165 01:17:05,153 --> 01:17:08,153 -The stowaways were spotted. -Where? Are they here? 1166 01:17:08,290 --> 01:17:09,957 No. They are still being sought out. 1167 01:17:09,958 --> 01:17:11,459 Did Marco find them? 1168 01:17:11,460 --> 01:17:14,460 Nein. He seems to have disappeared. 1169 01:17:14,930 --> 01:17:17,131 What? 1170 01:17:17,132 --> 01:17:20,132 May l have this honor? 1171 01:17:20,202 --> 01:17:23,202 Excellent! 1172 01:17:33,448 --> 01:17:34,982 That mouth... 1173 01:17:34,983 --> 01:17:37,184 the mouth of a cherub. 1174 01:17:37,185 --> 01:17:39,320 Could it be? 1175 01:17:39,321 --> 01:17:42,321 ls it she? 1176 01:17:42,457 --> 01:17:45,457 Amore mio... 1177 01:17:46,061 --> 01:17:48,763 My love! 1178 01:17:48,764 --> 01:17:51,465 (Gasps) 1179 01:17:51,466 --> 01:17:52,667 Are you you? 1180 01:17:52,668 --> 01:17:54,268 No, l'm not me. 1181 01:17:54,269 --> 01:17:57,269 Yes, you are. 1182 01:17:57,472 --> 01:17:58,673 Not anymore. 1183 01:17:58,674 --> 01:18:01,208 Since that night, l have longed for you. 1184 01:18:01,209 --> 01:18:02,610 And l for you. 1185 01:18:02,611 --> 01:18:03,611 Amore. 1186 01:18:03,612 --> 01:18:05,179 Amore. No. 1187 01:18:05,180 --> 01:18:07,515 Si. Si. 1188 01:18:07,516 --> 01:18:10,516 When we are dancing and you're dangerously near me 1189 01:18:10,786 --> 01:18:12,720 l get ideas 1190 01:18:12,721 --> 01:18:14,789 l get ideas 1191 01:18:14,790 --> 01:18:17,790 l want to hold you so much closer than l dare to 1192 01:18:18,226 --> 01:18:21,226 l want to scold you 'cause l care more than l care to 1193 01:18:21,530 --> 01:18:24,530 And when you touch me and there's fire in every finger 1194 01:18:25,367 --> 01:18:27,034 l get ideas 1195 01:18:27,035 --> 01:18:28,869 l get ideas 1196 01:18:28,870 --> 01:18:30,871 And after we have kissed good night 1197 01:18:30,872 --> 01:18:32,640 And still you linger 1198 01:18:32,641 --> 01:18:35,641 l kind of think you get ideas, too 1199 01:18:36,478 --> 01:18:38,446 Your eyes are always saying 1200 01:18:38,447 --> 01:18:40,347 The things you're never saying 1201 01:18:40,348 --> 01:18:42,049 l only hope they're saying 1202 01:18:42,050 --> 01:18:43,884 That you could love me, too 1203 01:18:43,885 --> 01:18:45,653 For that's the whole idea 1204 01:18:45,654 --> 01:18:46,654 lt's true 1205 01:18:46,655 --> 01:18:47,988 Lovely idea 1206 01:18:47,989 --> 01:18:50,989 That l've fallen in love with you 1207 01:18:52,961 --> 01:18:55,429 Shall l come to your stateroom at midnight? 1208 01:18:55,430 --> 01:18:57,698 Oh, yes. Yes. 1209 01:18:57,699 --> 01:19:00,067 Yes, again. 1210 01:19:00,068 --> 01:19:02,570 (Whispering) Hey. 1211 01:19:02,571 --> 01:19:05,571 He wants to kill you. 1212 01:19:05,841 --> 01:19:08,442 He's trying to kill you! 1213 01:19:08,443 --> 01:19:11,443 -(Kicks) -Oh, shit! 1214 01:19:15,984 --> 01:19:18,853 Please excuse me. 1215 01:19:18,854 --> 01:19:21,854 What a grotesque woman. 1216 01:19:22,924 --> 01:19:25,924 (Ticking) 1217 01:19:27,496 --> 01:19:29,597 Your eyes are always saying 1218 01:19:29,598 --> 01:19:31,499 The things you're never saying 1219 01:19:31,500 --> 01:19:33,167 l only hope they're saying 1220 01:19:33,168 --> 01:19:34,969 That you could love me, too 1221 01:19:34,970 --> 01:19:36,871 That's the whole idea 1222 01:19:36,872 --> 01:19:37,872 lt's true 1223 01:19:37,873 --> 01:19:39,406 Lovely idea 1224 01:19:39,407 --> 01:19:42,407 That l've fallen in love with you 1225 01:19:44,613 --> 01:19:46,413 Oh! 1226 01:19:46,414 --> 01:19:48,582 (Whispering) Lily! Psst! 1227 01:19:48,583 --> 01:19:51,118 Lily! Lily! Psst! 1228 01:19:51,119 --> 01:19:54,119 Lily! lt's me! 1229 01:19:55,423 --> 01:19:58,423 Arthur! lt's me! Lily! 1230 01:20:02,531 --> 01:20:04,732 Ooh! Ow! 1231 01:20:04,733 --> 01:20:06,133 BURTOM: Why don't you look where you're going? 1232 01:20:06,134 --> 01:20:07,768 ARTHUR: Terribly sorry. Please forgive me. 1233 01:20:07,769 --> 01:20:10,769 BURTOM: You're British! Thank God for that, old boy! 1234 01:20:11,206 --> 01:20:14,206 l've been drowning in this sea of Americans. 1235 01:20:14,976 --> 01:20:17,976 -Oh, sure. -They're all colonials. 1236 01:20:18,346 --> 01:20:19,947 Every man Jack of them. 1237 01:20:19,948 --> 01:20:21,916 -Now l've found you-- -Yeah? 1238 01:20:21,917 --> 01:20:24,251 -Let's go have a drink. -No, l'm fine. 1239 01:20:24,252 --> 01:20:25,719 l'm not a drinker. l'm a teetotaler. 1240 01:20:25,720 --> 01:20:28,720 MAURlCE: Oh! What the-- 1241 01:20:29,024 --> 01:20:32,024 Was that your best shot, savage gypsy lover? 1242 01:20:37,999 --> 01:20:40,100 -Come to my stateroom. -Non, non. 1243 01:20:40,101 --> 01:20:41,836 l will give you things. 1244 01:20:41,837 --> 01:20:44,837 l will take them, but tonight at midnight. 1245 01:21:00,455 --> 01:21:03,455 ln my country, they kill the insane. 1246 01:21:03,892 --> 01:21:06,660 BURTOM: Where exactly in England are you from? 1247 01:21:06,661 --> 01:21:08,896 ARTHUR: Chester near Chichester-on-Manchester. 1248 01:21:08,897 --> 01:21:10,898 -Never heard of it. -Quite small. 1249 01:21:10,899 --> 01:21:13,899 Keep your eyes open, old boy. They could be anywhere. 1250 01:21:14,169 --> 01:21:16,871 Here we are. Bottoms up. 1251 01:21:16,872 --> 01:21:19,573 Oh, thank you very much. 1252 01:21:19,574 --> 01:21:20,941 1253 01:21:20,942 --> 01:21:21,075 1254 01:21:21,076 --> 01:21:23,811 Don't give up, Hap. Don't want to die. 1255 01:21:23,812 --> 01:21:26,046 Don't be afraid of love. 1256 01:21:26,047 --> 01:21:27,514 Don't kid a kidder, kid! 1257 01:21:27,515 --> 01:21:30,515 People are afraid of poverty, of war, of pestilence... 1258 01:21:31,720 --> 01:21:34,720 of not knowing who they are or what they want, of dogs! 1259 01:21:36,324 --> 01:21:39,324 And l say don't--don't fear these things! 1260 01:21:40,462 --> 01:21:42,429 They're not real! 1261 01:21:42,430 --> 01:21:45,430 You want something to fear? Do you know what to fear? 1262 01:21:45,600 --> 01:21:48,435 Love. Fear love. 1263 01:21:48,436 --> 01:21:50,671 Love is real, and it is terrifying. 1264 01:21:50,672 --> 01:21:53,672 lf you're gonna be afraid, be afraid when someone says... 1265 01:21:54,442 --> 01:21:55,843 l love you. 1266 01:21:55,844 --> 01:21:57,444 Je t'aime. 1267 01:21:57,445 --> 01:21:58,746 Ti amo. 1268 01:21:58,747 --> 01:22:00,948 lch liebe dich. 1269 01:22:00,949 --> 01:22:03,949 l-- 1270 01:22:05,420 --> 01:22:06,487 l love you! 1271 01:22:06,488 --> 01:22:08,289 l love-- 1272 01:22:08,290 --> 01:22:11,290 Oh! Ha! l think-- 1273 01:22:13,428 --> 01:22:14,895 lt's you. 1274 01:22:14,896 --> 01:22:16,297 No! 1275 01:22:16,298 --> 01:22:19,066 lmpostor. 1276 01:22:19,067 --> 01:22:20,801 lmpostor! 1277 01:22:20,802 --> 01:22:22,536 lmpostor! 1278 01:22:22,537 --> 01:22:24,338 lmpostor! 1279 01:22:24,339 --> 01:22:26,674 lmpostor! 1280 01:22:26,675 --> 01:22:28,709 lmpostor! 1281 01:22:28,710 --> 01:22:31,710 lmpostor! 1282 01:22:31,780 --> 01:22:33,213 Unh! 1283 01:22:33,214 --> 01:22:34,248 lmpostor! 1284 01:22:34,249 --> 01:22:35,916 Arthy! 1285 01:22:35,917 --> 01:22:38,485 BURTOM: Stop them ! Stop them ! 1286 01:22:38,486 --> 01:22:41,486 lmpostor! 1287 01:22:41,589 --> 01:22:44,589 l think l have been found out. 1288 01:22:45,093 --> 01:22:47,094 Our plan must be carried out now. 1289 01:22:47,095 --> 01:22:50,095 l will seize the queen and escape with her immediately... 1290 01:22:50,532 --> 01:22:52,633 then detonate the bombs myself. 1291 01:22:52,634 --> 01:22:54,101 Meet me in one hour at the appointed place. 1292 01:22:54,102 --> 01:22:57,102 This is Voltri, over and out. 1293 01:23:07,916 --> 01:23:10,916 We've been found out, Johnny. What are we gonna do? 1294 01:23:11,386 --> 01:23:14,386 Don't tell me we're gonna jump ship because l can't swim ! 1295 01:23:15,056 --> 01:23:18,056 Come on. 1296 01:23:18,893 --> 01:23:21,562 BURTOM: lt was him ! l knew it! 1297 01:23:21,563 --> 01:23:24,563 The stowaway is an impostor! 1298 01:23:24,766 --> 01:23:27,766 Come on. Let's go and get those bastards! 1299 01:23:33,408 --> 01:23:36,343 We haven't been found out. They're the impostors. 1300 01:23:36,344 --> 01:23:38,545 Our cover ain't been blown. lt's business as usual. 1301 01:23:38,546 --> 01:23:40,381 Did you tell the sheik to meet you in his room? 1302 01:23:40,382 --> 01:23:41,382 l did, Johnny. 1303 01:23:41,383 --> 01:23:43,050 Aces. l'm meeting the old broad in hers. 1304 01:23:43,051 --> 01:23:44,718 Go seek the sheik. l'll catch up with you later. 1305 01:23:44,719 --> 01:23:46,820 Hey. 1306 01:23:46,821 --> 01:23:48,522 You knock him dead, kid. 1307 01:23:48,523 --> 01:23:49,690 You bet l will, Johnny. 1308 01:23:49,691 --> 01:23:52,059 Johnny? You're a genius. 1309 01:23:52,060 --> 01:23:54,028 Don't flatter me, babe. l don't know what to do with it. 1310 01:23:54,029 --> 01:23:55,662 l'm sorry, Johnny. 1311 01:23:55,663 --> 01:23:58,663 (Dixieland jazz plays) 1312 01:24:00,201 --> 01:24:01,201 Stop! 1313 01:24:01,202 --> 01:24:03,103 (Music stops, drumroll) 1314 01:24:03,104 --> 01:24:05,806 l'm a man! 1315 01:24:05,807 --> 01:24:07,307 And so am l! 1316 01:24:07,308 --> 01:24:08,709 (Dixieland jazz resumes) 1317 01:24:08,710 --> 01:24:11,710 Oh, my God! 1318 01:24:15,417 --> 01:24:17,551 Hey! 1319 01:24:17,552 --> 01:24:20,552 ARTHUR: Hold it! 1320 01:24:21,256 --> 01:24:22,689 Hi, Lil. 1321 01:24:22,690 --> 01:24:23,690 -Arthy? -Yeah? 1322 01:24:23,691 --> 01:24:26,193 -Can l be the man next time? -Sure. OK. 1323 01:24:26,194 --> 01:24:27,828 LlLY: Fellas, we gotta find the first mate. 1324 01:24:27,829 --> 01:24:30,829 Step on it, fellas! 1325 01:24:34,002 --> 01:24:35,002 Shh! Shh! 1326 01:24:35,003 --> 01:24:36,036 (Music stops) 1327 01:24:36,037 --> 01:24:37,104 (Sobbing) 1328 01:24:37,105 --> 01:24:38,739 Marco! 1329 01:24:38,740 --> 01:24:41,141 Oh, Lily! 1330 01:24:41,142 --> 01:24:43,677 l have done something awful! 1331 01:24:43,678 --> 01:24:45,712 Marco, these are the stowaways. 1332 01:24:45,713 --> 01:24:48,415 lt's nice to meet you. 1333 01:24:48,416 --> 01:24:49,716 lt's nice to meet you. 1334 01:24:49,717 --> 01:24:51,718 Oh! Madonna! 1335 01:24:51,719 --> 01:24:53,020 No! lt's OK! 1336 01:24:53,021 --> 01:24:56,021 LlLY: No, it's OK! Marco, these two are actors. 1337 01:24:56,858 --> 01:24:59,593 They are pretending to be the stowaways? 1338 01:24:59,594 --> 01:25:01,361 No, they are the stowaways, but they're actors. 1339 01:25:01,362 --> 01:25:04,362 So l didn't--You didn't die? 1340 01:25:04,799 --> 01:25:06,900 No. 1341 01:25:06,901 --> 01:25:08,502 l just pretended. 1342 01:25:08,503 --> 01:25:11,105 Very good. 1343 01:25:11,106 --> 01:25:12,840 Really? 1344 01:25:12,841 --> 01:25:15,841 Yeah--Wha--l believed you! 1345 01:25:16,678 --> 01:25:18,412 Thanks. 1346 01:25:18,413 --> 01:25:21,413 And you're an actor, too? 1347 01:25:22,484 --> 01:25:25,052 Yeah. Yes, l am also an actor. 1348 01:25:25,053 --> 01:25:28,053 Well, would l have seen you in anything? 1349 01:25:28,223 --> 01:25:29,957 lt's a possibility. 1350 01:25:29,958 --> 01:25:32,493 l mean, it's-- 1351 01:25:32,494 --> 01:25:34,561 Do you think you have? 1352 01:25:34,562 --> 01:25:36,463 ARTHUR: lt's--it's hard. 1353 01:25:36,464 --> 01:25:39,133 -lt's been a-- -Tough stretch. 1354 01:25:39,134 --> 01:25:41,735 lt's been a little slow. lt's been--Yeah. 1355 01:25:41,736 --> 01:25:44,338 -But you know-- -lt's not-- 1356 01:25:44,339 --> 01:25:45,906 The deck is kind of stacked against-- 1357 01:25:45,907 --> 01:25:48,175 lt's a hard business. 1358 01:25:48,176 --> 01:25:50,210 lt's a tough business. 1359 01:25:50,211 --> 01:25:52,346 But what can you do? 1360 01:25:52,347 --> 01:25:54,481 We're on a tickin' ship, and she blows at midnight. 1361 01:25:54,482 --> 01:25:55,482 We've gotta go. 1362 01:25:55,483 --> 01:25:57,017 MARCO: Oh, my God! Why? 1363 01:25:57,018 --> 01:26:00,018 The first mate has planted bombs all over the ship. 1364 01:26:00,822 --> 01:26:03,490 He's a gardener? 1365 01:26:03,491 --> 01:26:04,725 What? 1366 01:26:04,726 --> 01:26:07,094 How many bulbs did he plant? 1367 01:26:07,095 --> 01:26:09,796 No, not bulbs. Bombs! 1368 01:26:09,797 --> 01:26:12,797 -Oh, bombs! -We gotta go! 1369 01:26:12,800 --> 01:26:15,800 ARTHUR: l got a plan! 1370 01:26:16,571 --> 01:26:17,871 MARCO: Wait! 1371 01:26:17,872 --> 01:26:19,973 Lily... 1372 01:26:19,974 --> 01:26:22,209 will you marry me? 1373 01:26:22,210 --> 01:26:25,210 Oh, yes, Marco. l will marry you. 1374 01:26:26,314 --> 01:26:29,314 (Romantic music swells) 1375 01:26:48,002 --> 01:26:49,002 (Record needle scratches) 1376 01:26:49,003 --> 01:26:50,504 Well, well, well. 1377 01:26:50,505 --> 01:26:53,307 So, now l see the real you, Lily. 1378 01:26:53,308 --> 01:26:56,308 Not only are you a two-timing harlot... 1379 01:26:56,311 --> 01:26:58,178 but you are a common criminal as well. 1380 01:26:58,179 --> 01:26:59,947 LlLY: l'm afraid so, Meistrich. 1381 01:26:59,948 --> 01:27:01,982 l guess you're not gonna love me anymore. 1382 01:27:01,983 --> 01:27:04,551 No. l love you more. 1383 01:27:04,552 --> 01:27:07,552 You are a wild beast, and l must tame you. 1384 01:27:14,629 --> 01:27:16,797 Rrowr! 1385 01:27:16,798 --> 01:27:19,798 Anngh. 1386 01:27:21,402 --> 01:27:22,703 Let's go! 1387 01:27:22,704 --> 01:27:25,704 (Dixieland jazz resumes) 1388 01:27:27,175 --> 01:27:30,175 EMlLY: Happy! 1389 01:27:30,578 --> 01:27:33,578 Happy! 1390 01:27:34,082 --> 01:27:37,082 Oh, Happy! Happy! 1391 01:27:38,186 --> 01:27:41,186 Please, Happy! l promise not to love you too hard! 1392 01:27:41,189 --> 01:27:43,490 Happy! 1393 01:27:43,491 --> 01:27:45,425 Happy! 1394 01:27:45,426 --> 01:27:47,160 Happy! 1395 01:27:47,161 --> 01:27:48,228 Happy! 1396 01:27:48,229 --> 01:27:51,229 l could love you, Emily... but l can't. 1397 01:27:51,633 --> 01:27:54,334 EMlLY: Please! 1398 01:27:54,335 --> 01:27:55,535 So long, kid. 1399 01:27:55,536 --> 01:27:57,070 Happy! 1400 01:27:57,071 --> 01:27:58,538 Ohh! 1401 01:27:58,539 --> 01:28:01,174 Happy! 1402 01:28:01,175 --> 01:28:02,643 Happy! 1403 01:28:02,644 --> 01:28:05,644 Happy! Please! 1404 01:28:06,247 --> 01:28:07,981 Happy! 1405 01:28:07,982 --> 01:28:10,917 Please! Happy! 1406 01:28:10,918 --> 01:28:13,918 -Oh! -Happy! 1407 01:28:15,590 --> 01:28:18,590 Madame Essendine, je suis arrive. 1408 01:28:19,127 --> 01:28:21,261 Not here. My daughter. 1409 01:28:21,262 --> 01:28:24,262 (Tango music plays) 1410 01:28:24,499 --> 01:28:26,133 Ha ha! 1411 01:28:26,134 --> 01:28:29,134 Leave no stone unturned, and a worm will be found! 1412 01:28:30,305 --> 01:28:33,140 Come, my queen, your people await you. 1413 01:28:33,141 --> 01:28:36,141 Allow me to escort you to your death. 1414 01:28:38,746 --> 01:28:40,580 Ha ha ha ha! 1415 01:28:40,581 --> 01:28:41,948 QUEEN: No! 1416 01:28:41,949 --> 01:28:44,418 Where are you, amore mio? Where are you? 1417 01:28:44,419 --> 01:28:47,220 Oh, that mouth! My whole life! 1418 01:28:47,221 --> 01:28:50,221 -Hey! -Oh! Oh! 1419 01:28:51,526 --> 01:28:52,926 -Bandit! -Ohh! 1420 01:28:52,927 --> 01:28:54,861 Bandit! 1421 01:28:54,862 --> 01:28:56,797 Woo-hoo. 1422 01:28:56,798 --> 01:28:59,333 Your Highness... 1423 01:28:59,334 --> 01:29:01,768 it is me. 1424 01:29:01,769 --> 01:29:04,705 Hello? 1425 01:29:04,706 --> 01:29:06,673 Your Highness? 1426 01:29:06,674 --> 01:29:09,674 Woo-hoo. 1427 01:29:09,911 --> 01:29:12,212 SHElK: Psst! 1428 01:29:12,213 --> 01:29:15,213 Your Highness, wait for me. 1429 01:29:26,127 --> 01:29:29,127 JOHNNY: Mon amour. 1430 01:29:34,268 --> 01:29:36,236 Mon amour? 1431 01:29:36,237 --> 01:29:39,237 Ah, mon amour. 1432 01:29:40,575 --> 01:29:43,575 MAXl: Your Highness? 1433 01:30:02,497 --> 01:30:04,197 Hello? 1434 01:30:04,198 --> 01:30:07,198 SHElK: Mon amour. 1435 01:30:09,971 --> 01:30:12,971 (Evil laughter) 1436 01:30:14,575 --> 01:30:15,809 QUEEN: Oh! 1437 01:30:15,810 --> 01:30:18,810 (Muttering in native language) 1438 01:30:21,215 --> 01:30:24,215 QUEEN: Oh! 1439 01:30:24,886 --> 01:30:27,886 (Shouting in native language) 1440 01:30:28,689 --> 01:30:30,424 Give me back my love! 1441 01:30:30,425 --> 01:30:33,425 My love! (Yelling in ltalian) 1442 01:30:37,532 --> 01:30:38,965 EMlLY: Happy! 1443 01:30:38,966 --> 01:30:41,435 HAPPY: No! l'm not Happy! 1444 01:30:41,436 --> 01:30:43,637 l'm miserable, and l want to die! 1445 01:30:43,638 --> 01:30:45,372 You must go on! 1446 01:30:45,373 --> 01:30:47,674 l can't go on. The show is over for this fella. 1447 01:30:47,675 --> 01:30:50,544 But l love you, Hap! Can't you love me? 1448 01:30:50,545 --> 01:30:52,712 l'd be afraid to try, Emily. 1449 01:30:52,713 --> 01:30:55,615 You can do it, Hap. 1450 01:30:55,616 --> 01:30:58,616 Sorry, kid... but l gotta go. 1451 01:31:00,087 --> 01:31:03,087 No! (Thud) 1452 01:31:05,893 --> 01:31:08,893 (Winches clicking) 1453 01:31:10,731 --> 01:31:13,731 (Dramatic music plays) 1454 01:31:51,906 --> 01:31:53,273 BURTOM: What's going on here? 1455 01:31:53,274 --> 01:31:55,942 1456 01:31:55,943 --> 01:31:56,076 1457 01:31:56,077 --> 01:31:57,477 MARCO: Oh, no! The first mate, he's gotten away! 1458 01:31:57,478 --> 01:31:59,479 Ha ha ha ha! 1459 01:31:59,480 --> 01:32:01,581 He's got the detonator! He's gonna blow up the ship! 1460 01:32:01,582 --> 01:32:02,682 She's right! 1461 01:32:02,683 --> 01:32:04,484 (Gasp) 1462 01:32:04,485 --> 01:32:07,485 l hold your ends in my hands. 1463 01:32:08,689 --> 01:32:11,689 For in my hands l hold...death! 1464 01:32:13,461 --> 01:32:15,662 The death of all of you... 1465 01:32:15,663 --> 01:32:18,663 and your confused, bourgeois lives! 1466 01:32:19,767 --> 01:32:22,767 With your deaths, we will tell the world... 1467 01:32:22,904 --> 01:32:25,904 who we are and what we fight for! 1468 01:32:27,708 --> 01:32:30,708 We fight to create a world where there will be no pretense. 1469 01:32:33,581 --> 01:32:35,582 Each thing will be what it is... 1470 01:32:35,583 --> 01:32:37,984 each man and woman will know who they are... 1471 01:32:37,985 --> 01:32:40,520 and all will be equal. 1472 01:32:40,521 --> 01:32:43,521 All masks will be removed, and we will have a single face! 1473 01:32:46,427 --> 01:32:48,995 One single face! 1474 01:32:48,996 --> 01:32:51,996 One single face! 1475 01:32:52,333 --> 01:32:55,333 One single face! 1476 01:32:55,570 --> 01:32:58,538 One single face! 1477 01:32:58,539 --> 01:33:01,441 One single face! 1478 01:33:01,442 --> 01:33:04,311 One single face! 1479 01:33:04,312 --> 01:33:07,312 (Gasp) 1480 01:33:21,095 --> 01:33:23,964 (Explosion) 1481 01:33:23,965 --> 01:33:26,965 (Fireworks) 1482 01:33:27,501 --> 01:33:30,501 (Piano playing) 1483 01:33:39,647 --> 01:33:42,647 Parlez-moi d'amour 1484 01:33:43,684 --> 01:33:46,684 Reditez-moi des choses tendres 1485 01:33:49,624 --> 01:33:52,624 Votre beau discours 1486 01:33:53,327 --> 01:33:56,327 Mon coeur n'est pas las de l'entendre 1487 01:33:58,633 --> 01:34:01,633 Pourvu que toujours 1488 01:34:02,203 --> 01:34:05,203 Vous repetiez ces mots supremes 1489 01:34:07,108 --> 01:34:10,108 Je vous aime 1490 01:34:10,778 --> 01:34:12,245 Vous savez bien 1491 01:34:12,246 --> 01:34:14,648 Que tant de fois je ne crois rien 1492 01:34:14,649 --> 01:34:16,650 Mais cependant je veux encore 1493 01:34:16,651 --> 01:34:19,219 Ecouter ces mots que j'adore 1494 01:34:19,220 --> 01:34:21,721 Votre voix est si caressante 1495 01:34:21,722 --> 01:34:24,424 Que les murmures fremissants 1496 01:34:24,425 --> 01:34:27,425 Me bercent de sa belle histoire 1497 01:34:28,496 --> 01:34:31,496 Et malgre moi je veux y croire 1498 01:34:32,967 --> 01:34:35,967 Parlez-moi d'amour 1499 01:34:36,470 --> 01:34:39,470 Reditez-moi des choses tendres 1500 01:34:41,909 --> 01:34:44,909 Votre beau discours 1501 01:34:45,513 --> 01:34:48,513 Mon coeur n'est pas las de l'entendre 1502 01:34:50,685 --> 01:34:53,685 Pourvu que toujours 1503 01:34:54,922 --> 01:34:57,922 Vous repetiez ces mots supremes 1504 01:34:59,960 --> 01:35:02,960 Je vous aime 1505 01:35:09,570 --> 01:35:12,570 (Dance orchestra plays) 1506 01:35:16,043 --> 01:35:18,511 LlLY: Fellas, l just have to ask you a question. 1507 01:35:18,512 --> 01:35:20,447 And you've probably thought of this... 1508 01:35:20,448 --> 01:35:22,716 but when the baker gave you the tickets... 1509 01:35:22,717 --> 01:35:24,718 why didn't you just sell them if you needed the cash? 1510 01:35:24,719 --> 01:35:27,719 l bet they were worth a lot of money. 1511 01:35:39,900 --> 01:35:42,900 Well, l'm glad you didn't, or we would have never met. 1512 01:35:44,538 --> 01:35:47,538 -Thanks, Lil. -Thanks, Lil. 1513 01:35:52,680 --> 01:35:55,148 -Would you like to dance? -Yes. 1514 01:35:55,149 --> 01:35:58,149 Excuse us. 1515 01:36:03,324 --> 01:36:05,992 Ah, love. 1516 01:36:05,993 --> 01:36:08,993 Yes, yes, yes. 1517 01:36:18,239 --> 01:36:21,239 MAURlCE: Ahh. 1518 01:36:23,110 --> 01:36:24,911 To life. 1519 01:36:24,912 --> 01:36:27,912 And its many deaths.95933