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1
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(COUNTRY MUSIC PLAYING)
2
00:01:34,728 --> 00:01:36,855
(CROWD CHEERING)
3
00:01:42,869 --> 00:01:45,929
Country fans, it's my pleasure
to introduce at this time
4
00:01:46,600 --> 00:01:48,338
a man who's made an unbelievable comeback
5
00:01:48,408 --> 00:01:49,932
in the last couple of years.
6
00:01:50,100 --> 00:01:52,308
Here he is, your dean
of country music
7
00:01:52,412 --> 00:01:54,778
the one and only Big Buck Buckley.
8
00:01:55,315 --> 00:01:56,304
(CROWD CHEERING)
9
00:02:00,754 --> 00:02:02,551
(SINGING UPBEAT SONG)
10
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(SONG CONTINUES ON RADIO)
11
00:02:28,915 --> 00:02:32,180
Switchboard, this is a code seven scramble
call to Oscar Goldman.
12
00:02:36,690 --> 00:02:38,658
(PHONE RINGING)
13
00:02:42,129 --> 00:02:44,324
Hello. Put him on.
14
00:02:45,866 --> 00:02:46,855
Hello, Bill.
15
00:02:47,567 --> 00:02:48,556
(COUNTRY MUSIC PLAYING)
16
00:02:49,736 --> 00:02:51,966
Bill?
Bill, are you there?
17
00:03:05,886 --> 00:03:08,650
(GROUP SINGING)
18
00:03:33,146 --> 00:03:34,590
Okay. Hold on. Hold on.
Wait. Wait. Wait.
19
00:03:34,614 --> 00:03:37,820
Someone is not singing
and if we don't all sing,
20
00:03:37,150 --> 00:03:39,209
we're not gonna win the school
talent contest.
21
00:03:39,286 --> 00:03:40,344
Right, Pam?
22
00:03:41,855 --> 00:03:43,550
Well, we're not gonna win
with her help.
23
00:03:43,623 --> 00:03:45,523
Patty. PAM: She's right,
Miss SOMMERS.
24
00:03:45,592 --> 00:03:46,820
I can't sing.
25
00:03:46,893 --> 00:03:48,638
Well, honey, how do you know
if you don't try?
26
00:03:48,662 --> 00:03:49,651
I'm tone deaf.
27
00:03:49,863 --> 00:03:51,330
Oh.
28
00:03:51,398 --> 00:03:54,492
Well, that really isn't what's the most
important thing though.
29
00:03:55,100 --> 00:03:56,979
You know, I mean, if you sing, so you're
contribute your energy,
30
00:03:57,300 --> 00:04:00,970
and then we all have fun and then it sounds great.
Right?
31
00:04:01,274 --> 00:04:02,263
Okay?
32
00:04:02,342 --> 00:04:03,366
ALL: Yeah.
33
00:04:03,510 --> 00:04:04,499
(EXCLAIMS IN DESPAIR)
34
00:04:04,945 --> 00:04:07,709
Uh, come on now. This is everybody's
song. Okay?
35
00:04:07,781 --> 00:04:10,893
I want everybody to sing. And I want you to
lighten up and let's have some fun.
36
00:04:10,917 --> 00:04:13,249
Okay? From the top of the chorus again.
One, two.
37
00:04:13,320 --> 00:04:15,754
(CONTINUE SINGING)
38
00:04:15,822 --> 00:04:16,948
(SINGING OFF-KEY)
39
00:04:41,648 --> 00:04:42,740
Okay.
40
00:04:44,684 --> 00:04:45,810
Pretty bad, huh?
41
00:04:46,353 --> 00:04:48,446
(STAMMERING)
No, I mean it wasn't...
42
00:04:48,522 --> 00:04:50,319
Maybe I could play the tambourine?
43
00:04:50,390 --> 00:04:53,325
That's a great idea. You should play
the tambourine.
44
00:04:53,927 --> 00:04:55,155
Okay.
45
00:04:55,228 --> 00:04:56,217
(ALL LAUGHING)
46
00:04:57,230 --> 00:04:59,198
All right, I'm gonna
be right back, okay?
47
00:04:59,266 --> 00:05:00,597
On second thought,
48
00:05:00,667 --> 00:05:02,100
if I am not back in 10 minutes,
49
00:05:02,169 --> 00:05:03,446
go ahead and finish your...
What?
50
00:05:03,470 --> 00:05:04,869
Your algebra homework, okay?
51
00:05:04,938 --> 00:05:06,803
And, uh, just wait for the bell.
52
00:05:06,873 --> 00:05:08,431
And, Patty, you're in charge.
53
00:05:11,278 --> 00:05:12,575
Oscar.
Hello, Jaime.
54
00:05:12,646 --> 00:05:15,342
Hi, Oscar. Listen, whatever it is, can't it
wait for another week?
55
00:05:15,415 --> 00:05:17,927
I mean, the kids are getting ready for
their school talent contest,
56
00:05:17,951 --> 00:05:19,829
and if they have to go in there with
a substitute teacher...
57
00:05:19,853 --> 00:05:23,254
Uh, excuse me, but it don't sound to me like
there's much left to be done.
58
00:05:23,423 --> 00:05:25,840
I mean, those kids sing pretty good.
59
00:05:25,192 --> 00:05:27,592
Um, most of them, anyway.
60
00:05:28,161 --> 00:05:30,561
You hear that? Now that's a man that
really ought to know.
61
00:05:31,298 --> 00:05:32,993
He's a top pro in country music.
62
00:05:33,660 --> 00:05:36,797
Jaime SOMMERS, I want you to meet Muffin
Calhoon, my old friend.
63
00:05:36,870 --> 00:05:38,360
Howdy! Mighty nice to know you.
64
00:05:38,438 --> 00:05:39,427
How do you do?
65
00:05:42,609 --> 00:05:44,600
He's going to be your ticket
to Nashville.
66
00:05:45,212 --> 00:05:46,372
Nashville?
67
00:05:48,849 --> 00:05:49,838
Nashville?
68
00:06:02,963 --> 00:06:05,763
All right. So you and Oscar were in Intelligence
together during Korea?
69
00:06:05,832 --> 00:06:06,856
Yeah, that's right.
70
00:06:06,933 --> 00:06:10,266
Only I had the intelligence
to get out of this racket after the war.
71
00:06:10,804 --> 00:06:12,169
Hey, can I help you?
72
00:06:12,239 --> 00:06:14,279
No, lady, I can handle it.
Oh, come on, let me help.
73
00:06:14,307 --> 00:06:16,298
(BIONIC POWERS ACTIVATING)
74
00:06:30,757 --> 00:06:32,880
Uh, thanks a lot, lady.
75
00:06:33,260 --> 00:06:35,922
Doggone it, if I'd... If I'd known you were
that strong,
76
00:06:35,996 --> 00:06:37,395
I'd let you carry your own bag.
77
00:06:37,464 --> 00:06:39,329
I'm not in this revolution
business, you know.
78
00:06:39,466 --> 00:06:40,866
Okay, let me get this straight now.
79
00:06:40,901 --> 00:06:44,962
Someone is passing top secret information
to a contact in Nashville?
80
00:06:45,380 --> 00:06:46,335
You got it.
81
00:06:46,406 --> 00:06:48,340
Trouble is we don't know
who the contact is,
82
00:06:48,408 --> 00:06:50,350
or what he does with the information.
83
00:06:50,110 --> 00:06:52,780
Once he gets it,
it just disappears.
84
00:06:52,145 --> 00:06:53,737
Well, so we're at a dead end, right?
85
00:06:53,880 --> 00:06:55,347
Well, not quite.
86
00:06:55,415 --> 00:06:57,576
You see, one of Oscar's men
87
00:06:57,651 --> 00:06:59,482
did get a clue before he got lost.
88
00:07:00,220 --> 00:07:03,246
He seemed to think this whole thing has something
to do with Buck Buckley.
89
00:07:03,523 --> 00:07:04,512
The Buck Buckley?
90
00:07:05,191 --> 00:07:06,624
One and the same.
91
00:07:06,726 --> 00:07:08,804
And I guess that's where I come
into this whole thing
92
00:07:08,828 --> 00:07:11,920
because, you know, Buck and I
grew up together.
93
00:07:11,164 --> 00:07:13,257
Fact, I used to play
guitar in his band.
94
00:07:15,568 --> 00:07:18,264
But, you know, I just can't seem
to think that
95
00:07:18,405 --> 00:07:20,373
Buck's got anything to do with espionage,
96
00:07:20,440 --> 00:07:22,738
I mean, he's a real patriot.
97
00:07:23,243 --> 00:07:25,211
And he's a good friend, too.
98
00:07:25,278 --> 00:07:26,768
That's one of the reasons
I'm on this
99
00:07:26,846 --> 00:07:29,760
is because I want to help prove
Buck's innocence,
100
00:07:29,149 --> 00:07:30,980
just as much as I do to help Oscar.
101
00:07:32,619 --> 00:07:35,298
Okay. So you don't think we'll have any trouble
getting in to see him, right?
102
00:07:35,322 --> 00:07:36,755
See him? (SCOFFS)
103
00:07:36,823 --> 00:07:38,381
We're gonna be staying with him.
104
00:07:38,458 --> 00:07:40,926
Ol' Buck Buckley never forgets a friend.
105
00:07:41,361 --> 00:07:43,488
Are you Mr. Calhoon?
106
00:07:44,130 --> 00:07:45,961
Well I was when I woke up
this mornin'.
107
00:07:47,400 --> 00:07:48,526
I'm Penn Mathers.
108
00:07:48,601 --> 00:07:50,780
I'm supposed to take you and your guest
to Mr. Buckley's spread.
109
00:07:50,804 --> 00:07:52,203
All right.
I'll take those bags.
110
00:07:52,372 --> 00:07:53,616
The car's right out here.
Thank you.
111
00:07:53,640 --> 00:07:54,629
After you.
112
00:08:20,266 --> 00:08:22,359
Ol' Buck never was the modest type.
113
00:08:22,435 --> 00:08:24,164
He's waiting for you
around back. Come on.
114
00:08:28,708 --> 00:08:29,800
This way.
115
00:08:32,879 --> 00:08:34,779
(MUFFIN EXCLAIMS)
116
00:08:34,848 --> 00:08:36,713
MUFFIN: Man, this is some
kind of spread here.
117
00:08:36,783 --> 00:08:38,450
Certainly is.
118
00:08:38,251 --> 00:08:41,150
Hey, isn't that the ol' recording studio
down there?
119
00:08:41,421 --> 00:08:45,160
Yep. His producer, Tammy Dalton, had it moved in
here when they built the house.
120
00:08:45,291 --> 00:08:47,171
Couldn't get the same acoustics
in a new studio.
121
00:08:47,227 --> 00:08:49,752
Yeah, Tammy always was one for details.
122
00:08:49,829 --> 00:08:51,524
She never did sing too good.
123
00:08:51,631 --> 00:08:53,420
But it looks like she's doing all right
124
00:08:53,660 --> 00:08:54,377
in the producer end of this thing.
125
00:08:54,401 --> 00:08:56,164
Well, she and Mr. Buckley
make a good team.
126
00:08:56,236 --> 00:08:58,466
Six gold albums in two years.
127
00:08:58,538 --> 00:09:01,666
Muffin! Muffin Calhoon,
you ol' hound dog.
128
00:09:01,741 --> 00:09:03,741
Buck, you old son of a gun,
how are you doin', man?
129
00:09:03,843 --> 00:09:05,538
It's good to see you.
You looking good.
130
00:09:05,612 --> 00:09:06,977
It's good to see you!
131
00:09:07,470 --> 00:09:08,687
Nashville ain't been
the same without you.
132
00:09:08,815 --> 00:09:10,459
Well, Buck, I'm gonna tell you,
I missed it,
133
00:09:10,483 --> 00:09:11,745
and I missed you, too.
134
00:09:11,818 --> 00:09:13,295
Putting on a little weight
there, kid.
135
00:09:13,319 --> 00:09:14,445
Yeah, I'm carrying a little.
136
00:09:14,521 --> 00:09:17,217
Hey, I want to introduce you to
Miss Jody-Lee SOMMERS.
137
00:09:17,290 --> 00:09:18,780
She's a good friend of mine.
138
00:09:18,858 --> 00:09:20,870
And a mighty pretty one, too.
How you doing, darling?
139
00:09:20,894 --> 00:09:22,418
I'm just fine, Mr. Buckley.
Thank you.
140
00:09:22,495 --> 00:09:23,985
Your house is fantastic!
141
00:09:24,264 --> 00:09:26,344
Well, call me Buck. And you're welcome
here any time.
142
00:09:26,533 --> 00:09:27,761
Thank you.
Hey, Buck,
143
00:09:27,834 --> 00:09:30,200
I see you even got the old studio down there.
That's it.
144
00:09:30,270 --> 00:09:32,704
Man, we used to have a ball in that place,
didn't we?
145
00:09:32,772 --> 00:09:34,740
Yep. Listen, is it okay
if we look inside?
146
00:09:34,808 --> 00:09:36,848
Why sure! Come on. Tammy and the boys
are down there
147
00:09:36,876 --> 00:09:38,810
cutting a track for my new album.
Mr. Buckley.
148
00:09:39,790 --> 00:09:40,410
What's up, Penn?
149
00:09:41,347 --> 00:09:43,760
The studio may not be a good idea.
150
00:09:45,351 --> 00:09:47,979
Oh, that's right. I forgot about that.
Daggum it.
151
00:09:48,540 --> 00:09:49,316
Rules are rules, you know.
152
00:09:49,956 --> 00:09:51,956
Why, what's the matter, Buck?
Something wrong here?
153
00:09:52,692 --> 00:09:54,932
Well, no, nothing's wrong, man.
We just got a new policy.
154
00:09:55,128 --> 00:09:57,673
We don't allow people in the studio unless
they're on company business.
155
00:09:57,697 --> 00:09:59,937
It'll probably be okay for you to come in,
Muffin, but...
156
00:10:00,660 --> 00:10:01,533
Well, I'm sorry, Jody-Lee.
157
00:10:03,169 --> 00:10:06,360
Well, wait, wait, wait just a minute
here, Buck. Hold on.
158
00:10:06,106 --> 00:10:07,368
Doggone it now.
159
00:10:07,440 --> 00:10:09,452
I mean, that's what I brought Jody-Lee
out here for,
160
00:10:09,476 --> 00:10:11,676
so you can get her in the studio
and listen to her sing.
161
00:10:11,744 --> 00:10:13,439
I mean, she's really
something else.
162
00:10:14,147 --> 00:10:16,342
Pacific Records wanted to sign her up
but I said,
163
00:10:16,516 --> 00:10:19,974
"No way, man. I'm gonna take her
on out to Nashville,
164
00:10:20,520 --> 00:10:23,148
"let my old buddy's company
have first shot at her."
165
00:10:23,289 --> 00:10:24,847
Is that right, Jody-Lee?
Can you sing?
166
00:10:26,693 --> 00:10:28,422
That's what some people say.
167
00:10:32,198 --> 00:10:34,166
Well, I think it'll be all right
this time, Penn.
168
00:10:35,235 --> 00:10:36,497
All right.
169
00:10:36,569 --> 00:10:37,797
Come on.
170
00:10:44,210 --> 00:10:45,370
Is the drawbridge down?
171
00:10:47,714 --> 00:10:48,703
Yes, sir.
172
00:10:49,150 --> 00:10:50,390
Drawbridge?
173
00:10:50,950 --> 00:10:53,646
Yeah, Tammy had a security system
designed for the place
174
00:10:53,720 --> 00:10:57,178
so that no more music thieves get in here
and steal my songs.
175
00:10:57,257 --> 00:10:59,880
Yeah, you mean like the Country Opera?
176
00:10:59,159 --> 00:11:00,922
Yeah, we don't want it
to happen again.
177
00:11:02,295 --> 00:11:05,128
What kind of a security system
is this?
178
00:11:05,598 --> 00:11:08,795
Well, we just walked through an electric eye beam
fence there, 10 feet high.
179
00:11:09,402 --> 00:11:11,529
Triggers alarms all over the estate.
180
00:11:11,838 --> 00:11:13,362
And, if anybody gets
through that,
181
00:11:13,640 --> 00:11:16,600
the door here is equipped with
knockout gas.
182
00:11:16,876 --> 00:11:19,572
MUFFIN: Good timing. - They'll be listening
to a playback now.
183
00:11:19,779 --> 00:11:21,576
(COUNTRY MUSIC PLAYING)
184
00:11:42,350 --> 00:11:43,750
(BIONIC POWERS ACTIVATING)
185
00:11:43,102 --> 00:11:44,296
(RAPID BEEPING)
186
00:12:01,754 --> 00:12:02,743
(MUSIC STOPS)
187
00:12:06,593 --> 00:12:09,255
I'm gonna need some more top
on Slim's mandolin.
188
00:12:09,362 --> 00:12:12,297
Hi, honey. Just give me a minute to re-record
this track, okay?
189
00:12:12,465 --> 00:12:13,955
In here, I let her be boss.
190
00:12:14,670 --> 00:12:15,193
(LAUGHS)
191
00:12:15,268 --> 00:12:17,702
Okay, fellas, let's take it from
the top of the break.
192
00:12:18,104 --> 00:12:20,163
MAN: Tape's rolling, speed.
193
00:12:20,974 --> 00:12:22,805
(COUNTRY MUSIC PLAYING)
194
00:12:28,815 --> 00:12:29,855
(BIONIC POWERS ACTIVATING)
195
00:12:29,916 --> 00:12:31,178
(RAPID BEEPING)
196
00:12:38,458 --> 00:12:40,255
Okay. Bring it up.
Bring it up two.
197
00:12:41,828 --> 00:12:43,489
(RAPID BEEPING)
198
00:12:52,538 --> 00:12:54,597
(RAPID BEEPING)
199
00:12:54,874 --> 00:12:57,900
Okay, fellas, you can take five.
We'll do the trio next.
200
00:12:58,578 --> 00:13:00,409
This is the lady who made it all happen.
201
00:13:00,980 --> 00:13:02,720
Hi, Muffin.
202
00:13:02,148 --> 00:13:05,379
Hi, there, Tammy.
Say, you're lookin' good.
203
00:13:05,485 --> 00:13:08,454
Even better than I remembered you.
And that was real good.
204
00:13:08,988 --> 00:13:11,821
Uh, Tammy, I'd like to introduce you
to Miss Jody-Lee SOMMERS.
205
00:13:12,825 --> 00:13:13,814
Hi, there.
206
00:13:13,893 --> 00:13:14,882
How do you do?
207
00:13:15,940 --> 00:13:17,850
Mr. Calhoon says she's a singer.
208
00:13:18,398 --> 00:13:19,956
Jody-Lee's gonna audition for us.
209
00:13:20,133 --> 00:13:23,125
Muffin tells me Pacific Records
wants her real bad.
210
00:13:23,436 --> 00:13:25,870
Oh, well, in that case, since we've got
the boys here,
211
00:13:25,938 --> 00:13:28,310
why don't we let her have a go
at it right now?
212
00:13:34,280 --> 00:13:36,908
Listen, don't you know
anything else?
213
00:13:37,160 --> 00:13:39,951
Hey, man, you're the one that got me into this
in the first place.
214
00:13:40,190 --> 00:13:43,352
We'll get by. Now just relax
and have a ball.
215
00:13:44,157 --> 00:13:47,126
Muffin, Jody-Lee,
ready when you are.
216
00:13:48,461 --> 00:13:50,691
All right, now, let's get up there
and sing.
217
00:13:51,264 --> 00:13:52,288
Put it on 'em.
218
00:13:52,365 --> 00:13:53,423
Boys, you ready?
219
00:13:53,499 --> 00:13:54,864
MAN 1: Oh, yeah.
- Let's do it!
220
00:13:54,934 --> 00:13:56,614
MAN 2: Let's get it on.
- MAN 3: All right.
221
00:13:56,736 --> 00:14:01,264
Okay, here we go. And one, two,
three, four, one.
222
00:14:01,607 --> 00:14:02,596
(PLAYING COUNTRY MUSIC)
223
00:14:09,882 --> 00:14:12,544
(SINGING SOOTHING SONG)
224
00:16:17,543 --> 00:16:18,532
(INAUDIBLE)
225
00:16:19,879 --> 00:16:20,919
(BIONIC POWERS ACTIVATING)
226
00:16:20,980 --> 00:16:22,743
TAMMY: I never agreed to murder.
227
00:16:22,815 --> 00:16:24,874
We can let him go just as soon
as this is all over.
228
00:16:24,951 --> 00:16:26,430
He knows too much.
229
00:16:26,319 --> 00:16:28,810
Besides, the O.S.I. is going to wonder
what happened to him.
230
00:16:29,880 --> 00:16:30,749
Well, do something.
231
00:16:30,857 --> 00:16:32,757
Sell him for interrogation.
232
00:16:32,859 --> 00:16:33,848
Maybe.
233
00:16:35,361 --> 00:16:38,910
(CONTINUES SINGING)
234
00:17:40,927 --> 00:17:41,916
(WHOOPING)
235
00:17:42,280 --> 00:17:43,170
All right!
236
00:17:46,320 --> 00:17:47,560
So good.
237
00:17:47,133 --> 00:17:49,330
She's not bad for a greenhorn, huh?
238
00:17:49,168 --> 00:17:51,534
Really good singing. What label was that
wanted you?
239
00:17:51,604 --> 00:17:54,266
That was Pacific, Buck.
Pacific Records.
240
00:17:54,373 --> 00:17:56,432
Well, we'll have to see about that.
241
00:18:04,717 --> 00:18:07,948
Jody-Lee, I think there's a real future for you
in this business.
242
00:18:09,555 --> 00:18:11,648
JAIME: Well, I'm...
I'm confused, you know.
243
00:18:11,891 --> 00:18:13,969
Oh, I mean, I've got all
the contract offers coming in
244
00:18:13,993 --> 00:18:15,324
and I've got all the attention.
245
00:18:16,495 --> 00:18:18,986
I just need some down-home advice
246
00:18:19,650 --> 00:18:20,794
as to how to get it going.
247
00:18:20,900 --> 00:18:22,600
I mean, how did you do it?
248
00:18:22,768 --> 00:18:23,757
It was Tammy.
249
00:18:24,103 --> 00:18:26,901
Tammy? She's only been
with you for two years.
250
00:18:27,707 --> 00:18:29,675
Yeah, I guess I did okay
on my own.
251
00:18:29,942 --> 00:18:32,137
But after a while there was nobody
to write songs for.
252
00:18:32,612 --> 00:18:34,807
My music got old, stale.
253
00:18:35,648 --> 00:18:37,809
I was on my way down
and I didn't really care.
254
00:18:40,486 --> 00:18:43,455
Hey, what was that about a Country Opera
or something?
255
00:18:43,856 --> 00:18:44,880
(SIGHS)
256
00:18:44,957 --> 00:18:47,757
Listen, that was the one thing that could've
pulled me out of my slump.
257
00:18:47,793 --> 00:18:49,693
I put two years of my life into it,
258
00:18:49,762 --> 00:18:51,229
then I lost it all overnight.
259
00:18:51,831 --> 00:18:52,855
How?
260
00:18:52,932 --> 00:18:55,243
The night before we were supposed to go into
the studio and record it,
261
00:18:55,267 --> 00:18:57,640
somebody broke in and stole everything.
262
00:18:57,570 --> 00:18:59,561
Two months later it came out as
a Rock Opera.
263
00:19:00,139 --> 00:19:01,819
Well you could sue for that, couldn't you?
264
00:19:02,441 --> 00:19:03,533
No, we checked it out.
265
00:19:03,609 --> 00:19:05,921
They changed just enough of it
so that our hands were tied.
266
00:19:05,945 --> 00:19:07,370
But it was mine.
267
00:19:09,248 --> 00:19:10,943
And that's when I started drinking.
268
00:19:11,684 --> 00:19:14,983
Tammy found me in a flophouse
guzzlin' hair tonic.
269
00:19:15,540 --> 00:19:16,316
Rock bottom.
270
00:19:17,230 --> 00:19:18,867
I'm sorry, Buck. You know,
I didn't mean to pry.
271
00:19:18,891 --> 00:19:20,202
I'm always sticking my foot in my mouth.
272
00:19:20,226 --> 00:19:22,194
Hey, nothing to be sorry about.
273
00:19:22,261 --> 00:19:24,741
As a matter of fact, that's when things
started getting better.
274
00:19:27,299 --> 00:19:29,529
She gave me someone to write songs for.
275
00:19:30,136 --> 00:19:33,731
Somehow she got the money,
produced an album,
276
00:19:34,306 --> 00:19:37,207
and six months later we were number one
on the charts.
277
00:19:37,276 --> 00:19:42,270
That is what I call a very romantic
American success story.
278
00:19:42,381 --> 00:19:43,712
(LAUGHS)
279
00:19:43,783 --> 00:19:47,742
Well, I guess it is. But it's the truth,
and I owe it all to Tammy.
280
00:19:49,689 --> 00:19:52,210
I guess that's my down-home advice,
Jody-Lee.
281
00:19:52,892 --> 00:19:55,224
Find somebody to help you over
the rough spots.
282
00:19:55,494 --> 00:19:58,429
Somebody to care for.
And...
283
00:19:59,899 --> 00:20:00,957
Yes?
284
00:20:01,600 --> 00:20:04,296
You forget about Pacific Records.
Buckley's a better label.
285
00:20:04,570 --> 00:20:05,969
(LAUGHS)
286
00:20:08,174 --> 00:20:09,584
JAIME: I don't know what to think, Oscar.
287
00:20:09,608 --> 00:20:11,769
My instincts tell me
that Buck isn't involved.
288
00:20:12,445 --> 00:20:15,846
All I know is that I heard Penn and Tammy
talking about the O.S.I.
289
00:20:15,915 --> 00:20:18,247
And it sounded to me like
they're holding your agent.
290
00:20:18,484 --> 00:20:19,746
Bill Womullun. Where?
291
00:20:20,252 --> 00:20:22,531
I don't know. But if it's anywhere,
they've got to be holding him
292
00:20:22,555 --> 00:20:25,490
in that recording studio because the security's
incredible!
293
00:20:25,558 --> 00:20:26,923
Have you got his picture, Jaime?
294
00:20:27,930 --> 00:20:28,492
Yeah, I've got it here.
295
00:20:28,761 --> 00:20:30,194
Oscar, I've got to tell you,
296
00:20:30,262 --> 00:20:32,400
this poor guy, if you sent him in here
looking like this,
297
00:20:32,640 --> 00:20:34,144
it's no wonder he got caught.
He looks just like you.
298
00:20:34,467 --> 00:20:36,799
But that's an OS!
Requirement, Jaime.
299
00:20:36,969 --> 00:20:38,334
We all look alike.
300
00:20:38,604 --> 00:20:41,164
No, don't worry.
It was an old picture.
301
00:20:41,240 --> 00:20:44,209
He was as country as an ear of corn
when we sent him out.
302
00:20:44,710 --> 00:20:46,405
Oh, oh, oh, okay,
there's one more thing.
303
00:20:46,479 --> 00:20:49,107
Now, I heard a beeping sound
while they were recording.
304
00:20:49,348 --> 00:20:51,543
Now, it was very high pitched,
even for me.
305
00:20:52,718 --> 00:20:56,347
Well, maybe it was your bionic ear reacting to
the studio electronics.
306
00:20:56,689 --> 00:21:00,181
Oh, no. It had a definite pattern to it.
It was like a code.
307
00:21:00,593 --> 00:21:01,582
Hmm.
308
00:21:02,610 --> 00:21:04,825
Maybe that's what Bill found out
before he disappeared.
309
00:21:05,698 --> 00:21:08,861
Well, we'll see. I'm gonna go back in there
tonight and find out.
310
00:21:09,100 --> 00:21:10,332
All right, Jaime,
311
00:21:10,669 --> 00:21:11,931
but be careful.
312
00:21:12,538 --> 00:21:14,836
I don't want to lose
a rising star.
313
00:21:16,509 --> 00:21:18,101
Goodbye, Oscar.
314
00:21:59,318 --> 00:22:01,218
(BIONIC POWERS ACTIVATING)
315
00:22:35,200 --> 00:22:36,817
(BIONIC POWERS ACTIVATING)
316
00:23:02,715 --> 00:23:03,755
(BIONIC POWERS ACTIVATING)
317
00:23:28,841 --> 00:23:31,275
JAIME: Womullun? Bill?
318
00:23:51,363 --> 00:23:52,352
Bill?
319
00:23:56,902 --> 00:23:58,280
(BIONIC POWERS ACTIVATING)
320
00:24:05,411 --> 00:24:06,844
Here's the one they did today.
321
00:24:26,231 --> 00:24:28,324
This looked so easy this afternoon.
322
00:24:47,886 --> 00:24:50,320
Okay. Now what?
323
00:24:53,993 --> 00:24:54,982
Power.
324
00:25:13,579 --> 00:25:15,843
Earphones. Okay.
325
00:25:21,954 --> 00:25:23,546
(COUNTRY SONG PLAYING)
326
00:25:31,300 --> 00:25:32,964
(RAPID BEEPING)
327
00:25:33,980 --> 00:25:35,862
It is a code.
It's a high frequency code.
328
00:25:38,170 --> 00:25:39,603
What're you doin' in here?
329
00:25:43,275 --> 00:25:45,220
Well, I guess you already know the answer to that,
don't you?
330
00:25:45,244 --> 00:25:46,321
I ought to tear you limb from limb.
331
00:25:46,345 --> 00:25:48,336
Coming in here with my old friend
and using us.
332
00:25:48,414 --> 00:25:50,405
Trying to get your grubby hands
on my music.
333
00:25:51,116 --> 00:25:54,176
Who do you work for? Same people who stole my
music the last time, don't you?
334
00:25:54,853 --> 00:25:57,845
Punk kids in leather pants, trying to turn it
into rock 'n' roll.
335
00:25:57,956 --> 00:25:59,820
Wait a minute.
Wait a minute.
336
00:25:59,158 --> 00:26:01,649
You think I came here
to steal your music?
337
00:26:01,727 --> 00:26:04,252
Don't play dumb with me.
Why else would you be here?
338
00:26:06,999 --> 00:26:08,230
(SiGHS)
339
00:26:08,100 --> 00:26:11,331
I'm here because the 08! sent me here.
340
00:26:12,204 --> 00:26:15,332
The 08!?
"Jaime SOMMERS."
341
00:26:19,440 --> 00:26:20,822
What do you want with me?
I haven't done anything.
342
00:26:20,846 --> 00:26:24,338
Well, maybe not. But somebody who
works with you has.
343
00:26:25,840 --> 00:26:26,915
And I think you'd better
listen to something.
344
00:26:28,687 --> 00:26:30,382
(RAPID BEEPING)
345
00:26:35,600 --> 00:26:37,995
The codes have been transferred onto every
one of your records.
346
00:26:38,630 --> 00:26:39,870
They're too high to hear
347
00:26:39,164 --> 00:26:41,689
unless you slow the tape or the record
down to this speed.
348
00:26:43,202 --> 00:26:44,965
And these codes are stolen information?
349
00:26:45,571 --> 00:26:47,400
Top secret.
350
00:26:47,206 --> 00:26:50,767
All an enemy agent has to do is to walk
into any record store,
351
00:26:50,843 --> 00:26:53,835
buy one of your records, and there's nothing
our guys can do about it.
352
00:26:56,348 --> 00:26:57,508
Who did this?
353
00:27:00,552 --> 00:27:02,179
Penn and...
I knew it!
354
00:27:02,754 --> 00:27:06,281
I knew it! There's always been
something wrong with that man.
355
00:27:07,920 --> 00:27:08,855
Like he's been hiding things from us.
356
00:27:10,796 --> 00:27:12,423
Tammy never caught it but I did.
357
00:27:12,798 --> 00:27:14,197
Something wrong.
358
00:27:16,301 --> 00:27:17,632
Anybody else?
359
00:27:19,438 --> 00:27:20,427
Uh, yes.
360
00:27:21,940 --> 00:27:23,373
Well, come on.
Who is it?
361
00:27:24,977 --> 00:27:25,966
Tammy.
362
00:27:27,713 --> 00:27:30,409
Uh-uh. Uh-uh.
No, I don't believe it.
363
00:27:30,816 --> 00:27:32,780
Sorry, Buck, it's true.
364
00:27:32,251 --> 00:27:33,851
I don't believe it.
She wouldn't do that.
365
00:27:34,486 --> 00:27:35,475
Tammy?
366
00:27:36,655 --> 00:27:38,316
No, I don't believe it.
367
00:27:39,358 --> 00:27:40,689
Look, do you see this?
368
00:27:41,293 --> 00:27:43,338
Tammy game me this the week after she got me
out of that hotel
369
00:27:43,362 --> 00:27:44,351
and sobered me up.
370
00:27:46,198 --> 00:27:49,650
It's a little tin star, a little sheriff's badge,
like kids wear.
371
00:27:49,968 --> 00:27:52,960
She said, "That's what you are,
Buck. A star."
372
00:27:53,772 --> 00:27:55,340
And she was right.
373
00:27:55,941 --> 00:27:57,602
And I love her for that.
374
00:27:58,277 --> 00:27:59,744
I love her.
375
00:28:05,250 --> 00:28:07,130
Oh, Buck, I'm sorry.
376
00:28:08,220 --> 00:28:09,209
No!
377
00:28:16,662 --> 00:28:18,562
I'm gonna have to call
Washington now, Buck.
378
00:28:24,736 --> 00:28:26,101
Put it down, Jaime.
379
00:28:41,620 --> 00:28:42,609
No, wait.
380
00:28:42,988 --> 00:28:45,354
Call Tammy up at the house
and ask her to come down here.
381
00:28:47,192 --> 00:28:49,752
No matter what her reasons
were for doing this,
382
00:28:49,828 --> 00:28:51,853
I'm gonna stand by her
like she stood by me.
383
00:29:06,511 --> 00:29:07,842
(MUFFIN SIGHS)
384
00:29:07,913 --> 00:29:09,403
I don't know.
385
00:29:09,514 --> 00:29:11,539
One minute I'm upstairs,
snoozing away,
386
00:29:11,617 --> 00:29:13,457
and the next minute, I'm being hauled
down here
387
00:29:13,518 --> 00:29:14,998
by a couple of my ol' buddy's guards.
388
00:29:15,854 --> 00:29:17,549
I'm gonna tell you, sweetheart,
389
00:29:17,623 --> 00:29:20,230
you sure know how to make enemies
out of friends.
390
00:29:20,192 --> 00:29:21,921
Don't rub it in, all right?
391
00:29:23,195 --> 00:29:25,823
I don't know. I just can't understand
how ol' Buck could be
392
00:29:25,897 --> 00:29:27,455
behind something like this.
393
00:29:34,406 --> 00:29:35,446
(BIONIC POWERS ACTIVATING)
394
00:29:35,707 --> 00:29:37,800
Tammy, don't you see
how dangerous this is?
395
00:29:37,943 --> 00:29:39,570
Why did you do it?
396
00:29:39,645 --> 00:29:41,780
TAMMY: I did it for you!
397
00:29:41,146 --> 00:29:43,740
For me?
How can you say that?
398
00:29:43,849 --> 00:29:45,976
No one would take you, Buck.
399
00:29:46,151 --> 00:29:50,884
When I found you and got you started again,
no one would take you.
400
00:29:51,456 --> 00:29:52,696
They all said you were a drunk.
401
00:29:53,191 --> 00:29:55,182
Said you couldn't write music anymore.
402
00:29:55,460 --> 00:29:56,620
Well, they were wrong.
403
00:29:56,695 --> 00:29:59,858
I knew it but they wouldn't
give me the cash to prove it.
404
00:30:02,134 --> 00:30:03,829
I couldn't get the money!
405
00:30:03,902 --> 00:30:06,803
Where did you get the $100,000 to do
the first album, then?
406
00:30:06,872 --> 00:30:08,169
PENN: I gave it to her, Buck.
407
00:30:11,743 --> 00:30:13,176
I believed in you, too.
408
00:30:13,278 --> 00:30:14,267
You?
409
00:30:14,579 --> 00:30:16,240
PENN: In exchange for a few favors.
410
00:30:16,381 --> 00:30:17,848
BUCK: Yeah, treason.
411
00:30:17,916 --> 00:30:21,613
Oh, come on, Buck. The United States
hasn't crumbled.
412
00:30:22,120 --> 00:30:23,849
PENN: The flag's colors
are still the same.
413
00:30:23,922 --> 00:30:25,856
These kind of things
go on all the time.
414
00:30:25,924 --> 00:30:27,983
Yeah, well, not where
I come from, buddy.
415
00:30:31,697 --> 00:30:33,892
Buck, I'm sorry.
416
00:30:35,534 --> 00:30:37,195
I did it for us, honey.
417
00:30:37,669 --> 00:30:40,690
I didn't think it'd come to this.
418
00:30:40,672 --> 00:30:43,698
TAMMY: Look, this is the last record
we have to do for him.
419
00:30:43,909 --> 00:30:45,536
Penn promised me.
420
00:30:45,644 --> 00:30:47,770
PENN: Only it won't
be a record.
421
00:30:49,915 --> 00:30:52,679
How can you be listening to something that you
can't even hear?
422
00:30:53,151 --> 00:30:55,142
(STAMMERING)
I read lips.
423
00:30:55,687 --> 00:30:57,279
PENN: The OS!
Is getting too close.
424
00:30:57,356 --> 00:30:58,833
We've got to get the code out tonight.
425
00:30:58,857 --> 00:31:01,102
All of the information we've sent out
in the last two years
426
00:31:01,126 --> 00:31:02,846
won't make any sense
without the final data.
427
00:31:02,961 --> 00:31:04,588
It's the key to the entire operation.
428
00:31:04,696 --> 00:31:05,754
We can't wait any longer.
429
00:31:06,980 --> 00:31:08,242
Why don't you use the telephone
and leave us out of it?
430
00:31:08,266 --> 00:31:09,344
PENN:
It's too high pitched.
431
00:31:09,368 --> 00:31:12,599
A telephone doesn't have the fidelity.
And it's traceable.
432
00:31:13,305 --> 00:31:14,670
The radio's a better way.
433
00:31:15,173 --> 00:31:16,162
The radio?
434
00:31:16,842 --> 00:31:18,482
BUCK: You mean the music-house broadcast?
435
00:31:19,770 --> 00:31:22,103
I'm installing an ultrasonic playback
unit in your guitar.
436
00:31:22,180 --> 00:31:23,340
Oh, I don't like it.
437
00:31:23,415 --> 00:31:25,383
Look, let's hear him out,
honey, okay?
438
00:31:26,351 --> 00:31:28,114
When you play it on the radio tonight,
439
00:31:28,820 --> 00:31:30,298
the code will come through the music.
440
00:31:30,322 --> 00:31:32,510
It won't have the same fidelity
as a record,
441
00:31:32,591 --> 00:31:34,559
but I figure 80%
should come through.
442
00:31:37,462 --> 00:31:39,340
What about them? What are you gonna do?
Kill 'em?
443
00:31:39,364 --> 00:31:40,388
Of course not.
444
00:31:40,799 --> 00:31:42,391
The people I work for have drugs
445
00:31:42,467 --> 00:31:44,587
that can make them forget everything
about this place.
446
00:31:44,770 --> 00:31:47,102
They'll show up in a month or two
without their memory.
447
00:31:47,973 --> 00:31:49,990
That's all.
448
00:31:50,942 --> 00:31:52,273
I promise.
449
00:31:55,280 --> 00:31:59,800
Look, Buck, it's the last thing
we got to do for him.
450
00:31:59,418 --> 00:32:01,100
Then we're free.
451
00:32:03,789 --> 00:32:05,313
Please, Buck. Do it.
452
00:32:07,859 --> 00:32:09,520
Trust me, honey.
453
00:32:11,797 --> 00:32:13,196
You know I will, baby.
454
00:32:15,000 --> 00:32:16,399
Good, Buck.
455
00:32:17,569 --> 00:32:20,834
Why don't you get down to the music-house
and get ready for the show?
456
00:32:22,400 --> 00:32:23,769
We'll come along later,
457
00:32:24,109 --> 00:32:25,872
after I cable my contacts.
458
00:32:26,745 --> 00:32:28,269
Yeah, you go on.
459
00:32:53,972 --> 00:32:56,202
Muffin, we've got to
get out of here.
460
00:32:56,274 --> 00:32:59,334
Well, you tell me how and I'll be
right behind you.
461
00:32:59,744 --> 00:33:02,975
Tell you, I'm as squirmy as
a snake in a frying pan.
462
00:33:07,552 --> 00:33:09,247
How fast can you make it to that door?
463
00:33:09,855 --> 00:33:11,830
The door?
464
00:33:11,156 --> 00:33:13,852
Hey, those boys over there
got real guns.
465
00:33:13,925 --> 00:33:15,586
Count me out of this one.
466
00:33:15,660 --> 00:33:18,773
Come on. It's better than sitting around here
waiting for them to get rid of us.
467
00:33:18,797 --> 00:33:21,242
Listen, they're just as tired as we are.
We could surprise 'em.
468
00:33:21,266 --> 00:33:24,345
Yeah, well, how about those gas jets on that door
over there. You know, Buck...
469
00:33:24,369 --> 00:33:25,513
Buck just walked out the door,
470
00:33:25,537 --> 00:33:27,129
which means the security system
is off.
471
00:33:27,205 --> 00:33:28,672
Now are you gonna do it?
472
00:33:29,241 --> 00:33:30,503
Okay.
473
00:33:33,612 --> 00:33:34,909
Okay. You ready?
474
00:33:34,980 --> 00:33:36,106
Am I what?
475
00:33:36,181 --> 00:33:37,170
Go!
476
00:33:39,885 --> 00:33:41,750
(BIONIC POWERS ACTIVATING)
477
00:33:48,994 --> 00:33:50,518
Muffin, come on!
478
00:33:50,595 --> 00:33:51,755
Penn!
479
00:34:06,311 --> 00:34:09,144
Take 'em to the control room.
And get the other agent, Womullun.
480
00:34:09,214 --> 00:34:11,790
Might as well take care
of all of 'em at once.
481
00:34:15,620 --> 00:34:18,748
That's good. Now put her arms up
on that console control.
482
00:34:19,124 --> 00:34:21,680
That way it looks like they were fiddlin'
with the equipment.
483
00:34:21,920 --> 00:34:25,850
It's all set. They announced Buck's special
performance on the radio about an hour ago.
484
00:34:25,897 --> 00:34:27,262
Did you give 'em the drug?
485
00:34:27,332 --> 00:34:28,424
What drug?
486
00:34:28,500 --> 00:34:29,990
The one to make them forget.
487
00:34:30,235 --> 00:34:32,465
You didn't think I was serious about that
now, did you?
488
00:34:33,638 --> 00:34:35,300
Penn, that's murder.
489
00:34:35,730 --> 00:34:36,165
Now you promised me...
490
00:34:36,241 --> 00:34:38,141
Sometimes I make promises
I can't keep.
491
00:34:38,877 --> 00:34:40,870
All right, boys,
you know what to do.
492
00:34:40,111 --> 00:34:42,238
Overload the console
and get out fast.
493
00:34:42,314 --> 00:34:44,475
The fire's gonna destroy
more than the tapes and them.
494
00:34:44,783 --> 00:34:47,980
I won't do it. And Buck won't do it.
When he finds out that...
495
00:34:48,530 --> 00:34:49,714
He doesn't have to know.
496
00:34:51,856 --> 00:34:55,451
Look, Tammy, these people can send
Buck to prison.
497
00:34:55,660 --> 00:34:56,649
(SiGHS)
498
00:34:57,195 --> 00:34:58,685
He's up to his neck.
499
00:34:58,897 --> 00:35:02,128
Do you want to ruin his career?
Ruin his life?
500
00:35:02,901 --> 00:35:05,620
Ruin everything you ever built
for him?
501
00:35:05,136 --> 00:35:06,330
No!
502
00:35:07,572 --> 00:35:08,903
It's the only way.
503
00:35:15,246 --> 00:35:16,235
(SiGHS)
504
00:35:16,748 --> 00:35:18,181
Make sure they can't get out.
505
00:35:18,416 --> 00:35:20,800
I'll meet you at the music-house.
506
00:35:21,453 --> 00:35:23,318
Get yourself dressed
for the show.
507
00:35:23,955 --> 00:35:25,115
Go on.
508
00:35:26,324 --> 00:35:27,416
Move!
509
00:35:40,805 --> 00:35:42,602
Get out of here.
I'm right behind you.
510
00:36:18,109 --> 00:36:19,269
Something wrong, honey?
511
00:36:28,153 --> 00:36:31,281
Well, look, I understand why you did it,
and I still love you.
512
00:36:34,693 --> 00:36:36,422
Oh, I know, Buck.
513
00:36:37,662 --> 00:36:39,789
Okay, Buck, it's all set.
514
00:36:41,299 --> 00:36:42,664
The tape's inside.
515
00:36:43,468 --> 00:36:45,936
All you have to do is turn on the guitar
and strum.
516
00:36:46,805 --> 00:36:48,432
And this is the last time?
517
00:36:48,506 --> 00:36:50,201
I haven't lied to you yet, Buck.
518
00:37:00,685 --> 00:37:02,118
(MUFFIN COUGHING)
519
00:37:06,958 --> 00:37:08,516
Muffin? Muffin?
520
00:37:08,593 --> 00:37:09,719
Yeah.
521
00:37:09,794 --> 00:37:11,523
Are you all right?
I'm okay.
522
00:37:12,130 --> 00:37:14,980
Jaime, my God, it's Womullun.
523
00:37:14,165 --> 00:37:15,765
He's alive. Get him out of here!
Come on!
524
00:37:16,000 --> 00:37:18,525
Let me take him! Come on!
Open the door!
525
00:37:18,903 --> 00:37:19,892
Open the door!
526
00:37:19,971 --> 00:37:21,598
(COUGHING)
Come on.
527
00:37:22,400 --> 00:37:24,800
I can't! It's locked!
528
00:37:24,750 --> 00:37:25,755
JAIME: Come hold him for a second!
Come on!
529
00:37:29,800 --> 00:37:30,638
(BIONIC POWERS ACTIVATING)
530
00:37:32,383 --> 00:37:34,351
The heat must be getting to me.
531
00:37:35,720 --> 00:37:36,744
Come on!
532
00:37:38,857 --> 00:37:39,846
(COUGHING)
533
00:37:43,261 --> 00:37:44,638
Wait a minute. Hold on.
Hold it. Hold it.
534
00:37:44,662 --> 00:37:45,806
Can you hold him for a second?
535
00:37:45,830 --> 00:37:46,922
I got him.
I got him.
536
00:37:50,602 --> 00:37:52,593
(BIONIC POWERS ACTIVATING)
537
00:37:54,539 --> 00:37:55,801
(ELECTRIC BUZZING)
538
00:37:59,344 --> 00:38:00,868
Please work.
539
00:38:02,881 --> 00:38:04,644
Come on, Muffin, the gas is off.
540
00:38:07,752 --> 00:38:09,686
(ALL COUGHING)
541
00:38:15,360 --> 00:38:16,657
Womullun?
542
00:38:17,962 --> 00:38:19,522
Are you all right?
Yeah. Where... Where?
543
00:38:20,865 --> 00:38:22,127
WOMULLUN: Who are you?
544
00:38:22,200 --> 00:38:26,899
I'm Jaime SOMMERS, and the guy in the pajamas
here is Muffin Calhoon.
545
00:38:27,238 --> 00:38:28,535
We're from the O.S.I.
546
00:38:28,773 --> 00:38:30,638
I thought Oscar had given up on me.
547
00:38:31,376 --> 00:38:33,370
(c0UGHS)
The code.
548
00:38:33,111 --> 00:38:35,220
Oh, they're sending it out
over the radio tonight.
549
00:38:35,460 --> 00:38:36,757
Muffin, we've got to get
to the music-house.
550
00:38:36,781 --> 00:38:37,907
Right. (c0UGHS)
551
00:38:37,982 --> 00:38:39,693
Well, Buck's got to have
a spare car I can hotwire.
552
00:38:39,717 --> 00:38:41,309
Come on.
Let's get out of here.
553
00:38:43,721 --> 00:38:44,799
ANNOUNCER:
Ladies and gentlemen,
554
00:38:44,823 --> 00:38:46,654
country music lovers
all over the world,
555
00:38:46,758 --> 00:38:49,488
it's broadcast time in Nashville!
556
00:38:49,594 --> 00:38:52,722
Welcome to the world famous
Country Land Music-House.
557
00:38:53,565 --> 00:38:55,328
(AUDIENCE CHEERING)
558
00:39:02,740 --> 00:39:04,970
(COUNTRY MUSIC PLAYING ON RADIO)
559
00:39:05,210 --> 00:39:06,700
Oh, the show's started already!
560
00:39:06,778 --> 00:39:09,941
MUFFIN: Don't worry, honey. - This ol' country boy
knows all the shortcuts.
561
00:39:10,148 --> 00:39:11,740
Hold on!
Here we go!
562
00:39:48,186 --> 00:39:50,484
The Red Mountain Boys!
Aren't they wonderful?
563
00:39:52,891 --> 00:39:54,859
And now we have a very special treat
for you.
564
00:39:55,159 --> 00:39:57,930
The moment we've all
been waiting for.
565
00:39:57,161 --> 00:39:59,994
Here to sing all the hits from his
new, unreleased album.
566
00:40:00,640 --> 00:40:01,691
Oh, we're not gonna make it!
567
00:40:01,766 --> 00:40:03,700
All of you listeners
know and love.
568
00:40:03,835 --> 00:40:07,327
The original, the one and only
dean of country music,
569
00:40:07,472 --> 00:40:08,461
Big Buck Buckley!
570
00:40:11,142 --> 00:40:12,939
No, Buck!
Don't do it!
571
00:40:13,244 --> 00:40:16,270
He left Muffin and Jaime in the studio.
He's burning it down.
572
00:40:17,949 --> 00:40:20,918
Oh, Penn murdered them,
honey, and he lied to me.
573
00:40:23,922 --> 00:40:25,253
Muffin and Jody-Lee?
574
00:40:25,623 --> 00:40:26,817
It was for your own good.
575
00:40:27,625 --> 00:40:28,614
I'm calling the police.
576
00:40:28,693 --> 00:40:29,682
Buck!
577
00:40:31,763 --> 00:40:33,424
Get back out there.
578
00:40:34,866 --> 00:40:37,960
No, Buck. Don't.
579
00:40:38,603 --> 00:40:41,663
We just can't let him
run our lives like this.
580
00:40:43,107 --> 00:40:44,472
I'll kill her.
581
00:40:47,979 --> 00:40:50,380
It doesn't matter anymore.
582
00:40:54,719 --> 00:40:56,277
Buck!
(AUDIENCE CHEERING)
583
00:40:56,354 --> 00:40:57,616
Shut up!
584
00:41:05,763 --> 00:41:07,822
(SINGING UPBEAT SONG)
585
00:41:38,960 --> 00:41:39,529
(SONG CONTINUES ON RADIO)
586
00:41:42,767 --> 00:41:43,807
(BIONIC POWERS ACTIVATING)
587
00:41:43,868 --> 00:41:45,199
(RAPID BEEPING)
588
00:41:47,572 --> 00:41:50,439
Dang! They started the code already.
589
00:41:50,742 --> 00:41:52,642
How in the devil can you tell?
590
00:41:53,277 --> 00:41:55,600
Oh, forget I asked.
591
00:42:05,690 --> 00:42:06,679
(BRAKES SQUEAL)
592
00:42:23,274 --> 00:42:24,263
Hold it!
593
00:42:27,110 --> 00:42:28,945
Now raise your hands
over your heads.
594
00:42:33,985 --> 00:42:35,976
Back up nice and easy.
595
00:42:42,226 --> 00:42:43,318
That's far enough.
596
00:42:47,465 --> 00:42:49,230
(BIONIC POWERS ACTIVATING)
597
00:43:00,478 --> 00:43:01,638
Stop right there.
598
00:43:05,917 --> 00:43:07,770
Keep playin', Buck.
599
00:43:08,519 --> 00:43:10,919
(CONTINUES SINGING)
600
00:43:14,325 --> 00:43:16,122
Put the gun down, Penn.
601
00:43:18,429 --> 00:43:19,896
I'll shoot her, SOMMERS.
602
00:43:30,708 --> 00:43:32,335
Boy, you're full of surprises.
603
00:43:32,410 --> 00:43:34,605
Yeah, just chalk one up
for the ol' Muffin.
604
00:43:34,679 --> 00:43:36,579
All right, Penn, let's get out of here.
Come on.
605
00:43:52,230 --> 00:43:54,130
(CRYING)
Oh, Buck.
606
00:43:55,199 --> 00:43:57,258
It's okay, honey.
It's okay.
607
00:43:59,570 --> 00:44:01,595
Oh, Buck, I'm sorry.
608
00:44:02,240 --> 00:44:03,730
It's all over.
609
00:44:11,782 --> 00:44:13,100
Thanks, Jody-Lee.
610
00:44:13,818 --> 00:44:14,978
Jaime.
611
00:44:19,560 --> 00:44:22,321
ALL: (CHANTING) - We want Buck.
We want Buck.
612
00:44:22,393 --> 00:44:25,624
We want Buck.
We want Buck.
613
00:44:26,797 --> 00:44:29,288
I guess you'd better get out there
and sing something.
614
00:44:29,367 --> 00:44:31,426
Oh, no, I'm not leaving you.
615
00:44:32,803 --> 00:44:34,998
Oh, you're gonna have to, honey.
616
00:44:35,907 --> 00:44:36,965
Why?
617
00:44:42,513 --> 00:44:43,980
Prison, Buck.
618
00:44:50,388 --> 00:44:52,413
It's all right though, honey.
619
00:44:52,490 --> 00:44:57,951
You know, for the first time in almost two whole
years, I feel really free.
620
00:45:02,800 --> 00:45:03,844
ALL: (CHANTING)
- We want Buck.
621
00:45:03,868 --> 00:45:06,108
ANNOUNCER: Big Buck will be back
in just a second, folks.
622
00:45:06,170 --> 00:45:07,467
Just a small technical problem.
623
00:45:07,538 --> 00:45:09,199
We'll have it straightened out
right away.
624
00:45:10,241 --> 00:45:11,572
Sing it for them.
625
00:45:12,476 --> 00:45:13,807
Please.
626
00:45:15,646 --> 00:45:17,113
Sing it for me.
627
00:45:18,382 --> 00:45:20,441
Well, I'm gonna need some help.
628
00:45:22,753 --> 00:45:24,345
(SOBBING)
Oh, Buck.
629
00:45:26,324 --> 00:45:27,450
Come on.
630
00:45:28,826 --> 00:45:31,659
Well, Buck, just so long
as you don't ask me to sing
631
00:45:31,729 --> 00:45:33,697
'cause you know I ain't no singer.
632
00:45:33,831 --> 00:45:35,230
Come on.
633
00:45:36,133 --> 00:45:37,930
(AUDIENCE CHEERING)
634
00:45:50,948 --> 00:45:52,438
This is Tammy Dalton.
635
00:45:52,516 --> 00:45:53,956
I think you all know
that I love her.
636
00:46:04,950 --> 00:46:06,563
(SINGING UPBEAT SONG)
637
00:46:29,720 --> 00:46:31,950
(SINGING TOGETHER)
638
00:47:15,199 --> 00:47:17,133
(AUDIENCE APPLAUDING)
639
00:47:30,147 --> 00:47:31,910
Will you be at Tammy
and Buck's hearing?
640
00:47:32,830 --> 00:47:34,483
You'll get a full report
but it won't be good.
641
00:47:34,585 --> 00:47:35,950
The charges are serious, Jaime.
642
00:47:36,200 --> 00:47:39,183
I know that. I think they’ll just be
so glad to get it over with.
643
00:47:39,256 --> 00:47:41,588
You know, they'll be relieved.
Going to prison?
644
00:47:41,659 --> 00:47:43,126
Well, Tammy said to me that
645
00:47:43,194 --> 00:47:46,357
this is the first time she's felt really free
in the last two years.
646
00:47:50,468 --> 00:47:51,765
They're strong people.
647
00:47:52,570 --> 00:47:53,798
I think they'll make it.
648
00:47:56,941 --> 00:47:58,431
You got that, Patty?
Uh-huh.
649
00:47:58,509 --> 00:48:01,690
Okay, grab hold now and don't lose it.
650
00:48:02,980 --> 00:48:03,969
Oh, hi, there.
651
00:48:05,249 --> 00:48:06,443
Come on in.
652
00:48:08,219 --> 00:48:11,950
All right, kids, now this next number
we're gonna do here
653
00:48:17,940 --> 00:48:20,655
It's mighty important to a good friend
of mine about now.
654
00:48:21,465 --> 00:48:23,626
As a matter of fact,
he wrote it.
655
00:48:24,335 --> 00:48:27,930
Now if you all know the words,
just sing along.
656
00:48:28,339 --> 00:48:29,704
MUFFIN: Even you, Pam.
657
00:48:29,774 --> 00:48:31,469
(ALL LAUGHING)
658
00:48:32,376 --> 00:48:34,435
A one, two, three.
659
00:48:34,712 --> 00:48:37,306
(SINGING UPBEAT SONG)
660
00:48:44,388 --> 00:48:45,787
That's Buck Buckley's song.
661
00:48:55,499 --> 00:48:57,230
(SINGING OFF-KEY)
662
00:48:57,101 --> 00:48:58,591
(ALL SINGING TOGETHER)
663
00:49:18,989 --> 00:49:20,513
All right!
46112
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