Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:03,967 --> 00:00:06,300
YO! HAPPY-GO-TRASHY!
COME BACK HERE!
2
00:00:07,767 --> 00:00:09,100
DON'T YOU SEE ME SWEEPING?
3
00:00:09,100 --> 00:00:11,600
WHAT WOULD YOUR MOTHER SAY
IF SHE SAW YOU DO THAT, HUH?
4
00:00:11,600 --> 00:00:15,500
MAMA WOULD BE MAD.
5
00:00:15,500 --> 00:00:18,200
THAT'S RIGHT,
MAMA WOULD BE MAD,
AND SO AM I.
6
00:00:18,200 --> 00:00:19,567
NOW, PICK THAT UP.
7
00:00:20,800 --> 00:00:22,467
AND THAT CUP, TOO.
8
00:00:23,700 --> 00:00:25,500
OK. THANK YOU FOR EATING
AT WAVERLY SUB STATION.
9
00:00:25,500 --> 00:00:26,600
COME AGAIN.
10
00:00:27,967 --> 00:00:29,200
HEY, ALEX.
11
00:00:29,200 --> 00:00:31,500
TA-DA!
12
00:00:31,500 --> 00:00:33,200
OH. YOU PICKED UP
ALL THE TRASH ON
THE WAY OVER HERE.
13
00:00:33,200 --> 00:00:34,400
JUST THROW IT
IN THE CAN.
14
00:00:34,400 --> 00:00:37,233
NO, SILLY.
THIS IS A NECKLACE
I DESIGNED FOR YOU.
15
00:00:37,233 --> 00:00:39,600
A LITTLE SOMETHING
TO SAY THANKS FOR
BEING MY BEST FRIEND.
16
00:00:39,600 --> 00:00:41,600
UH...
17
00:00:41,600 --> 00:00:43,133
NO, I'M NOT WEARING THAT.
18
00:00:43,133 --> 00:00:44,567
WHY NOT?
19
00:00:44,567 --> 00:00:46,900
WELL, BECAUSE IT'S--
20
00:00:46,900 --> 00:00:50,200
IT'S SO BEAUTIFUL AND...
21
00:00:50,200 --> 00:00:51,867
YOU SHOULD SELL IT.
22
00:00:51,867 --> 00:00:53,734
OK.
THAT WILL BE $35.
23
00:00:53,734 --> 00:00:55,000
NO.
24
00:00:55,000 --> 00:00:58,000
I MEANT
ON WAVERLY PLACE,
LIKE THESE GUYS.
25
00:00:58,000 --> 00:01:00,600
OK. AND WHATEVER
WE DON'T SELL,
WE CAN WEAR TO SCHOOL.
26
00:01:00,600 --> 00:01:03,400
SCHOOL.
BIG JEWELRY SALE
THIS SATURDAY.
27
00:01:03,400 --> 00:01:04,767
PLEASE DON'T MISS IT.
PLEASE.
28
00:01:04,767 --> 00:01:08,133
HAPPY-GO-TRASHY!
BUY YOUR MAMA
SOMETHING NICE. NO?
29
00:01:08,133 --> 00:01:11,033
♪ WELL, YOU KNOW EVERYTHING'S
GONNA BE A BREEZE ♪
30
00:01:11,033 --> 00:01:13,033
♪ THAT THE END WILL NO DOUBT
JUSTIFY THE MEANS ♪
31
00:01:13,033 --> 00:01:15,133
♪ YOU CAN FIX ANY PROBLEM
WITH THE SLIGHTEST OF EASE ♪
32
00:01:15,133 --> 00:01:16,500
♪ YES, PLEASE ♪
33
00:01:16,500 --> 00:01:18,500
♪ BUT YOU MIGHT FIND OUT
IT'LL GO TO YOUR HEAD ♪
34
00:01:18,500 --> 00:01:20,500
♪ WHEN YOU WRITE A REPORT
ON A BOOK YOU NEVER READ ♪
35
00:01:20,500 --> 00:01:23,033
♪ WITH A SNAP OF YOUR FINGERS,
YOU CAN MAKE YOUR BED ♪
36
00:01:23,033 --> 00:01:24,600
♪ THAT'S WHAT I SAID ♪
♪ AHH ♪
37
00:01:24,600 --> 00:01:27,500
♪ EVERYTHING
IS NOT WHAT IT SEEMS ♪
38
00:01:27,500 --> 00:01:29,667
♪ WHEN YOU CAN GET
ALL YOU WANTED ♪
39
00:01:29,667 --> 00:01:31,400
♪ IN YOUR WILDEST DREAMS ♪
40
00:01:31,400 --> 00:01:35,233
♪ YOU MIGHT RUN INTO TROUBLE
IF YOU GO TO EXTREMES ♪
41
00:01:35,233 --> 00:01:39,400
♪ BECAUSE EVERYTHING
IS NOT WHAT IT SEEMS ♪
42
00:01:39,400 --> 00:01:40,467
♪ AHH ♪
43
00:01:40,467 --> 00:01:42,967
♪ EVERYTHING
IS NOT WHAT IT SEEMS ♪
44
00:01:42,967 --> 00:01:46,500
♪ WHEN YOU CAN HAVE WHAT YOU
WANT BY THE SIMPLEST OF MEANS ♪
45
00:01:46,500 --> 00:01:47,834
♪ 1, 2 ♪
46
00:01:47,834 --> 00:01:50,500
♪ BE CAREFUL NOT TO MESS
WITH THE BALANCE OF THINGS ♪
47
00:01:50,500 --> 00:01:54,934
♪ BECAUSE EVERYTHING IS NOT ♪
48
00:01:54,934 --> 00:01:56,767
♪ WHAT IT SEEMS ♪
49
00:02:02,600 --> 00:02:04,500
[LAUGHTER]
50
00:02:04,500 --> 00:02:06,700
SO YOU KIDS
ARE TELLING THE BABE
51
00:02:06,700 --> 00:02:08,734
THAT HOT DOGS
IS BAD FOR YOU?
52
00:02:08,734 --> 00:02:11,000
WELL, WHAT'S A FELLA EAT
FOR BREAKFAST?
53
00:02:11,000 --> 00:02:13,367
BEEF JERKY
AND A BOWL OF SYRUP.
54
00:02:13,367 --> 00:02:14,367
I CALL IT...
55
00:02:14,367 --> 00:02:17,700
BEEF JERKY
AND A BOWL OF SYRUP.
56
00:02:17,700 --> 00:02:19,500
[LAUGHS]
57
00:02:19,500 --> 00:02:22,033
ALEX, PUT HIM
BACK IN THE PICTURE
BEFORE DAD GETS HERE.
58
00:02:22,033 --> 00:02:24,200
OH, LIGHTEN UP.
IF HE WAS
OBI-WAN KENOBI,
59
00:02:24,200 --> 00:02:26,100
YOU'D BE
ALL INTO IT.
60
00:02:26,100 --> 00:02:28,567
LIFE-SIZE OBI-WAN.
61
00:02:28,567 --> 00:02:29,900
I'LL BE RIGHT BACK.
62
00:02:31,033 --> 00:02:32,734
OH! SIT DOWN.
63
00:02:32,734 --> 00:02:34,300
HI.
64
00:02:35,934 --> 00:02:39,100
ALEX. WHAT DID WE SAY
ABOUT TAKING PEOPLE
OUT OF PICTURES?
65
00:02:39,100 --> 00:02:42,133
WE SAY, "YAY, HOORAY.
66
00:02:42,133 --> 00:02:44,834
ALEX IS
SO FUN AND CREATIVE."
67
00:02:46,300 --> 00:02:49,767
BABE, ALWAYS A PLEASURE.
I AM A BIG FAN.
68
00:02:49,767 --> 00:02:51,400
NOW, PUT HIM BACK
IN THE PICTURE.
69
00:02:51,400 --> 00:02:52,667
FINE.
70
00:02:52,667 --> 00:02:54,000
[SIGHS]
71
00:02:55,300 --> 00:02:57,467
PICTURES AND FACES,
RETURN TO YOUR PLACE--
72
00:02:57,467 --> 00:02:59,800
OH, I DON'T KNOW
THE REST.
73
00:02:59,800 --> 00:03:03,500
YOU NEED TO KNOW
THE EXACT TIME AND PLACE
TO FINISH THE SPELL.
74
00:03:03,500 --> 00:03:06,600
I NEED TO KNOW STUFF?
JUSTIN'S DEPARTMENT.
75
00:03:06,600 --> 00:03:08,967
YANKEE STADIUM,
1929.
76
00:03:08,967 --> 00:03:12,100
WOW. YOU EVEN MAKE
SPORTS NOT SOUND COOL.
77
00:03:12,100 --> 00:03:13,300
[MOCK LAUGHTER]
78
00:03:13,300 --> 00:03:16,000
[EXHALES]
PICTURES OF FACES,
RETURN TO YOUR PLACES.
79
00:03:16,000 --> 00:03:18,033
YANKEE STADIUM, 1929.
80
00:03:20,400 --> 00:03:21,767
Jerry: OK.
81
00:03:21,767 --> 00:03:24,967
NOW, TODAY'S LESSON IS
ABOUT MAKING AN OBJECT
82
00:03:24,967 --> 00:03:27,000
PASS THROUGH
SOMETHING SOLID.
83
00:03:27,000 --> 00:03:31,567
JUSTIN. SAY
"GO THROUGH MOTHRU"
ON MY HOCKEY STICK.
84
00:03:31,567 --> 00:03:33,734
OK.
85
00:03:33,734 --> 00:03:36,400
[EXHALES]
GO THROUGH
MOTHRU.
86
00:03:36,400 --> 00:03:38,400
OK. NOW,
MY HOCKEY STICK
IS CHARMED.
87
00:03:38,400 --> 00:03:39,600
WATCH.
88
00:03:41,800 --> 00:03:43,467
OH!
89
00:03:43,467 --> 00:03:45,133
[GIGGLES]
THAT TICKLES.
STOP. STOP.
90
00:03:45,133 --> 00:03:46,667
AWESOME!
LET ME TRY!
91
00:03:49,000 --> 00:03:50,700
OH! ALEX!
92
00:03:50,700 --> 00:03:51,867
[GIGGLES]
93
00:03:51,867 --> 00:03:53,667
NOT THE SPLEEN!
NOT MY SPLEEN!
94
00:03:53,667 --> 00:03:55,734
[LAUGHS]
95
00:03:58,033 --> 00:04:00,667
[BELL RINGS]
96
00:04:00,667 --> 00:04:04,100
UM, MISS RUSSO,
WE HAVE A PROBLEM.
I'D LIKE A WORD, PLEASE.
97
00:04:04,100 --> 00:04:05,400
YEAH, SURE,
MISS MARINOVICH.
98
00:04:05,400 --> 00:04:06,600
HOW ABOUT
THE WORD "LUNCH"?
99
00:04:06,600 --> 00:04:08,033
I KNOW IT'S ONE
OF MY FAVORITES.
100
00:04:08,033 --> 00:04:09,200
UM...
101
00:04:09,200 --> 00:04:10,734
YOU HAVEN'T SIGNED UP
FOR SATURDAY'S
102
00:04:10,734 --> 00:04:12,900
ART HISTORY FIELD TRIP
TO THE MUSEUM.
103
00:04:12,900 --> 00:04:14,734
AND IF YOU DON'T GO,
YOU'RE GOING TO HAVE
104
00:04:14,734 --> 00:04:16,367
TO REPEAT MY CLASS
THIS SUMMER.
105
00:04:16,367 --> 00:04:18,100
AND I AM BEGGING YOU,
106
00:04:18,100 --> 00:04:21,967
PLEASE DON'T MAKE ME
TEACH A CLASS
WITH JUST YOU IN IT.
107
00:04:21,967 --> 00:04:23,667
OH, BELIEVE ME.
108
00:04:23,667 --> 00:04:26,133
SUMMER SCHOOL IS
NOT PART OF MY PLANS.
109
00:04:26,133 --> 00:04:27,667
AND NEITHER IS
THE MUSEUM.
110
00:04:27,667 --> 00:04:29,600
I'M ACTUALLY GOING TO
A DIFFERENT ART EXHIBIT.
111
00:04:29,600 --> 00:04:32,100
MY FRIEND HARPER
IS MAKING JEWELRY,
AND WE'RE SELLING IT.
112
00:04:32,100 --> 00:04:35,600
IF YOU LIKE MACARONI
AND GLITTER, I CAN GET YOU
SOME AWESOME EARRINGS.
113
00:04:36,867 --> 00:04:40,467
BUT THE FIELD TRIP IS
WORTH 30% OF YOUR GRADE.
114
00:04:40,467 --> 00:04:44,400
PLEASE, I'M ON MY KNEES!
DON'T FAIL!
115
00:04:44,400 --> 00:04:46,600
OH. I MISSED
MY MATH FIELD TRIP
LAST SATURDAY.
116
00:04:46,600 --> 00:04:48,834
SO, 30%.
IS THAT A LOT?
117
00:04:48,834 --> 00:04:50,033
IT'S A LOT.
118
00:04:50,033 --> 00:04:51,500
LISTEN.
119
00:04:51,500 --> 00:04:55,500
I NEED YOU TO WATCH ALEX
AND MAKE SURE I GET
MY SUMMER VACATION.
120
00:04:55,500 --> 00:04:58,133
I WILL SEE TO IT
THAT SHE'S AT THE MUSEUM
ON SATURDAY.
121
00:04:58,133 --> 00:04:59,667
[WHISPERS]
Thank you.
122
00:05:03,000 --> 00:05:04,700
AHH. WHEN YOU SAID SHE,
123
00:05:04,700 --> 00:05:06,600
I REALLY HOPE
YOU DIDN'T MEAN ME,
'CAUSE--[SCOFFS]
124
00:05:13,133 --> 00:05:14,834
THIS IS RUSSO!
125
00:05:19,100 --> 00:05:21,600
OOH! I'M OPEN!
I'M OPEN!
126
00:05:21,600 --> 00:05:23,467
OH!
127
00:05:23,467 --> 00:05:25,100
OOH.
128
00:05:25,100 --> 00:05:26,967
WHAT ARE YOU GOING
TO TELL YOUR MOTHER?
129
00:05:29,567 --> 00:05:31,400
ALL RIGHT.
UM, I KNOW HOW
TO DEAL WITH THIS.
130
00:05:31,400 --> 00:05:32,700
UM...
131
00:05:32,700 --> 00:05:34,200
WE'LL MESS UP
A BUNCH OF OTHER STUFF
132
00:05:34,200 --> 00:05:35,867
AND SAY WE WERE ROBBED.
133
00:05:37,400 --> 00:05:38,600
WHAT HAPPENED?
134
00:05:38,600 --> 00:05:41,200
[GASPS] MY LAMP!
135
00:05:41,200 --> 00:05:43,567
[SIGHS]
WE WERE THROWING
THE BALL.
136
00:05:43,567 --> 00:05:45,667
WHAT HAPPENED
TO THE ROBBERY?
137
00:05:45,667 --> 00:05:48,033
WE DIDN'T HAVE TIME
TO MESS STUFF UP.
138
00:05:48,033 --> 00:05:49,667
HOW MANY TIMES
HAVE I SAID
139
00:05:49,667 --> 00:05:51,734
NO THROWING THE BALL
INSIDE THE HOUSE,
GUYS?
140
00:05:51,734 --> 00:05:53,600
HOW MANY LAMPS
HAVE WE BROKEN?
141
00:05:53,600 --> 00:05:54,600
3.
142
00:05:54,600 --> 00:05:56,834
AT LEAST 3 TIMES.
143
00:05:57,934 --> 00:05:59,033
WE'RE SORRY.
144
00:05:59,033 --> 00:06:00,667
OH, NOT YET,
YOU'RE NOT.
145
00:06:00,667 --> 00:06:02,867
AFTER I GET
A MASSAGE
AND A PEDICURE
146
00:06:02,867 --> 00:06:05,200
AND WHATEVER ELSE
I WANT THAT
I DON'T NEED,
147
00:06:05,200 --> 00:06:07,800
THEN
YOU'LL BE SORRY.
148
00:06:07,800 --> 00:06:09,100
MAN, THIS IS BOGUS.
149
00:06:09,100 --> 00:06:11,467
WHAT'S THE POINT OF HAVING
A FOAM FOOTBALL
150
00:06:11,467 --> 00:06:13,033
IF IT STILL
BREAKS STUFF?
151
00:06:13,033 --> 00:06:14,400
EXACTLY. YOU KNOW,
152
00:06:14,400 --> 00:06:16,033
SOMEONE SHOULD JUST
COME UP WITH A BALL
153
00:06:16,033 --> 00:06:17,867
THAT CAN FLY
THROUGH STUFF.
154
00:06:17,867 --> 00:06:21,400
UH, AND I THINK
THAT SOMEONE IS US, HUH?
155
00:06:23,133 --> 00:06:26,300
I DON'T KNOW
WHY WE'RE NODDING.
156
00:06:26,300 --> 00:06:28,767
GO THROUGH MOTHRU.
157
00:06:28,767 --> 00:06:30,667
OHH, NOW I GET
WHY WE'RE NODDING.
158
00:06:30,667 --> 00:06:31,834
[CHUCKLES]
159
00:06:31,834 --> 00:06:34,400
OK. THAT'S ENOUGH NODDING.
160
00:06:34,400 --> 00:06:36,000
OK.
HERE.
161
00:06:36,000 --> 00:06:37,200
[GRUNTS]
162
00:06:37,200 --> 00:06:40,400
GO THROUGH MOTHRU.
163
00:06:40,400 --> 00:06:42,734
ALL RIGHT.
LET'S GIVE IT A TRY.
HEY, BLOCK THE DOOR.
164
00:06:47,400 --> 00:06:49,000
HERE IT COMES!
165
00:06:49,000 --> 00:06:51,133
SWEET! IT WORKED!
166
00:06:51,133 --> 00:06:53,600
OH! OK.
PASS IT BACK.
167
00:06:53,600 --> 00:06:55,734
WHOA!
[CHUCKLES]
168
00:06:55,734 --> 00:06:57,700
I GOT IT!
169
00:06:57,700 --> 00:06:59,367
[GRUNTS AND THUDS]
170
00:07:01,600 --> 00:07:04,500
IT'S JUST THE FOOTBALL,
MAX, NOT YOU.
171
00:07:04,500 --> 00:07:05,834
OHH.
172
00:07:18,033 --> 00:07:19,767
HELLO,
MISS MARINOVICH.
173
00:07:19,767 --> 00:07:22,767
MR. KISS-UP-OVICH.
174
00:07:22,767 --> 00:07:25,100
I'M HERE,
AS YOU CAN PLAINLY SEE.
175
00:07:25,100 --> 00:07:27,367
NO GETTING AROUND
THE FACT THAT I AM HERE.
176
00:07:27,367 --> 00:07:29,867
FEEL FREE TO PUT
A LITTLE CHECK BY MY NAME
'CAUSE I'M HERE.
177
00:07:29,867 --> 00:07:31,600
NOW,
I'LL BE WAY OVER THERE.
178
00:07:31,600 --> 00:07:33,100
YOU MIGHT NOT SEE ME
FOR A WHILE
179
00:07:33,100 --> 00:07:36,367
BECAUSE I'LL BE DEEP
INSIDE THE MUSEUM
SOAKING IT ALL IN.
180
00:07:37,700 --> 00:07:39,500
I DON'T CARE
WHAT YOU SOAK IN,
181
00:07:39,500 --> 00:07:41,867
AS LONG AS
YOU PASS MY CLASS
182
00:07:41,867 --> 00:07:43,900
AND WE'RE NOT STARING
AT EACH OTHER
IN SUMMER SCHOOL.
183
00:07:43,900 --> 00:07:45,734
BECAUSE THIS
IS HOW I STARE.
184
00:07:57,233 --> 00:07:59,400
GO THROUGH MOTHRU.
185
00:07:59,400 --> 00:08:01,100
[COUGHS]
186
00:08:04,200 --> 00:08:07,133
OK, EVERYONE.
MAKE SURE YOU GET
ONE OF THESE HANDOUTS.
187
00:08:07,133 --> 00:08:09,133
YOU HAVE TO FILL IT
WITH HISTORICAL FACTS.
188
00:08:09,133 --> 00:08:11,867
IT'S WORTH 30%
OF YOUR GRADE.
189
00:08:11,867 --> 00:08:13,200
ALEX?
190
00:08:14,367 --> 00:08:16,033
ALEX?
191
00:08:17,033 --> 00:08:18,734
[WHISPERS]
Alex!
192
00:08:21,500 --> 00:08:24,367
OH, GOOD, YOU'RE HERE!
NOW WE CAN OPEN
FOR BUSINESS.
193
00:08:28,800 --> 00:08:32,300
UM, HARPER,
I DON'T THINK WE NEED
TO SAY HOMEMADE.
194
00:08:32,300 --> 00:08:34,800
PEOPLE WILL JUST KNOW.
195
00:08:34,800 --> 00:08:37,967
WAIT A MINUTE.
IS THIS A KNOB
FROM MY DRESSER?
196
00:08:40,667 --> 00:08:42,834
OH. HERE COMES
OUR FIRST CUSTOMER.
197
00:08:42,834 --> 00:08:44,300
ALREADY?
198
00:08:44,300 --> 00:08:46,667
THIS WILL BE EASY.
GOOD MORNING, MA'AM.
199
00:08:46,667 --> 00:08:48,867
MORNING.
CAN I TAKE ALL THIS?
200
00:08:48,867 --> 00:08:50,700
ALL OF IT?
201
00:08:50,700 --> 00:08:51,834
YEAH.
I'LL TAKE IT ALL.
202
00:08:51,834 --> 00:08:53,834
THAT'D BE GREAT!
203
00:08:53,834 --> 00:08:56,100
HEY, RALPH!
BRING THE TRUCK!
204
00:08:56,100 --> 00:08:58,300
WE GOT A LOAD
OF TRASH OVER HERE.
205
00:08:58,300 --> 00:08:59,667
[TRUCK ENGINE STARTS]
WHAT? NO!
206
00:08:59,667 --> 00:09:02,500
THIS ISN'T TRASH.
IT'S FINE JEWELRY.
207
00:09:02,500 --> 00:09:04,500
REALLY.
208
00:09:04,500 --> 00:09:06,100
HEY, RALPH!
209
00:09:06,100 --> 00:09:07,934
DID YOU KNOW
WE'VE BEEN
DRIVING AROUND
210
00:09:07,934 --> 00:09:09,400
IN A JEWELRY STORE?
211
00:09:09,400 --> 00:09:11,100
[HORN HONKS]
212
00:09:16,834 --> 00:09:18,667
OH, GOOD JOB,
BY THE WAY.
213
00:09:20,133 --> 00:09:22,700
OH. UH, NEXT TIME,
DON'T USE RED PEN.
214
00:09:22,700 --> 00:09:24,200
I USE RED PEN
WHEN I GRADE.
215
00:09:24,200 --> 00:09:26,000
THAT'S
KIND OF WHY I BECAME
A TEACHER'S ASSISTANT.
216
00:09:40,000 --> 00:09:42,500
HEY. THAT WAS
SOME GREAT ART.
217
00:09:42,500 --> 00:09:44,867
HARD TO PICK A FAVORITE.
IT WAS ALL SO GREAT.
218
00:09:44,867 --> 00:09:46,467
SAVE IT, DITCHER.
219
00:09:46,467 --> 00:09:48,033
DITCHER?
220
00:09:48,033 --> 00:09:50,033
YEAH. YOU DITCHED.
I'M CALLING YOU
A DITCHER.
221
00:09:50,033 --> 00:09:51,667
GOT A PROBLEM?
222
00:09:53,033 --> 00:09:55,000
THERE'S ONLY
ONE TINY FLAW
WITH YOUR PLAN,
223
00:09:55,000 --> 00:09:56,934
AND IT'S CALLED
A WORKSHEET.
224
00:10:00,000 --> 00:10:01,467
A WORKSHEET?
225
00:10:01,467 --> 00:10:04,400
I'D HURRY,
'CAUSE THE MUSEUM CLOSES
IN, LIKE, 5 MINUTES.
226
00:10:05,567 --> 00:10:07,200
[WHISPERS]
5 minutes.
227
00:10:10,033 --> 00:10:11,400
[SCOFFS]
228
00:10:11,400 --> 00:10:14,033
5 MINUTES?
I WOULDN'T KNOW
THIS STUFF IN 5 HOURS.
229
00:10:15,367 --> 00:10:18,367
BUT...
BUT THEY MIGHT.
230
00:10:32,500 --> 00:10:35,000
FRAMES OF FIGURES,
STEP OUT OF YOUR PICTURE.
231
00:10:40,600 --> 00:10:44,000
OK. GATHER AROUND,
PEOPLE. GATHER AROUND.
COME HERE.
232
00:10:44,000 --> 00:10:46,000
[SCREAMS]
233
00:10:48,133 --> 00:10:50,200
WHY ARE YOU
DOING THAT?
234
00:10:50,200 --> 00:10:51,867
HE'S THE SCREAM.
235
00:10:53,467 --> 00:10:56,233
WELL, I GOT
A NEW NICKNAME FOR YOU.
IT'S QUIET GUY, OK?
236
00:10:58,000 --> 00:10:59,967
ALL RIGHT.
I'M GOING TO SKIP
THE INTRODUCTIONS
237
00:10:59,967 --> 00:11:01,200
'CAUSE I GOT TO FILL OUT
THIS STUPID WORKSHEET
238
00:11:01,200 --> 00:11:02,600
AND BLAST RIGHT
OUT OF HERE. SO,
239
00:11:02,600 --> 00:11:05,934
WHICH ONE OF YOU IS
THE DUTCH BOY WEARING
A BLUE COSTUME
240
00:11:05,934 --> 00:11:08,000
THAT WOULD BE ME.
241
00:11:08,000 --> 00:11:11,500
OH. OK. AND THE NAME
OF YOUR PAINTING IS...
242
00:11:11,500 --> 00:11:13,300
BLUE BOY.
243
00:11:13,300 --> 00:11:15,667
[SCOFFS] THIS IS GOING
TO BE EASY.
244
00:11:15,667 --> 00:11:16,834
ALL RIGHT. UH.
245
00:11:16,834 --> 00:11:19,233
FROWNING WOMAN,
CRAZY GUY,
246
00:11:19,233 --> 00:11:20,767
GUY WITH ONE EAR.
247
00:11:22,133 --> 00:11:23,567
SEE THAT?
248
00:11:23,567 --> 00:11:25,400
SHE'S JUST GOING
TO USE US
249
00:11:25,400 --> 00:11:27,033
AND THEN SEND US
RIGHT BACK
250
00:11:27,033 --> 00:11:29,900
INTO THOSE DINGY, STIFF,
BORING PAINTINGS
251
00:11:29,900 --> 00:11:32,567
FOR WHO KNOWS
HOW MANY MORE CENTURIES.
252
00:11:32,567 --> 00:11:35,400
I SAY
WE TAKE A VACATION.
253
00:11:37,300 --> 00:11:39,033
WAIT. FINE, FINE.
254
00:11:39,033 --> 00:11:41,200
IF YOU'RE NOT
GOING TO HELP ME
WITH MY WORKSHEET,
255
00:11:41,200 --> 00:11:43,867
THEN YOU'RE JUST
ALL GOING BACK
WHERE YOU CAME FROM.
256
00:11:43,867 --> 00:11:47,200
GO. [SCOFFS]
I'M DONE TAKING
SHORTCUTS.
257
00:11:47,200 --> 00:11:48,567
I'M GOING TO DO IT
THE HARD WAY.
258
00:11:48,567 --> 00:11:50,300
I'M GOING
TO COPY OFF
NELLIE RODRIGUEZ.
259
00:11:53,100 --> 00:11:55,100
PICTURES WITH FACES,
RETURN TO YOUR PLACES--
260
00:11:55,100 --> 00:11:56,934
WAIT. I DON'T KNOW
WHERE YOU'RE FROM.
261
00:11:56,934 --> 00:11:58,934
[ALL LAUGH]
262
00:11:58,934 --> 00:12:02,834
Woman over P.A.: ATTENTION.
WE WILL BE CLOSING
IN 5 MINUTES.
263
00:12:02,834 --> 00:12:05,300
OK. DON'T PANIC.
264
00:12:05,300 --> 00:12:07,233
[KEYS JANGLE
AND LOCK CLICKS]
265
00:12:08,800 --> 00:12:10,300
GO AHEAD, SCREAM.
PANIC.
266
00:12:10,300 --> 00:12:12,467
[SCREAMS]
267
00:12:16,400 --> 00:12:17,700
[ALL TALK AT ONCE]
268
00:12:17,700 --> 00:12:20,000
COME ON, YOU GUYS.
WE'RE LOCKED IN
THE MUSEUM.
269
00:12:20,000 --> 00:12:22,500
LET'S--LET'S HAVE
A SLUMBER PARTY
270
00:12:22,500 --> 00:12:24,300
AND, YOU KNOW,
GET TO KNOW EACH OTHER.
271
00:12:24,300 --> 00:12:26,100
I'LL TELL YOU
ABOUT MYSELF,
272
00:12:26,100 --> 00:12:27,600
AND YOU TELL ME
ABOUT YOURSELF--
273
00:12:27,600 --> 00:12:29,400
FOR EXAMPLE, I'M ALEX.
274
00:12:29,400 --> 00:12:32,767
I WAS MADE IN 1992
IN NEW YORK CITY.
WHERE WERE YOU MADE?
275
00:12:32,767 --> 00:12:36,767
UGH. YOU TALK SO MUCH,
I'M GLAD MY EAR'S GONE.
276
00:12:36,767 --> 00:12:38,600
CHEESE IT!
ELAINE'S COMING.
277
00:12:38,600 --> 00:12:39,934
[GASPS]
278
00:12:41,200 --> 00:12:42,734
WHO'S ELAINE?
279
00:12:42,734 --> 00:12:43,900
SHE'S A SECURITY GUARD
280
00:12:43,900 --> 00:12:45,300
WHO'S ALWAYS SHINING
HER LIGHT IN HER EYES.
281
00:12:45,300 --> 00:12:46,300
OH.
282
00:12:46,300 --> 00:12:48,000
Mona Lisa:
HIDE!
283
00:12:50,400 --> 00:12:51,767
[KEYS JANGLE]
284
00:13:40,300 --> 00:13:43,500
MAN. IT'S LIKE
HER EYES FOLLOW YOU.
285
00:13:46,100 --> 00:13:49,233
OK. WE ARE CLOSED.
YOU KNOW WHAT THAT MEANS.
286
00:13:49,233 --> 00:13:51,233
UM, PULL ALL
THE PLASTIC UTENSILS
287
00:13:51,233 --> 00:13:52,867
OUT OF THE TRASH
AND WASH THEM?
288
00:13:52,867 --> 00:13:54,367
[SCOFFS]
289
00:13:54,367 --> 00:13:56,000
ALREADY DONE.
290
00:13:57,500 --> 00:13:59,300
NOW,
IT'S KICK-OFF TIME.
291
00:13:59,300 --> 00:14:01,033
I'M GOING LONG!
292
00:14:04,600 --> 00:14:06,367
WHOA!
293
00:14:06,367 --> 00:14:07,700
NICE ONE.
294
00:14:07,700 --> 00:14:08,867
NOW, YOU GO LONG.
295
00:14:08,867 --> 00:14:10,934
AND BY LONG,
I MEAN UP.
296
00:14:10,934 --> 00:14:12,100
AHH, NICE.
297
00:14:12,100 --> 00:14:14,100
HUT, HUT!
298
00:14:20,133 --> 00:14:21,867
OH, HI, MAX.
299
00:14:24,867 --> 00:14:26,667
NO!
300
00:14:26,667 --> 00:14:28,467
WHAT?
301
00:14:28,467 --> 00:14:30,367
HEY, MAXIE!
DID YOU CATCH THE--
302
00:14:31,500 --> 00:14:34,367
FLU? UH...
303
00:14:34,367 --> 00:14:36,200
I HEAR
IT'S GOING AROUND.
304
00:14:36,200 --> 00:14:38,200
OH, GOSH, IT IS?
305
00:14:38,200 --> 00:14:39,500
WELL,
IT'S A GOOD THING I MADE
306
00:14:39,500 --> 00:14:41,200
MY CHICKEN [INDISTINCT]
SOUP, THEN.
307
00:14:41,200 --> 00:14:42,734
COME ON. IT'S DONE.
308
00:14:42,734 --> 00:14:44,734
DID SHE SEE THE BALL?
309
00:14:44,734 --> 00:14:46,400
NO. IT WENT
INTO THE SOUP.
310
00:14:47,800 --> 00:14:49,367
HERE YOU GO, GUYS.
311
00:14:49,367 --> 00:14:50,700
DIG IN.
312
00:14:50,700 --> 00:14:52,000
[CHUCKLES]
313
00:14:59,100 --> 00:15:01,100
HOW IS IT?
IT'S MY SECRET RECIPE.
314
00:15:02,800 --> 00:15:05,800
YEP. THERE'S A SECRET
IN THERE, ALL RIGHT.
315
00:15:09,100 --> 00:15:11,367
HEY, HARPER.
I SEE YOU'RE SELLING...
316
00:15:11,367 --> 00:15:13,834
HMM.
WHAT ARE YOU SELLING?
317
00:15:13,834 --> 00:15:16,000
JEWELRY, SILLY.
318
00:15:16,000 --> 00:15:17,834
HERE. I EVEN MADE
A RING FOR YOU.
319
00:15:21,100 --> 00:15:24,100
[CHUCKLES] WOW.
320
00:15:24,100 --> 00:15:27,800
THAT'S QUITE
AN UNUSUAL STONE,
HARPER. WHAT IS IT?
321
00:15:27,800 --> 00:15:30,467
[SCOFFS]
IT'S NOT A STONE.
IT'S A PEACH PIT
322
00:15:30,467 --> 00:15:33,834
'CAUSE I THINK
YOU'RE PEACHY.
323
00:15:33,834 --> 00:15:35,133
RIGHT.
324
00:15:35,133 --> 00:15:36,600
[CELL PHONE RINGS]
OH.
325
00:15:38,300 --> 00:15:40,133
HEY, ALEX.
326
00:15:40,133 --> 00:15:43,300
WHAT? YOU'RE LOCKED
IN THE MUSEUM.
327
00:15:43,300 --> 00:15:45,500
THE PAINTINGS?
A SECURITY GUARD?
328
00:15:45,500 --> 00:15:48,133
I SHOULD STOP REPEATING
WHAT YOU'RE SAYING?
329
00:15:48,133 --> 00:15:49,667
OH.
330
00:15:49,667 --> 00:15:51,667
RIGHT. OK.
ON MY WAY.
331
00:15:56,100 --> 00:15:59,600
YEAH. SO I JUST NEED
A MINUTE, SIR,
TO FIND MY SWEATER.
332
00:15:59,600 --> 00:16:03,300
YOU'RE NOT AN ART THIEF,
ARE YOU?
333
00:16:03,300 --> 00:16:06,133
NO, SIR. NO ART THIEF.
JUST A TEACHER'S ASSISTANT.
334
00:16:12,600 --> 00:16:14,600
ALEX! ALEX,
WHERE ARE YOU?
335
00:16:15,767 --> 00:16:17,767
HEY. WHAT'S GOING ON?
336
00:16:19,500 --> 00:16:20,500
WHAT'S UP?
[GASPS]
337
00:16:21,500 --> 00:16:23,000
OH, NO.
338
00:16:23,000 --> 00:16:25,900
OH NO.
339
00:16:25,900 --> 00:16:29,233
ALEX, YOU'LL RUIN
SOME OF THE GREATEST
ARTWORK IN HISTORY!
340
00:16:29,233 --> 00:16:31,000
VAN GOGH, BLUE BOY.
341
00:16:31,000 --> 00:16:33,300
I'M SORRY.
WHO ARE YOU AGAIN?
342
00:16:33,300 --> 00:16:35,000
[SCREAMS]
343
00:16:35,000 --> 00:16:37,000
OH, YEAH.
THE SCREAM.
344
00:16:37,000 --> 00:16:39,100
HEY, QUIET GUY,
ZIP IT!
345
00:16:40,500 --> 00:16:42,934
LOOK, YOU JUST HAVE
TO SEND THEM BACK, PLEASE?
346
00:16:42,934 --> 00:16:44,600
BUT THEN,
YOU WOULDN'T LEARN
ANYTHING.
347
00:16:44,600 --> 00:16:45,734
YOU GOT TO DO THIS
YOURSELF.
348
00:16:45,734 --> 00:16:47,500
JUSTIN,
THAT COULD TAKE
ALL NIGHT.
349
00:16:47,500 --> 00:16:48,834
WELL, IT CAN'T TAKE
THAT LONG,
350
00:16:48,834 --> 00:16:50,133
'CAUSE
THE SECURITY GUARD
351
00:16:50,133 --> 00:16:51,800
ONLY GAVE ME 5 MINUTES
TO FIND MY SWEATER.
352
00:16:51,800 --> 00:16:53,567
EVERYBODY,
SPREAD OUT.
353
00:16:53,567 --> 00:16:55,934
WE'VE GOT TO FIND
JUSTIN'S SWEATER.
354
00:17:00,767 --> 00:17:03,667
MMM. THAT WAS DELICIOUS.
DID YOU GUYS LIKE IT?
355
00:17:03,667 --> 00:17:05,233
ARE YOU KIDDING?
IT WAS SPECTACULAR!
356
00:17:05,233 --> 00:17:06,934
AWW.
357
00:17:06,934 --> 00:17:08,767
LOVED IT.
358
00:17:08,767 --> 00:17:10,400
YEAH,
WE ATE ALL OF IT,
359
00:17:10,400 --> 00:17:11,500
ALL THE WAY
TO THE BOTTOM.
360
00:17:11,500 --> 00:17:12,500
[CHUCKLES]
361
00:17:12,500 --> 00:17:14,500
AND THERE'S NOTHING ELSE
IN THERE.
362
00:17:14,500 --> 00:17:16,700
ABSOLUTELY NOTHING.
363
00:17:16,700 --> 00:17:18,233
NOTHING.
364
00:17:19,233 --> 00:17:20,600
[NO AUDIO]
365
00:17:25,800 --> 00:17:27,300
IT WASN'T SPICY,
HONEY.
366
00:17:27,300 --> 00:17:28,600
WELL, YEAH.
367
00:17:30,100 --> 00:17:31,600
YOU THINK
WE'RE GOING TO BE OK?
368
00:17:31,600 --> 00:17:32,967
OH!
369
00:17:36,000 --> 00:17:38,600
WE ARE IN NO WAY OK.
370
00:17:40,567 --> 00:17:43,100
IF WE EAT THE SPELL,
WE GET THE SPELL.
371
00:17:43,100 --> 00:17:44,100
JERRY.
372
00:17:44,100 --> 00:17:45,767
UH, WE CAN EXPLAIN.
373
00:17:52,000 --> 00:17:53,700
WE WERE ROBBED?
374
00:17:55,967 --> 00:17:58,600
UH, WE PUT
A SPELL ON THE BALL
375
00:17:58,600 --> 00:18:00,900
SO WE COULD THROW IT
THROUGH STUFF WITHOUT
BREAKING ANYTHING.
376
00:18:00,900 --> 00:18:03,033
AND IT FLEW
INTO THE SOUP,
AND WE ATE THE SOUP,
377
00:18:03,033 --> 00:18:04,900
AND, UH, THAT IS WHY
378
00:18:04,900 --> 00:18:07,033
YOU'RE STANDING
IN THE MIDDLE
OF THE ISLAND.
379
00:18:08,767 --> 00:18:10,934
YOU KNOW,
THIS IS KIND OF FUN.
380
00:18:12,500 --> 00:18:14,200
SO YOU'RE NOT MAD?
381
00:18:14,200 --> 00:18:16,700
WELL, NOT LIKE I'D WANT
TO YELL AT YOU WAY.
382
00:18:16,700 --> 00:18:18,734
IN LIKE I WANT TO CHASE
YOU KIND OF WAY.
383
00:18:18,734 --> 00:18:20,734
OH--RUN!
[SQUEALS]
384
00:18:22,734 --> 00:18:24,734
[WHOOPING]
385
00:18:26,467 --> 00:18:28,500
PICTURES WITH FACES,
RETURN TO YOUR PLACES--
386
00:18:29,667 --> 00:18:32,667
WAIT A MINUTE.
ARE THOSE SHOES
TOO SMALL?
387
00:18:38,200 --> 00:18:39,567
AHH.
388
00:18:41,000 --> 00:18:43,400
I KNOW. I HATE SHOES
THAT MAKE ME
WANT TO SCREAM.
389
00:18:44,767 --> 00:18:45,934
NOW, YOU'RE READY TO GO.
390
00:18:45,934 --> 00:18:47,934
PICTURES WITH FACES,
RETURN TO YOUR PLACES.
391
00:18:47,934 --> 00:18:49,934
OSLO, NORWAY, 1893.
392
00:18:52,834 --> 00:18:54,834
OK.
393
00:18:54,834 --> 00:18:57,400
THAT LEAVES US
WITH THE MONA LISA.
394
00:18:57,400 --> 00:19:00,066
[DOOR RATTLING]
395
00:19:00,066 --> 00:19:02,500
[STAMMERING]
396
00:19:04,667 --> 00:19:08,000
OK. THE MONA LISA.
AND SHE WAS PAINTED
BY LEONARDO...
397
00:19:08,000 --> 00:19:09,300
DiCAPRIO.
398
00:19:09,300 --> 00:19:11,667
Da VINCI!
Da VINCI.
399
00:19:11,667 --> 00:19:14,800
I'LL DO IT.
TIME TO GO HOME,
MONA LISA.
400
00:19:14,800 --> 00:19:16,600
PICTURES WITH FACES,
RETURN TO YOUR PLACES.
401
00:19:16,600 --> 00:19:18,233
ITALIAN RENAISSANCE,
15--
402
00:19:18,233 --> 00:19:19,400
NO! WAIT!
403
00:19:19,400 --> 00:19:21,600
PLEASE,
DON'T SEND ME BACK.
PLEASE.
404
00:19:21,600 --> 00:19:22,934
BUT YOU HAVE TO GO BACK!
405
00:19:22,934 --> 00:19:24,934
YOU'RE ONE OF THE GREATEST
ART TREASURES IN HISTORY.
406
00:19:24,934 --> 00:19:26,767
WELL, IT DOESN'T
FEEL LIKE IT.
407
00:19:28,400 --> 00:19:32,400
MY ENTIRE LIFE,
ALL I EVER HEARD
ANYONE SAY ABOUT ME IS,
408
00:19:32,400 --> 00:19:33,934
"WHY DID Da VINCI
PAINT HER?
409
00:19:33,934 --> 00:19:36,600
SHE'S SO PLAIN.
YOU CALL THAT A SMILE?"
410
00:19:38,033 --> 00:19:40,967
Harper: OH, YOU'RE GOING TO
LOVE THESE EARRINGS, ELAINE.
411
00:19:40,967 --> 00:19:44,300
THEY'RE STRUNG FROM A STRING
THAT ONCE HELD TOGETHER
A DELICIOUS ROAST BEEF.
412
00:19:48,000 --> 00:19:51,200
YOU FIND
YOUR SWEATER YET,
TEACHER'S ASSISTANT?
413
00:19:51,200 --> 00:19:53,100
OH. NO. NOT YET.
414
00:19:53,100 --> 00:19:54,600
WELL,
YOU GOT 2 MINUTES,
415
00:19:54,600 --> 00:19:56,400
OR YOU'RE GOING HOME
CHILLY.
416
00:20:00,900 --> 00:20:02,900
THERE YOU ARE, ALEX.
417
00:20:02,900 --> 00:20:06,567
GOOD THING JUSTIN
REPEATED EVERYTHING
YOU SAID ON THE PHONE.
418
00:20:08,800 --> 00:20:10,467
OH, HELLO.
I'M HARPER.
419
00:20:10,467 --> 00:20:12,500
OH, HI. MONA LISA.
420
00:20:12,500 --> 00:20:15,600
DO I KNOW YOU?
YOU LOOK
REALLY FAMILIAR.
421
00:20:15,600 --> 00:20:17,300
SHE'S NOT FROM HERE.
422
00:20:17,300 --> 00:20:19,467
SHE'S FROM ITALY.
FLORENCE, I THINK.
423
00:20:19,467 --> 00:20:21,600
[WHISPERS]
Very good.
424
00:20:21,600 --> 00:20:25,300
HARPER, THAT IS
THE MOST BEAUTIFUL NECKLACE
I HAVE EVER SEEN.
425
00:20:25,300 --> 00:20:27,300
IT IS?
426
00:20:27,300 --> 00:20:29,367
IT IS.
427
00:20:30,567 --> 00:20:32,200
AND...
428
00:20:32,200 --> 00:20:33,867
IT REALLY BRINGS OUT
YOUR SMILE.
429
00:20:33,867 --> 00:20:35,500
THAT IS A SMILE,
RIGHT?
430
00:20:35,500 --> 00:20:39,300
YES. THANK YOU!
[LAUGHS]
431
00:20:39,300 --> 00:20:40,600
WHAT ARE YOU DOING?
432
00:20:40,600 --> 00:20:42,467
SENDING HER BACK HAPPY.
433
00:20:42,467 --> 00:20:45,000
HARPER, WHY DON'T YOU SHOW
MONA THE MATCHING EARRINGS?
434
00:20:45,000 --> 00:20:47,000
OH, YEAH!
YOU'LL LOVE THEM.
435
00:20:49,000 --> 00:20:51,000
PICTURES WITH FACES,
RETURN TO YOUR PLACES.
436
00:20:51,000 --> 00:20:52,867
ITALIAN RENAISSANCE,
1502.
437
00:20:54,600 --> 00:20:56,300
HERE THEY ARE!
[CHUCKLES]
438
00:20:56,300 --> 00:20:58,000
WHERE DID MONA GO?
439
00:20:58,000 --> 00:21:00,800
UM, SHE WAS SO EXCITED
ABOUT THE NECKLACE
440
00:21:00,800 --> 00:21:03,567
THAT SHE WANTED TO GO
SHOW HER FRIEND LEO.
441
00:21:03,567 --> 00:21:06,233
SHE OWES ME
$35 FOR THAT.
442
00:21:11,934 --> 00:21:13,934
WHAT! A NECKLACE
ON MONA LISA?
443
00:21:13,934 --> 00:21:15,834
NO, NO, NO. THAT IS NOT
WHAT Da VINCI INTENDED.
444
00:21:15,834 --> 00:21:17,300
RELAX.
SHE LOOKS GREAT.
445
00:21:17,300 --> 00:21:18,800
AND THAT'S ALMOST
A SMILE.
446
00:21:18,800 --> 00:21:23,200
YOU PUT A $35 NECKLACE
ON A $40 MILLION PAINTING.
447
00:21:23,200 --> 00:21:26,734
WELL, NOW IT'S WORTH
$40,000,035 DOLLARS.
448
00:21:27,934 --> 00:21:30,367
JUSTIN,
JUST SAY IT'S COOL.
449
00:21:30,367 --> 00:21:31,800
[SIGHS]
450
00:21:31,800 --> 00:21:32,967
IT'S COOL.
451
00:21:32,967 --> 00:21:35,000
AND, I'M--
452
00:21:35,000 --> 00:21:37,900
I'M SORRY THAT
I MAKE FUN OF YOU
FOR KNOWING STUFF.
453
00:21:37,900 --> 00:21:41,400
YOU'RE APOLOGIZING?
454
00:21:41,400 --> 00:21:42,734
WILL YOU SAY THAT
TOMORROW AT SCHOOL
455
00:21:42,734 --> 00:21:43,900
IN FRONT OF A BUNCH
OF MY FRIENDS?
456
00:21:43,900 --> 00:21:45,400
NO.
457
00:21:45,400 --> 00:21:47,033
DIDN'T THINK SO.
458
00:21:51,200 --> 00:21:53,600
GOOD. YOU'RE HOME.
SIT DOWN.
459
00:21:54,734 --> 00:21:56,400
LOOK, I CAN EXPLAIN.
460
00:21:56,400 --> 00:21:58,767
I'M HAVING
A LITTLE TROUBLE
IN ART HISTORY.
461
00:21:58,767 --> 00:22:00,300
YEAH. WHAT ELSE
IS NEW? SIT.
462
00:22:02,000 --> 00:22:03,867
NOW,
WHAT YOU'RE ABOUT TO SEE
463
00:22:03,867 --> 00:22:05,367
I NORMALLY
DON'T CONDONE.
464
00:22:05,367 --> 00:22:07,400
BUT IT'S A HECK OF
A LOT OF FUN.
465
00:22:07,400 --> 00:22:09,000
OK, KIDS.
WATCH THIS.
466
00:22:09,000 --> 00:22:11,000
[GIGGLES]
467
00:22:11,000 --> 00:22:12,667
[CLEARS THROAT]
468
00:22:13,867 --> 00:22:15,200
OOH!
469
00:22:16,800 --> 00:22:17,967
OH!
470
00:22:17,967 --> 00:22:22,000
I GUESS
WE FOUND OUT HOW LONG
THE SPELL LASTS.
471
00:22:22,000 --> 00:22:24,033
I HATE LIVING
WITH WIZARDS.
30110
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof