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These are the user uploaded subtitles that are being translated: 1 00:00:41,241 --> 00:00:43,308 SALAAM. 2 00:01:02,328 --> 00:01:05,097 SHE HAS BEEN IN LABOR 15 HOURS. 3 00:01:26,453 --> 00:01:28,253 YOU SPEAK ENGLISH. 4 00:01:28,288 --> 00:01:30,189 WE HAVE A TELEVISION 5 00:01:30,223 --> 00:01:31,523 IN OUR VILLAGE. 6 00:01:34,794 --> 00:01:36,395 I KNOW WHO YOU ARE. 7 00:01:36,429 --> 00:01:38,797 YOU BROUGHT MEDICINE TO OUR VILLAGE ONCE. 8 00:01:46,873 --> 00:01:49,007 HOLD ON TIGHT. 9 00:01:52,011 --> 00:01:53,178 WHAT'S HER NAME? 10 00:01:53,213 --> 00:01:56,081 MY DAUGHTER IS NILOFER. 11 00:01:56,116 --> 00:01:57,950 I AM ASAD. 12 00:01:57,984 --> 00:02:00,285 AND HER HUSBAND? 13 00:02:00,320 --> 00:02:03,489 THE FATHER WANTS A SON. 14 00:02:03,523 --> 00:02:06,191 A GIRL CAN ACCOMPLISH GREAT THINGS 15 00:02:06,226 --> 00:02:08,527 WHEN SHE'S FREE TO DO THEM. 16 00:02:17,337 --> 00:02:18,971 FREEDOM... 17 00:02:19,005 --> 00:02:21,106 IS NOT IMPOSSIBLE... 18 00:02:22,542 --> 00:02:25,511 BUT IT MAY TAKE TIME 19 00:02:25,545 --> 00:02:28,113 AND YOU DO NOT HAVE MUCH. 20 00:03:26,906 --> 00:03:29,541 ♪ AH-HAH! ♪ 21 00:03:29,576 --> 00:03:31,543 ♪ OH, YEAH, BABY ♪ 22 00:03:32,979 --> 00:03:35,647 ♪ LIKE A FOOL I WENT AND STAYED TOO LONG ♪ 23 00:03:37,550 --> 00:03:40,886 ♪ NOW I'M WONDERING IF YOUR LOVE'S STILL STRONG ♪ 24 00:03:40,920 --> 00:03:42,354 ♪ OOH, BABY ♪ 25 00:03:42,388 --> 00:03:44,122 ♪ HERE I AM ♪ 26 00:03:44,157 --> 00:03:45,657 ♪ SIGNED, SEALED, DELIVERED ♪ 27 00:03:45,692 --> 00:03:48,060 ♪ I'M YOURS ♪ 28 00:03:48,094 --> 00:03:49,161 ♪ OOH ♪ 29 00:03:50,663 --> 00:03:54,166 ♪ THEN THAT TIME I WENT AND SAID GOODBYE ♪ 30 00:03:55,368 --> 00:03:58,370 ♪ NOW I'M BACK AND NOT ASHAMED TO CRY ♪ 31 00:03:58,404 --> 00:04:00,672 ♪ OOH, BABY ♪ 32 00:04:00,707 --> 00:04:02,574 ♪ HERE I AM SIGNED, SEALED, DELIVERED... ♪ 33 00:04:02,609 --> 00:04:03,575 ALL RISE. 34 00:04:03,610 --> 00:04:07,045 ♪ ...I'M YOURS ♪ 35 00:04:07,080 --> 00:04:09,181 THIS BETTER BE GOOD. 36 00:04:10,350 --> 00:04:12,684 MADAME CHAIRMAN, THIS COMMITTEE IS CALLED INTO EMERGENCY SESSION 37 00:04:12,719 --> 00:04:15,487 IN LIGHT OF NEW AND TIME-SENSITIVE INFORMATION 38 00:04:15,521 --> 00:04:18,257 THAT MAY INVOLVE MILITARY ACTION. 39 00:04:18,291 --> 00:04:19,658 THANK YOU, SENATOR. 40 00:04:19,692 --> 00:04:21,360 BEFORE WE BEGIN, 41 00:04:21,394 --> 00:04:22,661 LET ME REITERATE 42 00:04:22,695 --> 00:04:26,131 THAT THIS IS A CLOSED SESSION REGARDING NATIONAL SECURITY, 43 00:04:26,165 --> 00:04:29,167 AND ALL TESTIMONY GIVEN HERE TODAY IS SEALED. 44 00:04:29,202 --> 00:04:30,202 LET'S SEE... 45 00:04:31,404 --> 00:04:34,039 MR... O'TOOLE? 46 00:04:34,073 --> 00:04:36,241 YES. I'M OLIVER O'TOOLE. 47 00:04:36,276 --> 00:04:38,543 THESE ARE MY COLLEAGUES, MS. McINERNEY, 48 00:04:38,578 --> 00:04:41,013 MS. HAYWITH, MR. DORMAN. 49 00:04:41,047 --> 00:04:44,950 AND I UNDERSTAND YOU COMPRISE A TASK FORCE FROM... 50 00:04:44,984 --> 00:04:46,551 THE D.L.O.? 51 00:04:46,586 --> 00:04:48,153 THAT IS CORRECT. 52 00:04:48,187 --> 00:04:51,123 IS THIS C.I.A., F.B.I., OR N.S.A.? 53 00:04:53,192 --> 00:04:55,460 U.S.P.S. 54 00:04:57,030 --> 00:05:00,365 WE WORK AT THE POST OFFICE. 55 00:05:05,004 --> 00:05:06,238 THAT'S RIGHT, BOB. 56 00:05:06,272 --> 00:05:08,240 THIS WAS THE IMAGE WE SAW NEARLY TWO YEARS AGO, 57 00:05:08,274 --> 00:05:11,610 WHEN 12-YEAR-OLD PHOEBE AMIDON TIED A YELLOW RIBBON 58 00:05:11,644 --> 00:05:14,079 AROUND THE TREE IN HER GRANDFATHER'S YARD, 59 00:05:14,113 --> 00:05:15,347 AWAITING NEWS OF HER MOTHER. 60 00:05:15,381 --> 00:05:17,349 LIEUTENANT RANDILYNN AMIDON WENT MISSING 61 00:05:17,383 --> 00:05:19,051 WHILE SERVING WITH AMERICAN TROOPS 62 00:05:19,085 --> 00:05:20,619 IN AFGHANISTAN, NEAR THE PAKISTAN BORDER. 63 00:05:20,653 --> 00:05:22,621 BUT NOW, 22 MONTHS LATER, 64 00:05:22,655 --> 00:05:23,989 WITH AMIDON STILL MISSING 65 00:05:24,023 --> 00:05:27,192 AND THE CIRCUMSTANCES OF HER DISAPPEARANCE STILL SKETCHY, 66 00:05:27,226 --> 00:05:29,361 AND NO ANSWERS IN SIGHT, 67 00:05:29,395 --> 00:05:30,696 THIS "WELCOME BACK" RIBBON 68 00:05:30,730 --> 00:05:32,297 IS A SAD REMINDER OF THE REPUTATION 69 00:05:32,332 --> 00:05:35,233 LIEUTENANT AMIDON MAY NEVER RETURN HOME TO DEFEND. 70 00:05:37,704 --> 00:05:40,038 I WOULD LIKE TO KNOW WHAT BEARING 71 00:05:40,073 --> 00:05:42,641 FOUR POSTAL EMPLOYEES FROM DENVER 72 00:05:42,675 --> 00:05:44,309 HAVE ON THE STATUS 73 00:05:44,344 --> 00:05:47,679 OF A MISSING AMERICAN SOLDIER IN AFGHANISTAN. 74 00:05:47,714 --> 00:05:49,247 : YES, WELL. 75 00:05:49,282 --> 00:05:50,315 SEVERAL MONTHS AGO, 76 00:05:50,350 --> 00:05:52,718 IN THE COURSE OF PERFORMING OUR DUTIES 77 00:05:52,752 --> 00:05:56,154 AS POSTAL DETECTIVES IN THE DEAD LETTER OFFICE, 78 00:05:56,189 --> 00:05:58,390 WE BECAME ACQUAINTED 79 00:05:58,424 --> 00:05:59,658 WITH A PHOEBE AMIDON, 80 00:05:59,692 --> 00:06:02,194 THE 14-YEAR-OLD DAUGHTER OF LIEUTENANT RANDILYNN AMIDON, 81 00:06:02,228 --> 00:06:05,063 AS WELL AS HER GRANDFATHER, MR. HARPER FERGUSON. 82 00:06:06,199 --> 00:06:07,432 WE CAME TO BELIEVE 83 00:06:07,467 --> 00:06:10,669 THAT LIEUTENANT AMIDON DID NOT ABANDON HER DUTIES 84 00:06:10,703 --> 00:06:11,737 THE NIGHT SHE WENT MISSING, 85 00:06:11,771 --> 00:06:15,640 AND, IN FACT, SHE CONDUCTED HERSELF HEROICALLY 86 00:06:15,675 --> 00:06:17,409 AND YET, UH, SADLY, 87 00:06:17,443 --> 00:06:22,180 MOST LIKELY, WAS, UH, PROBABLY NOT LIVING. 88 00:06:22,215 --> 00:06:24,316 AND TO THAT, OF COURSE, WE HAVE NO COMMENT. 89 00:06:24,350 --> 00:06:25,350 OF COURSE. 90 00:06:25,385 --> 00:06:28,653 HOWEVER, WE NOW HAVE INFORMATION TO SUGGEST 91 00:06:28,688 --> 00:06:30,722 THAT LIEUTENANT AMIDON MAY WELL BE ALIVE 92 00:06:30,757 --> 00:06:33,825 AND URGENTLY IN NEED OF YOUR ASSISTANCE. 93 00:06:33,860 --> 00:06:35,761 AND THAT IS BASED ON THE CONTENTS 94 00:06:35,795 --> 00:06:37,529 OF THE LETTER WE HAVE HERE? 95 00:06:37,563 --> 00:06:38,530 YES. 96 00:06:38,564 --> 00:06:41,133 AND YOU CAME TO THIS CONCLUSION LAST NIGHT? 97 00:06:41,167 --> 00:06:44,569 YES, AND IF I MAY, I NEED TO GO BACK A FEW DAYS. 98 00:06:44,604 --> 00:06:46,238 PLEASE. 99 00:06:46,272 --> 00:06:47,506 LAST THURSDAY, 100 00:06:47,540 --> 00:06:49,608 WE WERE PREPARING TO TRAVEL TO WASHINGTON, D.C., 101 00:06:49,642 --> 00:06:53,078 FOR THE NATIONAL MISS SPECIAL DELIVERY PAGEANT. 102 00:06:53,112 --> 00:06:55,080 IS THAT A REAL THING? 103 00:06:55,114 --> 00:06:59,351 I WAS FINALIZING SOME PAPERWORK BEFORE OUR TRIP... 104 00:06:59,385 --> 00:07:02,387 ♪ ONE OF THESE DAYS MY TIME WILL COME... ♪ 105 00:07:02,422 --> 00:07:04,389 I UNDERSTAND YOU HAVE SOMETHING VERY UNIQUE 106 00:07:04,424 --> 00:07:05,724 PLANNED FOR THE PAGEANT. 107 00:07:05,758 --> 00:07:10,162 OH, WELL, THIS YEAR'S THEME IS "DELIVERING INSPIRATION." 108 00:07:10,196 --> 00:07:11,630 AND FOR MY TALENT, 109 00:07:11,664 --> 00:07:14,299 I WILL BE DOING A DRAMATIC READING 110 00:07:14,333 --> 00:07:17,135 FROM MY UNPUBLISHED HISTORICAL ROMANCE NOVEL 111 00:07:17,170 --> 00:07:19,704 RENITA HAYWEATHER: FRONTIER DUCHESS. 112 00:07:19,739 --> 00:07:22,274 A DRAMATIC NOVELIST! 113 00:07:22,308 --> 00:07:23,642 AMAZING! BRILLIANT. 114 00:07:23,676 --> 00:07:25,143 NO ONE CAN COMPETE WITH THAT. 115 00:07:25,178 --> 00:07:26,645 WE'LL ALL BE CROSSING OUR FINGERS 116 00:07:26,679 --> 00:07:28,847 FOR YOU THIS SATURDAY. 117 00:07:28,881 --> 00:07:30,582 THANK YOU, RAMON. 118 00:07:30,616 --> 00:07:32,751 THAT WAS VERY NICE, 119 00:07:32,785 --> 00:07:35,554 MISS RITA. 120 00:07:35,588 --> 00:07:36,655 --THANK YOU. 121 00:07:43,162 --> 00:07:45,697 TIME FOR US TO GO ON OUR TRIP TO WASHINGTON, D.C., 122 00:07:45,731 --> 00:07:46,698 TOGETHER. 123 00:07:46,732 --> 00:07:48,200 -OH, YEAH, OKAY. -GOODBYE! 124 00:07:48,234 --> 00:07:51,436 AS ALWAYS, MISS RITA... A PLEASURE. 125 00:07:54,340 --> 00:07:57,275 OH, IT MUST BE VERY HARD TO SAY GOODBYE. 126 00:07:57,310 --> 00:07:59,511 OH, NOT REALLY. 127 00:08:00,847 --> 00:08:03,381 NO, NOT TO ME, MY FRIEND. 128 00:08:03,416 --> 00:08:04,816 GOODBYE TO MISS RITA. 129 00:08:04,851 --> 00:08:07,319 SHE WILL WIN, OF COURSE, 130 00:08:07,353 --> 00:08:09,855 AND THEN SHE'S OFF TRAVELING THE WORLD 131 00:08:09,889 --> 00:08:12,491 ON HER TRIUMPHANT GOODWILL TOUR. 132 00:08:14,227 --> 00:08:16,828 JUST IMAGINE ALL THE PLACES SHE WILL GO... 133 00:08:17,897 --> 00:08:20,832 ALL THE PEOPLE SHE WILL MEET... 134 00:08:21,868 --> 00:08:23,201 TSK, TSK, TSK. 135 00:08:25,872 --> 00:08:27,906 JUST A COUPLE MORE THINGS TO SIGN, 136 00:08:27,940 --> 00:08:30,575 THEN IT'S ALL YOURS. 137 00:08:30,610 --> 00:08:31,977 I AM SORRY FOR YOUR LOSS. 138 00:08:33,713 --> 00:08:35,213 BUT AT LEAST YOUR FATHER MADE SURE 139 00:08:35,248 --> 00:08:36,548 THAT YOU'D BE WELL TAKEN CARE OF. 140 00:08:36,582 --> 00:08:38,283 MY BIOLOGICAL FATHER. 141 00:08:38,317 --> 00:08:40,352 I NEVER KNEW HIM. 142 00:08:40,386 --> 00:08:41,853 I HAVE YOUR SKINNY CARAMEL STEAMER COMING, 143 00:08:41,888 --> 00:08:42,888 JUST THE WAY YOU LIKE IT. 144 00:08:42,922 --> 00:08:45,190 OH, THAT'S SO SWEET, NORMAN. 145 00:08:45,224 --> 00:08:47,759 WHO'S OLIVER TALKING TO? 146 00:08:47,793 --> 00:08:49,728 : HIS LAWYER. 147 00:08:49,762 --> 00:08:51,563 HE INHERITED SO MUCH MONEY, SHE COMES TO SEE HIM NOW. 148 00:08:51,597 --> 00:08:53,665 WITH ALL OF THIS MONEY, 149 00:08:53,699 --> 00:08:56,535 I SUPPOSE YOU WILL WANT TO START TALKING ABOUT EARLY RETIREMENT. 150 00:08:56,569 --> 00:08:58,436 AND QUIT THE POST OFFICE? 151 00:08:58,471 --> 00:08:59,437 WELL, WHY NOT? 152 00:08:59,472 --> 00:09:01,907 YOU'RE YOUNG, YOU'RE SINGLE, AND YOU'RE RICH. 153 00:09:01,941 --> 00:09:03,308 MS. BULLOCK, 154 00:09:03,342 --> 00:09:05,544 THE ONLY THING HARVEY SCHMIDTZ GAVE ME, 155 00:09:05,578 --> 00:09:06,778 BESIDES THIS INHERITANCE, 156 00:09:06,812 --> 00:09:08,013 WAS A PIECE OF ADVICE. 157 00:09:08,047 --> 00:09:12,984 "YOU NEVER HAVE ENOUGH MONEY IF ALL YOU HAVE IS MONEY." 158 00:09:13,019 --> 00:09:15,787 WHAT DOES THAT MEAN, ANYWAY? 159 00:09:20,826 --> 00:09:22,494 IT MEANS... 160 00:09:22,528 --> 00:09:24,462 IT'S TIME TO GET BACK TO WORK. 161 00:09:28,668 --> 00:09:31,336 HAVE YOU SEEN YOUR ITINERARY, MS. McINERNEY? 162 00:09:32,371 --> 00:09:34,539 I'M SORRY. WHAT? 163 00:09:34,574 --> 00:09:35,740 : WELL, I MADE COPIES FOR ALL OF US 164 00:09:35,775 --> 00:09:36,775 AND HIGHLIGHTED 165 00:09:36,809 --> 00:09:38,643 THE EVENTS PERTINENT TO EACH OF US 166 00:09:38,678 --> 00:09:40,579 IN CORRESPONDING COLORS. 167 00:09:40,613 --> 00:09:41,646 YOU'RE YELLOW. 168 00:09:41,681 --> 00:09:43,815 YELLOW! HUH. 169 00:09:43,849 --> 00:09:45,784 WE ARRIVE AT 3:56. 170 00:09:45,818 --> 00:09:47,586 CHECK IN THE HOTEL AT 5:10, 171 00:09:47,620 --> 00:09:49,788 ARRIVE AT THE CAPITOL GRILL AT 6:45 FOR A QUIET DINNER 172 00:09:49,822 --> 00:09:51,356 BEFORE CURFEW AT 10:30. 173 00:09:51,390 --> 00:09:54,259 AND TOMORROW MORNING, RITA-- RIGHT HERE IN PINK-- 174 00:09:54,293 --> 00:09:56,561 REGISTERS FOR THE PAGEANT AT 9:00, 175 00:09:56,596 --> 00:09:59,431 AND YOU AND I AND NORMAN LEAVE AT 9:30 176 00:09:59,465 --> 00:10:01,266 TO TAKE A TOUR OF THE LIBRARY OF CONGRESS, 177 00:10:01,300 --> 00:10:04,669 FORD'S THEATER, AND, UH, THE NATIONAL POSTAL MUSEUM. 178 00:10:04,704 --> 00:10:07,005 POSTAL MUSEUM? 179 00:10:07,039 --> 00:10:09,407 UH, THINK YOU'RE READY TO GO BACK THERE? 180 00:10:09,442 --> 00:10:10,609 IT'S TIME. 181 00:10:10,643 --> 00:10:12,811 I'D LIKE TO GET IT OVER WITH. 182 00:10:12,845 --> 00:10:14,479 OF COURSE. 183 00:10:14,513 --> 00:10:17,782 AND THEN I CAN SHOW YOU AROUND MY OLD STOMPING GROUNDS. 184 00:10:17,817 --> 00:10:20,352 OH. I-IS THERE A MUSEUM YOU'D LIKE TO ADD? 185 00:10:20,386 --> 00:10:24,656 OR-- OR... WOULD YOU LIKE TO VISIT OLD POSTAL FRIENDS? 186 00:10:24,690 --> 00:10:26,591 WELL, REBECCA STARKWELL 187 00:10:26,626 --> 00:10:28,426 WAS MY ONLY FRIEND AT THE D.C. OFFICE, 188 00:10:28,461 --> 00:10:30,328 AND SHE'S ON HER HONEYMOON. 189 00:10:30,363 --> 00:10:31,796 OH. IS THERE AN OLD BOYFRIEND 190 00:10:31,831 --> 00:10:34,766 TO VISIT AT THE POST OFFICE? 191 00:10:34,800 --> 00:10:38,637 I'M NOT IN THE HABIT OF CALLING UP OLD BOYFRIENDS. 192 00:10:39,639 --> 00:10:40,839 AND EVEN IF I WERE, 193 00:10:40,873 --> 00:10:43,541 HIS WORK IS... 194 00:10:43,576 --> 00:10:45,543 WELL, HE'S HARDLY EVER IN TOWN. 195 00:10:45,578 --> 00:10:46,578 GREAT! 196 00:10:46,612 --> 00:10:49,314 IT'S SETTLED THEN. 197 00:10:49,348 --> 00:10:51,983 TAXI SHOULD BE ARRIVING ANY MINUTE. 198 00:10:52,018 --> 00:10:54,019 ALMOST FORGOT! 199 00:10:54,053 --> 00:10:55,787 WHAT? 200 00:10:55,821 --> 00:10:57,889 DON'T ASK. CAN'T TELL. IT'S A SURPRISE. 201 00:10:57,923 --> 00:10:58,890 AHH! 202 00:10:58,924 --> 00:11:00,091 FIELD KIT! 203 00:11:00,126 --> 00:11:01,826 NORMAN! WE'RE GOING ON HOLIDAY. 204 00:11:01,861 --> 00:11:03,662 ALL YOU NEED IS YOUR SUITCASE. 205 00:11:05,097 --> 00:11:06,831 UH-OH. 206 00:11:10,102 --> 00:11:12,504 I KNOW IT'S A HORRIBLE THOUGHT, 207 00:11:12,538 --> 00:11:15,840 VEERING OFF YOUR BLUE ITINERARY INTO MY YELLOW ITINERARY, 208 00:11:15,875 --> 00:11:17,075 BUT I WAS WONDERING 209 00:11:17,109 --> 00:11:21,713 IF WE COULD MAKE A TINY DETOUR ON OUR WAY TO THE HOTEL? 210 00:11:21,747 --> 00:11:24,516 A DETOUR? 211 00:11:24,550 --> 00:11:26,017 I WANTED TO... 212 00:11:26,052 --> 00:11:27,986 DRIVE BY THE HOUSE WHERE I GREW UP, 213 00:11:28,020 --> 00:11:29,821 FOR OLD TIME'S SAKE. 214 00:11:29,855 --> 00:11:31,456 PLEASE? 215 00:11:33,926 --> 00:11:34,926 : OKAY! 216 00:11:34,960 --> 00:11:37,495 ALL SET. LET'S DO D.C. 217 00:11:37,530 --> 00:11:40,065 HAS ANYONE SEEN MY CROWN? 218 00:11:40,099 --> 00:11:42,634 OH! AH. 219 00:12:06,125 --> 00:12:09,761 WHERE'S YOUR HOUSE? 220 00:12:09,795 --> 00:12:11,963 IT'S GONE. 221 00:12:11,997 --> 00:12:14,733 ARE YOU SURE THIS IS THE RIGHT STREET? 222 00:12:14,767 --> 00:12:17,702 OF COURSE I'M SURE. 223 00:12:17,737 --> 00:12:20,438 THAT'S THE TREE I USED TO CLIMB. 224 00:12:21,607 --> 00:12:24,576 THE GARDEN WHERE WE PLANTED THE... 225 00:12:28,781 --> 00:12:29,948 THOSE BRICKS WERE 226 00:12:29,982 --> 00:12:33,151 THE FIREPLACE WHERE MY MOTHER AND I ALWAYS... 227 00:12:36,989 --> 00:12:38,957 18 YEARS... 228 00:12:38,991 --> 00:12:41,960 AND NOW IT'S LIKE WE WERE NEVER HERE. 229 00:12:44,897 --> 00:12:47,665 DID YOU PLANT THOSE? 230 00:12:47,700 --> 00:12:49,868 : FOR MOTHER'S DAY. 231 00:12:51,971 --> 00:12:54,873 EVERY FALL, AFTER ALL THE OTHER BLOOMS WOULD DIE, 232 00:12:54,907 --> 00:12:58,209 MY MOM... MY MOM WOULD TAKE THE LAST ONE, 233 00:12:58,244 --> 00:13:00,712 AND PUT IN A VASE AND SAY, 234 00:13:00,746 --> 00:13:03,815 "LOOK. IT'S THE LAST ROSE OF SUMMER. 235 00:13:03,849 --> 00:13:05,717 STILL HOLDING ON." 236 00:13:07,586 --> 00:13:11,022 THEN, EVERY FALL... 237 00:13:11,056 --> 00:13:13,858 EVEN AFTER I WENT AWAY TO COLLEGE, 238 00:13:13,893 --> 00:13:17,629 AND EVERY SEPTEMBER AFTER THAT, UNTIL SHE MOVED AWAY, 239 00:13:17,663 --> 00:13:20,031 I WOULD GET AN ENVELOPE IN THE MAIL 240 00:13:20,065 --> 00:13:23,201 WITH THE LAST ROSE OF SUMMER 241 00:13:23,235 --> 00:13:27,705 WRAPPED IN WET PAPER TOWELS, IN A PLASTIC BAG. 242 00:13:30,109 --> 00:13:32,510 SHE WAS SENDING YOU A MESSAGE. 243 00:13:34,180 --> 00:13:35,547 "PAY ATTENTION 244 00:13:35,581 --> 00:13:39,751 "TO THE SIMPLE, LITTLE THINGS RIGHT IN FRONT OF YOU... 245 00:13:41,053 --> 00:13:43,888 ...OR THEY COULD BE GONE BEFORE YOU KNOW IT." 246 00:13:47,993 --> 00:13:49,794 FORGIVE ME, MR. O'TOOLE, 247 00:13:49,829 --> 00:13:52,964 BUT OTHER THAN THE SAD TRUTH THAT WE CAN'T GO HOME AGAIN, 248 00:13:52,998 --> 00:13:55,800 WE'VE STILL HEARD NOTHING TO SHED ANY LIGHT 249 00:13:55,835 --> 00:13:57,836 ON THE LETTER THAT I HOLD HERE, 250 00:13:57,870 --> 00:14:00,004 ADDRESSED TO THE SECRETARY OF DEFENSE 251 00:14:00,039 --> 00:14:02,841 OF THE UNITED STATES OF AMERICA. 252 00:14:02,875 --> 00:14:04,642 WITH RESPECT, MADAME CHAIRMAN, 253 00:14:04,677 --> 00:14:07,045 UH, IT WAS STOPPING 254 00:14:07,079 --> 00:14:09,180 AT THE SITE OF MS. McINERNEY'S FORMER HOME 255 00:14:09,215 --> 00:14:11,983 THAT PUT US IN THE LOBBY OF THE FRANKLIN ADAMS HOTEL 256 00:14:12,017 --> 00:14:13,852 AT THE EXACT MOMENT WE CROSSED PATHS 257 00:14:13,886 --> 00:14:15,653 WITH PHOEBE AMIDON AND HER GRANDFATHER. 258 00:14:15,688 --> 00:14:17,822 IF THAT LETTER IS WHAT WE THINK IT IS, 259 00:14:17,857 --> 00:14:21,793 THEN IT'S COMPELLING US TO PAY ATTENTION TO THE DETAILS, 260 00:14:21,827 --> 00:14:24,162 OR THE CHANCE TO BRING LIEUTENANT AMIDON HOME AGAIN 261 00:14:24,196 --> 00:14:26,097 WILL ALSO BE GONE BEFORE WE KNOW IT. 262 00:14:26,131 --> 00:14:29,767 SO YOUR PRESENCE HERE TODAY, MR. O'TOOLE, 263 00:14:29,802 --> 00:14:32,070 IS THE RESULT OF A PRIOR RELATIONSHIP 264 00:14:32,104 --> 00:14:34,706 WITH PHOEBE AMIDON AND HER GRANDFATHER? 265 00:14:34,740 --> 00:14:36,207 WELL, THAT, 266 00:14:36,242 --> 00:14:39,577 AND THE PRIOR RELATIONSHIP OF MS. McINERNEY WITH, UH... 267 00:14:39,612 --> 00:14:43,314 ACTUALLY, I'D LIKE TO TURN THIS PART OVER TO HER NOW. 268 00:14:44,350 --> 00:14:46,084 MY NAME IS SHANE McINERNEY. 269 00:14:46,118 --> 00:14:47,585 I PROVIDE I.T. SERVICES 270 00:14:47,620 --> 00:14:49,821 FOR THE DEAD LETTER OFFICE IN DENVER. 271 00:14:49,855 --> 00:14:52,323 I USED TO WORK RIGHT HERE IN WASHINGTON 272 00:14:52,358 --> 00:14:54,125 IN DIRECT LINE OPERATIONS. 273 00:14:54,159 --> 00:14:56,961 WHEN WE ARRIVED AT THE HOTEL ON THURSDAY, 274 00:14:56,996 --> 00:14:58,296 WE WERE CHECKING IN AND... 275 00:14:58,330 --> 00:14:59,664 RITA WAS REGISTERING 276 00:14:59,698 --> 00:15:01,299 FOR THE MISS SPECIAL DELIVERY PAGEANT. 277 00:15:01,333 --> 00:15:03,701 OH, WAIT. 278 00:15:09,341 --> 00:15:10,575 MS. McINERNEY. 279 00:15:10,609 --> 00:15:12,677 MM? 280 00:15:12,711 --> 00:15:13,978 UH, I WAS THINKING, 281 00:15:14,013 --> 00:15:15,213 PERHAPS THIS WEEK 282 00:15:15,247 --> 00:15:17,282 MIGHT PRESENT AN OPPORTUNITY FOR... 283 00:15:17,316 --> 00:15:20,718 FOR... FOR AN EVENING OUT. 284 00:15:22,187 --> 00:15:24,622 WE'RE IN WASHINGTON, D.C., OLIVER. 285 00:15:24,657 --> 00:15:26,824 WE'RE ALREADY SPENDING THE WHOLE WEEK OUT. 286 00:15:26,859 --> 00:15:28,893 YES, BUT I WAS THINKING, 287 00:15:28,928 --> 00:15:31,930 UM, YOU AND I MIGHT HAVE DINNER TOGETHER, 288 00:15:31,964 --> 00:15:33,197 JUST US, TO-- 289 00:15:33,232 --> 00:15:35,867 TO TALK AND... 290 00:15:35,901 --> 00:15:38,069 PERHAPS I CAN OFFER SOME PERSPECTIVE 291 00:15:38,103 --> 00:15:41,139 ON THE RECENT LOSS OF YOUR CHILDHOOD HOME. 292 00:15:42,708 --> 00:15:44,909 YOU'RE ASKING ME... 293 00:15:44,944 --> 00:15:46,844 OUT... 294 00:15:46,879 --> 00:15:49,347 FOR DINNER? 295 00:15:49,381 --> 00:15:50,848 YES. 296 00:15:50,883 --> 00:15:52,650 YES! 297 00:15:53,819 --> 00:15:56,220 I'LL PUT IT IN THE SCHEDULE. 298 00:15:56,255 --> 00:15:57,255 DO THAT. 299 00:15:57,289 --> 00:15:59,190 IN YELLOW. 300 00:16:00,225 --> 00:16:02,126 OF COURSE. 301 00:16:04,964 --> 00:16:07,665 : NEXT... MISS OKLAHOMA! 302 00:16:09,068 --> 00:16:11,235 OH, NO, NO, NO, NO, NO, NO, NO! 303 00:16:12,705 --> 00:16:14,005 ARE YOU OKAY? 304 00:16:14,039 --> 00:16:16,040 WELL, THEY'VE GOT ME SCHEDULED FOR MY TALENT REHEARSAL 305 00:16:16,075 --> 00:16:17,241 AT THE SAME TIME I'M SUPPOSED TO GET MY NAILS DONE, 306 00:16:17,276 --> 00:16:19,243 BUT IF I MOVE THE NAILS, THEN THERE'S NO TIME 307 00:16:19,278 --> 00:16:21,212 FOR SOME FITTING THEY'VE GOT ME DOWN FOR. 308 00:16:21,246 --> 00:16:22,880 OR MAYBE I SHOULDN'T DO MY NAILS. 309 00:16:22,915 --> 00:16:24,849 MAYBE I SHOULDN'T REHEARSE, BUT IF I DON'T, THEN... OH! 310 00:16:24,883 --> 00:16:27,085 THIS IS WORSE THAN A STAMPEDE ON SUNDAY. 311 00:16:27,119 --> 00:16:29,921 NO. NO! THIS IS WONDERFUL. 312 00:16:29,955 --> 00:16:31,022 YOU'RE MISS... 313 00:16:31,056 --> 00:16:32,023 WYOMING. 314 00:16:32,057 --> 00:16:33,791 YOU'RE MISS WYOMING! 315 00:16:33,826 --> 00:16:35,126 AND LOOK WHERE YOU ARE. 316 00:16:35,160 --> 00:16:36,694 WELL, THAT'S THE PROBLEM! 317 00:16:36,729 --> 00:16:38,363 THERE ARE MORE PEOPLE IN THIS HOTEL 318 00:16:38,397 --> 00:16:39,664 THAN THERE ARE IN BIG PINEY. 319 00:16:39,698 --> 00:16:41,899 OH, BIG PINEY, WYOMING. POPULATION 576. 320 00:16:41,934 --> 00:16:43,668 HOW DO YOU KNOW THAT? 321 00:16:43,702 --> 00:16:45,737 OH, I HAVE A PHOTOGRAPHIC MEMORY. 322 00:16:45,771 --> 00:16:47,271 I REMEMBER EVERYTHING I READ. 323 00:16:47,306 --> 00:16:49,774 WELL, AS LONG AS I REMEMBER TO REMEMBER. 324 00:16:49,808 --> 00:16:51,075 IT'S HARD TO REMEMBER 325 00:16:51,110 --> 00:16:53,111 ANYTHING IN A PLACE LIKE THIS. 326 00:16:53,145 --> 00:16:54,445 I'M AFRAID, WHEN I GET UP TO SING, 327 00:16:54,480 --> 00:16:55,880 THERE'LL BE SO MANY PEOPLE IN THE ROOM, 328 00:16:55,914 --> 00:16:57,415 I'LL FORGET THE WORDS. 329 00:16:57,449 --> 00:16:59,217 AND THE NOTES. 330 00:16:59,251 --> 00:17:00,818 AND THE SONG. 331 00:17:00,853 --> 00:17:01,819 LOOK. 332 00:17:01,854 --> 00:17:03,354 I DON'T HAVE TO REHEARSE TOMORROW. 333 00:17:03,389 --> 00:17:05,156 WHY DON'T YOU TAKE MY TIME? 334 00:17:05,190 --> 00:17:06,157 I DON'T MIND. 335 00:17:06,191 --> 00:17:07,759 -REALLY? -YEAH! 336 00:17:07,793 --> 00:17:09,761 MISS COLORADO. 337 00:17:09,795 --> 00:17:13,164 WE'RE PRACTICALLY NEIGHBORS, RIGHT? 338 00:17:13,198 --> 00:17:15,266 OKAY, MS. McINERNEY, YOU ARE ON THE EIGHTH FLOOR. 339 00:17:15,300 --> 00:17:16,267 THANK YOU. 340 00:17:16,301 --> 00:17:19,070 NORMAN, YOU ARE ON THE SIXTH. 341 00:17:20,105 --> 00:17:22,306 OH, MY GOODNESS. 342 00:17:23,308 --> 00:17:24,275 : THANK YOU VERY MUCH. 343 00:17:24,309 --> 00:17:25,810 OH! 344 00:17:25,844 --> 00:17:27,378 IT'S PHOEBE. 345 00:17:27,413 --> 00:17:29,013 HEY! WHAT A SURPRISE. 346 00:17:29,048 --> 00:17:30,014 I CAN'T BELIEVE IT! 347 00:17:30,049 --> 00:17:31,015 -FOR HEAVEN'S SAKE. -HI! 348 00:17:31,050 --> 00:17:33,484 HARPER. OLIVER O'TOOLE. 349 00:17:33,519 --> 00:17:34,485 FOR HEAVEN'S SAKE, 350 00:17:34,520 --> 00:17:35,820 WHAT ARE YOU GUYS DOING HERE? 351 00:17:35,854 --> 00:17:37,455 -ARE YOU STAYING HERE? -YEAH. 352 00:17:37,489 --> 00:17:39,924 WHERE'S RITA? 353 00:17:39,958 --> 00:17:41,159 OH, SHE'S IN THE PAGEANT. 354 00:17:41,193 --> 00:17:42,226 WE CAME TO CHEER HER ON. 355 00:17:42,261 --> 00:17:43,795 AND WHAT BRINGS YOU TO THE CAPITOL? 356 00:17:43,829 --> 00:17:46,397 OH, WE'RE TRYING TO GET SOME ANSWERS ABOUT RANDILYNN. 357 00:17:46,432 --> 00:17:48,466 SEE IF THERE'S ANY... 358 00:17:48,500 --> 00:17:50,001 RESOLUTION. 359 00:17:50,035 --> 00:17:51,736 WE HAD AN APPOINTMENT 360 00:17:51,770 --> 00:17:53,438 WITH SOMEONE FROM THE STATE DEPARTMENT TOMORROW, 361 00:17:53,472 --> 00:17:56,774 BUT IT LOOKS LIKE THEY'VE HAD TO POSTPONE. 362 00:17:56,809 --> 00:17:58,142 NOT AGAIN. 363 00:17:58,177 --> 00:17:59,911 : WELL, THAT'S A SHAME. 364 00:17:59,945 --> 00:18:01,479 WELL, THAT'S WASHINGTON. 365 00:18:01,513 --> 00:18:04,115 WE'VE SPENT TWO YEARS, 366 00:18:04,149 --> 00:18:05,483 BUT WE ALWAYS SEEM TO KNOCK ON THE WRONG DOORS. 367 00:18:05,517 --> 00:18:08,486 ISN'T THERE ANYONE ELSE THAT YOU CAN MEET WITH? 368 00:18:08,520 --> 00:18:10,888 MM, WE'VE RUN OUT OF IDEAS. 369 00:18:10,923 --> 00:18:13,057 I'VE GOT A STANDING APPOINTMENT 370 00:18:13,092 --> 00:18:14,826 WITH A DIALYSIS MACHINE BACK HOME, 371 00:18:14,860 --> 00:18:16,227 SO WE CAN'T EXTEND THE TRIP. 372 00:18:16,261 --> 00:18:17,995 : OF COURSE. 373 00:18:18,030 --> 00:18:20,498 WOULD YOU EXCUSE ME FOR JUST A MINUTE? 374 00:18:23,202 --> 00:18:24,469 SO, WE HAVE YOU PENCILED IN 375 00:18:24,503 --> 00:18:26,304 TO JOIN US AT 9:30 TOMORROW. 376 00:18:26,338 --> 00:18:27,305 EXCELLENT. 377 00:18:27,339 --> 00:18:28,806 CAN'T HAVE YOU HEADING BACK 378 00:18:28,841 --> 00:18:30,007 WITHOUT HAVING AT LEAST 379 00:18:30,042 --> 00:18:31,976 SOME GOOD MEMORIES IN WASHINGTON. 380 00:18:32,010 --> 00:18:33,111 SOUNDS LIKE A PLAN! 381 00:18:33,145 --> 00:18:35,513 OKAY, WELL, WE'LL SEE YOU GUYS TOMORROW, THEN. 382 00:18:35,547 --> 00:18:37,148 -OKAY, GREAT. -BYE. 383 00:18:37,182 --> 00:18:38,583 BYE. 384 00:18:41,987 --> 00:18:43,054 WOW. 385 00:18:43,088 --> 00:18:45,123 WHAT A COINCIDENCE, HUH? 386 00:18:45,157 --> 00:18:47,558 I DON'T REALLY BELIEVE IN THEM, NORMAN. 387 00:18:49,595 --> 00:18:51,162 IS THAT WHO I THINK IT IS? 388 00:18:51,196 --> 00:18:52,830 YEAH! IT'S PHOEBE AMIDON. 389 00:18:52,865 --> 00:18:53,898 NO WAY! 390 00:18:53,932 --> 00:18:55,333 YOU'VE CHECKED IN? 391 00:18:55,367 --> 00:18:57,101 OH, YEAH, I'VE GOT MY ROOM KEY 392 00:18:57,136 --> 00:18:58,469 AND MY ROOMMATE-- MISS LOUISIANA. 393 00:18:58,504 --> 00:19:01,906 IT SOUNDS LIKE YOU HAVE SOME PRETTY SERIOUS COMPETITION. 394 00:19:01,940 --> 00:19:03,241 OH, I DON'T MIND. 395 00:19:03,275 --> 00:19:05,143 THERE'S MORE TO LIFE THAN WINNING, RIGHT? 396 00:19:05,177 --> 00:19:07,512 RIGHT. UM, SPEAKING OF WHICH, 397 00:19:07,546 --> 00:19:09,213 I WAS THINKING THAT, BEFORE DINNER, 398 00:19:09,248 --> 00:19:10,948 UM, YOU AND I COULD-- 399 00:19:10,983 --> 00:19:12,049 : RITA! 400 00:19:12,084 --> 00:19:13,584 WE'RE GOING OUT FOR YOGURT. YOU WANNA COME? 401 00:19:13,619 --> 00:19:15,386 OH! UM... 402 00:19:15,420 --> 00:19:17,054 YEAH! 403 00:19:17,089 --> 00:19:18,089 BYE, GUYS! 404 00:19:21,160 --> 00:19:22,927 SHE SEEMS HAPPY. 405 00:19:22,961 --> 00:19:24,061 YES. SHE DOES. 406 00:19:24,096 --> 00:19:26,597 I SUPPOSE IT'S JUST THE THREE OF US FOR DINNER. 407 00:19:26,632 --> 00:19:27,999 YEAH. YEAH. 408 00:19:28,033 --> 00:19:31,169 WHERE IS MS. McINERNEY? 409 00:19:36,175 --> 00:19:38,576 HI. IT'S SHANE. 410 00:19:38,610 --> 00:19:42,280 I'M IN TOWN AT THE FRANKLIN ADAMS AND... 411 00:19:43,949 --> 00:19:46,584 STEVE, I-I NEED TO SEE YOU. 412 00:19:56,528 --> 00:20:00,164 A LITTLE MORE ARNOLD THAN PALMER THIS TIME, PLEASE. 413 00:20:00,199 --> 00:20:01,899 WHY DO THEY PUT TINY UMBRELLAS IN DRINKS? 414 00:20:01,934 --> 00:20:03,935 WHY NOT TINY CARS? 415 00:20:03,969 --> 00:20:05,102 OR TINY CATS? 416 00:20:05,137 --> 00:20:07,772 SOMETHING ON YOUR MIND? 417 00:20:07,806 --> 00:20:11,375 I JUST KEEP THINKING ABOUT PHOEBE COMING ALL THE WAY HERE 418 00:20:11,410 --> 00:20:15,146 TO FIND OUT IF ANYONE KNOWS WHAT HAPPENED TO HER MOTHER. 419 00:20:16,181 --> 00:20:20,785 EVERYTHING ELSE JUST SEEMS SO... TRIVIAL COMPARED TO THAT. 420 00:20:20,819 --> 00:20:23,888 THE MISS SPECIAL DELIVERY PAGEANT 421 00:20:23,922 --> 00:20:27,191 IS PERHAPS NOT AN EVENT OF GREAT IMPORT 422 00:20:27,226 --> 00:20:29,393 TO THE WORLD AT LARGE, NORMAN, 423 00:20:29,428 --> 00:20:32,263 BUT THE WORLD IS A TERRIBLY COMPLICATED PLACE, 424 00:20:32,297 --> 00:20:34,031 AND SO MUCH OF IT CAN BE UGLY. 425 00:20:34,066 --> 00:20:37,969 THAT'S WHY WHAT IS GENTLE AND BEAUTIFUL 426 00:20:38,003 --> 00:20:41,906 AND JOYFUL IS WORTH FIGHTING TO PRESERVE. 427 00:20:41,940 --> 00:20:45,443 AND IT'S ALSO WHY WE HONOR THOSE WHO FIGHT. 428 00:20:45,477 --> 00:20:46,477 YEAH. 429 00:20:50,582 --> 00:20:52,550 SO, NORMAN... 430 00:20:54,353 --> 00:20:56,287 WHAT'S IN THE ENVELOPE? HMM? 431 00:20:56,321 --> 00:20:58,189 WELL, IT'S A SURPRISE F-- 432 00:21:02,027 --> 00:21:03,961 MS. McINERNEY. 433 00:21:04,963 --> 00:21:06,364 HELLO, BEAUTIFUL! 434 00:21:08,867 --> 00:21:10,201 -OOH! -OH-- 435 00:21:13,472 --> 00:21:15,072 LOOK AT YOU! 436 00:21:15,107 --> 00:21:16,507 WHOO. LOOK AT YOU... 437 00:21:16,541 --> 00:21:18,075 I GOT YOUR CALL. 438 00:21:18,110 --> 00:21:19,610 YES, AND I THOUGHT YOU WERE GOING TO 439 00:21:19,645 --> 00:21:21,412 CALL ME BACK. 440 00:21:21,446 --> 00:21:22,513 : I WAS JUST RIGHT AROUND THE CORNER. 441 00:21:22,547 --> 00:21:24,248 I COULDN'T WAIT, SO I STAKED OUT YOUR HOTEL, 442 00:21:24,283 --> 00:21:26,017 FIGURED YOU'D SHOW UP SOONER OR LATER. 443 00:21:26,051 --> 00:21:28,185 YES, WELL, GOOD TIMING. 444 00:21:28,220 --> 00:21:29,520 UH, STEVE MAREK, 445 00:21:29,554 --> 00:21:31,589 THESE ARE MY CO-WORKERS-- 446 00:21:31,623 --> 00:21:33,057 MY BOSS, ACTUALLY... 447 00:21:33,091 --> 00:21:35,026 OLIVER O'TOOLE 448 00:21:35,060 --> 00:21:36,360 AND NORMAN DORMAN. 449 00:21:37,362 --> 00:21:38,562 DENVER D.L.O., RIGHT? 450 00:21:38,597 --> 00:21:40,231 YES. 451 00:21:40,265 --> 00:21:42,366 I HEARD ABOUT YOU GUYS. YOU DO GREAT WORK. 452 00:21:42,401 --> 00:21:43,501 OH, THANK YOU. 453 00:21:43,535 --> 00:21:46,070 AND WHAT IS IT YOU DO FOR THE POST OFFICE? 454 00:21:46,104 --> 00:21:48,306 OLIVER, NORMAN, WOULD IT BE OKAY 455 00:21:48,340 --> 00:21:51,509 IF I BEGGED OFF OF DINNER TONIGHT? UM... 456 00:21:51,543 --> 00:21:54,312 STEVE AND I HAVE... 457 00:21:54,346 --> 00:21:55,980 SOME CATCHING UP TO DO. 458 00:21:56,982 --> 00:21:58,916 I CAN SEE THAT. 459 00:21:58,950 --> 00:22:01,652 BUT PERHAPS WE COULD MEET LATER? 460 00:22:01,687 --> 00:22:03,120 LATER? 461 00:22:05,624 --> 00:22:07,391 TONIGHT? A-AFTER MR. MAREK? 462 00:22:08,560 --> 00:22:12,096 FOR A NIGHTCAP? IN THE LOUNGE? 463 00:22:12,130 --> 00:22:14,332 YES. ALL RIGHT. 464 00:22:17,302 --> 00:22:19,136 NORMAN. 465 00:22:19,171 --> 00:22:21,238 SHALL WE DINE? 466 00:22:22,274 --> 00:22:23,407 YES. DINING. 467 00:22:23,442 --> 00:22:24,442 STARVING. 468 00:22:28,347 --> 00:22:29,447 MR. MAREK. 469 00:22:40,292 --> 00:22:42,693 SO THAT WAS OLIVER O'TOOLE? 470 00:22:42,728 --> 00:22:44,362 YES. 471 00:22:45,397 --> 00:22:46,964 DOES HE KNOW? 472 00:22:46,998 --> 00:22:48,366 NO. 473 00:22:48,400 --> 00:22:50,568 BUT AFTER TONIGHT... 474 00:22:50,602 --> 00:22:53,571 WE MAY HAVE TO TELL HIM. 475 00:22:58,176 --> 00:22:59,944 AND ONE, TWO, THREE... 476 00:22:59,978 --> 00:23:02,179 ♪ DOWN BY THE OLD ♪ 477 00:23:02,214 --> 00:23:05,349 ♪ MILL STREAM ♪ 478 00:23:05,384 --> 00:23:06,584 - ♪ WHERE I FIRST ♪ 479 00:23:06,618 --> 00:23:08,018 OH! THE PIZZA! 480 00:23:12,657 --> 00:23:13,991 OH! 481 00:23:14,025 --> 00:23:15,292 HI. 482 00:23:15,327 --> 00:23:16,660 HI. IT'S NORMAN. 483 00:23:16,695 --> 00:23:18,662 : HI, NORMAN! 484 00:23:18,697 --> 00:23:19,997 HE'S CUTE. 485 00:23:20,031 --> 00:23:21,432 THANK YOU! 486 00:23:21,466 --> 00:23:24,168 UH, RITA, SORRY TO INTERRUPT. 487 00:23:24,202 --> 00:23:26,971 OH, YOU'RE NOT! WE WERE JUST SITTING AROUND AND STUFF. 488 00:23:27,005 --> 00:23:29,106 I-I DIDN'T KNOW THAT YOU PLAYED THAT. 489 00:23:29,141 --> 00:23:32,143 WELL, MY PARENTS WERE FLOWER CHILDREN. 490 00:23:32,177 --> 00:23:33,244 RIGHT. 491 00:23:33,278 --> 00:23:35,179 I WAS BORN UNDER THE PEPSI CHALLENGE TENT 492 00:23:35,213 --> 00:23:37,381 IN SEDONA, REMEMBER? 493 00:23:44,556 --> 00:23:46,690 WAS THERE SOMETHING YOU NEEDED? 494 00:23:46,725 --> 00:23:49,260 OH. UH... 495 00:23:49,294 --> 00:23:50,461 NO. 496 00:23:50,495 --> 00:23:52,430 AWW. 497 00:23:54,232 --> 00:23:55,699 SEE YA TOMORROW. 498 00:23:55,734 --> 00:23:56,734 OKAY. 499 00:23:59,337 --> 00:24:01,205 SLEEP TIGHT! 500 00:24:01,239 --> 00:24:02,673 : BYE, NORMAN! 501 00:24:07,546 --> 00:24:09,346 : AW, HE LOOKS LIKE A TEDDY BEAR! 502 00:24:17,489 --> 00:24:20,024 I THINK THAT WAS OUR SONG. 503 00:24:20,058 --> 00:24:22,426 WE NEVER HAD A SONG. 504 00:24:22,461 --> 00:24:24,361 WE SHOULD HAVE HAD ONE. 505 00:24:25,397 --> 00:24:28,165 SO WHY'D YOU LEAVE D.C.? 506 00:24:28,200 --> 00:24:29,600 TO GET AWAY FROM YOU. 507 00:24:29,634 --> 00:24:31,302 MM. OUCH. 508 00:24:31,336 --> 00:24:33,771 I ALWAYS KNOW WHERE I STAND WITH YOU. 509 00:24:35,474 --> 00:24:39,810 BUT I NEVER KNEW WHERE I STOOD WITH YOU, STEVE. 510 00:24:42,314 --> 00:24:46,116 AND THEN I FINALLY REALIZED THAT'S BAD FOR RELATIONSHIPS. 511 00:24:47,419 --> 00:24:50,721 BUT IT'S WHAT MAKES YOU SO GOOD AT YOUR JOB. 512 00:24:51,756 --> 00:24:54,625 BETRAYED BY MY OWN EXCELLENCE. 513 00:24:54,659 --> 00:24:56,660 AND YOUR HUMILITY. 514 00:24:56,695 --> 00:24:58,362 BUT YOU CAME BACK. 515 00:24:58,396 --> 00:25:00,798 ON VACATION. 516 00:25:00,832 --> 00:25:03,467 I WASN'T GOING TO CALL YOU. 517 00:25:04,603 --> 00:25:06,770 BUT NOW... 518 00:25:06,805 --> 00:25:09,073 I GUESS I NEED YOU. 519 00:25:09,107 --> 00:25:11,108 GOOD. 520 00:25:12,811 --> 00:25:16,213 I'LL SEE WHAT I CAN DO. 521 00:25:17,682 --> 00:25:20,651 AM I... EARLY? 522 00:25:23,755 --> 00:25:26,390 NO. NO, I WAS JUST LEAVING. 523 00:25:26,424 --> 00:25:27,858 HOW WAS DINNER? 524 00:25:28,894 --> 00:25:31,395 FINE, THANK YOU. 525 00:25:31,429 --> 00:25:33,797 OKAY. 526 00:25:35,867 --> 00:25:38,135 I'LL SEE YOU TOMORROW? 527 00:25:38,169 --> 00:25:40,137 OKAY. 528 00:25:44,142 --> 00:25:45,409 TOMORROW? 529 00:25:45,443 --> 00:25:46,410 OLIVER. 530 00:25:46,444 --> 00:25:49,113 I WILL JUST ADJUST MY ITINERARY 531 00:25:49,147 --> 00:25:50,648 TO REFLECT THAT YOU WILL NOT 532 00:25:50,682 --> 00:25:52,249 BE JOINING US 533 00:25:52,284 --> 00:25:54,618 FOR OUR TOUR IN THE MORNING. 534 00:25:54,653 --> 00:25:56,654 NO, I WILL. I'M COMING. 535 00:25:56,688 --> 00:26:00,658 WE JUST HAVE TO ADJUST OUR PLANS FOR THE AFTERNOON. 536 00:26:02,160 --> 00:26:03,360 I COULDN'T BEAR 537 00:26:03,395 --> 00:26:06,730 TO SEE HOW DISAPPOINTED PHOEBE AND HER GRANDFATHER WERE. 538 00:26:06,765 --> 00:26:09,433 SHE'S LOST HER MOTHER, 539 00:26:09,467 --> 00:26:11,435 HE'S LOST A DAUGHTER... 540 00:26:11,469 --> 00:26:13,771 AND I GUESS... 541 00:26:13,805 --> 00:26:15,873 AFTER SEEING-- 542 00:26:15,907 --> 00:26:19,510 OR NOT SEEING MY HOUSE TODAY-- 543 00:26:20,612 --> 00:26:23,280 I JUST FELT LIKE, AT LEAST-- AT LEAST, WITH THEM, 544 00:26:23,315 --> 00:26:24,281 MAYBE-- 545 00:26:24,316 --> 00:26:26,317 MAYBE THERE WAS SOMETHING THAT I COULD DO, 546 00:26:26,351 --> 00:26:28,752 MAYBE I COULD... 547 00:26:28,787 --> 00:26:30,788 HELP THEM IN SOME WAY. 548 00:26:30,822 --> 00:26:33,223 WELL, THAT'S ADMIRABLE, 549 00:26:33,258 --> 00:26:35,659 BUT I'M AFRAID LIEUTENANT AMIDON'S SITUATION 550 00:26:35,694 --> 00:26:36,794 DOES NOT FALL UNDER THE PURVIEW 551 00:26:36,828 --> 00:26:39,196 OF THE UNITED STATES POSTAL SYSTEM. 552 00:26:39,230 --> 00:26:41,665 I DON'T SEE HOW YOU OR I 553 00:26:41,700 --> 00:26:43,934 OR YOUR FRIEND, STEVE, CAN HOPE TO MAKE A DIFFERENCE. 554 00:26:43,969 --> 00:26:45,970 WELL... 555 00:26:47,205 --> 00:26:49,873 YOU OR I CAN'T, BUT... 556 00:26:52,410 --> 00:26:54,478 OLIVER, I HAVEN'T BEEN 557 00:26:54,512 --> 00:26:57,448 COMPLETELY HONEST WITH YOU ABOUT STEVE. 558 00:26:58,717 --> 00:27:00,884 HE'S NOT EXACTLY 559 00:27:00,919 --> 00:27:03,253 WITH THE POST OFFICE. 560 00:27:04,856 --> 00:27:06,223 SO, MS. McINERNEY, 561 00:27:06,257 --> 00:27:08,759 IT WAS YOU WHO MADE THE INITIAL CONTACT WITH AGENT MAREK? 562 00:27:08,793 --> 00:27:10,260 : YES. 563 00:27:10,295 --> 00:27:12,429 AND IT'S NOT SOMETHING THAT I DID LIGHTLY, 564 00:27:12,464 --> 00:27:14,298 BUT NOW I'M GLAD THAT I DID. 565 00:27:15,567 --> 00:27:19,470 SIR, CAN I ASSUME THAT YOU ARE AGENT MAREK? 566 00:27:20,672 --> 00:27:22,206 YES, I AM, SENATOR. 567 00:27:22,240 --> 00:27:23,240 AND HAS THE TESTIMONY 568 00:27:23,274 --> 00:27:25,476 YOU'VE HEARD SO FAR BEEN ACCURATE? 569 00:27:25,510 --> 00:27:26,944 YES, MA'AM. 570 00:27:28,380 --> 00:27:30,814 ALL RIGHT. CONTINUE, MS. McINERNEY. 571 00:27:30,849 --> 00:27:32,349 : THANK YOU. 572 00:27:32,384 --> 00:27:33,784 WELL, NEEDLESS TO SAY, 573 00:27:33,818 --> 00:27:35,819 THIS WAS ALL NEWS TO MR. O'TOOLE. 574 00:27:38,957 --> 00:27:40,591 THE CLANDESTINE SERVICES? 575 00:27:40,625 --> 00:27:42,826 ONE OF THEM. YES. 576 00:27:42,861 --> 00:27:45,796 YOU... YOU DATED A SPY? 577 00:27:45,830 --> 00:27:48,999 AN INTELLIGENCE ANALYST. 578 00:27:49,034 --> 00:27:51,602 OFFICER. 579 00:27:51,636 --> 00:27:53,871 AGENT. 580 00:27:53,905 --> 00:27:55,472 KIND OF A SPY, YEAH. 581 00:27:55,507 --> 00:27:56,740 YOU LIED TO ME. 582 00:27:56,775 --> 00:27:57,741 I DIDN'T LIE TO YOU. 583 00:27:57,776 --> 00:27:58,942 I LIKE TO THINK THAT YOU WERE ON 584 00:27:58,977 --> 00:28:01,679 A NEED-TO-KNOW BASIS, AND NOW YOU NEED TO KNOW. 585 00:28:01,713 --> 00:28:05,349 AND WHAT ELSE DO I NEED TO KNOW, HMM? 586 00:28:05,383 --> 00:28:08,686 THAT STEVE HAS AGREED TO MEET WITH HARPER AND PHOEBE 587 00:28:08,720 --> 00:28:10,788 IF WE TAKE THEM TO THE PENTAGON TOMORROW. 588 00:28:10,822 --> 00:28:12,790 IT SEEMS HE'D AGREE TO ANYTHING 589 00:28:12,824 --> 00:28:16,427 IF IT MEANT RE-IGNITING THE FLAMES OF... 590 00:28:16,461 --> 00:28:18,295 YOU KNOW, WHATEVER, WITH YOU. 591 00:28:19,364 --> 00:28:21,598 FIRST OF ALL, OLIVER, 592 00:28:21,633 --> 00:28:23,567 MY FLAMES ARE NONE OF YOUR BUSINESS. 593 00:28:25,370 --> 00:28:27,671 AND SECOND, YOU DON'T HAVE TO LIKE HIM, 594 00:28:27,706 --> 00:28:28,906 BUT HE'S A GOOD MAN, 595 00:28:28,940 --> 00:28:32,276 AND WHATEVER HE MAY HAVE MEANT TO ME IN THE PAST, 596 00:28:32,310 --> 00:28:35,913 ALL HE MEANS NOW IS A CHANCE TO HELP PHOEBE. 597 00:28:38,650 --> 00:28:40,651 REALLY. 598 00:28:45,657 --> 00:28:46,890 REALLY. 599 00:28:53,732 --> 00:28:54,865 MR. O'TOOLE, 600 00:28:54,899 --> 00:28:57,935 I AM DUE AT THE SENATE WAYS AND MEANS COMMITTEE 601 00:28:57,969 --> 00:28:58,936 IN AN HOUR. 602 00:28:58,970 --> 00:29:00,671 NOW, CAN I BEGIN TO HOPE 603 00:29:00,705 --> 00:29:04,641 THAT THERE IS A WAY OR A MEANING WITH THIS STORY OF YOURS? 604 00:29:04,676 --> 00:29:05,709 HMM? 605 00:29:05,744 --> 00:29:07,778 OH, ABSOLUTELY. 606 00:29:08,847 --> 00:29:09,847 - THE NEXT DAY-- -HI! 607 00:29:09,881 --> 00:29:11,148 ...WE TOOK PHOEBE 608 00:29:11,182 --> 00:29:12,716 AND HER GRANDFATHER TO THE NATIONAL POSTAL MUSEUM, 609 00:29:12,751 --> 00:29:13,884 WHERE RITA AND THE OTHER CONTESTANTS 610 00:29:13,918 --> 00:29:15,586 WERE MAKING AN APPEARANCE 611 00:29:15,620 --> 00:29:16,854 AND I WAS... 612 00:29:16,888 --> 00:29:19,656 WELL, I WAS ON SOMETHING OF A SENTIMENTAL JOURNEY. 613 00:29:34,806 --> 00:29:35,873 YOU SEEM... 614 00:29:35,907 --> 00:29:38,909 DEEP IN THOUGHT. 615 00:29:40,945 --> 00:29:42,379 THREE YEARS AGO, 616 00:29:42,413 --> 00:29:45,716 I, UH, STOOD ON THIS VERY SPOT WITH MY WIFE... 617 00:29:46,985 --> 00:29:52,156 EXPOUNDING ON THE EARLY DAYS OF THE PONY EXPRESS. 618 00:29:54,392 --> 00:29:56,927 I TURNED AROUND AND, UH... 619 00:29:56,961 --> 00:29:58,962 SHE WASN'T THERE. 620 00:29:58,997 --> 00:30:03,467 I STOOD HERE WAITING AND WAITING UNTIL THEY CLOSED, 621 00:30:03,501 --> 00:30:04,835 BUT, BY THEN, 622 00:30:04,869 --> 00:30:08,772 SHE'D ALREADY LEFT ME AND CAUGHT A PLANE TO PARIS. 623 00:30:08,807 --> 00:30:11,141 THAT MUST HAVE BEEN VERY PAINFUL. 624 00:30:13,511 --> 00:30:15,879 WHY DID YOU COME BACK HERE TODAY? 625 00:30:20,151 --> 00:30:22,586 CLOSURE. 626 00:30:23,955 --> 00:30:26,890 YOU REMIND ME OF RANDILYNN. 627 00:30:27,926 --> 00:30:30,661 WHEN SHE WAS... NOT EVEN TWO, 628 00:30:30,695 --> 00:30:33,397 SHE COULD BARELY TALK, BUT SHE COULD WALK. 629 00:30:33,431 --> 00:30:35,799 WE COULDN'T KEEP UP WITH HER. 630 00:30:35,834 --> 00:30:38,535 ONE DAY, I TURNED AROUND AND SHE WAS GONE, 631 00:30:38,570 --> 00:30:41,738 THEN I HEARD THIS HUGE BANG. 632 00:30:41,773 --> 00:30:44,575 I WENT RUNNING INTO THE BEDROOM AND THERE SHE IS, 633 00:30:44,609 --> 00:30:46,009 ON THE FLOOR, SOBBING. 634 00:30:46,044 --> 00:30:48,178 I SAID, "HONEY, WHAT HAPPENED?" 635 00:30:48,213 --> 00:30:51,181 WELL, SHE WAS CRYING SO HARD, SHE COULDN'T TELL ME, 636 00:30:51,216 --> 00:30:52,916 SO SHE-- SHE CLIMBED UP ON THE BED 637 00:30:52,951 --> 00:30:55,619 AND ROLLED OFF AGAIN JUST TO SHOW ME. 638 00:30:57,055 --> 00:30:58,088 THAT KID... 639 00:30:58,122 --> 00:31:00,190 SHE WAS ALWAYS GOING BACK 640 00:31:00,225 --> 00:31:03,093 TO THE MOST PAINFUL PLACES IN HER LIFE 641 00:31:03,127 --> 00:31:05,762 TO MAKE SOME SENSE OF THE PAIN. 642 00:31:08,933 --> 00:31:11,001 ALL FOUR VERSES? 643 00:31:11,035 --> 00:31:13,070 YEAH. AND IF THAT DIDN'T WORK, 644 00:31:13,104 --> 00:31:14,104 SHE'D DO EVERY VERSE 645 00:31:14,138 --> 00:31:15,505 OF THE STAR- SPANGLED BANNER, TOO. 646 00:31:15,540 --> 00:31:17,641 WOW. THAT IS PRETTY PATRIOTIC. 647 00:31:17,675 --> 00:31:20,644 SHE WAS. 648 00:31:20,678 --> 00:31:23,480 HEY! PHOEBE! HOW ARE YOU? 649 00:31:23,514 --> 00:31:24,514 -I'M GOOD. -HOW'S LIB? 650 00:31:24,549 --> 00:31:25,616 -SHE'S GETTING FAT. -OH! 651 00:31:25,650 --> 00:31:27,517 I MADE THE NEIGHBORS PROMISE TO WALK HER 652 00:31:27,552 --> 00:31:28,719 TWICE A DAY WHILE WE WERE GONE. 653 00:31:29,721 --> 00:31:30,687 I LOVE YOUR CROWN. 654 00:31:30,722 --> 00:31:31,722 OH, THANK YOU! 655 00:31:31,756 --> 00:31:33,457 I HAVE TO WEAR IT EVERYWHERE. 656 00:31:33,491 --> 00:31:34,758 PHOTO SHOOTS, INTERVIEWS, 657 00:31:34,792 --> 00:31:37,628 EVEN A LECTURE ON SPORTSMANSHIP 658 00:31:37,662 --> 00:31:39,463 BY LAST YEAR'S MISS SPECIAL HANDLING... 659 00:31:39,497 --> 00:31:40,797 WHAT'S THAT? 660 00:31:40,832 --> 00:31:43,634 OH, IT'S LIKE MISS CONGENIALITY, ONLY POSTAL. 661 00:31:43,668 --> 00:31:44,735 : ANYWAYS, 662 00:31:44,769 --> 00:31:47,604 I AM FREE AS A BIRD FOR THE REST OF THE DAY. 663 00:31:47,639 --> 00:31:48,605 GREAT, UH, BECAUSE 664 00:31:48,640 --> 00:31:50,240 I HAVE SOMETHING BACK AT THE HOTEL THAT-- 665 00:31:50,275 --> 00:31:51,241 : PHOEBE! 666 00:31:52,510 --> 00:31:53,911 AFTER LUNCH, 667 00:31:53,945 --> 00:31:56,013 I WOULD LIKE TO TAKE YOU AND YOUR GRANDFATHER 668 00:31:56,047 --> 00:31:57,080 TO MEET A FRIEND OF MINE. 669 00:31:57,115 --> 00:32:00,050 I CAN'T PROMISE ANYTHING, BUT... 670 00:32:00,084 --> 00:32:01,652 : MS. McINERNEY. 671 00:32:02,921 --> 00:32:05,555 GRANDPA! ARE YOU ALL RIGHT? 672 00:32:06,724 --> 00:32:08,225 GRANDPA? 673 00:32:11,262 --> 00:32:12,896 I THINK HE JUST OVERDID IT A BIT, 674 00:32:12,931 --> 00:32:14,631 BUT WE'LL HAVE HIM CHECKED OUT JUST IN CASE. 675 00:32:14,666 --> 00:32:16,767 THANKS, NORMAN. 676 00:32:18,736 --> 00:32:21,004 GET SOME REST, HARPER. 677 00:32:22,206 --> 00:32:24,675 WELL, I GUESS IT'S UP TO US 678 00:32:24,709 --> 00:32:25,776 TO KEEP THAT APPOINTMENT. 679 00:32:25,810 --> 00:32:27,744 WHAT APPOINTMENT? 680 00:32:27,779 --> 00:32:30,781 SO YOU ATTENDED THIS MEETING YESTERDAY 681 00:32:30,815 --> 00:32:32,683 AS WELL, MS. HAYWORTH? 682 00:32:32,717 --> 00:32:35,953 UH, IT'S "HAYWITH," WITH AN "I". 683 00:32:36,955 --> 00:32:38,689 OH. 684 00:32:38,723 --> 00:32:40,624 YES, I DID. 685 00:32:40,658 --> 00:32:43,093 I HAD A FREE AFTERNOON OFF, SO I WENT ALONG. 686 00:32:43,127 --> 00:32:45,095 AND I AM VERY GLAD THAT I DID. 687 00:32:46,898 --> 00:32:49,733 I THINK. 688 00:32:49,767 --> 00:32:52,069 AM I IN TROUBLE? 689 00:32:52,103 --> 00:32:54,604 JUST GIVE US THE FACTS, MS. HAYWITH. 690 00:32:54,639 --> 00:32:55,706 OH, OKAY. 691 00:32:55,740 --> 00:32:57,007 WELL, FIRST OF ALL, 692 00:32:57,041 --> 00:32:59,076 I HAD TO LEAVE MY CROWN AT THE DOOR. 693 00:33:00,078 --> 00:33:01,845 OH... 694 00:33:01,879 --> 00:33:04,181 I FEEL SO NAKED WITHOUT IT. 695 00:33:07,652 --> 00:33:08,986 HERE HE COMES. 696 00:33:09,020 --> 00:33:11,054 OH. 697 00:33:15,026 --> 00:33:16,259 I DID SOME DIGGING. 698 00:33:16,294 --> 00:33:18,295 I GOT AHOLD OF THE FILE-- 699 00:33:18,329 --> 00:33:20,731 IT'S AN ACTIVE, WORKING CASE. 700 00:33:20,765 --> 00:33:21,999 NOW, WE NEVER GIVE UP ON OUR OWN, 701 00:33:22,033 --> 00:33:23,300 NO MATTER HOW LONG IT TAKES, 702 00:33:23,334 --> 00:33:27,170 BUT, AFTER READING THROUGH THIS, WE MIGHT BE RUNNING OUT OF TIME. 703 00:33:27,205 --> 00:33:30,640 SO YOU DON'T BELIEVE SHE WAS KILLED IN THE MISSION? 704 00:33:33,144 --> 00:33:35,879 LOOK, I CAN'T READ YOU INTO THE FILE, 705 00:33:35,913 --> 00:33:38,181 BUT I CAN SAY THAT, AS OF SIX MONTHS AGO, 706 00:33:38,216 --> 00:33:40,717 I PERSONALLY BELIEVE LIEUTENANT AMIDON WAS ALIVE 707 00:33:40,752 --> 00:33:43,787 AND BEING HELD SOMEWHERE NEAR PAKISTAN. 708 00:33:45,056 --> 00:33:47,290 LIKELY BY THE INSURGENTS THAT ATTACKED HER TEAM 709 00:33:47,325 --> 00:33:49,292 WHEN SHE DISAPPEARED. 710 00:33:49,327 --> 00:33:51,194 THEN YOU THINK SHE WAS CAPTURED? 711 00:33:51,229 --> 00:33:52,996 OFF THE RECORD? 712 00:33:53,031 --> 00:33:55,766 GO ON, PLEASE. 713 00:33:56,768 --> 00:33:59,302 WELL, LIEUTENANT AMIDON WAS A MEDIC. 714 00:33:59,337 --> 00:34:02,139 SHE TRAINED FOR THE CULTURAL SUPPORT TEAMS, 715 00:34:02,173 --> 00:34:04,041 WHO INTERFACE WITH THE AFGHANS, 716 00:34:04,075 --> 00:34:05,075 COLLECTED INTELLIGENCE. 717 00:34:05,109 --> 00:34:06,109 SEE, THE MALE SOLDIERS 718 00:34:06,144 --> 00:34:07,677 COULDN'T TALK TO AFGHAN WOMEN, 719 00:34:07,712 --> 00:34:09,379 BUT THE FEMALE SOLDIERS COULD. 720 00:34:09,414 --> 00:34:11,815 WHAT SEEMED LIKE SUSPICIOUS ACTIVITY-- 721 00:34:11,849 --> 00:34:13,884 GOING OFF-BASE, CONSORTING WITH THE LOCALS-- 722 00:34:13,918 --> 00:34:17,020 HAD ACTUALLY BEEN COVERTLY SANCTIONED BY THE ARMY. 723 00:34:17,055 --> 00:34:20,323 SEE, WE CAN'T ALWAYS ANSWER ALLEGATIONS 724 00:34:20,358 --> 00:34:22,059 WITHOUT PUTTING OTHER PEOPLE IN DANGER, 725 00:34:22,093 --> 00:34:24,227 SO THE WHOLE TRUTH ABOUT LIEUTENANT AMIDON 726 00:34:24,262 --> 00:34:26,163 IS, REALLY, YET TO BE TOLD. 727 00:34:26,197 --> 00:34:29,266 IS SHE ALIVE, STEVE? 728 00:34:32,703 --> 00:34:34,971 SHE WENT BACK FOR TWO OF OUR OWN, 729 00:34:35,006 --> 00:34:36,740 WHO WERE CUT DOWN IN A FIREFIGHT. 730 00:34:36,774 --> 00:34:39,376 NOW, THE INSURGENTS HAD WITHDRAWN, 731 00:34:39,410 --> 00:34:40,844 BUT THEY WAITED, AS THEY DO, 732 00:34:40,878 --> 00:34:42,679 FOR THE RESCUE TEAM TO COME BACK FOR THE WOUNDED. 733 00:34:42,713 --> 00:34:44,848 AND THEN THEY AMBUSHED THEM? 734 00:34:47,852 --> 00:34:49,052 HANG IN THERE, COSTAS! YOU HEAR ME? 735 00:34:49,087 --> 00:34:51,188 WE'RE GONNA GET YOU OUT OF HERE! 736 00:34:52,223 --> 00:34:53,290 EVAC! 737 00:35:00,264 --> 00:35:01,965 MOVE OUT! MOVE OUT! 738 00:35:24,922 --> 00:35:27,424 RANDI! 739 00:35:27,458 --> 00:35:28,959 RANDI! 740 00:35:28,993 --> 00:35:31,328 GET UP! RANDILYNN! 741 00:35:36,134 --> 00:35:38,268 AND THEN SHE WAS WOUNDED? 742 00:35:38,302 --> 00:35:39,836 AND CAPTURED. 743 00:35:39,871 --> 00:35:41,838 BUT NOT BY ANY CENTRAL GROUP, 744 00:35:41,873 --> 00:35:43,773 OTHERWISE WE WOULD'VE KNOWN MORE BY NOW. 745 00:35:45,309 --> 00:35:48,378 THERE WAS A RESCUE ATTEMPT LAST YEAR. 746 00:35:49,814 --> 00:35:50,914 AFTER THAT, 747 00:35:50,948 --> 00:35:52,249 IT APPEARS THAT SHE WAS MOVED. 748 00:35:52,283 --> 00:35:54,284 THE DRONES HAVEN'T BEEN ABLE TO FIND HER. 749 00:35:54,318 --> 00:35:57,220 WE FOLLOWED UP ON A SIGHTING, BUT THAT DIDN'T PAN OUT. 750 00:35:57,255 --> 00:35:59,089 THEN THERE'S THIS LETTER, WHICH MAY OR MAY NOT 751 00:35:59,123 --> 00:36:00,457 HAVE BEEN WRITTEN BY LIEUTENANT AMIDON, 752 00:36:00,491 --> 00:36:02,292 BUT THAT'S GONNA TAKE SOME TIME TO CONFIRM. 753 00:36:02,326 --> 00:36:04,761 I'M SORRY, DID YOU SAY A LETTER? 754 00:36:06,097 --> 00:36:07,464 A LETTER. YEAH. 755 00:36:16,240 --> 00:36:17,474 PLEASE, MADAME CHAIRMAN. 756 00:36:17,508 --> 00:36:19,876 MS. HAYWITH, HAVE WE FINALLY 757 00:36:19,911 --> 00:36:22,412 COME TO THE REASON FOR THIS HEARING THIS MORNING? 758 00:36:22,446 --> 00:36:23,847 YOU MEAN THE LETTER? 759 00:36:23,881 --> 00:36:26,082 YES. 760 00:36:26,117 --> 00:36:28,051 OH, YES. THAT'S WHEN MR. MAREK SHOWED US THE LETTER. 761 00:36:28,085 --> 00:36:29,219 WELL, HE ACTUALLY DIDN'T SHOW US THE LETTER, 762 00:36:29,253 --> 00:36:30,253 THAT WAS THE PROBLEM. 763 00:36:32,023 --> 00:36:33,957 THAT'S WHEN I DID THE BAD THING. 764 00:36:33,991 --> 00:36:36,793 GO ON. 765 00:36:41,532 --> 00:36:43,934 THIS ARRIVED ALMOST TWO WEEKS AGO 766 00:36:43,968 --> 00:36:45,035 FROM AFGHANISTAN, 767 00:36:45,069 --> 00:36:46,336 MADE ITS WAY TO US. 768 00:36:46,370 --> 00:36:47,337 IT'S NOT IN AN ENVELOPE. 769 00:36:47,371 --> 00:36:48,405 IT'S ALL JERRY-RIGGED TOGETHER WITH TAPE, 770 00:36:48,439 --> 00:36:49,506 IT'S ADDRESSED 771 00:36:49,540 --> 00:36:51,474 "F-E-E-B." 772 00:36:51,509 --> 00:36:54,010 "BY THE AMERICAN SECRETARY OF THE MILITARY EMBASSY, 773 00:36:54,045 --> 00:36:55,045 "WASHINGTON, D.C., U.S.A., 774 00:36:55,079 --> 00:36:56,446 FROM SOLDIER FEMALE." 775 00:36:56,480 --> 00:36:59,015 NOW, THE HANDWRITING ON THE OUTSIDE IS DIFFERENT 776 00:36:59,050 --> 00:37:00,350 FROM THE INSIDE. 777 00:37:00,384 --> 00:37:01,952 LIEUTENANT AMIDON MAY HAVE WRITTEN THIS, 778 00:37:01,986 --> 00:37:04,254 BUT SOMEBODY ELSE MAILED IT AND ROUTED IT THROUGH KABUL. 779 00:37:04,288 --> 00:37:06,056 KABUL HAS MAIL? 780 00:37:06,090 --> 00:37:07,557 AH. YOU'D BE SURPRISED. 781 00:37:07,592 --> 00:37:10,560 THEY HAVE QUITE AN EFFICIENT POSTAL SYSTEM IN AFGHANISTAN. 782 00:37:10,595 --> 00:37:11,928 : OH. 783 00:37:11,963 --> 00:37:14,364 AND WITH ALL THE CELLPHONES AND LAPTOPS 784 00:37:14,398 --> 00:37:15,966 BEING HACKED SO OFTEN OUT THERE, 785 00:37:16,000 --> 00:37:17,801 THIS MAY HAVE BEEN A GOOD WAY 786 00:37:17,835 --> 00:37:20,003 TO GET A MESSAGE THROUGH UNMONITORED. 787 00:37:20,037 --> 00:37:21,204 I HAVE ALWAYS MAINTAINED THAT 788 00:37:21,239 --> 00:37:25,408 MAIL IS STILL THE GOLD STANDARD OF HUMAN COMMUNICATION. 789 00:37:26,844 --> 00:37:28,311 RIGHT. 790 00:37:28,346 --> 00:37:29,379 THE PROBLEM IS, 791 00:37:29,413 --> 00:37:30,847 I MEAN, EXCEPT FOR SOMETHING IN HERE 792 00:37:30,881 --> 00:37:32,115 ABOUT THE FOURTH OF JULY, 793 00:37:32,149 --> 00:37:34,084 IT ALL REALLY JUST APPEARS TO BE GIBBERISH. 794 00:37:34,118 --> 00:37:36,152 BUT THAT'S WHAT WE DO EVERY DAY-- 795 00:37:36,187 --> 00:37:39,189 WE FIGURE OUT LETTERS THAT DON'T MAKE SENSE. 796 00:37:39,223 --> 00:37:40,257 LET'S SEE. 797 00:37:40,291 --> 00:37:42,192 OH, I-I CAN'T LET YOU LOOK AT THAT. 798 00:37:42,226 --> 00:37:46,296 OH, FOR HEAVEN'S SAKE, STEVE. WE'RE ALL ON THE SAME SIDE! 799 00:37:46,330 --> 00:37:49,165 IT'S CLASSIFIED. I'VE SHOWN YOU TOO MUCH ALREADY. 800 00:37:49,200 --> 00:37:50,967 : WELL, NOT TO PUT TOO FINE A POINT ON THIS, 801 00:37:51,002 --> 00:37:52,035 THAT WAS NOT ADDRESSED 802 00:37:52,069 --> 00:37:55,572 TO THE SECRETARY, BUT SOMEONE NAMED "F-E-E-B," 803 00:37:55,606 --> 00:37:58,074 WHICH I SUBMIT IS SOMEONE'S IDEA OF HOW TO SPELL "PHOEBE," 804 00:37:58,109 --> 00:38:00,310 AND, THEREFORE, STILL HAS YET TO BE DELIVERED 805 00:38:00,344 --> 00:38:01,911 TO ITS INTENDED RECIPIENT, 806 00:38:01,946 --> 00:38:03,079 AND, THEREFORE, FALLS CLEARLY UNDER 807 00:38:03,114 --> 00:38:05,615 THE JURISDICTION OF THE UNITED STATES POSTAL SERVICE. 808 00:38:06,884 --> 00:38:08,351 IS HE KIDDING? 809 00:38:08,386 --> 00:38:10,920 I'M SORRY, HE'S NOT. 810 00:38:11,989 --> 00:38:13,990 WELL, THAT'S JUST NOT GONNA HAPPEN. 811 00:38:14,025 --> 00:38:16,059 THERE'S TOO MUCH ANALYSIS AHEAD. 812 00:38:16,093 --> 00:38:18,228 THERE'S HANDWRITING, DNA, CRYPTOGRAPHY. 813 00:38:18,262 --> 00:38:19,929 YOU THINK IT'S A CODED MESSAGE? 814 00:38:19,964 --> 00:38:21,564 : I HOPE SO, OTHERWISE, LIKE I SAID, 815 00:38:21,599 --> 00:38:23,366 IT JUST DOESN'T MAKE ANY SENSE. 816 00:38:23,401 --> 00:38:24,401 I KNOW. 817 00:38:24,435 --> 00:38:27,570 I MEAN... I BET! 818 00:38:29,273 --> 00:38:31,207 WE SHOULD GO! 819 00:38:31,242 --> 00:38:33,043 I HAVE A BIG TAP DANCE NUMBER TO LEARN TONIGHT. 820 00:38:37,014 --> 00:38:38,315 : STEVE... 821 00:38:38,349 --> 00:38:42,018 I THINK I SHOULD TELL YOU THAT RITA HAS A PHOTOGRAPHIC MEMORY 822 00:38:42,053 --> 00:38:43,420 AND THERE'S A PRETTY GOOD CHANCE 823 00:38:43,454 --> 00:38:45,622 THAT SHE CAN REMEMBER EVERYTHING THAT LETTER SAID. 824 00:38:45,656 --> 00:38:47,357 AH, GIVE OR TAKE A FEW WORDS HERE AND THERE. 825 00:38:47,391 --> 00:38:49,326 YOUR THUMB WAS COVERING SOME OF IT. 826 00:38:49,360 --> 00:38:50,327 SORRY. 827 00:38:50,361 --> 00:38:52,228 WELL, LET'S JUST PRETEND I DIDN'T HEAR THAT. 828 00:38:52,263 --> 00:38:54,230 FAIR ENOUGH. 829 00:38:54,265 --> 00:38:55,231 IF YOU COME UP WITH ANYTHING, 830 00:38:55,266 --> 00:38:56,566 I'D LIKE TO HEAR ABOUT IT. 831 00:38:56,600 --> 00:38:59,369 I DIDN'T KNOW THE "DEPARTMENT OF AGRICULTURE" 832 00:38:59,403 --> 00:39:01,104 WAS SO CLANDESTINE. 833 00:39:01,138 --> 00:39:03,039 YOU'D BE SURPRISED. 834 00:39:11,015 --> 00:39:12,048 DON'T FORGET YOUR CROWN. 835 00:39:12,083 --> 00:39:13,950 OH, RIGHT. 836 00:39:15,720 --> 00:39:18,455 : WOW. A REAL SPY. STEVE? 837 00:39:18,489 --> 00:39:20,590 ANALYST. 838 00:39:20,624 --> 00:39:22,992 A MINOR COG IN THE WHEEL. 839 00:39:23,027 --> 00:39:24,627 HOW IS HARPER? 840 00:39:24,662 --> 00:39:27,430 : OH, WELL, I WANTED TO TAKE HIM TO SEE A DOCTOR, 841 00:39:27,465 --> 00:39:30,300 BUT HE INSISTED ON GOING BACK TO THE HOTEL WITH PHOEBE. 842 00:39:30,334 --> 00:39:34,170 HARPER'S A TOUGH GUY, BUT HE COULD USE SOME GOOD NEWS. 843 00:39:34,205 --> 00:39:37,107 THEN WE NEED TO FIND HIM SOME, HMM? 844 00:39:37,141 --> 00:39:38,141 WELL, HOW? 845 00:39:38,175 --> 00:39:40,343 WE ONLY HAD ONE... COG. 846 00:39:41,345 --> 00:39:43,646 WE ARE AN ELITE POSTAL TASK FORCE, NORMAN. 847 00:39:43,681 --> 00:39:45,949 WIDE POWERS OF POSTAL DISCRETION. 848 00:39:45,983 --> 00:39:48,651 I THINK IT'S TIME WE USED THEM. 849 00:39:50,287 --> 00:39:52,122 : OKAY, THERE WAS ONLY SIX LINES. 850 00:39:52,156 --> 00:39:55,658 THE FIRST ONE WAS, UM, "THE DAY WILL END FAST." 851 00:39:55,693 --> 00:39:57,193 AND THEN "THE BIRTHDAY OF LIBERTY," 852 00:39:57,228 --> 00:40:01,197 WHICH IS THE FOURTH OF JULY CLUE THAT STEVE WAS TALKING ABOUT. 853 00:40:01,232 --> 00:40:03,199 GO ON. 854 00:40:03,234 --> 00:40:04,968 THEN THERE WAS THIS WEIRD THING-- 855 00:40:05,002 --> 00:40:06,269 "RETURN TO THE FOUR-POSTER." 856 00:40:06,303 --> 00:40:08,271 WHAT? 857 00:40:09,340 --> 00:40:11,307 SOME KIND OF ARMY POST, MAYBE? 858 00:40:11,342 --> 00:40:13,576 HMM. 859 00:40:13,611 --> 00:40:15,512 THEN THERE WAS, LET ME SEE, 860 00:40:15,546 --> 00:40:17,547 "SONG 5-9-1-6" 861 00:40:17,581 --> 00:40:20,417 AND "PROVERBIAL 1-8-1-0." 862 00:40:22,153 --> 00:40:23,420 ANYTHING ELSE? 863 00:40:23,454 --> 00:40:26,089 NO, JUST HALF A WORD OR TWO. 864 00:40:26,123 --> 00:40:28,191 "GRIM FEET." 865 00:40:28,225 --> 00:40:29,192 GRIM FEET? 866 00:40:29,226 --> 00:40:30,326 THAT'S WHAT IT SAID. 867 00:40:30,361 --> 00:40:33,663 THAT'S THE PART WHERE HIS THUMB WAS COVERING IT. 868 00:40:33,697 --> 00:40:37,500 STEVE'S RIGHT. NONE OF THIS MAKES ANY SENSE. 869 00:40:37,535 --> 00:40:40,637 EVERYTHING SEEMS LIKE SOME SORT OF CLUE, 870 00:40:40,671 --> 00:40:43,540 SO IT MUST MEAN SOMETHING TO SOMEONE. 871 00:40:43,574 --> 00:40:45,475 MM-HMM. 872 00:40:45,509 --> 00:40:47,310 WELL, IF IT WAS ADDRESSED TO PHOEBE, 873 00:40:47,344 --> 00:40:49,179 SHOULDN'T SHE KNOW WHAT IT MEANS? 874 00:40:49,213 --> 00:40:51,281 SOMEONE ELSE WROTE THAT ON THE ENVELOPE, 875 00:40:51,315 --> 00:40:53,283 AND I WOULD HATE TO GIVE PHOEBE FALSE HOPE 876 00:40:53,317 --> 00:40:54,551 IF WE DON'T HAVE TO. 877 00:40:54,585 --> 00:40:56,553 WE ARE PROFESSIONALS. 878 00:40:56,587 --> 00:40:59,689 WE SHOULD BE ABLE TO BREAK THIS CODE. 879 00:41:15,706 --> 00:41:17,040 I HATE TO SAY THIS, 880 00:41:17,074 --> 00:41:18,475 BUT I REALLY DO NEED 881 00:41:18,509 --> 00:41:20,376 TO LEARN TO TAP DANCE, BUT I PROMISE YOU, 882 00:41:20,411 --> 00:41:23,146 WHILE MY FEET ARE TAPPING, MY MIND WILL BE THINKING. 883 00:41:23,180 --> 00:41:24,481 DO YOU WANNA COME, NORMAN? 884 00:41:25,516 --> 00:41:26,483 OH, SURE! 885 00:41:26,517 --> 00:41:28,351 OKAY. 886 00:41:28,385 --> 00:41:31,688 UM, WHAT WAS THAT LAST CLUE AGAIN? 887 00:41:31,722 --> 00:41:33,289 IT WAS A PARTIAL. "GRIM FEET." 888 00:41:34,658 --> 00:41:38,161 WE MAY BE IN OVER OUR HEADS HERE, OLIVER. 889 00:41:38,195 --> 00:41:39,395 I MEAN, 890 00:41:39,430 --> 00:41:42,599 THE ONLY THING THAT WE HAVE IS THE FOURTH OF JULY CLUE. 891 00:41:42,633 --> 00:41:44,100 THE FOURTH HAS COME AND GONE. 892 00:41:44,134 --> 00:41:49,806 IF THAT DAY IS IMPORTANT, THEN THIS COULD ALL BE TOO LATE. 893 00:41:53,677 --> 00:41:55,578 ♪ BY PLANES, TRAINS BUS, MULE, OR LIVERY ♪ 894 00:41:55,613 --> 00:41:58,581 ♪ YOU BET SHE'LL GET THOSE LETTERS THROUGH ♪ 895 00:41:58,616 --> 00:42:01,184 ♪ SO HAIL MISS SPECIAL DELIVERY ♪ 896 00:42:01,218 --> 00:42:03,520 ♪ AND ALL THINGS COASTAL ♪ 897 00:42:03,554 --> 00:42:04,754 ♪ FROM COAST TO COAST'LL SING ♪ 898 00:42:04,788 --> 00:42:05,755 ♪ SHE'S THE DAMSEL ♪ 899 00:42:05,789 --> 00:42:07,290 ♪ WE STAMP AND CANCEL ♪ 900 00:42:07,324 --> 00:42:09,692 ♪ THE HOLY GRAIL OF FIRST-CLASS MAIL ♪ 901 00:42:09,727 --> 00:42:13,396 ♪ MISS SPECIAL DELIVERY ♪ 902 00:42:13,430 --> 00:42:16,332 ♪ THAT'S YOU! ♪ 903 00:42:16,367 --> 00:42:17,500 YEAH! 904 00:42:17,535 --> 00:42:20,203 OKAY. HOLD ON. 905 00:42:21,438 --> 00:42:23,640 MISS LOUISIANA, SLIDE YOU OVER HERE... 906 00:42:27,411 --> 00:42:29,112 SO MUCH HARDER THAN YOU'D THINK! 907 00:42:29,146 --> 00:42:31,881 YEAH. EVERYBODY'S OUT OF STEP BUT YOU. 908 00:42:33,717 --> 00:42:35,552 HOW MANY PEOPLE DO YOU THINK ARE GONNA BE THERE? 909 00:42:35,586 --> 00:42:36,886 OH, LIKE 500. 910 00:42:36,921 --> 00:42:40,423 I CAN'T SING IN FRONT OF 500 PEOPLE! 911 00:42:40,457 --> 00:42:41,424 OH, YOU'LL BE OKAY. 912 00:42:41,458 --> 00:42:42,692 IN RITA'S BOOK, 913 00:42:42,726 --> 00:42:44,394 RENITA HAYWEATHER: FRONTIER DUCHESS, 914 00:42:44,428 --> 00:42:46,496 RENITA HAS TO SING "MOON RIVER" 915 00:42:46,530 --> 00:42:48,398 WHILE SITTING ON TOP OF A WURLITZER ORGAN 916 00:42:48,432 --> 00:42:49,465 IN THE LAST CHANCE SALOON 917 00:42:49,500 --> 00:42:51,734 WHILE A BUNCH OF COWBOYS EAT PISTACHIOS. 918 00:42:51,769 --> 00:42:53,836 BUT SHE KNOWS THAT IT'LL INSPIRE MR. D'LORMAN 919 00:42:53,871 --> 00:42:55,438 BEFORE THE BIG SHOOT-OUT, 920 00:42:55,472 --> 00:42:57,206 SO SHE DOES IT. 921 00:42:57,241 --> 00:42:59,709 WOW! I WANNA READ THAT BOOK. 922 00:42:59,743 --> 00:43:02,612 : OKAY, LADIES, LET'S GO BACK TO FIFTH POSITION. 923 00:43:02,646 --> 00:43:03,646 FIFTH? 924 00:43:03,681 --> 00:43:04,747 MY DOGS ARE BARKIN' SO BAD, 925 00:43:04,782 --> 00:43:06,149 I CAN'T GET BACK TO FIRST. 926 00:43:06,183 --> 00:43:08,651 "MY DOGS ARE BARKING." 927 00:43:08,686 --> 00:43:10,453 DON'T YOU JUST LOVE HER? 928 00:43:10,487 --> 00:43:12,589 --YEAH. 929 00:43:14,258 --> 00:43:16,459 FIVE, SIX, SEVEN, EIGHT... 930 00:43:16,493 --> 00:43:18,861 ♪ SHE'S MISS SPECIAL DELIVERY ♪ 931 00:43:18,896 --> 00:43:21,764 ♪ YES, SHE'S OUR POST OFFICE QUEEN ♪ 932 00:43:21,799 --> 00:43:22,899 "MY DOGS"? 933 00:43:22,933 --> 00:43:25,501 ♪ FROM ROCKY MOUNTAIN TO FIELD AND FOUNTAIN... ♪ 934 00:43:25,536 --> 00:43:26,869 DOG. 935 00:43:26,904 --> 00:43:28,571 DOGS? DOGS! 936 00:43:28,606 --> 00:43:30,406 LIBERTY! LET'S GO! 937 00:43:30,441 --> 00:43:32,709 ♪ YOU BET SHE'LL GET THOSE LETTERS THROUGH ♪ 938 00:43:32,743 --> 00:43:36,379 ♪ SO HAIL MISS SPECIAL DELIVERY ♪ 939 00:43:36,413 --> 00:43:37,847 "LIBERTY"? 940 00:43:37,881 --> 00:43:39,182 YES, MA'AM. 941 00:43:39,216 --> 00:43:41,484 RANDILYNN WASN'T TALKING ABOUT THE FOURTH OF JULY. 942 00:43:41,518 --> 00:43:43,786 SHE WAS TALKING ABOUT LIB. 943 00:43:43,821 --> 00:43:45,655 THEIR DOG'S NAME IS "LIBERTY." 944 00:43:45,689 --> 00:43:47,423 ARE YOU TELLING ME 945 00:43:47,458 --> 00:43:50,593 THAT THIS COMMITTEE CONVENED A SPECIAL EMERGENCY SESSION 946 00:43:50,628 --> 00:43:55,431 BECAUSE OF THE BIRTHDATE OF SOMEONE'S PET? 947 00:43:55,466 --> 00:43:58,468 THE BIRTHDATE OF PHOEBE AMIDON'S GERMAN SHEPHERD 948 00:43:58,502 --> 00:44:01,204 IS OF UTMOST IMPORTANCE, MADAME CHAIRMAN. 949 00:44:01,238 --> 00:44:03,239 IT TURNED OUT TO BE THE CODE-BREAKER, 950 00:44:03,273 --> 00:44:04,273 THE ROSETTA STONE... 951 00:44:05,309 --> 00:44:09,746 AND THE KEY TO SAVING RANDILYNN AMIDON'S LIFE. 952 00:44:13,984 --> 00:44:15,818 "THE DAY WILL END FAST," 953 00:44:15,853 --> 00:44:16,819 "THE BIRTHDAY OF LIBERTY," 954 00:44:16,854 --> 00:44:18,655 "RETURN TO THE FOUR-POSTER," 955 00:44:18,689 --> 00:44:20,223 "SONG 5-9-1-6." 956 00:44:20,257 --> 00:44:23,226 "PROVERBIAL 1-8-1-0," 957 00:44:23,260 --> 00:44:24,927 AND "GRIM FEET." 958 00:44:24,962 --> 00:44:28,331 GRIM... FEET. 959 00:44:29,533 --> 00:44:31,634 ABRAHAM LINCOLN SLEPT IN THIS HOTEL 960 00:44:31,669 --> 00:44:32,769 AFTER HIS ELECTION, 961 00:44:32,803 --> 00:44:34,404 BEFORE HE MOVED INTO THE WHITE HOUSE IN 1860. 962 00:44:34,438 --> 00:44:36,539 I WONDER WHAT THEY CALLED THE LINCOLN BEDROOM 963 00:44:36,573 --> 00:44:39,442 BEFORE IT WAS THE LINCOLN BEDROOM. 964 00:44:45,816 --> 00:44:46,883 HUH. 965 00:44:47,918 --> 00:44:49,752 MAY I USE THIS? 966 00:44:50,988 --> 00:44:52,822 : GUESS WHAT! 967 00:44:52,856 --> 00:44:54,924 ROOM 1201, PLEASE. 968 00:44:54,958 --> 00:44:56,426 OLIVER. 969 00:44:56,460 --> 00:44:58,461 HARPER. OLIVER O'TOOLE. 970 00:44:58,495 --> 00:44:59,796 WHEN YOU TOLD ME THAT STORY 971 00:44:59,830 --> 00:45:01,664 ABOUT YOUR DAUGHTER FALLING OFF THE BED. 972 00:45:01,699 --> 00:45:03,866 UH, WAS IT A FOUR-POSTER BED? 973 00:45:03,901 --> 00:45:06,469 AND ASK HIM WHEN LIBERTY'S BIRTHDAY IS! 974 00:45:08,372 --> 00:45:11,407 HARPER, UH, I BELIEVE WE NEED TO TALK. 975 00:45:18,515 --> 00:45:20,083 SOMEBODY'S GOING TO SLEEP TONIGHT. 976 00:45:21,151 --> 00:45:22,652 WELL, SO... 977 00:45:22,686 --> 00:45:24,220 : HARPER, WHEN RANDILYNN FELL OUT 978 00:45:24,254 --> 00:45:25,221 OF THAT FOUR-POSTER BED, 979 00:45:25,255 --> 00:45:26,222 SHE WAS TWO. 980 00:45:26,256 --> 00:45:28,991 DO YOU THINK SHE REMEMBERS THAT? 981 00:45:29,026 --> 00:45:30,693 IT WAS A FAMILY JOKE, YES. 982 00:45:30,728 --> 00:45:31,728 AND YOU'RE SURE 983 00:45:31,762 --> 00:45:34,097 THAT PHOEBE'S PUPPY WAS BORN ON JULY 21st? 984 00:45:34,131 --> 00:45:36,065 YEAH, CAN'T FORGET THAT. 985 00:45:37,601 --> 00:45:41,104 DO THE WORDS "GRIM FEET" MEAN ANYTHING TO YOU? 986 00:45:41,138 --> 00:45:43,639 GRIM FEET? 987 00:45:43,674 --> 00:45:44,640 NO. 988 00:45:44,675 --> 00:45:47,477 AND HOW ABOUT "THE DAY WILL END FAST"? 989 00:45:47,511 --> 00:45:48,611 FAST, "IN A HURRY," 990 00:45:48,645 --> 00:45:50,546 OR FAST AS IN "NOT EATING"? 991 00:45:50,581 --> 00:45:53,249 HMM! GOOD POINT. 992 00:45:54,651 --> 00:45:57,887 UM, "PROVERBIAL SONG"? 993 00:45:57,921 --> 00:45:59,922 PROVERBIAL... 994 00:45:59,957 --> 00:46:01,758 OH, MY GOODNESS. 995 00:46:01,792 --> 00:46:03,526 RITA, WE NEED A BIBLE. 996 00:46:03,560 --> 00:46:04,660 THERE'S ONE IN THE DRAWER THERE. 997 00:46:04,695 --> 00:46:07,830 PROVERBS AND SONG-- "SONG" IS THE MODERN VERSION 998 00:46:07,865 --> 00:46:08,831 OF THE WORD "PSALM." 999 00:46:08,866 --> 00:46:09,832 THANK YOU. 1000 00:46:09,867 --> 00:46:12,135 SIR, IS YOUR DAUGHTER A WOMAN OF FAITH? 1001 00:46:12,169 --> 00:46:13,603 OH, YES. 1002 00:46:13,637 --> 00:46:15,538 SHE EVEN TAUGHT SOME BIBLE STUDY AT THE BASE. 1003 00:46:15,572 --> 00:46:16,672 SO SHE KNOWS HER BIBLE? 1004 00:46:16,707 --> 00:46:17,940 OH, CHAPTER AND VERSE. 1005 00:46:17,975 --> 00:46:21,778 : PROVERBS, CHAPTER 18, VERSE 10. 1006 00:46:21,812 --> 00:46:24,881 PSALMS 59:16... 1007 00:46:26,283 --> 00:46:28,050 THEY BOTH TALK ABOUT... 1008 00:46:28,085 --> 00:46:29,118 OH, WOW! 1009 00:46:29,153 --> 00:46:31,053 OLIVER-- "THE DAY WILL END FAST." 1010 00:46:31,088 --> 00:46:32,288 I THINK I KNOW WHAT IT MEANS. 1011 00:46:32,322 --> 00:46:33,656 : OH! HERE WE GO. 1012 00:46:33,690 --> 00:46:36,959 "THE NAME OF THE LORD IS A HIGH TOWER. 1013 00:46:36,994 --> 00:46:40,096 THE JUST RUN TO IT, AND ARE SAFE." 1014 00:46:40,130 --> 00:46:42,231 I NEED TO CALL STEVE. 1015 00:46:43,333 --> 00:46:44,767 WHO'S STEVE? 1016 00:46:44,802 --> 00:46:45,768 WELL, HE'S NOT 1017 00:46:45,803 --> 00:46:47,570 WITH THE DEPARTMENT OF AGRICULTURE. 1018 00:46:47,604 --> 00:46:51,073 MR. O'TOOLE AND HIS TEAM CONTACTED ME LAST NIGHT, 1019 00:46:51,108 --> 00:46:52,308 THEY SUGGESTED 1020 00:46:52,342 --> 00:46:55,044 THE LETTER WAS SOME FORM OF ESCAPE PLAN 1021 00:46:55,078 --> 00:46:57,713 AND THEY MADE A RATHER PERSUASIVE CASE. 1022 00:46:57,748 --> 00:47:00,116 BUT NOT A CONCLUSIVE ONE. 1023 00:47:00,150 --> 00:47:02,552 NO. BUT I FELT THERE WAS ENOUGH INFORMATION 1024 00:47:02,586 --> 00:47:03,653 TO BRING IT TO YOUR ATTENTION, 1025 00:47:03,687 --> 00:47:06,722 ESPECIALLY CONSIDERING THE DEADLINE. 1026 00:47:06,757 --> 00:47:10,026 WELL, GO AHEAD, MR. O'TOOLE. 1027 00:47:10,060 --> 00:47:11,694 MAKE YOUR CASE. 1028 00:47:11,728 --> 00:47:13,663 ACTUALLY, I'D LIKE TO TURN THAT OVER 1029 00:47:13,697 --> 00:47:15,064 TO MY COLLEAGUE, MR. DORMAN. 1030 00:47:20,270 --> 00:47:23,206 THANK YOU, MR. O'TOOLE. 1031 00:47:24,274 --> 00:47:27,777 UH, AS MS. HAYWITH EXPLAINED, THE SECOND CLUE, 1032 00:47:27,811 --> 00:47:33,182 "THE BIRTHDAY OF LIBERTY" IS IN REFERENCE TO JULY 21st, 1033 00:47:33,217 --> 00:47:35,818 WHICH HAPPENS TO BE TOMORROW AND, NOT COINCIDENTALLY, 1034 00:47:35,853 --> 00:47:39,188 IS ALSO THE BIRTHDATE OF THE AMIDON FAMILY DOG. 1035 00:47:39,223 --> 00:47:43,659 AND THAT DATE IS SOME SORT OF "KEY" TO THE CODE, YOU SAY? 1036 00:47:43,694 --> 00:47:46,229 YES, WHEN PAIRED WITH THE FIRST CLUE-- 1037 00:47:46,263 --> 00:47:48,197 "THE DAY WILL END FAST." 1038 00:47:48,232 --> 00:47:49,932 IN AFGHANISTAN, AND AROUND THE WORLD, 1039 00:47:49,967 --> 00:47:53,736 THE HOLY MONTH OF RAMADAN IS OBSERVED, UH, 1040 00:47:53,770 --> 00:47:57,073 WITH PRAYER, ACTS OF CHARITY, AND FASTING. 1041 00:47:57,107 --> 00:47:59,375 THIS YEAR, THOSE 30 DAYS OF FASTING ENDED 1042 00:47:59,409 --> 00:48:02,345 WITH A TRADITIONAL FESTIVAL OF FAST-BREAKING FOUR DAYS AGO, 1043 00:48:02,379 --> 00:48:04,146 AND WE SUGGEST THAT THAT IS THE DAY 1044 00:48:04,181 --> 00:48:06,749 THAT LIEUTENANT AMIDON CHOSE TO ESCAPE. 1045 00:48:33,210 --> 00:48:35,044 : IT IS TIME. 1046 00:49:34,071 --> 00:49:35,338 IF SHE'S ACTUALLY ESCAPED, 1047 00:49:35,372 --> 00:49:37,340 IT'S LIKELY SHE HAD HELP FROM A LOCAL, 1048 00:49:37,374 --> 00:49:39,408 SOMEONE WILLING TO RISK THEIR LIFE, 1049 00:49:39,443 --> 00:49:41,043 MOST LIKELY A PASHTUN-- 1050 00:49:41,078 --> 00:49:42,745 THEY HAVE A GREAT RESPECT 1051 00:49:42,779 --> 00:49:45,281 FOR THEIR TRADITIONS AND HOSPITALITY AND CHARITY. 1052 00:49:45,315 --> 00:49:46,816 EVEN SO, 1053 00:49:46,850 --> 00:49:48,084 IT'S HARD TO IMAGINE, 1054 00:49:48,118 --> 00:49:50,386 BECAUSE THE PUNISHMENT FOR HELPING AN AMERICAN 1055 00:49:50,420 --> 00:49:51,721 IS DEATH. 1056 00:49:51,755 --> 00:49:53,856 ASSUMING SHE DID ESCAPE FOUR DAYS AGO, 1057 00:49:53,890 --> 00:49:55,458 WHERE IS SHE GOING? 1058 00:49:55,492 --> 00:49:58,361 WELL, THAT'S THE THIRD CLUE. "RETURN TO THE FOUR-POSTER." 1059 00:49:58,395 --> 00:50:01,130 : A REFERENCE TO AN AMIDON FAMILY JOKE-- 1060 00:50:01,164 --> 00:50:04,100 A FOUR-POSTER BED WHERE SHE FELL AS A CHILD 1061 00:50:04,134 --> 00:50:06,335 AND RETURNED TO RE-ENACT HER FALL. 1062 00:50:06,370 --> 00:50:09,071 : WHICH WOULD SUGGEST THE VILLAGE OF DARAKHT, 1063 00:50:09,106 --> 00:50:11,307 IT WAS THE SITE OF THE ORIGINAL FIREFIGHT 1064 00:50:11,341 --> 00:50:13,476 AND THE LOCATION WHERE LIEUTENANT AMIDON WAS SEEN LAST, 1065 00:50:13,510 --> 00:50:15,077 FALLING OUT OF A HELICOPTER. 1066 00:50:15,112 --> 00:50:16,312 ACCORDING TO MR. MAREK, 1067 00:50:16,346 --> 00:50:19,115 DARAKHT ALSO HAS A DISTINCTIVE HIGH TOWER, 1068 00:50:19,149 --> 00:50:21,951 AND TWICE IN HER LETTER, IN CLUES FOUR AND FIVE, 1069 00:50:21,985 --> 00:50:24,887 RANDILYNN REFERS TO A BIBLICAL TOWER OR FORTRESS 1070 00:50:24,921 --> 00:50:29,125 AS A PLACE OF SAFETY AND REFUGE. 1071 00:50:29,159 --> 00:50:30,326 WHEREVER SHE IS, 1072 00:50:30,360 --> 00:50:32,495 WE KNOW SHE WASN'T TRAINED IN NAVIGATION 1073 00:50:32,529 --> 00:50:35,031 OR ADVANCED SURVIVAL. 1074 00:50:35,065 --> 00:50:37,967 HOW CAN SHE POSSIBLY MAKE HER WAY BACK TO DARAKHT? 1075 00:50:38,001 --> 00:50:39,468 : LIEUTENANT AMIDON 1076 00:50:39,503 --> 00:50:41,837 IS THE DAUGHTER OF AN AIR FORCE CAPTAIN. 1077 00:50:41,872 --> 00:50:43,906 HER HUSBAND WAS KILLED IN ACTION IN KABUL. 1078 00:50:43,940 --> 00:50:46,208 SHE IS AN AMERICAN SOLDIER, 1079 00:50:46,243 --> 00:50:48,344 BUT SHE IS ALSO AN AMERICAN MOTHER, 1080 00:50:48,378 --> 00:50:51,547 AND NOTHING IS GONNA KEEP A WOMAN LIKE THAT 1081 00:50:51,581 --> 00:50:53,282 FROM DOING WHATEVER IT TAKES 1082 00:50:53,316 --> 00:50:56,318 TO FIND HER WAY BACK TO HER LITTLE GIRL. 1083 00:51:35,992 --> 00:51:37,526 WE CANNOT GO ON. 1084 00:51:37,561 --> 00:51:39,228 THERE IS A ROADBLOCK AHEAD. 1085 00:51:39,262 --> 00:51:40,529 COME. 1086 00:51:41,631 --> 00:51:42,598 IT'S TOO DANGEROUS 1087 00:51:42,632 --> 00:51:44,233 FOR YOU TO STAY IN THE TRUCK. 1088 00:51:44,267 --> 00:51:46,335 I MUST GO ON BEFORE THEY FIND YOU. 1089 00:51:46,369 --> 00:51:48,270 IT'S OKAY. 1090 00:51:48,305 --> 00:51:49,438 WAIT FOR ME THERE. 1091 00:51:49,473 --> 00:51:53,042 I WILL TRY AND RETURN TOMORROW AND TAKE YOU TO DARAKHT. 1092 00:51:54,077 --> 00:51:55,411 I AM SORRY. 1093 00:51:55,445 --> 00:51:57,613 I HAVE ONLY A LITTLE FOOD TO LEAVE WITH YOU. 1094 00:51:57,647 --> 00:51:58,614 PLEASE, NO. 1095 00:51:58,648 --> 00:51:59,915 YOU TAKE IT. 1096 00:51:59,950 --> 00:52:01,884 YOU'VE DONE SO MUCH ALREADY. 1097 00:52:01,918 --> 00:52:03,319 NO. THE FAST IS OVER. 1098 00:52:03,353 --> 00:52:05,020 WE MUST ALL CELEBRATE. 1099 00:52:05,055 --> 00:52:07,156 THANK YOU. 1100 00:52:07,190 --> 00:52:10,226 IF I AM NOT BACK IN TWO DAYS, 1101 00:52:10,260 --> 00:52:12,194 PLEASE KNOW THAT I HAVE TRIED, BUT I COULD NOT, 1102 00:52:12,229 --> 00:52:15,331 THEN YOU MUST WALK THE REST OF THE WAY. 1103 00:52:15,365 --> 00:52:17,366 ALWAYS KEEP THE MOUNTAINS ON YOUR RIGHT, 1104 00:52:17,400 --> 00:52:18,367 AND AT NIGHT, 1105 00:52:18,401 --> 00:52:21,570 THE BRIGHTEST STAR OVER THAT PEAK. 1106 00:52:24,007 --> 00:52:27,076 IT IS VERY DANGEROUS... BUT GOD IS GOOD. 1107 00:52:27,110 --> 00:52:29,245 YES. 1108 00:52:29,279 --> 00:52:31,514 BUT PEOPLE, NOT ALWAYS. 1109 00:52:31,548 --> 00:52:33,516 I THINK WE ARE. 1110 00:52:33,550 --> 00:52:35,317 YOU... AND ME. 1111 00:52:43,126 --> 00:52:45,294 HOLD ON TIGHT. 1112 00:53:08,552 --> 00:53:10,486 AH! 1113 00:53:10,520 --> 00:53:12,721 OH! 1114 00:54:11,314 --> 00:54:14,216 : THE LETTER WRITTEN BY LIEUTENANT AMIDON 1115 00:54:14,251 --> 00:54:16,452 IS, IN FACT, A ROADMAP FOR A RESCUE MISSION 1116 00:54:16,486 --> 00:54:17,987 THAT BEGAN FOUR DAYS AGO, 1117 00:54:18,021 --> 00:54:20,356 AND WE HOPE WILL END TOMORROW 1118 00:54:20,390 --> 00:54:21,924 IN A RENDEZVOUS WITH AMERICAN TROOPS 1119 00:54:21,958 --> 00:54:25,327 IN THE VERY SAME PLACE WHERE SHE WAS FIRST CAPTURED-- 1120 00:54:25,362 --> 00:54:28,297 THE "HIGH TOWER" IN THE VILLAGE OF DARAKHT, 1121 00:54:28,331 --> 00:54:30,532 AS INDICATED BY THE CLUES SHE GAVE US. 1122 00:54:30,567 --> 00:54:33,302 FIVE OUT OF SIX SO-CALLED CLUES, MR. O'TOOLE. 1123 00:54:33,336 --> 00:54:35,104 : YES, WELL, UH, 1124 00:54:35,138 --> 00:54:36,605 THE LAST CLUE WAS PARTIALLY OBSCURED 1125 00:54:36,640 --> 00:54:38,374 WHEN MS. HAYWITH GLANCED AT THE LETTER, 1126 00:54:38,408 --> 00:54:41,243 BUT SHE WAS ABLE TO MAKE OUT THE WORDS "GRIM FEET." 1127 00:54:41,278 --> 00:54:44,446 WE RESPECTFULLY REQUEST THE OPPORTUNITY 1128 00:54:44,481 --> 00:54:46,382 TO INSPECT THE ACTUAL LETTER 1129 00:54:46,416 --> 00:54:48,917 IN ORDER TO DECODE THE FINAL CLUE. 1130 00:54:48,952 --> 00:54:50,152 MS. HAYWITH IS FORTUNATE 1131 00:54:50,186 --> 00:54:52,888 SHE HASN'T BEEN INDICTED FOR READING AND DISSEMINATING 1132 00:54:52,922 --> 00:54:55,157 THE INFORMATION SHE HAS ALREADY SEEN. 1133 00:54:55,191 --> 00:54:58,027 AND MR. MAREK MAY VERY WELL BE DISCIPLINED FOR ALLOWING HER, 1134 00:54:58,061 --> 00:54:59,094 OR ANY OF YOU, 1135 00:54:59,129 --> 00:55:01,630 TO EVEN BECOME AWARE OF ITS EXISTENCE. 1136 00:55:01,665 --> 00:55:03,365 WHATEVER "GRIM FEET" MAY MEAN, 1137 00:55:03,400 --> 00:55:04,433 THAT IS A MATTER 1138 00:55:04,467 --> 00:55:07,069 FOR OUR OWN INTELLIGENCE SERVICE TO DETERMINE. 1139 00:55:07,103 --> 00:55:08,370 BUT THERE ISN'T TIME! 1140 00:55:08,405 --> 00:55:10,472 SHE TOOK A HUGE CHANCE SENDING THAT LETTER. 1141 00:55:10,507 --> 00:55:12,074 AND HERE WE ARE, MAYBE THE ONLY PEOPLE 1142 00:55:12,108 --> 00:55:14,143 WHO COULD SOLVE THAT MESSAGE IN TIME TO SAVE HER. 1143 00:55:14,177 --> 00:55:17,179 WHY WOULD A SOLDIER HOPING FOR RESCUE 1144 00:55:17,213 --> 00:55:19,648 PURPOSELY WRITE SOMETHING OBSCURE 1145 00:55:19,683 --> 00:55:22,284 AND RUN THE CHANCE THAT IT WOULDN'T BE DECODED? 1146 00:55:22,319 --> 00:55:25,087 TO PROTECT ANYONE COMING TO HELP HER. 1147 00:55:25,121 --> 00:55:27,489 HAVING SPENT QUITE A BIT OF TIME IN THE MILITARY, 1148 00:55:27,524 --> 00:55:28,490 MADAME CHAIRMAN, 1149 00:55:28,525 --> 00:55:30,192 I CAN ATTEST 1150 00:55:30,226 --> 00:55:32,528 THAT LIEUTENANT AMIDON WOULD KNOW 1151 00:55:32,562 --> 00:55:35,664 THAT SHOULD SOMEONE INTERCEPT A MORE SPECIFIC LETTER, 1152 00:55:35,699 --> 00:55:40,002 THAT THEY COULD SIMPLY ALLOW HER TO REACH HER RENDEZVOUS POINT 1153 00:55:40,036 --> 00:55:42,971 AND THEN WAIT TO AMBUSH THE ENTIRE RESCUE PARTY. 1154 00:55:43,006 --> 00:55:45,374 IT'S WHAT HAPPENED THE NIGHT SHE WAS CAPTURED. 1155 00:55:45,408 --> 00:55:47,609 SHE WOULDN'T ALLOW IT TO HAPPEN AGAIN. 1156 00:55:50,013 --> 00:55:52,981 WE'LL TAKE A FIVE-MINUTE BREAK. 1157 00:55:54,284 --> 00:55:56,285 I CAN'T GO TO PRISON, NORMAN. 1158 00:55:56,319 --> 00:55:57,519 I THINK SHE WAS JUST SAYING THAT YOU COULD, 1159 00:55:57,554 --> 00:55:59,254 BUT YOU WON'T. 1160 00:55:59,289 --> 00:56:01,023 THAT'S WHAT I GOT OUT OF IT, ANYWAYS. 1161 00:56:01,057 --> 00:56:02,024 I MEAN, IF ANYONE'S IN TROUBLE, 1162 00:56:02,058 --> 00:56:04,293 IT'S PROBABLY THAT STEVE GUY. 1163 00:56:04,327 --> 00:56:06,362 I HAD YOU VETTED. 1164 00:56:06,396 --> 00:56:08,597 IT'S WHAT WE DO AROUND HERE. 1165 00:56:08,631 --> 00:56:10,232 AS IT TURNS OUT, 1166 00:56:10,266 --> 00:56:12,434 YOU'RE WHAT WE CALL "A SOLID CITIZEN." 1167 00:56:12,469 --> 00:56:16,138 OH, WELL, I TAKE THAT AS A COMPLIMENT. 1168 00:56:16,172 --> 00:56:18,073 I'M COMING TO SUSPECT 1169 00:56:18,108 --> 00:56:20,209 THAT PERHAPS YOU ARE ONE, AS WELL. 1170 00:56:21,678 --> 00:56:24,380 MAYBE SHANE HAS GOOD TASTE. 1171 00:56:25,482 --> 00:56:27,349 HMM. 1172 00:56:27,384 --> 00:56:30,486 I MUST CONFESS, AT FIRST, I WAS, UM... 1173 00:56:30,520 --> 00:56:33,655 SUSPICIOUS OF YOUR MOTIVES FOR HELPING US. 1174 00:56:35,725 --> 00:56:37,459 LOOK, I KNOW IT SOUNDS KIND OF CORNY, 1175 00:56:37,494 --> 00:56:38,994 BUT I STILL BELIEVE IN ALL THAT STUFF 1176 00:56:39,028 --> 00:56:40,429 WE USED TO SING WHEN WE WERE KIDS-- 1177 00:56:40,463 --> 00:56:43,098 THE GRAND OLD FLAG, AMBER WAVES OF GRAIN, 1178 00:56:43,133 --> 00:56:44,500 "THE HALLS OF MONTEZUMA." 1179 00:56:44,534 --> 00:56:46,702 : EXCUSE ME, GENTLEMEN. 1180 00:56:46,736 --> 00:56:49,438 HATE TO INTERRUPT, BUT THEY'RE GOING BACK IN. 1181 00:56:49,472 --> 00:56:53,442 WE WERE JUST, UH, DISCUSSING PATRIOTISM. 1182 00:56:54,677 --> 00:56:56,478 : PHOEBE WAS TELLING ME YESTERDAY 1183 00:56:56,513 --> 00:56:58,714 HER MOM WAS SO PATRIOTIC THAT, INSTEAD OF LULLABIES, 1184 00:56:58,748 --> 00:57:01,316 SHE'D SING ALL THE VERSES TO "THE STAR-SPANGLED BANNER" 1185 00:57:01,351 --> 00:57:03,318 AND "AMERICA THE BEAUTIFUL" EVERY NIGHT. 1186 00:57:04,654 --> 00:57:06,555 ALL THE VERSES? 1187 00:57:11,261 --> 00:57:12,594 IT IS THE CONCLUSION OF THIS COMMITTEE, 1188 00:57:12,629 --> 00:57:14,096 THAT ALTHOUGH YOU FOLKS 1189 00:57:14,130 --> 00:57:16,365 HAVE PAINTED A VERY ENTERTAINING STORY, 1190 00:57:16,399 --> 00:57:18,500 WE ARE UNWILLING TO SEE AMERICAN TROOPS 1191 00:57:18,535 --> 00:57:20,702 PUT IN HARM'S WAY AT THIS TIME 1192 00:57:20,737 --> 00:57:22,204 FOR A RESCUE MISSION 1193 00:57:22,238 --> 00:57:24,206 BASED ON A LOOSE INTERPRETATION 1194 00:57:24,240 --> 00:57:26,642 OF FIVE SO-CALLED CLUES IN A LETTER. 1195 00:57:26,676 --> 00:57:28,243 MADAME CHAIRMAN-- 1196 00:57:28,278 --> 00:57:30,612 IF YOU CAN'T TELL US WHAT "GRIM FEET" MEANS, 1197 00:57:30,647 --> 00:57:31,747 MR. O'TOOLE, 1198 00:57:31,781 --> 00:57:34,349 IT RENDERS THE REST OF YOUR CONJECTURES USELESS. 1199 00:57:34,384 --> 00:57:39,321 A FEW DATES AND A REFERENCE TO AN OLD OUTPOST WITH A TOWER 1200 00:57:39,355 --> 00:57:42,124 IS NO INDICATION OF INTENT TO ESCAPE. 1201 00:57:42,158 --> 00:57:43,392 -BUT WE HAVE IT! -MR. O'TOOLE-- 1202 00:57:43,426 --> 00:57:45,160 IF MR. MAREK WOULD JUST CONFIRM 1203 00:57:45,195 --> 00:57:46,595 THE COMPLETE PHRASE IN THAT LETTER-- 1204 00:57:46,629 --> 00:57:48,730 THE WORDS ENDING IN GRIM FEET-- WE CAN GIVE YOU 1205 00:57:48,765 --> 00:57:50,732 LIEUTENANT AMIDON'S PROMISE TO ESCAPE. 1206 00:57:50,767 --> 00:57:52,734 YOU'VE SHARED ENOUGH ALREADY, MR. MAREK. 1207 00:57:52,769 --> 00:57:54,636 DO NOT RESPOND. 1208 00:57:54,671 --> 00:57:57,406 STEVE, THE CLUE THAT RITA COULDN'T READ-- 1209 00:57:57,440 --> 00:58:00,375 WAS IT "PILGRIM FEET?" 1210 00:58:00,410 --> 00:58:02,177 THE TRUTH, NOW, PLEASE. 1211 00:58:02,212 --> 00:58:03,679 ANSWER THAT, MR. MAREK... 1212 00:58:03,713 --> 00:58:06,248 AND YOU MAY LIVE TO REGRET IT. 1213 00:58:13,356 --> 00:58:16,692 ONLY IF HE'S WRONG, MADAME CHAIRMAN. 1214 00:58:18,661 --> 00:58:20,762 MR. MAREK... THAT LAST CLUE-- 1215 00:58:23,166 --> 00:58:25,734 WAS IT "PILGRIM FEET?" 1216 00:58:33,676 --> 00:58:34,776 YES. 1217 00:58:34,811 --> 00:58:37,312 RANDILYNN AMIDON... 1218 00:58:38,815 --> 00:58:41,517 RANDILYNN AMIDON SANG EVERY VERSE 1219 00:58:41,551 --> 00:58:43,352 OF "AMERICA THE BEAUTIFUL" EVERY NIGHT 1220 00:58:43,386 --> 00:58:45,654 AS A LULLABY TO HER LITTLE GIRL. 1221 00:58:45,688 --> 00:58:46,889 EVERY VERSE, INCLUDING, 1222 00:58:46,923 --> 00:58:49,424 "OH, BEAUTIFUL FOR PILGRIM FEET 1223 00:58:49,459 --> 00:58:53,161 "WHOSE STERN IMPASSIONED STRESS A THOROUGHFARE FOR FREEDOM 1224 00:58:53,196 --> 00:58:54,429 BEAT CROSS THE WILDERNESS." 1225 00:58:54,464 --> 00:58:56,231 LADIES AND GENTLEMEN, 1226 00:58:56,266 --> 00:58:59,868 RANDILYNN AMIDON IS SOMEWHERE IN AFGHANISTAN TONIGHT, 1227 00:58:59,903 --> 00:59:02,271 BEATING A THOROUGHFARE ACROSS THE WILDERNESS 1228 00:59:02,305 --> 00:59:04,139 IN SEARCH OF THAT TOWER, 1229 00:59:04,173 --> 00:59:05,841 IN SEARCH OF EVERYTHING WE STAND FOR, 1230 00:59:05,875 --> 00:59:07,142 IN SEARCH-- IN SEARCH OF 1231 00:59:07,176 --> 00:59:11,346 THE FREEDOM THAT SHE WAS WILLING TO DIE FOR. 1232 00:59:11,381 --> 00:59:14,550 AND SOMEWHERE NEAR THAT SAME WILDERNESS 1233 00:59:14,584 --> 00:59:16,184 IS A BAND OF HER BROTHERS 1234 00:59:16,219 --> 00:59:18,620 WITH THE COURAGE TO DIE FOR HER, FOR US, 1235 00:59:18,655 --> 00:59:19,922 TO BRING RANDILYNN HOME... 1236 00:59:26,629 --> 00:59:30,766 IF YOU WILL JUST HAVE THE COURAGE TO SEND THEM. 1237 00:59:56,859 --> 00:59:58,260 HAVE YOU HEARD ANYTHING? 1238 00:59:58,294 --> 00:59:59,861 : NOTHING. 1239 00:59:59,896 --> 01:00:00,862 I WISH WE COULD 1240 01:00:00,897 --> 01:00:03,832 TELL HARPER AND PHOEBE WHAT WAS GOING ON. 1241 01:00:03,866 --> 01:00:06,368 : YOU KNOW WE'RE SWORN TO SECRECY, NORMAN. 1242 01:00:06,402 --> 01:00:08,036 HOW IS HE? 1243 01:00:08,071 --> 01:00:09,137 HE'S FINE. 1244 01:00:09,172 --> 01:00:11,540 WE'LL ALL BE ON THE SAME FLIGHT TOMORROW. 1245 01:00:11,574 --> 01:00:13,842 WE EVEN MADE PLANS TO GET TOGETHER IN DENVER. 1246 01:00:13,876 --> 01:00:16,411 THINK WE'LL HAVE ANYTHING TO TELL THEM BY THEN? 1247 01:00:16,446 --> 01:00:18,413 I DON'T IMAGINE WE'LL EVER HEAR 1248 01:00:18,448 --> 01:00:20,382 WHAT THE COMMITTEE DECIDES TO DO-- 1249 01:00:20,416 --> 01:00:23,852 UNLESS, UH... UNLESS THE NEWS IS GOOD. 1250 01:00:23,886 --> 01:00:26,388 BUT FOR NOW, HOWEVER, 1251 01:00:26,422 --> 01:00:29,157 WE MUST TURN TO THE PRESENT. 1252 01:00:29,192 --> 01:00:30,892 VERY BEST OF LUCK, RITA. 1253 01:00:30,927 --> 01:00:32,361 OH, THANK YOU. 1254 01:00:32,395 --> 01:00:33,929 YES, AND HAVE FUN! 1255 01:00:33,963 --> 01:00:35,197 I WILL. 1256 01:00:35,231 --> 01:00:37,099 I THINK... 1257 01:00:37,133 --> 01:00:38,567 YOU MIGHT HAVE A FRIEND 1258 01:00:38,601 --> 01:00:40,602 THAT NEEDS TO BE REMINDED OF THAT. 1259 01:00:40,637 --> 01:00:43,372 : OH! OH, MY GOODNESS. 1260 01:00:43,406 --> 01:00:46,074 OKAY. I BETTER GET GOING, GUYS. 1261 01:00:46,109 --> 01:00:47,442 UH, I'LL SEE YOU LATER. 1262 01:00:47,477 --> 01:00:49,011 UM... RITA? 1263 01:00:49,045 --> 01:00:51,246 I'LL BE RIGHT BACK. 1264 01:00:55,618 --> 01:00:58,487 NORMAN? YOU ALL RIGHT? 1265 01:00:59,656 --> 01:01:02,991 I HAVE A PRESENT FOR RITA. 1266 01:01:03,026 --> 01:01:05,594 I JUST WANTED HER TO KNOW... 1267 01:01:06,963 --> 01:01:07,996 IF SHE WINS, 1268 01:01:08,031 --> 01:01:10,332 SHE'LL BE GONE FOR A WHOLE YEAR, 1269 01:01:10,366 --> 01:01:13,101 TRAVELING AROUND, GIVING SPEECHES... 1270 01:01:14,270 --> 01:01:17,305 SHAKING HANDS WITH PEOPLE, 1271 01:01:17,340 --> 01:01:19,541 OTHER PEOPLE... 1272 01:01:19,575 --> 01:01:22,244 ARE YOU AFRAID SHE'LL FORGET... 1273 01:01:22,278 --> 01:01:23,445 US? 1274 01:01:25,581 --> 01:01:28,150 THERE ARE A LOT MORE THINGS ON THIS EARTH 1275 01:01:28,184 --> 01:01:30,686 THAN BEING MISS SPECIAL DELIVERY, YOU KNOW. 1276 01:01:30,720 --> 01:01:32,254 I THINK, AFTER THIS WEEK, 1277 01:01:32,288 --> 01:01:35,090 WE ALL KNOW THAT, NORMAN. 1278 01:01:49,305 --> 01:01:52,074 OH, NORMAN, THANK GOODNESS! 1279 01:01:52,108 --> 01:01:54,076 WE'VE MISSED THE BUS 1280 01:01:54,110 --> 01:01:57,479 AND MINDY'S HAVING A LITTLE TROUBLE WALKING... 1281 01:01:58,681 --> 01:02:00,549 FORWARD. 1282 01:02:02,452 --> 01:02:03,452 OH! 1283 01:02:09,025 --> 01:02:12,527 SO ARE THEY GOING TO CHARGE YOU WITH ANYTHING? 1284 01:02:12,562 --> 01:02:14,029 PROBABLY NOT. 1285 01:02:14,063 --> 01:02:15,997 BUT IF I DO GET ARRESTED, YOU'LL BAIL ME OUT, RIGHT? 1286 01:02:16,032 --> 01:02:18,700 I HEARD THAT OLIVER CAME INTO A GOOD SUM OF MONEY. 1287 01:02:18,735 --> 01:02:20,702 HOW DO YOU KNOW THAT? 1288 01:02:20,737 --> 01:02:22,537 OH, NEVER MIND. 1289 01:02:22,572 --> 01:02:25,974 I DON'T THINK ALL THAT MONEY'S GONNA CHANGE HIM, THOUGH. 1290 01:02:26,008 --> 01:02:27,175 WELL, THAT'S TOO BAD. 1291 01:02:27,210 --> 01:02:29,177 I WAS HOPING YOU WERE GOING TO GIVE ME ANOTHER CHANCE. 1292 01:02:29,212 --> 01:02:30,579 AH. 1293 01:02:30,613 --> 01:02:33,648 WELL, THERE'S NOTHING ACTUALLY OFFICIAL 1294 01:02:33,683 --> 01:02:36,084 BETWEEN-- 1295 01:02:43,526 --> 01:02:46,461 ...BETWEEN OLIVER AND ME. 1296 01:02:48,397 --> 01:02:49,531 BUT UNOFFICIALLY? 1297 01:02:49,565 --> 01:02:51,700 STEVE, WE'RE FRIENDS. 1298 01:02:52,802 --> 01:02:54,703 AND A SOLID FRIENDSHIP IS A GOOD WAY 1299 01:02:54,737 --> 01:02:57,639 TO START ANYTHING. 1300 01:02:59,108 --> 01:03:02,277 YOU WERE ALWAYS SO UNAVAILABLE, 1301 01:03:02,311 --> 01:03:05,547 FOR THAT-- WITH ALL THAT "AGRICULTURAL" WORK 1302 01:03:05,581 --> 01:03:07,516 THAT TOOK YOU AWAY ALL THE TIME. 1303 01:03:07,550 --> 01:03:09,718 I'M BACK. I LIVE HERE NOW. 1304 01:03:09,752 --> 01:03:13,155 : IT'S NOT ABOUT WHERE YOU LIVE, STEVE. 1305 01:03:14,190 --> 01:03:16,324 HOME IS MORE THAN JUST AN ADDRESS. 1306 01:03:16,359 --> 01:03:18,326 IT'S... 1307 01:03:18,361 --> 01:03:21,596 IT'S ROSES THAT YOU STICK AROUND TO WATCH GROW. 1308 01:03:23,432 --> 01:03:26,334 IT'S A PORCH SWING... 1309 01:03:26,369 --> 01:03:27,736 AND... 1310 01:03:27,770 --> 01:03:30,105 TAKING THE TIME TO SWING ON IT. 1311 01:03:30,139 --> 01:03:31,807 I CAN GET YOU A PORCH SWING. 1312 01:03:37,180 --> 01:03:39,781 I'VE ALREADY GOT ONE. 1313 01:03:41,417 --> 01:03:43,718 MR. MAREK. 1314 01:03:44,754 --> 01:03:46,655 YEAH. HEY, OLIVER. 1315 01:03:46,689 --> 01:03:49,090 YOU, UH... HEARD ANY NEWS? 1316 01:03:52,395 --> 01:03:53,528 WELL... 1317 01:03:53,563 --> 01:03:55,130 OF COURSE. 1318 01:03:55,164 --> 01:03:57,165 YOU CAN NEITHER CONFIRM NOR DENY. 1319 01:03:57,200 --> 01:03:58,466 I CAN NEITHER CONFIRM NOR DENY 1320 01:03:58,501 --> 01:03:59,634 THAT, BASED ON A RECOMMENDATION 1321 01:03:59,669 --> 01:04:02,637 FROM THE SENATE SUBCOMMITTEE FOR MILITARY ACTIONS, 1322 01:04:02,672 --> 01:04:04,406 THE PRESIDENT HAS APPROVED 1323 01:04:04,440 --> 01:04:06,541 A PLAN FOR A SPECIAL OPERATIONS MISSION 1324 01:04:06,576 --> 01:04:09,277 THAT COMMENCED AT 1600 HOURS WASHINGTON TIME 1325 01:04:09,312 --> 01:04:10,612 WITH THE OBJECTIVE 1326 01:04:10,646 --> 01:04:13,682 OF RECOVERING A LIEUTENANT RANDILYNN AMIDON. 1327 01:04:13,716 --> 01:04:16,651 SO IT'S A GO? 1328 01:04:25,194 --> 01:04:26,428 THAT'S RIGHT, JENNIFER. 1329 01:04:26,462 --> 01:04:28,830 WE ARE HERE IN THE NATION'S CAPITOL 1330 01:04:28,865 --> 01:04:32,100 AS HISTORY IS BEING MADE BY DENVER'S OWN RITA HAYWITH, 1331 01:04:32,134 --> 01:04:33,869 THE FIRST COLORADO MISS SPECIAL DELIVERY 1332 01:04:33,903 --> 01:04:36,238 TO MAKE IT TO THE FINAL TALENT COMPETITION 1333 01:04:36,272 --> 01:04:37,572 FOR THE NATIONAL CROWN. 1334 01:04:37,607 --> 01:04:41,610 : TAKE A DEEP BREATH AND TRUST ME, MINDY. 1335 01:04:41,644 --> 01:04:45,347 I SWEAR, THERE ARE NOT 500 PEOPLE OUT THERE 1336 01:04:45,381 --> 01:04:47,782 HOW... MANY... 1337 01:04:47,817 --> 01:04:49,918 ARE... THERE? 1338 01:04:51,354 --> 01:04:54,189 473? 1339 01:04:54,223 --> 01:04:56,157 OH! IT'S OKAY, MINDY! 1340 01:04:56,192 --> 01:04:58,493 JUST THINK ABOUT BIG PINEY. 1341 01:04:58,527 --> 01:04:59,895 JUST PRETEND YOU'RE SINGING 1342 01:04:59,929 --> 01:05:01,763 TO YOUR FRIENDS, 1343 01:05:01,797 --> 01:05:03,865 AND YOUR NEIGHBORS, AND, UH... 1344 01:05:03,900 --> 01:05:06,334 AND YOUR LIVESTOCK. 1345 01:05:08,838 --> 01:05:11,139 WE SHOULD TAKE OUR SEATS. 1346 01:05:11,173 --> 01:05:12,707 I CAN'T SIT. 1347 01:05:12,742 --> 01:05:15,210 I KEEP THINKING ABOUT THE MISSION. 1348 01:05:15,244 --> 01:05:16,578 WHAT TIME IS IT? 1349 01:05:16,612 --> 01:05:17,913 EIGHT. 1350 01:05:17,947 --> 01:05:20,215 IT'S HAPPENING. 1351 01:05:21,684 --> 01:05:24,619 NOW, IN JUST A FEW MINUTES, 1352 01:05:24,654 --> 01:05:26,521 SHE WILL STEP OUT 1353 01:05:26,555 --> 01:05:28,256 ONTO THAT STAGE 1354 01:05:28,291 --> 01:05:30,292 AND HOPEFULLY INTO THE HEARTS OF THE JUDGES, 1355 01:05:30,326 --> 01:05:32,360 AND THEN PERHAPS, TOMORROW, INTO THE HEADLINES. 1356 01:05:32,395 --> 01:05:34,462 WE'LL HAVE THOSE FINAL RESULTS FOR YOU 1357 01:05:34,497 --> 01:05:35,931 TONIGHT AT 11:00. 1358 01:05:35,965 --> 01:05:37,332 AND WE'RE BACK. 1359 01:05:37,366 --> 01:05:39,701 AND NEXT, IN THE TALENT COMPETITION, 1360 01:05:39,735 --> 01:05:42,871 MISS LOUISIANA, PEGGY RHODES. 1361 01:05:57,520 --> 01:05:59,387 RITA? 1362 01:05:59,422 --> 01:06:00,956 NORMAN! 1363 01:06:00,990 --> 01:06:02,924 I JUST WANTED TO SAY-- 1364 01:06:02,959 --> 01:06:05,460 WELL, I, UM, WANTED TO GIVE YOU SOMETHING 1365 01:06:05,494 --> 01:06:07,262 BEFORE YOU GO ON. 1366 01:06:07,296 --> 01:06:09,698 TSK! OH! THANK YOU, NORMAN. 1367 01:06:11,534 --> 01:06:14,536 I SENT CHAPTER 14 OF RENITA HAYWEATHER 1368 01:06:14,570 --> 01:06:15,937 INTO THE POSTAL LIVING QUARTERLY 1369 01:06:15,972 --> 01:06:18,673 AND THEY PRINTED IT! 1370 01:06:18,708 --> 01:06:22,544 THIS IS A COPY OF THEIR NEXT EDITION. 1371 01:06:25,247 --> 01:06:26,948 YOU'RE A PUBLISHED WRITER, RITA! 1372 01:06:26,983 --> 01:06:29,684 SEE? UM, THEY WANTED A PHOTO, 1373 01:06:29,719 --> 01:06:31,286 SO I SENT THAT PICTURE THAT I TOOK 1374 01:06:31,320 --> 01:06:33,288 AT LAST YEAR'S SAFETY INSPECTION. 1375 01:06:33,322 --> 01:06:36,891 I HAD TO PHOTOSHOP IT A LITTLE. OH! 1376 01:06:36,926 --> 01:06:38,426 AND YOU GET A YEAR'S SUBSCRIPTION 1377 01:06:38,461 --> 01:06:41,363 AND A CHECK FOR $500! 1378 01:06:41,397 --> 01:06:44,733 NORMAN... WH-WHAT HAVE YOU DONE? 1379 01:06:44,767 --> 01:06:47,002 OH, I JUST THOUGHT, IN CASE YOU WIN, 1380 01:06:47,036 --> 01:06:49,471 I DIDN'T WANT YOU TO FORGET 1381 01:06:49,505 --> 01:06:52,273 THAT YOU'RE A GREAT WRITER, 1382 01:06:52,308 --> 01:06:53,308 AND A POSTABLE. 1383 01:06:53,342 --> 01:06:55,343 AND YOU'RE MY, UM... 1384 01:06:56,345 --> 01:06:57,512 YOU'RE MY-- 1385 01:06:57,546 --> 01:06:58,913 BUT I CAN'T WIN NOW. 1386 01:06:58,948 --> 01:07:01,349 I CAN'T COMPETE WITHOUT A TALENT, 1387 01:07:01,384 --> 01:07:04,319 AND Y-Y-YOU JUST GOT MY TALENT DISQUALIFIED. 1388 01:07:04,353 --> 01:07:05,420 WHAT? 1389 01:07:05,454 --> 01:07:06,588 "NO CONTESTANT SHALL PERFORM 1390 01:07:06,622 --> 01:07:07,856 "USING A TALENT 1391 01:07:07,890 --> 01:07:10,525 FOR WHICH SHE HAS RECEIVED PREVIOUS COMPENSATION." 1392 01:07:10,559 --> 01:07:11,826 BUT-- 1393 01:07:11,861 --> 01:07:13,628 I'M IN PRINT! 1394 01:07:13,662 --> 01:07:15,563 AND THEY'VE PAID ME. 1395 01:07:15,598 --> 01:07:17,699 I'M NOT AN AMATEUR ANYMORE. 1396 01:07:17,733 --> 01:07:20,368 NORMAN... WHAT WERE YOU THINKING? 1397 01:07:27,410 --> 01:07:29,277 NORMAN, THIS IS A DISASTER. 1398 01:07:29,311 --> 01:07:30,278 CAN'T YOU SEE? 1399 01:07:31,914 --> 01:07:33,948 ARE WE HAVING OUR FIRST FIGHT? 1400 01:07:35,317 --> 01:07:37,952 : MISS WYOMING-- MINDY MALONEY! 1401 01:07:38,988 --> 01:07:40,789 GO ON, MINDY! 1402 01:07:40,823 --> 01:07:42,824 YOU CAN DO IT! GO! 1403 01:08:10,619 --> 01:08:11,653 : NO, NO, NO, NO! 1404 01:08:11,687 --> 01:08:14,422 EVERYTHING IS FALLING APART. 1405 01:08:14,457 --> 01:08:15,957 I'M SORRY, RITA. I'M SO SORRY. 1406 01:08:15,991 --> 01:08:18,359 N-- IT'S OKAY, NORMAN. NEVER MIND. 1407 01:08:27,570 --> 01:08:29,604 IT'S OKAY. IT'S OKAY. 1408 01:08:29,638 --> 01:08:30,672 UM, UH... 1409 01:08:32,475 --> 01:08:34,476 LADIES AND GENTLEMEN-- HEH. 1410 01:08:34,510 --> 01:08:37,846 MY FRIEND AND CO-CONTESTANT, MINDY, 1411 01:08:37,880 --> 01:08:40,415 JUST NEEDS... SHE JUST NEEDS A MOMENT. 1412 01:08:41,717 --> 01:08:44,919 THIS YEAR'S THEME IS "DELIVERING INSPIRATION" 1413 01:08:44,954 --> 01:08:47,455 AND... WELL, LET'S FACE IT, 1414 01:08:47,490 --> 01:08:52,360 SOMETIMES, INSPIRATION TAKES A LITTLE... TIME. 1415 01:08:52,394 --> 01:08:53,428 SO... 1416 01:08:53,462 --> 01:08:56,698 I THOUGHT I WOULD GO FIRST. 1417 01:08:56,732 --> 01:08:59,067 YOU KNOW, FOR MY TALENT, 1418 01:08:59,101 --> 01:09:00,502 I WAS GOING TO DO 1419 01:09:00,536 --> 01:09:03,872 A DRAMATIC READING FROM MY UNPUBLISHED NOVEL, 1420 01:09:03,906 --> 01:09:06,107 RENITA HAYWEATHER: FRONTIER DUCHESS, 1421 01:09:06,142 --> 01:09:10,411 BUT IT TURNS OUT THAT I'M... 1422 01:09:10,446 --> 01:09:12,413 WELL, I'M PUBLISHED AFTER ALL... 1423 01:09:13,816 --> 01:09:15,083 WHICH IS REALLY TOO BAD, 1424 01:09:15,117 --> 01:09:16,885 BECAUSE I REALLY LIKE THE PART 1425 01:09:16,919 --> 01:09:20,021 WHERE A MYSTERIOUS CATTLE-BEARING MR. D'LORMAN 1426 01:09:20,055 --> 01:09:22,790 GIVES HER HIS TRUSTY STEED, ZEPHYR, 1427 01:09:22,825 --> 01:09:23,825 TO PULL HER WAGON! 1428 01:09:23,859 --> 01:09:25,860 YOU KNOW, AT FIRST, SHE DOESN'T UNDERSTAND 1429 01:09:25,895 --> 01:09:28,062 WHY HE WOULD GIVE AWAY HIS FAVORITE HORSE LIKE THAT, 1430 01:09:28,097 --> 01:09:31,399 BUT THEN SHE REALIZES HE DID IT BECAUSE, 1431 01:09:31,433 --> 01:09:33,735 NO MATTER WHERE SHE WENT, 1432 01:09:33,769 --> 01:09:36,404 ZEPHYR WOULD ALWAYS FIND THE WAY HOME. 1433 01:09:36,438 --> 01:09:40,441 WHICH IS REALLY HIS WAY OF SAYING 1434 01:09:40,476 --> 01:09:42,177 THAT HE IS IN LOVE WITH HER! 1435 01:09:45,648 --> 01:09:47,815 OH... 1436 01:09:53,522 --> 01:09:54,956 HE'S IN LOVE WITH HER? 1437 01:09:58,027 --> 01:09:59,594 OH! 1438 01:10:04,133 --> 01:10:05,533 OH, THAT'S SO COOL! 1439 01:10:09,205 --> 01:10:12,040 OH! YOU READY? OKAY. 1440 01:10:12,074 --> 01:10:14,809 LADIES AND GENTLEMEN... 1441 01:10:14,843 --> 01:10:16,911 MISS WYOMING 1442 01:10:16,946 --> 01:10:19,581 IS READY TO SING NOW. 1443 01:10:19,615 --> 01:10:22,784 AND FOR MY NEW TALENT, I... 1444 01:10:22,818 --> 01:10:27,488 WELL, I GUESS WE'RE JUST GONNA HAVE TO DO THIS TOGETHER. 1445 01:10:28,557 --> 01:10:30,725 PEGGY, CAN I BORROW YOUR GUITAR? 1446 01:10:32,161 --> 01:10:33,161 THANKS. 1447 01:10:36,865 --> 01:10:39,467 : YOU STILL HAVE A SHOT, MINDY. 1448 01:10:39,501 --> 01:10:41,035 TAKE IT. 1449 01:10:54,250 --> 01:11:00,655 : ♪ TO DREAM THE IMPOSSIBLE DREAM ♪ 1450 01:11:01,724 --> 01:11:04,259 ♪ TO FIGHT ♪ 1451 01:11:04,293 --> 01:11:08,930 ♪ THE UNBEATABLE FOE ♪ 1452 01:11:08,964 --> 01:11:15,670 ♪ TO BEAR WITH UNBEARABLE SORROW ♪ 1453 01:11:15,704 --> 01:11:17,572 ♪ TO RUN ♪ 1454 01:11:17,606 --> 01:11:22,176 ♪ WHERE THE BRAVE DARE NOT GO ♪ 1455 01:11:22,211 --> 01:11:24,679 ♪ TO RIGHT ♪ 1456 01:11:24,713 --> 01:11:29,250 ♪ THE UNRIGHTABLE WRONG ♪ 1457 01:11:29,285 --> 01:11:35,657 ♪ TO LOVE PURE AND CHASTE FROM AFAR ♪ 1458 01:11:36,659 --> 01:11:38,626 ♪ TO TRY ♪ 1459 01:11:38,661 --> 01:11:42,096 ♪ WHEN YOUR ARMS ARE TOO WEARY ♪ 1460 01:11:42,131 --> 01:11:48,536 ♪ TO REACH THE UNREACHABLE STAR ♪ 1461 01:11:48,570 --> 01:11:50,805 ♪ THIS IS MY QUEST ♪ 1462 01:11:50,839 --> 01:11:54,042 ♪ TO FOLLOW THAT STAR ♪ 1463 01:11:54,076 --> 01:11:56,678 ♪ NO MATTER HOW HOPELESS ♪ 1464 01:11:56,712 --> 01:11:59,881 ♪ NO MATTER HOW FAR ♪ 1465 01:11:59,915 --> 01:12:05,153 ♪ TO FIGHT FOR THE RIGHT WITHOUT QUESTION OR PAUSE ♪ 1466 01:12:05,187 --> 01:12:08,556 ♪ TO BE WILLING TO MARCH INTO HELL ♪ 1467 01:12:08,590 --> 01:12:11,859 ♪ FOR A HEAVENLY CAUSE ♪ 1468 01:12:13,128 --> 01:12:14,962 ♪ AND I KNOW ♪ 1469 01:12:14,997 --> 01:12:17,799 ♪ IF I'LL ONLY BE TRUE ♪ 1470 01:12:17,833 --> 01:12:21,202 ♪ TO THIS GLORIOUS QUEST ♪ 1471 01:12:21,236 --> 01:12:26,341 ♪ THAT MY HEART WILL LIE PEACEFUL AND CALM ♪ 1472 01:12:26,375 --> 01:12:31,813 ♪ WHEN I'M LAID TO MY REST ♪ 1473 01:12:33,916 --> 01:12:37,785 ♪ AND THE WORLD ♪ 1474 01:12:37,820 --> 01:12:40,288 ♪ WILL BE BETTER FOR THIS ♪ 1475 01:12:41,924 --> 01:12:45,159 ♪ THAT ONE SOUL ♪ 1476 01:12:45,194 --> 01:12:48,329 ♪ SCORNED AND COVERED WITH SCARS ♪ 1477 01:12:48,364 --> 01:12:51,199 ♪ STILL STROVE ♪ 1478 01:12:51,233 --> 01:12:55,069 ♪ WITH HER LAST OUNCE OF COURAGE ♪ 1479 01:12:55,104 --> 01:13:00,641 ♪ TO REACH... ♪ 1480 01:13:00,676 --> 01:13:04,612 ♪ THE UNREACHABLE ♪ 1481 01:13:04,646 --> 01:13:13,888 ♪ STAR... ♪ 1482 01:13:42,985 --> 01:13:44,218 MISS SPECIAL DELIVERY! 1483 01:13:44,253 --> 01:13:46,821 ONLY BECAUSE OF THIS LADY RIGHT HERE. 1484 01:13:46,855 --> 01:13:48,089 MISS SPECIAL HANDLING! 1485 01:13:48,123 --> 01:13:49,257 OH! NO. 1486 01:13:49,291 --> 01:13:50,658 THANK YOU, RITA. 1487 01:13:50,692 --> 01:13:52,059 OH, MINDY. YOU DESERVE IT! 1488 01:13:52,094 --> 01:13:54,328 THE WAY YOU SANG... 1489 01:13:54,363 --> 01:13:55,797 WELL... 1490 01:13:55,831 --> 01:13:57,098 YOU'LL NEVER KNOW 1491 01:13:57,132 --> 01:14:00,101 HOW MUCH SOME OF US NEEDED TO HEAR IT TONIGHT. 1492 01:14:01,804 --> 01:14:04,172 WELL, I GUESS I'LL BE SEEING YOU. 1493 01:14:04,206 --> 01:14:07,842 YOU REALLY ARE "SPECIAL," RITA. 1494 01:14:08,911 --> 01:14:11,312 OH, THANK YOU. 1495 01:14:17,152 --> 01:14:19,086 I'M SO SORRY FOR EVERYTHING. 1496 01:14:19,121 --> 01:14:21,289 I REALLY DON'T KNOW WHAT I WAS THINKING. 1497 01:14:21,323 --> 01:14:23,758 OH... 1498 01:14:23,792 --> 01:14:25,660 WELL, I THINK 1499 01:14:25,694 --> 01:14:28,129 YOU WERE THINKING THAT... 1500 01:14:28,163 --> 01:14:30,097 YOU LOVE ME? 1501 01:14:31,300 --> 01:14:34,235 YEAH. I WAS DEFINITELY THINKING THAT! 1502 01:14:39,741 --> 01:14:40,808 OH-- 1503 01:14:41,977 --> 01:14:43,177 AWW. 1504 01:14:43,212 --> 01:14:44,946 -I'LL-- -MM-HMM. 1505 01:14:44,980 --> 01:14:46,247 OKAY. 1506 01:14:55,424 --> 01:14:57,024 YEAH. 1507 01:14:57,059 --> 01:14:59,927 WE'LL GET IT. 1508 01:15:00,996 --> 01:15:02,129 WHEN YOU ASKED ME 1509 01:15:02,164 --> 01:15:03,698 TO HAVE DINNER WITH YOU IN WASHINGTON, 1510 01:15:03,732 --> 01:15:08,002 I WAS HOPING FOR A LITTLE MORE. 1511 01:15:08,036 --> 01:15:11,305 YOU KNOW, CHIPS AND POTATO SALAD 1512 01:15:11,340 --> 01:15:13,407 TO GO WITH THE SANDWICH. 1513 01:15:15,143 --> 01:15:16,811 I OWE YOU ONE. 1514 01:15:16,845 --> 01:15:18,980 YOU OWE ME NOTHING, OLIVER. 1515 01:15:20,282 --> 01:15:22,283 WHATEVER HAPPENS NOW, 1516 01:15:22,317 --> 01:15:26,254 YOU GAVE ME SOMETHING TODAY THAT I'LL NEVER FORGET. 1517 01:15:29,892 --> 01:15:32,293 A LITTLE HOPE FOR THIS WORLD AGAIN. 1518 01:15:38,166 --> 01:15:39,333 BELIEVE IT OR NOT, 1519 01:15:39,368 --> 01:15:43,671 I USED TO KNOW ALL THE VERSES TO THAT SONG, TOO. 1520 01:15:43,705 --> 01:15:45,006 MM. 1521 01:15:45,040 --> 01:15:48,743 "THINE ALABASTER CITIES GLEAM, 1522 01:15:48,777 --> 01:15:52,146 UNDIMMED BY HUMAN TEARS." 1523 01:15:56,051 --> 01:15:57,184 HARPER TOLD ME 1524 01:15:57,219 --> 01:15:59,720 THAT PHOEBE PUTS UP A GOOD FRONT, 1525 01:15:59,755 --> 01:16:01,789 BUT... 1526 01:16:01,823 --> 01:16:06,260 SHE STILL CRIES HERSELF TO SLEEP 1527 01:16:06,295 --> 01:16:08,829 ALMOST EVERY NIGHT. 1528 01:16:13,735 --> 01:16:14,835 OLIVER, WHEN I THINK 1529 01:16:14,870 --> 01:16:16,203 ABOUT WHAT'S HAPPENING OVER THERE RIGHT NOW, 1530 01:16:16,238 --> 01:16:18,839 I JUST HOPE WE DID THE RIGHT THING. 1531 01:16:18,874 --> 01:16:20,875 OH, I THINK WE DID. 1532 01:16:20,909 --> 01:16:22,910 I THINK... 1533 01:16:22,945 --> 01:16:24,745 WE WERE CALLED 1534 01:16:24,780 --> 01:16:27,848 TO BE A PART OF... 1535 01:16:27,883 --> 01:16:29,450 A LOT OF LITTLE MIRACLES 1536 01:16:29,484 --> 01:16:32,053 THAT HAD TO HAPPEN TO GET THIS FAR. 1537 01:16:34,189 --> 01:16:37,224 WELL, NOW WE JUST NEED ONE MORE. 1538 01:16:47,302 --> 01:16:49,236 "IN THE MORNING, 1539 01:16:49,271 --> 01:16:51,872 I WILL SING OF YOUR MERCY..." 1540 01:16:51,907 --> 01:16:54,241 "FOR YOU ARE MY FORTRESS, 1541 01:16:54,276 --> 01:16:57,011 "MY REFUGE, 1542 01:16:57,045 --> 01:16:59,413 "MY HIGH TOWER 1543 01:16:59,448 --> 01:17:01,182 IN TIMES OF TROUBLE." 1544 01:17:12,828 --> 01:17:15,329 ♪ O, BEAUTIFUL ♪ 1545 01:17:15,364 --> 01:17:17,898 DELTA BRAVO, WE HAVE EYES ON SOUL SISTER. 1546 01:17:17,933 --> 01:17:19,433 I REPEAT. WE HAVE SOUL SISTER. 1547 01:17:19,468 --> 01:17:26,340 ♪ FOR AMBER WAVES OF GRAIN ♪ 1548 01:17:29,211 --> 01:17:37,018 ♪ FOR PURPLE MOUNTAIN MAJESTIES ♪ 1549 01:17:37,052 --> 01:17:43,290 ♪ ABOVE THE FRUITED PLAIN ♪ 1550 01:17:50,899 --> 01:17:52,900 ♪ AMERICA ♪ 1551 01:17:54,369 --> 01:17:56,937 ♪ AMERICA ♪ 1552 01:17:56,972 --> 01:18:01,242 ♪ GOD SHED HIS GRACE ON THEE ♪ 1553 01:18:03,378 --> 01:18:11,085 ♪ AND CROWN THY GOOD WITH BROTHERHOOD ♪ 1554 01:18:11,119 --> 01:18:18,859 ♪ FROM SEA TO SHINING SEA ♪ 1555 01:18:48,557 --> 01:18:50,624 WHERE'S OUR TAXI GOING? 1556 01:18:50,659 --> 01:18:53,494 OH, YOU WON'T BE NEEDING IT. 1557 01:18:57,099 --> 01:18:58,132 YOU MUST BE PHOEBE. 1558 01:18:58,166 --> 01:18:59,133 YEAH. 1559 01:18:59,167 --> 01:19:00,334 HELLO, SIR. 1560 01:19:00,368 --> 01:19:01,602 STEVEN MAREK. 1561 01:19:01,636 --> 01:19:03,337 DEPARTMENT OF DEFENSE. 1562 01:19:05,173 --> 01:19:06,273 FORMER AIR FORCE? 1563 01:19:06,308 --> 01:19:07,975 -YEAH. THAT'S RIGHT. -I THOUGHT YOU AND PHOEBE-- 1564 01:19:08,009 --> 01:19:09,577 ...WOULD LIKE TO SEE WHAT ARMY RANGERS 1565 01:19:09,611 --> 01:19:11,212 ARE FLYING AROUND IN THESE DAYS. 1566 01:19:20,522 --> 01:19:22,056 MOM! 1567 01:19:23,058 --> 01:19:24,024 MOMMY! 1568 01:19:24,059 --> 01:19:26,127 OH, MAMA! 1569 01:19:50,952 --> 01:19:54,221 -HI, DADDY! -OH! OH... 1570 01:20:31,626 --> 01:20:33,460 WE'RE HEADING TO THE AIRPORT, 1571 01:20:33,495 --> 01:20:35,563 WITH ONE STOP ON THE WAY. 1572 01:20:56,184 --> 01:20:58,485 WHAT'S THIS? 1573 01:20:59,521 --> 01:21:00,654 UH... 1574 01:21:00,689 --> 01:21:04,158 THIS IS THE FIRST ACQUISITION 1575 01:21:04,192 --> 01:21:07,228 BY THE NEWLY-FORMED O'TOOLE FOUNDATION. 1576 01:21:08,263 --> 01:21:10,097 YOU BOUGHT THIS LOT? 1577 01:21:10,131 --> 01:21:11,765 I DID. 1578 01:21:11,800 --> 01:21:13,667 AND YOU'RE BUILDING RETIREMENT HOMES? 1579 01:21:13,702 --> 01:21:16,337 OH... ALL SORTS OF THINGS. 1580 01:21:16,371 --> 01:21:18,772 MAYBE A... SCHOOL 1581 01:21:18,807 --> 01:21:21,141 OR A LIBRARY IN AFGHANISTAN. 1582 01:21:21,176 --> 01:21:23,244 WE'RE STARTING SMALL. 1583 01:21:23,278 --> 01:21:25,546 I ASSUME YOU CAN USE YOUR COMPUTER TO TRACK DOWN 1584 01:21:25,580 --> 01:21:28,148 THE ORIGINAL BLUEPRINTS FOR YOUR ANCESTRAL HOME? 1585 01:21:33,288 --> 01:21:34,455 PROBABLY! 1586 01:21:34,489 --> 01:21:36,690 IT WAS A PRETTY SMALL HOUSE, THOUGH. 1587 01:21:36,725 --> 01:21:38,292 OH. 1588 01:21:38,326 --> 01:21:41,662 WELL, WE'LL JUST MAKE IT BIGGER. 1589 01:21:41,696 --> 01:21:43,464 THERE'LL BE A PORCH... 1590 01:21:43,498 --> 01:21:46,767 UH, AND A SWING, OF COURSE. 1591 01:21:48,403 --> 01:21:49,470 ROSES. 1592 01:21:49,504 --> 01:21:52,406 OH, THAT REMINDS ME. 1593 01:21:52,440 --> 01:21:53,774 AHEM. 1594 01:21:53,808 --> 01:21:55,843 WHAT'S THIS? 1595 01:21:58,647 --> 01:22:00,347 IS IT... 1596 01:22:00,382 --> 01:22:03,417 I TOOK A CUTTING FROM YOUR ROSEBUSH OVER THERE. 1597 01:22:04,586 --> 01:22:06,186 IF YOU TAKE IT HOME, PLANT IT, 1598 01:22:06,221 --> 01:22:07,788 NEXT YEAR, YOU'LL HAVE THE... 1599 01:22:07,822 --> 01:22:10,190 FIRST ROSE OF SUMMER. 1600 01:22:11,559 --> 01:22:14,328 YES. 1601 01:22:16,831 --> 01:22:19,333 ARE WE ALL SUPPOSED TO MOVE HERE? 1602 01:22:20,368 --> 01:22:21,835 NOT FOR A LONG TIME YET, NORMAN. 1603 01:22:21,870 --> 01:22:24,138 WE ALL HAVE A LOT LEFT TO DO. BESIDES... 1604 01:22:24,172 --> 01:22:26,807 IT'S NICE TO HAVE SOMETHING TO LOOK FORWARD TO, HMM? 1605 01:22:26,841 --> 01:22:28,475 WOW, SHANE! IT'S SO COOL-- 1606 01:22:28,510 --> 01:22:31,412 YOUR FIRST HOUSE WILL BE YOUR LAST HOUSE. 1607 01:22:31,446 --> 01:22:33,814 AH, THE GREAT CIRCLE OF LIFE. 1608 01:22:35,717 --> 01:22:37,418 CAN I HAVE A WORKSHOP? AND A LABORATORY? 1609 01:22:37,452 --> 01:22:38,419 MAYBE A LITTLE... 1610 01:22:38,453 --> 01:22:40,654 MINI-ANTI-MATTER CYCLOTRON IN THE GARAGE? 1611 01:22:40,689 --> 01:22:42,089 NO, NORMAN. 1612 01:22:42,123 --> 01:22:43,223 NO CYCLOTRON. 1613 01:22:43,258 --> 01:22:44,425 IT'S TIME TO GO. 1614 01:22:50,365 --> 01:22:52,466 WHAT A FAMILY. 1615 01:22:53,501 --> 01:22:55,202 THE FEW... 1616 01:22:55,236 --> 01:22:56,570 THE PROUD... 1617 01:22:56,604 --> 01:22:57,805 THE POSTAL. 1618 01:22:57,839 --> 01:23:01,442 ♪ AND CROWN THY GOOD ♪ 1619 01:23:01,476 --> 01:23:03,210 ♪ WITH BROTHERHOOD ♪ 1620 01:23:03,244 --> 01:23:08,248 ♪ FROM SEA TO SHINING SEA ♪ 119760

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