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SALAAM.
2
00:01:02,328 --> 00:01:05,097
SHE HAS BEEN IN LABOR
15 HOURS.
3
00:01:26,453 --> 00:01:28,253
YOU SPEAK ENGLISH.
4
00:01:28,288 --> 00:01:30,189
WE HAVE A TELEVISION
5
00:01:30,223 --> 00:01:31,523
IN OUR VILLAGE.
6
00:01:34,794 --> 00:01:36,395
I KNOW WHO YOU ARE.
7
00:01:36,429 --> 00:01:38,797
YOU BROUGHT MEDICINE
TO OUR VILLAGE ONCE.
8
00:01:46,873 --> 00:01:49,007
HOLD ON TIGHT.
9
00:01:52,011 --> 00:01:53,178
WHAT'S HER NAME?
10
00:01:53,213 --> 00:01:56,081
MY DAUGHTER IS NILOFER.
11
00:01:56,116 --> 00:01:57,950
I AM ASAD.
12
00:01:57,984 --> 00:02:00,285
AND HER HUSBAND?
13
00:02:00,320 --> 00:02:03,489
THE FATHER WANTS A SON.
14
00:02:03,523 --> 00:02:06,191
A GIRL CAN ACCOMPLISH
GREAT THINGS
15
00:02:06,226 --> 00:02:08,527
WHEN SHE'S FREE TO DO THEM.
16
00:02:17,337 --> 00:02:18,971
FREEDOM...
17
00:02:19,005 --> 00:02:21,106
IS NOT IMPOSSIBLE...
18
00:02:22,542 --> 00:02:25,511
BUT IT MAY TAKE TIME
19
00:02:25,545 --> 00:02:28,113
AND YOU DO NOT HAVE MUCH.
20
00:03:26,906 --> 00:03:29,541
♪ AH-HAH! ♪
21
00:03:29,576 --> 00:03:31,543
♪ OH, YEAH, BABY ♪
22
00:03:32,979 --> 00:03:35,647
♪ LIKE A FOOL
I WENT AND STAYED TOO LONG ♪
23
00:03:37,550 --> 00:03:40,886
♪ NOW I'M WONDERING
IF YOUR LOVE'S STILL STRONG ♪
24
00:03:40,920 --> 00:03:42,354
♪ OOH, BABY ♪
25
00:03:42,388 --> 00:03:44,122
♪ HERE I AM ♪
26
00:03:44,157 --> 00:03:45,657
♪ SIGNED, SEALED, DELIVERED ♪
27
00:03:45,692 --> 00:03:48,060
♪ I'M YOURS ♪
28
00:03:48,094 --> 00:03:49,161
♪ OOH ♪
29
00:03:50,663 --> 00:03:54,166
♪ THEN THAT TIME
I WENT AND SAID GOODBYE ♪
30
00:03:55,368 --> 00:03:58,370
♪ NOW I'M BACK
AND NOT ASHAMED TO CRY ♪
31
00:03:58,404 --> 00:04:00,672
♪ OOH, BABY ♪
32
00:04:00,707 --> 00:04:02,574
♪ HERE I AM
SIGNED, SEALED, DELIVERED... ♪
33
00:04:02,609 --> 00:04:03,575
ALL RISE.
34
00:04:03,610 --> 00:04:07,045
♪ ...I'M YOURS ♪
35
00:04:07,080 --> 00:04:09,181
THIS BETTER BE GOOD.
36
00:04:10,350 --> 00:04:12,684
MADAME CHAIRMAN, THIS COMMITTEE
IS CALLED INTO EMERGENCY SESSION
37
00:04:12,719 --> 00:04:15,487
IN LIGHT OF NEW
AND TIME-SENSITIVE INFORMATION
38
00:04:15,521 --> 00:04:18,257
THAT MAY INVOLVE
MILITARY ACTION.
39
00:04:18,291 --> 00:04:19,658
THANK YOU, SENATOR.
40
00:04:19,692 --> 00:04:21,360
BEFORE WE BEGIN,
41
00:04:21,394 --> 00:04:22,661
LET ME REITERATE
42
00:04:22,695 --> 00:04:26,131
THAT THIS IS A CLOSED SESSION
REGARDING NATIONAL SECURITY,
43
00:04:26,165 --> 00:04:29,167
AND ALL TESTIMONY
GIVEN HERE TODAY IS SEALED.
44
00:04:29,202 --> 00:04:30,202
LET'S SEE...
45
00:04:31,404 --> 00:04:34,039
MR... O'TOOLE?
46
00:04:34,073 --> 00:04:36,241
YES. I'M OLIVER O'TOOLE.
47
00:04:36,276 --> 00:04:38,543
THESE ARE MY COLLEAGUES,
MS. McINERNEY,
48
00:04:38,578 --> 00:04:41,013
MS. HAYWITH,
MR. DORMAN.
49
00:04:41,047 --> 00:04:44,950
AND I UNDERSTAND YOU COMPRISE
A TASK FORCE FROM...
50
00:04:44,984 --> 00:04:46,551
THE D.L.O.?
51
00:04:46,586 --> 00:04:48,153
THAT IS CORRECT.
52
00:04:48,187 --> 00:04:51,123
IS THIS C.I.A., F.B.I.,
OR N.S.A.?
53
00:04:53,192 --> 00:04:55,460
U.S.P.S.
54
00:04:57,030 --> 00:05:00,365
WE WORK AT THE POST OFFICE.
55
00:05:05,004 --> 00:05:06,238
THAT'S RIGHT, BOB.
56
00:05:06,272 --> 00:05:08,240
THIS WAS THE IMAGE WE SAW NEARLY TWO YEARS AGO,
57
00:05:08,274 --> 00:05:11,610
WHEN 12-YEAR-OLD PHOEBE AMIDON TIED A YELLOW RIBBON
58
00:05:11,644 --> 00:05:14,079
AROUND THE TREE IN HER GRANDFATHER'S YARD,
59
00:05:14,113 --> 00:05:15,347
AWAITING NEWS OF HER MOTHER.
60
00:05:15,381 --> 00:05:17,349
LIEUTENANT RANDILYNN AMIDON WENT MISSING
61
00:05:17,383 --> 00:05:19,051
WHILE SERVING WITH AMERICAN TROOPS
62
00:05:19,085 --> 00:05:20,619
IN AFGHANISTAN, NEAR THE PAKISTAN BORDER.
63
00:05:20,653 --> 00:05:22,621
BUT NOW, 22 MONTHS LATER,
64
00:05:22,655 --> 00:05:23,989
WITH AMIDON STILL MISSING
65
00:05:24,023 --> 00:05:27,192
AND THE CIRCUMSTANCES OFHER DISAPPEARANCE STILL SKETCHY,
66
00:05:27,226 --> 00:05:29,361
AND NO ANSWERS IN SIGHT,
67
00:05:29,395 --> 00:05:30,696
THIS "WELCOME BACK" RIBBON
68
00:05:30,730 --> 00:05:32,297
IS A SAD REMINDER OF THE REPUTATION
69
00:05:32,332 --> 00:05:35,233
LIEUTENANT AMIDONMAY NEVER RETURN HOME TO DEFEND.
70
00:05:37,704 --> 00:05:40,038
I WOULD LIKE
TO KNOW WHAT BEARING
71
00:05:40,073 --> 00:05:42,641
FOUR POSTAL EMPLOYEES
FROM DENVER
72
00:05:42,675 --> 00:05:44,309
HAVE ON THE STATUS
73
00:05:44,344 --> 00:05:47,679
OF A MISSING AMERICAN SOLDIER
IN AFGHANISTAN.
74
00:05:47,714 --> 00:05:49,247
: YES, WELL.
75
00:05:49,282 --> 00:05:50,315
SEVERAL MONTHS AGO,
76
00:05:50,350 --> 00:05:52,718
IN THE COURSE OF
PERFORMING OUR DUTIES
77
00:05:52,752 --> 00:05:56,154
AS POSTAL DETECTIVES
IN THE DEAD LETTER OFFICE,
78
00:05:56,189 --> 00:05:58,390
WE BECAME ACQUAINTED
79
00:05:58,424 --> 00:05:59,658
WITH A PHOEBE AMIDON,
80
00:05:59,692 --> 00:06:02,194
THE 14-YEAR-OLD DAUGHTER
OF LIEUTENANT RANDILYNN AMIDON,
81
00:06:02,228 --> 00:06:05,063
AS WELL AS HER GRANDFATHER,
MR. HARPER FERGUSON.
82
00:06:06,199 --> 00:06:07,432
WE CAME TO BELIEVE
83
00:06:07,467 --> 00:06:10,669
THAT LIEUTENANT AMIDON
DID NOT ABANDON HER DUTIES
84
00:06:10,703 --> 00:06:11,737
THE NIGHT SHE WENT MISSING,
85
00:06:11,771 --> 00:06:15,640
AND, IN FACT,
SHE CONDUCTED HERSELF HEROICALLY
86
00:06:15,675 --> 00:06:17,409
AND YET, UH, SADLY,
87
00:06:17,443 --> 00:06:22,180
MOST LIKELY,
WAS, UH, PROBABLY NOT LIVING.
88
00:06:22,215 --> 00:06:24,316
AND TO THAT, OF COURSE,
WE HAVE NO COMMENT.
89
00:06:24,350 --> 00:06:25,350
OF COURSE.
90
00:06:25,385 --> 00:06:28,653
HOWEVER, WE NOW HAVE
INFORMATION TO SUGGEST
91
00:06:28,688 --> 00:06:30,722
THAT LIEUTENANT AMIDON
MAY WELL BE ALIVE
92
00:06:30,757 --> 00:06:33,825
AND URGENTLY IN NEED
OF YOUR ASSISTANCE.
93
00:06:33,860 --> 00:06:35,761
AND THAT IS BASED
ON THE CONTENTS
94
00:06:35,795 --> 00:06:37,529
OF THE LETTER
WE HAVE HERE?
95
00:06:37,563 --> 00:06:38,530
YES.
96
00:06:38,564 --> 00:06:41,133
AND YOU CAME TO THIS CONCLUSION
LAST NIGHT?
97
00:06:41,167 --> 00:06:44,569
YES, AND IF I MAY,
I NEED TO GO BACK A FEW DAYS.
98
00:06:44,604 --> 00:06:46,238
PLEASE.
99
00:06:46,272 --> 00:06:47,506
LAST THURSDAY,
100
00:06:47,540 --> 00:06:49,608
WE WERE PREPARING TO TRAVEL
TO WASHINGTON, D.C.,
101
00:06:49,642 --> 00:06:53,078
FOR THE NATIONAL
MISS SPECIAL DELIVERY PAGEANT.
102
00:06:53,112 --> 00:06:55,080
IS THAT
A REAL THING?
103
00:06:55,114 --> 00:06:59,351
I WAS FINALIZING SOME PAPERWORK
BEFORE OUR TRIP...
104
00:06:59,385 --> 00:07:02,387
♪ ONE OF THESE DAYS
MY TIME WILL COME... ♪
105
00:07:02,422 --> 00:07:04,389
I UNDERSTAND YOU HAVE
SOMETHING VERY UNIQUE
106
00:07:04,424 --> 00:07:05,724
PLANNED FOR THE PAGEANT.
107
00:07:05,758 --> 00:07:10,162
OH, WELL, THIS YEAR'S THEME
IS "DELIVERING INSPIRATION."
108
00:07:10,196 --> 00:07:11,630
AND FOR MY TALENT,
109
00:07:11,664 --> 00:07:14,299
I WILL BE DOING
A DRAMATIC READING
110
00:07:14,333 --> 00:07:17,135
FROM MY UNPUBLISHED
HISTORICAL ROMANCE NOVEL
111
00:07:17,170 --> 00:07:19,704
RENITA HAYWEATHER: FRONTIER DUCHESS.
112
00:07:19,739 --> 00:07:22,274
A DRAMATIC NOVELIST!
113
00:07:22,308 --> 00:07:23,642
AMAZING!
BRILLIANT.
114
00:07:23,676 --> 00:07:25,143
NO ONE CAN
COMPETE WITH THAT.
115
00:07:25,178 --> 00:07:26,645
WE'LL ALL BE
CROSSING OUR FINGERS
116
00:07:26,679 --> 00:07:28,847
FOR YOU THIS SATURDAY.
117
00:07:28,881 --> 00:07:30,582
THANK YOU, RAMON.
118
00:07:30,616 --> 00:07:32,751
THAT WAS VERY NICE,
119
00:07:32,785 --> 00:07:35,554
MISS RITA.
120
00:07:35,588 --> 00:07:36,655
--THANK YOU.
121
00:07:43,162 --> 00:07:45,697
TIME FOR US TO GO
ON OUR TRIP TO WASHINGTON, D.C.,
122
00:07:45,731 --> 00:07:46,698
TOGETHER.
123
00:07:46,732 --> 00:07:48,200
-OH, YEAH, OKAY.
-GOODBYE!
124
00:07:48,234 --> 00:07:51,436
AS ALWAYS, MISS RITA...
A PLEASURE.
125
00:07:54,340 --> 00:07:57,275
OH, IT MUST BE
VERY HARD TO SAY GOODBYE.
126
00:07:57,310 --> 00:07:59,511
OH, NOT REALLY.
127
00:08:00,847 --> 00:08:03,381
NO, NOT TO ME, MY FRIEND.
128
00:08:03,416 --> 00:08:04,816
GOODBYE TO MISS RITA.
129
00:08:04,851 --> 00:08:07,319
SHE WILL WIN,
OF COURSE,
130
00:08:07,353 --> 00:08:09,855
AND THEN SHE'S OFF
TRAVELING THE WORLD
131
00:08:09,889 --> 00:08:12,491
ON HER TRIUMPHANT
GOODWILL TOUR.
132
00:08:14,227 --> 00:08:16,828
JUST IMAGINE ALL THE PLACES
SHE WILL GO...
133
00:08:17,897 --> 00:08:20,832
ALL THE PEOPLE
SHE WILL MEET...
134
00:08:21,868 --> 00:08:23,201
TSK, TSK, TSK.
135
00:08:25,872 --> 00:08:27,906
JUST A COUPLEMORE THINGS TO SIGN,
136
00:08:27,940 --> 00:08:30,575
THEN IT'S ALL YOURS.
137
00:08:30,610 --> 00:08:31,977
I AM SORRY FOR YOUR LOSS.
138
00:08:33,713 --> 00:08:35,213
BUT AT LEAST
YOUR FATHER MADE SURE
139
00:08:35,248 --> 00:08:36,548
THAT YOU'D BE WELL
TAKEN CARE OF.
140
00:08:36,582 --> 00:08:38,283
MY BIOLOGICAL FATHER.
141
00:08:38,317 --> 00:08:40,352
I NEVER KNEW HIM.
142
00:08:40,386 --> 00:08:41,853
I HAVE YOUR SKINNY CARAMEL
STEAMER COMING,
143
00:08:41,888 --> 00:08:42,888
JUST THE WAY YOU LIKE IT.
144
00:08:42,922 --> 00:08:45,190
OH, THAT'S
SO SWEET, NORMAN.
145
00:08:45,224 --> 00:08:47,759
WHO'S OLIVER
TALKING TO?
146
00:08:47,793 --> 00:08:49,728
: HIS LAWYER.
147
00:08:49,762 --> 00:08:51,563
HE INHERITED SO MUCH MONEY,
SHE COMES TO SEE HIM NOW.
148
00:08:51,597 --> 00:08:53,665
WITH ALL
OF THIS MONEY,
149
00:08:53,699 --> 00:08:56,535
I SUPPOSE YOU WILL WANT TO START
TALKING ABOUT EARLY RETIREMENT.
150
00:08:56,569 --> 00:08:58,436
AND QUIT THE POST OFFICE?
151
00:08:58,471 --> 00:08:59,437
WELL, WHY NOT?
152
00:08:59,472 --> 00:09:01,907
YOU'RE YOUNG, YOU'RE SINGLE,
AND YOU'RE RICH.
153
00:09:01,941 --> 00:09:03,308
MS. BULLOCK,
154
00:09:03,342 --> 00:09:05,544
THE ONLY THING
HARVEY SCHMIDTZ GAVE ME,
155
00:09:05,578 --> 00:09:06,778
BESIDES THIS INHERITANCE,
156
00:09:06,812 --> 00:09:08,013
WAS A PIECE OF ADVICE.
157
00:09:08,047 --> 00:09:12,984
"YOU NEVER HAVE ENOUGH MONEY
IF ALL YOU HAVE IS MONEY."
158
00:09:13,019 --> 00:09:15,787
WHAT DOES THAT MEAN, ANYWAY?
159
00:09:20,826 --> 00:09:22,494
IT MEANS...
160
00:09:22,528 --> 00:09:24,462
IT'S TIME
TO GET BACK TO WORK.
161
00:09:28,668 --> 00:09:31,336
HAVE YOU SEEN YOUR ITINERARY,
MS. McINERNEY?
162
00:09:32,371 --> 00:09:34,539
I'M SORRY. WHAT?
163
00:09:34,574 --> 00:09:35,740
: WELL, I MADE
COPIES FOR ALL OF US
164
00:09:35,775 --> 00:09:36,775
AND HIGHLIGHTED
165
00:09:36,809 --> 00:09:38,643
THE EVENTS PERTINENT
TO EACH OF US
166
00:09:38,678 --> 00:09:40,579
IN CORRESPONDING COLORS.
167
00:09:40,613 --> 00:09:41,646
YOU'RE YELLOW.
168
00:09:41,681 --> 00:09:43,815
YELLOW! HUH.
169
00:09:43,849 --> 00:09:45,784
WE ARRIVE AT 3:56.
170
00:09:45,818 --> 00:09:47,586
CHECK IN THE HOTEL AT 5:10,
171
00:09:47,620 --> 00:09:49,788
ARRIVE AT THE CAPITOL GRILL
AT 6:45 FOR A QUIET DINNER
172
00:09:49,822 --> 00:09:51,356
BEFORE CURFEW AT 10:30.
173
00:09:51,390 --> 00:09:54,259
AND TOMORROW MORNING, RITA--
RIGHT HERE IN PINK--
174
00:09:54,293 --> 00:09:56,561
REGISTERS FOR THE PAGEANT
AT 9:00,
175
00:09:56,596 --> 00:09:59,431
AND YOU AND I AND NORMAN
LEAVE AT 9:30
176
00:09:59,465 --> 00:10:01,266
TO TAKE A TOUR
OF THE LIBRARY OF CONGRESS,
177
00:10:01,300 --> 00:10:04,669
FORD'S THEATER, AND, UH,
THE NATIONAL POSTAL MUSEUM.
178
00:10:04,704 --> 00:10:07,005
POSTAL MUSEUM?
179
00:10:07,039 --> 00:10:09,407
UH, THINK YOU'RE READY
TO GO BACK THERE?
180
00:10:09,442 --> 00:10:10,609
IT'S TIME.
181
00:10:10,643 --> 00:10:12,811
I'D LIKE TO GET IT OVER WITH.
182
00:10:12,845 --> 00:10:14,479
OF COURSE.
183
00:10:14,513 --> 00:10:17,782
AND THEN I CAN SHOW YOU
AROUND MY OLD STOMPING GROUNDS.
184
00:10:17,817 --> 00:10:20,352
OH. I-IS THERE A MUSEUM
YOU'D LIKE TO ADD?
185
00:10:20,386 --> 00:10:24,656
OR-- OR... WOULD YOU LIKE
TO VISIT OLD POSTAL FRIENDS?
186
00:10:24,690 --> 00:10:26,591
WELL, REBECCA STARKWELL
187
00:10:26,626 --> 00:10:28,426
WAS MY ONLY FRIEND
AT THE D.C. OFFICE,
188
00:10:28,461 --> 00:10:30,328
AND SHE'S ON HER HONEYMOON.
189
00:10:30,363 --> 00:10:31,796
OH. IS THERE AN OLD BOYFRIEND
190
00:10:31,831 --> 00:10:34,766
TO VISIT
AT THE POST OFFICE?
191
00:10:34,800 --> 00:10:38,637
I'M NOT IN THE HABIT
OF CALLING UP OLD BOYFRIENDS.
192
00:10:39,639 --> 00:10:40,839
AND EVEN IF I WERE,
193
00:10:40,873 --> 00:10:43,541
HIS WORK IS...
194
00:10:43,576 --> 00:10:45,543
WELL, HE'S HARDLY EVER IN TOWN.
195
00:10:45,578 --> 00:10:46,578
GREAT!
196
00:10:46,612 --> 00:10:49,314
IT'S SETTLED THEN.
197
00:10:49,348 --> 00:10:51,983
TAXI SHOULD BE ARRIVING
ANY MINUTE.
198
00:10:52,018 --> 00:10:54,019
ALMOST FORGOT!
199
00:10:54,053 --> 00:10:55,787
WHAT?
200
00:10:55,821 --> 00:10:57,889
DON'T ASK. CAN'T TELL.
IT'S A SURPRISE.
201
00:10:57,923 --> 00:10:58,890
AHH!
202
00:10:58,924 --> 00:11:00,091
FIELD KIT!
203
00:11:00,126 --> 00:11:01,826
NORMAN! WE'RE
GOING ON HOLIDAY.
204
00:11:01,861 --> 00:11:03,662
ALL YOU NEED IS YOUR SUITCASE.
205
00:11:05,097 --> 00:11:06,831
UH-OH.
206
00:11:10,102 --> 00:11:12,504
I KNOW
IT'S A HORRIBLE THOUGHT,
207
00:11:12,538 --> 00:11:15,840
VEERING OFF YOUR BLUE ITINERARY
INTO MY YELLOW ITINERARY,
208
00:11:15,875 --> 00:11:17,075
BUT I WAS WONDERING
209
00:11:17,109 --> 00:11:21,713
IF WE COULD MAKE A TINY DETOUR
ON OUR WAY TO THE HOTEL?
210
00:11:21,747 --> 00:11:24,516
A DETOUR?
211
00:11:24,550 --> 00:11:26,017
I WANTED TO...
212
00:11:26,052 --> 00:11:27,986
DRIVE BY THE HOUSE
WHERE I GREW UP,
213
00:11:28,020 --> 00:11:29,821
FOR OLD TIME'S SAKE.
214
00:11:29,855 --> 00:11:31,456
PLEASE?
215
00:11:33,926 --> 00:11:34,926
: OKAY!
216
00:11:34,960 --> 00:11:37,495
ALL SET.
LET'S DO D.C.
217
00:11:37,530 --> 00:11:40,065
HAS ANYONE
SEEN MY CROWN?
218
00:11:40,099 --> 00:11:42,634
OH! AH.
219
00:12:06,125 --> 00:12:09,761
WHERE'S YOUR HOUSE?
220
00:12:09,795 --> 00:12:11,963
IT'S GONE.
221
00:12:11,997 --> 00:12:14,733
ARE YOU SURE THIS
IS THE RIGHT STREET?
222
00:12:14,767 --> 00:12:17,702
OF COURSE I'M SURE.
223
00:12:17,737 --> 00:12:20,438
THAT'S THE TREE
I USED TO CLIMB.
224
00:12:21,607 --> 00:12:24,576
THE GARDEN
WHERE WE PLANTED THE...
225
00:12:28,781 --> 00:12:29,948
THOSE BRICKS WERE
226
00:12:29,982 --> 00:12:33,151
THE FIREPLACE WHERE MY MOTHER
AND I ALWAYS...
227
00:12:36,989 --> 00:12:38,957
18 YEARS...
228
00:12:38,991 --> 00:12:41,960
AND NOW IT'S LIKE
WE WERE NEVER HERE.
229
00:12:44,897 --> 00:12:47,665
DID YOU
PLANT THOSE?
230
00:12:47,700 --> 00:12:49,868
: FOR MOTHER'S DAY.
231
00:12:51,971 --> 00:12:54,873
EVERY FALL, AFTER ALL
THE OTHER BLOOMS WOULD DIE,
232
00:12:54,907 --> 00:12:58,209
MY MOM... MY MOM
WOULD TAKE THE LAST ONE,
233
00:12:58,244 --> 00:13:00,712
AND PUT IN A VASE AND SAY,
234
00:13:00,746 --> 00:13:03,815
"LOOK.
IT'S THE LAST ROSE OF SUMMER.
235
00:13:03,849 --> 00:13:05,717
STILL HOLDING ON."
236
00:13:07,586 --> 00:13:11,022
THEN, EVERY FALL...
237
00:13:11,056 --> 00:13:13,858
EVEN AFTER
I WENT AWAY TO COLLEGE,
238
00:13:13,893 --> 00:13:17,629
AND EVERY SEPTEMBER AFTER THAT,
UNTIL SHE MOVED AWAY,
239
00:13:17,663 --> 00:13:20,031
I WOULD GET
AN ENVELOPE IN THE MAIL
240
00:13:20,065 --> 00:13:23,201
WITH THE LAST ROSE OF SUMMER
241
00:13:23,235 --> 00:13:27,705
WRAPPED IN WET PAPER TOWELS,
IN A PLASTIC BAG.
242
00:13:30,109 --> 00:13:32,510
SHE WAS SENDING
YOU A MESSAGE.
243
00:13:34,180 --> 00:13:35,547
"PAY ATTENTION
244
00:13:35,581 --> 00:13:39,751
"TO THE SIMPLE, LITTLE THINGS
RIGHT IN FRONT OF YOU...
245
00:13:41,053 --> 00:13:43,888
...OR THEY COULD BE GONE
BEFORE YOU KNOW IT."
246
00:13:47,993 --> 00:13:49,794
FORGIVE ME, MR. O'TOOLE,
247
00:13:49,829 --> 00:13:52,964
BUT OTHER THAN THE SAD TRUTH
THAT WE CAN'T GO HOME AGAIN,
248
00:13:52,998 --> 00:13:55,800
WE'VE STILL HEARD NOTHING
TO SHED ANY LIGHT
249
00:13:55,835 --> 00:13:57,836
ON THE LETTER THAT I HOLD HERE,
250
00:13:57,870 --> 00:14:00,004
ADDRESSED TO
THE SECRETARY OF DEFENSE
251
00:14:00,039 --> 00:14:02,841
OF THE UNITED STATES OF AMERICA.
252
00:14:02,875 --> 00:14:04,642
WITH RESPECT,
MADAME CHAIRMAN,
253
00:14:04,677 --> 00:14:07,045
UH, IT WAS STOPPING
254
00:14:07,079 --> 00:14:09,180
AT THE SITE OF
MS. McINERNEY'S FORMER HOME
255
00:14:09,215 --> 00:14:11,983
THAT PUT US IN THE LOBBY
OF THE FRANKLIN ADAMS HOTEL
256
00:14:12,017 --> 00:14:13,852
AT THE EXACT MOMENT
WE CROSSED PATHS
257
00:14:13,886 --> 00:14:15,653
WITH PHOEBE AMIDON
AND HER GRANDFATHER.
258
00:14:15,688 --> 00:14:17,822
IF THAT LETTER
IS WHAT WE THINK IT IS,
259
00:14:17,857 --> 00:14:21,793
THEN IT'S COMPELLING US
TO PAY ATTENTION TO THE DETAILS,
260
00:14:21,827 --> 00:14:24,162
OR THE CHANCE TO BRING
LIEUTENANT AMIDON HOME AGAIN
261
00:14:24,196 --> 00:14:26,097
WILL ALSO BE GONE
BEFORE WE KNOW IT.
262
00:14:26,131 --> 00:14:29,767
SO YOUR PRESENCE
HERE TODAY, MR. O'TOOLE,
263
00:14:29,802 --> 00:14:32,070
IS THE RESULT OF
A PRIOR RELATIONSHIP
264
00:14:32,104 --> 00:14:34,706
WITH PHOEBE AMIDON
AND HER GRANDFATHER?
265
00:14:34,740 --> 00:14:36,207
WELL, THAT,
266
00:14:36,242 --> 00:14:39,577
AND THE PRIOR RELATIONSHIP
OF MS. McINERNEY WITH, UH...
267
00:14:39,612 --> 00:14:43,314
ACTUALLY, I'D LIKE TO TURN
THIS PART OVER TO HER NOW.
268
00:14:44,350 --> 00:14:46,084
MY NAME IS SHANE McINERNEY.
269
00:14:46,118 --> 00:14:47,585
I PROVIDE I.T. SERVICES
270
00:14:47,620 --> 00:14:49,821
FOR THE DEAD LETTER OFFICE
IN DENVER.
271
00:14:49,855 --> 00:14:52,323
I USED TO WORK RIGHT HERE
IN WASHINGTON
272
00:14:52,358 --> 00:14:54,125
IN DIRECT LINE OPERATIONS.
273
00:14:54,159 --> 00:14:56,961
WHEN WE ARRIVED AT THE HOTEL
ON THURSDAY,
274
00:14:56,996 --> 00:14:58,296
WE WERE CHECKING IN AND...
275
00:14:58,330 --> 00:14:59,664
RITA WAS REGISTERING
276
00:14:59,698 --> 00:15:01,299
FOR THE MISS SPECIAL DELIVERY PAGEANT.
277
00:15:01,333 --> 00:15:03,701
OH, WAIT.
278
00:15:09,341 --> 00:15:10,575
MS. McINERNEY.
279
00:15:10,609 --> 00:15:12,677
MM?
280
00:15:12,711 --> 00:15:13,978
UH, I WAS THINKING,
281
00:15:14,013 --> 00:15:15,213
PERHAPS THIS WEEK
282
00:15:15,247 --> 00:15:17,282
MIGHT PRESENT
AN OPPORTUNITY FOR...
283
00:15:17,316 --> 00:15:20,718
FOR... FOR AN EVENING OUT.
284
00:15:22,187 --> 00:15:24,622
WE'RE IN WASHINGTON, D.C.,
OLIVER.
285
00:15:24,657 --> 00:15:26,824
WE'RE ALREADY SPENDING
THE WHOLE WEEK OUT.
286
00:15:26,859 --> 00:15:28,893
YES, BUT I WAS THINKING,
287
00:15:28,928 --> 00:15:31,930
UM, YOU AND I MIGHT
HAVE DINNER TOGETHER,
288
00:15:31,964 --> 00:15:33,197
JUST US, TO--
289
00:15:33,232 --> 00:15:35,867
TO TALK AND...
290
00:15:35,901 --> 00:15:38,069
PERHAPS I CAN OFFER
SOME PERSPECTIVE
291
00:15:38,103 --> 00:15:41,139
ON THE RECENT LOSS
OF YOUR CHILDHOOD HOME.
292
00:15:42,708 --> 00:15:44,909
YOU'RE ASKING ME...
293
00:15:44,944 --> 00:15:46,844
OUT...
294
00:15:46,879 --> 00:15:49,347
FOR DINNER?
295
00:15:49,381 --> 00:15:50,848
YES.
296
00:15:50,883 --> 00:15:52,650
YES!
297
00:15:53,819 --> 00:15:56,220
I'LL PUT IT
IN THE SCHEDULE.
298
00:15:56,255 --> 00:15:57,255
DO THAT.
299
00:15:57,289 --> 00:15:59,190
IN YELLOW.
300
00:16:00,225 --> 00:16:02,126
OF COURSE.
301
00:16:04,964 --> 00:16:07,665
: NEXT... MISS OKLAHOMA!
302
00:16:09,068 --> 00:16:11,235
OH, NO, NO, NO, NO, NO, NO, NO!
303
00:16:12,705 --> 00:16:14,005
ARE YOU OKAY?
304
00:16:14,039 --> 00:16:16,040
WELL, THEY'VE GOT ME SCHEDULED
FOR MY TALENT REHEARSAL
305
00:16:16,075 --> 00:16:17,241
AT THE SAME TIME I'M SUPPOSED TO
GET MY NAILS DONE,
306
00:16:17,276 --> 00:16:19,243
BUT IF I MOVE THE NAILS,
THEN THERE'S NO TIME
307
00:16:19,278 --> 00:16:21,212
FOR SOME FITTING
THEY'VE GOT ME DOWN FOR.
308
00:16:21,246 --> 00:16:22,880
OR MAYBE
I SHOULDN'T DO MY NAILS.
309
00:16:22,915 --> 00:16:24,849
MAYBE I SHOULDN'T REHEARSE,
BUT IF I DON'T, THEN... OH!
310
00:16:24,883 --> 00:16:27,085
THIS IS WORSE
THAN A STAMPEDE ON SUNDAY.
311
00:16:27,119 --> 00:16:29,921
NO. NO! THIS
IS WONDERFUL.
312
00:16:29,955 --> 00:16:31,022
YOU'RE MISS...
313
00:16:31,056 --> 00:16:32,023
WYOMING.
314
00:16:32,057 --> 00:16:33,791
YOU'RE MISS WYOMING!
315
00:16:33,826 --> 00:16:35,126
AND LOOK WHERE YOU ARE.
316
00:16:35,160 --> 00:16:36,694
WELL, THAT'S
THE PROBLEM!
317
00:16:36,729 --> 00:16:38,363
THERE ARE MORE
PEOPLE IN THIS HOTEL
318
00:16:38,397 --> 00:16:39,664
THAN THERE ARE
IN BIG PINEY.
319
00:16:39,698 --> 00:16:41,899
OH, BIG PINEY, WYOMING.
POPULATION 576.
320
00:16:41,934 --> 00:16:43,668
HOW DO YOU KNOW THAT?
321
00:16:43,702 --> 00:16:45,737
OH, I HAVE
A PHOTOGRAPHIC MEMORY.
322
00:16:45,771 --> 00:16:47,271
I REMEMBER
EVERYTHING I READ.
323
00:16:47,306 --> 00:16:49,774
WELL, AS LONG AS
I REMEMBER TO REMEMBER.
324
00:16:49,808 --> 00:16:51,075
IT'S HARD TO REMEMBER
325
00:16:51,110 --> 00:16:53,111
ANYTHING IN
A PLACE LIKE THIS.
326
00:16:53,145 --> 00:16:54,445
I'M AFRAID,
WHEN I GET UP TO SING,
327
00:16:54,480 --> 00:16:55,880
THERE'LL BE SO MANY
PEOPLE IN THE ROOM,
328
00:16:55,914 --> 00:16:57,415
I'LL FORGET THE WORDS.
329
00:16:57,449 --> 00:16:59,217
AND THE NOTES.
330
00:16:59,251 --> 00:17:00,818
AND THE SONG.
331
00:17:00,853 --> 00:17:01,819
LOOK.
332
00:17:01,854 --> 00:17:03,354
I DON'T HAVE TO
REHEARSE TOMORROW.
333
00:17:03,389 --> 00:17:05,156
WHY DON'T YOU
TAKE MY TIME?
334
00:17:05,190 --> 00:17:06,157
I DON'T MIND.
335
00:17:06,191 --> 00:17:07,759
-REALLY?
-YEAH!
336
00:17:07,793 --> 00:17:09,761
MISS COLORADO.
337
00:17:09,795 --> 00:17:13,164
WE'RE PRACTICALLY
NEIGHBORS, RIGHT?
338
00:17:13,198 --> 00:17:15,266
OKAY, MS. McINERNEY,
YOU ARE ON THE EIGHTH FLOOR.
339
00:17:15,300 --> 00:17:16,267
THANK YOU.
340
00:17:16,301 --> 00:17:19,070
NORMAN, YOU ARE ON THE SIXTH.
341
00:17:20,105 --> 00:17:22,306
OH, MY GOODNESS.
342
00:17:23,308 --> 00:17:24,275
: THANK YOU
VERY MUCH.
343
00:17:24,309 --> 00:17:25,810
OH!
344
00:17:25,844 --> 00:17:27,378
IT'S PHOEBE.
345
00:17:27,413 --> 00:17:29,013
HEY! WHAT
A SURPRISE.
346
00:17:29,048 --> 00:17:30,014
I CAN'T BELIEVE IT!
347
00:17:30,049 --> 00:17:31,015
-FOR HEAVEN'S SAKE.
-HI!
348
00:17:31,050 --> 00:17:33,484
HARPER.
OLIVER O'TOOLE.
349
00:17:33,519 --> 00:17:34,485
FOR HEAVEN'S SAKE,
350
00:17:34,520 --> 00:17:35,820
WHAT ARE YOU
GUYS DOING HERE?
351
00:17:35,854 --> 00:17:37,455
-ARE YOU STAYING HERE?
-YEAH.
352
00:17:37,489 --> 00:17:39,924
WHERE'S RITA?
353
00:17:39,958 --> 00:17:41,159
OH, SHE'S IN THE PAGEANT.
354
00:17:41,193 --> 00:17:42,226
WE CAME
TO CHEER HER ON.
355
00:17:42,261 --> 00:17:43,795
AND WHAT BRINGS YOU
TO THE CAPITOL?
356
00:17:43,829 --> 00:17:46,397
OH, WE'RE TRYING TO GET
SOME ANSWERS ABOUT RANDILYNN.
357
00:17:46,432 --> 00:17:48,466
SEE IF THERE'S
ANY...
358
00:17:48,500 --> 00:17:50,001
RESOLUTION.
359
00:17:50,035 --> 00:17:51,736
WE HAD AN APPOINTMENT
360
00:17:51,770 --> 00:17:53,438
WITH SOMEONE FROM
THE STATE DEPARTMENT TOMORROW,
361
00:17:53,472 --> 00:17:56,774
BUT IT LOOKS LIKE
THEY'VE HAD TO POSTPONE.
362
00:17:56,809 --> 00:17:58,142
NOT AGAIN.
363
00:17:58,177 --> 00:17:59,911
: WELL, THAT'S A SHAME.
364
00:17:59,945 --> 00:18:01,479
WELL, THAT'S WASHINGTON.
365
00:18:01,513 --> 00:18:04,115
WE'VE SPENT TWO YEARS,
366
00:18:04,149 --> 00:18:05,483
BUT WE ALWAYS SEEM TO KNOCK
ON THE WRONG DOORS.
367
00:18:05,517 --> 00:18:08,486
ISN'T THERE ANYONE ELSE
THAT YOU CAN MEET WITH?
368
00:18:08,520 --> 00:18:10,888
MM, WE'VE RUN OUT OF IDEAS.
369
00:18:10,923 --> 00:18:13,057
I'VE GOT A STANDING APPOINTMENT
370
00:18:13,092 --> 00:18:14,826
WITH A DIALYSIS MACHINE
BACK HOME,
371
00:18:14,860 --> 00:18:16,227
SO WE CAN'T EXTEND THE TRIP.
372
00:18:16,261 --> 00:18:17,995
: OF COURSE.
373
00:18:18,030 --> 00:18:20,498
WOULD YOU EXCUSE ME
FOR JUST A MINUTE?
374
00:18:23,202 --> 00:18:24,469
SO, WE HAVE
YOU PENCILED IN
375
00:18:24,503 --> 00:18:26,304
TO JOIN US
AT 9:30 TOMORROW.
376
00:18:26,338 --> 00:18:27,305
EXCELLENT.
377
00:18:27,339 --> 00:18:28,806
CAN'T HAVE YOU
HEADING BACK
378
00:18:28,841 --> 00:18:30,007
WITHOUT HAVING
AT LEAST
379
00:18:30,042 --> 00:18:31,976
SOME GOOD MEMORIES
IN WASHINGTON.
380
00:18:32,010 --> 00:18:33,111
SOUNDS LIKE A PLAN!
381
00:18:33,145 --> 00:18:35,513
OKAY, WELL, WE'LL SEE
YOU GUYS TOMORROW, THEN.
382
00:18:35,547 --> 00:18:37,148
-OKAY, GREAT.
-BYE.
383
00:18:37,182 --> 00:18:38,583
BYE.
384
00:18:41,987 --> 00:18:43,054
WOW.
385
00:18:43,088 --> 00:18:45,123
WHAT A COINCIDENCE, HUH?
386
00:18:45,157 --> 00:18:47,558
I DON'T REALLY
BELIEVE IN THEM, NORMAN.
387
00:18:49,595 --> 00:18:51,162
IS THAT
WHO I THINK IT IS?
388
00:18:51,196 --> 00:18:52,830
YEAH! IT'S PHOEBE AMIDON.
389
00:18:52,865 --> 00:18:53,898
NO WAY!
390
00:18:53,932 --> 00:18:55,333
YOU'VE CHECKED IN?
391
00:18:55,367 --> 00:18:57,101
OH, YEAH,
I'VE GOT MY ROOM KEY
392
00:18:57,136 --> 00:18:58,469
AND MY ROOMMATE--
MISS LOUISIANA.
393
00:18:58,504 --> 00:19:01,906
IT SOUNDS LIKE YOU HAVE
SOME PRETTY SERIOUS COMPETITION.
394
00:19:01,940 --> 00:19:03,241
OH, I DON'T MIND.
395
00:19:03,275 --> 00:19:05,143
THERE'S MORE TO LIFE
THAN WINNING, RIGHT?
396
00:19:05,177 --> 00:19:07,512
RIGHT. UM, SPEAKING OF WHICH,
397
00:19:07,546 --> 00:19:09,213
I WAS THINKING THAT,
BEFORE DINNER,
398
00:19:09,248 --> 00:19:10,948
UM, YOU AND I
COULD--
399
00:19:10,983 --> 00:19:12,049
: RITA!
400
00:19:12,084 --> 00:19:13,584
WE'RE GOING OUT FOR YOGURT.
YOU WANNA COME?
401
00:19:13,619 --> 00:19:15,386
OH! UM...
402
00:19:15,420 --> 00:19:17,054
YEAH!
403
00:19:17,089 --> 00:19:18,089
BYE, GUYS!
404
00:19:21,160 --> 00:19:22,927
SHE SEEMS HAPPY.
405
00:19:22,961 --> 00:19:24,061
YES. SHE DOES.
406
00:19:24,096 --> 00:19:26,597
I SUPPOSE IT'S JUST
THE THREE OF US FOR DINNER.
407
00:19:26,632 --> 00:19:27,999
YEAH. YEAH.
408
00:19:28,033 --> 00:19:31,169
WHERE IS
MS. McINERNEY?
409
00:19:36,175 --> 00:19:38,576
HI. IT'S SHANE.
410
00:19:38,610 --> 00:19:42,280
I'M IN TOWN
AT THE FRANKLIN ADAMS AND...
411
00:19:43,949 --> 00:19:46,584
STEVE, I-I NEED TO SEE YOU.
412
00:19:56,528 --> 00:20:00,164
A LITTLE MORE ARNOLD THAN PALMER
THIS TIME, PLEASE.
413
00:20:00,199 --> 00:20:01,899
WHY DO THEY PUT
TINY UMBRELLAS IN DRINKS?
414
00:20:01,934 --> 00:20:03,935
WHY NOT TINY CARS?
415
00:20:03,969 --> 00:20:05,102
OR TINY CATS?
416
00:20:05,137 --> 00:20:07,772
SOMETHING ON YOUR MIND?
417
00:20:07,806 --> 00:20:11,375
I JUST KEEP THINKING ABOUT
PHOEBE COMING ALL THE WAY HERE
418
00:20:11,410 --> 00:20:15,146
TO FIND OUT IF ANYONE KNOWS
WHAT HAPPENED TO HER MOTHER.
419
00:20:16,181 --> 00:20:20,785
EVERYTHING ELSE JUST SEEMS SO...
TRIVIAL COMPARED TO THAT.
420
00:20:20,819 --> 00:20:23,888
THE MISS SPECIAL DELIVERY
PAGEANT
421
00:20:23,922 --> 00:20:27,191
IS PERHAPS NOT AN EVENT
OF GREAT IMPORT
422
00:20:27,226 --> 00:20:29,393
TO THE WORLD AT LARGE, NORMAN,
423
00:20:29,428 --> 00:20:32,263
BUT THE WORLD
IS A TERRIBLY COMPLICATED PLACE,
424
00:20:32,297 --> 00:20:34,031
AND SO MUCH OF IT CAN BE UGLY.
425
00:20:34,066 --> 00:20:37,969
THAT'S WHY WHAT IS GENTLE
AND BEAUTIFUL
426
00:20:38,003 --> 00:20:41,906
AND JOYFUL
IS WORTH FIGHTING TO PRESERVE.
427
00:20:41,940 --> 00:20:45,443
AND IT'S ALSO WHY WE HONOR
THOSE WHO FIGHT.
428
00:20:45,477 --> 00:20:46,477
YEAH.
429
00:20:50,582 --> 00:20:52,550
SO, NORMAN...
430
00:20:54,353 --> 00:20:56,287
WHAT'S IN
THE ENVELOPE? HMM?
431
00:20:56,321 --> 00:20:58,189
WELL, IT'S A SURPRISE F--
432
00:21:02,027 --> 00:21:03,961
MS. McINERNEY.
433
00:21:04,963 --> 00:21:06,364
HELLO, BEAUTIFUL!
434
00:21:08,867 --> 00:21:10,201
-OOH!
-OH--
435
00:21:13,472 --> 00:21:15,072
LOOK AT YOU!
436
00:21:15,107 --> 00:21:16,507
WHOO. LOOK AT YOU...
437
00:21:16,541 --> 00:21:18,075
I GOT YOUR CALL.
438
00:21:18,110 --> 00:21:19,610
YES, AND I THOUGHT
YOU WERE GOING TO
439
00:21:19,645 --> 00:21:21,412
CALL ME BACK.
440
00:21:21,446 --> 00:21:22,513
: I WAS JUST
RIGHT AROUND THE CORNER.
441
00:21:22,547 --> 00:21:24,248
I COULDN'T WAIT,
SO I STAKED OUT YOUR HOTEL,
442
00:21:24,283 --> 00:21:26,017
FIGURED YOU'D SHOW UP
SOONER OR LATER.
443
00:21:26,051 --> 00:21:28,185
YES, WELL, GOOD TIMING.
444
00:21:28,220 --> 00:21:29,520
UH, STEVE MAREK,
445
00:21:29,554 --> 00:21:31,589
THESE ARE MY CO-WORKERS--
446
00:21:31,623 --> 00:21:33,057
MY BOSS, ACTUALLY...
447
00:21:33,091 --> 00:21:35,026
OLIVER O'TOOLE
448
00:21:35,060 --> 00:21:36,360
AND NORMAN DORMAN.
449
00:21:37,362 --> 00:21:38,562
DENVER D.L.O., RIGHT?
450
00:21:38,597 --> 00:21:40,231
YES.
451
00:21:40,265 --> 00:21:42,366
I HEARD ABOUT YOU GUYS.
YOU DO GREAT WORK.
452
00:21:42,401 --> 00:21:43,501
OH, THANK YOU.
453
00:21:43,535 --> 00:21:46,070
AND WHAT IS IT
YOU DO FOR THE POST OFFICE?
454
00:21:46,104 --> 00:21:48,306
OLIVER, NORMAN,
WOULD IT BE OKAY
455
00:21:48,340 --> 00:21:51,509
IF I BEGGED OFF
OF DINNER TONIGHT? UM...
456
00:21:51,543 --> 00:21:54,312
STEVE AND I HAVE...
457
00:21:54,346 --> 00:21:55,980
SOME CATCHING UP TO DO.
458
00:21:56,982 --> 00:21:58,916
I CAN SEE THAT.
459
00:21:58,950 --> 00:22:01,652
BUT PERHAPS
WE COULD MEET LATER?
460
00:22:01,687 --> 00:22:03,120
LATER?
461
00:22:05,624 --> 00:22:07,391
TONIGHT?
A-AFTER MR. MAREK?
462
00:22:08,560 --> 00:22:12,096
FOR A NIGHTCAP?
IN THE LOUNGE?
463
00:22:12,130 --> 00:22:14,332
YES. ALL RIGHT.
464
00:22:17,302 --> 00:22:19,136
NORMAN.
465
00:22:19,171 --> 00:22:21,238
SHALL WE DINE?
466
00:22:22,274 --> 00:22:23,407
YES. DINING.
467
00:22:23,442 --> 00:22:24,442
STARVING.
468
00:22:28,347 --> 00:22:29,447
MR. MAREK.
469
00:22:40,292 --> 00:22:42,693
SO THAT
WAS OLIVER O'TOOLE?
470
00:22:42,728 --> 00:22:44,362
YES.
471
00:22:45,397 --> 00:22:46,964
DOES HE KNOW?
472
00:22:46,998 --> 00:22:48,366
NO.
473
00:22:48,400 --> 00:22:50,568
BUT AFTER TONIGHT...
474
00:22:50,602 --> 00:22:53,571
WE MAY HAVE TO TELL HIM.
475
00:22:58,176 --> 00:22:59,944
AND ONE, TWO, THREE...
476
00:22:59,978 --> 00:23:02,179
♪ DOWN BY THE OLD ♪
477
00:23:02,214 --> 00:23:05,349
♪ MILL STREAM ♪
478
00:23:05,384 --> 00:23:06,584
- ♪ WHERE I FIRST ♪
479
00:23:06,618 --> 00:23:08,018
OH! THE PIZZA!
480
00:23:12,657 --> 00:23:13,991
OH!
481
00:23:14,025 --> 00:23:15,292
HI.
482
00:23:15,327 --> 00:23:16,660
HI. IT'S NORMAN.
483
00:23:16,695 --> 00:23:18,662
: HI, NORMAN!
484
00:23:18,697 --> 00:23:19,997
HE'S CUTE.
485
00:23:20,031 --> 00:23:21,432
THANK YOU!
486
00:23:21,466 --> 00:23:24,168
UH, RITA,
SORRY TO INTERRUPT.
487
00:23:24,202 --> 00:23:26,971
OH, YOU'RE NOT! WE WERE JUST
SITTING AROUND AND STUFF.
488
00:23:27,005 --> 00:23:29,106
I-I DIDN'T KNOW
THAT YOU PLAYED THAT.
489
00:23:29,141 --> 00:23:32,143
WELL, MY PARENTS
WERE FLOWER CHILDREN.
490
00:23:32,177 --> 00:23:33,244
RIGHT.
491
00:23:33,278 --> 00:23:35,179
I WAS BORN
UNDER THE PEPSI CHALLENGE TENT
492
00:23:35,213 --> 00:23:37,381
IN SEDONA, REMEMBER?
493
00:23:44,556 --> 00:23:46,690
WAS THERE
SOMETHING YOU NEEDED?
494
00:23:46,725 --> 00:23:49,260
OH. UH...
495
00:23:49,294 --> 00:23:50,461
NO.
496
00:23:50,495 --> 00:23:52,430
AWW.
497
00:23:54,232 --> 00:23:55,699
SEE YA TOMORROW.
498
00:23:55,734 --> 00:23:56,734
OKAY.
499
00:23:59,337 --> 00:24:01,205
SLEEP TIGHT!
500
00:24:01,239 --> 00:24:02,673
: BYE, NORMAN!
501
00:24:07,546 --> 00:24:09,346
: AW, HE LOOKS LIKE
A TEDDY BEAR!
502
00:24:17,489 --> 00:24:20,024
I THINK
THAT WAS OUR SONG.
503
00:24:20,058 --> 00:24:22,426
WE NEVER HAD A SONG.
504
00:24:22,461 --> 00:24:24,361
WE SHOULD HAVE HAD ONE.
505
00:24:25,397 --> 00:24:28,165
SO WHY'D
YOU LEAVE D.C.?
506
00:24:28,200 --> 00:24:29,600
TO GET AWAY FROM YOU.
507
00:24:29,634 --> 00:24:31,302
MM. OUCH.
508
00:24:31,336 --> 00:24:33,771
I ALWAYS KNOW WHERE
I STAND WITH YOU.
509
00:24:35,474 --> 00:24:39,810
BUT I NEVER KNEW
WHERE I STOOD WITH YOU, STEVE.
510
00:24:42,314 --> 00:24:46,116
AND THEN I FINALLY REALIZED
THAT'S BAD FOR RELATIONSHIPS.
511
00:24:47,419 --> 00:24:50,721
BUT IT'S WHAT MAKES YOU
SO GOOD AT YOUR JOB.
512
00:24:51,756 --> 00:24:54,625
BETRAYED BY MY OWN EXCELLENCE.
513
00:24:54,659 --> 00:24:56,660
AND YOUR HUMILITY.
514
00:24:56,695 --> 00:24:58,362
BUT YOU CAME BACK.
515
00:24:58,396 --> 00:25:00,798
ON VACATION.
516
00:25:00,832 --> 00:25:03,467
I WASN'T GOING TO CALL YOU.
517
00:25:04,603 --> 00:25:06,770
BUT NOW...
518
00:25:06,805 --> 00:25:09,073
I GUESS I NEED YOU.
519
00:25:09,107 --> 00:25:11,108
GOOD.
520
00:25:12,811 --> 00:25:16,213
I'LL SEE WHAT I CAN DO.
521
00:25:17,682 --> 00:25:20,651
AM I... EARLY?
522
00:25:23,755 --> 00:25:26,390
NO. NO, I WAS JUST LEAVING.
523
00:25:26,424 --> 00:25:27,858
HOW WAS DINNER?
524
00:25:28,894 --> 00:25:31,395
FINE, THANK YOU.
525
00:25:31,429 --> 00:25:33,797
OKAY.
526
00:25:35,867 --> 00:25:38,135
I'LL SEE YOU TOMORROW?
527
00:25:38,169 --> 00:25:40,137
OKAY.
528
00:25:44,142 --> 00:25:45,409
TOMORROW?
529
00:25:45,443 --> 00:25:46,410
OLIVER.
530
00:25:46,444 --> 00:25:49,113
I WILL JUST
ADJUST MY ITINERARY
531
00:25:49,147 --> 00:25:50,648
TO REFLECT
THAT YOU WILL NOT
532
00:25:50,682 --> 00:25:52,249
BE JOINING US
533
00:25:52,284 --> 00:25:54,618
FOR OUR TOUR
IN THE MORNING.
534
00:25:54,653 --> 00:25:56,654
NO, I WILL.
I'M COMING.
535
00:25:56,688 --> 00:26:00,658
WE JUST HAVE TO ADJUST
OUR PLANS FOR THE AFTERNOON.
536
00:26:02,160 --> 00:26:03,360
I COULDN'T BEAR
537
00:26:03,395 --> 00:26:06,730
TO SEE HOW DISAPPOINTED PHOEBE
AND HER GRANDFATHER WERE.
538
00:26:06,765 --> 00:26:09,433
SHE'S LOST HER MOTHER,
539
00:26:09,467 --> 00:26:11,435
HE'S LOST A DAUGHTER...
540
00:26:11,469 --> 00:26:13,771
AND I GUESS...
541
00:26:13,805 --> 00:26:15,873
AFTER SEEING--
542
00:26:15,907 --> 00:26:19,510
OR NOT SEEING MY HOUSE TODAY--
543
00:26:20,612 --> 00:26:23,280
I JUST FELT LIKE,
AT LEAST-- AT LEAST, WITH THEM,
544
00:26:23,315 --> 00:26:24,281
MAYBE--
545
00:26:24,316 --> 00:26:26,317
MAYBE THERE
WAS SOMETHING THAT I COULD DO,
546
00:26:26,351 --> 00:26:28,752
MAYBE I COULD...
547
00:26:28,787 --> 00:26:30,788
HELP THEM
IN SOME WAY.
548
00:26:30,822 --> 00:26:33,223
WELL, THAT'S ADMIRABLE,
549
00:26:33,258 --> 00:26:35,659
BUT I'M AFRAID
LIEUTENANT AMIDON'S SITUATION
550
00:26:35,694 --> 00:26:36,794
DOES NOT FALL UNDER THE PURVIEW
551
00:26:36,828 --> 00:26:39,196
OF THE UNITED STATES
POSTAL SYSTEM.
552
00:26:39,230 --> 00:26:41,665
I DON'T SEE HOW YOU OR I
553
00:26:41,700 --> 00:26:43,934
OR YOUR FRIEND, STEVE,
CAN HOPE TO MAKE A DIFFERENCE.
554
00:26:43,969 --> 00:26:45,970
WELL...
555
00:26:47,205 --> 00:26:49,873
YOU OR I CAN'T, BUT...
556
00:26:52,410 --> 00:26:54,478
OLIVER, I HAVEN'T BEEN
557
00:26:54,512 --> 00:26:57,448
COMPLETELY HONEST WITH YOU
ABOUT STEVE.
558
00:26:58,717 --> 00:27:00,884
HE'S NOT EXACTLY
559
00:27:00,919 --> 00:27:03,253
WITH THE POST OFFICE.
560
00:27:04,856 --> 00:27:06,223
SO, MS. McINERNEY,
561
00:27:06,257 --> 00:27:08,759
IT WAS YOU WHO MADE THE INITIAL
CONTACT WITH AGENT MAREK?
562
00:27:08,793 --> 00:27:10,260
: YES.
563
00:27:10,295 --> 00:27:12,429
AND IT'S NOT SOMETHING
THAT I DID LIGHTLY,
564
00:27:12,464 --> 00:27:14,298
BUT NOW I'M GLAD THAT I DID.
565
00:27:15,567 --> 00:27:19,470
SIR, CAN I ASSUME
THAT YOU ARE AGENT MAREK?
566
00:27:20,672 --> 00:27:22,206
YES, I AM, SENATOR.
567
00:27:22,240 --> 00:27:23,240
AND HAS
THE TESTIMONY
568
00:27:23,274 --> 00:27:25,476
YOU'VE HEARD SO FAR
BEEN ACCURATE?
569
00:27:25,510 --> 00:27:26,944
YES, MA'AM.
570
00:27:28,380 --> 00:27:30,814
ALL RIGHT.
CONTINUE, MS. McINERNEY.
571
00:27:30,849 --> 00:27:32,349
: THANK YOU.
572
00:27:32,384 --> 00:27:33,784
WELL, NEEDLESS TO SAY,
573
00:27:33,818 --> 00:27:35,819
THIS WAS ALL NEWS
TO MR. O'TOOLE.
574
00:27:38,957 --> 00:27:40,591
THE CLANDESTINE
SERVICES?
575
00:27:40,625 --> 00:27:42,826
ONE OF THEM. YES.
576
00:27:42,861 --> 00:27:45,796
YOU...
YOU DATED A SPY?
577
00:27:45,830 --> 00:27:48,999
AN INTELLIGENCE ANALYST.
578
00:27:49,034 --> 00:27:51,602
OFFICER.
579
00:27:51,636 --> 00:27:53,871
AGENT.
580
00:27:53,905 --> 00:27:55,472
KIND OF A SPY, YEAH.
581
00:27:55,507 --> 00:27:56,740
YOU LIED TO ME.
582
00:27:56,775 --> 00:27:57,741
I DIDN'T LIE TO YOU.
583
00:27:57,776 --> 00:27:58,942
I LIKE TO THINK
THAT YOU WERE ON
584
00:27:58,977 --> 00:28:01,679
A NEED-TO-KNOW BASIS,
AND NOW YOU NEED TO KNOW.
585
00:28:01,713 --> 00:28:05,349
AND WHAT ELSE
DO I NEED TO KNOW, HMM?
586
00:28:05,383 --> 00:28:08,686
THAT STEVE HAS AGREED
TO MEET WITH HARPER AND PHOEBE
587
00:28:08,720 --> 00:28:10,788
IF WE TAKE THEM
TO THE PENTAGON TOMORROW.
588
00:28:10,822 --> 00:28:12,790
IT SEEMS HE'D
AGREE TO ANYTHING
589
00:28:12,824 --> 00:28:16,427
IF IT MEANT RE-IGNITING
THE FLAMES OF...
590
00:28:16,461 --> 00:28:18,295
YOU KNOW, WHATEVER,
WITH YOU.
591
00:28:19,364 --> 00:28:21,598
FIRST OF ALL, OLIVER,
592
00:28:21,633 --> 00:28:23,567
MY FLAMES
ARE NONE OF YOUR BUSINESS.
593
00:28:25,370 --> 00:28:27,671
AND SECOND,
YOU DON'T HAVE TO LIKE HIM,
594
00:28:27,706 --> 00:28:28,906
BUT HE'S A GOOD MAN,
595
00:28:28,940 --> 00:28:32,276
AND WHATEVER HE MAY HAVE
MEANT TO ME IN THE PAST,
596
00:28:32,310 --> 00:28:35,913
ALL HE MEANS NOW
IS A CHANCE TO HELP PHOEBE.
597
00:28:38,650 --> 00:28:40,651
REALLY.
598
00:28:45,657 --> 00:28:46,890
REALLY.
599
00:28:53,732 --> 00:28:54,865
MR. O'TOOLE,
600
00:28:54,899 --> 00:28:57,935
I AM DUE AT THE SENATE
WAYS AND MEANS COMMITTEE
601
00:28:57,969 --> 00:28:58,936
IN AN HOUR.
602
00:28:58,970 --> 00:29:00,671
NOW, CAN I BEGIN TO HOPE
603
00:29:00,705 --> 00:29:04,641
THAT THERE IS A WAY OR A MEANING
WITH THIS STORY OF YOURS?
604
00:29:04,676 --> 00:29:05,709
HMM?
605
00:29:05,744 --> 00:29:07,778
OH, ABSOLUTELY.
606
00:29:08,847 --> 00:29:09,847
- THE NEXT DAY--
-HI!
607
00:29:09,881 --> 00:29:11,148
...WE TOOK PHOEBE
608
00:29:11,182 --> 00:29:12,716
AND HER GRANDFATHER TO THE NATIONAL POSTAL MUSEUM,
609
00:29:12,751 --> 00:29:13,884
WHERE RITA AND THE OTHER CONTESTANTS
610
00:29:13,918 --> 00:29:15,586
WERE MAKING AN APPEARANCE
611
00:29:15,620 --> 00:29:16,854
AND I WAS...
612
00:29:16,888 --> 00:29:19,656
WELL, I WAS ON SOMETHING OF A SENTIMENTAL JOURNEY.
613
00:29:34,806 --> 00:29:35,873
YOU SEEM...
614
00:29:35,907 --> 00:29:38,909
DEEP IN THOUGHT.
615
00:29:40,945 --> 00:29:42,379
THREE YEARS AGO,
616
00:29:42,413 --> 00:29:45,716
I, UH, STOOD ON THIS VERY SPOT
WITH MY WIFE...
617
00:29:46,985 --> 00:29:52,156
EXPOUNDING ON THE EARLY DAYS
OF THE PONY EXPRESS.
618
00:29:54,392 --> 00:29:56,927
I TURNED AROUND AND, UH...
619
00:29:56,961 --> 00:29:58,962
SHE WASN'T THERE.
620
00:29:58,997 --> 00:30:03,467
I STOOD HERE WAITING AND WAITING
UNTIL THEY CLOSED,
621
00:30:03,501 --> 00:30:04,835
BUT, BY THEN,
622
00:30:04,869 --> 00:30:08,772
SHE'D ALREADY LEFT ME
AND CAUGHT A PLANE TO PARIS.
623
00:30:08,807 --> 00:30:11,141
THAT MUST HAVE BEEN
VERY PAINFUL.
624
00:30:13,511 --> 00:30:15,879
WHY DID YOU COME BACK HERE
TODAY?
625
00:30:20,151 --> 00:30:22,586
CLOSURE.
626
00:30:23,955 --> 00:30:26,890
YOU REMIND ME OF RANDILYNN.
627
00:30:27,926 --> 00:30:30,661
WHEN SHE WAS...
NOT EVEN TWO,
628
00:30:30,695 --> 00:30:33,397
SHE COULD BARELY TALK,
BUT SHE COULD WALK.
629
00:30:33,431 --> 00:30:35,799
WE COULDN'T KEEP UP WITH HER.
630
00:30:35,834 --> 00:30:38,535
ONE DAY, I TURNED AROUND
AND SHE WAS GONE,
631
00:30:38,570 --> 00:30:41,738
THEN I HEARD THIS HUGE BANG.
632
00:30:41,773 --> 00:30:44,575
I WENT RUNNING INTO THE BEDROOM
AND THERE SHE IS,
633
00:30:44,609 --> 00:30:46,009
ON THE FLOOR, SOBBING.
634
00:30:46,044 --> 00:30:48,178
I SAID,
"HONEY, WHAT HAPPENED?"
635
00:30:48,213 --> 00:30:51,181
WELL, SHE WAS CRYING SO HARD,
SHE COULDN'T TELL ME,
636
00:30:51,216 --> 00:30:52,916
SO SHE-- SHE CLIMBED UP
ON THE BED
637
00:30:52,951 --> 00:30:55,619
AND ROLLED OFF AGAIN
JUST TO SHOW ME.
638
00:30:57,055 --> 00:30:58,088
THAT KID...
639
00:30:58,122 --> 00:31:00,190
SHE WAS ALWAYS GOING BACK
640
00:31:00,225 --> 00:31:03,093
TO THE MOST PAINFUL PLACES
IN HER LIFE
641
00:31:03,127 --> 00:31:05,762
TO MAKE SOME SENSE
OF THE PAIN.
642
00:31:08,933 --> 00:31:11,001
ALL FOUR VERSES?
643
00:31:11,035 --> 00:31:13,070
YEAH. AND IF
THAT DIDN'T WORK,
644
00:31:13,104 --> 00:31:14,104
SHE'D DO EVERY VERSE
645
00:31:14,138 --> 00:31:15,505
OF THE STAR-
SPANGLED BANNER, TOO.
646
00:31:15,540 --> 00:31:17,641
WOW. THAT
IS PRETTY PATRIOTIC.
647
00:31:17,675 --> 00:31:20,644
SHE WAS.
648
00:31:20,678 --> 00:31:23,480
HEY! PHOEBE!
HOW ARE YOU?
649
00:31:23,514 --> 00:31:24,514
-I'M GOOD.
-HOW'S LIB?
650
00:31:24,549 --> 00:31:25,616
-SHE'S GETTING FAT.
-OH!
651
00:31:25,650 --> 00:31:27,517
I MADE THE NEIGHBORS
PROMISE TO WALK HER
652
00:31:27,552 --> 00:31:28,719
TWICE A DAY
WHILE WE WERE GONE.
653
00:31:29,721 --> 00:31:30,687
I LOVE YOUR CROWN.
654
00:31:30,722 --> 00:31:31,722
OH, THANK YOU!
655
00:31:31,756 --> 00:31:33,457
I HAVE TO
WEAR IT EVERYWHERE.
656
00:31:33,491 --> 00:31:34,758
PHOTO SHOOTS, INTERVIEWS,
657
00:31:34,792 --> 00:31:37,628
EVEN A LECTURE
ON SPORTSMANSHIP
658
00:31:37,662 --> 00:31:39,463
BY LAST YEAR'S
MISS SPECIAL HANDLING...
659
00:31:39,497 --> 00:31:40,797
WHAT'S THAT?
660
00:31:40,832 --> 00:31:43,634
OH, IT'S LIKE
MISS CONGENIALITY, ONLY POSTAL.
661
00:31:43,668 --> 00:31:44,735
: ANYWAYS,
662
00:31:44,769 --> 00:31:47,604
I AM FREE AS A BIRD
FOR THE REST OF THE DAY.
663
00:31:47,639 --> 00:31:48,605
GREAT, UH, BECAUSE
664
00:31:48,640 --> 00:31:50,240
I HAVE SOMETHING BACK
AT THE HOTEL THAT--
665
00:31:50,275 --> 00:31:51,241
: PHOEBE!
666
00:31:52,510 --> 00:31:53,911
AFTER LUNCH,
667
00:31:53,945 --> 00:31:56,013
I WOULD LIKE TO TAKE YOU
AND YOUR GRANDFATHER
668
00:31:56,047 --> 00:31:57,080
TO MEET A FRIEND OF MINE.
669
00:31:57,115 --> 00:32:00,050
I CAN'T PROMISE ANYTHING, BUT...
670
00:32:00,084 --> 00:32:01,652
: MS. McINERNEY.
671
00:32:02,921 --> 00:32:05,555
GRANDPA!
ARE YOU ALL RIGHT?
672
00:32:06,724 --> 00:32:08,225
GRANDPA?
673
00:32:11,262 --> 00:32:12,896
I THINK HE JUST
OVERDID IT A BIT,
674
00:32:12,931 --> 00:32:14,631
BUT WE'LL HAVE HIM
CHECKED OUT JUST IN CASE.
675
00:32:14,666 --> 00:32:16,767
THANKS, NORMAN.
676
00:32:18,736 --> 00:32:21,004
GET SOME REST, HARPER.
677
00:32:22,206 --> 00:32:24,675
WELL, I GUESS
IT'S UP TO US
678
00:32:24,709 --> 00:32:25,776
TO KEEP
THAT APPOINTMENT.
679
00:32:25,810 --> 00:32:27,744
WHAT APPOINTMENT?
680
00:32:27,779 --> 00:32:30,781
SO YOU ATTENDED
THIS MEETING YESTERDAY
681
00:32:30,815 --> 00:32:32,683
AS WELL, MS. HAYWORTH?
682
00:32:32,717 --> 00:32:35,953
UH, IT'S "HAYWITH,"
WITH AN "I".
683
00:32:36,955 --> 00:32:38,689
OH.
684
00:32:38,723 --> 00:32:40,624
YES, I DID.
685
00:32:40,658 --> 00:32:43,093
I HAD A FREE AFTERNOON OFF,
SO I WENT ALONG.
686
00:32:43,127 --> 00:32:45,095
AND I AM VERY GLAD THAT I DID.
687
00:32:46,898 --> 00:32:49,733
I THINK.
688
00:32:49,767 --> 00:32:52,069
AM I IN TROUBLE?
689
00:32:52,103 --> 00:32:54,604
JUST GIVE US THE FACTS,
MS. HAYWITH.
690
00:32:54,639 --> 00:32:55,706
OH, OKAY.
691
00:32:55,740 --> 00:32:57,007
WELL, FIRST OF ALL,
692
00:32:57,041 --> 00:32:59,076
I HAD TO LEAVE MY CROWN
AT THE DOOR.
693
00:33:00,078 --> 00:33:01,845
OH...
694
00:33:01,879 --> 00:33:04,181
I FEEL SO NAKED
WITHOUT IT.
695
00:33:07,652 --> 00:33:08,986
HERE HE COMES.
696
00:33:09,020 --> 00:33:11,054
OH.
697
00:33:15,026 --> 00:33:16,259
I DID SOME DIGGING.
698
00:33:16,294 --> 00:33:18,295
I GOT AHOLD OF THE FILE--
699
00:33:18,329 --> 00:33:20,731
IT'S AN ACTIVE, WORKING CASE.
700
00:33:20,765 --> 00:33:21,999
NOW, WE NEVER GIVE UP
ON OUR OWN,
701
00:33:22,033 --> 00:33:23,300
NO MATTER HOW LONG IT TAKES,
702
00:33:23,334 --> 00:33:27,170
BUT, AFTER READING THROUGH THIS,
WE MIGHT BE RUNNING OUT OF TIME.
703
00:33:27,205 --> 00:33:30,640
SO YOU DON'T BELIEVE
SHE WAS KILLED IN THE MISSION?
704
00:33:33,144 --> 00:33:35,879
LOOK, I CAN'T READ YOU
INTO THE FILE,
705
00:33:35,913 --> 00:33:38,181
BUT I CAN SAY THAT,
AS OF SIX MONTHS AGO,
706
00:33:38,216 --> 00:33:40,717
I PERSONALLY BELIEVE
LIEUTENANT AMIDON WAS ALIVE
707
00:33:40,752 --> 00:33:43,787
AND BEING HELD
SOMEWHERE NEAR PAKISTAN.
708
00:33:45,056 --> 00:33:47,290
LIKELY BY THE INSURGENTS
THAT ATTACKED HER TEAM
709
00:33:47,325 --> 00:33:49,292
WHEN SHE DISAPPEARED.
710
00:33:49,327 --> 00:33:51,194
THEN YOU THINK
SHE WAS CAPTURED?
711
00:33:51,229 --> 00:33:52,996
OFF THE RECORD?
712
00:33:53,031 --> 00:33:55,766
GO ON, PLEASE.
713
00:33:56,768 --> 00:33:59,302
WELL,
LIEUTENANT AMIDON WAS A MEDIC.
714
00:33:59,337 --> 00:34:02,139
SHE TRAINED FOR
THE CULTURAL SUPPORT TEAMS,
715
00:34:02,173 --> 00:34:04,041
WHO INTERFACE WITH THE AFGHANS,
716
00:34:04,075 --> 00:34:05,075
COLLECTED INTELLIGENCE.
717
00:34:05,109 --> 00:34:06,109
SEE, THE MALE SOLDIERS
718
00:34:06,144 --> 00:34:07,677
COULDN'T TALK TO AFGHAN WOMEN,
719
00:34:07,712 --> 00:34:09,379
BUT THE FEMALE SOLDIERS COULD.
720
00:34:09,414 --> 00:34:11,815
WHAT SEEMED LIKE SUSPICIOUS ACTIVITY--
721
00:34:11,849 --> 00:34:13,884
GOING OFF-BASE, CONSORTING WITH THE LOCALS--
722
00:34:13,918 --> 00:34:17,020
HAD ACTUALLY BEENCOVERTLY SANCTIONED BY THE ARMY.
723
00:34:17,055 --> 00:34:20,323
SEE, WE CAN'T ALWAYS
ANSWER ALLEGATIONS
724
00:34:20,358 --> 00:34:22,059
WITHOUT PUTTING
OTHER PEOPLE IN DANGER,
725
00:34:22,093 --> 00:34:24,227
SO THE WHOLE TRUTH
ABOUT LIEUTENANT AMIDON
726
00:34:24,262 --> 00:34:26,163
IS, REALLY, YET TO BE TOLD.
727
00:34:26,197 --> 00:34:29,266
IS SHE ALIVE, STEVE?
728
00:34:32,703 --> 00:34:34,971
SHE WENT BACK
FOR TWO OF OUR OWN,
729
00:34:35,006 --> 00:34:36,740
WHO WERE CUT DOWN
IN A FIREFIGHT.
730
00:34:36,774 --> 00:34:39,376
NOW, THE INSURGENTS
HAD WITHDRAWN,
731
00:34:39,410 --> 00:34:40,844
BUT THEY WAITED, AS THEY DO,
732
00:34:40,878 --> 00:34:42,679
FOR THE RESCUE TEAM
TO COME BACK FOR THE WOUNDED.
733
00:34:42,713 --> 00:34:44,848
AND THEN
THEY AMBUSHED THEM?
734
00:34:47,852 --> 00:34:49,052
HANG IN THERE, COSTAS!
YOU HEAR ME?
735
00:34:49,087 --> 00:34:51,188
WE'RE GONNA GET YOU OUT OF HERE!
736
00:34:52,223 --> 00:34:53,290
EVAC!
737
00:35:00,264 --> 00:35:01,965
MOVE OUT! MOVE OUT!
738
00:35:24,922 --> 00:35:27,424
RANDI!
739
00:35:27,458 --> 00:35:28,959
RANDI!
740
00:35:28,993 --> 00:35:31,328
GET UP! RANDILYNN!
741
00:35:36,134 --> 00:35:38,268
AND THEN SHE WAS WOUNDED?
742
00:35:38,302 --> 00:35:39,836
AND CAPTURED.
743
00:35:39,871 --> 00:35:41,838
BUT NOT BY ANY CENTRAL GROUP,
744
00:35:41,873 --> 00:35:43,773
OTHERWISE WE WOULD'VE
KNOWN MORE BY NOW.
745
00:35:45,309 --> 00:35:48,378
THERE WAS A RESCUE ATTEMPT
LAST YEAR.
746
00:35:49,814 --> 00:35:50,914
AFTER THAT,
747
00:35:50,948 --> 00:35:52,249
IT APPEARS
THAT SHE WAS MOVED.
748
00:35:52,283 --> 00:35:54,284
THE DRONES HAVEN'T BEEN ABLE
TO FIND HER.
749
00:35:54,318 --> 00:35:57,220
WE FOLLOWED UP ON A SIGHTING,
BUT THAT DIDN'T PAN OUT.
750
00:35:57,255 --> 00:35:59,089
THEN THERE'S THIS LETTER,
WHICH MAY OR MAY NOT
751
00:35:59,123 --> 00:36:00,457
HAVE BEEN WRITTEN
BY LIEUTENANT AMIDON,
752
00:36:00,491 --> 00:36:02,292
BUT THAT'S GONNA TAKE
SOME TIME TO CONFIRM.
753
00:36:02,326 --> 00:36:04,761
I'M SORRY,
DID YOU SAY A LETTER?
754
00:36:06,097 --> 00:36:07,464
A LETTER. YEAH.
755
00:36:16,240 --> 00:36:17,474
PLEASE, MADAME CHAIRMAN.
756
00:36:17,508 --> 00:36:19,876
MS. HAYWITH,
HAVE WE FINALLY
757
00:36:19,911 --> 00:36:22,412
COME TO THE REASON FOR
THIS HEARING THIS MORNING?
758
00:36:22,446 --> 00:36:23,847
YOU MEAN THE LETTER?
759
00:36:23,881 --> 00:36:26,082
YES.
760
00:36:26,117 --> 00:36:28,051
OH, YES. THAT'S WHEN
MR. MAREK SHOWED US THE LETTER.
761
00:36:28,085 --> 00:36:29,219
WELL, HE ACTUALLY
DIDN'T SHOW US THE LETTER,
762
00:36:29,253 --> 00:36:30,253
THAT WAS THE PROBLEM.
763
00:36:32,023 --> 00:36:33,957
THAT'S WHEN
I DID THE BAD THING.
764
00:36:33,991 --> 00:36:36,793
GO ON.
765
00:36:41,532 --> 00:36:43,934
THIS ARRIVED
ALMOST TWO WEEKS AGO
766
00:36:43,968 --> 00:36:45,035
FROM AFGHANISTAN,
767
00:36:45,069 --> 00:36:46,336
MADE ITS WAY TO US.
768
00:36:46,370 --> 00:36:47,337
IT'S NOT IN AN ENVELOPE.
769
00:36:47,371 --> 00:36:48,405
IT'S ALL JERRY-RIGGED TOGETHER
WITH TAPE,
770
00:36:48,439 --> 00:36:49,506
IT'S ADDRESSED
771
00:36:49,540 --> 00:36:51,474
"F-E-E-B."
772
00:36:51,509 --> 00:36:54,010
"BY THE AMERICAN SECRETARY
OF THE MILITARY EMBASSY,
773
00:36:54,045 --> 00:36:55,045
"WASHINGTON, D.C., U.S.A.,
774
00:36:55,079 --> 00:36:56,446
FROM SOLDIER FEMALE."
775
00:36:56,480 --> 00:36:59,015
NOW, THE HANDWRITING
ON THE OUTSIDE IS DIFFERENT
776
00:36:59,050 --> 00:37:00,350
FROM THE INSIDE.
777
00:37:00,384 --> 00:37:01,952
LIEUTENANT AMIDON
MAY HAVE WRITTEN THIS,
778
00:37:01,986 --> 00:37:04,254
BUT SOMEBODY ELSE MAILED IT
AND ROUTED IT THROUGH KABUL.
779
00:37:04,288 --> 00:37:06,056
KABUL HAS MAIL?
780
00:37:06,090 --> 00:37:07,557
AH. YOU'D BE SURPRISED.
781
00:37:07,592 --> 00:37:10,560
THEY HAVE QUITE AN EFFICIENT
POSTAL SYSTEM IN AFGHANISTAN.
782
00:37:10,595 --> 00:37:11,928
: OH.
783
00:37:11,963 --> 00:37:14,364
AND WITH ALL THE CELLPHONES
AND LAPTOPS
784
00:37:14,398 --> 00:37:15,966
BEING HACKED SO OFTEN
OUT THERE,
785
00:37:16,000 --> 00:37:17,801
THIS MAY HAVE BEEN A GOOD WAY
786
00:37:17,835 --> 00:37:20,003
TO GET A MESSAGE THROUGH
UNMONITORED.
787
00:37:20,037 --> 00:37:21,204
I HAVE ALWAYS MAINTAINED THAT
788
00:37:21,239 --> 00:37:25,408
MAIL IS STILL THE GOLD STANDARD
OF HUMAN COMMUNICATION.
789
00:37:26,844 --> 00:37:28,311
RIGHT.
790
00:37:28,346 --> 00:37:29,379
THE PROBLEM IS,
791
00:37:29,413 --> 00:37:30,847
I MEAN,
EXCEPT FOR SOMETHING IN HERE
792
00:37:30,881 --> 00:37:32,115
ABOUT THE FOURTH OF JULY,
793
00:37:32,149 --> 00:37:34,084
IT ALL REALLY JUST APPEARS
TO BE GIBBERISH.
794
00:37:34,118 --> 00:37:36,152
BUT THAT'S WHAT WE DO
EVERY DAY--
795
00:37:36,187 --> 00:37:39,189
WE FIGURE OUT LETTERS
THAT DON'T MAKE SENSE.
796
00:37:39,223 --> 00:37:40,257
LET'S SEE.
797
00:37:40,291 --> 00:37:42,192
OH, I-I CAN'T LET YOU
LOOK AT THAT.
798
00:37:42,226 --> 00:37:46,296
OH, FOR HEAVEN'S SAKE, STEVE.
WE'RE ALL ON THE SAME SIDE!
799
00:37:46,330 --> 00:37:49,165
IT'S CLASSIFIED.
I'VE SHOWN YOU TOO MUCH ALREADY.
800
00:37:49,200 --> 00:37:50,967
: WELL, NOT TO PUT
TOO FINE A POINT ON THIS,
801
00:37:51,002 --> 00:37:52,035
THAT WAS NOT ADDRESSED
802
00:37:52,069 --> 00:37:55,572
TO THE SECRETARY,
BUT SOMEONE NAMED "F-E-E-B,"
803
00:37:55,606 --> 00:37:58,074
WHICH I SUBMIT IS SOMEONE'S
IDEA OF HOW TO SPELL "PHOEBE,"
804
00:37:58,109 --> 00:38:00,310
AND, THEREFORE,
STILL HAS YET TO BE DELIVERED
805
00:38:00,344 --> 00:38:01,911
TO ITS INTENDED RECIPIENT,
806
00:38:01,946 --> 00:38:03,079
AND, THEREFORE,
FALLS CLEARLY UNDER
807
00:38:03,114 --> 00:38:05,615
THE JURISDICTION OF THE UNITED
STATES POSTAL SERVICE.
808
00:38:06,884 --> 00:38:08,351
IS HE KIDDING?
809
00:38:08,386 --> 00:38:10,920
I'M SORRY, HE'S NOT.
810
00:38:11,989 --> 00:38:13,990
WELL, THAT'S
JUST NOT GONNA HAPPEN.
811
00:38:14,025 --> 00:38:16,059
THERE'S TOO MUCH ANALYSIS AHEAD.
812
00:38:16,093 --> 00:38:18,228
THERE'S HANDWRITING,
DNA, CRYPTOGRAPHY.
813
00:38:18,262 --> 00:38:19,929
YOU THINK
IT'S A CODED MESSAGE?
814
00:38:19,964 --> 00:38:21,564
: I HOPE SO,
OTHERWISE, LIKE I SAID,
815
00:38:21,599 --> 00:38:23,366
IT JUST DOESN'T MAKE ANY SENSE.
816
00:38:23,401 --> 00:38:24,401
I KNOW.
817
00:38:24,435 --> 00:38:27,570
I MEAN... I BET!
818
00:38:29,273 --> 00:38:31,207
WE SHOULD GO!
819
00:38:31,242 --> 00:38:33,043
I HAVE A BIG TAP DANCE
NUMBER TO LEARN TONIGHT.
820
00:38:37,014 --> 00:38:38,315
: STEVE...
821
00:38:38,349 --> 00:38:42,018
I THINK I SHOULD TELL YOU THAT
RITA HAS A PHOTOGRAPHIC MEMORY
822
00:38:42,053 --> 00:38:43,420
AND THERE'S
A PRETTY GOOD CHANCE
823
00:38:43,454 --> 00:38:45,622
THAT SHE CAN REMEMBER EVERYTHING
THAT LETTER SAID.
824
00:38:45,656 --> 00:38:47,357
AH, GIVE OR TAKE A FEW
WORDS HERE AND THERE.
825
00:38:47,391 --> 00:38:49,326
YOUR THUMB WAS
COVERING SOME OF IT.
826
00:38:49,360 --> 00:38:50,327
SORRY.
827
00:38:50,361 --> 00:38:52,228
WELL, LET'S JUST PRETEND
I DIDN'T HEAR THAT.
828
00:38:52,263 --> 00:38:54,230
FAIR ENOUGH.
829
00:38:54,265 --> 00:38:55,231
IF YOU COME UP
WITH ANYTHING,
830
00:38:55,266 --> 00:38:56,566
I'D LIKE
TO HEAR ABOUT IT.
831
00:38:56,600 --> 00:38:59,369
I DIDN'T KNOW
THE "DEPARTMENT OF AGRICULTURE"
832
00:38:59,403 --> 00:39:01,104
WAS SO CLANDESTINE.
833
00:39:01,138 --> 00:39:03,039
YOU'D BE SURPRISED.
834
00:39:11,015 --> 00:39:12,048
DON'T FORGET YOUR CROWN.
835
00:39:12,083 --> 00:39:13,950
OH, RIGHT.
836
00:39:15,720 --> 00:39:18,455
: WOW.
A REAL SPY. STEVE?
837
00:39:18,489 --> 00:39:20,590
ANALYST.
838
00:39:20,624 --> 00:39:22,992
A MINOR COG IN THE WHEEL.
839
00:39:23,027 --> 00:39:24,627
HOW IS HARPER?
840
00:39:24,662 --> 00:39:27,430
: OH, WELL, I WANTED
TO TAKE HIM TO SEE A DOCTOR,
841
00:39:27,465 --> 00:39:30,300
BUT HE INSISTED ON GOING BACK
TO THE HOTEL WITH PHOEBE.
842
00:39:30,334 --> 00:39:34,170
HARPER'S A TOUGH GUY,
BUT HE COULD USE SOME GOOD NEWS.
843
00:39:34,205 --> 00:39:37,107
THEN WE NEED TO
FIND HIM SOME, HMM?
844
00:39:37,141 --> 00:39:38,141
WELL, HOW?
845
00:39:38,175 --> 00:39:40,343
WE ONLY HAD ONE... COG.
846
00:39:41,345 --> 00:39:43,646
WE ARE AN ELITE POSTAL
TASK FORCE, NORMAN.
847
00:39:43,681 --> 00:39:45,949
WIDE POWERS
OF POSTAL DISCRETION.
848
00:39:45,983 --> 00:39:48,651
I THINK IT'S TIME
WE USED THEM.
849
00:39:50,287 --> 00:39:52,122
: OKAY, THERE WAS
ONLY SIX LINES.
850
00:39:52,156 --> 00:39:55,658
THE FIRST ONE WAS, UM,
"THE DAY WILL END FAST."
851
00:39:55,693 --> 00:39:57,193
AND THEN
"THE BIRTHDAY OF LIBERTY,"
852
00:39:57,228 --> 00:40:01,197
WHICH IS THE FOURTH OF JULY CLUE
THAT STEVE WAS TALKING ABOUT.
853
00:40:01,232 --> 00:40:03,199
GO ON.
854
00:40:03,234 --> 00:40:04,968
THEN THERE WAS
THIS WEIRD THING--
855
00:40:05,002 --> 00:40:06,269
"RETURN TO THE FOUR-POSTER."
856
00:40:06,303 --> 00:40:08,271
WHAT?
857
00:40:09,340 --> 00:40:11,307
SOME KIND OF
ARMY POST, MAYBE?
858
00:40:11,342 --> 00:40:13,576
HMM.
859
00:40:13,611 --> 00:40:15,512
THEN THERE WAS, LET ME SEE,
860
00:40:15,546 --> 00:40:17,547
"SONG 5-9-1-6"
861
00:40:17,581 --> 00:40:20,417
AND "PROVERBIAL 1-8-1-0."
862
00:40:22,153 --> 00:40:23,420
ANYTHING ELSE?
863
00:40:23,454 --> 00:40:26,089
NO, JUST HALF A WORD OR TWO.
864
00:40:26,123 --> 00:40:28,191
"GRIM FEET."
865
00:40:28,225 --> 00:40:29,192
GRIM FEET?
866
00:40:29,226 --> 00:40:30,326
THAT'S WHAT IT SAID.
867
00:40:30,361 --> 00:40:33,663
THAT'S THE PART WHERE
HIS THUMB WAS COVERING IT.
868
00:40:33,697 --> 00:40:37,500
STEVE'S RIGHT.
NONE OF THIS MAKES ANY SENSE.
869
00:40:37,535 --> 00:40:40,637
EVERYTHING SEEMS LIKE
SOME SORT OF CLUE,
870
00:40:40,671 --> 00:40:43,540
SO IT MUST MEAN SOMETHING
TO SOMEONE.
871
00:40:43,574 --> 00:40:45,475
MM-HMM.
872
00:40:45,509 --> 00:40:47,310
WELL, IF IT WAS
ADDRESSED TO PHOEBE,
873
00:40:47,344 --> 00:40:49,179
SHOULDN'T SHE KNOW
WHAT IT MEANS?
874
00:40:49,213 --> 00:40:51,281
SOMEONE ELSE
WROTE THAT ON THE ENVELOPE,
875
00:40:51,315 --> 00:40:53,283
AND I WOULD HATE
TO GIVE PHOEBE FALSE HOPE
876
00:40:53,317 --> 00:40:54,551
IF WE DON'T HAVE TO.
877
00:40:54,585 --> 00:40:56,553
WE ARE PROFESSIONALS.
878
00:40:56,587 --> 00:40:59,689
WE SHOULD BE ABLE
TO BREAK THIS CODE.
879
00:41:15,706 --> 00:41:17,040
I HATE TO SAY THIS,
880
00:41:17,074 --> 00:41:18,475
BUT I REALLY DO NEED
881
00:41:18,509 --> 00:41:20,376
TO LEARN TO TAP DANCE,
BUT I PROMISE YOU,
882
00:41:20,411 --> 00:41:23,146
WHILE MY FEET ARE TAPPING,
MY MIND WILL BE THINKING.
883
00:41:23,180 --> 00:41:24,481
DO YOU WANNA COME, NORMAN?
884
00:41:25,516 --> 00:41:26,483
OH, SURE!
885
00:41:26,517 --> 00:41:28,351
OKAY.
886
00:41:28,385 --> 00:41:31,688
UM, WHAT WAS
THAT LAST CLUE AGAIN?
887
00:41:31,722 --> 00:41:33,289
IT WAS A PARTIAL.
"GRIM FEET."
888
00:41:34,658 --> 00:41:38,161
WE MAY BE IN OVER
OUR HEADS HERE, OLIVER.
889
00:41:38,195 --> 00:41:39,395
I MEAN,
890
00:41:39,430 --> 00:41:42,599
THE ONLY THING THAT WE HAVE
IS THE FOURTH OF JULY CLUE.
891
00:41:42,633 --> 00:41:44,100
THE FOURTH HAS COME AND GONE.
892
00:41:44,134 --> 00:41:49,806
IF THAT DAY IS IMPORTANT,
THEN THIS COULD ALL BE TOO LATE.
893
00:41:53,677 --> 00:41:55,578
♪ BY PLANES, TRAINS
BUS, MULE, OR LIVERY ♪
894
00:41:55,613 --> 00:41:58,581
♪ YOU BET SHE'LL GET
THOSE LETTERS THROUGH ♪
895
00:41:58,616 --> 00:42:01,184
♪ SO HAIL
MISS SPECIAL DELIVERY ♪
896
00:42:01,218 --> 00:42:03,520
♪ AND ALL THINGS COASTAL ♪
897
00:42:03,554 --> 00:42:04,754
♪ FROM COAST TO COAST'LL SING ♪
898
00:42:04,788 --> 00:42:05,755
♪ SHE'S THE DAMSEL ♪
899
00:42:05,789 --> 00:42:07,290
♪ WE STAMP AND CANCEL ♪
900
00:42:07,324 --> 00:42:09,692
♪ THE HOLY GRAIL
OF FIRST-CLASS MAIL ♪
901
00:42:09,727 --> 00:42:13,396
♪ MISS SPECIAL DELIVERY ♪
902
00:42:13,430 --> 00:42:16,332
♪ THAT'S YOU! ♪
903
00:42:16,367 --> 00:42:17,500
YEAH!
904
00:42:17,535 --> 00:42:20,203
OKAY. HOLD ON.
905
00:42:21,438 --> 00:42:23,640
MISS LOUISIANA,
SLIDE YOU OVER HERE...
906
00:42:27,411 --> 00:42:29,112
SO MUCH HARDER
THAN YOU'D THINK!
907
00:42:29,146 --> 00:42:31,881
YEAH. EVERYBODY'S
OUT OF STEP BUT YOU.
908
00:42:33,717 --> 00:42:35,552
HOW MANY PEOPLE DO YOU
THINK ARE GONNA BE THERE?
909
00:42:35,586 --> 00:42:36,886
OH, LIKE 500.
910
00:42:36,921 --> 00:42:40,423
I CAN'T SING
IN FRONT OF 500 PEOPLE!
911
00:42:40,457 --> 00:42:41,424
OH, YOU'LL BE OKAY.
912
00:42:41,458 --> 00:42:42,692
IN RITA'S BOOK,
913
00:42:42,726 --> 00:42:44,394
RENITA HAYWEATHER: FRONTIER DUCHESS,
914
00:42:44,428 --> 00:42:46,496
RENITA HAS TO SING "MOON RIVER"
915
00:42:46,530 --> 00:42:48,398
WHILE SITTING
ON TOP OF A WURLITZER ORGAN
916
00:42:48,432 --> 00:42:49,465
IN THE LAST CHANCE SALOON
917
00:42:49,500 --> 00:42:51,734
WHILE A BUNCH OF COWBOYS
EAT PISTACHIOS.
918
00:42:51,769 --> 00:42:53,836
BUT SHE KNOWS
THAT IT'LL INSPIRE MR. D'LORMAN
919
00:42:53,871 --> 00:42:55,438
BEFORE THE BIG SHOOT-OUT,
920
00:42:55,472 --> 00:42:57,206
SO SHE DOES IT.
921
00:42:57,241 --> 00:42:59,709
WOW! I WANNA
READ THAT BOOK.
922
00:42:59,743 --> 00:43:02,612
: OKAY, LADIES,
LET'S GO BACK TO FIFTH POSITION.
923
00:43:02,646 --> 00:43:03,646
FIFTH?
924
00:43:03,681 --> 00:43:04,747
MY DOGS ARE
BARKIN' SO BAD,
925
00:43:04,782 --> 00:43:06,149
I CAN'T GET BACK
TO FIRST.
926
00:43:06,183 --> 00:43:08,651
"MY DOGS ARE BARKING."
927
00:43:08,686 --> 00:43:10,453
DON'T YOU JUST LOVE HER?
928
00:43:10,487 --> 00:43:12,589
--YEAH.
929
00:43:14,258 --> 00:43:16,459
FIVE, SIX, SEVEN, EIGHT...
930
00:43:16,493 --> 00:43:18,861
♪ SHE'S MISS SPECIAL DELIVERY ♪
931
00:43:18,896 --> 00:43:21,764
♪ YES, SHE'S
OUR POST OFFICE QUEEN ♪
932
00:43:21,799 --> 00:43:22,899
"MY DOGS"?
933
00:43:22,933 --> 00:43:25,501
♪ FROM ROCKY MOUNTAIN
TO FIELD AND FOUNTAIN... ♪
934
00:43:25,536 --> 00:43:26,869
DOG.
935
00:43:26,904 --> 00:43:28,571
DOGS? DOGS!
936
00:43:28,606 --> 00:43:30,406
LIBERTY! LET'S GO!
937
00:43:30,441 --> 00:43:32,709
♪ YOU BET SHE'LL GET
THOSE LETTERS THROUGH ♪
938
00:43:32,743 --> 00:43:36,379
♪ SO HAIL
MISS SPECIAL DELIVERY ♪
939
00:43:36,413 --> 00:43:37,847
"LIBERTY"?
940
00:43:37,881 --> 00:43:39,182
YES, MA'AM.
941
00:43:39,216 --> 00:43:41,484
RANDILYNN WASN'T TALKING
ABOUT THE FOURTH OF JULY.
942
00:43:41,518 --> 00:43:43,786
SHE WAS TALKING ABOUT LIB.
943
00:43:43,821 --> 00:43:45,655
THEIR DOG'S NAME
IS "LIBERTY."
944
00:43:45,689 --> 00:43:47,423
ARE YOU TELLING ME
945
00:43:47,458 --> 00:43:50,593
THAT THIS COMMITTEE CONVENED
A SPECIAL EMERGENCY SESSION
946
00:43:50,628 --> 00:43:55,431
BECAUSE OF THE BIRTHDATE
OF SOMEONE'S PET?
947
00:43:55,466 --> 00:43:58,468
THE BIRTHDATE OF
PHOEBE AMIDON'S GERMAN SHEPHERD
948
00:43:58,502 --> 00:44:01,204
IS OF UTMOST IMPORTANCE,
MADAME CHAIRMAN.
949
00:44:01,238 --> 00:44:03,239
IT TURNED OUT TO BE
THE CODE-BREAKER,
950
00:44:03,273 --> 00:44:04,273
THE ROSETTA STONE...
951
00:44:05,309 --> 00:44:09,746
AND THE KEY TO SAVING
RANDILYNN AMIDON'S LIFE.
952
00:44:13,984 --> 00:44:15,818
"THE DAY WILL END FAST,"
953
00:44:15,853 --> 00:44:16,819
"THE BIRTHDAY OF LIBERTY,"
954
00:44:16,854 --> 00:44:18,655
"RETURN TO THE FOUR-POSTER,"
955
00:44:18,689 --> 00:44:20,223
"SONG 5-9-1-6."
956
00:44:20,257 --> 00:44:23,226
"PROVERBIAL 1-8-1-0,"
957
00:44:23,260 --> 00:44:24,927
AND "GRIM FEET."
958
00:44:24,962 --> 00:44:28,331
GRIM... FEET.
959
00:44:29,533 --> 00:44:31,634
ABRAHAM LINCOLN
SLEPT IN THIS HOTEL
960
00:44:31,669 --> 00:44:32,769
AFTER HIS ELECTION,
961
00:44:32,803 --> 00:44:34,404
BEFORE HE MOVED INTO
THE WHITE HOUSE IN 1860.
962
00:44:34,438 --> 00:44:36,539
I WONDER WHAT THEY CALLED
THE LINCOLN BEDROOM
963
00:44:36,573 --> 00:44:39,442
BEFORE IT WAS
THE LINCOLN BEDROOM.
964
00:44:45,816 --> 00:44:46,883
HUH.
965
00:44:47,918 --> 00:44:49,752
MAY I USE THIS?
966
00:44:50,988 --> 00:44:52,822
: GUESS WHAT!
967
00:44:52,856 --> 00:44:54,924
ROOM 1201, PLEASE.
968
00:44:54,958 --> 00:44:56,426
OLIVER.
969
00:44:56,460 --> 00:44:58,461
HARPER.
OLIVER O'TOOLE.
970
00:44:58,495 --> 00:44:59,796
WHEN YOU TOLD ME
THAT STORY
971
00:44:59,830 --> 00:45:01,664
ABOUT YOUR DAUGHTER
FALLING OFF THE BED.
972
00:45:01,699 --> 00:45:03,866
UH, WAS IT
A FOUR-POSTER BED?
973
00:45:03,901 --> 00:45:06,469
AND ASK HIM WHEN
LIBERTY'S BIRTHDAY IS!
974
00:45:08,372 --> 00:45:11,407
HARPER, UH, I BELIEVE
WE NEED TO TALK.
975
00:45:18,515 --> 00:45:20,083
SOMEBODY'S GOING TO
SLEEP TONIGHT.
976
00:45:21,151 --> 00:45:22,652
WELL, SO...
977
00:45:22,686 --> 00:45:24,220
: HARPER,
WHEN RANDILYNN FELL OUT
978
00:45:24,254 --> 00:45:25,221
OF THAT FOUR-POSTER BED,
979
00:45:25,255 --> 00:45:26,222
SHE WAS TWO.
980
00:45:26,256 --> 00:45:28,991
DO YOU THINK
SHE REMEMBERS THAT?
981
00:45:29,026 --> 00:45:30,693
IT WAS A FAMILY JOKE, YES.
982
00:45:30,728 --> 00:45:31,728
AND YOU'RE SURE
983
00:45:31,762 --> 00:45:34,097
THAT PHOEBE'S PUPPY
WAS BORN ON JULY 21st?
984
00:45:34,131 --> 00:45:36,065
YEAH, CAN'T FORGET THAT.
985
00:45:37,601 --> 00:45:41,104
DO THE WORDS "GRIM FEET"
MEAN ANYTHING TO YOU?
986
00:45:41,138 --> 00:45:43,639
GRIM FEET?
987
00:45:43,674 --> 00:45:44,640
NO.
988
00:45:44,675 --> 00:45:47,477
AND HOW ABOUT
"THE DAY WILL END FAST"?
989
00:45:47,511 --> 00:45:48,611
FAST,
"IN A HURRY,"
990
00:45:48,645 --> 00:45:50,546
OR FAST AS IN "NOT EATING"?
991
00:45:50,581 --> 00:45:53,249
HMM! GOOD POINT.
992
00:45:54,651 --> 00:45:57,887
UM, "PROVERBIAL SONG"?
993
00:45:57,921 --> 00:45:59,922
PROVERBIAL...
994
00:45:59,957 --> 00:46:01,758
OH, MY GOODNESS.
995
00:46:01,792 --> 00:46:03,526
RITA, WE NEED A BIBLE.
996
00:46:03,560 --> 00:46:04,660
THERE'S ONE
IN THE DRAWER THERE.
997
00:46:04,695 --> 00:46:07,830
PROVERBS AND SONG--
"SONG" IS THE MODERN VERSION
998
00:46:07,865 --> 00:46:08,831
OF THE WORD "PSALM."
999
00:46:08,866 --> 00:46:09,832
THANK YOU.
1000
00:46:09,867 --> 00:46:12,135
SIR, IS YOUR DAUGHTER
A WOMAN OF FAITH?
1001
00:46:12,169 --> 00:46:13,603
OH, YES.
1002
00:46:13,637 --> 00:46:15,538
SHE EVEN TAUGHT
SOME BIBLE STUDY AT THE BASE.
1003
00:46:15,572 --> 00:46:16,672
SO SHE KNOWS
HER BIBLE?
1004
00:46:16,707 --> 00:46:17,940
OH, CHAPTER AND VERSE.
1005
00:46:17,975 --> 00:46:21,778
: PROVERBS,
CHAPTER 18, VERSE 10.
1006
00:46:21,812 --> 00:46:24,881
PSALMS 59:16...
1007
00:46:26,283 --> 00:46:28,050
THEY BOTH TALK ABOUT...
1008
00:46:28,085 --> 00:46:29,118
OH, WOW!
1009
00:46:29,153 --> 00:46:31,053
OLIVER--
"THE DAY WILL END FAST."
1010
00:46:31,088 --> 00:46:32,288
I THINK I KNOW WHAT IT MEANS.
1011
00:46:32,322 --> 00:46:33,656
: OH! HERE WE GO.
1012
00:46:33,690 --> 00:46:36,959
"THE NAME OF THE LORD
IS A HIGH TOWER.
1013
00:46:36,994 --> 00:46:40,096
THE JUST RUN TO IT,
AND ARE SAFE."
1014
00:46:40,130 --> 00:46:42,231
I NEED TO CALL STEVE.
1015
00:46:43,333 --> 00:46:44,767
WHO'S STEVE?
1016
00:46:44,802 --> 00:46:45,768
WELL, HE'S NOT
1017
00:46:45,803 --> 00:46:47,570
WITH THE DEPARTMENT
OF AGRICULTURE.
1018
00:46:47,604 --> 00:46:51,073
MR. O'TOOLE AND HIS TEAM
CONTACTED ME LAST NIGHT,
1019
00:46:51,108 --> 00:46:52,308
THEY SUGGESTED
1020
00:46:52,342 --> 00:46:55,044
THE LETTER
WAS SOME FORM OF ESCAPE PLAN
1021
00:46:55,078 --> 00:46:57,713
AND THEY MADE
A RATHER PERSUASIVE CASE.
1022
00:46:57,748 --> 00:47:00,116
BUT NOT
A CONCLUSIVE ONE.
1023
00:47:00,150 --> 00:47:02,552
NO. BUT I FELT THERE WAS
ENOUGH INFORMATION
1024
00:47:02,586 --> 00:47:03,653
TO BRING IT TO YOUR ATTENTION,
1025
00:47:03,687 --> 00:47:06,722
ESPECIALLY CONSIDERING
THE DEADLINE.
1026
00:47:06,757 --> 00:47:10,026
WELL, GO AHEAD, MR. O'TOOLE.
1027
00:47:10,060 --> 00:47:11,694
MAKE YOUR CASE.
1028
00:47:11,728 --> 00:47:13,663
ACTUALLY, I'D LIKE TO
TURN THAT OVER
1029
00:47:13,697 --> 00:47:15,064
TO MY COLLEAGUE,
MR. DORMAN.
1030
00:47:20,270 --> 00:47:23,206
THANK YOU, MR. O'TOOLE.
1031
00:47:24,274 --> 00:47:27,777
UH, AS MS. HAYWITH EXPLAINED,
THE SECOND CLUE,
1032
00:47:27,811 --> 00:47:33,182
"THE BIRTHDAY OF LIBERTY"
IS IN REFERENCE TO JULY 21st,
1033
00:47:33,217 --> 00:47:35,818
WHICH HAPPENS TO BE TOMORROW
AND, NOT COINCIDENTALLY,
1034
00:47:35,853 --> 00:47:39,188
IS ALSO THE BIRTHDATE
OF THE AMIDON FAMILY DOG.
1035
00:47:39,223 --> 00:47:43,659
AND THAT DATE IS SOME SORT OF
"KEY" TO THE CODE, YOU SAY?
1036
00:47:43,694 --> 00:47:46,229
YES, WHEN PAIRED
WITH THE FIRST CLUE--
1037
00:47:46,263 --> 00:47:48,197
"THE DAY WILL END FAST."
1038
00:47:48,232 --> 00:47:49,932
IN AFGHANISTAN,
AND AROUND THE WORLD,
1039
00:47:49,967 --> 00:47:53,736
THE HOLY MONTH OF RAMADAN
IS OBSERVED, UH,
1040
00:47:53,770 --> 00:47:57,073
WITH PRAYER, ACTS OF CHARITY,
AND FASTING.
1041
00:47:57,107 --> 00:47:59,375
THIS YEAR, THOSE 30 DAYS
OF FASTING ENDED
1042
00:47:59,409 --> 00:48:02,345
WITH A TRADITIONAL FESTIVAL
OF FAST-BREAKING FOUR DAYS AGO,
1043
00:48:02,379 --> 00:48:04,146
AND WE SUGGEST THAT
THAT IS THE DAY
1044
00:48:04,181 --> 00:48:06,749
THAT LIEUTENANT AMIDON
CHOSE TO ESCAPE.
1045
00:48:33,210 --> 00:48:35,044
: IT IS TIME.
1046
00:49:34,071 --> 00:49:35,338
IF SHE'S ACTUALLY ESCAPED,
1047
00:49:35,372 --> 00:49:37,340
IT'S LIKELY SHE HAD HELP
FROM A LOCAL,
1048
00:49:37,374 --> 00:49:39,408
SOMEONE WILLING
TO RISK THEIR LIFE,
1049
00:49:39,443 --> 00:49:41,043
MOST LIKELY A PASHTUN--
1050
00:49:41,078 --> 00:49:42,745
THEY HAVE A GREAT RESPECT
1051
00:49:42,779 --> 00:49:45,281
FOR THEIR TRADITIONS
AND HOSPITALITY AND CHARITY.
1052
00:49:45,315 --> 00:49:46,816
EVEN SO,
1053
00:49:46,850 --> 00:49:48,084
IT'S HARD TO IMAGINE,
1054
00:49:48,118 --> 00:49:50,386
BECAUSE THE PUNISHMENT
FOR HELPING AN AMERICAN
1055
00:49:50,420 --> 00:49:51,721
IS DEATH.
1056
00:49:51,755 --> 00:49:53,856
ASSUMING SHE DID
ESCAPE FOUR DAYS AGO,
1057
00:49:53,890 --> 00:49:55,458
WHERE IS SHE GOING?
1058
00:49:55,492 --> 00:49:58,361
WELL, THAT'S THE THIRD CLUE.
"RETURN TO THE FOUR-POSTER."
1059
00:49:58,395 --> 00:50:01,130
: A REFERENCE
TO AN AMIDON FAMILY JOKE--
1060
00:50:01,164 --> 00:50:04,100
A FOUR-POSTER BED
WHERE SHE FELL AS A CHILD
1061
00:50:04,134 --> 00:50:06,335
AND RETURNED
TO RE-ENACT HER FALL.
1062
00:50:06,370 --> 00:50:09,071
: WHICH WOULD SUGGEST
THE VILLAGE OF DARAKHT,
1063
00:50:09,106 --> 00:50:11,307
IT WAS THE SITE
OF THE ORIGINAL FIREFIGHT
1064
00:50:11,341 --> 00:50:13,476
AND THE LOCATION WHERE
LIEUTENANT AMIDON WAS SEEN LAST,
1065
00:50:13,510 --> 00:50:15,077
FALLING OUT OF A HELICOPTER.
1066
00:50:15,112 --> 00:50:16,312
ACCORDING
TO MR. MAREK,
1067
00:50:16,346 --> 00:50:19,115
DARAKHT ALSO HAS
A DISTINCTIVE HIGH TOWER,
1068
00:50:19,149 --> 00:50:21,951
AND TWICE IN HER LETTER,
IN CLUES FOUR AND FIVE,
1069
00:50:21,985 --> 00:50:24,887
RANDILYNN REFERS
TO A BIBLICAL TOWER OR FORTRESS
1070
00:50:24,921 --> 00:50:29,125
AS A PLACE OF SAFETY
AND REFUGE.
1071
00:50:29,159 --> 00:50:30,326
WHEREVER SHE IS,
1072
00:50:30,360 --> 00:50:32,495
WE KNOW SHE WASN'T TRAINED
IN NAVIGATION
1073
00:50:32,529 --> 00:50:35,031
OR ADVANCED SURVIVAL.
1074
00:50:35,065 --> 00:50:37,967
HOW CAN SHE POSSIBLY
MAKE HER WAY BACK TO DARAKHT?
1075
00:50:38,001 --> 00:50:39,468
: LIEUTENANT AMIDON
1076
00:50:39,503 --> 00:50:41,837
IS THE DAUGHTER
OF AN AIR FORCE CAPTAIN.
1077
00:50:41,872 --> 00:50:43,906
HER HUSBAND
WAS KILLED IN ACTION IN KABUL.
1078
00:50:43,940 --> 00:50:46,208
SHE IS AN AMERICAN SOLDIER,
1079
00:50:46,243 --> 00:50:48,344
BUT SHE IS ALSO
AN AMERICAN MOTHER,
1080
00:50:48,378 --> 00:50:51,547
AND NOTHING IS GONNA KEEP
A WOMAN LIKE THAT
1081
00:50:51,581 --> 00:50:53,282
FROM DOING WHATEVER IT TAKES
1082
00:50:53,316 --> 00:50:56,318
TO FIND HER WAY BACK
TO HER LITTLE GIRL.
1083
00:51:35,992 --> 00:51:37,526
WE CANNOT GO ON.
1084
00:51:37,561 --> 00:51:39,228
THERE IS
A ROADBLOCK AHEAD.
1085
00:51:39,262 --> 00:51:40,529
COME.
1086
00:51:41,631 --> 00:51:42,598
IT'S TOO DANGEROUS
1087
00:51:42,632 --> 00:51:44,233
FOR YOU TO STAY
IN THE TRUCK.
1088
00:51:44,267 --> 00:51:46,335
I MUST GO ON
BEFORE THEY FIND YOU.
1089
00:51:46,369 --> 00:51:48,270
IT'S OKAY.
1090
00:51:48,305 --> 00:51:49,438
WAIT FOR ME THERE.
1091
00:51:49,473 --> 00:51:53,042
I WILL TRY AND RETURN TOMORROW
AND TAKE YOU TO DARAKHT.
1092
00:51:54,077 --> 00:51:55,411
I AM SORRY.
1093
00:51:55,445 --> 00:51:57,613
I HAVE ONLY A LITTLE FOOD
TO LEAVE WITH YOU.
1094
00:51:57,647 --> 00:51:58,614
PLEASE, NO.
1095
00:51:58,648 --> 00:51:59,915
YOU TAKE IT.
1096
00:51:59,950 --> 00:52:01,884
YOU'VE DONE
SO MUCH ALREADY.
1097
00:52:01,918 --> 00:52:03,319
NO. THE FAST IS OVER.
1098
00:52:03,353 --> 00:52:05,020
WE MUST ALL CELEBRATE.
1099
00:52:05,055 --> 00:52:07,156
THANK YOU.
1100
00:52:07,190 --> 00:52:10,226
IF I AM NOT BACK IN TWO DAYS,
1101
00:52:10,260 --> 00:52:12,194
PLEASE KNOW THAT I HAVE TRIED,
BUT I COULD NOT,
1102
00:52:12,229 --> 00:52:15,331
THEN YOU MUST WALK
THE REST OF THE WAY.
1103
00:52:15,365 --> 00:52:17,366
ALWAYS KEEP THE MOUNTAINS
ON YOUR RIGHT,
1104
00:52:17,400 --> 00:52:18,367
AND AT NIGHT,
1105
00:52:18,401 --> 00:52:21,570
THE BRIGHTEST STAR
OVER THAT PEAK.
1106
00:52:24,007 --> 00:52:27,076
IT IS VERY DANGEROUS...
BUT GOD IS GOOD.
1107
00:52:27,110 --> 00:52:29,245
YES.
1108
00:52:29,279 --> 00:52:31,514
BUT PEOPLE, NOT ALWAYS.
1109
00:52:31,548 --> 00:52:33,516
I THINK WE ARE.
1110
00:52:33,550 --> 00:52:35,317
YOU... AND ME.
1111
00:52:43,126 --> 00:52:45,294
HOLD ON TIGHT.
1112
00:53:08,552 --> 00:53:10,486
AH!
1113
00:53:10,520 --> 00:53:12,721
OH!
1114
00:54:11,314 --> 00:54:14,216
: THE LETTER
WRITTEN BY LIEUTENANT AMIDON
1115
00:54:14,251 --> 00:54:16,452
IS, IN FACT, A ROADMAP
FOR A RESCUE MISSION
1116
00:54:16,486 --> 00:54:17,987
THAT BEGAN FOUR DAYS AGO,
1117
00:54:18,021 --> 00:54:20,356
AND WE HOPE
WILL END TOMORROW
1118
00:54:20,390 --> 00:54:21,924
IN A RENDEZVOUS
WITH AMERICAN TROOPS
1119
00:54:21,958 --> 00:54:25,327
IN THE VERY SAME PLACE
WHERE SHE WAS FIRST CAPTURED--
1120
00:54:25,362 --> 00:54:28,297
THE "HIGH TOWER"
IN THE VILLAGE OF DARAKHT,
1121
00:54:28,331 --> 00:54:30,532
AS INDICATED BY THE CLUES
SHE GAVE US.
1122
00:54:30,567 --> 00:54:33,302
FIVE OUT OF SIX
SO-CALLED CLUES, MR. O'TOOLE.
1123
00:54:33,336 --> 00:54:35,104
: YES, WELL, UH,
1124
00:54:35,138 --> 00:54:36,605
THE LAST CLUE
WAS PARTIALLY OBSCURED
1125
00:54:36,640 --> 00:54:38,374
WHEN MS. HAYWITH
GLANCED AT THE LETTER,
1126
00:54:38,408 --> 00:54:41,243
BUT SHE WAS ABLE TO MAKE OUT
THE WORDS "GRIM FEET."
1127
00:54:41,278 --> 00:54:44,446
WE RESPECTFULLY REQUEST
THE OPPORTUNITY
1128
00:54:44,481 --> 00:54:46,382
TO INSPECT
THE ACTUAL LETTER
1129
00:54:46,416 --> 00:54:48,917
IN ORDER TO DECODE
THE FINAL CLUE.
1130
00:54:48,952 --> 00:54:50,152
MS. HAYWITH IS FORTUNATE
1131
00:54:50,186 --> 00:54:52,888
SHE HASN'T BEEN INDICTED
FOR READING AND DISSEMINATING
1132
00:54:52,922 --> 00:54:55,157
THE INFORMATION
SHE HAS ALREADY SEEN.
1133
00:54:55,191 --> 00:54:58,027
AND MR. MAREK MAY VERY WELL
BE DISCIPLINED FOR ALLOWING HER,
1134
00:54:58,061 --> 00:54:59,094
OR ANY OF YOU,
1135
00:54:59,129 --> 00:55:01,630
TO EVEN BECOME AWARE
OF ITS EXISTENCE.
1136
00:55:01,665 --> 00:55:03,365
WHATEVER "GRIM FEET" MAY MEAN,
1137
00:55:03,400 --> 00:55:04,433
THAT IS A MATTER
1138
00:55:04,467 --> 00:55:07,069
FOR OUR OWN INTELLIGENCE SERVICE
TO DETERMINE.
1139
00:55:07,103 --> 00:55:08,370
BUT THERE ISN'T TIME!
1140
00:55:08,405 --> 00:55:10,472
SHE TOOK A HUGE CHANCE
SENDING THAT LETTER.
1141
00:55:10,507 --> 00:55:12,074
AND HERE WE ARE,
MAYBE THE ONLY PEOPLE
1142
00:55:12,108 --> 00:55:14,143
WHO COULD SOLVE THAT MESSAGE
IN TIME TO SAVE HER.
1143
00:55:14,177 --> 00:55:17,179
WHY WOULD A SOLDIER
HOPING FOR RESCUE
1144
00:55:17,213 --> 00:55:19,648
PURPOSELY WRITE
SOMETHING OBSCURE
1145
00:55:19,683 --> 00:55:22,284
AND RUN THE CHANCE
THAT IT WOULDN'T BE DECODED?
1146
00:55:22,319 --> 00:55:25,087
TO PROTECT ANYONE
COMING TO HELP HER.
1147
00:55:25,121 --> 00:55:27,489
HAVING SPENT QUITE A BIT
OF TIME IN THE MILITARY,
1148
00:55:27,524 --> 00:55:28,490
MADAME CHAIRMAN,
1149
00:55:28,525 --> 00:55:30,192
I CAN ATTEST
1150
00:55:30,226 --> 00:55:32,528
THAT LIEUTENANT AMIDON
WOULD KNOW
1151
00:55:32,562 --> 00:55:35,664
THAT SHOULD SOMEONE INTERCEPT
A MORE SPECIFIC LETTER,
1152
00:55:35,699 --> 00:55:40,002
THAT THEY COULD SIMPLY ALLOW HER
TO REACH HER RENDEZVOUS POINT
1153
00:55:40,036 --> 00:55:42,971
AND THEN WAIT TO AMBUSH
THE ENTIRE RESCUE PARTY.
1154
00:55:43,006 --> 00:55:45,374
IT'S WHAT HAPPENED
THE NIGHT SHE WAS CAPTURED.
1155
00:55:45,408 --> 00:55:47,609
SHE WOULDN'T
ALLOW IT TO HAPPEN AGAIN.
1156
00:55:50,013 --> 00:55:52,981
WE'LL TAKE
A FIVE-MINUTE BREAK.
1157
00:55:54,284 --> 00:55:56,285
I CAN'T GO
TO PRISON, NORMAN.
1158
00:55:56,319 --> 00:55:57,519
I THINK SHE WAS JUST
SAYING THAT YOU COULD,
1159
00:55:57,554 --> 00:55:59,254
BUT YOU WON'T.
1160
00:55:59,289 --> 00:56:01,023
THAT'S WHAT I GOT
OUT OF IT, ANYWAYS.
1161
00:56:01,057 --> 00:56:02,024
I MEAN, IF
ANYONE'S IN TROUBLE,
1162
00:56:02,058 --> 00:56:04,293
IT'S PROBABLY
THAT STEVE GUY.
1163
00:56:04,327 --> 00:56:06,362
I HAD YOU VETTED.
1164
00:56:06,396 --> 00:56:08,597
IT'S WHAT WE DO
AROUND HERE.
1165
00:56:08,631 --> 00:56:10,232
AS IT TURNS OUT,
1166
00:56:10,266 --> 00:56:12,434
YOU'RE WHAT WE CALL
"A SOLID CITIZEN."
1167
00:56:12,469 --> 00:56:16,138
OH, WELL, I TAKE THAT
AS A COMPLIMENT.
1168
00:56:16,172 --> 00:56:18,073
I'M COMING TO SUSPECT
1169
00:56:18,108 --> 00:56:20,209
THAT PERHAPS YOU ARE ONE,
AS WELL.
1170
00:56:21,678 --> 00:56:24,380
MAYBE SHANE HAS GOOD TASTE.
1171
00:56:25,482 --> 00:56:27,349
HMM.
1172
00:56:27,384 --> 00:56:30,486
I MUST CONFESS, AT FIRST,
I WAS, UM...
1173
00:56:30,520 --> 00:56:33,655
SUSPICIOUS OF YOUR MOTIVES
FOR HELPING US.
1174
00:56:35,725 --> 00:56:37,459
LOOK, I KNOW
IT SOUNDS KIND OF CORNY,
1175
00:56:37,494 --> 00:56:38,994
BUT I STILL BELIEVE
IN ALL THAT STUFF
1176
00:56:39,028 --> 00:56:40,429
WE USED TO SING
WHEN WE WERE KIDS--
1177
00:56:40,463 --> 00:56:43,098
THE GRAND OLD FLAG,
AMBER WAVES OF GRAIN,
1178
00:56:43,133 --> 00:56:44,500
"THE HALLS OF MONTEZUMA."
1179
00:56:44,534 --> 00:56:46,702
: EXCUSE ME, GENTLEMEN.
1180
00:56:46,736 --> 00:56:49,438
HATE TO INTERRUPT,
BUT THEY'RE GOING BACK IN.
1181
00:56:49,472 --> 00:56:53,442
WE WERE JUST, UH,
DISCUSSING PATRIOTISM.
1182
00:56:54,677 --> 00:56:56,478
: PHOEBE WAS
TELLING ME YESTERDAY
1183
00:56:56,513 --> 00:56:58,714
HER MOM WAS SO PATRIOTIC THAT,
INSTEAD OF LULLABIES,
1184
00:56:58,748 --> 00:57:01,316
SHE'D SING ALL THE VERSES
TO "THE STAR-SPANGLED BANNER"
1185
00:57:01,351 --> 00:57:03,318
AND "AMERICA THE BEAUTIFUL"
EVERY NIGHT.
1186
00:57:04,654 --> 00:57:06,555
ALL THE VERSES?
1187
00:57:11,261 --> 00:57:12,594
IT IS THE CONCLUSION
OF THIS COMMITTEE,
1188
00:57:12,629 --> 00:57:14,096
THAT ALTHOUGH YOU FOLKS
1189
00:57:14,130 --> 00:57:16,365
HAVE PAINTED
A VERY ENTERTAINING STORY,
1190
00:57:16,399 --> 00:57:18,500
WE ARE UNWILLING
TO SEE AMERICAN TROOPS
1191
00:57:18,535 --> 00:57:20,702
PUT IN HARM'S WAY AT THIS TIME
1192
00:57:20,737 --> 00:57:22,204
FOR A RESCUE MISSION
1193
00:57:22,238 --> 00:57:24,206
BASED ON A LOOSE INTERPRETATION
1194
00:57:24,240 --> 00:57:26,642
OF FIVE SO-CALLED CLUES
IN A LETTER.
1195
00:57:26,676 --> 00:57:28,243
MADAME CHAIRMAN--
1196
00:57:28,278 --> 00:57:30,612
IF YOU CAN'T TELL US
WHAT "GRIM FEET" MEANS,
1197
00:57:30,647 --> 00:57:31,747
MR. O'TOOLE,
1198
00:57:31,781 --> 00:57:34,349
IT RENDERS THE REST
OF YOUR CONJECTURES USELESS.
1199
00:57:34,384 --> 00:57:39,321
A FEW DATES AND A REFERENCE
TO AN OLD OUTPOST WITH A TOWER
1200
00:57:39,355 --> 00:57:42,124
IS NO INDICATION
OF INTENT TO ESCAPE.
1201
00:57:42,158 --> 00:57:43,392
-BUT WE HAVE IT!
-MR. O'TOOLE--
1202
00:57:43,426 --> 00:57:45,160
IF MR. MAREK
WOULD JUST CONFIRM
1203
00:57:45,195 --> 00:57:46,595
THE COMPLETE PHRASE
IN THAT LETTER--
1204
00:57:46,629 --> 00:57:48,730
THE WORDS ENDING IN GRIM FEET--
WE CAN GIVE YOU
1205
00:57:48,765 --> 00:57:50,732
LIEUTENANT AMIDON'S
PROMISE TO ESCAPE.
1206
00:57:50,767 --> 00:57:52,734
YOU'VE SHARED ENOUGH ALREADY,
MR. MAREK.
1207
00:57:52,769 --> 00:57:54,636
DO NOT RESPOND.
1208
00:57:54,671 --> 00:57:57,406
STEVE, THE CLUE
THAT RITA COULDN'T READ--
1209
00:57:57,440 --> 00:58:00,375
WAS IT "PILGRIM FEET?"
1210
00:58:00,410 --> 00:58:02,177
THE TRUTH, NOW, PLEASE.
1211
00:58:02,212 --> 00:58:03,679
ANSWER THAT,
MR. MAREK...
1212
00:58:03,713 --> 00:58:06,248
AND YOU MAY LIVE TO REGRET IT.
1213
00:58:13,356 --> 00:58:16,692
ONLY IF HE'S WRONG,
MADAME CHAIRMAN.
1214
00:58:18,661 --> 00:58:20,762
MR. MAREK... THAT LAST CLUE--
1215
00:58:23,166 --> 00:58:25,734
WAS IT "PILGRIM FEET?"
1216
00:58:33,676 --> 00:58:34,776
YES.
1217
00:58:34,811 --> 00:58:37,312
RANDILYNN AMIDON...
1218
00:58:38,815 --> 00:58:41,517
RANDILYNN AMIDON
SANG EVERY VERSE
1219
00:58:41,551 --> 00:58:43,352
OF "AMERICA THE BEAUTIFUL"
EVERY NIGHT
1220
00:58:43,386 --> 00:58:45,654
AS A LULLABY
TO HER LITTLE GIRL.
1221
00:58:45,688 --> 00:58:46,889
EVERY VERSE, INCLUDING,
1222
00:58:46,923 --> 00:58:49,424
"OH, BEAUTIFUL
FOR PILGRIM FEET
1223
00:58:49,459 --> 00:58:53,161
"WHOSE STERN IMPASSIONED STRESS
A THOROUGHFARE FOR FREEDOM
1224
00:58:53,196 --> 00:58:54,429
BEAT CROSS THE WILDERNESS."
1225
00:58:54,464 --> 00:58:56,231
LADIES AND GENTLEMEN,
1226
00:58:56,266 --> 00:58:59,868
RANDILYNN AMIDON IS SOMEWHERE
IN AFGHANISTAN TONIGHT,
1227
00:58:59,903 --> 00:59:02,271
BEATING A THOROUGHFARE
ACROSS THE WILDERNESS
1228
00:59:02,305 --> 00:59:04,139
IN SEARCH OF THAT TOWER,
1229
00:59:04,173 --> 00:59:05,841
IN SEARCH OF EVERYTHING
WE STAND FOR,
1230
00:59:05,875 --> 00:59:07,142
IN SEARCH-- IN SEARCH OF
1231
00:59:07,176 --> 00:59:11,346
THE FREEDOM
THAT SHE WAS WILLING TO DIE FOR.
1232
00:59:11,381 --> 00:59:14,550
AND SOMEWHERE
NEAR THAT SAME WILDERNESS
1233
00:59:14,584 --> 00:59:16,184
IS A BAND OF HER BROTHERS
1234
00:59:16,219 --> 00:59:18,620
WITH THE COURAGE
TO DIE FOR HER, FOR US,
1235
00:59:18,655 --> 00:59:19,922
TO BRING RANDILYNN HOME...
1236
00:59:26,629 --> 00:59:30,766
IF YOU WILL JUST
HAVE THE COURAGE TO SEND THEM.
1237
00:59:56,859 --> 00:59:58,260
HAVE YOU HEARD
ANYTHING?
1238
00:59:58,294 --> 00:59:59,861
: NOTHING.
1239
00:59:59,896 --> 01:00:00,862
I WISH WE COULD
1240
01:00:00,897 --> 01:00:03,832
TELL HARPER AND PHOEBE
WHAT WAS GOING ON.
1241
01:00:03,866 --> 01:00:06,368
: YOU KNOW
WE'RE SWORN TO SECRECY, NORMAN.
1242
01:00:06,402 --> 01:00:08,036
HOW IS HE?
1243
01:00:08,071 --> 01:00:09,137
HE'S FINE.
1244
01:00:09,172 --> 01:00:11,540
WE'LL ALL BE ON
THE SAME FLIGHT TOMORROW.
1245
01:00:11,574 --> 01:00:13,842
WE EVEN MADE PLANS TO
GET TOGETHER IN DENVER.
1246
01:00:13,876 --> 01:00:16,411
THINK WE'LL HAVE ANYTHING
TO TELL THEM BY THEN?
1247
01:00:16,446 --> 01:00:18,413
I DON'T IMAGINE
WE'LL EVER HEAR
1248
01:00:18,448 --> 01:00:20,382
WHAT THE COMMITTEE
DECIDES TO DO--
1249
01:00:20,416 --> 01:00:23,852
UNLESS, UH...
UNLESS THE NEWS IS GOOD.
1250
01:00:23,886 --> 01:00:26,388
BUT FOR NOW, HOWEVER,
1251
01:00:26,422 --> 01:00:29,157
WE MUST TURN TO THE PRESENT.
1252
01:00:29,192 --> 01:00:30,892
VERY BEST OF LUCK, RITA.
1253
01:00:30,927 --> 01:00:32,361
OH, THANK YOU.
1254
01:00:32,395 --> 01:00:33,929
YES, AND HAVE FUN!
1255
01:00:33,963 --> 01:00:35,197
I WILL.
1256
01:00:35,231 --> 01:00:37,099
I THINK...
1257
01:00:37,133 --> 01:00:38,567
YOU MIGHT HAVE A FRIEND
1258
01:00:38,601 --> 01:00:40,602
THAT NEEDS TO BE
REMINDED OF THAT.
1259
01:00:40,637 --> 01:00:43,372
: OH! OH, MY GOODNESS.
1260
01:00:43,406 --> 01:00:46,074
OKAY. I BETTER GET GOING, GUYS.
1261
01:00:46,109 --> 01:00:47,442
UH, I'LL SEE
YOU LATER.
1262
01:00:47,477 --> 01:00:49,011
UM... RITA?
1263
01:00:49,045 --> 01:00:51,246
I'LL BE RIGHT BACK.
1264
01:00:55,618 --> 01:00:58,487
NORMAN?
YOU ALL RIGHT?
1265
01:00:59,656 --> 01:01:02,991
I HAVE A PRESENT
FOR RITA.
1266
01:01:03,026 --> 01:01:05,594
I JUST WANTED HER
TO KNOW...
1267
01:01:06,963 --> 01:01:07,996
IF SHE WINS,
1268
01:01:08,031 --> 01:01:10,332
SHE'LL BE GONE
FOR A WHOLE YEAR,
1269
01:01:10,366 --> 01:01:13,101
TRAVELING AROUND,
GIVING SPEECHES...
1270
01:01:14,270 --> 01:01:17,305
SHAKING HANDS WITH PEOPLE,
1271
01:01:17,340 --> 01:01:19,541
OTHER PEOPLE...
1272
01:01:19,575 --> 01:01:22,244
ARE YOU AFRAID
SHE'LL FORGET...
1273
01:01:22,278 --> 01:01:23,445
US?
1274
01:01:25,581 --> 01:01:28,150
THERE ARE A LOT MORE THINGS
ON THIS EARTH
1275
01:01:28,184 --> 01:01:30,686
THAN BEING
MISS SPECIAL DELIVERY, YOU KNOW.
1276
01:01:30,720 --> 01:01:32,254
I THINK,
AFTER THIS WEEK,
1277
01:01:32,288 --> 01:01:35,090
WE ALL KNOW THAT,
NORMAN.
1278
01:01:49,305 --> 01:01:52,074
OH, NORMAN,
THANK GOODNESS!
1279
01:01:52,108 --> 01:01:54,076
WE'VE MISSED THE BUS
1280
01:01:54,110 --> 01:01:57,479
AND MINDY'S HAVING
A LITTLE TROUBLE WALKING...
1281
01:01:58,681 --> 01:02:00,549
FORWARD.
1282
01:02:02,452 --> 01:02:03,452
OH!
1283
01:02:09,025 --> 01:02:12,527
SO ARE THEY GOING TO
CHARGE YOU WITH ANYTHING?
1284
01:02:12,562 --> 01:02:14,029
PROBABLY NOT.
1285
01:02:14,063 --> 01:02:15,997
BUT IF I DO GET ARRESTED,
YOU'LL BAIL ME OUT, RIGHT?
1286
01:02:16,032 --> 01:02:18,700
I HEARD THAT OLIVER
CAME INTO A GOOD SUM OF MONEY.
1287
01:02:18,735 --> 01:02:20,702
HOW DO YOU KNOW THAT?
1288
01:02:20,737 --> 01:02:22,537
OH, NEVER MIND.
1289
01:02:22,572 --> 01:02:25,974
I DON'T THINK ALL THAT MONEY'S
GONNA CHANGE HIM, THOUGH.
1290
01:02:26,008 --> 01:02:27,175
WELL, THAT'S TOO BAD.
1291
01:02:27,210 --> 01:02:29,177
I WAS HOPING YOU WERE GOING TO
GIVE ME ANOTHER CHANCE.
1292
01:02:29,212 --> 01:02:30,579
AH.
1293
01:02:30,613 --> 01:02:33,648
WELL, THERE'S
NOTHING ACTUALLY OFFICIAL
1294
01:02:33,683 --> 01:02:36,084
BETWEEN--
1295
01:02:43,526 --> 01:02:46,461
...BETWEEN
OLIVER AND ME.
1296
01:02:48,397 --> 01:02:49,531
BUT UNOFFICIALLY?
1297
01:02:49,565 --> 01:02:51,700
STEVE, WE'RE FRIENDS.
1298
01:02:52,802 --> 01:02:54,703
AND A SOLID FRIENDSHIP
IS A GOOD WAY
1299
01:02:54,737 --> 01:02:57,639
TO START ANYTHING.
1300
01:02:59,108 --> 01:03:02,277
YOU WERE ALWAYS
SO UNAVAILABLE,
1301
01:03:02,311 --> 01:03:05,547
FOR THAT-- WITH ALL THAT
"AGRICULTURAL" WORK
1302
01:03:05,581 --> 01:03:07,516
THAT TOOK YOU AWAY
ALL THE TIME.
1303
01:03:07,550 --> 01:03:09,718
I'M BACK.
I LIVE HERE NOW.
1304
01:03:09,752 --> 01:03:13,155
: IT'S NOT ABOUT
WHERE YOU LIVE, STEVE.
1305
01:03:14,190 --> 01:03:16,324
HOME IS MORE THAN
JUST AN ADDRESS.
1306
01:03:16,359 --> 01:03:18,326
IT'S...
1307
01:03:18,361 --> 01:03:21,596
IT'S ROSES THAT YOU STICK AROUND
TO WATCH GROW.
1308
01:03:23,432 --> 01:03:26,334
IT'S A PORCH SWING...
1309
01:03:26,369 --> 01:03:27,736
AND...
1310
01:03:27,770 --> 01:03:30,105
TAKING THE TIME TO SWING ON IT.
1311
01:03:30,139 --> 01:03:31,807
I CAN GET YOU A PORCH SWING.
1312
01:03:37,180 --> 01:03:39,781
I'VE ALREADY GOT ONE.
1313
01:03:41,417 --> 01:03:43,718
MR. MAREK.
1314
01:03:44,754 --> 01:03:46,655
YEAH.
HEY, OLIVER.
1315
01:03:46,689 --> 01:03:49,090
YOU, UH...
HEARD ANY NEWS?
1316
01:03:52,395 --> 01:03:53,528
WELL...
1317
01:03:53,563 --> 01:03:55,130
OF COURSE.
1318
01:03:55,164 --> 01:03:57,165
YOU CAN NEITHER
CONFIRM NOR DENY.
1319
01:03:57,200 --> 01:03:58,466
I CAN NEITHER
CONFIRM NOR DENY
1320
01:03:58,501 --> 01:03:59,634
THAT, BASED ON
A RECOMMENDATION
1321
01:03:59,669 --> 01:04:02,637
FROM THE SENATE SUBCOMMITTEE
FOR MILITARY ACTIONS,
1322
01:04:02,672 --> 01:04:04,406
THE PRESIDENT HAS APPROVED
1323
01:04:04,440 --> 01:04:06,541
A PLAN FOR
A SPECIAL OPERATIONS MISSION
1324
01:04:06,576 --> 01:04:09,277
THAT COMMENCED AT 1600 HOURS
WASHINGTON TIME
1325
01:04:09,312 --> 01:04:10,612
WITH THE OBJECTIVE
1326
01:04:10,646 --> 01:04:13,682
OF RECOVERING
A LIEUTENANT RANDILYNN AMIDON.
1327
01:04:13,716 --> 01:04:16,651
SO IT'S A GO?
1328
01:04:25,194 --> 01:04:26,428
THAT'S RIGHT, JENNIFER.
1329
01:04:26,462 --> 01:04:28,830
WE ARE HERE
IN THE NATION'S CAPITOL
1330
01:04:28,865 --> 01:04:32,100
AS HISTORY IS BEING MADE
BY DENVER'S OWN RITA HAYWITH,
1331
01:04:32,134 --> 01:04:33,869
THE FIRST COLORADO
MISS SPECIAL DELIVERY
1332
01:04:33,903 --> 01:04:36,238
TO MAKE IT
TO THE FINAL TALENT COMPETITION
1333
01:04:36,272 --> 01:04:37,572
FOR THE NATIONAL CROWN.
1334
01:04:37,607 --> 01:04:41,610
: TAKE A DEEP BREATH
AND TRUST ME, MINDY.
1335
01:04:41,644 --> 01:04:45,347
I SWEAR, THERE ARE NOT
500 PEOPLE OUT THERE
1336
01:04:45,381 --> 01:04:47,782
HOW... MANY...
1337
01:04:47,817 --> 01:04:49,918
ARE... THERE?
1338
01:04:51,354 --> 01:04:54,189
473?
1339
01:04:54,223 --> 01:04:56,157
OH! IT'S OKAY, MINDY!
1340
01:04:56,192 --> 01:04:58,493
JUST THINK
ABOUT BIG PINEY.
1341
01:04:58,527 --> 01:04:59,895
JUST PRETEND
YOU'RE SINGING
1342
01:04:59,929 --> 01:05:01,763
TO YOUR FRIENDS,
1343
01:05:01,797 --> 01:05:03,865
AND YOUR NEIGHBORS,
AND, UH...
1344
01:05:03,900 --> 01:05:06,334
AND YOUR LIVESTOCK.
1345
01:05:08,838 --> 01:05:11,139
WE SHOULD TAKE OUR SEATS.
1346
01:05:11,173 --> 01:05:12,707
I CAN'T SIT.
1347
01:05:12,742 --> 01:05:15,210
I KEEP THINKING
ABOUT THE MISSION.
1348
01:05:15,244 --> 01:05:16,578
WHAT TIME IS IT?
1349
01:05:16,612 --> 01:05:17,913
EIGHT.
1350
01:05:17,947 --> 01:05:20,215
IT'S HAPPENING.
1351
01:05:21,684 --> 01:05:24,619
NOW, IN JUST A FEW MINUTES,
1352
01:05:24,654 --> 01:05:26,521
SHE WILL STEP OUT
1353
01:05:26,555 --> 01:05:28,256
ONTO THAT STAGE
1354
01:05:28,291 --> 01:05:30,292
AND HOPEFULLY INTO
THE HEARTS OF THE JUDGES,
1355
01:05:30,326 --> 01:05:32,360
AND THEN PERHAPS, TOMORROW,
INTO THE HEADLINES.
1356
01:05:32,395 --> 01:05:34,462
WE'LL HAVE THOSE FINAL RESULTS
FOR YOU
1357
01:05:34,497 --> 01:05:35,931
TONIGHT AT 11:00.
1358
01:05:35,965 --> 01:05:37,332
AND WE'RE BACK.
1359
01:05:37,366 --> 01:05:39,701
AND NEXT,
IN THE TALENT COMPETITION,
1360
01:05:39,735 --> 01:05:42,871
MISS LOUISIANA,
PEGGY RHODES.
1361
01:05:57,520 --> 01:05:59,387
RITA?
1362
01:05:59,422 --> 01:06:00,956
NORMAN!
1363
01:06:00,990 --> 01:06:02,924
I JUST WANTED TO SAY--
1364
01:06:02,959 --> 01:06:05,460
WELL, I, UM, WANTED
TO GIVE YOU SOMETHING
1365
01:06:05,494 --> 01:06:07,262
BEFORE YOU GO ON.
1366
01:06:07,296 --> 01:06:09,698
TSK! OH!
THANK YOU, NORMAN.
1367
01:06:11,534 --> 01:06:14,536
I SENT CHAPTER 14
OF RENITA HAYWEATHER
1368
01:06:14,570 --> 01:06:15,937
INTO THE POSTAL LIVING QUARTERLY
1369
01:06:15,972 --> 01:06:18,673
AND THEY PRINTED IT!
1370
01:06:18,708 --> 01:06:22,544
THIS IS A COPY
OF THEIR NEXT EDITION.
1371
01:06:25,247 --> 01:06:26,948
YOU'RE A PUBLISHED
WRITER, RITA!
1372
01:06:26,983 --> 01:06:29,684
SEE? UM, THEY WANTED A PHOTO,
1373
01:06:29,719 --> 01:06:31,286
SO I SENT THAT PICTURE
THAT I TOOK
1374
01:06:31,320 --> 01:06:33,288
AT LAST YEAR'S
SAFETY INSPECTION.
1375
01:06:33,322 --> 01:06:36,891
I HAD TO PHOTOSHOP IT
A LITTLE. OH!
1376
01:06:36,926 --> 01:06:38,426
AND YOU GET
A YEAR'S SUBSCRIPTION
1377
01:06:38,461 --> 01:06:41,363
AND A CHECK FOR $500!
1378
01:06:41,397 --> 01:06:44,733
NORMAN...
WH-WHAT HAVE YOU DONE?
1379
01:06:44,767 --> 01:06:47,002
OH, I JUST THOUGHT,
IN CASE YOU WIN,
1380
01:06:47,036 --> 01:06:49,471
I DIDN'T WANT
YOU TO FORGET
1381
01:06:49,505 --> 01:06:52,273
THAT YOU'RE
A GREAT WRITER,
1382
01:06:52,308 --> 01:06:53,308
AND A POSTABLE.
1383
01:06:53,342 --> 01:06:55,343
AND YOU'RE MY, UM...
1384
01:06:56,345 --> 01:06:57,512
YOU'RE MY--
1385
01:06:57,546 --> 01:06:58,913
BUT I CAN'T WIN NOW.
1386
01:06:58,948 --> 01:07:01,349
I CAN'T COMPETE
WITHOUT A TALENT,
1387
01:07:01,384 --> 01:07:04,319
AND Y-Y-YOU JUST GOT
MY TALENT DISQUALIFIED.
1388
01:07:04,353 --> 01:07:05,420
WHAT?
1389
01:07:05,454 --> 01:07:06,588
"NO CONTESTANT
SHALL PERFORM
1390
01:07:06,622 --> 01:07:07,856
"USING A TALENT
1391
01:07:07,890 --> 01:07:10,525
FOR WHICH SHE HAS RECEIVED
PREVIOUS COMPENSATION."
1392
01:07:10,559 --> 01:07:11,826
BUT--
1393
01:07:11,861 --> 01:07:13,628
I'M IN PRINT!
1394
01:07:13,662 --> 01:07:15,563
AND THEY'VE PAID ME.
1395
01:07:15,598 --> 01:07:17,699
I'M NOT AN AMATEUR ANYMORE.
1396
01:07:17,733 --> 01:07:20,368
NORMAN...
WHAT WERE YOU THINKING?
1397
01:07:27,410 --> 01:07:29,277
NORMAN, THIS IS A DISASTER.
1398
01:07:29,311 --> 01:07:30,278
CAN'T YOU SEE?
1399
01:07:31,914 --> 01:07:33,948
ARE WE HAVING
OUR FIRST FIGHT?
1400
01:07:35,317 --> 01:07:37,952
: MISS WYOMING-- MINDY MALONEY!
1401
01:07:38,988 --> 01:07:40,789
GO ON, MINDY!
1402
01:07:40,823 --> 01:07:42,824
YOU CAN DO IT! GO!
1403
01:08:10,619 --> 01:08:11,653
: NO, NO, NO, NO!
1404
01:08:11,687 --> 01:08:14,422
EVERYTHING IS FALLING APART.
1405
01:08:14,457 --> 01:08:15,957
I'M SORRY, RITA.
I'M SO SORRY.
1406
01:08:15,991 --> 01:08:18,359
N-- IT'S OKAY, NORMAN.
NEVER MIND.
1407
01:08:27,570 --> 01:08:29,604
IT'S OKAY. IT'S OKAY.
1408
01:08:29,638 --> 01:08:30,672
UM, UH...
1409
01:08:32,475 --> 01:08:34,476
LADIES AND GENTLEMEN-- HEH.
1410
01:08:34,510 --> 01:08:37,846
MY FRIEND
AND CO-CONTESTANT, MINDY,
1411
01:08:37,880 --> 01:08:40,415
JUST NEEDS...
SHE JUST NEEDS A MOMENT.
1412
01:08:41,717 --> 01:08:44,919
THIS YEAR'S THEME
IS "DELIVERING INSPIRATION"
1413
01:08:44,954 --> 01:08:47,455
AND... WELL, LET'S FACE IT,
1414
01:08:47,490 --> 01:08:52,360
SOMETIMES, INSPIRATION
TAKES A LITTLE... TIME.
1415
01:08:52,394 --> 01:08:53,428
SO...
1416
01:08:53,462 --> 01:08:56,698
I THOUGHT
I WOULD GO FIRST.
1417
01:08:56,732 --> 01:08:59,067
YOU KNOW, FOR MY TALENT,
1418
01:08:59,101 --> 01:09:00,502
I WAS GOING TO DO
1419
01:09:00,536 --> 01:09:03,872
A DRAMATIC READING
FROM MY UNPUBLISHED NOVEL,
1420
01:09:03,906 --> 01:09:06,107
RENITA HAYWEATHER: FRONTIER DUCHESS,
1421
01:09:06,142 --> 01:09:10,411
BUT IT TURNS OUT
THAT I'M...
1422
01:09:10,446 --> 01:09:12,413
WELL, I'M PUBLISHED AFTER ALL...
1423
01:09:13,816 --> 01:09:15,083
WHICH IS REALLY TOO BAD,
1424
01:09:15,117 --> 01:09:16,885
BECAUSE I REALLY LIKE THE PART
1425
01:09:16,919 --> 01:09:20,021
WHERE A MYSTERIOUS
CATTLE-BEARING MR. D'LORMAN
1426
01:09:20,055 --> 01:09:22,790
GIVES HER
HIS TRUSTY STEED, ZEPHYR,
1427
01:09:22,825 --> 01:09:23,825
TO PULL HER WAGON!
1428
01:09:23,859 --> 01:09:25,860
YOU KNOW, AT FIRST,
SHE DOESN'T UNDERSTAND
1429
01:09:25,895 --> 01:09:28,062
WHY HE WOULD GIVE AWAY
HIS FAVORITE HORSE LIKE THAT,
1430
01:09:28,097 --> 01:09:31,399
BUT THEN SHE REALIZES
HE DID IT BECAUSE,
1431
01:09:31,433 --> 01:09:33,735
NO MATTER WHERE SHE WENT,
1432
01:09:33,769 --> 01:09:36,404
ZEPHYR WOULD ALWAYS
FIND THE WAY HOME.
1433
01:09:36,438 --> 01:09:40,441
WHICH IS REALLY HIS WAY
OF SAYING
1434
01:09:40,476 --> 01:09:42,177
THAT HE IS IN LOVE WITH HER!
1435
01:09:45,648 --> 01:09:47,815
OH...
1436
01:09:53,522 --> 01:09:54,956
HE'S IN LOVE WITH HER?
1437
01:09:58,027 --> 01:09:59,594
OH!
1438
01:10:04,133 --> 01:10:05,533
OH, THAT'S SO COOL!
1439
01:10:09,205 --> 01:10:12,040
OH!
YOU READY? OKAY.
1440
01:10:12,074 --> 01:10:14,809
LADIES AND GENTLEMEN...
1441
01:10:14,843 --> 01:10:16,911
MISS WYOMING
1442
01:10:16,946 --> 01:10:19,581
IS READY TO SING NOW.
1443
01:10:19,615 --> 01:10:22,784
AND FOR MY NEW TALENT,
I...
1444
01:10:22,818 --> 01:10:27,488
WELL, I GUESS WE'RE JUST GONNA
HAVE TO DO THIS TOGETHER.
1445
01:10:28,557 --> 01:10:30,725
PEGGY, CAN I BORROW
YOUR GUITAR?
1446
01:10:32,161 --> 01:10:33,161
THANKS.
1447
01:10:36,865 --> 01:10:39,467
: YOU STILL
HAVE A SHOT, MINDY.
1448
01:10:39,501 --> 01:10:41,035
TAKE IT.
1449
01:10:54,250 --> 01:11:00,655
: ♪ TO DREAM
THE IMPOSSIBLE DREAM ♪
1450
01:11:01,724 --> 01:11:04,259
♪ TO FIGHT ♪
1451
01:11:04,293 --> 01:11:08,930
♪ THE UNBEATABLE FOE ♪
1452
01:11:08,964 --> 01:11:15,670
♪ TO BEAR
WITH UNBEARABLE SORROW ♪
1453
01:11:15,704 --> 01:11:17,572
♪ TO RUN ♪
1454
01:11:17,606 --> 01:11:22,176
♪ WHERE THE BRAVE
DARE NOT GO ♪
1455
01:11:22,211 --> 01:11:24,679
♪ TO RIGHT ♪
1456
01:11:24,713 --> 01:11:29,250
♪ THE UNRIGHTABLE WRONG ♪
1457
01:11:29,285 --> 01:11:35,657
♪ TO LOVE
PURE AND CHASTE FROM AFAR ♪
1458
01:11:36,659 --> 01:11:38,626
♪ TO TRY ♪
1459
01:11:38,661 --> 01:11:42,096
♪ WHEN YOUR ARMS
ARE TOO WEARY ♪
1460
01:11:42,131 --> 01:11:48,536
♪ TO REACH
THE UNREACHABLE STAR ♪
1461
01:11:48,570 --> 01:11:50,805
♪ THIS IS MY QUEST ♪
1462
01:11:50,839 --> 01:11:54,042
♪ TO FOLLOW THAT STAR ♪
1463
01:11:54,076 --> 01:11:56,678
♪ NO MATTER HOW HOPELESS ♪
1464
01:11:56,712 --> 01:11:59,881
♪ NO MATTER HOW FAR ♪
1465
01:11:59,915 --> 01:12:05,153
♪ TO FIGHT FOR THE RIGHT
WITHOUT QUESTION OR PAUSE ♪
1466
01:12:05,187 --> 01:12:08,556
♪ TO BE WILLING
TO MARCH INTO HELL ♪
1467
01:12:08,590 --> 01:12:11,859
♪ FOR A HEAVENLY CAUSE ♪
1468
01:12:13,128 --> 01:12:14,962
♪ AND I KNOW ♪
1469
01:12:14,997 --> 01:12:17,799
♪ IF I'LL ONLY BE TRUE ♪
1470
01:12:17,833 --> 01:12:21,202
♪ TO THIS GLORIOUS QUEST ♪
1471
01:12:21,236 --> 01:12:26,341
♪ THAT MY HEART
WILL LIE PEACEFUL AND CALM ♪
1472
01:12:26,375 --> 01:12:31,813
♪ WHEN I'M LAID TO MY REST ♪
1473
01:12:33,916 --> 01:12:37,785
♪ AND THE WORLD ♪
1474
01:12:37,820 --> 01:12:40,288
♪ WILL BE BETTER FOR THIS ♪
1475
01:12:41,924 --> 01:12:45,159
♪ THAT ONE SOUL ♪
1476
01:12:45,194 --> 01:12:48,329
♪ SCORNED
AND COVERED WITH SCARS ♪
1477
01:12:48,364 --> 01:12:51,199
♪ STILL STROVE ♪
1478
01:12:51,233 --> 01:12:55,069
♪ WITH HER LAST OUNCE
OF COURAGE ♪
1479
01:12:55,104 --> 01:13:00,641
♪ TO REACH... ♪
1480
01:13:00,676 --> 01:13:04,612
♪ THE UNREACHABLE ♪
1481
01:13:04,646 --> 01:13:13,888
♪ STAR... ♪
1482
01:13:42,985 --> 01:13:44,218
MISS SPECIAL DELIVERY!
1483
01:13:44,253 --> 01:13:46,821
ONLY BECAUSE OF
THIS LADY RIGHT HERE.
1484
01:13:46,855 --> 01:13:48,089
MISS SPECIAL HANDLING!
1485
01:13:48,123 --> 01:13:49,257
OH! NO.
1486
01:13:49,291 --> 01:13:50,658
THANK YOU, RITA.
1487
01:13:50,692 --> 01:13:52,059
OH, MINDY.
YOU DESERVE IT!
1488
01:13:52,094 --> 01:13:54,328
THE WAY YOU SANG...
1489
01:13:54,363 --> 01:13:55,797
WELL...
1490
01:13:55,831 --> 01:13:57,098
YOU'LL NEVER KNOW
1491
01:13:57,132 --> 01:14:00,101
HOW MUCH SOME OF US
NEEDED TO HEAR IT TONIGHT.
1492
01:14:01,804 --> 01:14:04,172
WELL, I GUESS
I'LL BE SEEING YOU.
1493
01:14:04,206 --> 01:14:07,842
YOU REALLY ARE "SPECIAL,"
RITA.
1494
01:14:08,911 --> 01:14:11,312
OH, THANK YOU.
1495
01:14:17,152 --> 01:14:19,086
I'M SO SORRY
FOR EVERYTHING.
1496
01:14:19,121 --> 01:14:21,289
I REALLY DON'T KNOW
WHAT I WAS THINKING.
1497
01:14:21,323 --> 01:14:23,758
OH...
1498
01:14:23,792 --> 01:14:25,660
WELL, I THINK
1499
01:14:25,694 --> 01:14:28,129
YOU WERE THINKING THAT...
1500
01:14:28,163 --> 01:14:30,097
YOU LOVE ME?
1501
01:14:31,300 --> 01:14:34,235
YEAH. I WAS DEFINITELY
THINKING THAT!
1502
01:14:39,741 --> 01:14:40,808
OH--
1503
01:14:41,977 --> 01:14:43,177
AWW.
1504
01:14:43,212 --> 01:14:44,946
-I'LL--
-MM-HMM.
1505
01:14:44,980 --> 01:14:46,247
OKAY.
1506
01:14:55,424 --> 01:14:57,024
YEAH.
1507
01:14:57,059 --> 01:14:59,927
WE'LL GET IT.
1508
01:15:00,996 --> 01:15:02,129
WHEN YOU ASKED ME
1509
01:15:02,164 --> 01:15:03,698
TO HAVE DINNER WITH YOU
IN WASHINGTON,
1510
01:15:03,732 --> 01:15:08,002
I WAS HOPING FOR
A LITTLE MORE.
1511
01:15:08,036 --> 01:15:11,305
YOU KNOW, CHIPS
AND POTATO SALAD
1512
01:15:11,340 --> 01:15:13,407
TO GO WITH THE SANDWICH.
1513
01:15:15,143 --> 01:15:16,811
I OWE YOU ONE.
1514
01:15:16,845 --> 01:15:18,980
YOU OWE ME
NOTHING, OLIVER.
1515
01:15:20,282 --> 01:15:22,283
WHATEVER HAPPENS NOW,
1516
01:15:22,317 --> 01:15:26,254
YOU GAVE ME SOMETHING TODAY
THAT I'LL NEVER FORGET.
1517
01:15:29,892 --> 01:15:32,293
A LITTLE HOPE
FOR THIS WORLD AGAIN.
1518
01:15:38,166 --> 01:15:39,333
BELIEVE IT OR NOT,
1519
01:15:39,368 --> 01:15:43,671
I USED TO KNOW ALL THE VERSES
TO THAT SONG, TOO.
1520
01:15:43,705 --> 01:15:45,006
MM.
1521
01:15:45,040 --> 01:15:48,743
"THINE ALABASTER CITIES GLEAM,
1522
01:15:48,777 --> 01:15:52,146
UNDIMMED BY HUMAN TEARS."
1523
01:15:56,051 --> 01:15:57,184
HARPER TOLD ME
1524
01:15:57,219 --> 01:15:59,720
THAT PHOEBE PUTS UP
A GOOD FRONT,
1525
01:15:59,755 --> 01:16:01,789
BUT...
1526
01:16:01,823 --> 01:16:06,260
SHE STILL CRIES HERSELF
TO SLEEP
1527
01:16:06,295 --> 01:16:08,829
ALMOST EVERY NIGHT.
1528
01:16:13,735 --> 01:16:14,835
OLIVER, WHEN I THINK
1529
01:16:14,870 --> 01:16:16,203
ABOUT WHAT'S HAPPENING
OVER THERE RIGHT NOW,
1530
01:16:16,238 --> 01:16:18,839
I JUST HOPE WE DID
THE RIGHT THING.
1531
01:16:18,874 --> 01:16:20,875
OH, I THINK WE DID.
1532
01:16:20,909 --> 01:16:22,910
I THINK...
1533
01:16:22,945 --> 01:16:24,745
WE WERE CALLED
1534
01:16:24,780 --> 01:16:27,848
TO BE A PART OF...
1535
01:16:27,883 --> 01:16:29,450
A LOT OF LITTLE MIRACLES
1536
01:16:29,484 --> 01:16:32,053
THAT HAD TO HAPPEN
TO GET THIS FAR.
1537
01:16:34,189 --> 01:16:37,224
WELL, NOW WE JUST
NEED ONE MORE.
1538
01:16:47,302 --> 01:16:49,236
"IN THE MORNING,
1539
01:16:49,271 --> 01:16:51,872
I WILL SING OF YOUR MERCY..."
1540
01:16:51,907 --> 01:16:54,241
"FOR YOU ARE MY FORTRESS,
1541
01:16:54,276 --> 01:16:57,011
"MY REFUGE,
1542
01:16:57,045 --> 01:16:59,413
"MY HIGH TOWER
1543
01:16:59,448 --> 01:17:01,182
IN TIMES OF TROUBLE."
1544
01:17:12,828 --> 01:17:15,329
♪ O, BEAUTIFUL ♪
1545
01:17:15,364 --> 01:17:17,898
DELTA BRAVO, WE HAVE EYES ON SOUL SISTER.
1546
01:17:17,933 --> 01:17:19,433
I REPEAT. WE HAVE SOUL SISTER.
1547
01:17:19,468 --> 01:17:26,340
♪ FOR AMBER WAVES OF GRAIN ♪
1548
01:17:29,211 --> 01:17:37,018
♪ FOR PURPLE MOUNTAIN
MAJESTIES ♪
1549
01:17:37,052 --> 01:17:43,290
♪ ABOVE THE FRUITED PLAIN ♪
1550
01:17:50,899 --> 01:17:52,900
♪ AMERICA ♪
1551
01:17:54,369 --> 01:17:56,937
♪ AMERICA ♪
1552
01:17:56,972 --> 01:18:01,242
♪ GOD SHED HIS GRACE
ON THEE ♪
1553
01:18:03,378 --> 01:18:11,085
♪ AND CROWN THY GOOD
WITH BROTHERHOOD ♪
1554
01:18:11,119 --> 01:18:18,859
♪ FROM SEA TO SHINING SEA ♪
1555
01:18:48,557 --> 01:18:50,624
WHERE'S OUR TAXI GOING?
1556
01:18:50,659 --> 01:18:53,494
OH, YOU WON'T
BE NEEDING IT.
1557
01:18:57,099 --> 01:18:58,132
YOU MUST BE PHOEBE.
1558
01:18:58,166 --> 01:18:59,133
YEAH.
1559
01:18:59,167 --> 01:19:00,334
HELLO, SIR.
1560
01:19:00,368 --> 01:19:01,602
STEVEN MAREK.
1561
01:19:01,636 --> 01:19:03,337
DEPARTMENT OF DEFENSE.
1562
01:19:05,173 --> 01:19:06,273
FORMER AIR FORCE?
1563
01:19:06,308 --> 01:19:07,975
-YEAH. THAT'S RIGHT.
-I THOUGHT YOU AND PHOEBE--
1564
01:19:08,009 --> 01:19:09,577
...WOULD LIKE TO SEE
WHAT ARMY RANGERS
1565
01:19:09,611 --> 01:19:11,212
ARE FLYING AROUND IN
THESE DAYS.
1566
01:19:20,522 --> 01:19:22,056
MOM!
1567
01:19:23,058 --> 01:19:24,024
MOMMY!
1568
01:19:24,059 --> 01:19:26,127
OH, MAMA!
1569
01:19:50,952 --> 01:19:54,221
-HI, DADDY!
-OH! OH...
1570
01:20:31,626 --> 01:20:33,460
WE'RE HEADING
TO THE AIRPORT,
1571
01:20:33,495 --> 01:20:35,563
WITH ONE STOP
ON THE WAY.
1572
01:20:56,184 --> 01:20:58,485
WHAT'S THIS?
1573
01:20:59,521 --> 01:21:00,654
UH...
1574
01:21:00,689 --> 01:21:04,158
THIS IS
THE FIRST ACQUISITION
1575
01:21:04,192 --> 01:21:07,228
BY THE NEWLY-FORMED
O'TOOLE FOUNDATION.
1576
01:21:08,263 --> 01:21:10,097
YOU BOUGHT THIS LOT?
1577
01:21:10,131 --> 01:21:11,765
I DID.
1578
01:21:11,800 --> 01:21:13,667
AND YOU'RE BUILDING
RETIREMENT HOMES?
1579
01:21:13,702 --> 01:21:16,337
OH... ALL SORTS
OF THINGS.
1580
01:21:16,371 --> 01:21:18,772
MAYBE A... SCHOOL
1581
01:21:18,807 --> 01:21:21,141
OR A LIBRARY
IN AFGHANISTAN.
1582
01:21:21,176 --> 01:21:23,244
WE'RE STARTING SMALL.
1583
01:21:23,278 --> 01:21:25,546
I ASSUME YOU CAN USE
YOUR COMPUTER TO TRACK DOWN
1584
01:21:25,580 --> 01:21:28,148
THE ORIGINAL BLUEPRINTS
FOR YOUR ANCESTRAL HOME?
1585
01:21:33,288 --> 01:21:34,455
PROBABLY!
1586
01:21:34,489 --> 01:21:36,690
IT WAS A PRETTY SMALL HOUSE,
THOUGH.
1587
01:21:36,725 --> 01:21:38,292
OH.
1588
01:21:38,326 --> 01:21:41,662
WELL, WE'LL JUST
MAKE IT BIGGER.
1589
01:21:41,696 --> 01:21:43,464
THERE'LL BE A PORCH...
1590
01:21:43,498 --> 01:21:46,767
UH, AND A SWING,
OF COURSE.
1591
01:21:48,403 --> 01:21:49,470
ROSES.
1592
01:21:49,504 --> 01:21:52,406
OH, THAT REMINDS ME.
1593
01:21:52,440 --> 01:21:53,774
AHEM.
1594
01:21:53,808 --> 01:21:55,843
WHAT'S THIS?
1595
01:21:58,647 --> 01:22:00,347
IS IT...
1596
01:22:00,382 --> 01:22:03,417
I TOOK A CUTTING FROM
YOUR ROSEBUSH OVER THERE.
1597
01:22:04,586 --> 01:22:06,186
IF YOU TAKE IT HOME,
PLANT IT,
1598
01:22:06,221 --> 01:22:07,788
NEXT YEAR,
YOU'LL HAVE THE...
1599
01:22:07,822 --> 01:22:10,190
FIRST ROSE OF SUMMER.
1600
01:22:11,559 --> 01:22:14,328
YES.
1601
01:22:16,831 --> 01:22:19,333
ARE WE ALL
SUPPOSED TO MOVE HERE?
1602
01:22:20,368 --> 01:22:21,835
NOT FOR A LONG TIME
YET, NORMAN.
1603
01:22:21,870 --> 01:22:24,138
WE ALL HAVE A LOT LEFT TO DO.
BESIDES...
1604
01:22:24,172 --> 01:22:26,807
IT'S NICE TO HAVE SOMETHING
TO LOOK FORWARD TO, HMM?
1605
01:22:26,841 --> 01:22:28,475
WOW, SHANE! IT'S SO COOL--
1606
01:22:28,510 --> 01:22:31,412
YOUR FIRST HOUSE
WILL BE YOUR LAST HOUSE.
1607
01:22:31,446 --> 01:22:33,814
AH, THE GREAT CIRCLE OF LIFE.
1608
01:22:35,717 --> 01:22:37,418
CAN I HAVE A WORKSHOP?
AND A LABORATORY?
1609
01:22:37,452 --> 01:22:38,419
MAYBE A LITTLE...
1610
01:22:38,453 --> 01:22:40,654
MINI-ANTI-MATTER CYCLOTRON
IN THE GARAGE?
1611
01:22:40,689 --> 01:22:42,089
NO, NORMAN.
1612
01:22:42,123 --> 01:22:43,223
NO CYCLOTRON.
1613
01:22:43,258 --> 01:22:44,425
IT'S TIME TO GO.
1614
01:22:50,365 --> 01:22:52,466
WHAT A FAMILY.
1615
01:22:53,501 --> 01:22:55,202
THE FEW...
1616
01:22:55,236 --> 01:22:56,570
THE PROUD...
1617
01:22:56,604 --> 01:22:57,805
THE POSTAL.
1618
01:22:57,839 --> 01:23:01,442
♪ AND CROWN THY GOOD ♪
1619
01:23:01,476 --> 01:23:03,210
♪ WITH BROTHERHOOD ♪
1620
01:23:03,244 --> 01:23:08,248
♪ FROM SEA TO SHINING SEA ♪
119760
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