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All language subtitles for SNL S04E19 Maureen Stapleton.DVDRip.HI.RLP.cc.en.UNVSL

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,468 --> 00:00:04,781 HI, WELCOME TO CABLE TV CHANNEL "D." THIS IS "TELEPSYCHIC," AND MY 2 00:00:04,805 --> 00:00:05,482 CHANNEL "D." THIS IS "TELEPSYCHIC," AND MY NAME IS RAY. 3 00:00:05,506 --> 00:00:07,516 THIS IS "TELEPSYCHIC," AND MY NAME IS RAY. I'LL BE TAKING YOUR CALLS TODAY. 4 00:00:07,540 --> 00:00:08,240 HERE'S THE NUMBERS... 5 00:00:08,375 --> 00:00:11,743 555-1231, 2, 3 AND 4 AND 5. 6 00:00:11,878 --> 00:00:13,212 ASK ME ABOUT ANYTHING, ABOUT 7 00:00:13,346 --> 00:00:14,346 LIFE, MONEY, LOVE. 8 00:00:14,381 --> 00:00:17,016 I'LL PREDICT FOR YOU OKAY? 9 00:00:17,283 --> 00:00:22,499 HELLO. TELEPSYCHIC. UH, YEAH, I WAS, UH, WONDERING... HOW OLD AM I GONNA 10 00:00:22,523 --> 00:00:23,333 UH, YEAH, I WAS, UH, WONDERING... HOW OLD AM I GONNA LIVE TO? 11 00:00:23,357 --> 00:00:27,004 WONDERING... HOW OLD AM I GONNA LIVE TO? UM, I FEEL, UH, 74, OKAY? 12 00:00:27,028 --> 00:00:28,338 LIVE TO? UM, I FEEL, UH, 74, OKAY? OKAY, YEAH, THANKS! 13 00:00:28,362 --> 00:00:31,008 UM, I FEEL, UH, 74, OKAY? OKAY, YEAH, THANKS! OKAY, THANK YOU. 14 00:00:31,032 --> 00:00:33,176 OKAY, YEAH, THANKS! OKAY, THANK YOU. HELLO. TELEPSYCHIC. 15 00:00:33,200 --> 00:00:33,676 OKAY, THANK YOU. HELLO. TELEPSYCHIC. YEAH. 16 00:00:33,700 --> 00:00:34,511 HELLO. TELEPSYCHIC. YEAH. [CLEARS THROAT] 17 00:00:34,535 --> 00:00:35,445 YEAH. [CLEARS THROAT] IS THIS TELEPSYCHIC? 18 00:00:35,469 --> 00:00:36,446 [CLEARS THROAT] IS THIS TELEPSYCHIC? YEAH, YEAH, GO AHEAD. 19 00:00:36,470 --> 00:00:37,481 IS THIS TELEPSYCHIC? YEAH, YEAH, GO AHEAD. YOU'RE ON LIVE. GO AHEAD. 20 00:00:37,505 --> 00:00:39,682 YEAH, YEAH, GO AHEAD. YOU'RE ON LIVE. GO AHEAD. UM, I HAVE NO PROOF, BUT I 21 00:00:39,706 --> 00:00:42,019 YOU'RE ON LIVE. GO AHEAD. UM, I HAVE NO PROOF, BUT I GOT A FEELING MY WIFE, LUCILLE, 22 00:00:42,043 --> 00:00:43,220 UM, I HAVE NO PROOF, BUT I GOT A FEELING MY WIFE, LUCILLE, MIGHT BE CHEATING ON ME. 23 00:00:43,244 --> 00:00:44,721 GOT A FEELING MY WIFE, LUCILLE, MIGHT BE CHEATING ON ME. I WAS WONDERING IF YOU HAVE ANY 24 00:00:44,745 --> 00:00:45,655 MIGHT BE CHEATING ON ME. I WAS WONDERING IF YOU HAVE ANY THOUGHTS ON THIS. 25 00:00:45,679 --> 00:00:47,991 I WAS WONDERING IF YOU HAVE ANY THOUGHTS ON THIS. UH, I HATE TO BE THE ONE TO 26 00:00:48,015 --> 00:00:50,360 THOUGHTS ON THIS. UH, I HATE TO BE THE ONE TO TELL YOU THIS, BUT I'M GETTING 27 00:00:50,384 --> 00:00:52,629 UH, I HATE TO BE THE ONE TO TELL YOU THIS, BUT I'M GETTING AN IMAGE WHICH MAKES ME THINK 28 00:00:52,653 --> 00:00:54,797 TELL YOU THIS, BUT I'M GETTING AN IMAGE WHICH MAKES ME THINK SHE'S GETTING IT ON THE SIDE. 29 00:00:54,821 --> 00:00:55,765 AN IMAGE WHICH MAKES ME THINK SHE'S GETTING IT ON THE SIDE. OH, NO! 30 00:00:55,789 --> 00:00:56,966 SHE'S GETTING IT ON THE SIDE. OH, NO! WHO IS IT?! I'LL KILL HIM! 31 00:00:56,990 --> 00:00:58,201 OH, NO! WHO IS IT?! I'LL KILL HIM! ALL I CAN TELL YOU IS A 32 00:00:58,225 --> 00:01:01,371 WHO IS IT?! I'LL KILL HIM! ALL I CAN TELL YOU IS A NAME... DICK, OKAY? 33 00:01:01,395 --> 00:01:02,872 ALL I CAN TELL YOU IS A NAME... DICK, OKAY? DICK. 34 00:01:02,896 --> 00:01:04,707 NAME... DICK, OKAY? DICK. OKAY. THANK YOU. 35 00:01:04,731 --> 00:01:06,209 DICK. OKAY. THANK YOU. ALL RIGHT. 36 00:01:06,233 --> 00:01:07,377 OKAY. THANK YOU. ALL RIGHT. HELLO. TELEPSYCHIC. 37 00:01:07,401 --> 00:01:08,145 ALL RIGHT. HELLO. TELEPSYCHIC. IS THIS RAY? 38 00:01:08,169 --> 00:01:09,146 HELLO. TELEPSYCHIC. IS THIS RAY? YEAH, THIS IS RAY. 39 00:01:09,170 --> 00:01:10,113 IS THIS RAY? YEAH, THIS IS RAY. YOU'RE ON. GO AHEAD. 40 00:01:10,137 --> 00:01:11,648 YEAH, THIS IS RAY. YOU'RE ON. GO AHEAD. OKAY, ABOUT A YEAR AGO, I 41 00:01:11,672 --> 00:01:13,150 YOU'RE ON. GO AHEAD. OKAY, ABOUT A YEAR AGO, I GAVE A CONSTRUCTION COMPANY 42 00:01:13,174 --> 00:01:14,684 OKAY, ABOUT A YEAR AGO, I GAVE A CONSTRUCTION COMPANY 12,000 BUCKS DOWN PAYMENT TO 43 00:01:14,708 --> 00:01:15,618 GAVE A CONSTRUCTION COMPANY 12,000 BUCKS DOWN PAYMENT TO BUILD MY HOUSE. 44 00:01:15,642 --> 00:01:16,153 12,000 BUCKS DOWN PAYMENT TO BUILD MY HOUSE. YEAH. 45 00:01:16,177 --> 00:01:17,387 BUILD MY HOUSE. YEAH. AND, UH, THEY PUT IN A 46 00:01:17,411 --> 00:01:18,588 YEAH. AND, UH, THEY PUT IN A BASEMENT, AND I GAVE THEM 47 00:01:18,612 --> 00:01:19,656 AND, UH, THEY PUT IN A BASEMENT, AND I GAVE THEM ANOTHER 12,000 BUCKS. 48 00:01:19,680 --> 00:01:20,023 BASEMENT, AND I GAVE THEM ANOTHER 12,000 BUCKS. YEAH. 49 00:01:20,047 --> 00:01:21,024 ANOTHER 12,000 BUCKS. YEAH. AND THEY STOPPED CONSTRUCTION 50 00:01:21,048 --> 00:01:21,991 YEAH. AND THEY STOPPED CONSTRUCTION LAST SEPTEMBER, AND THEY WON'T 51 00:01:22,015 --> 00:01:22,759 AND THEY STOPPED CONSTRUCTION LAST SEPTEMBER, AND THEY WON'T ANSWER MY PHONE CALLS. 52 00:01:22,783 --> 00:01:23,160 LAST SEPTEMBER, AND THEY WON'T ANSWER MY PHONE CALLS. UH-HUH. 53 00:01:23,184 --> 00:01:24,127 ANSWER MY PHONE CALLS. UH-HUH. NOW, A FRIEND OF MINE TELLS 54 00:01:24,151 --> 00:01:24,994 UH-HUH. NOW, A FRIEND OF MINE TELLS ME THEY'RE GOING BANKRUPT. 55 00:01:25,018 --> 00:01:25,828 NOW, A FRIEND OF MINE TELLS ME THEY'RE GOING BANKRUPT. YEAH. 56 00:01:25,852 --> 00:01:27,864 ME THEY'RE GOING BANKRUPT. YEAH. OKAY, WHEN'S YOUR BIRTHDAY? 57 00:01:27,888 --> 00:01:30,534 YEAH. OKAY, WHEN'S YOUR BIRTHDAY? MAY... MAY 25th. 58 00:01:30,558 --> 00:01:32,436 OKAY, WHEN'S YOUR BIRTHDAY? MAY... MAY 25th. WELL, YOU HAVE THIS PROBLEM 59 00:01:32,460 --> 00:01:34,304 MAY... MAY 25th. WELL, YOU HAVE THIS PROBLEM 'CAUSE THIS IS A BAD TIME FOR 60 00:01:34,328 --> 00:01:35,638 WELL, YOU HAVE THIS PROBLEM 'CAUSE THIS IS A BAD TIME FOR YOU TO DO BUSINESS. 61 00:01:35,662 --> 00:01:37,441 'CAUSE THIS IS A BAD TIME FOR YOU TO DO BUSINESS. SO, UH, AM I GONNA GET MY 62 00:01:37,465 --> 00:01:38,308 YOU TO DO BUSINESS. SO, UH, AM I GONNA GET MY MONEY BACK? 63 00:01:38,332 --> 00:01:40,977 SO, UH, AM I GONNA GET MY MONEY BACK? DEFINITELY NOT. NO. OKAY? 64 00:01:41,001 --> 00:01:41,478 MONEY BACK? DEFINITELY NOT. NO. OKAY? OKAY. 65 00:01:41,502 --> 00:01:44,147 DEFINITELY NOT. NO. OKAY? OKAY. ALL RIGHT, THANK YOU. 66 00:01:44,171 --> 00:01:45,815 OKAY. ALL RIGHT, THANK YOU. HELLO. TELEPSYCHIC. GO AHEAD. 67 00:01:45,839 --> 00:01:47,284 ALL RIGHT, THANK YOU. HELLO. TELEPSYCHIC. GO AHEAD. YEAH, MY BROTHER LEFT HOME 68 00:01:47,308 --> 00:01:48,818 HELLO. TELEPSYCHIC. GO AHEAD. YEAH, MY BROTHER LEFT HOME AND DISAPPEARED ABOUT 10 YEARS 69 00:01:48,842 --> 00:01:50,320 YEAH, MY BROTHER LEFT HOME AND DISAPPEARED ABOUT 10 YEARS AGO, AND WE HAVEN'T HEARD FROM 70 00:01:50,344 --> 00:01:51,888 AND DISAPPEARED ABOUT 10 YEARS AGO, AND WE HAVEN'T HEARD FROM HIM, AND I WAS WONDERING IF YOU 71 00:01:51,912 --> 00:01:52,855 AGO, AND WE HAVEN'T HEARD FROM HIM, AND I WAS WONDERING IF YOU KNEW WHERE HE IS. 72 00:01:52,879 --> 00:01:55,358 HIM, AND I WAS WONDERING IF YOU KNEW WHERE HE IS. UH, YES. 73 00:01:55,382 --> 00:01:57,860 KNEW WHERE HE IS. UH, YES. HE WAS, UH, HIT IN THE HEAD WITH 74 00:01:57,884 --> 00:02:00,197 UH, YES. HE WAS, UH, HIT IN THE HEAD WITH A ROCK AND, UH, EATEN BY LARGE 75 00:02:00,221 --> 00:02:01,864 HE WAS, UH, HIT IN THE HEAD WITH A ROCK AND, UH, EATEN BY LARGE CATS. 76 00:02:01,888 --> 00:02:03,766 A ROCK AND, UH, EATEN BY LARGE CATS. AND, UH, HE WAS ALONE IN 77 00:02:03,790 --> 00:02:05,068 CATS. AND, UH, HE WAS ALONE IN COLORADO, OKAY? 78 00:02:05,092 --> 00:02:06,236 AND, UH, HE WAS ALONE IN COLORADO, OKAY? OKAY, THANK YOU. 79 00:02:06,260 --> 00:02:09,072 COLORADO, OKAY? OKAY, THANK YOU. OKAY. 80 00:02:09,096 --> 00:02:10,740 OKAY, THANK YOU. OKAY. TELEPSYCHIC. YOU'RE ON. 81 00:02:10,764 --> 00:02:11,341 OKAY. TELEPSYCHIC. YOU'RE ON. GO AHEAD. 82 00:02:11,365 --> 00:02:12,976 TELEPSYCHIC. YOU'RE ON. GO AHEAD. YEAH, LIKE, MAN, YOU KNOW, MY 83 00:02:13,000 --> 00:02:14,010 GO AHEAD. YEAH, LIKE, MAN, YOU KNOW, MY FAVORITE TV SHOW IS 84 00:02:14,034 --> 00:02:15,612 YEAH, LIKE, MAN, YOU KNOW, MY FAVORITE TV SHOW IS "SATURDAY NIGHT LIVE," YOU KNOW? 85 00:02:15,636 --> 00:02:16,179 FAVORITE TV SHOW IS "SATURDAY NIGHT LIVE," YOU KNOW? YEAH. 86 00:02:16,203 --> 00:02:17,481 "SATURDAY NIGHT LIVE," YOU KNOW? YEAH. AND I WAS WONDERING IF 87 00:02:17,505 --> 00:02:18,848 YEAH. AND I WAS WONDERING IF THEY'RE GOING TO CHANGE THE WAY 88 00:02:18,872 --> 00:02:19,816 AND I WAS WONDERING IF THEY'RE GOING TO CHANGE THE WAY THEY START THE SHOW. 89 00:02:19,840 --> 00:02:21,684 THEY'RE GOING TO CHANGE THE WAY THEY START THE SHOW. NO, NO, IT'S ALWAYS GONNA BE, 90 00:02:21,708 --> 00:02:23,220 THEY START THE SHOW. NO, NO, IT'S ALWAYS GONNA BE, "LIVE FROM NEW YORK, IT'S 91 00:02:23,244 --> 00:02:24,387 NO, NO, IT'S ALWAYS GONNA BE, "LIVE FROM NEW YORK, IT'S 'SATURDAY NIGHT.'" 92 00:02:24,411 --> 00:02:26,611 "LIVE FROM NEW YORK, IT'S 'SATURDAY NIGHT.'" [BAND PLAYS] 93 00:02:34,454 --> 00:02:38,257 Announcer: IT'S "SATURDAY NIGHT LIVE." 94 00:02:42,295 --> 00:02:45,096 WITH MAUREEN STAPLETON. 95 00:02:52,305 --> 00:03:00,305 STARRING DAN AYKROYD... JOHN BELUSHI... JANE CURTIN... 96 00:03:06,520 --> 00:03:10,667 JOHN BELUSHI... JANE CURTIN... GARRETT MORRIS... 97 00:03:10,691 --> 00:03:14,837 JANE CURTIN... GARRETT MORRIS... BILL MURRAY... 98 00:03:14,861 --> 00:03:18,675 GARRETT MORRIS... BILL MURRAY... LARAINE NEWMAN... 99 00:03:18,699 --> 00:03:21,132 BILL MURRAY... LARAINE NEWMAN... AND GILDA RADNER. 100 00:03:27,840 --> 00:03:35,840 WITH MUSICAL GUESTS LINDA RONSTADT AND PHOEBE SNOW. LADIES AND GENTLEMEN, 101 00:03:38,051 --> 00:03:40,029 LINDA RONSTADT AND PHOEBE SNOW. LADIES AND GENTLEMEN, MAUREEN STAPLETON! 102 00:03:40,053 --> 00:03:42,453 LADIES AND GENTLEMEN, MAUREEN STAPLETON! [CHEERS AND APPLAUSE] 103 00:04:01,107 --> 00:04:07,890 THANK YOU, ALL. THANK YOU, ALL, VERY, VERY MUCH. THANK YOU, AND WELCOME TO 104 00:04:07,914 --> 00:04:09,626 THANK YOU, ALL, VERY, VERY MUCH. THANK YOU, AND WELCOME TO "SATURDAY NIGHT LIVE." 105 00:04:09,650 --> 00:04:11,528 THANK YOU, AND WELCOME TO "SATURDAY NIGHT LIVE." I'VE HAD A GREAT WEEK, A 106 00:04:11,552 --> 00:04:12,862 "SATURDAY NIGHT LIVE." I'VE HAD A GREAT WEEK, A WONDERFUL TIME. 107 00:04:12,886 --> 00:04:14,163 I'VE HAD A GREAT WEEK, A WONDERFUL TIME. IT'S A GREAT COMPANY AND A 108 00:04:14,187 --> 00:04:15,732 WONDERFUL TIME. IT'S A GREAT COMPANY AND A WONDERFUL CREW, AND THEY'VE BEEN 109 00:04:15,756 --> 00:04:16,533 IT'S A GREAT COMPANY AND A WONDERFUL CREW, AND THEY'VE BEEN SO NICE TO ME. 110 00:04:16,557 --> 00:04:19,369 WONDERFUL CREW, AND THEY'VE BEEN SO NICE TO ME. AND IT'S... IT'S... FOR AN 111 00:04:19,393 --> 00:04:21,638 SO NICE TO ME. AND IT'S... IT'S... FOR AN ELDERLY PERSON LIKE ME, TO BE 112 00:04:21,662 --> 00:04:23,540 AND IT'S... IT'S... FOR AN ELDERLY PERSON LIKE ME, TO BE WITH SUCH YOUNG BLOOD IS 113 00:04:23,564 --> 00:04:24,474 ELDERLY PERSON LIKE ME, TO BE WITH SUCH YOUNG BLOOD IS TERRIFIC. 114 00:04:24,498 --> 00:04:26,142 WITH SUCH YOUNG BLOOD IS TERRIFIC. AND TO HAVE LINDA RONSTADT AND 115 00:04:26,166 --> 00:04:29,979 TERRIFIC. AND TO HAVE LINDA RONSTADT AND PHOEBE SNOW ON THIS SHOW IS JUST 116 00:04:30,003 --> 00:04:30,980 AND TO HAVE LINDA RONSTADT AND PHOEBE SNOW ON THIS SHOW IS JUST GREAT. 117 00:04:31,004 --> 00:04:35,485 PHOEBE SNOW ON THIS SHOW IS JUST GREAT. [CHEERS AND APPLAUSE] 118 00:04:35,509 --> 00:04:38,488 GREAT. [CHEERS AND APPLAUSE] EVERYTHING... 119 00:04:38,512 --> 00:04:40,823 [CHEERS AND APPLAUSE] EVERYTHING... IT REALLY... EVERYTHING HAS BEEN 120 00:04:40,847 --> 00:04:44,661 EVERYTHING... IT REALLY... EVERYTHING HAS BEEN PERFECT, EXCEPT I MADE ONE... 121 00:04:44,685 --> 00:04:46,329 IT REALLY... EVERYTHING HAS BEEN PERFECT, EXCEPT I MADE ONE... DUMB ERROR. 122 00:04:46,353 --> 00:04:48,164 PERFECT, EXCEPT I MADE ONE... DUMB ERROR. I-I DIDN'T REALIZE WHEN THE SHOW 123 00:04:48,188 --> 00:04:49,866 DUMB ERROR. I-I DIDN'T REALIZE WHEN THE SHOW WAS LIVE THAT THAT MEANT THAT 124 00:04:49,890 --> 00:04:51,501 I-I DIDN'T REALIZE WHEN THE SHOW WAS LIVE THAT THAT MEANT THAT PEOPLE WOULD GET TICKETS AND 125 00:04:51,525 --> 00:04:53,503 WAS LIVE THAT THAT MEANT THAT PEOPLE WOULD GET TICKETS AND COME AND SEE THE SHOW. 126 00:04:53,527 --> 00:04:55,538 PEOPLE WOULD GET TICKETS AND COME AND SEE THE SHOW. SO I DIDN'T ALSO KNOW THAT I 127 00:04:55,562 --> 00:04:57,073 COME AND SEE THE SHOW. SO I DIDN'T ALSO KNOW THAT I ONLY GOT 10 TICKETS. 128 00:04:57,097 --> 00:04:58,708 SO I DIDN'T ALSO KNOW THAT I ONLY GOT 10 TICKETS. SO THE FIRST PEOPLE THAT CALLED, 129 00:04:58,732 --> 00:04:59,676 ONLY GOT 10 TICKETS. SO THE FIRST PEOPLE THAT CALLED, THEY SAID, "TWO?" 130 00:04:59,700 --> 00:05:00,510 SO THE FIRST PEOPLE THAT CALLED, THEY SAID, "TWO?" I SAID, "SURE. 131 00:05:00,534 --> 00:05:01,678 THEY SAID, "TWO?" I SAID, "SURE. AND THEY SAID, "MAYBE THREE?" 132 00:05:01,702 --> 00:05:02,845 I SAID, "SURE. AND THEY SAID, "MAYBE THREE?" I SAID, "WELL, I DON'T KNOW." 133 00:05:02,869 --> 00:05:04,113 AND THEY SAID, "MAYBE THREE?" I SAID, "WELL, I DON'T KNOW." THEN THE NEXT, "FOUR?" 134 00:05:04,137 --> 00:05:04,681 I SAID, "WELL, I DON'T KNOW." THEN THE NEXT, "FOUR?" "FINE." 135 00:05:04,705 --> 00:05:06,082 THEN THE NEXT, "FOUR?" "FINE." ANOTHER ONE TWO, AND THEN 136 00:05:06,106 --> 00:05:07,049 "FINE." ANOTHER ONE TWO, AND THEN ANOTHER ONE TWO. 137 00:05:07,073 --> 00:05:08,851 ANOTHER ONE TWO, AND THEN ANOTHER ONE TWO. AND THEN I REALIZED I DIDN'T 138 00:05:08,875 --> 00:05:10,353 ANOTHER ONE TWO. AND THEN I REALIZED I DIDN'T HAVE ANY MORE TICKETS. 139 00:05:10,377 --> 00:05:12,322 AND THEN I REALIZED I DIDN'T HAVE ANY MORE TICKETS. I THOUGHT I COULD GET MORE, AND 140 00:05:12,346 --> 00:05:13,490 HAVE ANY MORE TICKETS. I THOUGHT I COULD GET MORE, AND THEY SAID, "NO." 141 00:05:13,514 --> 00:05:16,660 I THOUGHT I COULD GET MORE, AND THEY SAID, "NO." SO THAT MEANS THAT MY VERY CLOSE 142 00:05:16,684 --> 00:05:18,795 THEY SAID, "NO." SO THAT MEANS THAT MY VERY CLOSE FRIENDS ARE WATCHING AT HOME, 143 00:05:18,819 --> 00:05:21,030 SO THAT MEANS THAT MY VERY CLOSE FRIENDS ARE WATCHING AT HOME, AND MY CHILDREN ARE WATCHING ON 144 00:05:21,054 --> 00:05:23,032 FRIENDS ARE WATCHING AT HOME, AND MY CHILDREN ARE WATCHING ON A SET IN THE DRESSING ROOM. 145 00:05:23,056 --> 00:05:24,834 AND MY CHILDREN ARE WATCHING ON A SET IN THE DRESSING ROOM. AND I'M SORRY, BUT I HOPE YOU 146 00:05:24,858 --> 00:05:26,503 A SET IN THE DRESSING ROOM. AND I'M SORRY, BUT I HOPE YOU ENJOY THE SHOW ANYWAY, AND 147 00:05:26,527 --> 00:05:27,404 AND I'M SORRY, BUT I HOPE YOU ENJOY THE SHOW ANYWAY, AND PLEASE WAIT. 148 00:05:27,428 --> 00:05:28,738 ENJOY THE SHOW ANYWAY, AND PLEASE WAIT. WE'LL BE RIGHT BACK. 149 00:05:28,762 --> 00:05:30,882 PLEASE WAIT. WE'LL BE RIGHT BACK. [CHEERS AND APPLAUSE] 150 00:06:20,079 --> 00:06:21,380 Announcer: THE NAVY. 151 00:06:21,514 --> 00:06:23,281 SEE YOUR LOCAL RECRUITER OR CALL 152 00:06:23,416 --> 00:06:24,883 TOLL FREE. 153 00:06:38,931 --> 00:06:43,380 HI, HONEY. OH, HI. OH. GLAD YOU STOPPED AT THE STORE. 154 00:06:43,404 --> 00:06:44,947 OH, HI. OH. GLAD YOU STOPPED AT THE STORE. WE GOT NOTHING IN THE FRIDGE. 155 00:06:44,971 --> 00:06:45,648 GLAD YOU STOPPED AT THE STORE. WE GOT NOTHING IN THE FRIDGE. I KNOW. 156 00:06:45,672 --> 00:06:47,149 WE GOT NOTHING IN THE FRIDGE. I KNOW. YOUR HOUSEGUEST CLEANED US OUT. 157 00:06:47,173 --> 00:06:48,251 I KNOW. YOUR HOUSEGUEST CLEANED US OUT. WHAT DO YOU MEAN, MY 158 00:06:48,275 --> 00:06:48,885 YOUR HOUSEGUEST CLEANED US OUT. WHAT DO YOU MEAN, MY HOUSEGUEST? 159 00:06:48,909 --> 00:06:50,253 WHAT DO YOU MEAN, MY HOUSEGUEST? YOU KNOW HIM AS WELL AS I DO. 160 00:06:50,277 --> 00:06:51,921 HOUSEGUEST? YOU KNOW HIM AS WELL AS I DO. OH! 161 00:06:51,945 --> 00:06:54,123 YOU KNOW HIM AS WELL AS I DO. OH! UGH, DID YOU SEE THE MESS HE 162 00:06:54,147 --> 00:06:55,992 OH! UGH, DID YOU SEE THE MESS HE LEFT US IN THE KITCHEN? 163 00:06:56,016 --> 00:06:56,426 UGH, DID YOU SEE THE MESS HE LEFT US IN THE KITCHEN? I KNOW. 164 00:06:56,450 --> 00:06:57,159 LEFT US IN THE KITCHEN? I KNOW. HE WALKED OUT TODAY. 165 00:06:57,183 --> 00:06:58,227 I KNOW. HE WALKED OUT TODAY. HE DIDN'T LOCK THE DOOR, EITHER. 166 00:06:58,251 --> 00:07:00,129 HE WALKED OUT TODAY. HE DIDN'T LOCK THE DOOR, EITHER. OH, MAN, I MEAN, THAT'S IT. 167 00:07:00,153 --> 00:07:01,398 HE DIDN'T LOCK THE DOOR, EITHER. OH, MAN, I MEAN, THAT'S IT. I-I LIVE HERE, TOO. 168 00:07:01,422 --> 00:07:03,099 OH, MAN, I MEAN, THAT'S IT. I-I LIVE HERE, TOO. THIS IS HALF MY APARTMENT. 169 00:07:03,123 --> 00:07:04,166 I-I LIVE HERE, TOO. THIS IS HALF MY APARTMENT. HE'S GOT TO GO. 170 00:07:04,190 --> 00:07:04,601 THIS IS HALF MY APARTMENT. HE'S GOT TO GO. I KNOW. 171 00:07:04,625 --> 00:07:05,468 HE'S GOT TO GO. I KNOW. I'M TELLING HIM TONIGHT. 172 00:07:05,492 --> 00:07:06,068 I KNOW. I'M TELLING HIM TONIGHT. FORGET IT. 173 00:07:06,092 --> 00:07:07,470 I'M TELLING HIM TONIGHT. FORGET IT. WELL, YOU BETTER, 'CAUSE IF 174 00:07:07,494 --> 00:07:08,371 FORGET IT. WELL, YOU BETTER, 'CAUSE IF YOU DON'T, I WILL. 175 00:07:08,395 --> 00:07:10,039 WELL, YOU BETTER, 'CAUSE IF YOU DON'T, I WILL. [EXHALES SHARPLY] 176 00:07:10,063 --> 00:07:12,223 YOU DON'T, I WILL. [EXHALES SHARPLY] [DOORKNOB TURNS] 177 00:07:25,845 --> 00:07:29,559 [Ugandan accent] H-HELLO, DOUG, CATHERINE. I WENT TO THE STORE, YOU KNOW. 178 00:07:29,583 --> 00:07:30,993 DOUG, CATHERINE. I WENT TO THE STORE, YOU KNOW. I GOT SOME CHEESE. WE WERE OUT. 179 00:07:31,017 --> 00:07:32,228 I WENT TO THE STORE, YOU KNOW. I GOT SOME CHEESE. WE WERE OUT. YOU WANT SOME? 180 00:07:32,252 --> 00:07:34,063 I GOT SOME CHEESE. WE WERE OUT. YOU WANT SOME? NO. NO, THANKS, IDI. 181 00:07:34,087 --> 00:07:34,597 YOU WANT SOME? NO. NO, THANKS, IDI. SO, IDI... 182 00:07:34,621 --> 00:07:35,532 NO. NO, THANKS, IDI. SO, IDI... HOW WAS YOUR DAY? 183 00:07:35,556 --> 00:07:36,332 SO, IDI... HOW WAS YOUR DAY? HOW WAS YOUR DAY? 184 00:07:36,356 --> 00:07:36,800 HOW WAS YOUR DAY? HOW WAS YOUR DAY? FINE. 185 00:07:36,824 --> 00:07:38,134 HOW WAS YOUR DAY? FINE. HOW DID YOUR DAY GO TODAY, HUH? 186 00:07:38,158 --> 00:07:39,201 FINE. HOW DID YOUR DAY GO TODAY, HUH? OH, TERRIBLE. 187 00:07:39,225 --> 00:07:40,804 HOW DID YOUR DAY GO TODAY, HUH? OH, TERRIBLE. I DIDN'T DO ANYTHING TODAY. 188 00:07:40,828 --> 00:07:42,639 OH, TERRIBLE. I DIDN'T DO ANYTHING TODAY. I'M SO MAD AT MYSELF, YOU KNOW? 189 00:07:42,663 --> 00:07:44,040 I DIDN'T DO ANYTHING TODAY. I'M SO MAD AT MYSELF, YOU KNOW? I'VE BEEN HERE A MONTH NOW, AND 190 00:07:44,064 --> 00:07:45,442 I'M SO MAD AT MYSELF, YOU KNOW? I'VE BEEN HERE A MONTH NOW, AND I'LL I'VE BEEN DOING IS LOOKING 191 00:07:45,466 --> 00:07:45,875 I'VE BEEN HERE A MONTH NOW, AND I'LL I'VE BEEN DOING IS LOOKING AT TV. 192 00:07:45,899 --> 00:07:46,443 I'LL I'VE BEEN DOING IS LOOKING AT TV. MM-HMM. 193 00:07:46,467 --> 00:07:47,777 AT TV. MM-HMM. TODAY WAS GONNA BE THE BIG 194 00:07:47,801 --> 00:07:48,511 MM-HMM. TODAY WAS GONNA BE THE BIG DAY, YOU KNOW? 195 00:07:48,535 --> 00:07:49,813 TODAY WAS GONNA BE THE BIG DAY, YOU KNOW? FINALLY... TODAY I WAS GONNA 196 00:07:49,837 --> 00:07:50,780 DAY, YOU KNOW? FINALLY... TODAY I WAS GONNA FINALLY GET STARTED. 197 00:07:50,804 --> 00:07:54,116 FINALLY... TODAY I WAS GONNA FINALLY GET STARTED. THEN I WOKE UP AT 4:00. 198 00:07:54,140 --> 00:07:55,452 FINALLY GET STARTED. THEN I WOKE UP AT 4:00. I'M REALLY MAD AT MYSELF, MAN. 199 00:07:55,476 --> 00:07:57,787 THEN I WOKE UP AT 4:00. I'M REALLY MAD AT MYSELF, MAN. HOW WAS YOUR DAY? 200 00:07:57,811 --> 00:07:59,722 I'M REALLY MAD AT MYSELF, MAN. HOW WAS YOUR DAY? IDI, WE HAVE TO TALK ABOUT 201 00:07:59,746 --> 00:08:01,558 HOW WAS YOUR DAY? IDI, WE HAVE TO TALK ABOUT SOMETHING, AND THAT IS YOUR 202 00:08:01,582 --> 00:08:03,560 IDI, WE HAVE TO TALK ABOUT SOMETHING, AND THAT IS YOUR STAYING HERE IN OUR APARTMENT. 203 00:08:03,584 --> 00:08:05,394 SOMETHING, AND THAT IS YOUR STAYING HERE IN OUR APARTMENT. NOW, ABOUT A MONTH AGO, YOU 204 00:08:05,418 --> 00:08:07,096 STAYING HERE IN OUR APARTMENT. NOW, ABOUT A MONTH AGO, YOU SHOWED UP AT MY DOORSTEP. 205 00:08:07,120 --> 00:08:08,130 NOW, ABOUT A MONTH AGO, YOU SHOWED UP AT MY DOORSTEP. YOU'D BEEN OVERTHROWN. 206 00:08:08,154 --> 00:08:09,365 SHOWED UP AT MY DOORSTEP. YOU'D BEEN OVERTHROWN. YOU NEEDED A PLACE TO STAY. 207 00:08:09,389 --> 00:08:10,232 YOU'D BEEN OVERTHROWN. YOU NEEDED A PLACE TO STAY. THAT'S COOL. 208 00:08:10,256 --> 00:08:11,534 YOU NEEDED A PLACE TO STAY. THAT'S COOL. I WAS GLAD TO DO IT. 209 00:08:11,558 --> 00:08:13,336 THAT'S COOL. I WAS GLAD TO DO IT. BUT THAT WAS A MONTH AGO, AND, 210 00:08:13,360 --> 00:08:15,104 I WAS GLAD TO DO IT. BUT THAT WAS A MONTH AGO, AND, YOU KNOW, YOU REALLY SHOULD BE 211 00:08:15,128 --> 00:08:16,405 BUT THAT WAS A MONTH AGO, AND, YOU KNOW, YOU REALLY SHOULD BE MOVING ON ABOUT NOW. 212 00:08:16,429 --> 00:08:18,240 YOU KNOW, YOU REALLY SHOULD BE MOVING ON ABOUT NOW. DON'T YOU THINK? 213 00:08:18,264 --> 00:08:20,109 MOVING ON ABOUT NOW. DON'T YOU THINK? OH, I-I DIDN'T REALIZE DOUG. 214 00:08:20,133 --> 00:08:21,778 DON'T YOU THINK? OH, I-I DIDN'T REALIZE DOUG. HAVE I BEEN GETTING ON YOUR 215 00:08:21,802 --> 00:08:22,411 OH, I-I DIDN'T REALIZE DOUG. HAVE I BEEN GETTING ON YOUR NERVES? 216 00:08:22,435 --> 00:08:23,480 HAVE I BEEN GETTING ON YOUR NERVES? IT'S NOT THAT. 217 00:08:23,504 --> 00:08:25,314 NERVES? IT'S NOT THAT. IT'S JUST THAT, YOU KNOW, IT'S A 218 00:08:25,338 --> 00:08:26,148 IT'S NOT THAT. IT'S JUST THAT, YOU KNOW, IT'S A SMALL PLACE. 219 00:08:26,172 --> 00:08:27,283 IT'S JUST THAT, YOU KNOW, IT'S A SMALL PLACE. WE NEED THE SPACE. 220 00:08:27,307 --> 00:08:28,451 SMALL PLACE. WE NEED THE SPACE. OH, YEAH, I... 221 00:08:28,475 --> 00:08:29,853 WE NEED THE SPACE. OH, YEAH, I... WELL, I WISH YOU HAD SAID 222 00:08:29,877 --> 00:08:31,354 OH, YEAH, I... WELL, I WISH YOU HAD SAID SOMETHING SOONER, YOU KNOW? 223 00:08:31,378 --> 00:08:32,922 WELL, I WISH YOU HAD SAID SOMETHING SOONER, YOU KNOW? HAVE YOU FELT THIS WAY FOR A 224 00:08:32,946 --> 00:08:33,422 SOMETHING SOONER, YOU KNOW? HAVE YOU FELT THIS WAY FOR A WHILE? 225 00:08:33,446 --> 00:08:35,257 HAVE YOU FELT THIS WAY FOR A WHILE? WELL, IT REALLY STARTED A 226 00:08:35,281 --> 00:08:36,659 WHILE? WELL, IT REALLY STARTED A COUPLE OF WEEKS AGO. 227 00:08:36,683 --> 00:08:38,361 WELL, IT REALLY STARTED A COUPLE OF WEEKS AGO. THERE WAS THIS THING WHERE 228 00:08:38,385 --> 00:08:40,196 COUPLE OF WEEKS AGO. THERE WAS THIS THING WHERE CATHERINE CAME HOME AND CAME 229 00:08:40,220 --> 00:08:41,464 THERE WAS THIS THING WHERE CATHERINE CAME HOME AND CAME INTO THE KITCHEN, AND SOMEONE 230 00:08:41,488 --> 00:08:42,799 CATHERINE CAME HOME AND CAME INTO THE KITCHEN, AND SOMEONE HAD SLAUGHTERED AN ANTELOPE IN 231 00:08:42,823 --> 00:08:43,199 INTO THE KITCHEN, AND SOMEONE HAD SLAUGHTERED AN ANTELOPE IN THERE. 232 00:08:43,223 --> 00:08:45,334 HAD SLAUGHTERED AN ANTELOPE IN THERE. I MEAN, THERE WAS THE HOOVES AND 233 00:08:45,358 --> 00:08:47,169 THERE. I MEAN, THERE WAS THE HOOVES AND THE HIDES AND THE HEAD JUST 234 00:08:47,193 --> 00:08:48,471 I MEAN, THERE WAS THE HOOVES AND THE HIDES AND THE HEAD JUST SITTING OUT ON THE COUNTER, AND 235 00:08:48,495 --> 00:08:49,606 THE HIDES AND THE HEAD JUST SITTING OUT ON THE COUNTER, AND I TOLD CATHERINE NOT TO SAY 236 00:08:49,630 --> 00:08:50,807 SITTING OUT ON THE COUNTER, AND I TOLD CATHERINE NOT TO SAY ANYTHING OR DO ANYTHING, THAT 237 00:08:50,831 --> 00:08:51,641 I TOLD CATHERINE NOT TO SAY ANYTHING OR DO ANYTHING, THAT YOU'D CLEAN IT UP. 238 00:08:51,665 --> 00:08:53,142 ANYTHING OR DO ANYTHING, THAT YOU'D CLEAN IT UP. WELL, WE WAITED UNTIL THE NEXT 239 00:08:53,166 --> 00:08:54,677 YOU'D CLEAN IT UP. WELL, WE WAITED UNTIL THE NEXT AFTERNOON, AND THEN WE FINALLY 240 00:08:54,701 --> 00:08:55,444 WELL, WE WAITED UNTIL THE NEXT AFTERNOON, AND THEN WE FINALLY HAD TO DO IT. 241 00:08:55,468 --> 00:08:57,046 AFTERNOON, AND THEN WE FINALLY HAD TO DO IT. THEN I ASKED YOU IF YOU HAD USED 242 00:08:57,070 --> 00:08:58,681 HAD TO DO IT. THEN I ASKED YOU IF YOU HAD USED THE KITCHEN, AND YOU SAID, "NO." 243 00:08:58,705 --> 00:08:59,816 THEN I ASKED YOU IF YOU HAD USED THE KITCHEN, AND YOU SAID, "NO." I MEAN, COME ON, IDI! 244 00:08:59,840 --> 00:09:01,818 THE KITCHEN, AND YOU SAID, "NO." I MEAN, COME ON, IDI! NEITHER OF US EAT ANTELOPE. 245 00:09:01,842 --> 00:09:03,085 I MEAN, COME ON, IDI! NEITHER OF US EAT ANTELOPE. LOOK, I'M SORRY, DOUG. 246 00:09:03,109 --> 00:09:04,420 NEITHER OF US EAT ANTELOPE. LOOK, I'M SORRY, DOUG. I PLAN TO START HELPING OUT 247 00:09:04,444 --> 00:09:04,854 LOOK, I'M SORRY, DOUG. I PLAN TO START HELPING OUT MORE. 248 00:09:04,878 --> 00:09:05,421 I PLAN TO START HELPING OUT MORE. I-I-I... 249 00:09:05,445 --> 00:09:06,422 MORE. I-I-I... [TELEPHONE RINGS] 250 00:09:06,446 --> 00:09:07,757 I-I-I... [TELEPHONE RINGS] WELL, YOU KNOW, YOU ALWAYS... 251 00:09:07,781 --> 00:09:08,457 [TELEPHONE RINGS] WELL, YOU KNOW, YOU ALWAYS... I'LL GET IT. 252 00:09:08,481 --> 00:09:09,091 WELL, YOU KNOW, YOU ALWAYS... I'LL GET IT. THANK YOU. 253 00:09:09,115 --> 00:09:10,359 I'LL GET IT. THANK YOU. YOU ALWAYS SAY YOU'RE GONNA HELP 254 00:09:10,383 --> 00:09:10,860 THANK YOU. YOU ALWAYS SAY YOU'RE GONNA HELP OUT MORE. 255 00:09:10,884 --> 00:09:11,961 YOU ALWAYS SAY YOU'RE GONNA HELP OUT MORE. THIS IS FOR REAL. 256 00:09:11,985 --> 00:09:14,196 OUT MORE. THIS IS FOR REAL. HELLO. 257 00:09:14,220 --> 00:09:17,700 THIS IS FOR REAL. HELLO. YOU WANT TO TALK TO IDI AMIN? 258 00:09:17,724 --> 00:09:19,869 HELLO. YOU WANT TO TALK TO IDI AMIN? WELL, THERE'S, UH... 259 00:09:19,893 --> 00:09:21,538 YOU WANT TO TALK TO IDI AMIN? WELL, THERE'S, UH... THERE'S NO ONE HERE BY THAT 260 00:09:21,562 --> 00:09:23,205 WELL, THERE'S, UH... THERE'S NO ONE HERE BY THAT NAME. 261 00:09:23,229 --> 00:09:24,908 THERE'S NO ONE HERE BY THAT NAME. NO, WHY WOULD THE DEPOSED 262 00:09:24,932 --> 00:09:26,876 NAME. NO, WHY WOULD THE DEPOSED PRESIDENT OF UGANDA BE STAYING 263 00:09:26,900 --> 00:09:28,878 NO, WHY WOULD THE DEPOSED PRESIDENT OF UGANDA BE STAYING IN OUR APARTMENT? 264 00:09:28,902 --> 00:09:31,380 PRESIDENT OF UGANDA BE STAYING IN OUR APARTMENT? NO, THAT'S QUITE ALL RIGHT. 265 00:09:31,404 --> 00:09:32,048 IN OUR APARTMENT? NO, THAT'S QUITE ALL RIGHT. YES. 266 00:09:32,072 --> 00:09:34,383 NO, THAT'S QUITE ALL RIGHT. YES. OKAY, GOODBYE. 267 00:09:34,407 --> 00:09:36,218 YES. OKAY, GOODBYE. I HATE HAVING TO LIE TO PEOPLE 268 00:09:36,242 --> 00:09:37,186 OKAY, GOODBYE. I HATE HAVING TO LIE TO PEOPLE ON THE PHONE! 269 00:09:37,210 --> 00:09:38,454 I HATE HAVING TO LIE TO PEOPLE ON THE PHONE! IT DRIVES ME CRAZY! 270 00:09:38,478 --> 00:09:39,923 ON THE PHONE! IT DRIVES ME CRAZY! YOU KNOW, IT'S STARTING TO 271 00:09:39,947 --> 00:09:41,323 IT DRIVES ME CRAZY! YOU KNOW, IT'S STARTING TO FEEL LIKE IT'S NOT EVEN OUR 272 00:09:41,347 --> 00:09:42,324 YOU KNOW, IT'S STARTING TO FEEL LIKE IT'S NOT EVEN OUR APARTMENT ANYMORE. 273 00:09:42,348 --> 00:09:43,793 FEEL LIKE IT'S NOT EVEN OUR APARTMENT ANYMORE. I MEAN, I COME HOME FROM WORK 274 00:09:43,817 --> 00:09:44,594 APARTMENT ANYMORE. I MEAN, I COME HOME FROM WORK LATE AT NIGHT. 275 00:09:44,618 --> 00:09:46,062 I MEAN, I COME HOME FROM WORK LATE AT NIGHT. I'D LIKE TO USE THE BATHROOM, 276 00:09:46,086 --> 00:09:47,129 LATE AT NIGHT. I'D LIKE TO USE THE BATHROOM, BUT YOU'RE IN THERE 277 00:09:47,153 --> 00:09:48,330 I'D LIKE TO USE THE BATHROOM, BUT YOU'RE IN THERE INTERROGATING SOMEBODY. 278 00:09:48,354 --> 00:09:50,066 BUT YOU'RE IN THERE INTERROGATING SOMEBODY. YEAH, I MEAN, THOSE GUYS LAST 279 00:09:50,090 --> 00:09:51,734 INTERROGATING SOMEBODY. YEAH, I MEAN, THOSE GUYS LAST NIGHT... THOSE TWO GUYS KEPT ME 280 00:09:51,758 --> 00:09:53,036 YEAH, I MEAN, THOSE GUYS LAST NIGHT... THOSE TWO GUYS KEPT ME UP TILL 3:30 WITH THEIR 281 00:09:53,060 --> 00:09:53,736 NIGHT... THOSE TWO GUYS KEPT ME UP TILL 3:30 WITH THEIR SCREAMING. 282 00:09:53,760 --> 00:09:54,804 UP TILL 3:30 WITH THEIR SCREAMING. OH, I'M... I'M SORRY. 283 00:09:54,828 --> 00:09:56,005 SCREAMING. OH, I'M... I'M SORRY. I'M SORRY, BUT THEY WOULDN'T 284 00:09:56,029 --> 00:09:56,372 OH, I'M... I'M SORRY. I'M SORRY, BUT THEY WOULDN'T TALK! 285 00:09:56,396 --> 00:09:57,273 I'M SORRY, BUT THEY WOULDN'T TALK! THEY WOULDN'T TALK! 286 00:09:57,297 --> 00:09:58,207 TALK! THEY WOULDN'T TALK! THEY WOULDN'T TALK. 287 00:09:58,231 --> 00:09:59,341 THEY WOULDN'T TALK! THEY WOULDN'T TALK. WELL, DID IT EVER OCCUR TO 288 00:09:59,365 --> 00:10:00,577 THEY WOULDN'T TALK. WELL, DID IT EVER OCCUR TO YOU THAT MAYBE THEY DIDN'T KNOW 289 00:10:00,601 --> 00:10:01,578 WELL, DID IT EVER OCCUR TO YOU THAT MAYBE THEY DIDN'T KNOW ANYTHING? 290 00:10:01,602 --> 00:10:03,179 YOU THAT MAYBE THEY DIDN'T KNOW ANYTHING? CATHERINE, I DIDN'T REALIZE 291 00:10:03,203 --> 00:10:04,881 ANYTHING? CATHERINE, I DIDN'T REALIZE WE WERE BEING, YOU KNOW, THAT... 292 00:10:04,905 --> 00:10:05,582 CATHERINE, I DIDN'T REALIZE WE WERE BEING, YOU KNOW, THAT... THAT LOUD. 293 00:10:05,606 --> 00:10:07,083 WE WERE BEING, YOU KNOW, THAT... THAT LOUD. BECAUSE YOU DIDN'T THINK! 294 00:10:07,107 --> 00:10:08,551 THAT LOUD. BECAUSE YOU DIDN'T THINK! OKAY, THIS AFTERNOON I CAME 295 00:10:08,575 --> 00:10:09,886 BECAUSE YOU DIDN'T THINK! OKAY, THIS AFTERNOON I CAME HOME. 296 00:10:09,910 --> 00:10:11,554 OKAY, THIS AFTERNOON I CAME HOME. I WALKED INTO THE HALL CLOSET, 297 00:10:11,578 --> 00:10:16,559 HOME. I WALKED INTO THE HALL CLOSET, AND I FOUND THESE GUYS. 298 00:10:16,583 --> 00:10:18,061 I WALKED INTO THE HALL CLOSET, AND I FOUND THESE GUYS. WHO ARE THEY?! 299 00:10:18,085 --> 00:10:19,462 AND I FOUND THESE GUYS. WHO ARE THEY?! THEY'RE... THEY'RE POLITICAL 300 00:10:19,486 --> 00:10:20,296 WHO ARE THEY?! THEY'RE... THEY'RE POLITICAL OPPONENTS, DOUG. 301 00:10:20,320 --> 00:10:21,564 THEY'RE... THEY'RE POLITICAL OPPONENTS, DOUG. WELL, WHAT IS THE STORY?! 302 00:10:21,588 --> 00:10:22,932 OPPONENTS, DOUG. WELL, WHAT IS THE STORY?! ARE THEY UNCONSCIOUS OR DEAD?! 303 00:10:22,956 --> 00:10:24,333 WELL, WHAT IS THE STORY?! ARE THEY UNCONSCIOUS OR DEAD?! IF THEY'RE UNCONSCIOUS, I WANT 304 00:10:24,357 --> 00:10:25,668 ARE THEY UNCONSCIOUS OR DEAD?! IF THEY'RE UNCONSCIOUS, I WANT YOU TO WAKE THEM UP AND SEND 305 00:10:25,692 --> 00:10:27,136 IF THEY'RE UNCONSCIOUS, I WANT YOU TO WAKE THEM UP AND SEND THEM HOME, AND IF THEY'RE DEAD, 306 00:10:27,160 --> 00:10:28,304 YOU TO WAKE THEM UP AND SEND THEM HOME, AND IF THEY'RE DEAD, I WANT THEM OUT OF HERE! 307 00:10:28,328 --> 00:10:29,572 THEM HOME, AND IF THEY'RE DEAD, I WANT THEM OUT OF HERE! DOUG, I'LL TAKE CARE OF IT! 308 00:10:29,596 --> 00:10:30,506 I WANT THEM OUT OF HERE! DOUG, I'LL TAKE CARE OF IT! I'LL TAKE CARE OF IT! 309 00:10:30,530 --> 00:10:31,273 DOUG, I'LL TAKE CARE OF IT! I'LL TAKE CARE OF IT! I... OH, OH, OH. 310 00:10:31,297 --> 00:10:32,274 I'LL TAKE CARE OF IT! I... OH, OH, OH. WAIT. WAIT. WAIT. WAIT. 311 00:10:32,298 --> 00:10:33,776 I... OH, OH, OH. WAIT. WAIT. WAIT. WAIT. CATHERINE, CATHERINE, YES! 312 00:10:33,800 --> 00:10:34,811 WAIT. WAIT. WAIT. WAIT. CATHERINE, CATHERINE, YES! UH, I'M SORRY. 313 00:10:34,835 --> 00:10:36,679 CATHERINE, CATHERINE, YES! UH, I'M SORRY. Y-Y-YOUR AUNT CALLED TWO DAYS 314 00:10:36,703 --> 00:10:37,179 UH, I'M SORRY. Y-Y-YOUR AUNT CALLED TWO DAYS AGO. 315 00:10:37,203 --> 00:10:38,781 Y-Y-YOUR AUNT CALLED TWO DAYS AGO. I-I-I MEANT TO TELL YOU. 316 00:10:38,805 --> 00:10:39,548 AGO. I-I-I MEANT TO TELL YOU. I FORGOT. 317 00:10:39,572 --> 00:10:40,382 I-I-I MEANT TO TELL YOU. I FORGOT. YOU SEE? 318 00:10:40,406 --> 00:10:42,318 I FORGOT. YOU SEE? YOU DON'T EVEN WRITE DOWN PHONE 319 00:10:42,342 --> 00:10:43,052 YOU SEE? YOU DON'T EVEN WRITE DOWN PHONE MESSAGES. 320 00:10:43,076 --> 00:10:44,386 YOU DON'T EVEN WRITE DOWN PHONE MESSAGES. LOOK, THERE'S A PAD. 321 00:10:44,410 --> 00:10:45,955 MESSAGES. LOOK, THERE'S A PAD. RIGHT BY THE PHONE, YEAH. 322 00:10:45,979 --> 00:10:47,690 LOOK, THERE'S A PAD. RIGHT BY THE PHONE, YEAH. WHICH REMINDS ME ABOUT THIS BILL 323 00:10:47,714 --> 00:10:48,891 RIGHT BY THE PHONE, YEAH. WHICH REMINDS ME ABOUT THIS BILL THAT CAME LAST WEEK. 324 00:10:48,915 --> 00:10:51,560 WHICH REMINDS ME ABOUT THIS BILL THAT CAME LAST WEEK. "KAMPALA, $19.00. 325 00:10:51,584 --> 00:10:53,395 THAT CAME LAST WEEK. "KAMPALA, $19.00. KAMPALA, $18.50. 326 00:10:53,419 --> 00:10:55,732 "KAMPALA, $19.00. KAMPALA, $18.50. KAMPALA, $71." 327 00:10:55,756 --> 00:10:57,366 KAMPALA, $18.50. KAMPALA, $71." OKAY, PHILADELPHIA WAS MINE, BUT 328 00:10:57,390 --> 00:10:59,002 KAMPALA, $71." OKAY, PHILADELPHIA WAS MINE, BUT ALMOST ALL THE REST OF THEM HERE 329 00:10:59,026 --> 00:10:59,669 OKAY, PHILADELPHIA WAS MINE, BUT ALMOST ALL THE REST OF THEM HERE ARE YOURS. 330 00:10:59,693 --> 00:11:00,670 ALMOST ALL THE REST OF THEM HERE ARE YOURS. THE SUDAN! 331 00:11:00,694 --> 00:11:02,839 ARE YOURS. THE SUDAN! WHO HERE IS CALLING THE SUDAN?! 332 00:11:02,863 --> 00:11:05,108 THE SUDAN! WHO HERE IS CALLING THE SUDAN?! LOOK, DOUG, I'VE BEEN RAISING 333 00:11:05,132 --> 00:11:05,908 WHO HERE IS CALLING THE SUDAN?! LOOK, DOUG, I'VE BEEN RAISING AN ARMY! 334 00:11:05,932 --> 00:11:07,910 LOOK, DOUG, I'VE BEEN RAISING AN ARMY! I'M MOUNTING A COUP RIGHT NOW, 335 00:11:07,934 --> 00:11:09,712 AN ARMY! I'M MOUNTING A COUP RIGHT NOW, AND AS SOON AS I RETURN TO 336 00:11:09,736 --> 00:11:11,547 I'M MOUNTING A COUP RIGHT NOW, AND AS SOON AS I RETURN TO POWER, I WILL PAY THE PHONE 337 00:11:11,571 --> 00:11:12,715 AND AS SOON AS I RETURN TO POWER, I WILL PAY THE PHONE BILL. 338 00:11:12,739 --> 00:11:14,416 POWER, I WILL PAY THE PHONE BILL. I-I JUST NEED A LITTLE TIME TO 339 00:11:14,440 --> 00:11:15,317 BILL. I-I JUST NEED A LITTLE TIME TO RALLY MY ARMY. 340 00:11:15,341 --> 00:11:16,886 I-I JUST NEED A LITTLE TIME TO RALLY MY ARMY. WELL, IF YOU'RE GONNA BE 341 00:11:16,910 --> 00:11:18,521 RALLY MY ARMY. WELL, IF YOU'RE GONNA BE RALLYING YOUR ARMY, I SUGGEST 342 00:11:18,545 --> 00:11:20,123 WELL, IF YOU'RE GONNA BE RALLYING YOUR ARMY, I SUGGEST YOU GET YOURSELF A NICE LOFT 343 00:11:20,147 --> 00:11:21,824 RALLYING YOUR ARMY, I SUGGEST YOU GET YOURSELF A NICE LOFT DOWNTOWN AND RALLY THEM THERE. 344 00:11:21,848 --> 00:11:23,425 YOU GET YOURSELF A NICE LOFT DOWNTOWN AND RALLY THEM THERE. I MEAN, I NEED THIS PLACE TO 345 00:11:23,449 --> 00:11:23,926 DOWNTOWN AND RALLY THEM THERE. I MEAN, I NEED THIS PLACE TO WORK. 346 00:11:23,950 --> 00:11:25,227 I MEAN, I NEED THIS PLACE TO WORK. IDI, LISTEN. 347 00:11:25,251 --> 00:11:27,463 WORK. IDI, LISTEN. HAVE YOU DONE ANYTHING AT ALL 348 00:11:27,487 --> 00:11:29,298 IDI, LISTEN. HAVE YOU DONE ANYTHING AT ALL ABOUT FINDING A SUBLET? 349 00:11:29,322 --> 00:11:30,800 HAVE YOU DONE ANYTHING AT ALL ABOUT FINDING A SUBLET? CATHERINE, I DON'T KNOW, 350 00:11:30,824 --> 00:11:32,001 ABOUT FINDING A SUBLET? CATHERINE, I DON'T KNOW, REALLY, HOW TO START. 351 00:11:32,025 --> 00:11:33,169 CATHERINE, I DON'T KNOW, REALLY, HOW TO START. I TOLD YOU... THE 352 00:11:33,193 --> 00:11:34,336 REALLY, HOW TO START. I TOLD YOU... THE VILLAGE VOICE, IDI. 353 00:11:34,360 --> 00:11:35,571 I TOLD YOU... THE VILLAGE VOICE, IDI. ALL THE LISTINGS ARE IN THE 354 00:11:35,595 --> 00:11:36,338 VILLAGE VOICE, IDI. ALL THE LISTINGS ARE IN THE VILLAGE VOICE. 355 00:11:36,362 --> 00:11:37,306 ALL THE LISTINGS ARE IN THE VILLAGE VOICE. YOU GET THE LISTINGS. 356 00:11:37,330 --> 00:11:38,340 VILLAGE VOICE. YOU GET THE LISTINGS. WE'LL HELP YOU FIND AN 357 00:11:38,364 --> 00:11:38,908 YOU GET THE LISTINGS. WE'LL HELP YOU FIND AN APARTMENT. 358 00:11:38,932 --> 00:11:40,143 WE'LL HELP YOU FIND AN APARTMENT. IN THE MEANTIME, I THINK IT 359 00:11:40,167 --> 00:11:41,577 APARTMENT. IN THE MEANTIME, I THINK IT WOULD BE A VERY MATURE THING FOR 360 00:11:41,601 --> 00:11:42,812 IN THE MEANTIME, I THINK IT WOULD BE A VERY MATURE THING FOR YOU TO GO AND GET YOURSELF A 361 00:11:42,836 --> 00:11:44,047 WOULD BE A VERY MATURE THING FOR YOU TO GO AND GET YOURSELF A FURNISHED ROOM BY THE WEEK. 362 00:11:44,071 --> 00:11:44,914 YOU TO GO AND GET YOURSELF A FURNISHED ROOM BY THE WEEK. OKAY, DOUG. 363 00:11:44,938 --> 00:11:46,315 FURNISHED ROOM BY THE WEEK. OKAY, DOUG. DO YOU KNOW OF ANY PLACES 364 00:11:46,339 --> 00:11:46,916 OKAY, DOUG. DO YOU KNOW OF ANY PLACES WHERE... 365 00:11:46,940 --> 00:11:48,217 DO YOU KNOW OF ANY PLACES WHERE... OH, LOOK, THERE'S THE 366 00:11:48,241 --> 00:11:48,985 WHERE... OH, LOOK, THERE'S THE COLLINGWOOD. 367 00:11:49,009 --> 00:11:50,119 OH, LOOK, THERE'S THE COLLINGWOOD. THERE'S THE SEVILLE. 368 00:11:50,143 --> 00:11:51,020 COLLINGWOOD. THERE'S THE SEVILLE. THE SEVILLE. 369 00:11:51,044 --> 00:11:52,955 THERE'S THE SEVILLE. THE SEVILLE. UM... WHAT ABOUT THE 370 00:11:52,979 --> 00:11:54,157 THE SEVILLE. UM... WHAT ABOUT THE ESSEX HOUSE? 371 00:11:54,181 --> 00:11:55,324 UM... WHAT ABOUT THE ESSEX HOUSE? OH, THE ESSEX HOUSE. 372 00:11:55,348 --> 00:11:56,592 ESSEX HOUSE? OH, THE ESSEX HOUSE. COULD I COOK IN THE ROOM? 373 00:11:56,616 --> 00:11:58,161 OH, THE ESSEX HOUSE. COULD I COOK IN THE ROOM? YOU KNOW, I MIGHT GET RECOGNIZED 374 00:11:58,185 --> 00:11:59,428 COULD I COOK IN THE ROOM? YOU KNOW, I MIGHT GET RECOGNIZED IN RESTAURANTS, YOU KNOW. 375 00:11:59,452 --> 00:12:00,697 YOU KNOW, I MIGHT GET RECOGNIZED IN RESTAURANTS, YOU KNOW. WELL, YOU CAN HAVE ROOM 376 00:12:00,721 --> 00:12:01,230 IN RESTAURANTS, YOU KNOW. WELL, YOU CAN HAVE ROOM SERVICE. 377 00:12:01,254 --> 00:12:02,531 WELL, YOU CAN HAVE ROOM SERVICE. AS A MATTER OF FACT, ONE OF 378 00:12:02,555 --> 00:12:03,700 SERVICE. AS A MATTER OF FACT, ONE OF NEW YORK'S GREAT DINING 379 00:12:03,724 --> 00:12:05,134 AS A MATTER OF FACT, ONE OF NEW YORK'S GREAT DINING EXPERIENCES IS ROOM SERVICE AT 380 00:12:05,158 --> 00:12:06,468 NEW YORK'S GREAT DINING EXPERIENCES IS ROOM SERVICE AT MARRIOTT'S ESSEX HOUSE, 381 00:12:06,492 --> 00:12:09,504 EXPERIENCES IS ROOM SERVICE AT MARRIOTT'S ESSEX HOUSE, OVERLOOKING CENTRAL PARK. 382 00:12:09,528 --> 00:12:10,528 REALLY? TELL ME MORE. 383 00:12:10,662 --> 00:12:11,963 Announcer: ONE OF NEW YORK'S 384 00:12:12,098 --> 00:12:13,397 GREAT DINING EXPERIENCES IS ROOM 385 00:12:13,532 --> 00:12:14,398 SERVICE AT MARRIOTT'S 386 00:12:14,533 --> 00:12:15,533 ESSEX HOUSE, OVERLOOKING 387 00:12:15,667 --> 00:12:16,234 CENTRAL PARK. 388 00:12:16,368 --> 00:12:17,602 FOR RESERVATIONS, CALL TOLL 389 00:12:17,737 --> 00:12:18,036 FREE. 390 00:12:18,170 --> 00:12:19,470 HOTEL ACCOMMODATIONS FURNISHED 391 00:12:19,605 --> 00:12:20,471 IN EXCHANGE FOR THIS 392 00:12:20,606 --> 00:12:21,606 ANNOUNCEMENT. 393 00:12:21,841 --> 00:12:24,153 SAY, THANKS A LOT. THAT SOUNDS GREAT! MM-HMM. 394 00:12:24,177 --> 00:12:24,787 THAT SOUNDS GREAT! MM-HMM. OKAY, IDI. 395 00:12:24,811 --> 00:12:25,855 MM-HMM. OKAY, IDI. I THINK YOU'LL FEEL BETTER 396 00:12:25,879 --> 00:12:26,789 OKAY, IDI. I THINK YOU'LL FEEL BETTER HAVING YOUR OWN PLACE. 397 00:12:26,813 --> 00:12:29,413 I THINK YOU'LL FEEL BETTER HAVING YOUR OWN PLACE. YEAH. GOODBYE. 398 00:12:43,796 --> 00:12:51,147 LADIES AND GENTLEMEN, LINDA RONSTADT AND PHOEBE SNOW. [CHEERS AND APPLAUSE] 399 00:12:51,171 --> 00:12:52,481 LINDA RONSTADT AND PHOEBE SNOW. [CHEERS AND APPLAUSE] [INTRO TO RUDY CLARK'S "THE 400 00:12:52,505 --> 00:12:53,816 [CHEERS AND APPLAUSE] [INTRO TO RUDY CLARK'S "THE SHOOP SHOOP SONG (IT'S IN HIS 401 00:12:53,840 --> 00:12:54,483 [INTRO TO RUDY CLARK'S "THE SHOOP SHOOP SONG (IT'S IN HIS KISS)" PLAYS] 402 00:12:54,507 --> 00:12:56,652 [SHOOP SHOOP SONG (IT'S IN HIS KISS)" PLAYS] ♪ DOES HE LOVE ME? ♪ 403 00:12:56,676 --> 00:12:58,821 [(KISS)" PLAYS] ♪ DOES HE LOVE ME? ♪ ♪ I WANT TO KNOW ♪ 404 00:12:58,845 --> 00:13:01,490 ♪ DOES HE LOVE ME? ♪ ♪ I WANT TO KNOW ♪ ♪ HOW CAN I TELL IF HE LOVES 405 00:13:01,514 --> 00:13:02,491 ♪ I WANT TO KNOW ♪ ♪ HOW CAN I TELL IF HE LOVES ME SO? ♪ 406 00:13:02,515 --> 00:13:04,493 ♪ HOW CAN I TELL IF HE LOVES ME SO? ♪ ♪ IS IT IN HIS EYES? ♪ 407 00:13:04,517 --> 00:13:06,162 ME SO? ♪ ♪ IS IT IN HIS EYES? ♪ ♪ WHOA, NO, YOU'D BE 408 00:13:06,186 --> 00:13:06,996 ♪ IS IT IN HIS EYES? ♪ ♪ WHOA, NO, YOU'D BE DECEIVED ♪ 409 00:13:07,020 --> 00:13:08,831 ♪ WHOA, NO, YOU'D BE DECEIVED ♪ ♪ IS IT IN HIS EYES? ♪ 410 00:13:08,855 --> 00:13:11,167 DECEIVED ♪ ♪ IS IT IN HIS EYES? ♪ ♪ OH, NO, YOU MAKE BELIEVE ♪ 411 00:13:11,191 --> 00:13:13,335 ♪ IS IT IN HIS EYES? ♪ ♪ OH, NO, YOU MAKE BELIEVE ♪ Both: ♪ IF YOU WANT TO KNOW ♪ 412 00:13:13,359 --> 00:13:15,504 ♪ OH, NO, YOU MAKE BELIEVE ♪ Both: ♪ IF YOU WANT TO KNOW ♪ ♪ IF HE LOVES YOU SO ♪ 413 00:13:15,528 --> 00:13:17,006 Both: ♪ IF YOU WANT TO KNOW ♪ ♪ IF HE LOVES YOU SO ♪ ♪ IT'S IN HIS KISS ♪ 414 00:13:17,030 --> 00:13:19,508 ♪ IF HE LOVES YOU SO ♪ ♪ IT'S IN HIS KISS ♪ ♪ THAT'S WHERE IT IS ♪ 415 00:13:19,532 --> 00:13:21,844 ♪ IT'S IN HIS KISS ♪ ♪ THAT'S WHERE IT IS ♪ ♪ WELL, IS IT IN HIS FACE? ♪ 416 00:13:21,868 --> 00:13:23,679 ♪ THAT'S WHERE IT IS ♪ ♪ WELL, IS IT IN HIS FACE? ♪ ♪ WHOA, NO, THAT'S JUST HIS 417 00:13:23,703 --> 00:13:24,180 ♪ WELL, IS IT IN HIS FACE? ♪ ♪ WHOA, NO, THAT'S JUST HIS CHARMS ♪ 418 00:13:24,204 --> 00:13:26,015 ♪ WHOA, NO, THAT'S JUST HIS CHARMS ♪ ♪ OR IN HIS WARM EMBRACE? ♪ 419 00:13:26,039 --> 00:13:28,017 CHARMS ♪ ♪ OR IN HIS WARM EMBRACE? ♪ ♪ WHOA, NO, THAT'S JUST HIS 420 00:13:28,041 --> 00:13:28,517 ♪ OR IN HIS WARM EMBRACE? ♪ ♪ WHOA, NO, THAT'S JUST HIS ARMS ♪ 421 00:13:28,541 --> 00:13:30,519 ♪ WHOA, NO, THAT'S JUST HIS ARMS ♪ Both: ♪ IF YOU WANT TO KNOW ♪ 422 00:13:30,543 --> 00:13:32,688 ARMS ♪ Both: ♪ IF YOU WANT TO KNOW ♪ ♪ IF HE LOVES YOU SO ♪ 423 00:13:32,712 --> 00:13:34,356 Both: ♪ IF YOU WANT TO KNOW ♪ ♪ IF HE LOVES YOU SO ♪ ♪ IT'S IN HIS KISS ♪ 424 00:13:34,380 --> 00:13:35,357 ♪ IF HE LOVES YOU SO ♪ ♪ IT'S IN HIS KISS ♪ ♪ THAT'S WHERE IT IS ♪ 425 00:13:35,381 --> 00:13:38,527 ♪ IT'S IN HIS KISS ♪ ♪ THAT'S WHERE IT IS ♪ ♪ OH, IT'S IN HIS KISS ♪ 426 00:13:38,551 --> 00:13:41,697 ♪ THAT'S WHERE IT IS ♪ ♪ OH, IT'S IN HIS KISS ♪ ♪ THAT'S WHERE IT IS ♪ 427 00:13:41,721 --> 00:13:43,866 ♪ OH, IT'S IN HIS KISS ♪ ♪ THAT'S WHERE IT IS ♪ Both: ♪ HUG HIM ♪ 428 00:13:43,890 --> 00:13:45,868 ♪ THAT'S WHERE IT IS ♪ Both: ♪ HUG HIM ♪ ♪ SQUEEZE HIM TIGHT ♪ 429 00:13:45,892 --> 00:13:48,370 Both: ♪ HUG HIM ♪ ♪ SQUEEZE HIM TIGHT ♪ ♪ AND FIND OUT WHAT YOU WANT TO 430 00:13:48,394 --> 00:13:50,372 ♪ SQUEEZE HIM TIGHT ♪ ♪ AND FIND OUT WHAT YOU WANT TO KNOW ♪ 431 00:13:50,396 --> 00:13:52,708 ♪ AND FIND OUT WHAT YOU WANT TO KNOW ♪ ♪ IF IT'S LOVE, IF IT 432 00:13:52,732 --> 00:13:54,710 KNOW ♪ ♪ IF IT'S LOVE, IF IT REALLY IS ♪ 433 00:13:54,734 --> 00:13:58,214 ♪ IF IT'S LOVE, IF IT REALLY IS ♪ ♪ IT'S THERE IN HIS KISS ♪ 434 00:13:58,238 --> 00:14:00,049 REALLY IS ♪ ♪ IT'S THERE IN HIS KISS ♪ ♪ HOW 'BOUT THE WAY HE 435 00:14:00,073 --> 00:14:00,549 ♪ IT'S THERE IN HIS KISS ♪ ♪ HOW 'BOUT THE WAY HE ACTS? ♪ 436 00:14:00,573 --> 00:14:02,384 ♪ HOW 'BOUT THE WAY HE ACTS? ♪ ♪ WHOA, NO, THAT'S NOT THE 437 00:14:02,408 --> 00:14:03,219 ACTS? ♪ ♪ WHOA, NO, THAT'S NOT THE WAY ♪ 438 00:14:03,243 --> 00:14:05,387 ♪ WHOA, NO, THAT'S NOT THE WAY ♪ ♪ AND YOU'RE NOT LISTENIN' TO 439 00:14:05,411 --> 00:14:07,223 WAY ♪ ♪ AND YOU'RE NOT LISTENIN' TO ALL I SAY ♪ 440 00:14:07,247 --> 00:14:09,225 ♪ AND YOU'RE NOT LISTENIN' TO ALL I SAY ♪ Both: ♪ IF YOU WANT TO KNOW ♪ 441 00:14:09,249 --> 00:14:11,393 ALL I SAY ♪ Both: ♪ IF YOU WANT TO KNOW ♪ ♪ IF HE LOVES YOU SO ♪ 442 00:14:11,417 --> 00:14:13,062 Both: ♪ IF YOU WANT TO KNOW ♪ ♪ IF HE LOVES YOU SO ♪ ♪ IT'S IN HIS KISS ♪ 443 00:14:13,086 --> 00:14:16,020 ♪ IF HE LOVES YOU SO ♪ ♪ IT'S IN HIS KISS ♪ ♪ THAT'S WHERE IT IS ♪ 444 00:14:24,396 --> 00:14:32,396 Both: ♪ SHOOP, SHOOP, SHOOP, SHOOP, SHOOP, SHOOP ♪ ♪ SHOO-DOOP ♪ 445 00:14:33,473 --> 00:14:35,451 SHOOP, SHOOP, SHOOP ♪ ♪ SHOO-DOOP ♪ ♪ HUG HIM ♪ 446 00:14:35,475 --> 00:14:37,453 ♪ SHOO-DOOP ♪ ♪ HUG HIM ♪ ♪ SQUEEZE HIM TIGHT ♪ 447 00:14:37,477 --> 00:14:39,956 ♪ HUG HIM ♪ ♪ SQUEEZE HIM TIGHT ♪ ♪ AND FIND OUT WHAT YOU WANT TO 448 00:14:39,980 --> 00:14:41,958 ♪ SQUEEZE HIM TIGHT ♪ ♪ AND FIND OUT WHAT YOU WANT TO KNOW ♪ 449 00:14:41,982 --> 00:14:44,293 ♪ AND FIND OUT WHAT YOU WANT TO KNOW ♪ ♪ IF IT'S LOVE, IF IT 450 00:14:44,317 --> 00:14:46,095 KNOW ♪ ♪ IF IT'S LOVE, IF IT REALLY IS ♪ 451 00:14:46,119 --> 00:14:49,631 ♪ IF IT'S LOVE, IF IT REALLY IS ♪ ♪ IT'S THERE IN HIS KISS ♪ 452 00:14:49,655 --> 00:14:51,633 REALLY IS ♪ ♪ IT'S THERE IN HIS KISS ♪ ♪ HOW 'BOUT THE WAY HE 453 00:14:51,657 --> 00:14:52,134 ♪ IT'S THERE IN HIS KISS ♪ ♪ HOW 'BOUT THE WAY HE ACTS? ♪ 454 00:14:52,158 --> 00:14:53,802 ♪ HOW 'BOUT THE WAY HE ACTS? ♪ ♪ WHOA, NO, THAT'S NOT THE 455 00:14:53,826 --> 00:14:54,470 ACTS? ♪ ♪ WHOA, NO, THAT'S NOT THE WAY ♪ 456 00:14:54,494 --> 00:14:56,805 ♪ WHOA, NO, THAT'S NOT THE WAY ♪ ♪ AND YOU'RE NOT LISTENIN' TO 457 00:14:56,829 --> 00:14:58,474 WAY ♪ ♪ AND YOU'RE NOT LISTENIN' TO ALL I SAY ♪ 458 00:14:58,498 --> 00:15:00,642 ♪ AND YOU'RE NOT LISTENIN' TO ALL I SAY ♪ Both: ♪ IF YOU WANT TO KNOW ♪ 459 00:15:00,666 --> 00:15:02,811 ALL I SAY ♪ Both: ♪ IF YOU WANT TO KNOW ♪ ♪ IF HE LOVES YOU SO ♪ 460 00:15:02,835 --> 00:15:04,313 Both: ♪ IF YOU WANT TO KNOW ♪ ♪ IF HE LOVES YOU SO ♪ ♪ IT'S IN HIS KISS ♪ 461 00:15:04,337 --> 00:15:05,314 ♪ IF HE LOVES YOU SO ♪ ♪ IT'S IN HIS KISS ♪ ♪ THAT'S WHERE IT IS ♪ 462 00:15:05,338 --> 00:15:06,983 ♪ IT'S IN HIS KISS ♪ ♪ THAT'S WHERE IT IS ♪ ♪ OH ♪ 463 00:15:07,007 --> 00:15:08,650 ♪ THAT'S WHERE IT IS ♪ ♪ OH ♪ ♪ IT'S IN HIS KISS ♪ 464 00:15:08,674 --> 00:15:09,651 ♪ OH ♪ ♪ IT'S IN HIS KISS ♪ ♪ THAT'S WHERE IT IS ♪ 465 00:15:09,675 --> 00:15:11,153 ♪ IT'S IN HIS KISS ♪ ♪ THAT'S WHERE IT IS ♪ ♪ OH ♪ 466 00:15:11,177 --> 00:15:13,655 ♪ THAT'S WHERE IT IS ♪ ♪ OH ♪ ♪ IT'S IN HIS KISS, CHILD, NOW ♪ 467 00:15:13,679 --> 00:15:15,324 ♪ OH ♪ ♪ IT'S IN HIS KISS, CHILD, NOW ♪ ♪ WHOA ♪ 468 00:15:15,348 --> 00:15:16,825 ♪ IT'S IN HIS KISS, CHILD, NOW ♪ ♪ WHOA ♪ ♪ IT'S IN HIS KISS ♪ 469 00:15:16,849 --> 00:15:17,826 ♪ WHOA ♪ ♪ IT'S IN HIS KISS ♪ ♪ THAT'S WHERE IT IS ♪ 470 00:15:17,850 --> 00:15:19,495 ♪ IT'S IN HIS KISS ♪ ♪ THAT'S WHERE IT IS ♪ ♪ OH, HO HO ♪ 471 00:15:19,519 --> 00:15:21,163 ♪ THAT'S WHERE IT IS ♪ ♪ OH, HO HO ♪ ♪ IT'S IN HIS KISS, NOW ♪ 472 00:15:21,187 --> 00:15:23,165 ♪ OH, HO HO ♪ ♪ IT'S IN HIS KISS, NOW ♪ Both: ♪ THAT'S WHERE IT IS ♪ 473 00:15:23,189 --> 00:15:26,269 ♪ IT'S IN HIS KISS, NOW ♪ Both: ♪ THAT'S WHERE IT IS ♪ [CHEERS AND APPLAUSE] 474 00:15:59,124 --> 00:16:04,473 AHH! GOT IT! THOSE DARN COCKROACHES. THEY'RE EVERYWHERE. 475 00:16:04,497 --> 00:16:05,607 THOSE DARN COCKROACHES. THEY'RE EVERYWHERE. GOT A ROACH PROBLEM? 476 00:16:05,631 --> 00:16:07,109 THEY'RE EVERYWHERE. GOT A ROACH PROBLEM? WELL, BETTER GET READY FOR IT TO 477 00:16:07,133 --> 00:16:08,577 GOT A ROACH PROBLEM? WELL, BETTER GET READY FOR IT TO GET WORSE BECAUSE SUMMERTIME IS 478 00:16:08,601 --> 00:16:10,046 WELL, BETTER GET READY FOR IT TO GET WORSE BECAUSE SUMMERTIME IS ROACH TIME, AND ANYTIME ROACHES 479 00:16:10,070 --> 00:16:11,447 GET WORSE BECAUSE SUMMERTIME IS ROACH TIME, AND ANYTIME ROACHES ARE AROUND, IT MEANS BAD NEWS 480 00:16:11,471 --> 00:16:12,714 ROACH TIME, AND ANYTIME ROACHES ARE AROUND, IT MEANS BAD NEWS FOR YOU HOME AND APARTMENT 481 00:16:12,738 --> 00:16:13,282 ARE AROUND, IT MEANS BAD NEWS FOR YOU HOME AND APARTMENT DWELLERS. 482 00:16:13,306 --> 00:16:14,883 FOR YOU HOME AND APARTMENT DWELLERS. NOW THERE'S A WAY OF ELIMINATING 483 00:16:14,907 --> 00:16:16,419 DWELLERS. NOW THERE'S A WAY OF ELIMINATING MAN'S OLDEST PEST BY USING THE 484 00:16:16,443 --> 00:16:17,653 NOW THERE'S A WAY OF ELIMINATING MAN'S OLDEST PEST BY USING THE WORLD'S OLD PROFESSION. 485 00:16:17,677 --> 00:16:20,656 MAN'S OLDEST PEST BY USING THE WORLD'S OLD PROFESSION. INTRODUCING THE ROACH BROTHEL. 486 00:16:20,680 --> 00:16:22,391 WORLD'S OLD PROFESSION. INTRODUCING THE ROACH BROTHEL. EACH HOUSE CONTAINS SENSUAL 487 00:16:22,415 --> 00:16:23,926 INTRODUCING THE ROACH BROTHEL. EACH HOUSE CONTAINS SENSUAL FEMALES WHO SENSE, LURE 488 00:16:23,950 --> 00:16:25,561 EACH HOUSE CONTAINS SENSUAL FEMALES WHO SENSE, LURE UNSUSPECTING MALES INTO A 489 00:16:25,585 --> 00:16:27,296 FEMALES WHO SENSE, LURE UNSUSPECTING MALES INTO A SITUATION THAT NO ROACH CAN 490 00:16:27,320 --> 00:16:30,632 UNSUSPECTING MALES INTO A SITUATION THAT NO ROACH CAN RESIST. 491 00:16:30,656 --> 00:16:33,635 SITUATION THAT NO ROACH CAN RESIST. HEY! 492 00:16:33,659 --> 00:16:35,471 RESIST. HEY! HEY, HANDSOME! 493 00:16:35,495 --> 00:16:37,473 HEY! HEY, HANDSOME! WHERE YOU GOING SO FAST? 494 00:16:37,497 --> 00:16:38,807 HEY, HANDSOME! WHERE YOU GOING SO FAST? OH, I DON'T KNOW. 495 00:16:38,831 --> 00:16:41,643 WHERE YOU GOING SO FAST? OH, I DON'T KNOW. I'M JUST SORT OF WALKING AROUND. 496 00:16:41,667 --> 00:16:44,146 OH, I DON'T KNOW. I'M JUST SORT OF WALKING AROUND. MMM. 497 00:16:44,170 --> 00:16:46,815 I'M JUST SORT OF WALKING AROUND. MMM. WELL, UH, DO YOU WANT TO GO? 498 00:16:46,839 --> 00:16:48,817 MMM. WELL, UH, DO YOU WANT TO GO? UH, WHERE? 499 00:16:48,841 --> 00:16:50,819 WELL, UH, DO YOU WANT TO GO? UH, WHERE? RIGHT IN HERE. 500 00:16:50,843 --> 00:16:52,654 UH, WHERE? RIGHT IN HERE. OH, WHAT FOR? 501 00:16:52,678 --> 00:16:54,823 RIGHT IN HERE. OH, WHAT FOR? YOU KNOW WHAT FOR. 502 00:16:54,847 --> 00:16:56,492 OH, WHAT FOR? YOU KNOW WHAT FOR. WELL... 503 00:16:56,516 --> 00:16:58,327 YOU KNOW WHAT FOR. WELL... [SNIFFS] 504 00:16:58,351 --> 00:17:00,329 WELL... [SNIFFS] SOMETHING SURE SMELLS GOOD. 505 00:17:00,353 --> 00:17:04,000 [SNIFFS] SOMETHING SURE SMELLS GOOD. AWW, COME ON IN! 506 00:17:04,024 --> 00:17:06,335 SOMETHING SURE SMELLS GOOD. AWW, COME ON IN! MM, I DON'T THINK SO, NO. 507 00:17:06,359 --> 00:17:08,337 AWW, COME ON IN! MM, I DON'T THINK SO, NO. COME ON. IT'LL BE FUN. 508 00:17:08,361 --> 00:17:10,006 MM, I DON'T THINK SO, NO. COME ON. IT'LL BE FUN. THE THREE OF US COULD HAVE A 509 00:17:10,030 --> 00:17:14,176 COME ON. IT'LL BE FUN. THE THREE OF US COULD HAVE A LITTLE ROACH à TROIS. 510 00:17:14,200 --> 00:17:16,012 THE THREE OF US COULD HAVE A LITTLE ROACH à TROIS. WELL, ALL RIGHT. 511 00:17:16,036 --> 00:17:17,546 LITTLE ROACH à TROIS. WELL, ALL RIGHT. I HAVEN'T GOT A LOT OF TIME, 512 00:17:17,570 --> 00:17:18,114 WELL, ALL RIGHT. I HAVEN'T GOT A LOT OF TIME, THOUGH. 513 00:17:18,138 --> 00:17:19,281 I HAVEN'T GOT A LOT OF TIME, THOUGH. VERY GOOD, GIRLS. 514 00:17:19,305 --> 00:17:20,449 THOUGH. VERY GOOD, GIRLS. WHY DON'T YOU SHOW YOUR 515 00:17:20,473 --> 00:17:21,884 VERY GOOD, GIRLS. WHY DON'T YOU SHOW YOUR GENTLEMAN FRIEND INTO THE BACK 516 00:17:21,908 --> 00:17:22,718 WHY DON'T YOU SHOW YOUR GENTLEMAN FRIEND INTO THE BACK ROOM? 517 00:17:22,742 --> 00:17:24,720 GENTLEMAN FRIEND INTO THE BACK ROOM? OOH! 518 00:17:24,744 --> 00:17:28,391 ROOM? OOH! [MUMBLING EXCITEDLY] 519 00:17:28,415 --> 00:17:30,126 OOH! [MUMBLING EXCITEDLY] EVEN THE BEST HOUSES GET 520 00:17:30,150 --> 00:17:32,128 [MUMBLING EXCITEDLY] EVEN THE BEST HOUSES GET ROACHES, SO WHY NOT PROTECT YOUR 521 00:17:32,152 --> 00:17:33,695 EVEN THE BEST HOUSES GET ROACHES, SO WHY NOT PROTECT YOUR HOUSE WITH THIS HOUSE... 522 00:17:33,719 --> 00:17:37,321 ROACHES, SO WHY NOT PROTECT YOUR HOUSE WITH THIS HOUSE... THE ROACH BROTHEL. 523 00:17:42,361 --> 00:17:44,662 Announcer: BY... 524 00:17:49,000 --> 00:17:51,302 [DOORBELL RINGS] 525 00:17:55,174 --> 00:18:00,822 [SIGHS] [CHUCKLES] OH! 526 00:18:00,846 --> 00:18:02,691 [CHUCKLES] OH! HI, MOM. HAPPY BIRTHDAY. 527 00:18:02,715 --> 00:18:04,193 OH! HI, MOM. HAPPY BIRTHDAY. MY BABY! 528 00:18:04,217 --> 00:18:05,528 HI, MOM. HAPPY BIRTHDAY. MY BABY! OH! 529 00:18:05,552 --> 00:18:06,195 MY BABY! OH! HI. 530 00:18:06,219 --> 00:18:09,031 OH! HI. OH, DEAR. 531 00:18:09,055 --> 00:18:10,199 HI. OH, DEAR. OH. 532 00:18:10,223 --> 00:18:13,869 OH, DEAR. OH. [EXHALES SHARPLY] 533 00:18:13,893 --> 00:18:16,205 OH. [EXHALES SHARPLY] [SIGHS] 534 00:18:16,229 --> 00:18:19,208 [EXHALES SHARPLY] [SIGHS] WELL, MOM, HOW HAVE YOU BEEN? 535 00:18:19,232 --> 00:18:23,212 [SIGHS] WELL, MOM, HOW HAVE YOU BEEN? OH, I'M ALL RIGHT. 536 00:18:23,236 --> 00:18:24,380 WELL, MOM, HOW HAVE YOU BEEN? OH, I'M ALL RIGHT. MOM, WHAT'S WRONG? 537 00:18:24,404 --> 00:18:25,548 OH, I'M ALL RIGHT. MOM, WHAT'S WRONG? NOTHING. 538 00:18:25,572 --> 00:18:26,715 MOM, WHAT'S WRONG? NOTHING. NOTHING. I'LL BE FINE. 539 00:18:26,739 --> 00:18:28,050 NOTHING. NOTHING. I'LL BE FINE. DON'T WORRY. 540 00:18:28,074 --> 00:18:30,719 NOTHING. I'LL BE FINE. DON'T WORRY. OKAY, I WON'T WORRY. 541 00:18:30,743 --> 00:18:32,321 DON'T WORRY. OKAY, I WON'T WORRY. HOW'S, UH, LITTLE BOOTSY 542 00:18:32,345 --> 00:18:32,821 OKAY, I WON'T WORRY. HOW'S, UH, LITTLE BOOTSY HERE? 543 00:18:32,845 --> 00:18:35,491 HOW'S, UH, LITTLE BOOTSY HERE? WORRIED. 544 00:18:35,515 --> 00:18:37,059 HERE? WORRIED. MOM, ARE YOU READY TO GO TO 545 00:18:37,083 --> 00:18:37,593 WORRIED. MOM, ARE YOU READY TO GO TO DINNER? 546 00:18:37,617 --> 00:18:39,195 MOM, ARE YOU READY TO GO TO DINNER? WELL, I THOUGHT... I THOUGHT 547 00:18:39,219 --> 00:18:40,796 DINNER? WELL, I THOUGHT... I THOUGHT WE COULD HAVE AN APPETIZER HERE 548 00:18:40,820 --> 00:18:41,297 WELL, I THOUGHT... I THOUGHT WE COULD HAVE AN APPETIZER HERE FIRST! 549 00:18:41,321 --> 00:18:43,132 WE COULD HAVE AN APPETIZER HERE FIRST! MOM, MOM, WE'LL EAT AT THE 550 00:18:43,156 --> 00:18:44,300 FIRST! MOM, MOM, WE'LL EAT AT THE RESTAURANT. 551 00:18:44,324 --> 00:18:45,701 MOM, MOM, WE'LL EAT AT THE RESTAURANT. OH, BUT I MADE YOUR 552 00:18:45,725 --> 00:18:47,536 RESTAURANT. OH, BUT I MADE YOUR FAVORITE... BRISKET AND A ROAST 553 00:18:47,560 --> 00:18:48,170 OH, BUT I MADE YOUR FAVORITE... BRISKET AND A ROAST POTATO. 554 00:18:48,194 --> 00:18:49,572 FAVORITE... BRISKET AND A ROAST POTATO. MOM, MOM, I MADE A 555 00:18:49,596 --> 00:18:51,307 POTATO. MOM, MOM, I MADE A RESERVATION AT YOUR FAVORITE 556 00:18:51,331 --> 00:18:52,708 MOM, MOM, I MADE A RESERVATION AT YOUR FAVORITE RESTAURANT, MADRIGAL. 557 00:18:52,732 --> 00:18:53,576 RESERVATION AT YOUR FAVORITE RESTAURANT, MADRIGAL. IT'S YOUR BIRTHDAY. 558 00:18:53,600 --> 00:18:54,810 RESTAURANT, MADRIGAL. IT'S YOUR BIRTHDAY. I'M TAKING YOU THERE SO YOU'LL 559 00:18:54,834 --> 00:18:55,311 IT'S YOUR BIRTHDAY. I'M TAKING YOU THERE SO YOU'LL BE HAPPY. 560 00:18:55,335 --> 00:18:57,213 I'M TAKING YOU THERE SO YOU'LL BE HAPPY. WELL, HONEY... OH, BABY, I 561 00:18:57,237 --> 00:18:59,315 BE HAPPY. WELL, HONEY... OH, BABY, I HATE TO SEE YOU SPEND YOUR MONEY 562 00:18:59,339 --> 00:19:00,316 WELL, HONEY... OH, BABY, I HATE TO SEE YOU SPEND YOUR MONEY ON ME. 563 00:19:00,340 --> 00:19:02,184 HATE TO SEE YOU SPEND YOUR MONEY ON ME. WHY DON'T YOU SAVE UP AND BUY 564 00:19:02,208 --> 00:19:03,352 ON ME. WHY DON'T YOU SAVE UP AND BUY YOURSELF A COAT? 565 00:19:03,376 --> 00:19:04,820 WHY DON'T YOU SAVE UP AND BUY YOURSELF A COAT? MOM, I HAVE A COAT. 566 00:19:04,844 --> 00:19:06,255 YOURSELF A COAT? MOM, I HAVE A COAT. I HAVE LOTS OF COATS. 567 00:19:06,279 --> 00:19:07,990 MOM, I HAVE A COAT. I HAVE LOTS OF COATS. WELL, YOU... YOU... YOU COULD 568 00:19:08,014 --> 00:19:08,857 I HAVE LOTS OF COATS. WELL, YOU... YOU... YOU COULD HAVE MY COAT! 569 00:19:08,881 --> 00:19:10,426 WELL, YOU... YOU... YOU COULD HAVE MY COAT! MOM, I DON'T WANT TO TAKE 570 00:19:10,450 --> 00:19:11,127 HAVE MY COAT! MOM, I DON'T WANT TO TAKE YOUR COAT. 571 00:19:11,151 --> 00:19:12,628 MOM, I DON'T WANT TO TAKE YOUR COAT. I DON'T WANT YOUR COAT, ALL 572 00:19:12,652 --> 00:19:13,162 YOUR COAT. I DON'T WANT YOUR COAT, ALL RIGHT? 573 00:19:13,186 --> 00:19:15,164 I DON'T WANT YOUR COAT, ALL RIGHT? EXCUSE ME. 574 00:19:15,188 --> 00:19:15,764 RIGHT? EXCUSE ME. I'M SORRY. 575 00:19:15,788 --> 00:19:16,798 EXCUSE ME. I'M SORRY. MOM, WOULD YOU STOP 576 00:19:16,822 --> 00:19:17,466 I'M SORRY. MOM, WOULD YOU STOP APOLOGIZING? 577 00:19:17,490 --> 00:19:18,467 MOM, WOULD YOU STOP APOLOGIZING? I'M SORRY. 578 00:19:18,491 --> 00:19:19,001 APOLOGIZING? I'M SORRY. MOTHER... 579 00:19:19,025 --> 00:19:19,535 I'M SORRY. MOTHER... I'M SORRY. 580 00:19:19,559 --> 00:19:20,603 MOTHER... I'M SORRY. MOTHER, YOU ARE JUST... YOU 581 00:19:20,627 --> 00:19:21,737 I'M SORRY. MOTHER, YOU ARE JUST... YOU ARE JUST TRYING TO MAKE ME FEEL 582 00:19:21,761 --> 00:19:22,104 MOTHER, YOU ARE JUST... YOU ARE JUST TRYING TO MAKE ME FEEL GUILTY. 583 00:19:22,128 --> 00:19:23,239 ARE JUST TRYING TO MAKE ME FEEL GUILTY. DON'T DO ANYTHING THAT MAKES 584 00:19:23,263 --> 00:19:24,306 GUILTY. DON'T DO ANYTHING THAT MAKES YOU FEEL GUILTY, AND THEN YOU 585 00:19:24,330 --> 00:19:25,040 DON'T DO ANYTHING THAT MAKES YOU FEEL GUILTY, AND THEN YOU WON'T FEEL GUILTY. 586 00:19:25,064 --> 00:19:26,542 YOU FEEL GUILTY, AND THEN YOU WON'T FEEL GUILTY. MOTHER, COULD YOU JUST GO AND 587 00:19:26,566 --> 00:19:27,809 WON'T FEEL GUILTY. MOTHER, COULD YOU JUST GO AND PUT THE BRISKET BACK IN THE 588 00:19:27,833 --> 00:19:29,211 MOTHER, COULD YOU JUST GO AND PUT THE BRISKET BACK IN THE FRIDGE, AND WE'RE GOING OUT TO 589 00:19:29,235 --> 00:19:29,945 PUT THE BRISKET BACK IN THE FRIDGE, AND WE'RE GOING OUT TO DINNER, OKAY? 590 00:19:29,969 --> 00:19:32,448 FRIDGE, AND WE'RE GOING OUT TO DINNER, OKAY? IT'S YOUR BIRTHDAY. 591 00:19:32,472 --> 00:19:34,592 DINNER, OKAY? IT'S YOUR BIRTHDAY. WHATEVER YOU WANT. 592 00:19:56,127 --> 00:20:00,509 OH, UH, YES, IS THIS THE DOORMAN? UM, I WAS WONDERING, UH, COULD 593 00:20:00,533 --> 00:20:02,711 DOORMAN? UM, I WAS WONDERING, UH, COULD YOU SEND A CAB FOR MRS. ARTHUR'S 594 00:20:02,735 --> 00:20:04,880 UM, I WAS WONDERING, UH, COULD YOU SEND A CAB FOR MRS. ARTHUR'S APARTMENT, 18K? 595 00:20:04,904 --> 00:20:05,314 YOU SEND A CAB FOR MRS. ARTHUR'S APARTMENT, 18K? YEAH. 596 00:20:05,338 --> 00:20:06,815 APARTMENT, 18K? YEAH. AND YOU'LL PHONE US WHEN IT'S 597 00:20:06,839 --> 00:20:07,816 YEAH. AND YOU'LL PHONE US WHEN IT'S THERE? 598 00:20:07,840 --> 00:20:14,490 AND YOU'LL PHONE US WHEN IT'S THERE? OKAY, THANK YOU. 599 00:20:14,514 --> 00:20:15,924 THERE? OKAY, THANK YOU. AH, HERE, BABY. 600 00:20:15,948 --> 00:20:17,259 OKAY, THANK YOU. AH, HERE, BABY. TAKE THE BRISKET. 601 00:20:17,283 --> 00:20:19,495 AH, HERE, BABY. TAKE THE BRISKET. MOM, I DON'T... I DON'T WANT 602 00:20:19,519 --> 00:20:19,995 TAKE THE BRISKET. MOM, I DON'T... I DON'T WANT IT. 603 00:20:20,019 --> 00:20:21,163 MOM, I DON'T... I DON'T WANT IT. WELL, HONEY, I DON'T LIKE 604 00:20:21,187 --> 00:20:21,630 IT. WELL, HONEY, I DON'T LIKE BRISKET. 605 00:20:21,654 --> 00:20:22,764 WELL, HONEY, I DON'T LIKE BRISKET. I NEVER EAT IT, SO TAKE IT. 606 00:20:22,788 --> 00:20:23,465 BRISKET. I NEVER EAT IT, SO TAKE IT. I CAN'T EAT... 607 00:20:23,489 --> 00:20:24,733 I NEVER EAT IT, SO TAKE IT. I CAN'T EAT... MOTHER, I DON'T WANT TO WALK 608 00:20:24,757 --> 00:20:26,068 I CAN'T EAT... MOTHER, I DON'T WANT TO WALK INTO A RESTAURANT CARRYING A 609 00:20:26,092 --> 00:20:27,236 MOTHER, I DON'T WANT TO WALK INTO A RESTAURANT CARRYING A BRISKET. 610 00:20:27,260 --> 00:20:28,571 INTO A RESTAURANT CARRYING A BRISKET. YOU CAN CHECK THE BRISKET. 611 00:20:28,595 --> 00:20:29,838 BRISKET. YOU CAN CHECK THE BRISKET. I DON'T WANT TO CHECK THE 612 00:20:29,862 --> 00:20:30,372 YOU CAN CHECK THE BRISKET. I DON'T WANT TO CHECK THE BRISKET. 613 00:20:30,396 --> 00:20:30,839 I DON'T WANT TO CHECK THE BRISKET. WHY? 614 00:20:30,863 --> 00:20:32,241 BRISKET. WHY? IS THERE A LAW SAYING YOU CAN'T 615 00:20:32,265 --> 00:20:33,041 WHY? IS THERE A LAW SAYING YOU CAN'T CHECK A BRISKET? 616 00:20:33,065 --> 00:20:34,142 IS THERE A LAW SAYING YOU CAN'T CHECK A BRISKET? WHILE I WAS ASLEEP, THE 617 00:20:34,166 --> 00:20:35,110 CHECK A BRISKET? WHILE I WAS ASLEEP, THE PRESIDENT PASSED NEW 618 00:20:35,134 --> 00:20:35,844 WHILE I WAS ASLEEP, THE PRESIDENT PASSED NEW LEGISLATION... 619 00:20:35,868 --> 00:20:36,945 PRESIDENT PASSED NEW LEGISLATION... LEGISLATION. LEGIS... 620 00:20:36,969 --> 00:20:38,314 LEGISLATION... LEGISLATION. LEGIS... ABOUT CHECKING BRISKETS? 621 00:20:38,338 --> 00:20:41,983 LEGISLATION. LEGIS... ABOUT CHECKING BRISKETS? I AM NOT TAKING THE BRISKET 622 00:20:42,007 --> 00:20:46,154 ABOUT CHECKING BRISKETS? I AM NOT TAKING THE BRISKET TO THE RESTAURANT. 623 00:20:46,178 --> 00:20:48,824 I AM NOT TAKING THE BRISKET TO THE RESTAURANT. TAKE THE BRISKET. 624 00:20:48,848 --> 00:20:49,891 TO THE RESTAURANT. TAKE THE BRISKET. HELP, GOD. 625 00:20:49,915 --> 00:20:51,960 TAKE THE BRISKET. HELP, GOD. GET ME OUT OF THIS DISCUSSION. 626 00:20:51,984 --> 00:20:54,296 HELP, GOD. GET ME OUT OF THIS DISCUSSION. IT WAS A $12 BRISKET. 627 00:20:54,320 --> 00:20:56,632 GET ME OUT OF THIS DISCUSSION. IT WAS A $12 BRISKET. OKAY, MOM. OKAY, FINE. 628 00:20:56,656 --> 00:20:58,634 IT WAS A $12 BRISKET. OKAY, MOM. OKAY, FINE. $12. 629 00:20:58,658 --> 00:21:00,302 OKAY, MOM. OKAY, FINE. $12. $12. HERE, MOM. 630 00:21:00,326 --> 00:21:01,270 $12. $12. HERE, MOM. TAKE THE $12. 631 00:21:01,294 --> 00:21:02,904 $12. HERE, MOM. TAKE THE $12. MRS. KELLMAN'S DAUGHTER 632 00:21:02,928 --> 00:21:04,406 TAKE THE $12. MRS. KELLMAN'S DAUGHTER CHECKED A VEAL ROAST AT 633 00:21:04,430 --> 00:21:09,911 MRS. KELLMAN'S DAUGHTER CHECKED A VEAL ROAST AT TRADER VIC'S. 634 00:21:09,935 --> 00:21:11,647 CHECKED A VEAL ROAST AT TRADER VIC'S. MRS. KELLMAN'S DAUGHTER CALLS 635 00:21:11,671 --> 00:21:12,715 TRADER VIC'S. MRS. KELLMAN'S DAUGHTER CALLS HER EVERY DAY. 636 00:21:12,739 --> 00:21:14,550 MRS. KELLMAN'S DAUGHTER CALLS HER EVERY DAY. MRS. KELLMAN'S DAUGHTER TOOK 637 00:21:14,574 --> 00:21:16,118 HER EVERY DAY. MRS. KELLMAN'S DAUGHTER TOOK MRS. KELLMAN TO NASSAU. 638 00:21:16,142 --> 00:21:17,886 MRS. KELLMAN'S DAUGHTER TOOK MRS. KELLMAN TO NASSAU. MRS. KELLMAN'S DAUGHTER HAS 639 00:21:17,910 --> 00:21:19,855 MRS. KELLMAN TO NASSAU. MRS. KELLMAN'S DAUGHTER HAS THREE WONDERFUL GRANDCHILDREN. 640 00:21:19,879 --> 00:21:21,590 MRS. KELLMAN'S DAUGHTER HAS THREE WONDERFUL GRANDCHILDREN. AND MRS. KELLMAN'S DAUGHTER DOES 641 00:21:21,614 --> 00:21:23,325 THREE WONDERFUL GRANDCHILDREN. AND MRS. KELLMAN'S DAUGHTER DOES IT WITH YOUR DENTIST IN THE SAME 642 00:21:23,349 --> 00:21:24,960 AND MRS. KELLMAN'S DAUGHTER DOES IT WITH YOUR DENTIST IN THE SAME CHAIR WHERE YOU GET YOUR TEETH 643 00:21:24,984 --> 00:21:31,800 IT WITH YOUR DENTIST IN THE SAME CHAIR WHERE YOU GET YOUR TEETH CLEANED. 644 00:21:31,824 --> 00:21:34,504 CHAIR WHERE YOU GET YOUR TEETH CLEANED. I DON'T HAVE TO HEAR THIS. 645 00:21:41,466 --> 00:21:44,846 THAT'S, UM... THAT'S A NICE TEA SET. IS IT NEW? 646 00:21:44,870 --> 00:21:47,516 TEA SET. IS IT NEW? IT'S JAPANESE. 647 00:21:47,540 --> 00:21:50,352 IS IT NEW? IT'S JAPANESE. HERE, TAKE IT. 648 00:21:50,376 --> 00:21:51,853 IT'S JAPANESE. HERE, TAKE IT. MOM, WOULD YOU QUIT TRYING TO 649 00:21:51,877 --> 00:21:52,655 HERE, TAKE IT. MOM, WOULD YOU QUIT TRYING TO GIVE ME STUFF? 650 00:21:52,679 --> 00:21:53,955 MOM, WOULD YOU QUIT TRYING TO GIVE ME STUFF? I MEAN, IT'S YOUR BIRTHDAY. 651 00:21:53,979 --> 00:21:55,257 GIVE ME STUFF? I MEAN, IT'S YOUR BIRTHDAY. CAN'T I GIVE YOU SOMETHING? 652 00:21:55,281 --> 00:21:56,492 I MEAN, IT'S YOUR BIRTHDAY. CAN'T I GIVE YOU SOMETHING? BUT ALL I WANT IS YOUR 653 00:21:56,516 --> 00:21:57,025 CAN'T I GIVE YOU SOMETHING? BUT ALL I WANT IS YOUR RESPECT. 654 00:21:57,049 --> 00:21:58,160 BUT ALL I WANT IS YOUR RESPECT. YEAH, WELL, I'D RATHER GIVE 655 00:21:58,184 --> 00:21:58,694 RESPECT. YEAH, WELL, I'D RATHER GIVE YOU A GIFT. 656 00:21:58,718 --> 00:22:02,864 YEAH, WELL, I'D RATHER GIVE YOU A GIFT. WHAT? 657 00:22:02,888 --> 00:22:05,200 YOU A GIFT. WHAT? NOTHING, MOM. 658 00:22:05,224 --> 00:22:06,368 WHAT? NOTHING, MOM. DO YOU HAVE AN ASHTRAY? 659 00:22:06,392 --> 00:22:07,869 NOTHING, MOM. DO YOU HAVE AN ASHTRAY? WHAT FOR? 660 00:22:07,893 --> 00:22:11,540 DO YOU HAVE AN ASHTRAY? WHAT FOR? I WANT TO THROW UP IN IT. 661 00:22:11,564 --> 00:22:15,210 WHAT FOR? I WANT TO THROW UP IN IT. I THOUGHT YOU QUIT SMOKING. 662 00:22:15,234 --> 00:22:16,878 I WANT TO THROW UP IN IT. I THOUGHT YOU QUIT SMOKING. MRS. KELLMAN'S DAUGHTER QUIT 663 00:22:16,902 --> 00:22:21,550 I THOUGHT YOU QUIT SMOKING. MRS. KELLMAN'S DAUGHTER QUIT SMOKING... THE ADULTERESS. 664 00:22:21,574 --> 00:22:25,220 MRS. KELLMAN'S DAUGHTER QUIT SMOKING... THE ADULTERESS. IS, UM... THAT WHAT YOU'RE 665 00:22:25,244 --> 00:22:26,388 SMOKING... THE ADULTERESS. IS, UM... THAT WHAT YOU'RE WEARING? 666 00:22:26,412 --> 00:22:27,823 IS, UM... THAT WHAT YOU'RE WEARING? NO, THIS IS WHAT 667 00:22:27,847 --> 00:22:29,692 WEARING? NO, THIS IS WHAT CARMEN MIRANDA IS WEARING. 668 00:22:29,716 --> 00:22:31,327 NO, THIS IS WHAT CARMEN MIRANDA IS WEARING. SHE'S WEARING WHAT I'M WEARING. 669 00:22:31,351 --> 00:22:33,028 CARMEN MIRANDA IS WEARING. SHE'S WEARING WHAT I'M WEARING. OUR OUTFIT'S GOT MIXED UP ON THE 670 00:22:33,052 --> 00:22:37,032 SHE'S WEARING WHAT I'M WEARING. OUR OUTFIT'S GOT MIXED UP ON THE WAY OVER HERE. 671 00:22:37,056 --> 00:22:38,600 OUR OUTFIT'S GOT MIXED UP ON THE WAY OVER HERE. ARE YOU SURE YOU'LL BE WARM 672 00:22:38,624 --> 00:22:39,134 WAY OVER HERE. ARE YOU SURE YOU'LL BE WARM ENOUGH? 673 00:22:39,158 --> 00:22:40,803 ARE YOU SURE YOU'LL BE WARM ENOUGH? NO, MOTHER, ACTUALLY, I'M NOT 674 00:22:40,827 --> 00:22:42,237 ENOUGH? NO, MOTHER, ACTUALLY, I'M NOT NOT SURE WHETHER I HAVE ANY 675 00:22:42,261 --> 00:22:43,271 NO, MOTHER, ACTUALLY, I'M NOT NOT SURE WHETHER I HAVE ANY CLOTHES ON AT ALL. 676 00:22:43,295 --> 00:22:44,807 NOT SURE WHETHER I HAVE ANY CLOTHES ON AT ALL. YOU KNOW, I'M 32 YEARS OLD, AND 677 00:22:44,831 --> 00:22:46,074 CLOTHES ON AT ALL. YOU KNOW, I'M 32 YEARS OLD, AND I DON'T KNOW HOW TO DRESS 678 00:22:46,098 --> 00:22:46,575 YOU KNOW, I'M 32 YEARS OLD, AND I DON'T KNOW HOW TO DRESS MYSELF. 679 00:22:46,599 --> 00:22:48,176 I DON'T KNOW HOW TO DRESS MYSELF. I MEAN, I DON'T EVEN KNOW HOW TO 680 00:22:48,200 --> 00:22:48,877 MYSELF. I MEAN, I DON'T EVEN KNOW HOW TO COOK AN EGG. 681 00:22:48,901 --> 00:22:50,446 I MEAN, I DON'T EVEN KNOW HOW TO COOK AN EGG. I THINK YOU JUST BREAK IT ONTO A 682 00:22:50,470 --> 00:22:51,647 COOK AN EGG. I THINK YOU JUST BREAK IT ONTO A PLATE, AND IT COMES OUT 683 00:22:51,671 --> 00:22:52,648 I THINK YOU JUST BREAK IT ONTO A PLATE, AND IT COMES OUT SCRAMBLED. 684 00:22:52,672 --> 00:22:54,550 PLATE, AND IT COMES OUT SCRAMBLED. AND, YOU KNOW, MOM, I TAP-DANCE 685 00:22:54,574 --> 00:22:56,385 SCRAMBLED. AND, YOU KNOW, MOM, I TAP-DANCE IN THE BATHTUB, AND I'M ALWAYS 686 00:22:56,409 --> 00:22:58,286 AND, YOU KNOW, MOM, I TAP-DANCE IN THE BATHTUB, AND I'M ALWAYS PUTTING MY FINGER INTO ELECTRIC 687 00:22:58,310 --> 00:22:58,954 IN THE BATHTUB, AND I'M ALWAYS PUTTING MY FINGER INTO ELECTRIC SOCKETS. 688 00:22:58,978 --> 00:23:00,989 PUTTING MY FINGER INTO ELECTRIC SOCKETS. AND, UH, THIS IS SOMETHING YOU 689 00:23:01,013 --> 00:23:02,190 SOCKETS. AND, UH, THIS IS SOMETHING YOU DON'T KNOW, MOM. 690 00:23:02,214 --> 00:23:04,693 AND, UH, THIS IS SOMETHING YOU DON'T KNOW, MOM. UH, I SHAVE MY ARMPITS WITH A 691 00:23:04,717 --> 00:23:06,862 DON'T KNOW, MOM. UH, I SHAVE MY ARMPITS WITH A CARVING KNIFE. 692 00:23:06,886 --> 00:23:08,430 UH, I SHAVE MY ARMPITS WITH A CARVING KNIFE. AND I FORGET TO PUT MY PANTS 693 00:23:08,454 --> 00:23:10,098 CARVING KNIFE. AND I FORGET TO PUT MY PANTS BACK ON EVERY TIME I GO TO THE 694 00:23:10,122 --> 00:23:10,766 AND I FORGET TO PUT MY PANTS BACK ON EVERY TIME I GO TO THE BATHROOM. 695 00:23:10,790 --> 00:23:12,401 BACK ON EVERY TIME I GO TO THE BATHROOM. AND I LOVE PICKING MY NOSE SO 696 00:23:12,425 --> 00:23:14,169 BATHROOM. AND I LOVE PICKING MY NOSE SO MUCH THAT THE UNDERNEATH OF YOUR 697 00:23:14,193 --> 00:23:17,633 AND I LOVE PICKING MY NOSE SO MUCH THAT THE UNDERNEATH OF YOUR COUCH IS CAKED WITH SNOT. 698 00:23:23,334 --> 00:23:28,684 HERE, BOOTSY. MAYBE BOOTSY WOULD LIKE SOME BRISKET? 699 00:23:28,708 --> 00:23:34,356 MAYBE BOOTSY WOULD LIKE SOME BRISKET? [TELEPHONE BUZZES] 700 00:23:34,380 --> 00:23:35,724 BRISKET? [TELEPHONE BUZZES] OH. OH, YEAH, THANK YOU. 701 00:23:35,748 --> 00:23:36,658 [TELEPHONE BUZZES] OH. OH, YEAH, THANK YOU. THANKS VERY MUCH. 702 00:23:36,682 --> 00:23:38,193 OH. OH, YEAH, THANK YOU. THANKS VERY MUCH. ALL RIGHT, WE'LL BE RIGHT DOWN. 703 00:23:38,217 --> 00:23:39,261 THANKS VERY MUCH. ALL RIGHT, WE'LL BE RIGHT DOWN. MOM, THE CAB'S HERE. 704 00:23:39,285 --> 00:23:40,262 ALL RIGHT, WE'LL BE RIGHT DOWN. MOM, THE CAB'S HERE. HERE. 705 00:23:40,286 --> 00:23:42,063 MOM, THE CAB'S HERE. HERE. MOM, DON'T YOU THINK YOU'RE 706 00:23:42,087 --> 00:23:43,632 HERE. MOM, DON'T YOU THINK YOU'RE GONNA BE HOT IN THIS COAT? 707 00:23:43,656 --> 00:23:45,467 MOM, DON'T YOU THINK YOU'RE GONNA BE HOT IN THIS COAT? IT'S SO HEAVY. 708 00:23:45,491 --> 00:23:46,702 GONNA BE HOT IN THIS COAT? IT'S SO HEAVY. WAIT. WAIT A MINUTE. 709 00:23:46,726 --> 00:23:47,335 IT'S SO HEAVY. WAIT. WAIT A MINUTE. WHAT? 710 00:23:47,359 --> 00:23:49,237 WAIT. WAIT A MINUTE. WHAT? YOU... YOU HAVE LIPSTICK ALL 711 00:23:49,261 --> 00:23:50,338 WHAT? YOU... YOU HAVE LIPSTICK ALL OVER YOUR TEETH. 712 00:23:50,362 --> 00:23:50,939 YOU... YOU HAVE LIPSTICK ALL OVER YOUR TEETH. HERE? 713 00:23:50,963 --> 00:23:52,307 OVER YOUR TEETH. HERE? NO, WAIT. I'LL GET IT. 714 00:23:52,331 --> 00:23:53,642 HERE? NO, WAIT. I'LL GET IT. WAIT A MINUTE. 715 00:23:53,666 --> 00:23:54,976 NO, WAIT. I'LL GET IT. WAIT A MINUTE. COME HERE. 716 00:23:55,000 --> 00:23:55,977 WAIT A MINUTE. COME HERE. THERE YOU GO. 717 00:23:56,001 --> 00:23:57,813 COME HERE. THERE YOU GO. HOW DO I LOOK? 718 00:23:57,837 --> 00:23:59,314 THERE YOU GO. HOW DO I LOOK? YOU LOOK BEAUTIFUL. 719 00:23:59,338 --> 00:24:01,619 HOW DO I LOOK? YOU LOOK BEAUTIFUL. COME ON. LET'S GO. 720 00:24:20,325 --> 00:24:24,440 Announcer: AND NOW "WEEKEND UPDATE," WITH THE "WEEKEND UPDATE" NEWS TEAM. 721 00:24:24,464 --> 00:24:25,808 "WEEKEND UPDATE," WITH THE "WEEKEND UPDATE" NEWS TEAM. BROUGHT TO YOU BY PREMATURE 722 00:24:25,832 --> 00:24:27,008 "WEEKEND UPDATE" NEWS TEAM. BROUGHT TO YOU BY PREMATURE EJAC-O-LANTERNS... MAKES 723 00:24:27,032 --> 00:24:28,477 BROUGHT TO YOU BY PREMATURE EJAC-O-LANTERNS... MAKES HALLOWEEN GET HERE BEFORE YOU 724 00:24:28,501 --> 00:24:29,010 EJAC-O-LANTERNS... MAKES HALLOWEEN GET HERE BEFORE YOU KNOW IT. 725 00:24:29,034 --> 00:24:30,512 HALLOWEEN GET HERE BEFORE YOU KNOW IT. HERE ARE ANCHORPERSONS 726 00:24:30,536 --> 00:24:33,348 KNOW IT. HERE ARE ANCHORPERSONS BILL MURRAY AND JANE CURTIN. 727 00:24:33,372 --> 00:24:34,316 HERE ARE ANCHORPERSONS BILL MURRAY AND JANE CURTIN. GOOD EVENING. 728 00:24:34,340 --> 00:24:35,283 BILL MURRAY AND JANE CURTIN. GOOD EVENING. I'M JANE CURTIN. 729 00:24:35,307 --> 00:24:36,351 GOOD EVENING. I'M JANE CURTIN. HERE NOW THE NEWS. 730 00:24:36,375 --> 00:24:38,153 I'M JANE CURTIN. HERE NOW THE NEWS. OUR TOP STORY TONIGHT... AS THE 731 00:24:38,177 --> 00:24:39,988 HERE NOW THE NEWS. OUR TOP STORY TONIGHT... AS THE PRICE OF GASOLINE WENT OVER THE 732 00:24:40,012 --> 00:24:41,690 OUR TOP STORY TONIGHT... AS THE PRICE OF GASOLINE WENT OVER THE $1.00 MARK, A SOLUTION TO THE 733 00:24:41,714 --> 00:24:43,091 PRICE OF GASOLINE WENT OVER THE $1.00 MARK, A SOLUTION TO THE SHORTAGE WAS OFFERED BY 734 00:24:43,115 --> 00:24:44,259 $1.00 MARK, A SOLUTION TO THE SHORTAGE WAS OFFERED BY CALIFORNIA SENATOR 735 00:24:44,283 --> 00:24:45,393 SHORTAGE WAS OFFERED BY CALIFORNIA SENATOR S.I. HAYAKAWA. 736 00:24:45,417 --> 00:24:47,563 CALIFORNIA SENATOR S.I. HAYAKAWA. HE SAID THE PROBLEM WILL ONLY BE 737 00:24:47,587 --> 00:24:49,431 S.I. HAYAKAWA. HE SAID THE PROBLEM WILL ONLY BE SOLVED WHEN GASOLINE PRICES 738 00:24:49,455 --> 00:24:51,500 HE SAID THE PROBLEM WILL ONLY BE SOLVED WHEN GASOLINE PRICES REACH $2.00 OR $3.00 A GALLON. 739 00:24:51,524 --> 00:24:53,702 SOLVED WHEN GASOLINE PRICES REACH $2.00 OR $3.00 A GALLON. ASKED ABOUT THE HARDSHIP ON MANY 740 00:24:53,726 --> 00:24:55,771 REACH $2.00 OR $3.00 A GALLON. ASKED ABOUT THE HARDSHIP ON MANY PEOPLE, HAYAKAWA REPLIED, "THE 741 00:24:55,795 --> 00:24:57,673 ASKED ABOUT THE HARDSHIP ON MANY PEOPLE, HAYAKAWA REPLIED, "THE POOR DON'T NEED GAS BECAUSE 742 00:24:57,697 --> 00:24:59,207 PEOPLE, HAYAKAWA REPLIED, "THE POOR DON'T NEED GAS BECAUSE THEY'RE NOT WORKING." 743 00:24:59,231 --> 00:25:00,776 POOR DON'T NEED GAS BECAUSE THEY'RE NOT WORKING." WELL, "WEEKEND UPDATE" IS 744 00:25:00,800 --> 00:25:02,711 THEY'RE NOT WORKING." WELL, "WEEKEND UPDATE" IS PRESENTING SENATOR HAYAKAWA WITH 745 00:25:02,735 --> 00:25:03,779 WELL, "WEEKEND UPDATE" IS PRESENTING SENATOR HAYAKAWA WITH ITS FIRST ANNUAL 746 00:25:03,803 --> 00:25:05,614 PRESENTING SENATOR HAYAKAWA WITH ITS FIRST ANNUAL MARIE ANTOINETTE "LET THEM EAT 747 00:25:05,638 --> 00:25:08,784 ITS FIRST ANNUAL MARIE ANTOINETTE "LET THEM EAT CAKE" AWARD. 748 00:25:08,808 --> 00:25:10,085 MARIE ANTOINETTE "LET THEM EAT CAKE" AWARD. LAST WEEK, TEHRAN'S 749 00:25:10,109 --> 00:25:12,120 CAKE" AWARD. LAST WEEK, TEHRAN'S REVOLUTIONARY TRIBUNAL ANNOUNCED 750 00:25:12,144 --> 00:25:13,922 LAST WEEK, TEHRAN'S REVOLUTIONARY TRIBUNAL ANNOUNCED THAT ANYONE IN THE WORLD WAS 751 00:25:13,946 --> 00:25:15,858 REVOLUTIONARY TRIBUNAL ANNOUNCED THAT ANYONE IN THE WORLD WAS FREE TO ASSASSINATE THE SHAH OF 752 00:25:15,882 --> 00:25:17,726 THAT ANYONE IN THE WORLD WAS FREE TO ASSASSINATE THE SHAH OF IRAN AND HIS FAMILY HIDING IN 753 00:25:17,750 --> 00:25:18,326 FREE TO ASSASSINATE THE SHAH OF IRAN AND HIS FAMILY HIDING IN EXILE. 754 00:25:18,350 --> 00:25:20,095 IRAN AND HIS FAMILY HIDING IN EXILE. THIS WEEK, THE OWNER OF THE 755 00:25:20,119 --> 00:25:21,830 EXILE. THIS WEEK, THE OWNER OF THE REVOLUTIONARY ANGOLA-BERANG 756 00:25:21,854 --> 00:25:23,799 THIS WEEK, THE OWNER OF THE REVOLUTIONARY ANGOLA-BERANG NEWSPAPER IN QOM, IRAN, OFFERED 757 00:25:23,823 --> 00:25:25,767 REVOLUTIONARY ANGOLA-BERANG NEWSPAPER IN QOM, IRAN, OFFERED THE SHAH'S ASSASSIN A FREE TRIP 758 00:25:25,791 --> 00:25:27,803 NEWSPAPER IN QOM, IRAN, OFFERED THE SHAH'S ASSASSIN A FREE TRIP TO MECCA WITH ALL EXPENSES PAID. 759 00:25:27,827 --> 00:25:29,137 THE SHAH'S ASSASSIN A FREE TRIP TO MECCA WITH ALL EXPENSES PAID. AND THAT'S NOT ALL. 760 00:25:29,161 --> 00:25:31,006 TO MECCA WITH ALL EXPENSES PAID. AND THAT'S NOT ALL. TELL THAT WOULD-BE ASSASSIN WHAT 761 00:25:31,030 --> 00:25:32,741 AND THAT'S NOT ALL. TELL THAT WOULD-BE ASSASSIN WHAT ELSE HE MIGHT WIN, DON PARDO. 762 00:25:32,765 --> 00:25:34,309 TELL THAT WOULD-BE ASSASSIN WHAT ELSE HE MIGHT WIN, DON PARDO. Announcer: WELL, JANE, THE 763 00:25:34,333 --> 00:25:35,844 ELSE HE MIGHT WIN, DON PARDO. Announcer: WELL, JANE, THE LUCKY ASSASSIN WILL BE FLOWN 764 00:25:35,868 --> 00:25:37,312 Announcer: WELL, JANE, THE LUCKY ASSASSIN WILL BE FLOWN NONSTOP TO MECCA ON ISLAMIC 765 00:25:37,336 --> 00:25:38,981 LUCKY ASSASSIN WILL BE FLOWN NONSTOP TO MECCA ON ISLAMIC AIRLINES' LUXURIOUS SUPER MECCA 766 00:25:39,005 --> 00:25:40,816 NONSTOP TO MECCA ON ISLAMIC AIRLINES' LUXURIOUS SUPER MECCA JET CRUISER, FAVORED BY PILGRIMS 767 00:25:40,840 --> 00:25:41,817 AIRLINES' LUXURIOUS SUPER MECCA JET CRUISER, FAVORED BY PILGRIMS THE WORLD OVER. 768 00:25:41,841 --> 00:25:43,552 JET CRUISER, FAVORED BY PILGRIMS THE WORLD OVER. BEFORE BOARDING, HE'LL RECEIVE A 769 00:25:43,576 --> 00:25:44,987 THE WORLD OVER. BEFORE BOARDING, HE'LL RECEIVE A MATCHING SET OF CLOUD KING 770 00:25:45,011 --> 00:25:46,421 BEFORE BOARDING, HE'LL RECEIVE A MATCHING SET OF CLOUD KING AIR-PAL GENUINE HAND-CURED 771 00:25:46,445 --> 00:25:48,089 MATCHING SET OF CLOUD KING AIR-PAL GENUINE HAND-CURED MEDITERRANEAN GOATSKIN LUGGAGE, 772 00:25:48,113 --> 00:25:48,757 AIR-PAL GENUINE HAND-CURED MEDITERRANEAN GOATSKIN LUGGAGE, JANE. 773 00:25:48,781 --> 00:25:50,458 MEDITERRANEAN GOATSKIN LUGGAGE, JANE. WHILE IN MECCA, THE ASSASSIN 774 00:25:50,482 --> 00:25:52,293 JANE. WHILE IN MECCA, THE ASSASSIN WILL HAVE EXCLUSIVE USE OF HIS 775 00:25:52,317 --> 00:25:53,896 WHILE IN MECCA, THE ASSASSIN WILL HAVE EXCLUSIVE USE OF HIS PERSONAL AIR 'R' WE FLYING 776 00:25:53,920 --> 00:25:55,664 WILL HAVE EXCLUSIVE USE OF HIS PERSONAL AIR 'R' WE FLYING CARPET, WITH THE FAMOUS GLIDE 777 00:25:55,688 --> 00:25:57,165 PERSONAL AIR 'R' WE FLYING CARPET, WITH THE FAMOUS GLIDE PATH, PLUS PILE DRIVE, A 778 00:25:57,189 --> 00:25:58,767 CARPET, WITH THE FAMOUS GLIDE PATH, PLUS PILE DRIVE, A CENTURIES-OLD TRADITION IN 779 00:25:58,791 --> 00:25:59,801 PATH, PLUS PILE DRIVE, A CENTURIES-OLD TRADITION IN TRANSPORTATION. 780 00:25:59,825 --> 00:26:01,537 CENTURIES-OLD TRADITION IN TRANSPORTATION. AND, JANE, DURING HIS VISIT, THE 781 00:26:01,561 --> 00:26:02,971 TRANSPORTATION. AND, JANE, DURING HIS VISIT, THE PAMPERED MURDERER WILL BE 782 00:26:02,995 --> 00:26:04,339 AND, JANE, DURING HIS VISIT, THE PAMPERED MURDERER WILL BE STAYING IN THE SUMPTUOUS 783 00:26:04,363 --> 00:26:06,041 PAMPERED MURDERER WILL BE STAYING IN THE SUMPTUOUS IMPERIAL SUITE IN MECCA'S PLUSH 784 00:26:06,065 --> 00:26:07,943 STAYING IN THE SUMPTUOUS IMPERIAL SUITE IN MECCA'S PLUSH AYATOLLAH BEACH HOTEL AND CABANA 785 00:26:07,967 --> 00:26:09,645 IMPERIAL SUITE IN MECCA'S PLUSH AYATOLLAH BEACH HOTEL AND CABANA CLUB, WHERE EVERY ROOM FACES 786 00:26:09,669 --> 00:26:10,178 AYATOLLAH BEACH HOTEL AND CABANA CLUB, WHERE EVERY ROOM FACES EAST. 787 00:26:10,202 --> 00:26:11,980 CLUB, WHERE EVERY ROOM FACES EAST. AND TO REMEMBER THE EXPERIENCE, 788 00:26:12,004 --> 00:26:13,849 EAST. AND TO REMEMBER THE EXPERIENCE, HE'LL TAKE HOME HIS OWN FLOCK OF 789 00:26:13,873 --> 00:26:15,684 AND TO REMEMBER THE EXPERIENCE, HE'LL TAKE HOME HIS OWN FLOCK OF PUREBRED IRANIAN SHEEP, THE ONLY 790 00:26:15,708 --> 00:26:17,352 HE'LL TAKE HOME HIS OWN FLOCK OF PUREBRED IRANIAN SHEEP, THE ONLY SHEEP IN THE WORLD THAT GIVE 791 00:26:17,376 --> 00:26:17,953 PUREBRED IRANIAN SHEEP, THE ONLY SHEEP IN THE WORLD THAT GIVE CAVIAR. 792 00:26:17,977 --> 00:26:19,955 SHEEP IN THE WORLD THAT GIVE CAVIAR. JANE? 793 00:26:19,979 --> 00:26:22,457 CAVIAR. JANE? THANK YOU, DON PARDO. BILL? 794 00:26:22,481 --> 00:26:23,892 JANE? THANK YOU, DON PARDO. BILL? THE STATE DEPARTMENT 795 00:26:23,916 --> 00:26:25,661 THANK YOU, DON PARDO. BILL? THE STATE DEPARTMENT ANNOUNCED THAT RETURNING THOSE 796 00:26:25,685 --> 00:26:26,895 THE STATE DEPARTMENT ANNOUNCED THAT RETURNING THOSE 900 BODIES FROM THE 797 00:26:26,919 --> 00:26:28,664 ANNOUNCED THAT RETURNING THOSE 900 BODIES FROM THE PEOPLE'S TEMPLE IN GUYANA LAST 798 00:26:28,688 --> 00:26:30,131 900 BODIES FROM THE PEOPLE'S TEMPLE IN GUYANA LAST YEAR COST TAXPAYERS $4.3 799 00:26:30,155 --> 00:26:31,132 PEOPLE'S TEMPLE IN GUYANA LAST YEAR COST TAXPAYERS $4.3 MILLION. 800 00:26:31,156 --> 00:26:32,434 YEAR COST TAXPAYERS $4.3 MILLION. HEARING THE FIGURE, BRITISH 801 00:26:32,458 --> 00:26:33,569 MILLION. HEARING THE FIGURE, BRITISH NO-FRILLS AIRLINE OWNER 802 00:26:33,593 --> 00:26:34,970 HEARING THE FIGURE, BRITISH NO-FRILLS AIRLINE OWNER FREDDIE LAKER REPORTEDLY SAID, 803 00:26:34,994 --> 00:26:36,171 NO-FRILLS AIRLINE OWNER FREDDIE LAKER REPORTEDLY SAID, "I COULD HAVE FLOWN THEM BACK 804 00:26:36,195 --> 00:26:37,439 FREDDIE LAKER REPORTEDLY SAID, "I COULD HAVE FLOWN THEM BACK FOR UNDER $1 MILLION, INCLUDING 805 00:26:37,463 --> 00:26:38,440 "I COULD HAVE FLOWN THEM BACK FOR UNDER $1 MILLION, INCLUDING A COMPLIMENTARY GLASS OF 806 00:26:38,464 --> 00:26:40,275 FOR UNDER $1 MILLION, INCLUDING A COMPLIMENTARY GLASS OF CHAMPAGNE." 807 00:26:40,299 --> 00:26:41,643 A COMPLIMENTARY GLASS OF CHAMPAGNE." IN SIOUX FALLS, SOUTH DAKOTA, 808 00:26:41,667 --> 00:26:43,144 CHAMPAGNE." IN SIOUX FALLS, SOUTH DAKOTA, SCHOOL OFFICIALS HAVE APPROVED A 809 00:26:43,168 --> 00:26:44,580 IN SIOUX FALLS, SOUTH DAKOTA, SCHOOL OFFICIALS HAVE APPROVED A HIGH-SCHOOL SENIOR'S REQUEST TO 810 00:26:44,604 --> 00:26:45,881 SCHOOL OFFICIALS HAVE APPROVED A HIGH-SCHOOL SENIOR'S REQUEST TO TAKE HIS MALE FRIEND TO THE 811 00:26:45,905 --> 00:26:46,281 HIGH-SCHOOL SENIOR'S REQUEST TO TAKE HIS MALE FRIEND TO THE PROM. 812 00:26:46,305 --> 00:26:47,683 TAKE HIS MALE FRIEND TO THE PROM. THE PRINCIPAL OF LINCOLN HIGH 813 00:26:47,707 --> 00:26:49,150 PROM. THE PRINCIPAL OF LINCOLN HIGH SCHOOL SAID, "MY BELIEF IS THAT 814 00:26:49,174 --> 00:26:50,351 THE PRINCIPAL OF LINCOLN HIGH SCHOOL SAID, "MY BELIEF IS THAT PEOPLE NEED THEIR RIGHTS 815 00:26:50,375 --> 00:26:50,953 SCHOOL SAID, "MY BELIEF IS THAT PEOPLE NEED THEIR RIGHTS PROTECTED. 816 00:26:50,977 --> 00:26:52,153 PEOPLE NEED THEIR RIGHTS PROTECTED. HOMOSEXUALS HAVE RIGHTS. 817 00:26:52,177 --> 00:26:54,155 PROTECTED. HOMOSEXUALS HAVE RIGHTS. YOU HAVE TO ACCEPT THAT." 818 00:26:54,179 --> 00:26:55,557 HOMOSEXUALS HAVE RIGHTS. YOU HAVE TO ACCEPT THAT." IN A RELATED STORY, THE LINCOLN 819 00:26:55,581 --> 00:26:56,925 YOU HAVE TO ACCEPT THAT." IN A RELATED STORY, THE LINCOLN HIGH SCHOOL PROM COMMITTEE HAS 820 00:26:56,949 --> 00:26:58,026 IN A RELATED STORY, THE LINCOLN HIGH SCHOOL PROM COMMITTEE HAS CANCELED THE TRADITIONAL 821 00:26:58,050 --> 00:26:59,394 HIGH SCHOOL PROM COMMITTEE HAS CANCELED THE TRADITIONAL STOOP-TAG DANCE THIS YEAR, AND 822 00:26:59,418 --> 00:27:00,596 CANCELED THE TRADITIONAL STOOP-TAG DANCE THIS YEAR, AND THE PRINCIPAL HAS GIVEN NO 823 00:27:00,620 --> 00:27:01,930 STOOP-TAG DANCE THIS YEAR, AND THE PRINCIPAL HAS GIVEN NO EXPLANATION FOR THE DECISION. 824 00:27:01,954 --> 00:27:03,264 THE PRINCIPAL HAS GIVEN NO EXPLANATION FOR THE DECISION. JANE? 825 00:27:03,288 --> 00:27:04,766 EXPLANATION FOR THE DECISION. JANE? TELEVISION PERSONALITY 826 00:27:04,790 --> 00:27:06,434 JANE? TELEVISION PERSONALITY DR. JOYCE BROTHERS WAS MUGGED 827 00:27:06,458 --> 00:27:08,036 TELEVISION PERSONALITY DR. JOYCE BROTHERS WAS MUGGED OUTSIDE A LOS ANGELES HOTEL 828 00:27:08,060 --> 00:27:08,770 DR. JOYCE BROTHERS WAS MUGGED OUTSIDE A LOS ANGELES HOTEL YESTERDAY. 829 00:27:08,794 --> 00:27:10,338 OUTSIDE A LOS ANGELES HOTEL YESTERDAY. WHEN ASKED TO DESCRIBE HER 830 00:27:10,362 --> 00:27:11,707 YESTERDAY. WHEN ASKED TO DESCRIBE HER ASSAILANT, DR. BROTHERS 831 00:27:11,731 --> 00:27:13,408 WHEN ASKED TO DESCRIBE HER ASSAILANT, DR. BROTHERS REPORTEDLY SAID THAT HE WAS A 832 00:27:13,432 --> 00:27:15,243 ASSAILANT, DR. BROTHERS REPORTEDLY SAID THAT HE WAS A MALE, CAUCASIAN, ABOUT 5'9", WHO 833 00:27:15,267 --> 00:27:17,045 REPORTEDLY SAID THAT HE WAS A MALE, CAUCASIAN, ABOUT 5'9", WHO WAS ACTING OUT A PATHOLOGICALLY 834 00:27:17,069 --> 00:27:18,279 MALE, CAUCASIAN, ABOUT 5'9", WHO WAS ACTING OUT A PATHOLOGICALLY REPRESSED HATRED FOR 835 00:27:18,303 --> 00:27:20,015 WAS ACTING OUT A PATHOLOGICALLY REPRESSED HATRED FOR PSEUDO-PSYCHOLOGISTS WHO OFFER 836 00:27:20,039 --> 00:27:21,817 REPRESSED HATRED FOR PSEUDO-PSYCHOLOGISTS WHO OFFER ASININE ADVICE IN A MONOTONOUS, 837 00:27:21,841 --> 00:27:25,988 PSEUDO-PSYCHOLOGISTS WHO OFFER ASININE ADVICE IN A MONOTONOUS, WHINING TONE. 838 00:27:26,012 --> 00:27:27,155 ASININE ADVICE IN A MONOTONOUS, WHINING TONE. HELLO, I'M DAN AYKROYD, 839 00:27:27,179 --> 00:27:28,056 WHINING TONE. HELLO, I'M DAN AYKROYD, STATION MANAGER FOR 840 00:27:28,080 --> 00:27:28,890 HELLO, I'M DAN AYKROYD, STATION MANAGER FOR "WEEKEND UPDATE." 841 00:27:28,914 --> 00:27:30,659 STATION MANAGER FOR "WEEKEND UPDATE." YESTERDAY A FEDERAL JURY AWARDED 842 00:27:30,683 --> 00:27:32,327 "WEEKEND UPDATE." YESTERDAY A FEDERAL JURY AWARDED $10.5 MILLION TO THE ESTATE OF 843 00:27:32,351 --> 00:27:33,929 YESTERDAY A FEDERAL JURY AWARDED $10.5 MILLION TO THE ESTATE OF KAREN SILKWOOD, A 28-YEAR-OLD 844 00:27:33,953 --> 00:27:35,163 $10.5 MILLION TO THE ESTATE OF KAREN SILKWOOD, A 28-YEAR-OLD LABORATORY TECHNICIAN 845 00:27:35,187 --> 00:27:36,732 KAREN SILKWOOD, A 28-YEAR-OLD LABORATORY TECHNICIAN CONTAMINATED BY RADIATION IN 846 00:27:36,756 --> 00:27:38,133 LABORATORY TECHNICIAN CONTAMINATED BY RADIATION IN 1974 WHILE EMPLOYED AT A 847 00:27:38,157 --> 00:27:39,868 CONTAMINATED BY RADIATION IN 1974 WHILE EMPLOYED AT A KERR-McGEE CORPORATION PLUTONIUM 848 00:27:39,892 --> 00:27:40,401 1974 WHILE EMPLOYED AT A KERR-McGEE CORPORATION PLUTONIUM PLANT. 849 00:27:40,425 --> 00:27:41,569 KERR-McGEE CORPORATION PLUTONIUM PLANT. THE VERDICT COULD HAVE A 850 00:27:41,593 --> 00:27:43,105 PLANT. THE VERDICT COULD HAVE A NEGATIVE IMPACT ON THE FUTURE OF 851 00:27:43,129 --> 00:27:44,405 THE VERDICT COULD HAVE A NEGATIVE IMPACT ON THE FUTURE OF THE NUCLEAR POWER INDUSTRY, 852 00:27:44,429 --> 00:27:45,507 NEGATIVE IMPACT ON THE FUTURE OF THE NUCLEAR POWER INDUSTRY, ALREADY CLOUDED BY THE 853 00:27:45,531 --> 00:27:46,808 THE NUCLEAR POWER INDUSTRY, ALREADY CLOUDED BY THE THREE-MILE ISLAND INCIDENT. 854 00:27:46,832 --> 00:27:47,809 ALREADY CLOUDED BY THE THREE-MILE ISLAND INCIDENT. THIS WILL BE THE SUBJECT OF 855 00:27:47,833 --> 00:27:48,944 THREE-MILE ISLAND INCIDENT. THIS WILL BE THE SUBJECT OF TONIGHT'S "POINT/COUNTERPOINT." 856 00:27:48,968 --> 00:27:50,112 THIS WILL BE THE SUBJECT OF TONIGHT'S "POINT/COUNTERPOINT." JANE WILL TAKE THE ANTI-NUCLEAR 857 00:27:50,136 --> 00:27:51,079 TONIGHT'S "POINT/COUNTERPOINT." JANE WILL TAKE THE ANTI-NUCLEAR POINT, AND I WILL TAKE THE 858 00:27:51,103 --> 00:27:53,414 JANE WILL TAKE THE ANTI-NUCLEAR POINT, AND I WILL TAKE THE PRO-NUCLEAR COUNTERPOINT. 859 00:27:53,438 --> 00:27:55,150 POINT, AND I WILL TAKE THE PRO-NUCLEAR COUNTERPOINT. DAN, YOU SELF-IMPORTANT SWINE 860 00:27:55,174 --> 00:27:56,618 PRO-NUCLEAR COUNTERPOINT. DAN, YOU SELF-IMPORTANT SWINE ASS, THERE'S NO FUTURE FOR 861 00:27:56,642 --> 00:27:57,886 DAN, YOU SELF-IMPORTANT SWINE ASS, THERE'S NO FUTURE FOR NUCLEAR ENERGY BECAUSE 862 00:27:57,910 --> 00:27:59,254 ASS, THERE'S NO FUTURE FOR NUCLEAR ENERGY BECAUSE THREE-MILE ISLAND TAUGHT 863 00:27:59,278 --> 00:28:00,656 NUCLEAR ENERGY BECAUSE THREE-MILE ISLAND TAUGHT EVERYBODY WHAT SOME OF US 864 00:28:00,680 --> 00:28:01,823 THREE-MILE ISLAND TAUGHT EVERYBODY WHAT SOME OF US ALREADY KNEW... THAT 865 00:28:01,847 --> 00:28:03,424 EVERYBODY WHAT SOME OF US ALREADY KNEW... THAT NUCLEAR-POWER PLANTS ARE TIME 866 00:28:03,448 --> 00:28:04,826 ALREADY KNEW... THAT NUCLEAR-POWER PLANTS ARE TIME BOMBS READY TO MELT DOWN. 867 00:28:04,850 --> 00:28:06,427 NUCLEAR-POWER PLANTS ARE TIME BOMBS READY TO MELT DOWN. AND EVEN IF NUCLEAR-POWER PLANTS 868 00:28:06,451 --> 00:28:07,929 BOMBS READY TO MELT DOWN. AND EVEN IF NUCLEAR-POWER PLANTS WERE SAFE, WHICH THEY AREN'T, 869 00:28:07,953 --> 00:28:09,397 AND EVEN IF NUCLEAR-POWER PLANTS WERE SAFE, WHICH THEY AREN'T, THERE'S STILL THE POTENTIALLY 870 00:28:09,421 --> 00:28:10,832 WERE SAFE, WHICH THEY AREN'T, THERE'S STILL THE POTENTIALLY MORE DANGEROUS NUCLEAR-WASTE 871 00:28:10,856 --> 00:28:11,399 THERE'S STILL THE POTENTIALLY MORE DANGEROUS NUCLEAR-WASTE PROBLEM. 872 00:28:11,423 --> 00:28:12,868 MORE DANGEROUS NUCLEAR-WASTE PROBLEM. BUT YOU DON'T CARE ABOUT WASTE, 873 00:28:12,892 --> 00:28:13,234 PROBLEM. BUT YOU DON'T CARE ABOUT WASTE, DAN. 874 00:28:13,258 --> 00:28:14,703 BUT YOU DON'T CARE ABOUT WASTE, DAN. YOU'RE CONTENT TO WALLOW IN THE 875 00:28:14,727 --> 00:28:16,204 DAN. YOU'RE CONTENT TO WALLOW IN THE SHORT-TERM PROFITS THE CORPORATE 876 00:28:16,228 --> 00:28:17,405 YOU'RE CONTENT TO WALLOW IN THE SHORT-TERM PROFITS THE CORPORATE PIGS REAP FOR THEMSELVES. 877 00:28:17,429 --> 00:28:18,807 SHORT-TERM PROFITS THE CORPORATE PIGS REAP FOR THEMSELVES. BUT UNLIKE REAL PIGS, THE 878 00:28:18,831 --> 00:28:20,208 PIGS REAP FOR THEMSELVES. BUT UNLIKE REAL PIGS, THE CORPORATE ANIMALS HAVEN'T 879 00:28:20,232 --> 00:28:21,843 BUT UNLIKE REAL PIGS, THE CORPORATE ANIMALS HAVEN'T LEARNED THAT YOU DON'T EXCRETE 880 00:28:21,867 --> 00:28:23,378 CORPORATE ANIMALS HAVEN'T LEARNED THAT YOU DON'T EXCRETE WHERE YOU EAT AND THAT THEIR 881 00:28:23,402 --> 00:28:24,980 LEARNED THAT YOU DON'T EXCRETE WHERE YOU EAT AND THAT THEIR RADIOACTIVE EXCREMENT WILL BE 882 00:28:25,004 --> 00:28:27,983 WHERE YOU EAT AND THAT THEIR RADIOACTIVE EXCREMENT WILL BE WITH US FOR 250,000 YEARS. 883 00:28:28,007 --> 00:28:29,818 RADIOACTIVE EXCREMENT WILL BE WITH US FOR 250,000 YEARS. THAT'S ONE PILE YOU JUST CAN'T 884 00:28:29,842 --> 00:28:32,988 WITH US FOR 250,000 YEARS. THAT'S ONE PILE YOU JUST CAN'T FLUSH DOWN THE TOILET, DAN. 885 00:28:33,012 --> 00:28:34,656 THAT'S ONE PILE YOU JUST CAN'T FLUSH DOWN THE TOILET, DAN. JANE, YOU MAGNIFICENTLY 886 00:28:34,680 --> 00:28:39,494 FLUSH DOWN THE TOILET, DAN. JANE, YOU MAGNIFICENTLY IGNORANT SLUT... 887 00:28:39,518 --> 00:28:40,796 JANE, YOU MAGNIFICENTLY IGNORANT SLUT... AREN'T THE GAS LINES... AREN'T 888 00:28:40,820 --> 00:28:41,963 IGNORANT SLUT... AREN'T THE GAS LINES... AREN'T THE GAS LINES IN CALIFORNIA 889 00:28:41,987 --> 00:28:43,165 AREN'T THE GAS LINES... AREN'T THE GAS LINES IN CALIFORNIA PROOF ENOUGH THAT THE ENERGY 890 00:28:43,189 --> 00:28:44,066 THE GAS LINES IN CALIFORNIA PROOF ENOUGH THAT THE ENERGY CRISIS IS FOR REAL? 891 00:28:44,090 --> 00:28:45,233 PROOF ENOUGH THAT THE ENERGY CRISIS IS FOR REAL? NUCLEAR ENERGY PROVIDES 12% OF 892 00:28:45,257 --> 00:28:46,367 CRISIS IS FOR REAL? NUCLEAR ENERGY PROVIDES 12% OF OUR NATION'S ELECTRICITY, AND 893 00:28:46,391 --> 00:28:47,502 NUCLEAR ENERGY PROVIDES 12% OF OUR NATION'S ELECTRICITY, AND WHO'D BE THE FIRST TO COMPLAIN 894 00:28:47,526 --> 00:28:48,670 OUR NATION'S ELECTRICITY, AND WHO'D BE THE FIRST TO COMPLAIN WHEN THE ELECTRICITY GOES OUT, 895 00:28:48,694 --> 00:28:49,004 WHO'D BE THE FIRST TO COMPLAIN WHEN THE ELECTRICITY GOES OUT, JANE? 896 00:28:49,028 --> 00:28:50,038 WHEN THE ELECTRICITY GOES OUT, JANE? YOU AND YOUR HORDE OF 897 00:28:50,062 --> 00:28:51,239 JANE? YOU AND YOUR HORDE OF PROMISCUOUS, ANTI-NUCLEAR 898 00:28:51,263 --> 00:28:51,773 YOU AND YOUR HORDE OF PROMISCUOUS, ANTI-NUCLEAR HARPIES. 899 00:28:51,797 --> 00:28:53,108 PROMISCUOUS, ANTI-NUCLEAR HARPIES. I CAN JUST SEE YOU NOW, SITTING 900 00:28:53,132 --> 00:28:54,142 HARPIES. I CAN JUST SEE YOU NOW, SITTING ALONE IN YOUR DARKENED 901 00:28:54,166 --> 00:28:55,476 I CAN JUST SEE YOU NOW, SITTING ALONE IN YOUR DARKENED APARTMENT, STARING FORLORNLY AT 902 00:28:55,500 --> 00:28:58,947 ALONE IN YOUR DARKENED APARTMENT, STARING FORLORNLY AT YOUR NOW-USELESS VIBRATOR. 903 00:28:58,971 --> 00:29:00,315 APARTMENT, STARING FORLORNLY AT YOUR NOW-USELESS VIBRATOR. YOU'LL BE HUMMING A DIFFERENT 904 00:29:00,339 --> 00:29:01,216 YOUR NOW-USELESS VIBRATOR. YOU'LL BE HUMMING A DIFFERENT TUNE THEN, JANE. 905 00:29:01,240 --> 00:29:02,617 YOU'LL BE HUMMING A DIFFERENT TUNE THEN, JANE. BUT LET'S... LET'S TALK ABOUT 906 00:29:02,641 --> 00:29:03,885 TUNE THEN, JANE. BUT LET'S... LET'S TALK ABOUT RISKS FOR A MINUTE, JANE. 907 00:29:03,909 --> 00:29:05,386 BUT LET'S... LET'S TALK ABOUT RISKS FOR A MINUTE, JANE. SURE, NUCLEAR POWER HAS RISKS, 908 00:29:05,410 --> 00:29:06,888 RISKS FOR A MINUTE, JANE. SURE, NUCLEAR POWER HAS RISKS, EVEN THOUGH THERE HAS YET TO BE 909 00:29:06,912 --> 00:29:08,323 SURE, NUCLEAR POWER HAS RISKS, EVEN THOUGH THERE HAS YET TO BE AN INDUSTRY-RELATED FATALITY. 910 00:29:08,347 --> 00:29:09,424 EVEN THOUGH THERE HAS YET TO BE AN INDUSTRY-RELATED FATALITY. BUT EVEN SO, THIS IS NOT A 911 00:29:09,448 --> 00:29:10,258 AN INDUSTRY-RELATED FATALITY. BUT EVEN SO, THIS IS NOT A RISK-FREE SOCIETY. 912 00:29:10,282 --> 00:29:11,526 BUT EVEN SO, THIS IS NOT A RISK-FREE SOCIETY. WHERE'S YOUR LIBERAL COMPASSION 913 00:29:11,550 --> 00:29:12,660 RISK-FREE SOCIETY. WHERE'S YOUR LIBERAL COMPASSION WHEN COAL MINERS DIE IN THE 914 00:29:12,684 --> 00:29:13,061 WHERE'S YOUR LIBERAL COMPASSION WHEN COAL MINERS DIE IN THE MINES? 915 00:29:13,085 --> 00:29:14,529 WHEN COAL MINERS DIE IN THE MINES? AND HOW ABOUT THE 50,000 A YEAR 916 00:29:14,553 --> 00:29:16,064 MINES? AND HOW ABOUT THE 50,000 A YEAR KILLED ON OUR NATION'S HIGHWAYS? 917 00:29:16,088 --> 00:29:17,298 AND HOW ABOUT THE 50,000 A YEAR KILLED ON OUR NATION'S HIGHWAYS? YOU UNDERGO A BIGGER RISK OF 918 00:29:17,322 --> 00:29:18,466 KILLED ON OUR NATION'S HIGHWAYS? YOU UNDERGO A BIGGER RISK OF CANCER TAKING ONE OF YOUR 919 00:29:18,490 --> 00:29:19,801 YOU UNDERGO A BIGGER RISK OF CANCER TAKING ONE OF YOUR BIRTH-CONTROL PILLS, JANE, THAN 920 00:29:19,825 --> 00:29:21,203 CANCER TAKING ONE OF YOUR BIRTH-CONTROL PILLS, JANE, THAN YOU WOULD LIVING NEXT DOOR TO AN 921 00:29:21,227 --> 00:29:22,503 BIRTH-CONTROL PILLS, JANE, THAN YOU WOULD LIVING NEXT DOOR TO AN ATOMIC PLANT, AND ALL FOR THE 922 00:29:22,527 --> 00:29:23,571 YOU WOULD LIVING NEXT DOOR TO AN ATOMIC PLANT, AND ALL FOR THE CONVENIENCE OF HOPPING 923 00:29:23,595 --> 00:29:25,006 ATOMIC PLANT, AND ALL FOR THE CONVENIENCE OF HOPPING INDISCRIMINATELY FROM BED TO BED 924 00:29:25,030 --> 00:29:26,374 CONVENIENCE OF HOPPING INDISCRIMINATELY FROM BED TO BED WITH YOUR FELLOW NO-NUKE-NIKS. 925 00:29:26,398 --> 00:29:27,743 INDISCRIMINATELY FROM BED TO BED WITH YOUR FELLOW NO-NUKE-NIKS. AS FOR THE WASTE PROBLEM, JANE, 926 00:29:27,767 --> 00:29:28,977 WITH YOUR FELLOW NO-NUKE-NIKS. AS FOR THE WASTE PROBLEM, JANE, I FOR ONE HAVE CONFIDENCE IN 927 00:29:29,001 --> 00:29:30,245 AS FOR THE WASTE PROBLEM, JANE, I FOR ONE HAVE CONFIDENCE IN GOOD OLD AMERICAN TECHNOLOGY. 928 00:29:30,269 --> 00:29:31,546 I FOR ONE HAVE CONFIDENCE IN GOOD OLD AMERICAN TECHNOLOGY. YOU JUST DON'T UNDERSTAND THE 929 00:29:31,570 --> 00:29:32,313 GOOD OLD AMERICAN TECHNOLOGY. YOU JUST DON'T UNDERSTAND THE SCIENTIFIC MIND. 930 00:29:32,337 --> 00:29:33,648 YOU JUST DON'T UNDERSTAND THE SCIENTIFIC MIND. LET US THANK GOD ALMIGHTY THAT 931 00:29:33,672 --> 00:29:34,850 SCIENTIFIC MIND. LET US THANK GOD ALMIGHTY THAT THIS COUNTRY HAS DEDICATED, 932 00:29:34,874 --> 00:29:36,084 LET US THANK GOD ALMIGHTY THAT THIS COUNTRY HAS DEDICATED, SOBER SCIENTISTS SOLVING OUR 933 00:29:36,108 --> 00:29:37,219 THIS COUNTRY HAS DEDICATED, SOBER SCIENTISTS SOLVING OUR PROBLEMS THROUGH THE LONG 934 00:29:37,243 --> 00:29:38,586 SOBER SCIENTISTS SOLVING OUR PROBLEMS THROUGH THE LONG NIGHTS, WHILE IGNORANT SLUTS 935 00:29:38,610 --> 00:29:40,055 PROBLEMS THROUGH THE LONG NIGHTS, WHILE IGNORANT SLUTS LIKE YOURSELF WRITHE IN COITUS 936 00:29:40,079 --> 00:29:43,391 NIGHTS, WHILE IGNORANT SLUTS LIKE YOURSELF WRITHE IN COITUS AT ANTI-NUCLEAR TOGA PARTIES. 937 00:29:43,415 --> 00:29:49,231 LIKE YOURSELF WRITHE IN COITUS AT ANTI-NUCLEAR TOGA PARTIES. THANK YOU, DAN. 938 00:29:49,255 --> 00:29:51,166 AT ANTI-NUCLEAR TOGA PARTIES. THANK YOU, DAN. IN A MOVE TO CONSERVE GASOLINE 939 00:29:51,190 --> 00:29:53,101 THANK YOU, DAN. IN A MOVE TO CONSERVE GASOLINE DURING THE CURRENT OIL CRISIS, 940 00:29:53,125 --> 00:29:54,936 IN A MOVE TO CONSERVE GASOLINE DURING THE CURRENT OIL CRISIS, THIS YEAR'S INDIANAPOLIS 500 941 00:29:54,960 --> 00:29:56,872 DURING THE CURRENT OIL CRISIS, THIS YEAR'S INDIANAPOLIS 500 WILL BE RUN ON FOOT BY DRIVERS 942 00:29:56,896 --> 00:29:58,539 THIS YEAR'S INDIANAPOLIS 500 WILL BE RUN ON FOOT BY DRIVERS WHO QUALIFY WITHOUT CARS. 943 00:29:58,563 --> 00:30:00,275 WILL BE RUN ON FOOT BY DRIVERS WHO QUALIFY WITHOUT CARS. THE FAVORITES SO FAR THIS YEAR 944 00:30:00,299 --> 00:30:02,110 WHO QUALIFY WITHOUT CARS. THE FAVORITES SO FAR THIS YEAR ARE BRUCE JENNER, ROBERT CONRAD, 945 00:30:02,134 --> 00:30:03,311 THE FAVORITES SO FAR THIS YEAR ARE BRUCE JENNER, ROBERT CONRAD, AND KRISTY McNICOL. 946 00:30:03,335 --> 00:30:03,812 ARE BRUCE JENNER, ROBERT CONRAD, AND KRISTY McNICOL. BILL? 947 00:30:03,836 --> 00:30:05,513 AND KRISTY McNICOL. BILL? IN A RELATED STORY FROM THE 948 00:30:05,537 --> 00:30:07,149 BILL? IN A RELATED STORY FROM THE RACING WORLD, TRAGEDY AT THE 949 00:30:07,173 --> 00:30:08,784 IN A RELATED STORY FROM THE RACING WORLD, TRAGEDY AT THE PREAKNESS THIS AFTERNOON, AS 950 00:30:08,808 --> 00:30:10,618 RACING WORLD, TRAGEDY AT THE PREAKNESS THIS AFTERNOON, AS 3-YEAR-OLD FILLY FRAGRANT STOOL, 951 00:30:10,642 --> 00:30:11,452 PREAKNESS THIS AFTERNOON, AS 3-YEAR-OLD FILLY FRAGRANT STOOL, THE PRIDE OF 952 00:30:11,476 --> 00:30:13,188 3-YEAR-OLD FILLY FRAGRANT STOOL, THE PRIDE OF MEADOW MUFFIN FARMS, COLLAPSED 953 00:30:13,212 --> 00:30:14,990 THE PRIDE OF MEADOW MUFFIN FARMS, COLLAPSED AND DIED AS IT ROUNDED THE FIRST 954 00:30:15,014 --> 00:30:15,490 MEADOW MUFFIN FARMS, COLLAPSED AND DIED AS IT ROUNDED THE FIRST TURN. 955 00:30:15,514 --> 00:30:16,892 AND DIED AS IT ROUNDED THE FIRST TURN. BEWILDERED TRACK OFFICIALS HAD 956 00:30:16,916 --> 00:30:17,993 TURN. BEWILDERED TRACK OFFICIALS HAD NO EXPLANATION FOR THIS 957 00:30:18,017 --> 00:30:19,427 BEWILDERED TRACK OFFICIALS HAD NO EXPLANATION FOR THIS UNFORTUNATE OCCURRENCE BUT WERE 958 00:30:19,451 --> 00:30:20,428 NO EXPLANATION FOR THIS UNFORTUNATE OCCURRENCE BUT WERE THANKFUL THAT JOCKEY 959 00:30:20,452 --> 00:30:22,931 UNFORTUNATE OCCURRENCE BUT WERE THANKFUL THAT JOCKEY ANGEL DIARIO WAS UNHARMED. 960 00:30:22,955 --> 00:30:25,934 THANKFUL THAT JOCKEY ANGEL DIARIO WAS UNHARMED. A DESPONDENT DIARIO LATER SAID, 961 00:30:25,958 --> 00:30:27,068 ANGEL DIARIO WAS UNHARMED. A DESPONDENT DIARIO LATER SAID, "I LOVE THAT HORSE. 962 00:30:27,092 --> 00:30:28,436 A DESPONDENT DIARIO LATER SAID, "I LOVE THAT HORSE. I'M HAVING IT FOR DINNER 963 00:30:28,460 --> 00:30:29,771 "I LOVE THAT HORSE. I'M HAVING IT FOR DINNER TONIGHT." 964 00:30:29,795 --> 00:30:31,106 I'M HAVING IT FOR DINNER TONIGHT." JANE? 965 00:30:31,130 --> 00:30:32,607 TONIGHT." JANE? AND NOW, FOR A REPORT ON 966 00:30:32,631 --> 00:30:34,342 JANE? AND NOW, FOR A REPORT ON SKYLAB AND ITS UPCOMING RE-ENTRY 967 00:30:34,366 --> 00:30:35,811 AND NOW, FOR A REPORT ON SKYLAB AND ITS UPCOMING RE-ENTRY AND FALL TO EARTH, HERE IS 968 00:30:35,835 --> 00:30:37,279 SKYLAB AND ITS UPCOMING RE-ENTRY AND FALL TO EARTH, HERE IS "WEEKEND UPDATE'S" SCIENCE 969 00:30:37,303 --> 00:30:42,117 AND FALL TO EARTH, HERE IS "WEEKEND UPDATE'S" SCIENCE EDITOR, JOHN BELUSHI. 970 00:30:42,141 --> 00:30:43,785 "WEEKEND UPDATE'S" SCIENCE EDITOR, JOHN BELUSHI. THANK YOU, JANE. THANK YOU. 971 00:30:43,809 --> 00:30:45,787 EDITOR, JOHN BELUSHI. THANK YOU, JANE. THANK YOU. WELL, THE LATEST REPORTS FROM 972 00:30:45,811 --> 00:30:47,856 THANK YOU, JANE. THANK YOU. WELL, THE LATEST REPORTS FROM NASA SAY THAT THE SKYLAB SPACE 973 00:30:47,880 --> 00:30:49,691 WELL, THE LATEST REPORTS FROM NASA SAY THAT THE SKYLAB SPACE STATION WILL FALL TO EARTH 974 00:30:49,715 --> 00:30:51,193 NASA SAY THAT THE SKYLAB SPACE STATION WILL FALL TO EARTH AROUND THE END OF JUNE. 975 00:30:51,217 --> 00:30:52,828 STATION WILL FALL TO EARTH AROUND THE END OF JUNE. NOW, MANY PEOPLE ARE CONCERNED 976 00:30:52,852 --> 00:30:54,362 AROUND THE END OF JUNE. NOW, MANY PEOPLE ARE CONCERNED THAT THE DEBRIS MIGHT POSE A 977 00:30:54,386 --> 00:30:55,230 NOW, MANY PEOPLE ARE CONCERNED THAT THE DEBRIS MIGHT POSE A SAFETY HAZARD. 978 00:30:55,254 --> 00:30:56,965 THAT THE DEBRIS MIGHT POSE A SAFETY HAZARD. BUT THIS IS REALLY A PARANOID 979 00:30:56,989 --> 00:30:58,499 SAFETY HAZARD. BUT THIS IS REALLY A PARANOID NOTION FOR PEOPLE WHO ARE 980 00:30:58,523 --> 00:30:59,334 BUT THIS IS REALLY A PARANOID NOTION FOR PEOPLE WHO ARE UNINFORMED. 981 00:30:59,358 --> 00:31:01,102 NOTION FOR PEOPLE WHO ARE UNINFORMED. I'VE BEEN READING UP ON THIS, 982 00:31:01,126 --> 00:31:03,004 UNINFORMED. I'VE BEEN READING UP ON THIS, AND ACCORDING TO THE EXPERTS WHO 983 00:31:03,028 --> 00:31:04,806 I'VE BEEN READING UP ON THIS, AND ACCORDING TO THE EXPERTS WHO BUILT THIS THING, THE ODDS ARE 984 00:31:04,830 --> 00:31:07,976 AND ACCORDING TO THE EXPERTS WHO BUILT THIS THING, THE ODDS ARE 1 IN 150 THAT SOME PERSON MAY 985 00:31:08,000 --> 00:31:10,011 BUILT THIS THING, THE ODDS ARE 1 IN 150 THAT SOME PERSON MAY BE TORN TO SHREDS BY A HUNK OF 986 00:31:10,035 --> 00:31:11,112 1 IN 150 THAT SOME PERSON MAY BE TORN TO SHREDS BY A HUNK OF BLAZING METAL. 987 00:31:11,136 --> 00:31:12,981 BE TORN TO SHREDS BY A HUNK OF BLAZING METAL. I READ ANOTHER ARTICLE THAT SAID 988 00:31:13,005 --> 00:31:14,883 BLAZING METAL. I READ ANOTHER ARTICLE THAT SAID THAT THERE'S AN ORGANIZATION WHO 989 00:31:14,907 --> 00:31:16,117 I READ ANOTHER ARTICLE THAT SAID THAT THERE'S AN ORGANIZATION WHO CALL THEMSELVES THE 990 00:31:16,141 --> 00:31:17,886 THAT THERE'S AN ORGANIZATION WHO CALL THEMSELVES THE CHICKEN LITTLE SOCIETY WHO SAY 991 00:31:17,910 --> 00:31:19,321 CALL THEMSELVES THE CHICKEN LITTLE SOCIETY WHO SAY THAT IF SKYLAB HITS THE 992 00:31:19,345 --> 00:31:20,989 CHICKEN LITTLE SOCIETY WHO SAY THAT IF SKYLAB HITS THE WORLD TRADE CENTER, IT WOULD 993 00:31:21,013 --> 00:31:21,957 THAT IF SKYLAB HITS THE WORLD TRADE CENTER, IT WOULD KNOCK IT OVER. 994 00:31:21,981 --> 00:31:24,625 WORLD TRADE CENTER, IT WOULD KNOCK IT OVER. [LAUGHS] 995 00:31:24,649 --> 00:31:25,961 KNOCK IT OVER. [LAUGHS] NOW, THAT'S A SPECTACULAR 996 00:31:25,985 --> 00:31:27,595 [LAUGHS] NOW, THAT'S A SPECTACULAR FANTASY, BUT NOT SOMETHING THAT 997 00:31:27,619 --> 00:31:29,197 NOW, THAT'S A SPECTACULAR FANTASY, BUT NOT SOMETHING THAT A KNOWLEDGEABLE MAN WOULD WORRY 998 00:31:29,221 --> 00:31:29,697 FANTASY, BUT NOT SOMETHING THAT A KNOWLEDGEABLE MAN WOULD WORRY ABOUT. 999 00:31:29,721 --> 00:31:32,868 A KNOWLEDGEABLE MAN WOULD WORRY ABOUT. AFTER ALL, IT'S ONLY 118 FEET 1000 00:31:32,892 --> 00:31:35,703 ABOUT. AFTER ALL, IT'S ONLY 118 FEET LONG AND WEIGHTS 77 1/2 TONS. 1001 00:31:35,727 --> 00:31:36,771 AFTER ALL, IT'S ONLY 118 FEET LONG AND WEIGHTS 77 1/2 TONS. BUT DON'T WORRY. 1002 00:31:36,795 --> 00:31:38,706 LONG AND WEIGHTS 77 1/2 TONS. BUT DON'T WORRY. IT'S NOT AS IF YOU'D BE STANDING 1003 00:31:38,730 --> 00:31:40,541 BUT DON'T WORRY. IT'S NOT AS IF YOU'D BE STANDING THERE AND GET HIT BY THIS THING 1004 00:31:40,565 --> 00:31:41,843 IT'S NOT AS IF YOU'D BE STANDING THERE AND GET HIT BY THIS THING THE SIZE OF A HOUSE. 1005 00:31:41,867 --> 00:31:43,711 THERE AND GET HIT BY THIS THING THE SIZE OF A HOUSE. OH, NO, DON'T WORRY ABOUT THAT. 1006 00:31:43,735 --> 00:31:45,580 THE SIZE OF A HOUSE. OH, NO, DON'T WORRY ABOUT THAT. YOU SEE, WHEN THIS THING STARTS 1007 00:31:45,604 --> 00:31:47,315 OH, NO, DON'T WORRY ABOUT THAT. YOU SEE, WHEN THIS THING STARTS BURNING UP, IT'S SUPPOSED TO 1008 00:31:47,339 --> 00:31:49,484 YOU SEE, WHEN THIS THING STARTS BURNING UP, IT'S SUPPOSED TO BREAK UP INTO 500 PIECES. 1009 00:31:49,508 --> 00:31:52,320 BURNING UP, IT'S SUPPOSED TO BREAK UP INTO 500 PIECES. NOW, GET THIS. 1010 00:31:52,344 --> 00:31:54,155 BREAK UP INTO 500 PIECES. NOW, GET THIS. UH, "THE BIGGEST PIECES TO REACH 1011 00:31:54,179 --> 00:31:57,658 NOW, GET THIS. UH, "THE BIGGEST PIECES TO REACH THE GROUND WILL BE A 5,100-POUND 1012 00:31:57,682 --> 00:32:01,662 UH, "THE BIGGEST PIECES TO REACH THE GROUND WILL BE A 5,100-POUND AIR-LOCK SHROUD, A 3,900-POUND 1013 00:32:01,686 --> 00:32:05,000 THE GROUND WILL BE A 5,100-POUND AIR-LOCK SHROUD, A 3,900-POUND LEAD-LINED FILM VAULT, AND THEY 1014 00:32:05,024 --> 00:32:07,135 AIR-LOCK SHROUD, A 3,900-POUND LEAD-LINED FILM VAULT, AND THEY WILL BE TRAVELING AT 400 FEET 1015 00:32:07,159 --> 00:32:08,770 LEAD-LINED FILM VAULT, AND THEY WILL BE TRAVELING AT 400 FEET PER SECOND ON IMPACT." 1016 00:32:08,794 --> 00:32:09,938 WILL BE TRAVELING AT 400 FEET PER SECOND ON IMPACT." HEY, NO PROBLEM. 1017 00:32:09,962 --> 00:32:11,606 PER SECOND ON IMPACT." HEY, NO PROBLEM. NO DANGER THERE, HUH? 1018 00:32:11,630 --> 00:32:13,108 HEY, NO PROBLEM. NO DANGER THERE, HUH? OH. 1019 00:32:13,132 --> 00:32:14,475 NO DANGER THERE, HUH? OH. OF COURSE, SOMEONE MIGHT GET 1020 00:32:14,499 --> 00:32:14,910 OH. OF COURSE, SOMEONE MIGHT GET HURT. 1021 00:32:14,934 --> 00:32:16,411 OF COURSE, SOMEONE MIGHT GET HURT. SOMEONE COULD BE, UH, YOU KNOW, 1022 00:32:16,435 --> 00:32:17,946 HURT. SOMEONE COULD BE, UH, YOU KNOW, HUDDLING IN HIS BASEMENT WITH A 1023 00:32:17,970 --> 00:32:19,314 SOMEONE COULD BE, UH, YOU KNOW, HUDDLING IN HIS BASEMENT WITH A HELMET ON, AND THREE TONS OF 1024 00:32:19,338 --> 00:32:20,782 HUDDLING IN HIS BASEMENT WITH A HELMET ON, AND THREE TONS OF SIZZLING STEEL COULD CRUSH HIM 1025 00:32:20,806 --> 00:32:22,450 HELMET ON, AND THREE TONS OF SIZZLING STEEL COULD CRUSH HIM LIKE AN ANT. 1026 00:32:22,474 --> 00:32:24,019 SIZZLING STEEL COULD CRUSH HIM LIKE AN ANT. SO MAYBE YOU'RE THINKING, "I 1027 00:32:24,043 --> 00:32:25,653 LIKE AN ANT. SO MAYBE YOU'RE THINKING, "I KNOW THIS IS SILLY, BUT, UH, I 1028 00:32:25,677 --> 00:32:27,389 SO MAYBE YOU'RE THINKING, "I KNOW THIS IS SILLY, BUT, UH, I DON'T WANT TO BE THERE WHEN THIS 1029 00:32:27,413 --> 00:32:28,423 KNOW THIS IS SILLY, BUT, UH, I DON'T WANT TO BE THERE WHEN THIS STUFF HITS, OKAY? 1030 00:32:28,447 --> 00:32:29,524 DON'T WANT TO BE THERE WHEN THIS STUFF HITS, OKAY? SO WHERE CAN I GO? 1031 00:32:29,548 --> 00:32:31,026 STUFF HITS, OKAY? SO WHERE CAN I GO? SOUTH AMERICA? ALASKA? 1032 00:32:31,050 --> 00:32:32,527 SO WHERE CAN I GO? SOUTH AMERICA? ALASKA? MALIBU? MILL VALLEY?" 1033 00:32:32,551 --> 00:32:34,362 SOUTH AMERICA? ALASKA? MALIBU? MILL VALLEY?" YOU KNOW? BUT YOU KNOW WHAT? 1034 00:32:34,386 --> 00:32:37,532 MALIBU? MILL VALLEY?" YOU KNOW? BUT YOU KNOW WHAT? THEY HAVE NO IDEA. 1035 00:32:37,556 --> 00:32:39,200 YOU KNOW? BUT YOU KNOW WHAT? THEY HAVE NO IDEA. WHEN THIS THING HITS THE DENSE 1036 00:32:39,224 --> 00:32:41,369 THEY HAVE NO IDEA. WHEN THIS THING HITS THE DENSE PART OF OUR ATMOSPHERE, IT'S 1037 00:32:41,393 --> 00:32:42,870 WHEN THIS THING HITS THE DENSE PART OF OUR ATMOSPHERE, IT'S GONNA SKIP AROUND LIKE THIS. 1038 00:32:42,894 --> 00:32:47,175 PART OF OUR ATMOSPHERE, IT'S GONNA SKIP AROUND LIKE THIS. [IMITATES ENGINE HUMMING] 1039 00:32:47,199 --> 00:32:48,143 GONNA SKIP AROUND LIKE THIS. [IMITATES ENGINE HUMMING] AND YOU KNOW WHAT? 1040 00:32:48,167 --> 00:32:49,677 [IMITATES ENGINE HUMMING] AND YOU KNOW WHAT? THEY DON'T EVEN KNOW WHERE IT'S 1041 00:32:49,701 --> 00:32:50,745 AND YOU KNOW WHAT? THEY DON'T EVEN KNOW WHERE IT'S GONNA FALL! 1042 00:32:50,769 --> 00:32:52,914 THEY DON'T EVEN KNOW WHERE IT'S GONNA FALL! BUT, YOU KNOW... BUT THEY KNOW 1043 00:32:52,938 --> 00:32:55,917 GONNA FALL! BUT, YOU KNOW... BUT THEY KNOW THAT 500 PIECES WILL BE SPREAD 1044 00:32:55,941 --> 00:32:58,753 BUT, YOU KNOW... BUT THEY KNOW THAT 500 PIECES WILL BE SPREAD OUT IN A PATH 4,000 MILES LONG 1045 00:32:58,777 --> 00:33:00,422 THAT 500 PIECES WILL BE SPREAD OUT IN A PATH 4,000 MILES LONG AND 100 MILES WIDE. 1046 00:33:00,446 --> 00:33:02,090 OUT IN A PATH 4,000 MILES LONG AND 100 MILES WIDE. WHOA, HERE COMES SKYLAB. 1047 00:33:02,114 --> 00:33:03,425 AND 100 MILES WIDE. WHOA, HERE COMES SKYLAB. WHOO, WHOO! 1048 00:33:03,449 --> 00:33:03,959 WHOA, HERE COMES SKYLAB. WHOO, WHOO! UH-OH! 1049 00:33:03,983 --> 00:33:05,427 WHOO, WHOO! UH-OH! THERE'S A FISHERMAN THERE. 1050 00:33:05,451 --> 00:33:06,494 UH-OH! THERE'S A FISHERMAN THERE. HE'S IN HIS BOAT. 1051 00:33:06,518 --> 00:33:06,962 THERE'S A FISHERMAN THERE. HE'S IN HIS BOAT. WHOA! 1052 00:33:06,986 --> 00:33:09,130 HE'S IN HIS BOAT. WHOA! K-K-K-K! AAH! 1053 00:33:09,154 --> 00:33:11,632 WHOA! K-K-K-K! AAH! OH, IT'S SMASHED TO PIECES. 1054 00:33:11,656 --> 00:33:12,800 K-K-K-K! AAH! OH, IT'S SMASHED TO PIECES. YAY. 1055 00:33:12,824 --> 00:33:13,468 OH, IT'S SMASHED TO PIECES. YAY. LOOK OUT. 1056 00:33:13,492 --> 00:33:14,802 YAY. LOOK OUT. THERE'S MOM AND DAD AT THE ZOO. 1057 00:33:14,826 --> 00:33:16,137 LOOK OUT. THERE'S MOM AND DAD AT THE ZOO. "OH, AREN'T THOSE BEARS FUNNY?" 1058 00:33:16,161 --> 00:33:18,306 THERE'S MOM AND DAD AT THE ZOO. "OH, AREN'T THOSE BEARS FUNNY?" K-K-K-K! AAH! 1059 00:33:18,330 --> 00:33:19,841 "OH, AREN'T THOSE BEARS FUNNY?" K-K-K-K! AAH! OH, NOW THEY'RE LIKE GUM ON THE 1060 00:33:19,865 --> 00:33:21,142 K-K-K-K! AAH! OH, NOW THEY'RE LIKE GUM ON THE BOTTOM OF SOMEBODY'S SHOE. 1061 00:33:21,166 --> 00:33:22,643 OH, NOW THEY'RE LIKE GUM ON THE BOTTOM OF SOMEBODY'S SHOE. HEY, HERE'S JOHN BELUSHI IN HIS 1062 00:33:22,667 --> 00:33:23,778 BOTTOM OF SOMEBODY'S SHOE. HEY, HERE'S JOHN BELUSHI IN HIS APARTMENT IN NEW YORK. 1063 00:33:23,802 --> 00:33:25,146 HEY, HERE'S JOHN BELUSHI IN HIS APARTMENT IN NEW YORK. YEAH, HE'S NOT WORRIED ABOUT 1064 00:33:25,170 --> 00:33:25,813 APARTMENT IN NEW YORK. YEAH, HE'S NOT WORRIED ABOUT SKYLAB, NO. 1065 00:33:25,837 --> 00:33:27,315 YEAH, HE'S NOT WORRIED ABOUT SKYLAB, NO. K-K-K-K! K-K-K-K! K-K-K-K! 1066 00:33:27,339 --> 00:33:28,816 SKYLAB, NO. K-K-K-K! K-K-K-K! K-K-K-K! K-K-K-K! K-K-K-K! 1067 00:33:28,840 --> 00:33:31,319 K-K-K-K! K-K-K-K! K-K-K-K! K-K-K-K! K-K-K-K! THAT'S SILLY! YOU KNOW? 1068 00:33:31,343 --> 00:33:32,988 K-K-K-K! K-K-K-K! THAT'S SILLY! YOU KNOW? I MEAN, WHAT DO YOU KNOW? 1069 00:33:33,012 --> 00:33:34,555 THAT'S SILLY! YOU KNOW? I MEAN, WHAT DO YOU KNOW? YOU KNOW, I'M... I'M SIZZLING 1070 00:33:34,579 --> 00:33:36,157 I MEAN, WHAT DO YOU KNOW? YOU KNOW, I'M... I'M SIZZLING LIKE A PIZZA UNDER THE TWO-TON 1071 00:33:36,181 --> 00:33:37,125 YOU KNOW, I'M... I'M SIZZLING LIKE A PIZZA UNDER THE TWO-TON LEAD FILM VAULT. 1072 00:33:37,149 --> 00:33:38,526 LIKE A PIZZA UNDER THE TWO-TON LEAD FILM VAULT. BUT DO I HAVE ANY REASON TO 1073 00:33:38,550 --> 00:33:39,560 LEAD FILM VAULT. BUT DO I HAVE ANY REASON TO WORRY OR BE AFRAID? 1074 00:33:39,584 --> 00:33:42,397 BUT DO I HAVE ANY REASON TO WORRY OR BE AFRAID? THE GOVERNMENT TAKES 50% OF MY 1075 00:33:42,421 --> 00:33:44,899 WORRY OR BE AFRAID? THE GOVERNMENT TAKES 50% OF MY MONEY THAT I EARN EVERY YEAR! 1076 00:33:44,923 --> 00:33:46,534 THE GOVERNMENT TAKES 50% OF MY MONEY THAT I EARN EVERY YEAR! THEY COULD BE SPENDING IT ON 1077 00:33:46,558 --> 00:33:48,136 MONEY THAT I EARN EVERY YEAR! THEY COULD BE SPENDING IT ON MASS TRANSIT, SOLAR ENERGY, 1078 00:33:48,160 --> 00:33:49,637 THEY COULD BE SPENDING IT ON MASS TRANSIT, SOLAR ENERGY, CLEAN UP THE ENVIRONMENT. 1079 00:33:49,661 --> 00:33:54,142 MASS TRANSIT, SOLAR ENERGY, CLEAN UP THE ENVIRONMENT. BUT N-O-O-O-O! 1080 00:33:54,166 --> 00:33:55,810 CLEAN UP THE ENVIRONMENT. BUT N-O-O-O-O! N-O-O-O-O! 1081 00:33:55,834 --> 00:33:57,379 BUT N-O-O-O-O! N-O-O-O-O! THEY HAVE TO SPEND MILLIONS 1082 00:33:57,403 --> 00:33:59,147 N-O-O-O-O! THEY HAVE TO SPEND MILLIONS SENDING UP HUGE CHUNKS OF STEEL 1083 00:33:59,171 --> 00:34:00,982 THEY HAVE TO SPEND MILLIONS SENDING UP HUGE CHUNKS OF STEEL SO THEY CAN SCREAM BACK TO EARTH 1084 00:34:01,006 --> 00:34:03,651 SENDING UP HUGE CHUNKS OF STEEL SO THEY CAN SCREAM BACK TO EARTH AND MAYBE KILL INNOCENT PEOPLE! 1085 00:34:03,675 --> 00:34:08,990 SO THEY CAN SCREAM BACK TO EARTH AND MAYBE KILL INNOCENT PEOPLE! AAH! AAH! 1086 00:34:09,014 --> 00:34:09,991 AND MAYBE KILL INNOCENT PEOPLE! AAH! AAH! THAT'S THE NEWS. 1087 00:34:10,015 --> 00:34:11,459 AAH! AAH! THAT'S THE NEWS. GOOD NIGHT, AND HAVE A PLEASANT 1088 00:34:11,483 --> 00:34:13,843 THAT'S THE NEWS. GOOD NIGHT, AND HAVE A PLEASANT TOMORROW. 1089 00:34:19,323 --> 00:34:24,506 ♪ ...OF MY CLOUD ♪ ♪ UH, HEY, YOU ♪ ♪ GET OFF OF MY CLOUD ♪ 1090 00:34:24,530 --> 00:34:27,008 ♪ UH, HEY, YOU ♪ ♪ GET OFF OF MY CLOUD ♪ ♪ UH, HEY, YOU ♪ 1091 00:34:27,032 --> 00:34:33,681 ♪ GET OFF OF MY CLOUD ♪ ♪ UH, HEY, YOU ♪ ♪ GET O-O-FF MY CLOUD ♪ 1092 00:34:33,705 --> 00:34:34,849 ♪ UH, HEY, YOU ♪ ♪ GET O-O-FF MY CLOUD ♪ AND STAY OFF. 1093 00:34:34,873 --> 00:34:35,850 ♪ GET O-O-FF MY CLOUD ♪ AND STAY OFF. [LAUGHS] 1094 00:34:35,874 --> 00:34:36,684 AND STAY OFF. [LAUGHS] THANK YOU. 1095 00:34:36,708 --> 00:34:38,186 [LAUGHS] THANK YOU. THANK YOU, AND WELCOME TO 1096 00:34:38,210 --> 00:34:40,288 THANK YOU. THANK YOU, AND WELCOME TO TRANSEASTERN'S V.I.P. LOUNGE, 1097 00:34:40,312 --> 00:34:42,157 THANK YOU, AND WELCOME TO TRANSEASTERN'S V.I.P. LOUNGE, THE V.I.P. HERE AT O'HARE 1098 00:34:42,181 --> 00:34:43,758 TRANSEASTERN'S V.I.P. LOUNGE, THE V.I.P. HERE AT O'HARE INTERNATIONAL, A GOOD PLACE 1099 00:34:43,782 --> 00:34:45,593 THE V.I.P. HERE AT O'HARE INTERNATIONAL, A GOOD PLACE WHERE THE SPECIAL PEOPLE GET THE 1100 00:34:45,617 --> 00:34:47,429 INTERNATIONAL, A GOOD PLACE WHERE THE SPECIAL PEOPLE GET THE OTHER PEOPLE OFF OF THEIR CLOUD. 1101 00:34:47,453 --> 00:34:48,896 WHERE THE SPECIAL PEOPLE GET THE OTHER PEOPLE OFF OF THEIR CLOUD. YOU KNOW, FOR A LOT OF US, IT'S 1102 00:34:48,920 --> 00:34:50,165 OTHER PEOPLE OFF OF THEIR CLOUD. YOU KNOW, FOR A LOT OF US, IT'S EVEN ESSENTIAL TO KEEP THE 1103 00:34:50,189 --> 00:34:51,599 YOU KNOW, FOR A LOT OF US, IT'S EVEN ESSENTIAL TO KEEP THE ADORING HORDES FROM RIPPING THE 1104 00:34:51,623 --> 00:34:52,667 EVEN ESSENTIAL TO KEEP THE ADORING HORDES FROM RIPPING THE SHIRTS OFF OUR BACKS. 1105 00:34:52,691 --> 00:34:54,602 ADORING HORDES FROM RIPPING THE SHIRTS OFF OUR BACKS. NOW, WE USUALLY DON'T DO THIS. 1106 00:34:54,626 --> 00:34:56,404 SHIRTS OFF OUR BACKS. NOW, WE USUALLY DON'T DO THIS. BUT IN THIS CASE, I HAVE TO. 1107 00:34:56,428 --> 00:34:58,440 NOW, WE USUALLY DON'T DO THIS. BUT IN THIS CASE, I HAVE TO. WE SEE A LOT OF CELEBRITIES HERE 1108 00:34:58,464 --> 00:35:00,341 BUT IN THIS CASE, I HAVE TO. WE SEE A LOT OF CELEBRITIES HERE IN THE V.I.P., BUT THIS ONE IS 1109 00:35:00,365 --> 00:35:01,008 WE SEE A LOT OF CELEBRITIES HERE IN THE V.I.P., BUT THIS ONE IS PEARLIE MAE. 1110 00:35:01,032 --> 00:35:02,377 IN THE V.I.P., BUT THIS ONE IS PEARLIE MAE. MISS PEARL BAILEY, LADIES AND 1111 00:35:02,401 --> 00:35:03,044 PEARLIE MAE. MISS PEARL BAILEY, LADIES AND GENTLEMEN. 1112 00:35:03,068 --> 00:35:04,812 MISS PEARL BAILEY, LADIES AND GENTLEMEN. MISS PEARL BAILEY OF THE 1113 00:35:04,836 --> 00:35:06,047 GENTLEMEN. MISS PEARL BAILEY OF THE UNITED NATIONS. 1114 00:35:06,071 --> 00:35:07,882 MISS PEARL BAILEY OF THE UNITED NATIONS. HELLO, PEARL. 1115 00:35:07,906 --> 00:35:08,716 UNITED NATIONS. HELLO, PEARL. HELLO, HONEY. 1116 00:35:08,740 --> 00:35:09,617 HELLO, PEARL. HELLO, HONEY. YOU'RE VERY SWEET. 1117 00:35:09,641 --> 00:35:10,985 HELLO, HONEY. YOU'RE VERY SWEET. LET ME TAKE A WILD STAB... 1118 00:35:11,009 --> 00:35:12,320 YOU'RE VERY SWEET. LET ME TAKE A WILD STAB... KURT WALDHEIM OF THE U.N. HAS 1119 00:35:12,344 --> 00:35:13,388 LET ME TAKE A WILD STAB... KURT WALDHEIM OF THE U.N. HAS ASKED YOU TO GO TO THE 1120 00:35:13,412 --> 00:35:14,055 KURT WALDHEIM OF THE U.N. HAS ASKED YOU TO GO TO THE MIDDLE EAST. 1121 00:35:14,079 --> 00:35:14,689 ASKED YOU TO GO TO THE MIDDLE EAST. IS THAT IT? 1122 00:35:14,713 --> 00:35:15,923 MIDDLE EAST. IS THAT IT? OH, NO, NO, HONEY, I'M GOING 1123 00:35:15,947 --> 00:35:16,657 IS THAT IT? OH, NO, NO, HONEY, I'M GOING TO NEW YORK TO DO 1124 00:35:16,681 --> 00:35:17,725 OH, NO, NO, HONEY, I'M GOING TO NEW YORK TO DO "THE STANLEY SIEGEL SHOW," 1125 00:35:17,749 --> 00:35:18,093 TO NEW YORK TO DO "THE STANLEY SIEGEL SHOW," HONEY. 1126 00:35:18,117 --> 00:35:19,461 "THE STANLEY SIEGEL SHOW," HONEY. BUT I AM RUNNING ALL OVER THE 1127 00:35:19,485 --> 00:35:20,695 HONEY. BUT I AM RUNNING ALL OVER THE WORLD, ALL OVER THE WORLD, 1128 00:35:20,719 --> 00:35:22,097 BUT I AM RUNNING ALL OVER THE WORLD, ALL OVER THE WORLD, HONEY, FOR THE U.N., TRYING TO 1129 00:35:22,121 --> 00:35:23,465 WORLD, ALL OVER THE WORLD, HONEY, FOR THE U.N., TRYING TO GET EVERYBODY TO JUST LOVE ONE 1130 00:35:23,489 --> 00:35:23,998 HONEY, FOR THE U.N., TRYING TO GET EVERYBODY TO JUST LOVE ONE ANOTHER. 1131 00:35:24,022 --> 00:35:25,032 GET EVERYBODY TO JUST LOVE ONE ANOTHER. YOU KNOW WHAT I MEAN? 1132 00:35:25,056 --> 00:35:26,067 ANOTHER. YOU KNOW WHAT I MEAN? BLESS YOU, PEARLIE. 1133 00:35:26,091 --> 00:35:27,001 YOU KNOW WHAT I MEAN? BLESS YOU, PEARLIE. WHO IS YOUR FRIEND? 1134 00:35:27,025 --> 00:35:28,836 BLESS YOU, PEARLIE. WHO IS YOUR FRIEND? OH, HI. I'M MRS. BOB HOPE. 1135 00:35:28,860 --> 00:35:30,371 WHO IS YOUR FRIEND? OH, HI. I'M MRS. BOB HOPE. OH, MY GOSH, WHAT A PLEASURE, 1136 00:35:30,395 --> 00:35:30,738 OH, HI. I'M MRS. BOB HOPE. OH, MY GOSH, WHAT A PLEASURE, BOB. 1137 00:35:30,762 --> 00:35:32,240 OH, MY GOSH, WHAT A PLEASURE, BOB. IT IS A REAL HONOR TO MEET YOU, 1138 00:35:32,264 --> 00:35:32,707 BOB. IT IS A REAL HONOR TO MEET YOU, MA'AM. 1139 00:35:32,731 --> 00:35:34,142 IT IS A REAL HONOR TO MEET YOU, MA'AM. ARE YOU HEADING FOR THE SIEGEL 1140 00:35:34,166 --> 00:35:34,775 MA'AM. ARE YOU HEADING FOR THE SIEGEL SHOW, TOO? 1141 00:35:34,799 --> 00:35:36,111 ARE YOU HEADING FOR THE SIEGEL SHOW, TOO? WELL, THAT'S RIGHT, NICK, BUT 1142 00:35:36,135 --> 00:35:37,145 SHOW, TOO? WELL, THAT'S RIGHT, NICK, BUT I'M JUST GOING TO WATCH. 1143 00:35:37,169 --> 00:35:38,379 WELL, THAT'S RIGHT, NICK, BUT I'M JUST GOING TO WATCH. THAT'S A LITTLE BIT KINKY, 1144 00:35:38,403 --> 00:35:39,514 I'M JUST GOING TO WATCH. THAT'S A LITTLE BIT KINKY, BUT IT'S ALL RIGHT WITH ME. 1145 00:35:39,538 --> 00:35:40,781 THAT'S A LITTLE BIT KINKY, BUT IT'S ALL RIGHT WITH ME. IS THAT ALL YOU'RE GONNA DO IN 1146 00:35:40,805 --> 00:35:41,282 BUT IT'S ALL RIGHT WITH ME. IS THAT ALL YOU'RE GONNA DO IN NEW YORK? 1147 00:35:41,306 --> 00:35:42,350 IS THAT ALL YOU'RE GONNA DO IN NEW YORK? NO, NO. 1148 00:35:42,374 --> 00:35:44,885 NEW YORK? NO, NO. ON MONDAY, I'LL BE JOINING BOB 1149 00:35:44,909 --> 00:35:46,254 NO, NO. ON MONDAY, I'LL BE JOINING BOB AND JOEY HEATHERTON AND 1150 00:35:46,278 --> 00:35:47,855 ON MONDAY, I'LL BE JOINING BOB AND JOEY HEATHERTON AND ANDREA MIKOLAS, THE NEW MISS 1151 00:35:47,879 --> 00:35:49,657 AND JOEY HEATHERTON AND ANDREA MIKOLAS, THE NEW MISS WORLD, AND JACK JONES FOR A LATE 1152 00:35:49,681 --> 00:35:50,258 ANDREA MIKOLAS, THE NEW MISS WORLD, AND JACK JONES FOR A LATE LUNCH. 1153 00:35:50,282 --> 00:35:51,626 WORLD, AND JACK JONES FOR A LATE LUNCH. THAT IS TERRIFIC. 1154 00:35:51,650 --> 00:35:54,295 LUNCH. THAT IS TERRIFIC. ♪ THANKS, MRS. HOPE, FOR THE 1155 00:35:54,319 --> 00:35:55,296 THAT IS TERRIFIC. ♪ THANKS, MRS. HOPE, FOR THE MEMORIES ♪ 1156 00:35:55,320 --> 00:35:58,299 ♪ THANKS, MRS. HOPE, FOR THE MEMORIES ♪ GO AHEAD. FINISH IT, WOULD YOU? 1157 00:35:58,323 --> 00:35:59,834 MEMORIES ♪ GO AHEAD. FINISH IT, WOULD YOU? IT'S ONE OF MY FAVORITE SONGS. 1158 00:35:59,858 --> 00:36:00,768 GO AHEAD. FINISH IT, WOULD YOU? IT'S ONE OF MY FAVORITE SONGS. I LOVE THAT SONG. 1159 00:36:00,792 --> 00:36:01,936 IT'S ONE OF MY FAVORITE SONGS. I LOVE THAT SONG. IT'S A BEAUTIFUL SONG. 1160 00:36:01,960 --> 00:36:03,471 I LOVE THAT SONG. IT'S A BEAUTIFUL SONG. SIT BACK AND COOL OFF A LITTLE 1161 00:36:03,495 --> 00:36:04,506 IT'S A BEAUTIFUL SONG. SIT BACK AND COOL OFF A LITTLE BIT, OKAY, PEARLIE? 1162 00:36:04,530 --> 00:36:06,174 SIT BACK AND COOL OFF A LITTLE BIT, OKAY, PEARLIE? HONEY, MY BRAIN IS BOILING 1163 00:36:06,198 --> 00:36:07,842 BIT, OKAY, PEARLIE? HONEY, MY BRAIN IS BOILING OVER, BUT MY FEET ARE KILLING 1164 00:36:07,866 --> 00:36:10,011 HONEY, MY BRAIN IS BOILING OVER, BUT MY FEET ARE KILLING ME. 1165 00:36:10,035 --> 00:36:13,181 OVER, BUT MY FEET ARE KILLING ME. ♪ YOU'LL NEVER BE ANYONE'S 1166 00:36:13,205 --> 00:36:15,850 ME. ♪ YOU'LL NEVER BE ANYONE'S BEAST OF BURDEN, PEARLIE ♪ 1167 00:36:15,874 --> 00:36:18,353 ♪ YOU'LL NEVER BE ANYONE'S BEAST OF BURDEN, PEARLIE ♪ ♪ I KNOW YOU'VE WALKED FOR MILES 1168 00:36:18,377 --> 00:36:20,188 BEAST OF BURDEN, PEARLIE ♪ ♪ I KNOW YOU'VE WALKED FOR MILES AND YOUR POOCHES ARE HURTING 1169 00:36:20,212 --> 00:36:22,190 ♪ I KNOW YOU'VE WALKED FOR MILES AND YOUR POOCHES ARE HURTING YOU, PEARLIE MAE ♪ 1170 00:36:22,214 --> 00:36:25,527 AND YOUR POOCHES ARE HURTING YOU, PEARLIE MAE ♪ ♪ ALL THAT YOU WANT IS FOR SOME 1171 00:36:25,551 --> 00:36:29,364 YOU, PEARLIE MAE ♪ ♪ ALL THAT YOU WANT IS FOR SOME PEOPLE TO MAKE LOVE ♪ 1172 00:36:29,388 --> 00:36:33,535 ♪ ALL THAT YOU WANT IS FOR SOME PEOPLE TO MAKE LOVE ♪ ♪ TO OTHER PEOPLE ♪ 1173 00:36:33,559 --> 00:36:34,935 PEOPLE TO MAKE LOVE ♪ ♪ TO OTHER PEOPLE ♪ MISS PEARL BAILEY OF THE 1174 00:36:34,959 --> 00:36:36,671 ♪ TO OTHER PEOPLE ♪ MISS PEARL BAILEY OF THE UNITED NATIONS, THE INCREDIBLE, 1175 00:36:36,695 --> 00:36:37,905 MISS PEARL BAILEY OF THE UNITED NATIONS, THE INCREDIBLE, INCREDIBLE PERFORMER. 1176 00:36:37,929 --> 00:36:39,641 UNITED NATIONS, THE INCREDIBLE, INCREDIBLE PERFORMER. FLIGHT 362 TO NEWARK IS NOW 1177 00:36:39,665 --> 00:36:41,376 INCREDIBLE PERFORMER. FLIGHT 362 TO NEWARK IS NOW IN ITS FINAL BOARDING STAGE AT 1178 00:36:41,400 --> 00:36:42,009 FLIGHT 362 TO NEWARK IS NOW IN ITS FINAL BOARDING STAGE AT GATE 13. 1179 00:36:42,033 --> 00:36:43,344 IN ITS FINAL BOARDING STAGE AT GATE 13. HOPE NOBODY MISSED THAT ONE. 1180 00:36:43,368 --> 00:36:45,346 GATE 13. HOPE NOBODY MISSED THAT ONE. OH, PHOEBE SNOW. PHOEBE SNOW. 1181 00:36:45,370 --> 00:36:47,014 HOPE NOBODY MISSED THAT ONE. OH, PHOEBE SNOW. PHOEBE SNOW. DO YOU SEE HER? PHOEBE SNOW. 1182 00:36:47,038 --> 00:36:47,682 OH, PHOEBE SNOW. PHOEBE SNOW. DO YOU SEE HER? PHOEBE SNOW. [CHUCKLES] 1183 00:36:47,706 --> 00:36:49,850 DO YOU SEE HER? PHOEBE SNOW. [CHUCKLES] THAT'S HER... PHOEBE SNOW. 1184 00:36:49,874 --> 00:36:50,518 [CHUCKLES] THAT'S HER... PHOEBE SNOW. HELLO, V.I.P. 1185 00:36:50,542 --> 00:36:51,352 THAT'S HER... PHOEBE SNOW. HELLO, V.I.P. WHAT'S YOUR NAME? 1186 00:36:51,376 --> 00:36:52,086 HELLO, V.I.P. WHAT'S YOUR NAME? WHAT DO YOU DO? 1187 00:36:52,110 --> 00:36:53,421 WHAT'S YOUR NAME? WHAT DO YOU DO? I'M BRETT MITTLAN. 1188 00:36:53,445 --> 00:36:55,223 WHAT DO YOU DO? I'M BRETT MITTLAN. I'M VICE PRESIDENT OF WISCONSIN 1189 00:36:55,247 --> 00:36:56,457 I'M BRETT MITTLAN. I'M VICE PRESIDENT OF WISCONSIN NIPPON INSTRUMENTS. 1190 00:36:56,481 --> 00:36:57,091 I'M VICE PRESIDENT OF WISCONSIN NIPPON INSTRUMENTS. GREAT. 1191 00:36:57,115 --> 00:36:58,593 NIPPON INSTRUMENTS. GREAT. AND WHO IS YOUR FRIEND HERE? 1192 00:36:58,617 --> 00:37:00,528 GREAT. AND WHO IS YOUR FRIEND HERE? WELL, THIS IS MY OSAKA 1193 00:37:00,552 --> 00:37:02,029 AND WHO IS YOUR FRIEND HERE? WELL, THIS IS MY OSAKA PARTNER, MR. YOSH. 1194 00:37:02,053 --> 00:37:02,830 WELL, THIS IS MY OSAKA PARTNER, MR. YOSH. JOSH YOSH. 1195 00:37:02,854 --> 00:37:04,098 PARTNER, MR. YOSH. JOSH YOSH. HI, NICE TO MEET YOU, 1196 00:37:04,122 --> 00:37:04,732 JOSH YOSH. HI, NICE TO MEET YOU, MR. YOSH. 1197 00:37:04,756 --> 00:37:06,201 HI, NICE TO MEET YOU, MR. YOSH. MR. YOSH DOESN'T SPEAK 1198 00:37:06,225 --> 00:37:07,168 MR. YOSH. MR. YOSH DOESN'T SPEAK ENGLISH AS YET. 1199 00:37:07,192 --> 00:37:09,337 MR. YOSH DOESN'T SPEAK ENGLISH AS YET. WELL, HE IS STILL A V.I.P. 1200 00:37:09,361 --> 00:37:11,005 ENGLISH AS YET. WELL, HE IS STILL A V.I.P. HOW DO YOU TWO COMMUNICATE? 1201 00:37:11,029 --> 00:37:12,674 WELL, HE IS STILL A V.I.P. HOW DO YOU TWO COMMUNICATE? WELL, THIS IS THE LATEST IN 1202 00:37:12,698 --> 00:37:14,275 HOW DO YOU TWO COMMUNICATE? WELL, THIS IS THE LATEST IN SILICON MICROCHIP TECHNOLOGY. 1203 00:37:14,299 --> 00:37:15,976 WELL, THIS IS THE LATEST IN SILICON MICROCHIP TECHNOLOGY. IT'S A LEXICON POCKET-COMPUTER 1204 00:37:16,000 --> 00:37:16,744 SILICON MICROCHIP TECHNOLOGY. IT'S A LEXICON POCKET-COMPUTER TRANSLATOR. 1205 00:37:16,768 --> 00:37:18,513 IT'S A LEXICON POCKET-COMPUTER TRANSLATOR. IT AUTOMATICALLY TRANSLATES 250 1206 00:37:18,537 --> 00:37:20,114 TRANSLATOR. IT AUTOMATICALLY TRANSLATES 250 COMMON WORDS FROM ENGLISH TO 1207 00:37:20,138 --> 00:37:20,548 IT AUTOMATICALLY TRANSLATES 250 COMMON WORDS FROM ENGLISH TO JAP. 1208 00:37:20,572 --> 00:37:21,216 COMMON WORDS FROM ENGLISH TO JAP. MM-HMM. 1209 00:37:21,240 --> 00:37:23,218 JAP. MM-HMM. HOW WOULD YOU SAY IN JAPANESE, 1210 00:37:23,242 --> 00:37:25,052 MM-HMM. HOW WOULD YOU SAY IN JAPANESE, SAY, "UNDERWEAR"? 1211 00:37:25,076 --> 00:37:26,221 HOW WOULD YOU SAY IN JAPANESE, SAY, "UNDERWEAR"? ALL RIGHT, WELL, YOU JUST 1212 00:37:26,245 --> 00:37:27,555 SAY, "UNDERWEAR"? ALL RIGHT, WELL, YOU JUST PUNCH IT IN HERE. 1213 00:37:27,579 --> 00:37:29,890 ALL RIGHT, WELL, YOU JUST PUNCH IT IN HERE. U-N-D-E-R-W-E-A-R. 1214 00:37:29,914 --> 00:37:32,059 PUNCH IT IN HERE. U-N-D-E-R-W-E-A-R. E-A-R, AND YOU PUNCH THE 1215 00:37:32,083 --> 00:37:34,895 U-N-D-E-R-W-E-A-R. E-A-R, AND YOU PUNCH THE EQUAL SIGN AND... 1216 00:37:34,919 --> 00:37:37,064 E-A-R, AND YOU PUNCH THE EQUAL SIGN AND... [LAUGHS] 1217 00:37:37,088 --> 00:37:37,732 EQUAL SIGN AND... [LAUGHS] BLESS YOU. 1218 00:37:37,756 --> 00:37:39,066 [LAUGHS] BLESS YOU. YOU GOT TO WORK WITH THIS GUY 1219 00:37:39,090 --> 00:37:40,335 BLESS YOU. YOU GOT TO WORK WITH THIS GUY TO KNOW WHAT A ZANE HE IS, YOU 1220 00:37:40,359 --> 00:37:40,702 YOU GOT TO WORK WITH THIS GUY TO KNOW WHAT A ZANE HE IS, YOU KNOW? 1221 00:37:40,726 --> 00:37:42,704 TO KNOW WHAT A ZANE HE IS, YOU KNOW? [LAUGHS] 1222 00:37:42,728 --> 00:37:44,472 KNOW? [LAUGHS] WELL, THIS ONE'S FOR YOU, 1223 00:37:44,496 --> 00:37:45,240 [LAUGHS] WELL, THIS ONE'S FOR YOU, MR. YOSH. 1224 00:37:45,264 --> 00:37:47,904 WELL, THIS ONE'S FOR YOU, MR. YOSH. [SINGING IN FOREIGN LANGUAGE] 1225 00:38:08,886 --> 00:38:13,033 ROCK 'N' ROLL COUNTRY. HEY! GEE WHIZ, GALS. WHAT THE HECK? 1226 00:38:13,057 --> 00:38:14,502 HEY! GEE WHIZ, GALS. WHAT THE HECK? WHY IS THIS TABLE SO SOBER? 1227 00:38:14,526 --> 00:38:16,504 GEE WHIZ, GALS. WHAT THE HECK? WHY IS THIS TABLE SO SOBER? WE DON'T DRINK TO GET DRUNK. 1228 00:38:16,528 --> 00:38:17,805 WHY IS THIS TABLE SO SOBER? WE DON'T DRINK TO GET DRUNK. NICE TO HAVE YOU HERE. 1229 00:38:17,829 --> 00:38:19,006 WE DON'T DRINK TO GET DRUNK. NICE TO HAVE YOU HERE. MISS STEINEM, ISN'T IT? 1230 00:38:19,030 --> 00:38:20,608 NICE TO HAVE YOU HERE. MISS STEINEM, ISN'T IT? NO, I'M NOT GLORIA STEINEM, 1231 00:38:20,632 --> 00:38:22,310 MISS STEINEM, ISN'T IT? NO, I'M NOT GLORIA STEINEM, BUT I'VE WORKED WITH HER BEFORE. 1232 00:38:22,334 --> 00:38:23,878 NO, I'M NOT GLORIA STEINEM, BUT I'VE WORKED WITH HER BEFORE. IN FACT, WE'RE ON OUR WAY TO A 1233 00:38:23,902 --> 00:38:25,313 BUT I'VE WORKED WITH HER BEFORE. IN FACT, WE'RE ON OUR WAY TO A NATIONAL WOMEN'S POLITICAL 1234 00:38:25,337 --> 00:38:26,447 IN FACT, WE'RE ON OUR WAY TO A NATIONAL WOMEN'S POLITICAL CAUCUS IN NEW HAVEN, 1235 00:38:26,471 --> 00:38:26,947 NATIONAL WOMEN'S POLITICAL CAUCUS IN NEW HAVEN, CONNECTICUT. 1236 00:38:26,971 --> 00:38:28,783 CAUCUS IN NEW HAVEN, CONNECTICUT. IS THAT SO? 1237 00:38:28,807 --> 00:38:30,618 CONNECTICUT. IS THAT SO? UM, THAT'S RIGHT. 1238 00:38:30,642 --> 00:38:33,087 IS THAT SO? UM, THAT'S RIGHT. ABOUT 1,500 WOMEN FROM ALL OVER 1239 00:38:33,111 --> 00:38:35,122 UM, THAT'S RIGHT. ABOUT 1,500 WOMEN FROM ALL OVER THE UNITED STATES WILL BE 1240 00:38:35,146 --> 00:38:37,659 ABOUT 1,500 WOMEN FROM ALL OVER THE UNITED STATES WILL BE DRAFTING PROPOSALS TO RATIFY THE 1241 00:38:37,683 --> 00:38:40,127 THE UNITED STATES WILL BE DRAFTING PROPOSALS TO RATIFY THE E.R.A. IN THE UNITED STATES AND 1242 00:38:40,151 --> 00:38:41,061 DRAFTING PROPOSALS TO RATIFY THE E.R.A. IN THE UNITED STATES AND THEN THE WORLD. 1243 00:38:41,085 --> 00:38:42,096 E.R.A. IN THE UNITED STATES AND THEN THE WORLD. WAIT A MINUTE. 1244 00:38:42,120 --> 00:38:43,498 THEN THE WORLD. WAIT A MINUTE. 1,500 WOMEN IN ONE PLACE? 1245 00:38:43,522 --> 00:38:45,099 WAIT A MINUTE. 1,500 WOMEN IN ONE PLACE? I THINK EVEN NICK WINGS COULD 1246 00:38:45,123 --> 00:38:46,100 1,500 WOMEN IN ONE PLACE? I THINK EVEN NICK WINGS COULD SCORE, HUH? 1247 00:38:46,124 --> 00:38:48,269 I THINK EVEN NICK WINGS COULD SCORE, HUH? WHAT DO YOU THINK ABOUT THAT? 1248 00:38:48,293 --> 00:38:51,105 SCORE, HUH? WHAT DO YOU THINK ABOUT THAT? I WOULDN'T BET ON IT. 1249 00:38:51,129 --> 00:38:52,440 WHAT DO YOU THINK ABOUT THAT? I WOULDN'T BET ON IT. AND TAKE THAT OBNOXIOUS THING 1250 00:38:52,464 --> 00:38:54,275 I WOULDN'T BET ON IT. AND TAKE THAT OBNOXIOUS THING OUT OF MY FACE. 1251 00:38:54,299 --> 00:38:55,176 AND TAKE THAT OBNOXIOUS THING OUT OF MY FACE. THANKS, OKAY. 1252 00:38:55,200 --> 00:38:56,477 OUT OF MY FACE. THANKS, OKAY. WELL, THIS ONE IS FOR THE 1253 00:38:56,501 --> 00:38:57,645 THANKS, OKAY. WELL, THIS ONE IS FOR THE PERSONS AT THIS TABLE. 1254 00:38:57,669 --> 00:39:01,649 WELL, THIS ONE IS FOR THE PERSONS AT THIS TABLE. ♪ THANK HEAVEN FOR LITTLE 1255 00:39:01,673 --> 00:39:04,151 PERSONS AT THIS TABLE. ♪ THANK HEAVEN FOR LITTLE GIRLS ♪ 1256 00:39:04,175 --> 00:39:05,986 ♪ THANK HEAVEN FOR LITTLE GIRLS ♪ ♪ 'CAUSE LITTLE GIRLS ♪ 1257 00:39:06,010 --> 00:39:07,655 GIRLS ♪ ♪ 'CAUSE LITTLE GIRLS ♪ ♪ GET A LITTLE BIT OLDER ♪ 1258 00:39:07,679 --> 00:39:10,491 ♪ 'CAUSE LITTLE GIRLS ♪ ♪ GET A LITTLE BIT OLDER ♪ ♪ EVERY DAY ♪ 1259 00:39:10,515 --> 00:39:12,993 ♪ GET A LITTLE BIT OLDER ♪ ♪ EVERY DAY ♪ ♪ THANK HEAVEN ♪ 1260 00:39:13,017 --> 00:39:15,830 ♪ EVERY DAY ♪ ♪ THANK HEAVEN ♪ ♪ FOR LITTLE GIRLS ♪ 1261 00:39:15,854 --> 00:39:17,665 ♪ THANK HEAVEN ♪ ♪ FOR LITTLE GIRLS ♪ AAH! 1262 00:39:17,689 --> 00:39:19,166 ♪ FOR LITTLE GIRLS ♪ AAH! OH, MY GOD! 1263 00:39:19,190 --> 00:39:21,001 AAH! OH, MY GOD! I CAN'T BELIEVE IT! 1264 00:39:21,025 --> 00:39:23,838 OH, MY GOD! I CAN'T BELIEVE IT! LINDA RONSTADT, IT IS YOU! 1265 00:39:23,862 --> 00:39:25,005 I CAN'T BELIEVE IT! LINDA RONSTADT, IT IS YOU! OH! 1266 00:39:25,029 --> 00:39:28,008 LINDA RONSTADT, IT IS YOU! OH! I ADORED "HEART LIKE A WHEEL." 1267 00:39:28,032 --> 00:39:29,677 OH! I ADORED "HEART LIKE A WHEEL." AND I ADORE YOU! 1268 00:39:29,701 --> 00:39:30,177 I ADORED "HEART LIKE A WHEEL." AND I ADORE YOU! YEAH? 1269 00:39:30,201 --> 00:39:31,679 AND I ADORE YOU! YEAH? OH, YOU ARE CUTE! 1270 00:39:31,703 --> 00:39:32,246 YEAH? OH, YOU ARE CUTE! JESUS. 1271 00:39:32,270 --> 00:39:33,748 OH, YOU ARE CUTE! JESUS. THAT'S REAL NICE OF YOU TO SAY. 1272 00:39:33,772 --> 00:39:35,216 JESUS. THAT'S REAL NICE OF YOU TO SAY. OH, THAT IS NICE OF YOU TO 1273 00:39:35,240 --> 00:39:35,883 THAT'S REAL NICE OF YOU TO SAY. OH, THAT IS NICE OF YOU TO STAY THAT. 1274 00:39:35,907 --> 00:39:37,084 OH, THAT IS NICE OF YOU TO STAY THAT. LOOK AT YOUR SCHNOZOLA! 1275 00:39:37,108 --> 00:39:38,586 STAY THAT. LOOK AT YOUR SCHNOZOLA! YOU HAVE A CUTE LITTLE HONKER 1276 00:39:38,610 --> 00:39:39,086 LOOK AT YOUR SCHNOZOLA! YOU HAVE A CUTE LITTLE HONKER THERE. 1277 00:39:39,110 --> 00:39:40,421 YOU HAVE A CUTE LITTLE HONKER THERE. OH, CAN I? 1278 00:39:40,445 --> 00:39:41,088 THERE. OH, CAN I? COME HERE. 1279 00:39:41,112 --> 00:39:42,089 OH, CAN I? COME HERE. MWAH! 1280 00:39:42,113 --> 00:39:42,557 COME HERE. MWAH! OH! 1281 00:39:42,581 --> 00:39:44,459 MWAH! OH! WHO IS THIS, A NEW BOYFRIEND 1282 00:39:44,483 --> 00:39:46,293 OH! WHO IS THIS, A NEW BOYFRIEND COMING BETWEEN US, LINDA? 1283 00:39:46,317 --> 00:39:48,663 WHO IS THIS, A NEW BOYFRIEND COMING BETWEEN US, LINDA? NO, UH, I AM MISS RONSTADT'S 1284 00:39:48,687 --> 00:39:49,630 COMING BETWEEN US, LINDA? NO, UH, I AM MISS RONSTADT'S BODYGUARD. 1285 00:39:49,654 --> 00:39:51,932 NO, UH, I AM MISS RONSTADT'S BODYGUARD. SO LET'S WATCH IT, CLOWN, OKAY? 1286 00:39:51,956 --> 00:39:53,100 BODYGUARD. SO LET'S WATCH IT, CLOWN, OKAY? OH. 1287 00:39:53,124 --> 00:39:54,569 SO LET'S WATCH IT, CLOWN, OKAY? OH. YOU MIND LEAVING US ALONE, 1288 00:39:54,593 --> 00:39:55,102 OH. YOU MIND LEAVING US ALONE, PLEASE? 1289 00:39:55,126 --> 00:39:58,439 YOU MIND LEAVING US ALONE, PLEASE? ♪ AH, YOU'RE NO GOOD, LINDA ♪ 1290 00:39:58,463 --> 00:39:59,607 PLEASE? ♪ AH, YOU'RE NO GOOD, LINDA ♪ ♪ YOU'RE NO GOOD ♪ 1291 00:39:59,631 --> 00:40:00,608 ♪ AH, YOU'RE NO GOOD, LINDA ♪ ♪ YOU'RE NO GOOD ♪ ♪ YOU'RE NO GOOD ♪ 1292 00:40:00,632 --> 00:40:02,443 ♪ YOU'RE NO GOOD ♪ ♪ YOU'RE NO GOOD ♪ ♪ MISS RONSTADT, YOU'RE NO 1293 00:40:02,467 --> 00:40:04,111 ♪ YOU'RE NO GOOD ♪ ♪ MISS RONSTADT, YOU'RE NO GOOD ♪ 1294 00:40:04,135 --> 00:40:05,780 ♪ MISS RONSTADT, YOU'RE NO GOOD ♪ ♪ I WANT YOU TO SAY IT AGAIN ♪ 1295 00:40:05,804 --> 00:40:06,781 GOOD ♪ ♪ I WANT YOU TO SAY IT AGAIN ♪ ♪ YOU'RE NO GOOD ♪ 1296 00:40:06,805 --> 00:40:07,615 ♪ I WANT YOU TO SAY IT AGAIN ♪ ♪ YOU'RE NO GOOD ♪ ♪ YOU'RE NO GOOD ♪ 1297 00:40:07,639 --> 00:40:12,453 ♪ YOU'RE NO GOOD ♪ ♪ YOU'RE NO GOOD ♪ UGH! 1298 00:40:12,477 --> 00:40:14,411 ♪ YOU'RE NO GOOD ♪ UGH! [SOFT PIANO MUSIC PLAYING] 1299 00:40:20,918 --> 00:40:27,702 WHICH BRINGS UP AN INTERESTING POINT. EVERY PERSON... I DON'T CARE IF 1300 00:40:27,726 --> 00:40:29,937 POINT. EVERY PERSON... I DON'T CARE IF HE'S A V.I.P. OR A V.V.I.P... 1301 00:40:29,961 --> 00:40:32,072 EVERY PERSON... I DON'T CARE IF HE'S A V.I.P. OR A V.V.I.P... IS ENTITLED TO HIS OR HER OWN 1302 00:40:32,096 --> 00:40:33,974 HE'S A V.I.P. OR A V.V.I.P... IS ENTITLED TO HIS OR HER OWN V.I.P.P., "VERY IMPORTANT 1303 00:40:33,998 --> 00:40:35,476 IS ENTITLED TO HIS OR HER OWN V.I.P.P., "VERY IMPORTANT PERSON'S PRIVACY." 1304 00:40:35,500 --> 00:40:36,477 V.I.P.P., "VERY IMPORTANT PERSON'S PRIVACY." THAT, OF COURSE... 1305 00:40:36,501 --> 00:40:38,078 PERSON'S PRIVACY." THAT, OF COURSE... FLIGHT 419 TO LAGUARDIA, 1306 00:40:38,102 --> 00:40:39,647 THAT, OF COURSE... FLIGHT 419 TO LAGUARDIA, NEW YORK, IS NOW BOARDING. 1307 00:40:39,671 --> 00:40:40,782 FLIGHT 419 TO LAGUARDIA, NEW YORK, IS NOW BOARDING. THAT'S THE PURPOSE OF THE 1308 00:40:40,806 --> 00:40:41,549 NEW YORK, IS NOW BOARDING. THAT'S THE PURPOSE OF THE V.I.P., OF COURSE. 1309 00:40:41,573 --> 00:40:43,250 THAT'S THE PURPOSE OF THE V.I.P., OF COURSE. OUR NONSTOP TO NEW YORK IS NOW 1310 00:40:43,274 --> 00:40:44,919 V.I.P., OF COURSE. OUR NONSTOP TO NEW YORK IS NOW BOARDING, AND OUR E.T.B., OUR 1311 00:40:44,943 --> 00:40:46,454 OUR NONSTOP TO NEW YORK IS NOW BOARDING, AND OUR E.T.B., OUR ESTIMATED TIME OF BREAK, IS 1312 00:40:46,478 --> 00:40:47,588 BOARDING, AND OUR E.T.B., OUR ESTIMATED TIME OF BREAK, IS ABOUT TWO MINUTES. 1313 00:40:47,612 --> 00:40:48,856 ESTIMATED TIME OF BREAK, IS ABOUT TWO MINUTES. SO LET'S GO OUT WITH THIS ONE TO 1314 00:40:48,880 --> 00:40:50,057 ABOUT TWO MINUTES. SO LET'S GO OUT WITH THIS ONE TO FINISH FOR THE FOLKS WHO WON'T 1315 00:40:50,081 --> 00:40:51,025 SO LET'S GO OUT WITH THIS ONE TO FINISH FOR THE FOLKS WHO WON'T BE HERE FOR THE REST OF 1316 00:40:51,049 --> 00:40:52,359 FINISH FOR THE FOLKS WHO WON'T BE HERE FOR THE REST OF INTRA-FLIGHT ENTERTAINMENT. 1317 00:40:52,383 --> 00:40:53,694 BE HERE FOR THE REST OF INTRA-FLIGHT ENTERTAINMENT. NO MATTER WHERE YOUR FLIGHT 1318 00:40:53,718 --> 00:40:54,695 INTRA-FLIGHT ENTERTAINMENT. NO MATTER WHERE YOUR FLIGHT TAKES YOU... 1319 00:40:54,719 --> 00:40:57,031 NO MATTER WHERE YOUR FLIGHT TAKES YOU... ♪ IF YOU'RE GOING ♪ 1320 00:40:57,055 --> 00:40:59,534 TAKES YOU... ♪ IF YOU'RE GOING ♪ ♪ TO SCARBOROUGH FAIR ♪ 1321 00:40:59,558 --> 00:41:03,370 ♪ IF YOU'RE GOING ♪ ♪ TO SCARBOROUGH FAIR ♪ ♪ PARSLEY, SAGE, ROSEMARY, AND 1322 00:41:03,394 --> 00:41:06,373 ♪ TO SCARBOROUGH FAIR ♪ ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ 1323 00:41:06,397 --> 00:41:09,376 ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ ♪ REMEMBER ME TO THE DUDE OR 1324 00:41:09,400 --> 00:41:11,712 THYME ♪ ♪ REMEMBER ME TO THE DUDE OR CHICK WHO LIVES THERE ♪ 1325 00:41:11,736 --> 00:41:15,883 ♪ REMEMBER ME TO THE DUDE OR CHICK WHO LIVES THERE ♪ ♪ HE OR SHE ONCE WAS A TRUE LOVE 1326 00:41:15,907 --> 00:41:18,886 CHICK WHO LIVES THERE ♪ ♪ HE OR SHE ONCE WAS A TRUE LOVE OF MINE ♪ 1327 00:41:18,910 --> 00:41:21,889 ♪ HE OR SHE ONCE WAS A TRUE LOVE OF MINE ♪ ♪ P.S. ♪ 1328 00:41:21,913 --> 00:41:26,393 OF MINE ♪ ♪ P.S. ♪ ♪ ROSEMARY ♪ 1329 00:41:26,417 --> 00:41:34,357 ♪ P.S. ♪ ♪ ROSEMARY ♪ ♪ AND THYME! ♪ 1330 00:42:01,852 --> 00:42:06,567 GOOD EVENING, AND WELCOME TO "BLACK PERSPECTIVE." WE HAVE A SPECIAL PROGRAM 1331 00:42:06,591 --> 00:42:08,669 "BLACK PERSPECTIVE." WE HAVE A SPECIAL PROGRAM TONIGHT, FOR ALTHOUGH MY GUESTS 1332 00:42:08,693 --> 00:42:10,671 WE HAVE A SPECIAL PROGRAM TONIGHT, FOR ALTHOUGH MY GUESTS ARE NOT BLACK, THEY REPRESENT 1333 00:42:10,695 --> 00:42:12,707 TONIGHT, FOR ALTHOUGH MY GUESTS ARE NOT BLACK, THEY REPRESENT ANOTHER VICTIMIZED MINORITY IN 1334 00:42:12,731 --> 00:42:14,709 ARE NOT BLACK, THEY REPRESENT ANOTHER VICTIMIZED MINORITY IN THIS COUNTRY... THE ILLEGAL 1335 00:42:14,733 --> 00:42:15,877 ANOTHER VICTIMIZED MINORITY IN THIS COUNTRY... THE ILLEGAL ALIEN. 1336 00:42:15,901 --> 00:42:20,548 THIS COUNTRY... THE ILLEGAL ALIEN. PLEASE WELCOME JOVAN SHEGULA... 1337 00:42:20,572 --> 00:42:23,885 ALIEN. PLEASE WELCOME JOVAN SHEGULA... HIS WIFE, VESNA... 1338 00:42:23,909 --> 00:42:25,219 PLEASE WELCOME JOVAN SHEGULA... HIS WIFE, VESNA... AND THEIR FRIEND, 1339 00:42:25,243 --> 00:42:29,223 HIS WIFE, VESNA... AND THEIR FRIEND, ROSA SANTANGELO. 1340 00:42:29,247 --> 00:42:31,492 AND THEIR FRIEND, ROSA SANTANGELO. YEAH, WELCOME, JOVAN, AND 1341 00:42:31,516 --> 00:42:33,093 ROSA SANTANGELO. YEAH, WELCOME, JOVAN, AND CONGRATULATIONS. 1342 00:42:33,117 --> 00:42:35,262 YEAH, WELCOME, JOVAN, AND CONGRATULATIONS. YOU AND YOUR WIFE ARE THE FIRST 1343 00:42:35,286 --> 00:42:37,264 CONGRATULATIONS. YOU AND YOUR WIFE ARE THE FIRST UKRAINIANS WE'VE EVER HAD ON 1344 00:42:37,288 --> 00:42:38,032 YOU AND YOUR WIFE ARE THE FIRST UKRAINIANS WE'VE EVER HAD ON "BLACK PERSPECTIVE." 1345 00:42:38,056 --> 00:42:39,066 UKRAINIANS WE'VE EVER HAD ON "BLACK PERSPECTIVE." [Ukrainian accent] HELLO. 1346 00:42:39,090 --> 00:42:40,067 "BLACK PERSPECTIVE." [Ukrainian accent] HELLO. [Ukrainian accent] MUCH 1347 00:42:40,091 --> 00:42:41,402 [Ukrainian accent] HELLO. [Ukrainian accent] MUCH HELLO. 1348 00:42:41,426 --> 00:42:43,237 [Ukrainian accent] MUCH HELLO. YEAH, AND, ROSA, YOU ARE FROM 1349 00:42:43,261 --> 00:42:44,304 HELLO. YEAH, AND, ROSA, YOU ARE FROM GUATEMALA, RIGHT? 1350 00:42:44,328 --> 00:42:46,040 YEAH, AND, ROSA, YOU ARE FROM GUATEMALA, RIGHT? AND I UNDERSTAND YOU... YOU'RE 1351 00:42:46,064 --> 00:42:47,508 GUATEMALA, RIGHT? AND I UNDERSTAND YOU... YOU'RE NOW EMPLOYED BY THE EXXON 1352 00:42:47,532 --> 00:42:48,976 AND I UNDERSTAND YOU... YOU'RE NOW EMPLOYED BY THE EXXON CORPORATION RIGHT HERE IN 1353 00:42:49,000 --> 00:42:49,677 NOW EMPLOYED BY THE EXXON CORPORATION RIGHT HERE IN NEW YORK. 1354 00:42:49,701 --> 00:42:50,244 CORPORATION RIGHT HERE IN NEW YORK. WHAT DO YOU DO? 1355 00:42:50,268 --> 00:42:51,278 NEW YORK. WHAT DO YOU DO? [Guatemalan accent] I CLEAN 1356 00:42:51,302 --> 00:42:54,615 WHAT DO YOU DO? [Guatemalan accent] I CLEAN UP, OKAY? 1357 00:42:54,639 --> 00:42:57,284 [Guatemalan accent] I CLEAN UP, OKAY? NOW... 1358 00:42:57,308 --> 00:42:59,053 UP, OKAY? NOW... JOVAN, WHY DID YOU, UH, YOU 1359 00:42:59,077 --> 00:43:00,955 NOW... JOVAN, WHY DID YOU, UH, YOU KNOW, AND YOUR WIFE CHOOSE TO 1360 00:43:00,979 --> 00:43:02,957 JOVAN, WHY DID YOU, UH, YOU KNOW, AND YOUR WIFE CHOOSE TO LEAVE THE UKRAINE AND COME HERE 1361 00:43:02,981 --> 00:43:04,391 KNOW, AND YOUR WIFE CHOOSE TO LEAVE THE UKRAINE AND COME HERE TO THE UNITED STATES? 1362 00:43:04,415 --> 00:43:06,661 LEAVE THE UKRAINE AND COME HERE TO THE UNITED STATES? MY BROTHER, ENSI, HE GETS 1363 00:43:06,685 --> 00:43:07,929 TO THE UNITED STATES? MY BROTHER, ENSI, HE GETS SHOT IN TAXI. 1364 00:43:07,953 --> 00:43:10,330 MY BROTHER, ENSI, HE GETS SHOT IN TAXI. WE COME TO FUNERAL... NO MONEY 1365 00:43:10,354 --> 00:43:11,832 SHOT IN TAXI. WE COME TO FUNERAL... NO MONEY TO GO BACK. 1366 00:43:11,856 --> 00:43:14,234 WE COME TO FUNERAL... NO MONEY TO GO BACK. FIRST SECRETARY OF TREASURY, 1367 00:43:14,258 --> 00:43:16,571 TO GO BACK. FIRST SECRETARY OF TREASURY, ALEXANDER HAMILTON, BORN 1755, 1368 00:43:16,595 --> 00:43:18,405 FIRST SECRETARY OF TREASURY, ALEXANDER HAMILTON, BORN 1755, DIED IN 1804. 1369 00:43:18,429 --> 00:43:20,741 ALEXANDER HAMILTON, BORN 1755, DIED IN 1804. [SPEAKING NATIVE LANGUAGE] 1370 00:43:20,765 --> 00:43:21,842 DIED IN 1804. [SPEAKING NATIVE LANGUAGE] [SPEAKING NATIVE LANGUAGE] 1371 00:43:21,866 --> 00:43:22,977 [SPEAKING NATIVE LANGUAGE] [SPEAKING NATIVE LANGUAGE] SHE STUDIED FOR CITIZEN TEST. 1372 00:43:23,001 --> 00:43:24,478 [SPEAKING NATIVE LANGUAGE] SHE STUDIED FOR CITIZEN TEST. I COACH, YOU KNOW? 1373 00:43:24,502 --> 00:43:25,646 SHE STUDIED FOR CITIZEN TEST. I COACH, YOU KNOW? [CLEARS THROAT] 1374 00:43:25,670 --> 00:43:27,582 I COACH, YOU KNOW? [CLEARS THROAT] THE PLIGHT OF THE IMMIGRANT 1375 00:43:27,606 --> 00:43:29,450 [CLEARS THROAT] THE PLIGHT OF THE IMMIGRANT IS QUITE SIMILAR TO THE BLACK 1376 00:43:29,474 --> 00:43:30,918 THE PLIGHT OF THE IMMIGRANT IS QUITE SIMILAR TO THE BLACK EXPERIENCE IN AMERICA. 1377 00:43:30,942 --> 00:43:32,519 IS QUITE SIMILAR TO THE BLACK EXPERIENCE IN AMERICA. THEY COME TO OUR COUNTRY. 1378 00:43:32,543 --> 00:43:33,520 EXPERIENCE IN AMERICA. THEY COME TO OUR COUNTRY. THE WORK HARD. 1379 00:43:33,544 --> 00:43:35,389 THEY COME TO OUR COUNTRY. THE WORK HARD. THEY'RE PROUD TO BE AMERICANS. 1380 00:43:35,413 --> 00:43:37,424 THE WORK HARD. THEY'RE PROUD TO BE AMERICANS. BUT THEY'RE STILL REGARDED AS 1381 00:43:37,448 --> 00:43:39,060 THEY'RE PROUD TO BE AMERICANS. BUT THEY'RE STILL REGARDED AS SECOND-CLASS CITIZENS. 1382 00:43:39,084 --> 00:43:40,561 BUT THEY'RE STILL REGARDED AS SECOND-CLASS CITIZENS. HE'S RIGHT. 1383 00:43:40,585 --> 00:43:43,397 SECOND-CLASS CITIZENS. HE'S RIGHT. WE ARE NEW NIGGY. 1384 00:43:43,421 --> 00:43:46,233 HE'S RIGHT. WE ARE NEW NIGGY. UH, YOU MEAN "NEW NIGGER." 1385 00:43:46,257 --> 00:43:47,234 WE ARE NEW NIGGY. UH, YOU MEAN "NEW NIGGER." YES, NEW NIGGY. 1386 00:43:47,258 --> 00:43:49,570 UH, YOU MEAN "NEW NIGGER." YES, NEW NIGGY. UH-HUH. 1387 00:43:49,594 --> 00:43:50,738 YES, NEW NIGGY. UH-HUH. WELL, UH, THAT'S A GOOD 1388 00:43:50,762 --> 00:43:52,239 UH-HUH. WELL, UH, THAT'S A GOOD POINT, JOVAN. 1389 00:43:52,263 --> 00:43:53,841 WELL, UH, THAT'S A GOOD POINT, JOVAN. THE BLACK IS NO LONGER, YOU 1390 00:43:53,865 --> 00:43:55,676 POINT, JOVAN. THE BLACK IS NO LONGER, YOU KNOW, ON THE LOWEST RUNG ON THE 1391 00:43:55,700 --> 00:43:57,344 THE BLACK IS NO LONGER, YOU KNOW, ON THE LOWEST RUNG ON THE SOCIAL LADDER, THANKS TO YOU 1392 00:43:57,368 --> 00:43:58,345 KNOW, ON THE LOWEST RUNG ON THE SOCIAL LADDER, THANKS TO YOU PEOPLE. 1393 00:43:58,369 --> 00:44:01,682 SOCIAL LADDER, THANKS TO YOU PEOPLE. YOU'RE WELCOME, OKAY? 1394 00:44:01,706 --> 00:44:03,350 PEOPLE. YOU'RE WELCOME, OKAY? THE BLACK MAN HAS BEEN 1395 00:44:03,374 --> 00:44:05,285 YOU'RE WELCOME, OKAY? THE BLACK MAN HAS BEEN ELEVATED IN THE 25 YEARS SINCE 1396 00:44:05,309 --> 00:44:06,754 THE BLACK MAN HAS BEEN ELEVATED IN THE 25 YEARS SINCE BROWN vs. THE BOARD OF 1397 00:44:06,778 --> 00:44:07,588 ELEVATED IN THE 25 YEARS SINCE BROWN vs. THE BOARD OF EDUCATION. 1398 00:44:07,612 --> 00:44:10,091 BROWN vs. THE BOARD OF EDUCATION. TOPEKA, KANSAS, 1954. 1399 00:44:10,115 --> 00:44:11,592 EDUCATION. TOPEKA, KANSAS, 1954. YES, VERY GOOD, VERY GOOD. 1400 00:44:11,616 --> 00:44:12,927 TOPEKA, KANSAS, 1954. YES, VERY GOOD, VERY GOOD. [SPEAKING NATIVE LANGUAGE] 1401 00:44:12,951 --> 00:44:14,629 YES, VERY GOOD, VERY GOOD. [SPEAKING NATIVE LANGUAGE] YEAH, WELL, THAT'S RIGHT, AND 1402 00:44:14,653 --> 00:44:16,130 [SPEAKING NATIVE LANGUAGE] YEAH, WELL, THAT'S RIGHT, AND NOW YOU ARE THE NEW NIGGERS. 1403 00:44:16,154 --> 00:44:17,297 YEAH, WELL, THAT'S RIGHT, AND NOW YOU ARE THE NEW NIGGERS. NEW NIGGY. 1404 00:44:17,321 --> 00:44:18,298 NOW YOU ARE THE NEW NIGGERS. NEW NIGGY. OLD NIGGY. 1405 00:44:18,322 --> 00:44:21,301 NEW NIGGY. OLD NIGGY. OLD NIGGY, OKAY? 1406 00:44:21,325 --> 00:44:22,937 OLD NIGGY. OLD NIGGY, OKAY? YEAH, YEAH, YEAH, BUT LET'S 1407 00:44:22,961 --> 00:44:24,238 OLD NIGGY, OKAY? YEAH, YEAH, YEAH, BUT LET'S GET BACK TO YOUR STORY. 1408 00:44:24,262 --> 00:44:25,873 YEAH, YEAH, YEAH, BUT LET'S GET BACK TO YOUR STORY. AS I UNDERSTAND IT, YOU'RE 1409 00:44:25,897 --> 00:44:27,642 GET BACK TO YOUR STORY. AS I UNDERSTAND IT, YOU'RE NOW DRIVING YOUR BROTHER'S CAB, 1410 00:44:27,666 --> 00:44:28,175 AS I UNDERSTAND IT, YOU'RE NOW DRIVING YOUR BROTHER'S CAB, RIGHT? 1411 00:44:28,199 --> 00:44:29,844 NOW DRIVING YOUR BROTHER'S CAB, RIGHT? BUT YOU'VE BEEN LIVING IN FEAR 1412 00:44:29,868 --> 00:44:31,545 RIGHT? BUT YOU'VE BEEN LIVING IN FEAR OF THE IMMIGRATION AUTHORITIES 1413 00:44:31,569 --> 00:44:33,247 BUT YOU'VE BEEN LIVING IN FEAR OF THE IMMIGRATION AUTHORITIES BECAUSE YOU HAVEN'T GOT A WORK 1414 00:44:33,271 --> 00:44:34,581 OF THE IMMIGRATION AUTHORITIES BECAUSE YOU HAVEN'T GOT A WORK VISA, HMM? 1415 00:44:34,605 --> 00:44:36,583 BECAUSE YOU HAVEN'T GOT A WORK VISA, HMM? IT'S NO WAY TO LIVE. 1416 00:44:36,607 --> 00:44:38,986 VISA, HMM? IT'S NO WAY TO LIVE. STATUE OF LIBERTY SAY, "BRING 1417 00:44:39,010 --> 00:44:41,255 IT'S NO WAY TO LIVE. STATUE OF LIBERTY SAY, "BRING POOR, BRING TIRED, BRING... 1418 00:44:41,279 --> 00:44:42,089 STATUE OF LIBERTY SAY, "BRING POOR, BRING TIRED, BRING... BRING..." 1419 00:44:42,113 --> 00:44:44,424 POOR, BRING TIRED, BRING... BRING..." [SPEAKING NATIVE LANGUAGE] 1420 00:44:44,448 --> 00:44:45,259 BRING..." [SPEAKING NATIVE LANGUAGE] "HUDDLED MASSES." 1421 00:44:45,283 --> 00:44:46,627 [SPEAKING NATIVE LANGUAGE] "HUDDLED MASSES." "HUDDLED," YEAH. 1422 00:44:46,651 --> 00:44:48,362 "HUDDLED MASSES." "HUDDLED," YEAH. "BRING POOR, BRING TIRED." 1423 00:44:48,386 --> 00:44:51,198 "HUDDLED," YEAH. "BRING POOR, BRING TIRED." JOVAN IS POOR, TIRED. 1424 00:44:51,222 --> 00:44:52,700 "BRING POOR, BRING TIRED." JOVAN IS POOR, TIRED. JOVAN IS HUDDLED MASSES. 1425 00:44:52,724 --> 00:44:56,704 JOVAN IS POOR, TIRED. JOVAN IS HUDDLED MASSES. BUT NO VISA, SHIP YOU ON HOME! 1426 00:44:56,728 --> 00:44:58,072 JOVAN IS HUDDLED MASSES. BUT NO VISA, SHIP YOU ON HOME! YEAH, SO, UH, HOW ARE YOU 1427 00:44:58,096 --> 00:44:59,473 BUT NO VISA, SHIP YOU ON HOME! YEAH, SO, UH, HOW ARE YOU DEALING WITH THE WORK-PERMIT 1428 00:44:59,497 --> 00:45:00,641 YEAH, SO, UH, HOW ARE YOU DEALING WITH THE WORK-PERMIT PROBLEM, JOVAN? 1429 00:45:00,665 --> 00:45:01,508 DEALING WITH THE WORK-PERMIT PROBLEM, JOVAN? MM. 1430 00:45:01,532 --> 00:45:04,378 PROBLEM, JOVAN? MM. IF JOVAN MARRIES CITIZEN, HE CAN 1431 00:45:04,402 --> 00:45:05,379 MM. IF JOVAN MARRIES CITIZEN, HE CAN STAY. 1432 00:45:05,403 --> 00:45:07,247 IF JOVAN MARRIES CITIZEN, HE CAN STAY. NOW, JOVAN, ACCORDING TO THE 1433 00:45:07,271 --> 00:45:09,116 STAY. NOW, JOVAN, ACCORDING TO THE LAW, AN IMMIGRANT CAN STAY HERE 1434 00:45:09,140 --> 00:45:10,985 NOW, JOVAN, ACCORDING TO THE LAW, AN IMMIGRANT CAN STAY HERE IN AMERICA IF HE MARRIES A U.S. 1435 00:45:11,009 --> 00:45:12,953 LAW, AN IMMIGRANT CAN STAY HERE IN AMERICA IF HE MARRIES A U.S. CITIZEN, BUT, JOVAN, YOU'RE 1436 00:45:12,977 --> 00:45:14,789 IN AMERICA IF HE MARRIES A U.S. CITIZEN, BUT, JOVAN, YOU'RE ALREADY MARRIED TO VESNA. 1437 00:45:14,813 --> 00:45:16,857 CITIZEN, BUT, JOVAN, YOU'RE ALREADY MARRIED TO VESNA. I PLEDGE ALLEGIANCE TO THE 1438 00:45:16,881 --> 00:45:17,591 ALREADY MARRIED TO VESNA. I PLEDGE ALLEGIANCE TO THE FLAG... 1439 00:45:17,615 --> 00:45:20,427 I PLEDGE ALLEGIANCE TO THE FLAG... NO, NO, NO, NO, NO, NO, NO. 1440 00:45:20,451 --> 00:45:24,098 FLAG... NO, NO, NO, NO, NO, NO, NO. JOVAN PICK UP ROSA IN CAB... 1441 00:45:24,122 --> 00:45:24,598 NO, NO, NO, NO, NO, NO, NO. JOVAN PICK UP ROSA IN CAB... UH-HUH. 1442 00:45:24,622 --> 00:45:26,100 JOVAN PICK UP ROSA IN CAB... UH-HUH. TAKE HER TO EXXON, WHERE 1443 00:45:26,124 --> 00:45:26,767 UH-HUH. TAKE HER TO EXXON, WHERE SHE WORK... 1444 00:45:26,791 --> 00:45:30,604 TAKE HER TO EXXON, WHERE SHE WORK... I CLEAN UP, OKAY? 1445 00:45:30,628 --> 00:45:33,440 SHE WORK... I CLEAN UP, OKAY? DIVORCE VESNA. 1446 00:45:33,464 --> 00:45:36,443 I CLEAN UP, OKAY? DIVORCE VESNA. JOVAN AND ROSA MARRY. 1447 00:45:36,467 --> 00:45:39,980 DIVORCE VESNA. JOVAN AND ROSA MARRY. JOVAN AND ROSA ADOPT VESNA... 1448 00:45:40,004 --> 00:45:41,448 JOVAN AND ROSA MARRY. JOVAN AND ROSA ADOPT VESNA... CHILDREN! 1449 00:45:41,472 --> 00:45:42,282 JOVAN AND ROSA ADOPT VESNA... CHILDREN! PAPA. 1450 00:45:42,306 --> 00:45:43,283 CHILDREN! PAPA. AH! 1451 00:45:43,307 --> 00:45:44,952 PAPA. AH! NOW, LET ME GET THIS 1452 00:45:44,976 --> 00:45:46,787 AH! NOW, LET ME GET THIS STRAIGHT. 1453 00:45:46,811 --> 00:45:48,322 NOW, LET ME GET THIS STRAIGHT. YOU DIVORCED YOUR WIFE. 1454 00:45:48,346 --> 00:45:50,224 STRAIGHT. YOU DIVORCED YOUR WIFE. YOU THEN MARRIED YOUR FRIEND, 1455 00:45:50,248 --> 00:45:52,026 YOU DIVORCED YOUR WIFE. YOU THEN MARRIED YOUR FRIEND, AND YOU AND YOUR FRIEND HAVE 1456 00:45:52,050 --> 00:45:53,861 YOU THEN MARRIED YOUR FRIEND, AND YOU AND YOUR FRIEND HAVE ADOPTED YOUR EX-WIFE AS YOUR 1457 00:45:53,885 --> 00:45:54,628 AND YOU AND YOUR FRIEND HAVE ADOPTED YOUR EX-WIFE AS YOUR DAUGHTER. 1458 00:45:54,652 --> 00:45:56,463 ADOPTED YOUR EX-WIFE AS YOUR DAUGHTER. THAT'S RIGHT... TYPICAL 1459 00:45:56,487 --> 00:45:57,965 DAUGHTER. THAT'S RIGHT... TYPICAL AMERICAN FAMILY! 1460 00:45:57,989 --> 00:45:59,466 THAT'S RIGHT... TYPICAL AMERICAN FAMILY! [LAUGHS] 1461 00:45:59,490 --> 00:46:01,268 AMERICAN FAMILY! [LAUGHS] WELL, THAT'S AN INCREDIBLE 1462 00:46:01,292 --> 00:46:02,336 [LAUGHS] WELL, THAT'S AN INCREDIBLE STORY, JOVAN. 1463 00:46:02,360 --> 00:46:04,671 WELL, THAT'S AN INCREDIBLE STORY, JOVAN. UH, JUST CURIOUSLY, MAN... 1464 00:46:04,695 --> 00:46:07,007 STORY, JOVAN. UH, JUST CURIOUSLY, MAN... WHICH ONE OF THESE TWO DO YOU 1465 00:46:07,031 --> 00:46:08,675 UH, JUST CURIOUSLY, MAN... WHICH ONE OF THESE TWO DO YOU SLEEP WITH? 1466 00:46:08,699 --> 00:46:10,177 WHICH ONE OF THESE TWO DO YOU SLEEP WITH? MY DAUGHTER! 1467 00:46:10,201 --> 00:46:12,679 SLEEP WITH? MY DAUGHTER! AND I CLEAN UP, OKAY? 1468 00:46:12,703 --> 00:46:14,514 MY DAUGHTER! AND I CLEAN UP, OKAY? [LAUGHS] 1469 00:46:14,538 --> 00:46:16,683 AND I CLEAN UP, OKAY? [LAUGHS] WELL, UH, THANK YOU FOR TELLING 1470 00:46:16,707 --> 00:46:19,186 [LAUGHS] WELL, UH, THANK YOU FOR TELLING US YOUR PATHETIC STORY, JOVAN. 1471 00:46:19,210 --> 00:46:20,988 WELL, UH, THANK YOU FOR TELLING US YOUR PATHETIC STORY, JOVAN. IT'S BEEN AN INSPIRATION TO ME 1472 00:46:21,012 --> 00:46:22,923 US YOUR PATHETIC STORY, JOVAN. IT'S BEEN AN INSPIRATION TO ME AND MILLIONS OF OTHER BLACKS WHO 1473 00:46:22,947 --> 00:46:24,591 IT'S BEEN AN INSPIRATION TO ME AND MILLIONS OF OTHER BLACKS WHO SOMETIMES LIKE TO FEEL THAT 1474 00:46:24,615 --> 00:46:26,460 AND MILLIONS OF OTHER BLACKS WHO SOMETIMES LIKE TO FEEL THAT SOMEBODY'S GETTING A WORSE DEAL 1475 00:46:26,484 --> 00:46:27,327 SOMETIMES LIKE TO FEEL THAT SOMEBODY'S GETTING A WORSE DEAL THAN WE ARE. 1476 00:46:27,351 --> 00:46:29,163 SOMEBODY'S GETTING A WORSE DEAL THAN WE ARE. AND I THANK YOU FOR WATCHING 1477 00:46:29,187 --> 00:46:30,530 THAN WE ARE. AND I THANK YOU FOR WATCHING "BLACK PERSPECTIVE." 1478 00:46:30,554 --> 00:46:32,399 AND I THANK YOU FOR WATCHING "BLACK PERSPECTIVE." PLEASE JOIN US NEXT WEEK WHEN 1479 00:46:32,423 --> 00:46:34,334 "BLACK PERSPECTIVE." PLEASE JOIN US NEXT WEEK WHEN SAMUEL BREAKSTONE WILL TELL US 1480 00:46:34,358 --> 00:46:36,170 PLEASE JOIN US NEXT WEEK WHEN SAMUEL BREAKSTONE WILL TELL US WHY THERE'S NO BLACK COTTAGE 1481 00:46:36,194 --> 00:46:37,504 SAMUEL BREAKSTONE WILL TELL US WHY THERE'S NO BLACK COTTAGE CHEESE. 1482 00:46:37,528 --> 00:46:39,809 WHY THERE'S NO BLACK COTTAGE CHEESE. TILL THEN, GOOD NIGHT. 1483 00:46:50,908 --> 00:46:54,822 HELLO. WHAT YOU'RE ABOUT TO SEE ISN'T PRETTY. 1484 00:46:54,846 --> 00:46:56,023 WHAT YOU'RE ABOUT TO SEE ISN'T PRETTY. THE LANGUAGE IS DIRECT. 1485 00:46:56,047 --> 00:46:57,424 PRETTY. THE LANGUAGE IS DIRECT. THE EMOTIONS ARE UNGUARDED. 1486 00:46:57,448 --> 00:46:58,993 THE LANGUAGE IS DIRECT. THE EMOTIONS ARE UNGUARDED. BUT IN THE END, IT IS THE TRUTH 1487 00:46:59,017 --> 00:47:00,627 THE EMOTIONS ARE UNGUARDED. BUT IN THE END, IT IS THE TRUTH OF IT THAT IS THE MOST SHOCKING. 1488 00:47:00,651 --> 00:47:02,396 BUT IN THE END, IT IS THE TRUTH OF IT THAT IS THE MOST SHOCKING. FOR YEARS NOW, UNTOLD NUMBERS OF 1489 00:47:02,420 --> 00:47:04,098 OF IT THAT IS THE MOST SHOCKING. FOR YEARS NOW, UNTOLD NUMBERS OF VACATIONING AMERICANS HAVE BEEN 1490 00:47:04,122 --> 00:47:05,766 FOR YEARS NOW, UNTOLD NUMBERS OF VACATIONING AMERICANS HAVE BEEN TRAVELING ABROAD, ONLY TO FIND 1491 00:47:05,790 --> 00:47:07,301 VACATIONING AMERICANS HAVE BEEN TRAVELING ABROAD, ONLY TO FIND THEMSELVES THE UNSUSPECTING 1492 00:47:07,325 --> 00:47:08,769 TRAVELING ABROAD, ONLY TO FIND THEMSELVES THE UNSUSPECTING VICTIMS OF UNNECESSARY AND 1493 00:47:08,793 --> 00:47:11,772 THEMSELVES THE UNSUSPECTING VICTIMS OF UNNECESSARY AND UNEARTHLY HAIRDOS. 1494 00:47:11,796 --> 00:47:13,307 VICTIMS OF UNNECESSARY AND UNEARTHLY HAIRDOS. STRIPPED OF WHAT COULD ONLY BE 1495 00:47:13,331 --> 00:47:14,842 UNEARTHLY HAIRDOS. STRIPPED OF WHAT COULD ONLY BE CALLED AN INALIENABLE RIGHT... 1496 00:47:14,866 --> 00:47:16,343 STRIPPED OF WHAT COULD ONLY BE CALLED AN INALIENABLE RIGHT... THE RIGHT TO CHOOSE THEIR OWN 1497 00:47:16,367 --> 00:47:17,978 CALLED AN INALIENABLE RIGHT... THE RIGHT TO CHOOSE THEIR OWN HAIRSTYLE... MORE AND MORE OF 1498 00:47:18,002 --> 00:47:19,413 THE RIGHT TO CHOOSE THEIR OWN HAIRSTYLE... MORE AND MORE OF THESE PEOPLE ARE JUST NOW 1499 00:47:19,437 --> 00:47:20,948 HAIRSTYLE... MORE AND MORE OF THESE PEOPLE ARE JUST NOW FINDING THE COURAGE TO COME 1500 00:47:20,972 --> 00:47:22,549 THESE PEOPLE ARE JUST NOW FINDING THE COURAGE TO COME FORWARD AND TELL THIS, THEIR 1501 00:47:22,573 --> 00:47:24,885 FINDING THE COURAGE TO COME FORWARD AND TELL THIS, THEIR STORY. 1502 00:47:24,909 --> 00:47:26,720 FORWARD AND TELL THIS, THEIR STORY. THERE... THERE WERE THESE 1503 00:47:26,744 --> 00:47:28,088 STORY. THERE... THERE WERE THESE CROWDS RIGHT UNDER OUR HOTEL 1504 00:47:28,112 --> 00:47:28,622 THERE... THERE WERE THESE CROWDS RIGHT UNDER OUR HOTEL WINDOW. 1505 00:47:28,646 --> 00:47:30,124 CROWDS RIGHT UNDER OUR HOTEL WINDOW. THEY WERE... THEY WERE CHANTING 1506 00:47:30,148 --> 00:47:30,791 WINDOW. THEY WERE... THEY WERE CHANTING IN ITALIAN. 1507 00:47:30,815 --> 00:47:32,092 THEY WERE... THEY WERE CHANTING IN ITALIAN. AT LEAST, I THOUGHT IT WAS 1508 00:47:32,116 --> 00:47:33,360 IN ITALIAN. AT LEAST, I THOUGHT IT WAS ITALIAN... SOME POLITICAL 1509 00:47:33,384 --> 00:47:33,894 AT LEAST, I THOUGHT IT WAS ITALIAN... SOME POLITICAL TROUBLE. 1510 00:47:33,918 --> 00:47:35,562 ITALIAN... SOME POLITICAL TROUBLE. THEY WERE... THEY WERE YELLING, 1511 00:47:35,586 --> 00:47:38,065 TROUBLE. THEY WERE... THEY WERE YELLING, "HENNA! HENNA! HENNA!" 1512 00:47:38,089 --> 00:47:39,399 THEY WERE... THEY WERE YELLING, "HENNA! HENNA! HENNA!" I DIDN'T KNOW THAT HENNA WAS 1513 00:47:39,423 --> 00:47:41,068 "HENNA! HENNA! HENNA!" I DIDN'T KNOW THAT HENNA WAS SOME KIND OF HAIR COLORING. 1514 00:47:41,092 --> 00:47:43,003 I DIDN'T KNOW THAT HENNA WAS SOME KIND OF HAIR COLORING. OUR ROOM WAS ON A MODIFIED 1515 00:47:43,027 --> 00:47:44,972 SOME KIND OF HAIR COLORING. OUR ROOM WAS ON A MODIFIED PLAN... CONTINENTAL BREAKFAST, 1516 00:47:44,996 --> 00:47:46,673 OUR ROOM WAS ON A MODIFIED PLAN... CONTINENTAL BREAKFAST, A RINSE AND A TRIM, AND A 1517 00:47:46,697 --> 00:47:49,009 PLAN... CONTINENTAL BREAKFAST, A RINSE AND A TRIM, AND A SEMIPRIVATE BATH. 1518 00:47:49,033 --> 00:47:50,410 A RINSE AND A TRIM, AND A SEMIPRIVATE BATH. I SUPPOSE YOUR FIRST INSTINCT 1519 00:47:50,434 --> 00:47:50,911 SEMIPRIVATE BATH. I SUPPOSE YOUR FIRST INSTINCT IS RAGE. 1520 00:47:50,935 --> 00:47:52,279 I SUPPOSE YOUR FIRST INSTINCT IS RAGE. I MEAN, WHAT DID WE EVER DO TO 1521 00:47:52,303 --> 00:47:52,646 IS RAGE. I MEAN, WHAT DID WE EVER DO TO THEM? 1522 00:47:52,670 --> 00:47:54,715 I MEAN, WHAT DID WE EVER DO TO THEM? IT DOESN'T MAKE ANY SENSE, 1523 00:47:54,739 --> 00:47:56,450 THEM? IT DOESN'T MAKE ANY SENSE, AND YOU CAN'T IGNORE IT. 1524 00:47:56,474 --> 00:47:58,219 IT DOESN'T MAKE ANY SENSE, AND YOU CAN'T IGNORE IT. IT DOESN'T JUST GO AWAY. 1525 00:47:58,243 --> 00:47:59,220 AND YOU CAN'T IGNORE IT. IT DOESN'T JUST GO AWAY. I WANTED REVENGE. 1526 00:47:59,244 --> 00:48:00,554 IT DOESN'T JUST GO AWAY. I WANTED REVENGE. I WANTED TO STUFF THEIR DEAD 1527 00:48:00,578 --> 00:48:01,989 I WANTED REVENGE. I WANTED TO STUFF THEIR DEAD BODIES UP A CHIMNEY SOMEWHERE. 1528 00:48:02,013 --> 00:48:03,958 I WANTED TO STUFF THEIR DEAD BODIES UP A CHIMNEY SOMEWHERE. EVENTUALLY, OF COURSE, I HAD TO 1529 00:48:03,982 --> 00:48:04,825 BODIES UP A CHIMNEY SOMEWHERE. EVENTUALLY, OF COURSE, I HAD TO BE SEDATED. 1530 00:48:04,849 --> 00:48:06,626 EVENTUALLY, OF COURSE, I HAD TO BE SEDATED. WHY US? WE WERE GRACIOUS. 1531 00:48:06,650 --> 00:48:08,362 BE SEDATED. WHY US? WE WERE GRACIOUS. WE OVER-TIPPED WELL, AND I 1532 00:48:08,386 --> 00:48:10,231 WHY US? WE WERE GRACIOUS. WE OVER-TIPPED WELL, AND I SMILED AT EVERYONE SO OFTEN I 1533 00:48:10,255 --> 00:48:13,567 WE OVER-TIPPED WELL, AND I SMILED AT EVERYONE SO OFTEN I GOT CRAMPS IN MY CHEEKS. 1534 00:48:13,591 --> 00:48:15,903 SMILED AT EVERYONE SO OFTEN I GOT CRAMPS IN MY CHEEKS. I WAS IN A MOVIE THEATER. 1535 00:48:15,927 --> 00:48:17,738 GOT CRAMPS IN MY CHEEKS. I WAS IN A MOVIE THEATER. WHAT WAS THAT STRANGE FILM? 1536 00:48:17,762 --> 00:48:19,073 I WAS IN A MOVIE THEATER. WHAT WAS THAT STRANGE FILM? IT... 1537 00:48:19,097 --> 00:48:21,575 WHAT WAS THAT STRANGE FILM? IT... OH, IT WAS A ZIPPY THE HOG FILM, 1538 00:48:21,599 --> 00:48:22,776 IT... OH, IT WAS A ZIPPY THE HOG FILM, SORT OF A TRAVELOGUE. 1539 00:48:22,800 --> 00:48:24,478 OH, IT WAS A ZIPPY THE HOG FILM, SORT OF A TRAVELOGUE. WELL, THERE WERE SOME PEOPLE IN 1540 00:48:24,502 --> 00:48:26,080 SORT OF A TRAVELOGUE. WELL, THERE WERE SOME PEOPLE IN THE SEATS BEHIND ME, AND THEY 1541 00:48:26,104 --> 00:48:27,414 WELL, THERE WERE SOME PEOPLE IN THE SEATS BEHIND ME, AND THEY SAID TO RELAX, NOT TO BE 1542 00:48:27,438 --> 00:48:29,116 THE SEATS BEHIND ME, AND THEY SAID TO RELAX, NOT TO BE ALARMED, THEY WERE GONNA FIX MY 1543 00:48:29,140 --> 00:48:29,583 SAID TO RELAX, NOT TO BE ALARMED, THEY WERE GONNA FIX MY HAIR. 1544 00:48:29,607 --> 00:48:31,585 ALARMED, THEY WERE GONNA FIX MY HAIR. THEY SAID, "JUST WATCH THE ZIPPY 1545 00:48:31,609 --> 00:48:33,087 HAIR. THEY SAID, "JUST WATCH THE ZIPPY THE HOG MOVIE." 1546 00:48:33,111 --> 00:48:33,820 THEY SAID, "JUST WATCH THE ZIPPY THE HOG MOVIE." LET ME THINK. 1547 00:48:33,844 --> 00:48:34,955 THE HOG MOVIE." LET ME THINK. I KNOW THE NAME OF IT. 1548 00:48:34,979 --> 00:48:36,456 LET ME THINK. I KNOW THE NAME OF IT. IT WAS, UM, UH... IT WAS CALLED 1549 00:48:36,480 --> 00:48:38,625 I KNOW THE NAME OF IT. IT WAS, UM, UH... IT WAS CALLED "ZIPPY THE HOG IN 'WHICH WAY IS 1550 00:48:38,649 --> 00:48:40,127 IT WAS, UM, UH... IT WAS CALLED "ZIPPY THE HOG IN 'WHICH WAY IS PARIS? WHICH WAY IS ROME?'" 1551 00:48:40,151 --> 00:48:41,495 "ZIPPY THE HOG IN 'WHICH WAY IS PARIS? WHICH WAY IS ROME?'" AND THEY SAID THE HAIRCUT WAS 1552 00:48:41,519 --> 00:48:42,796 PARIS? WHICH WAY IS ROME?'" AND THEY SAID THE HAIRCUT WAS INCLUDED IN THE PRICE OF THE 1553 00:48:42,820 --> 00:48:44,265 AND THEY SAID THE HAIRCUT WAS INCLUDED IN THE PRICE OF THE MOVIE AND THAT I HAD TO HAVE IT. 1554 00:48:44,289 --> 00:48:45,665 INCLUDED IN THE PRICE OF THE MOVIE AND THAT I HAD TO HAVE IT. AND SO I SAID, "WOULDN'T IT BE 1555 00:48:45,689 --> 00:48:46,901 MOVIE AND THAT I HAD TO HAVE IT. AND SO I SAID, "WOULDN'T IT BE BETTER TO DO IT OUT IN THE 1556 00:48:46,925 --> 00:48:47,334 AND SO I SAID, "WOULDN'T IT BE BETTER TO DO IT OUT IN THE LOBBY? 1557 00:48:47,358 --> 00:48:48,936 BETTER TO DO IT OUT IN THE LOBBY? THERE'S MORE LIGHT OUT THERE." 1558 00:48:48,960 --> 00:48:50,437 LOBBY? THERE'S MORE LIGHT OUT THERE." AND THEY SAID LIGHT FROM THE 1559 00:48:50,461 --> 00:48:52,039 THERE'S MORE LIGHT OUT THERE." AND THEY SAID LIGHT FROM THE MOVIE SCREEN WAS ALL THEY EVER 1560 00:48:52,063 --> 00:48:53,707 AND THEY SAID LIGHT FROM THE MOVIE SCREEN WAS ALL THEY EVER NEEDED. 1561 00:48:53,731 --> 00:48:55,876 MOVIE SCREEN WAS ALL THEY EVER NEEDED. BUT WAS THAT ALL THEY NEEDED? 1562 00:48:55,900 --> 00:48:57,244 NEEDED. BUT WAS THAT ALL THEY NEEDED? ACCORDING TO THE RECORDS, WHAT 1563 00:48:57,268 --> 00:48:58,412 BUT WAS THAT ALL THEY NEEDED? ACCORDING TO THE RECORDS, WHAT THEY REALLY NEEDED WAS AN 1564 00:48:58,436 --> 00:48:59,246 ACCORDING TO THE RECORDS, WHAT THEY REALLY NEEDED WAS AN AMERICAN VICTIM. 1565 00:48:59,270 --> 00:49:01,048 THEY REALLY NEEDED WAS AN AMERICAN VICTIM. SINCE 1950, THE NUMBER OF 1566 00:49:01,072 --> 00:49:03,250 AMERICAN VICTIM. SINCE 1950, THE NUMBER OF UNPROVOKED HAIRDOS ON AMERICANS 1567 00:49:03,274 --> 00:49:05,485 SINCE 1950, THE NUMBER OF UNPROVOKED HAIRDOS ON AMERICANS ROSE A WHOPPING 39%, AS COMPARED 1568 00:49:05,509 --> 00:49:07,554 UNPROVOKED HAIRDOS ON AMERICANS ROSE A WHOPPING 39%, AS COMPARED TO THE JAPANESE TOURISTS, WHO 1569 00:49:07,578 --> 00:49:09,223 ROSE A WHOPPING 39%, AS COMPARED TO THE JAPANESE TOURISTS, WHO ONLY EXPERIENCED A 0.5% 1570 00:49:09,247 --> 00:49:11,491 TO THE JAPANESE TOURISTS, WHO ONLY EXPERIENCED A 0.5% INCREASE, AND THIS INCREASE CUTS 1571 00:49:11,515 --> 00:49:13,660 ONLY EXPERIENCED A 0.5% INCREASE, AND THIS INCREASE CUTS EVENLY ALONG THE LINES OF RACE, 1572 00:49:13,684 --> 00:49:17,164 INCREASE, AND THIS INCREASE CUTS EVENLY ALONG THE LINES OF RACE, COLOR, OR CREED. 1573 00:49:17,188 --> 00:49:18,698 EVENLY ALONG THE LINES OF RACE, COLOR, OR CREED. I WAS SITTING ON THE PLANE, 1574 00:49:18,722 --> 00:49:20,301 COLOR, OR CREED. I WAS SITTING ON THE PLANE, WAITING FOR IT TO TAKE OFF, YOU 1575 00:49:20,325 --> 00:49:21,768 I WAS SITTING ON THE PLANE, WAITING FOR IT TO TAKE OFF, YOU KNOW, WAIT FOR IT TO TAKE ME 1576 00:49:21,792 --> 00:49:23,370 WAITING FOR IT TO TAKE OFF, YOU KNOW, WAIT FOR IT TO TAKE ME HOME, YOU KNOW, WHEN I'M CALLED 1577 00:49:23,394 --> 00:49:24,504 KNOW, WAIT FOR IT TO TAKE ME HOME, YOU KNOW, WHEN I'M CALLED OFF THE PLANE, RIGHT? 1578 00:49:24,528 --> 00:49:26,040 HOME, YOU KNOW, WHEN I'M CALLED OFF THE PLANE, RIGHT? NOW, THERE ARE THESE TWO GUYS 1579 00:49:26,064 --> 00:49:27,474 OFF THE PLANE, RIGHT? NOW, THERE ARE THESE TWO GUYS WAITING FOR ME AT THE GATE. 1580 00:49:27,498 --> 00:49:28,208 NOW, THERE ARE THESE TWO GUYS WAITING FOR ME AT THE GATE. NOW, I ASKED. 1581 00:49:28,232 --> 00:49:29,576 WAITING FOR ME AT THE GATE. NOW, I ASKED. I SAID, "HEY, MAN, WHAT'S THIS 1582 00:49:29,600 --> 00:49:30,444 NOW, I ASKED. I SAID, "HEY, MAN, WHAT'S THIS ABOUT, YOU KNOW? 1583 00:49:30,468 --> 00:49:31,711 I SAID, "HEY, MAN, WHAT'S THIS ABOUT, YOU KNOW? WHAT'S GOING ON, YOU KNOW?" 1584 00:49:31,735 --> 00:49:33,713 ABOUT, YOU KNOW? WHAT'S GOING ON, YOU KNOW?" THEY WOULDN'T ANSWER ME, RIGHT? 1585 00:49:33,737 --> 00:49:35,715 WHAT'S GOING ON, YOU KNOW?" THEY WOULDN'T ANSWER ME, RIGHT? THEY WALKED ME TO THE OFFICE, 1586 00:49:35,739 --> 00:49:37,918 THEY WOULDN'T ANSWER ME, RIGHT? THEY WALKED ME TO THE OFFICE, AND THIS WAS THE FIRST TIME THEY 1587 00:49:37,942 --> 00:49:38,919 THEY WALKED ME TO THE OFFICE, AND THIS WAS THE FIRST TIME THEY SPOKE TO ME. 1588 00:49:38,943 --> 00:49:40,587 AND THIS WAS THE FIRST TIME THEY SPOKE TO ME. THEY SAID I HAD A CHOICE. 1589 00:49:40,611 --> 00:49:42,489 SPOKE TO ME. THEY SAID I HAD A CHOICE. EITHER I COULD HAVE ALL OF MY 1590 00:49:42,513 --> 00:49:44,558 THEY SAID I HAD A CHOICE. EITHER I COULD HAVE ALL OF MY LUGGAGE SEARCHED AGAIN OR GET MY 1591 00:49:44,582 --> 00:49:47,061 EITHER I COULD HAVE ALL OF MY LUGGAGE SEARCHED AGAIN OR GET MY HAIR DONE. 1592 00:49:47,085 --> 00:49:49,396 LUGGAGE SEARCHED AGAIN OR GET MY HAIR DONE. THEY WANTED US TO TAKE ETHER. 1593 00:49:49,420 --> 00:49:51,765 HAIR DONE. THEY WANTED US TO TAKE ETHER. THEY SAID IT HELPS RELAX THE 1594 00:49:51,789 --> 00:49:54,335 THEY WANTED US TO TAKE ETHER. THEY SAID IT HELPS RELAX THE HAIR, AND THEY TOLD US THAT ALL 1595 00:49:54,359 --> 00:49:56,971 THEY SAID IT HELPS RELAX THE HAIR, AND THEY TOLD US THAT ALL THE GOOD HAIR SALONS USED ETHER. 1596 00:49:56,995 --> 00:49:58,973 HAIR, AND THEY TOLD US THAT ALL THE GOOD HAIR SALONS USED ETHER. THEY TRIED TO TELL US THAT IT 1597 00:49:58,997 --> 00:50:00,841 THE GOOD HAIR SALONS USED ETHER. THEY TRIED TO TELL US THAT IT WAS A CUSTOM, THAT WE WOULDN'T 1598 00:50:00,865 --> 00:50:02,676 THEY TRIED TO TELL US THAT IT WAS A CUSTOM, THAT WE WOULDN'T OFFEND THEM IF WE'D JUST TAKE 1599 00:50:02,700 --> 00:50:03,344 WAS A CUSTOM, THAT WE WOULDN'T OFFEND THEM IF WE'D JUST TAKE IT. 1600 00:50:03,368 --> 00:50:04,811 OFFEND THEM IF WE'D JUST TAKE IT. THEN THEY SET UP THIS 1601 00:50:04,835 --> 00:50:06,447 IT. THEN THEY SET UP THIS PROJECTOR AND THIS EQUIPMENT 1602 00:50:06,471 --> 00:50:08,248 THEN THEY SET UP THIS PROJECTOR AND THIS EQUIPMENT RIGHT IN OUR HOTEL ROOM, SHOWED 1603 00:50:08,272 --> 00:50:09,950 PROJECTOR AND THIS EQUIPMENT RIGHT IN OUR HOTEL ROOM, SHOWED US A FILM ABOUT SOME PIG THAT 1604 00:50:09,974 --> 00:50:11,751 RIGHT IN OUR HOTEL ROOM, SHOWED US A FILM ABOUT SOME PIG THAT COULD RUN EXTRAORDINARILY FAST. 1605 00:50:11,775 --> 00:50:13,253 US A FILM ABOUT SOME PIG THAT COULD RUN EXTRAORDINARILY FAST. REMEMBER THAT? 1606 00:50:13,277 --> 00:50:14,855 COULD RUN EXTRAORDINARILY FAST. REMEMBER THAT? YEAH, THAT'S ANOTHER THING 1607 00:50:14,879 --> 00:50:16,523 REMEMBER THAT? YEAH, THAT'S ANOTHER THING THAT WAS SUPPOSED TO RELAX OUR 1608 00:50:16,547 --> 00:50:18,192 YEAH, THAT'S ANOTHER THING THAT WAS SUPPOSED TO RELAX OUR HAIR... THIS GIANT HOG RUNNING 1609 00:50:18,216 --> 00:50:20,527 THAT WAS SUPPOSED TO RELAX OUR HAIR... THIS GIANT HOG RUNNING LIKE HELL ALL OVER EUROPE. 1610 00:50:20,551 --> 00:50:21,928 HAIR... THIS GIANT HOG RUNNING LIKE HELL ALL OVER EUROPE. WE'D BEEN DRUGGED. 1611 00:50:21,952 --> 00:50:23,763 LIKE HELL ALL OVER EUROPE. WE'D BEEN DRUGGED. THE FIRST TIME I WAS AWARE OF 1612 00:50:23,787 --> 00:50:25,665 WE'D BEEN DRUGGED. THE FIRST TIME I WAS AWARE OF WHAT HAD HAPPENED, I STRETCHED 1613 00:50:25,689 --> 00:50:27,601 THE FIRST TIME I WAS AWARE OF WHAT HAD HAPPENED, I STRETCHED AND CUT MY HAND ON MY HAIR, AND 1614 00:50:27,625 --> 00:50:29,436 WHAT HAD HAPPENED, I STRETCHED AND CUT MY HAND ON MY HAIR, AND I SCREAMED BLOODY MURDER. 1615 00:50:29,460 --> 00:50:30,737 AND CUT MY HAND ON MY HAIR, AND I SCREAMED BLOODY MURDER. I JUST CAME TO IN THE NEXT 1616 00:50:30,761 --> 00:50:32,006 I SCREAMED BLOODY MURDER. I JUST CAME TO IN THE NEXT ROOM, AND I WENT RUNNING IN. 1617 00:50:32,030 --> 00:50:32,973 I JUST CAME TO IN THE NEXT ROOM, AND I WENT RUNNING IN. I SAW HER LIKE THAT. 1618 00:50:32,997 --> 00:50:33,940 ROOM, AND I WENT RUNNING IN. I SAW HER LIKE THAT. I STARTED SCREAMING. 1619 00:50:33,964 --> 00:50:35,075 I SAW HER LIKE THAT. I STARTED SCREAMING. AND I SAW HIM LIKE THAT, AND 1620 00:50:35,099 --> 00:50:35,842 I STARTED SCREAMING. AND I SAW HIM LIKE THAT, AND I STARTED TO SCREAM. 1621 00:50:35,866 --> 00:50:36,843 AND I SAW HIM LIKE THAT, AND I STARTED TO SCREAM. I THOUGHT SHE WAS SCREAMING 1622 00:50:36,867 --> 00:50:37,811 I STARTED TO SCREAM. I THOUGHT SHE WAS SCREAMING BECAUSE THERE WAS SOMEBODY 1623 00:50:37,835 --> 00:50:38,278 I THOUGHT SHE WAS SCREAMING BECAUSE THERE WAS SOMEBODY BEHIND ME. 1624 00:50:38,302 --> 00:50:39,213 BECAUSE THERE WAS SOMEBODY BEHIND ME. HE GRABBED A CHAIR AND 1625 00:50:39,237 --> 00:50:39,980 BEHIND ME. HE GRABBED A CHAIR AND STARTED SWINGING IT. 1626 00:50:40,004 --> 00:50:42,649 HE GRABBED A CHAIR AND STARTED SWINGING IT. I THOUGHT HE'D LOST HIS MIND. 1627 00:50:42,673 --> 00:50:44,218 STARTED SWINGING IT. I THOUGHT HE'D LOST HIS MIND. WELL, I CAN'T SAY I WAS 1628 00:50:44,242 --> 00:50:45,185 I THOUGHT HE'D LOST HIS MIND. WELL, I CAN'T SAY I WAS ANGERED BY IT. 1629 00:50:45,209 --> 00:50:46,753 WELL, I CAN'T SAY I WAS ANGERED BY IT. I MEAN, I WAS SURPRISED AT 1630 00:50:46,777 --> 00:50:48,355 ANGERED BY IT. I MEAN, I WAS SURPRISED AT FIRST, AND THEN I BEGAN TO 1631 00:50:48,379 --> 00:50:50,124 I MEAN, I WAS SURPRISED AT FIRST, AND THEN I BEGAN TO APPRECIATE THE INTRICATE WORK. 1632 00:50:50,148 --> 00:50:52,026 FIRST, AND THEN I BEGAN TO APPRECIATE THE INTRICATE WORK. THEY PUT IN BRIDGES, AND THEY 1633 00:50:52,050 --> 00:50:53,793 APPRECIATE THE INTRICATE WORK. THEY PUT IN BRIDGES, AND THEY MADE A GARDEN ON THIS SIDE. 1634 00:50:53,817 --> 00:50:55,362 THEY PUT IN BRIDGES, AND THEY MADE A GARDEN ON THIS SIDE. AND THEN THEY... SEE THE LITTLE 1635 00:50:55,386 --> 00:50:55,829 MADE A GARDEN ON THIS SIDE. AND THEN THEY... SEE THE LITTLE TREES? 1636 00:50:55,853 --> 00:50:57,664 AND THEN THEY... SEE THE LITTLE TREES? YOU KNOW, IT'S REMARKABLE WHEN 1637 00:50:57,688 --> 00:50:59,533 TREES? YOU KNOW, IT'S REMARKABLE WHEN YOU CONSIDER THEY DID ALL THIS 1638 00:50:59,557 --> 00:51:01,268 YOU KNOW, IT'S REMARKABLE WHEN YOU CONSIDER THEY DID ALL THIS IN A DARKENED MOVIE THEATER. 1639 00:51:01,292 --> 00:51:02,702 YOU CONSIDER THEY DID ALL THIS IN A DARKENED MOVIE THEATER. THERE'S JUST ONE THING THAT 1640 00:51:02,726 --> 00:51:04,338 IN A DARKENED MOVIE THEATER. THERE'S JUST ONE THING THAT BOTHERS ME... THAT EVERY TIME I 1641 00:51:04,362 --> 00:51:05,906 THERE'S JUST ONE THING THAT BOTHERS ME... THAT EVERY TIME I NEED A TRIM, I HAVE TO MAKE AN 1642 00:51:05,930 --> 00:51:06,940 BOTHERS ME... THAT EVERY TIME I NEED A TRIM, I HAVE TO MAKE AN APPOINTMENT AT THE 1643 00:51:06,964 --> 00:51:09,776 NEED A TRIM, I HAVE TO MAKE AN APPOINTMENT AT THE BOTANICAL GARDENS. 1644 00:51:09,800 --> 00:51:11,811 APPOINTMENT AT THE BOTANICAL GARDENS. THE SITUATION IS NOT GOING TO 1645 00:51:11,835 --> 00:51:13,713 BOTANICAL GARDENS. THE SITUATION IS NOT GOING TO GO AWAY BY ITSELF, AND THAT'S 1646 00:51:13,737 --> 00:51:15,315 THE SITUATION IS NOT GOING TO GO AWAY BY ITSELF, AND THAT'S WHY THIS OFFICE IS HERE. 1647 00:51:15,339 --> 00:51:17,084 GO AWAY BY ITSELF, AND THAT'S WHY THIS OFFICE IS HERE. WE'RE VETERANS OF FOREIGN 1648 00:51:17,108 --> 00:51:19,286 WHY THIS OFFICE IS HERE. WE'RE VETERANS OF FOREIGN HAIRDOS, AND WE WANT TO HELP ALL 1649 00:51:19,310 --> 00:51:19,986 WE'RE VETERANS OF FOREIGN HAIRDOS, AND WE WANT TO HELP ALL WE CAN. 1650 00:51:20,010 --> 00:51:22,656 HAIRDOS, AND WE WANT TO HELP ALL WE CAN. ISN'T THAT RIGHT? 1651 00:51:22,680 --> 00:51:23,990 WE CAN. ISN'T THAT RIGHT? THAT'S RIGHT. 1652 00:51:24,014 --> 00:51:26,260 ISN'T THAT RIGHT? THAT'S RIGHT. HI, I'M DOLLY PARTON, AND I WAS 1653 00:51:26,284 --> 00:51:28,328 THAT'S RIGHT. HI, I'M DOLLY PARTON, AND I WAS AN EARLY VICTIM OF A FOREIGN 1654 00:51:28,352 --> 00:51:29,096 HI, I'M DOLLY PARTON, AND I WAS AN EARLY VICTIM OF A FOREIGN HAIRDO. 1655 00:51:29,120 --> 00:51:30,897 AN EARLY VICTIM OF A FOREIGN HAIRDO. BUT I WAS ONE OF THE LUCKY ONES. 1656 00:51:30,921 --> 00:51:32,699 HAIRDO. BUT I WAS ONE OF THE LUCKY ONES. THE WEIGHT OF IT STRAIGHTENED MY 1657 00:51:32,723 --> 00:51:34,501 BUT I WAS ONE OF THE LUCKY ONES. THE WEIGHT OF IT STRAIGHTENED MY POSTURE AND HELPED ME TO WALK IN 1658 00:51:34,525 --> 00:51:35,702 THE WEIGHT OF IT STRAIGHTENED MY POSTURE AND HELPED ME TO WALK IN AN UPRIGHT POSITION. 1659 00:51:35,726 --> 00:51:37,504 POSTURE AND HELPED ME TO WALK IN AN UPRIGHT POSITION. ALL OF YOU KNOW ABOUT HAIRDOS, 1660 00:51:37,528 --> 00:51:39,173 AN UPRIGHT POSITION. ALL OF YOU KNOW ABOUT HAIRDOS, BUT HOW MANY OF YOU KNOW THE 1661 00:51:39,197 --> 00:51:40,340 ALL OF YOU KNOW ABOUT HAIRDOS, BUT HOW MANY OF YOU KNOW THE HAIR DON'TS? 1662 00:51:40,364 --> 00:51:41,975 BUT HOW MANY OF YOU KNOW THE HAIR DON'TS? DON'T KEEP YOUR HEAD STILL. 1663 00:51:41,999 --> 00:51:43,343 HAIR DON'TS? DON'T KEEP YOUR HEAD STILL. KEEP IT MOVING AROUND. 1664 00:51:43,367 --> 00:51:44,778 DON'T KEEP YOUR HEAD STILL. KEEP IT MOVING AROUND. DON'T GO TO THE MOVIES, 1665 00:51:44,802 --> 00:51:46,313 KEEP IT MOVING AROUND. DON'T GO TO THE MOVIES, ESPECIALLY IN THE BENELUX 1666 00:51:46,337 --> 00:51:47,081 DON'T GO TO THE MOVIES, ESPECIALLY IN THE BENELUX COUNTRIES. 1667 00:51:47,105 --> 00:51:49,716 ESPECIALLY IN THE BENELUX COUNTRIES. DON'T EVER CHECK YOUR HAT IN A 1668 00:51:49,740 --> 00:51:50,917 COUNTRIES. DON'T EVER CHECK YOUR HAT IN A RESTAURANT. 1669 00:51:50,941 --> 00:51:52,719 DON'T EVER CHECK YOUR HAT IN A RESTAURANT. WE'RE THE VETERANS OF FOREIGN 1670 00:51:52,743 --> 00:51:53,387 RESTAURANT. WE'RE THE VETERANS OF FOREIGN HAIRDOS. 1671 00:51:53,411 --> 00:51:54,988 WE'RE THE VETERANS OF FOREIGN HAIRDOS. WHEN YOU TAKE YOUR HAIR OVER 1672 00:51:55,012 --> 00:51:56,656 HAIRDOS. WHEN YOU TAKE YOUR HAIR OVER THERE, IT'S ONLY FAIR THAT WE 1673 00:51:56,680 --> 00:51:57,157 WHEN YOU TAKE YOUR HAIR OVER THERE, IT'S ONLY FAIR THAT WE CARE. 1674 00:51:57,181 --> 00:51:59,159 THERE, IT'S ONLY FAIR THAT WE CARE. SO, THERE. BYE-BYE. 1675 00:51:59,183 --> 00:52:00,494 CARE. SO, THERE. BYE-BYE. FOR MORE INFORMATION, 1676 00:52:00,518 --> 00:52:02,678 SO, THERE. BYE-BYE. FOR MORE INFORMATION, WRITE... 1677 00:52:10,660 --> 00:52:15,142 WELL, PHOEBE AND I WERE IN NEW YORK TOGETHER ABOUT A YEAR AGO, AND WE WENT DOWN TO 1678 00:52:15,166 --> 00:52:16,710 NEW YORK TOGETHER ABOUT A YEAR AGO, AND WE WENT DOWN TO GERDE'S FOLK CITY TO SEE THE 1679 00:52:16,734 --> 00:52:17,611 AGO, AND WE WENT DOWN TO GERDE'S FOLK CITY TO SEE THE ROCHE SISTERS. 1680 00:52:17,635 --> 00:52:18,678 GERDE'S FOLK CITY TO SEE THE ROCHE SISTERS. AND WE BOTH FELL IN LOVE WITH 1681 00:52:18,702 --> 00:52:19,779 ROCHE SISTERS. AND WE BOTH FELL IN LOVE WITH THIS ONE AMAZING SONG THAT THEY 1682 00:52:19,803 --> 00:52:20,314 AND WE BOTH FELL IN LOVE WITH THIS ONE AMAZING SONG THAT THEY HAD WRITTEN. 1683 00:52:20,338 --> 00:52:22,483 THIS ONE AMAZING SONG THAT THEY HAD WRITTEN. AND PHOEBE RECORDED IT. 1684 00:52:22,507 --> 00:52:23,917 HAD WRITTEN. AND PHOEBE RECORDED IT. AND I WAS SO JEALOUS THAT SHE 1685 00:52:23,941 --> 00:52:25,352 AND PHOEBE RECORDED IT. AND I WAS SO JEALOUS THAT SHE GOT TO SCOOP ME ON THIS GREAT 1686 00:52:25,376 --> 00:52:26,820 AND I WAS SO JEALOUS THAT SHE GOT TO SCOOP ME ON THIS GREAT TUNE THAT I TOLD HER THE ONLY 1687 00:52:26,844 --> 00:52:28,288 GOT TO SCOOP ME ON THIS GREAT TUNE THAT I TOLD HER THE ONLY WAY SHE COULD MAKE IT UP TO ME 1688 00:52:28,312 --> 00:52:29,789 TUNE THAT I TOLD HER THE ONLY WAY SHE COULD MAKE IT UP TO ME WAS IF SHE LET ME SING IT WITH 1689 00:52:29,813 --> 00:52:31,291 WAY SHE COULD MAKE IT UP TO ME WAS IF SHE LET ME SING IT WITH HER ONE TIME, SO WE'RE GONNA DO 1690 00:52:31,315 --> 00:52:32,192 WAS IF SHE LET ME SING IT WITH HER ONE TIME, SO WE'RE GONNA DO IT TOGETHER NOW. 1691 00:52:32,216 --> 00:52:33,360 HER ONE TIME, SO WE'RE GONNA DO IT TOGETHER NOW. IT'S CALLED "MARRIED MAN." 1692 00:52:33,384 --> 00:52:35,817 IT TOGETHER NOW. IT'S CALLED "MARRIED MAN." [INTRO PLAYS] 1693 00:52:47,864 --> 00:52:55,864 ♪ ONE IN LOUISIANA ♪ ♪ ANOTHER ONE WHO TRAVELS AROUND ♪ 1694 00:52:56,907 --> 00:52:59,219 ♪ ANOTHER ONE WHO TRAVELS AROUND ♪ ♪ ONE OF 'EM MAINLY STAYS IN 1695 00:52:59,243 --> 00:53:03,890 AROUND ♪ ♪ ONE OF 'EM MAINLY STAYS IN HEARTTHROB TOWN ♪ 1696 00:53:03,914 --> 00:53:06,226 ♪ ONE OF 'EM MAINLY STAYS IN HEARTTHROB TOWN ♪ ♪ I AM NOT THEIR MAIN 1697 00:53:06,250 --> 00:53:07,394 HEARTTHROB TOWN ♪ ♪ I AM NOT THEIR MAIN CONCERN ♪ 1698 00:53:07,418 --> 00:53:12,732 ♪ I AM NOT THEIR MAIN CONCERN ♪ ♪ THEY ARE LONELY, TOO ♪ 1699 00:53:12,756 --> 00:53:16,403 CONCERN ♪ ♪ THEY ARE LONELY, TOO ♪ ♪ I AM JUST AN ARROW PASSING 1700 00:53:16,427 --> 00:53:23,577 ♪ THEY ARE LONELY, TOO ♪ ♪ I AM JUST AN ARROW PASSING THROUGH ♪ 1701 00:53:23,601 --> 00:53:26,246 ♪ I AM JUST AN ARROW PASSING THROUGH ♪ ♪ WHEN THEY LOOK INTO MY 1702 00:53:26,270 --> 00:53:27,080 THROUGH ♪ ♪ WHEN THEY LOOK INTO MY EYES ♪ 1703 00:53:27,104 --> 00:53:32,586 ♪ WHEN THEY LOOK INTO MY EYES ♪ ♪ I KNOW WHAT TO DO ♪ 1704 00:53:32,610 --> 00:53:35,922 EYES ♪ ♪ I KNOW WHAT TO DO ♪ ♪ I MAKE SURE THE WORDS I SAY 1705 00:53:35,946 --> 00:53:39,759 ♪ I KNOW WHAT TO DO ♪ ♪ I MAKE SURE THE WORDS I SAY ARE TRUE ♪ 1706 00:53:39,783 --> 00:53:42,596 ♪ I MAKE SURE THE WORDS I SAY ARE TRUE ♪ ♪ WHEN THEY SEND ME OFF AT 1707 00:53:42,620 --> 00:53:43,597 ARE TRUE ♪ ♪ WHEN THEY SEND ME OFF AT DAWN ♪ 1708 00:53:43,621 --> 00:53:49,102 ♪ WHEN THEY SEND ME OFF AT DAWN ♪ ♪ AND PAY THE DRIVER MY FARE ♪ 1709 00:53:49,126 --> 00:53:51,605 DAWN ♪ ♪ AND PAY THE DRIVER MY FARE ♪ Both: ♪ THEY KNOW I AM GOIN' 1710 00:53:51,629 --> 00:53:56,276 ♪ AND PAY THE DRIVER MY FARE ♪ Both: ♪ THEY KNOW I AM GOIN' DOWN SOMEWHERE ♪ 1711 00:53:56,300 --> 00:53:58,945 Both: ♪ THEY KNOW I AM GOIN' DOWN SOMEWHERE ♪ ♪ OH, THE MARRIED MEN ♪ 1712 00:53:58,969 --> 00:54:03,617 DOWN SOMEWHERE ♪ ♪ OH, THE MARRIED MEN ♪ ♪ OH, THE MARRIED MEN ♪ 1713 00:54:03,641 --> 00:54:05,785 ♪ OH, THE MARRIED MEN ♪ ♪ OH, THE MARRIED MEN ♪ ♪ NEVER WOULD HAVE HAD A GOOD 1714 00:54:05,809 --> 00:54:07,287 ♪ OH, THE MARRIED MEN ♪ ♪ NEVER WOULD HAVE HAD A GOOD TIME AGAIN ♪ 1715 00:54:07,311 --> 00:54:09,456 ♪ NEVER WOULD HAVE HAD A GOOD TIME AGAIN ♪ ♪ IF IT WASN'T FOR THE MARRIED 1716 00:54:09,480 --> 00:54:16,630 TIME AGAIN ♪ ♪ IF IT WASN'T FOR THE MARRIED MEN ♪ 1717 00:54:16,654 --> 00:54:18,965 ♪ IF IT WASN'T FOR THE MARRIED MEN ♪ ♪ ONE SAYS HE'LL COME AFTER 1718 00:54:18,989 --> 00:54:19,966 MEN ♪ ♪ ONE SAYS HE'LL COME AFTER ME ♪ 1719 00:54:19,990 --> 00:54:22,135 ♪ ONE SAYS HE'LL COME AFTER ME ♪ ♪ ANOTHER ONE'LL DROP ME A 1720 00:54:22,159 --> 00:54:25,805 ME ♪ ♪ ANOTHER ONE'LL DROP ME A LINE ♪ 1721 00:54:25,829 --> 00:54:27,807 ♪ ANOTHER ONE'LL DROP ME A LINE ♪ ♪ ONE OF THEM SAYS ALL OF MY 1722 00:54:27,831 --> 00:54:33,146 LINE ♪ ♪ ONE OF THEM SAYS ALL OF MY AGONY IS IN MY MIND ♪ 1723 00:54:33,170 --> 00:54:35,649 ♪ ONE OF THEM SAYS ALL OF MY AGONY IS IN MY MIND ♪ ♪ THEY KNOW WHAT IS WRONG 1724 00:54:35,673 --> 00:54:36,816 AGONY IS IN MY MIND ♪ ♪ THEY KNOW WHAT IS WRONG WITH ME ♪ 1725 00:54:36,840 --> 00:54:42,155 ♪ THEY KNOW WHAT IS WRONG WITH ME ♪ ♪ NONE OF 'EM WANTS MY HAND ♪ 1726 00:54:42,179 --> 00:54:44,324 WITH ME ♪ ♪ NONE OF 'EM WANTS MY HAND ♪ Both: ♪ SOLOIN' IN MY 1727 00:54:44,348 --> 00:54:49,496 ♪ NONE OF 'EM WANTS MY HAND ♪ Both: ♪ SOLOIN' IN MY TRAVELING WEDDING BAND ♪ 1728 00:54:49,520 --> 00:54:52,165 Both: ♪ SOLOIN' IN MY TRAVELING WEDDING BAND ♪ ♪ OH, THE MARRIED MEN ♪ 1729 00:54:52,189 --> 00:54:57,003 TRAVELING WEDDING BAND ♪ ♪ OH, THE MARRIED MEN ♪ ♪ OH, THE MARRIED MEN ♪ 1730 00:54:57,027 --> 00:54:59,673 ♪ OH, THE MARRIED MEN ♪ ♪ OH, THE MARRIED MEN ♪ ♪ MAKES ME FEEL LIKE A GIRL 1731 00:54:59,697 --> 00:55:00,840 ♪ OH, THE MARRIED MEN ♪ ♪ MAKES ME FEEL LIKE A GIRL AGAIN ♪ 1732 00:55:00,864 --> 00:55:04,466 ♪ MAKES ME FEEL LIKE A GIRL AGAIN ♪ ♪ TO RUN WITH THE MARRIED MEN ♪ 1733 00:55:13,677 --> 00:55:21,677 ♪ ONE OF 'EM'S GOT A LITTLE BOY ♪ ♪ OTHER ONE, HE'S GOT TWO ♪ 1734 00:55:23,220 --> 00:55:25,365 BOY ♪ ♪ OTHER ONE, HE'S GOT TWO ♪ ♪ ONE OF 'EM'S WIFE IS ONE 1735 00:55:25,389 --> 00:55:30,537 ♪ OTHER ONE, HE'S GOT TWO ♪ ♪ ONE OF 'EM'S WIFE IS ONE WEEK OVERDUE ♪ 1736 00:55:30,561 --> 00:55:32,205 ♪ ONE OF 'EM'S WIFE IS ONE WEEK OVERDUE ♪ ♪ I KNOW THESE GIRLS ♪ 1737 00:55:32,229 --> 00:55:34,040 WEEK OVERDUE ♪ ♪ I KNOW THESE GIRLS ♪ ♪ THEY DON'T LIKE ME ♪ 1738 00:55:34,064 --> 00:55:39,212 ♪ I KNOW THESE GIRLS ♪ ♪ THEY DON'T LIKE ME ♪ ♪ BUT I AM JUST LIKE THEM ♪ 1739 00:55:39,236 --> 00:55:42,215 ♪ THEY DON'T LIKE ME ♪ ♪ BUT I AM JUST LIKE THEM ♪ Both: ♪ PICKIN' A CRAZY APPLE 1740 00:55:42,239 --> 00:55:47,053 ♪ BUT I AM JUST LIKE THEM ♪ Both: ♪ PICKIN' A CRAZY APPLE OFF A STEM ♪ 1741 00:55:47,077 --> 00:55:52,726 Both: ♪ PICKIN' A CRAZY APPLE OFF A STEM ♪ ♪ GIVIN' IT TO THE MARRIED MEN ♪ 1742 00:55:52,750 --> 00:55:56,396 OFF A STEM ♪ ♪ GIVIN' IT TO THE MARRIED MEN ♪ ♪ THE MARRIED MEN ♪ 1743 00:55:56,420 --> 00:55:59,232 ♪ GIVIN' IT TO THE MARRIED MEN ♪ ♪ THE MARRIED MEN ♪ ♪ ALL OF THAT TIME IN HELL TO 1744 00:55:59,256 --> 00:56:00,066 ♪ THE MARRIED MEN ♪ ♪ ALL OF THAT TIME IN HELL TO SPEND ♪ 1745 00:56:00,090 --> 00:56:05,905 ♪ ALL OF THAT TIME IN HELL TO SPEND ♪ ♪ FOR KISSIN' THE MARRIED MEN ♪ 1746 00:56:05,929 --> 00:56:08,742 SPEND ♪ ♪ FOR KISSIN' THE MARRIED MEN ♪ ♪ ALL OF THAT TIME IN HELL TO 1747 00:56:08,766 --> 00:56:09,576 ♪ FOR KISSIN' THE MARRIED MEN ♪ ♪ ALL OF THAT TIME IN HELL TO SPEND ♪ 1748 00:56:09,600 --> 00:56:12,278 ♪ ALL OF THAT TIME IN HELL TO SPEND ♪ ♪ FOR KISSIN' THE MARRIED ♪ 1749 00:56:12,302 --> 00:56:20,302 SPEND ♪ ♪ FOR KISSIN' THE MARRIED ♪ ♪ THE MARRIED MEN ♪ 1750 00:56:20,444 --> 00:56:23,124 ♪ FOR KISSIN' THE MARRIED ♪ ♪ THE MARRIED MEN ♪ [CHEERS AND APPLAUSE] 1751 00:57:01,851 --> 00:57:05,532 HI, MARY. HI, JENNY. AREN'T YOU GOING OVER TO THE 1752 00:57:05,556 --> 00:57:07,166 HI, JENNY. AREN'T YOU GOING OVER TO THE GOING-OUT-OF-BUSINESS SALE FOR 1753 00:57:07,190 --> 00:57:08,902 AREN'T YOU GOING OVER TO THE GOING-OUT-OF-BUSINESS SALE FOR PUPPYLAND WITH DIANE AND JOANNE? 1754 00:57:08,926 --> 00:57:09,469 GOING-OUT-OF-BUSINESS SALE FOR PUPPYLAND WITH DIANE AND JOANNE? NO. 1755 00:57:09,493 --> 00:57:11,170 PUPPYLAND WITH DIANE AND JOANNE? NO. I DON'T THINK I COULD GO OVER 1756 00:57:11,194 --> 00:57:12,472 NO. I DON'T THINK I COULD GO OVER THERE WITHOUT CRYING. 1757 00:57:12,496 --> 00:57:14,173 I DON'T THINK I COULD GO OVER THERE WITHOUT CRYING. JUST TELL THEM GOODBYE FOR ME 1758 00:57:14,197 --> 00:57:15,942 THERE WITHOUT CRYING. JUST TELL THEM GOODBYE FOR ME AND THAT I WISH THEM GOOD LUCK 1759 00:57:15,966 --> 00:57:17,744 JUST TELL THEM GOODBYE FOR ME AND THAT I WISH THEM GOOD LUCK IN WHATEVER THEY GET THEMSELVES 1760 00:57:17,768 --> 00:57:18,478 AND THAT I WISH THEM GOOD LUCK IN WHATEVER THEY GET THEMSELVES INTO NEXT. 1761 00:57:18,502 --> 00:57:19,613 IN WHATEVER THEY GET THEMSELVES INTO NEXT. HOW'S BUSINESS? 1762 00:57:19,637 --> 00:57:21,214 INTO NEXT. HOW'S BUSINESS? OH, WELL, YESTERDAY I SOLD 1763 00:57:21,238 --> 00:57:22,682 HOW'S BUSINESS? OH, WELL, YESTERDAY I SOLD ABOUT $10 WORTH, BUT TODAY 1764 00:57:22,706 --> 00:57:24,350 OH, WELL, YESTERDAY I SOLD ABOUT $10 WORTH, BUT TODAY HASN'T BEEN SO GOOD. 1765 00:57:24,374 --> 00:57:26,152 ABOUT $10 WORTH, BUT TODAY HASN'T BEEN SO GOOD. HOW ARE THINGS AT THE SCOTCH 1766 00:57:26,176 --> 00:57:26,953 HASN'T BEEN SO GOOD. HOW ARE THINGS AT THE SCOTCH BOUTIQUE? 1767 00:57:26,977 --> 00:57:28,922 HOW ARE THINGS AT THE SCOTCH BOUTIQUE? OH, THE SCOTCH TAPE BUSINESS 1768 00:57:28,946 --> 00:57:29,689 BOUTIQUE? OH, THE SCOTCH TAPE BUSINESS IS GREAT! 1769 00:57:29,713 --> 00:57:31,324 OH, THE SCOTCH TAPE BUSINESS IS GREAT! AND DID YOU SEE THE SIGNS ALL 1770 00:57:31,348 --> 00:57:32,859 IS GREAT! AND DID YOU SEE THE SIGNS ALL OVER THAT SAY "THOMAS SHOES 1771 00:57:32,883 --> 00:57:34,227 AND DID YOU SEE THE SIGNS ALL OVER THAT SAY "THOMAS SHOES GOING OUT OF BUSINESS"? 1772 00:57:34,251 --> 00:57:35,361 OVER THAT SAY "THOMAS SHOES GOING OUT OF BUSINESS"? YES, I DID. 1773 00:57:35,385 --> 00:57:37,464 GOING OUT OF BUSINESS"? YES, I DID. THAT WAS OUR TAPE THEY USED 1774 00:57:37,488 --> 00:57:39,633 YES, I DID. THAT WAS OUR TAPE THEY USED TO PUT THEM UP. 1775 00:57:39,657 --> 00:57:41,234 THAT WAS OUR TAPE THEY USED TO PUT THEM UP. WITH THOMAS' SHOES CLOSING, 1776 00:57:41,258 --> 00:57:42,836 TO PUT THEM UP. WITH THOMAS' SHOES CLOSING, THAT'LL MAKE IT 10 STORES THAT 1777 00:57:42,860 --> 00:57:44,337 WITH THOMAS' SHOES CLOSING, THAT'LL MAKE IT 10 STORES THAT MOVED OUT OF THE MALL SO FAR 1778 00:57:44,361 --> 00:57:45,004 THAT'LL MAKE IT 10 STORES THAT MOVED OUT OF THE MALL SO FAR THIS YEAR. 1779 00:57:45,028 --> 00:57:45,972 MOVED OUT OF THE MALL SO FAR THIS YEAR. YEAH, I KNOW. 1780 00:57:45,996 --> 00:57:48,975 THIS YEAR. YEAH, I KNOW. [SIGHS] 1781 00:57:48,999 --> 00:57:50,143 YEAH, I KNOW. [SIGHS] HI, JENNY, MARY. 1782 00:57:50,167 --> 00:57:50,811 [SIGHS] HI, JENNY, MARY. HI, FLOYD. 1783 00:57:50,835 --> 00:57:51,511 HI, JENNY, MARY. HI, FLOYD. HI, FLOYD. 1784 00:57:51,535 --> 00:57:52,813 HI, FLOYD. HI, FLOYD. AREN'T YOU GOING TO THE PARTY 1785 00:57:52,837 --> 00:57:53,713 HI, FLOYD. AREN'T YOU GOING TO THE PARTY FOR, UH, PUPPYLAND? 1786 00:57:53,737 --> 00:57:55,081 AREN'T YOU GOING TO THE PARTY FOR, UH, PUPPYLAND? YEAH, WELL, I WAS JUST ON MY 1787 00:57:55,105 --> 00:57:55,415 FOR, UH, PUPPYLAND? YEAH, WELL, I WAS JUST ON MY WAY. 1788 00:57:55,439 --> 00:57:56,750 YEAH, WELL, I WAS JUST ON MY WAY. I THOUGHT I'D KIND OF DROP BY, 1789 00:57:56,774 --> 00:57:58,117 WAY. I THOUGHT I'D KIND OF DROP BY, GET SOME CANDY, AND BRING IT AS 1790 00:57:58,141 --> 00:57:58,985 I THOUGHT I'D KIND OF DROP BY, GET SOME CANDY, AND BRING IT AS A GOING-AWAY GIFT. 1791 00:57:59,009 --> 00:58:00,854 GET SOME CANDY, AND BRING IT AS A GOING-AWAY GIFT. WELL, THE MALL IS REALLY 1792 00:58:00,878 --> 00:58:02,456 A GOING-AWAY GIFT. WELL, THE MALL IS REALLY GOING UNDER, ISN'T IT? 1793 00:58:02,480 --> 00:58:03,924 WELL, THE MALL IS REALLY GOING UNDER, ISN'T IT? I THINK BUSINESS WILL BE 1794 00:58:03,948 --> 00:58:05,525 GOING UNDER, ISN'T IT? I THINK BUSINESS WILL BE PICKING UP AS SOON AS THIS GAS 1795 00:58:05,549 --> 00:58:06,593 I THINK BUSINESS WILL BE PICKING UP AS SOON AS THIS GAS CRISIS GETS WORSE. 1796 00:58:06,617 --> 00:58:08,294 PICKING UP AS SOON AS THIS GAS CRISIS GETS WORSE. REMEMBER, WE'RE TWO MILES CLOSER 1797 00:58:08,318 --> 00:58:09,896 CRISIS GETS WORSE. REMEMBER, WE'RE TWO MILES CLOSER TO TOWN THAN THE NEW MALL, AND 1798 00:58:09,920 --> 00:58:11,598 REMEMBER, WE'RE TWO MILES CLOSER TO TOWN THAN THE NEW MALL, AND NOBODY'S GONNA WANT TO WASTE ALL 1799 00:58:11,622 --> 00:58:13,099 TO TOWN THAN THE NEW MALL, AND NOBODY'S GONNA WANT TO WASTE ALL THAT GAS AND DRIVE TO A MALL 1800 00:58:13,123 --> 00:58:14,701 NOBODY'S GONNA WANT TO WASTE ALL THAT GAS AND DRIVE TO A MALL THAT'S TWO MILES FARTHER AWAY. 1801 00:58:14,725 --> 00:58:16,202 THAT GAS AND DRIVE TO A MALL THAT'S TWO MILES FARTHER AWAY. WE'RE CLOSER. 1802 00:58:16,226 --> 00:58:17,437 THAT'S TWO MILES FARTHER AWAY. WE'RE CLOSER. I NEVER THOUGHT OF THAT, 1803 00:58:17,461 --> 00:58:17,871 WE'RE CLOSER. I NEVER THOUGHT OF THAT, FLOYD. 1804 00:58:17,895 --> 00:58:18,371 I NEVER THOUGHT OF THAT, FLOYD. SURE. 1805 00:58:18,395 --> 00:58:19,739 FLOYD. SURE. THEN WHY IS PUPPYLAND GOING 1806 00:58:19,763 --> 00:58:20,574 SURE. THEN WHY IS PUPPYLAND GOING OUT OF BUSINESS? 1807 00:58:20,598 --> 00:58:22,442 THEN WHY IS PUPPYLAND GOING OUT OF BUSINESS? I MEAN, WHY... WHY CAN'T YOU 1808 00:58:22,466 --> 00:58:24,243 OUT OF BUSINESS? I MEAN, WHY... WHY CAN'T YOU MAKE THEM HOLD ON TILL NEXT 1809 00:58:24,267 --> 00:58:24,878 I MEAN, WHY... WHY CAN'T YOU MAKE THEM HOLD ON TILL NEXT MONTH? 1810 00:58:24,902 --> 00:58:26,312 MAKE THEM HOLD ON TILL NEXT MONTH? WELL, MARY, WITH PUPPIES, 1811 00:58:26,336 --> 00:58:27,814 MONTH? WELL, MARY, WITH PUPPIES, IT'S DIFFERENT THAN WITH CANDY 1812 00:58:27,838 --> 00:58:29,048 WELL, MARY, WITH PUPPIES, IT'S DIFFERENT THAN WITH CANDY OR SCOTCH TAPE OR MEN'S 1813 00:58:29,072 --> 00:58:29,649 IT'S DIFFERENT THAN WITH CANDY OR SCOTCH TAPE OR MEN'S CLOTHING. 1814 00:58:29,673 --> 00:58:31,217 OR SCOTCH TAPE OR MEN'S CLOTHING. IF I GOT A SUIT ON THE RACK FOR 1815 00:58:31,241 --> 00:58:32,686 CLOTHING. IF I GOT A SUIT ON THE RACK FOR SIX MONTHS, IT'S NO BIG DEAL, 1816 00:58:32,710 --> 00:58:34,153 IF I GOT A SUIT ON THE RACK FOR SIX MONTHS, IT'S NO BIG DEAL, BUT YOU CAN'T KEEP PUPPIES ON 1817 00:58:34,177 --> 00:58:35,455 SIX MONTHS, IT'S NO BIG DEAL, BUT YOU CAN'T KEEP PUPPIES ON INVENTORY FOR SIX MONTHS. 1818 00:58:35,479 --> 00:58:37,624 BUT YOU CAN'T KEEP PUPPIES ON INVENTORY FOR SIX MONTHS. THEY TURN INTO DOGS. 1819 00:58:37,648 --> 00:58:39,192 INVENTORY FOR SIX MONTHS. THEY TURN INTO DOGS. IT'S AS BAD AS THE EGG BUSINESS, 1820 00:58:39,216 --> 00:58:39,793 THEY TURN INTO DOGS. IT'S AS BAD AS THE EGG BUSINESS, YOU KNOW? 1821 00:58:39,817 --> 00:58:41,361 IT'S AS BAD AS THE EGG BUSINESS, YOU KNOW? YEAH, I HEARD THEY DON'T HAVE 1822 00:58:41,385 --> 00:58:42,896 YOU KNOW? YEAH, I HEARD THEY DON'T HAVE ONE PUPPY IN THERE THAT IS LESS 1823 00:58:42,920 --> 00:58:43,864 YEAH, I HEARD THEY DON'T HAVE ONE PUPPY IN THERE THAT IS LESS THAN 8 MONTHS OLD. 1824 00:58:43,888 --> 00:58:46,399 ONE PUPPY IN THERE THAT IS LESS THAN 8 MONTHS OLD. AS A MATTER OF FACT, THE GARBAGE 1825 00:58:46,423 --> 00:58:48,869 THAN 8 MONTHS OLD. AS A MATTER OF FACT, THE GARBAGE MEN JOKE THAT PUPPYLAND'S TRASH 1826 00:58:48,893 --> 00:58:51,304 AS A MATTER OF FACT, THE GARBAGE MEN JOKE THAT PUPPYLAND'S TRASH BAGS ONLY CONTAIN CYCLE-TWO DOG 1827 00:58:51,328 --> 00:58:52,005 MEN JOKE THAT PUPPYLAND'S TRASH BAGS ONLY CONTAIN CYCLE-TWO DOG FOOD. 1828 00:58:52,029 --> 00:58:56,009 BAGS ONLY CONTAIN CYCLE-TWO DOG FOOD. [CHUCKLES] 1829 00:58:56,033 --> 00:58:58,845 FOOD. [CHUCKLES] THAT'S... THAT'S, LIKE, A JOKE 1830 00:58:58,869 --> 00:58:59,679 [CHUCKLES] THAT'S... THAT'S, LIKE, A JOKE THEY MADE UP. 1831 00:58:59,703 --> 00:59:00,947 THAT'S... THAT'S, LIKE, A JOKE THEY MADE UP. DIDN'T YOU EVER SEE THE 1832 00:59:00,971 --> 00:59:02,348 THEY MADE UP. DIDN'T YOU EVER SEE THE COMMERCIAL WHERE THEY HAVE 1833 00:59:02,372 --> 00:59:03,950 DIDN'T YOU EVER SEE THE COMMERCIAL WHERE THEY HAVE DIFFERENT CANS OF DOG FOOD FOR 1834 00:59:03,974 --> 00:59:05,084 COMMERCIAL WHERE THEY HAVE DIFFERENT CANS OF DOG FOOD FOR DIFFERENT-AGED DOGS? 1835 00:59:05,108 --> 00:59:06,419 DIFFERENT CANS OF DOG FOOD FOR DIFFERENT-AGED DOGS? NO, I NEVER DID. 1836 00:59:06,443 --> 00:59:08,254 DIFFERENT-AGED DOGS? NO, I NEVER DID. I MUST HAVE MISSED THAT ONE. 1837 00:59:08,278 --> 00:59:10,056 NO, I NEVER DID. I MUST HAVE MISSED THAT ONE. WELL, ONE, UH... ONE CAN IS 1838 00:59:10,080 --> 00:59:11,925 I MUST HAVE MISSED THAT ONE. WELL, ONE, UH... ONE CAN IS CALLED "CYCLE ONE," AND IT'S FOR 1839 00:59:11,949 --> 00:59:13,827 WELL, ONE, UH... ONE CAN IS CALLED "CYCLE ONE," AND IT'S FOR PUPPIES, AND THE OTHER IS CALLED 1840 00:59:13,851 --> 00:59:15,595 CALLED "CYCLE ONE," AND IT'S FOR PUPPIES, AND THE OTHER IS CALLED "CYCLE TWO," AND IT'S FOR DOGS 1841 00:59:15,619 --> 00:59:17,330 PUPPIES, AND THE OTHER IS CALLED "CYCLE TWO," AND IT'S FOR DOGS OVER SIX MONTHS OLD, AND, UH, 1842 00:59:17,354 --> 00:59:19,232 "CYCLE TWO," AND IT'S FOR DOGS OVER SIX MONTHS OLD, AND, UH, THAT'S WHAT THEY MEANT WHEN THEY 1843 00:59:19,256 --> 00:59:22,335 OVER SIX MONTHS OLD, AND, UH, THAT'S WHAT THEY MEANT WHEN THEY SAID THAT THERE'S ONLY CYCLE-TWO 1844 00:59:22,359 --> 00:59:24,571 THAT'S WHAT THEY MEANT WHEN THEY SAID THAT THERE'S ONLY CYCLE-TWO DOG FOOD IN THE TRASH BECAUSE 1845 00:59:24,595 --> 00:59:26,873 SAID THAT THERE'S ONLY CYCLE-TWO DOG FOOD IN THE TRASH BECAUSE ALL PUPPYLAND'S PUPPIES ARE SO 1846 00:59:26,897 --> 00:59:29,308 DOG FOOD IN THE TRASH BECAUSE ALL PUPPYLAND'S PUPPIES ARE SO OLD THAT, UM, THEY... THEY DON'T 1847 00:59:29,332 --> 00:59:31,811 ALL PUPPYLAND'S PUPPIES ARE SO OLD THAT, UM, THEY... THEY DON'T EAT CYCLE ONE ANYMORE. 1848 00:59:31,835 --> 00:59:33,479 OLD THAT, UM, THEY... THEY DON'T EAT CYCLE ONE ANYMORE. I THINK MAYBE WE BETTER GET 1849 00:59:33,503 --> 00:59:34,480 EAT CYCLE ONE ANYMORE. I THINK MAYBE WE BETTER GET OVER THERE. 1850 00:59:34,504 --> 00:59:35,181 I THINK MAYBE WE BETTER GET OVER THERE. YEAH. 1851 00:59:35,205 --> 00:59:37,050 OVER THERE. YEAH. IT'S PUPPYLAND PARTY TIME! 1852 00:59:37,074 --> 00:59:38,818 YEAH. IT'S PUPPYLAND PARTY TIME! WE WERE JUST ON OUR WAY. 1853 00:59:38,842 --> 00:59:40,554 IT'S PUPPYLAND PARTY TIME! WE WERE JUST ON OUR WAY. YEAH, YOU KNOW, DID YOU HEAR 1854 00:59:40,578 --> 00:59:42,155 WE WERE JUST ON OUR WAY. YEAH, YOU KNOW, DID YOU HEAR THE JOKE THAT THE GARBAGE MEN 1855 00:59:42,179 --> 00:59:43,924 YEAH, YOU KNOW, DID YOU HEAR THE JOKE THAT THE GARBAGE MEN ARE MAKING ABOUT THE DOG FOOD IN 1856 00:59:43,948 --> 00:59:45,025 THE JOKE THAT THE GARBAGE MEN ARE MAKING ABOUT THE DOG FOOD IN PUPPYLAND'S TRASH? 1857 00:59:45,049 --> 00:59:45,358 ARE MAKING ABOUT THE DOG FOOD IN PUPPYLAND'S TRASH? NO. 1858 00:59:45,382 --> 00:59:46,392 PUPPYLAND'S TRASH? NO. WHY DON'T YOU GO ON OVER 1859 00:59:46,416 --> 00:59:47,527 NO. WHY DON'T YOU GO ON OVER THERE, AND I'LL GET SOME CANDY, 1860 00:59:47,551 --> 00:59:48,428 WHY DON'T YOU GO ON OVER THERE, AND I'LL GET SOME CANDY, AND I'LL JOIN YOU GUYS? 1861 00:59:48,452 --> 00:59:49,596 THERE, AND I'LL GET SOME CANDY, AND I'LL JOIN YOU GUYS? WHAT ARE YOU GIVING THEM? 1862 00:59:49,620 --> 00:59:50,129 AND I'LL JOIN YOU GUYS? WHAT ARE YOU GIVING THEM? SHAMPOO. 1863 00:59:50,153 --> 00:59:51,264 WHAT ARE YOU GIVING THEM? SHAMPOO. THEY MAY BE BROKE AND SAD, BUT 1864 00:59:51,288 --> 00:59:52,398 SHAMPOO. THEY MAY BE BROKE AND SAD, BUT THEY'RE GONNA HAVE CLEAN HAIR! 1865 00:59:52,422 --> 00:59:53,900 THEY MAY BE BROKE AND SAD, BUT THEY'RE GONNA HAVE CLEAN HAIR! [BOTH LAUGH] 1866 00:59:53,924 --> 00:59:55,234 THEY'RE GONNA HAVE CLEAN HAIR! [BOTH LAUGH] I'LL SEE YOU OVER THERE, FLOYD. 1867 00:59:55,258 --> 00:59:56,603 [BOTH LAUGH] I'LL SEE YOU OVER THERE, FLOYD. SEE YOU OVER THERE, MARY. 1868 00:59:56,627 --> 00:59:57,203 I'LL SEE YOU OVER THERE, FLOYD. SEE YOU OVER THERE, MARY. OKAY. 1869 00:59:57,227 --> 00:59:58,004 SEE YOU OVER THERE, MARY. OKAY. BYE, MARY. 1870 00:59:58,028 --> 00:59:59,873 OKAY. BYE, MARY. UH, MARY, I THINK I'LL TAKE 1871 00:59:59,897 --> 01:00:01,608 BYE, MARY. UH, MARY, I THINK I'LL TAKE ABOUT 75 CENTS WORTH OF THE 1872 01:00:01,632 --> 01:00:05,278 UH, MARY, I THINK I'LL TAKE ABOUT 75 CENTS WORTH OF THE ALMOND CREAMS, AND, UH... 1873 01:00:05,302 --> 01:00:07,113 ABOUT 75 CENTS WORTH OF THE ALMOND CREAMS, AND, UH... OKAY, AND I'LL PUT IN SOME 1874 01:00:07,137 --> 01:00:08,548 ALMOND CREAMS, AND, UH... OKAY, AND I'LL PUT IN SOME RAISIN CLUSTERS, OKAY? 1875 01:00:08,572 --> 01:00:09,549 OKAY, AND I'LL PUT IN SOME RAISIN CLUSTERS, OKAY? OH, SURE, SURE. 1876 01:00:09,573 --> 01:00:11,084 RAISIN CLUSTERS, OKAY? OH, SURE, SURE. AND WOULD YOU TELL THEM THAT 1877 01:00:11,108 --> 01:00:11,818 OH, SURE, SURE. AND WOULD YOU TELL THEM THAT I SENT THEM? 1878 01:00:11,842 --> 01:00:12,852 AND WOULD YOU TELL THEM THAT I SENT THEM? YEAH, CERTAINLY. 1879 01:00:12,876 --> 01:00:14,788 I SENT THEM? YEAH, CERTAINLY. UH... YOU CAN... YOU CAN PUT THIS 1880 01:00:14,812 --> 01:00:16,189 YEAH, CERTAINLY. UH... YOU CAN... YOU CAN PUT THIS ON MY BILL, CAN'T YOU? 1881 01:00:16,213 --> 01:00:19,192 UH... YOU CAN... YOU CAN PUT THIS ON MY BILL, CAN'T YOU? WELL, FLOYD, I HATE TO SAY 1882 01:00:19,216 --> 01:00:21,527 ON MY BILL, CAN'T YOU? WELL, FLOYD, I HATE TO SAY ANYTHING, BUT YOU STILL DO OWE 1883 01:00:21,551 --> 01:00:23,697 WELL, FLOYD, I HATE TO SAY ANYTHING, BUT YOU STILL DO OWE ME $7.95 FOR THE VALENTINE BOX 1884 01:00:23,721 --> 01:00:25,531 ANYTHING, BUT YOU STILL DO OWE ME $7.95 FOR THE VALENTINE BOX OF ASSORTED CREAMS. 1885 01:00:25,555 --> 01:00:28,034 ME $7.95 FOR THE VALENTINE BOX OF ASSORTED CREAMS. I MEAN... 1886 01:00:28,058 --> 01:00:29,703 OF ASSORTED CREAMS. I MEAN... HI, MARY. HI, MR. HUNGER. 1887 01:00:29,727 --> 01:00:30,870 I MEAN... HI, MARY. HI, MR. HUNGER. Both: HI, KEVIN. 1888 01:00:30,894 --> 01:00:31,537 HI, MARY. HI, MR. HUNGER. Both: HI, KEVIN. HI. 1889 01:00:31,561 --> 01:00:33,873 Both: HI, KEVIN. HI. UH, KEVIN, DO YOU HAVE 75 1890 01:00:33,897 --> 01:00:35,174 HI. UH, KEVIN, DO YOU HAVE 75 CENTS YOU CAN LOAN ME TILL 1891 01:00:35,198 --> 01:00:35,742 UH, KEVIN, DO YOU HAVE 75 CENTS YOU CAN LOAN ME TILL TOMORROW? 1892 01:00:35,766 --> 01:00:37,744 CENTS YOU CAN LOAN ME TILL TOMORROW? YEAH, SURE, MR. HUNGER. 1893 01:00:37,768 --> 01:00:39,412 TOMORROW? YEAH, SURE, MR. HUNGER. YOU GOT CHANGE FOR A $20? 1894 01:00:39,436 --> 01:00:41,380 YEAH, SURE, MR. HUNGER. YOU GOT CHANGE FOR A $20? KEVIN, YOU... YOU DO HAVE A 1895 01:00:41,404 --> 01:00:42,381 YOU GOT CHANGE FOR A $20? KEVIN, YOU... YOU DO HAVE A LOT OF MONEY. 1896 01:00:42,405 --> 01:00:44,450 KEVIN, YOU... YOU DO HAVE A LOT OF MONEY. YEAH, WELL, I'VE BEEN HELPING 1897 01:00:44,474 --> 01:00:45,885 LOT OF MONEY. YEAH, WELL, I'VE BEEN HELPING WHEEL OF HARDWARE MOVE, YOU 1898 01:00:45,909 --> 01:00:46,319 YEAH, WELL, I'VE BEEN HELPING WHEEL OF HARDWARE MOVE, YOU KNOW? 1899 01:00:46,343 --> 01:00:48,154 WHEEL OF HARDWARE MOVE, YOU KNOW? UH, I DON'T THINK I HAVE ANY 1900 01:00:48,178 --> 01:00:49,555 KNOW? UH, I DON'T THINK I HAVE ANY SMALL BILLS ON ME, KEV. 1901 01:00:49,579 --> 01:00:51,224 UH, I DON'T THINK I HAVE ANY SMALL BILLS ON ME, KEV. UH, HOW ABOUT IF I JUST TAKE 1902 01:00:51,248 --> 01:00:51,925 SMALL BILLS ON ME, KEV. UH, HOW ABOUT IF I JUST TAKE THIS $20? 1903 01:00:51,949 --> 01:00:53,359 UH, HOW ABOUT IF I JUST TAKE THIS $20? I'LL PAY IT BACK TO YOU 1904 01:00:53,383 --> 01:00:54,060 THIS $20? I'LL PAY IT BACK TO YOU TOMORROW. 1905 01:00:54,084 --> 01:00:54,728 I'LL PAY IT BACK TO YOU TOMORROW. OKAY. 1906 01:00:54,752 --> 01:00:55,895 TOMORROW. OKAY. I'LL BRING THAT CHANGE TO YOU 1907 01:00:55,919 --> 01:01:00,399 OKAY. I'LL BRING THAT CHANGE TO YOU AROUND TOMORROW THERE, MARY. 1908 01:01:00,423 --> 01:01:02,301 I'LL BRING THAT CHANGE TO YOU AROUND TOMORROW THERE, MARY. UH, THEY SAY THEY REALLY WANT 1909 01:01:02,325 --> 01:01:04,170 AROUND TOMORROW THERE, MARY. UH, THEY SAY THEY REALLY WANT YOU OVER AT THE PARTY, MARY, SO 1910 01:01:04,194 --> 01:01:05,805 UH, THEY SAY THEY REALLY WANT YOU OVER AT THE PARTY, MARY, SO I VOLUNTEERED TO WATCH YOUR 1911 01:01:05,829 --> 01:01:07,573 YOU OVER AT THE PARTY, MARY, SO I VOLUNTEERED TO WATCH YOUR STORE WHILE YOU GO OVER THERE 1912 01:01:07,597 --> 01:01:08,441 I VOLUNTEERED TO WATCH YOUR STORE WHILE YOU GO OVER THERE FOR A WHILE. 1913 01:01:08,465 --> 01:01:09,909 STORE WHILE YOU GO OVER THERE FOR A WHILE. OH, THANKS, KEVIN, BUT I... 1914 01:01:09,933 --> 01:01:11,244 FOR A WHILE. OH, THANKS, KEVIN, BUT I... I DON'T LIKE TO LEAVE THIS 1915 01:01:11,268 --> 01:01:11,711 OH, THANKS, KEVIN, BUT I... I DON'T LIKE TO LEAVE THIS STORE. 1916 01:01:11,735 --> 01:01:12,712 I DON'T LIKE TO LEAVE THIS STORE. YOU NEVER CAN TELL. 1917 01:01:12,736 --> 01:01:14,247 STORE. YOU NEVER CAN TELL. MAYBE A CUSTOMER WOULD COME IN. 1918 01:01:14,271 --> 01:01:15,481 YOU NEVER CAN TELL. MAYBE A CUSTOMER WOULD COME IN. WELL, I COULD COME OVER AND 1919 01:01:15,505 --> 01:01:16,683 MAYBE A CUSTOMER WOULD COME IN. WELL, I COULD COME OVER AND GET YOU IF SOMEBODY CAME IN. 1920 01:01:16,707 --> 01:01:17,817 WELL, I COULD COME OVER AND GET YOU IF SOMEBODY CAME IN. THAT'S WHAT I WAS THINKING. 1921 01:01:17,841 --> 01:01:18,952 GET YOU IF SOMEBODY CAME IN. THAT'S WHAT I WAS THINKING. NO, THANKS, KEVIN. 1922 01:01:18,976 --> 01:01:20,153 THAT'S WHAT I WAS THINKING. NO, THANKS, KEVIN. I DON'T THINK I SHOULD. 1923 01:01:20,177 --> 01:01:21,154 NO, THANKS, KEVIN. I DON'T THINK I SHOULD. OH. 1924 01:01:21,178 --> 01:01:23,056 I DON'T THINK I SHOULD. OH. OKAY, THEN MAYBE I'LL TAKE A BOX 1925 01:01:23,080 --> 01:01:24,924 OH. OKAY, THEN MAYBE I'LL TAKE A BOX OF CHOCOLATE-COVERED PEANUTS AND 1926 01:01:24,948 --> 01:01:26,526 OKAY, THEN MAYBE I'LL TAKE A BOX OF CHOCOLATE-COVERED PEANUTS AND A BOX OF VANILLA CARAMELS. 1927 01:01:26,550 --> 01:01:27,360 OF CHOCOLATE-COVERED PEANUTS AND A BOX OF VANILLA CARAMELS. OH. 1928 01:01:27,384 --> 01:01:29,262 A BOX OF VANILLA CARAMELS. OH. I'LL BET THAT PARTY IS PRETTY... 1929 01:01:29,286 --> 01:01:30,363 OH. I'LL BET THAT PARTY IS PRETTY... PRETTY SAD, HUH? 1930 01:01:30,387 --> 01:01:31,698 I'LL BET THAT PARTY IS PRETTY... PRETTY SAD, HUH? NO, I JUST DIDN'T WANT TO 1931 01:01:31,722 --> 01:01:33,099 PRETTY SAD, HUH? NO, I JUST DIDN'T WANT TO STAY, YOU KNOW, 'CAUSE OF THE 1932 01:01:33,123 --> 01:01:33,933 NO, I JUST DIDN'T WANT TO STAY, YOU KNOW, 'CAUSE OF THE SMELL, YOU KNOW? 1933 01:01:33,957 --> 01:01:35,401 STAY, YOU KNOW, 'CAUSE OF THE SMELL, YOU KNOW? MOST OF THE PEOPLE ARE STANDING 1934 01:01:35,425 --> 01:01:36,636 SMELL, YOU KNOW? MOST OF THE PEOPLE ARE STANDING IN THE DOORWAY, YOU KNOW? 1935 01:01:36,660 --> 01:01:38,138 MOST OF THE PEOPLE ARE STANDING IN THE DOORWAY, YOU KNOW? IT'S NOT AS BAD THERE. 1936 01:01:38,162 --> 01:01:39,305 IN THE DOORWAY, YOU KNOW? IT'S NOT AS BAD THERE. OH, DEAR. 1937 01:01:39,329 --> 01:01:41,307 IT'S NOT AS BAD THERE. OH, DEAR. THAT'LL BE $8.70. 1938 01:01:41,331 --> 01:01:43,476 OH, DEAR. THAT'LL BE $8.70. THEY'RE $4.35 A POUND. 1939 01:01:43,500 --> 01:01:45,478 THAT'LL BE $8.70. THEY'RE $4.35 A POUND. GEEZ, ALL I GOT'S THESE $20s. 1940 01:01:45,502 --> 01:01:47,981 THEY'RE $4.35 A POUND. GEEZ, ALL I GOT'S THESE $20s. IT'S THE SMALLEST THING I GOT. 1941 01:01:48,005 --> 01:01:50,150 GEEZ, ALL I GOT'S THESE $20s. IT'S THE SMALLEST THING I GOT. WELL, WHY DON'T YOU DROP BY 1942 01:01:50,174 --> 01:01:51,484 IT'S THE SMALLEST THING I GOT. WELL, WHY DON'T YOU DROP BY TOMORROW, AND I'LL GIVE YOU YOUR 1943 01:01:51,508 --> 01:01:52,652 WELL, WHY DON'T YOU DROP BY TOMORROW, AND I'LL GIVE YOU YOUR CHANGE? 1944 01:01:52,676 --> 01:01:54,988 TOMORROW, AND I'LL GIVE YOU YOUR CHANGE? OKAY. I'LL SEE YOU TOMORROW. 1945 01:01:55,012 --> 01:01:56,489 CHANGE? OKAY. I'LL SEE YOU TOMORROW. OKAY. 1946 01:01:56,513 --> 01:01:57,657 OKAY. I'LL SEE YOU TOMORROW. OKAY. BYE, KEVIN. 1947 01:01:57,681 --> 01:02:00,994 OKAY. BYE, KEVIN. BYE, MARY. 1948 01:02:01,018 --> 01:02:01,961 BYE, KEVIN. BYE, MARY. HI, MARY. 1949 01:02:01,985 --> 01:02:02,929 BYE, MARY. HI, MARY. HI, MARY. 1950 01:02:02,953 --> 01:02:03,797 HI, MARY. HI, MARY. OH, HI! 1951 01:02:03,821 --> 01:02:05,131 HI, MARY. OH, HI! WHAT YOU INTO? 1952 01:02:05,155 --> 01:02:06,599 OH, HI! WHAT YOU INTO? OH, WE KNEW YOU COULDN'T 1953 01:02:06,623 --> 01:02:08,101 WHAT YOU INTO? OH, WE KNEW YOU COULDN'T LEAVE THE CANDY STORE, SO WE 1954 01:02:08,125 --> 01:02:09,569 OH, WE KNEW YOU COULDN'T LEAVE THE CANDY STORE, SO WE CAME TO SAY GOODBYE TO YOU. 1955 01:02:09,593 --> 01:02:10,970 LEAVE THE CANDY STORE, SO WE CAME TO SAY GOODBYE TO YOU. AWW, THAT'S SO NICE. 1956 01:02:10,994 --> 01:02:12,706 CAME TO SAY GOODBYE TO YOU. AWW, THAT'S SO NICE. AND LISTEN, THANKS SO MUCH 1957 01:02:12,730 --> 01:02:14,407 AWW, THAT'S SO NICE. AND LISTEN, THANKS SO MUCH FOR THE BOX OF CANDY YOU SENT 1958 01:02:14,431 --> 01:02:14,941 AND LISTEN, THANKS SO MUCH FOR THE BOX OF CANDY YOU SENT OVER. 1959 01:02:14,965 --> 01:02:16,142 FOR THE BOX OF CANDY YOU SENT OVER. OH, THAT'S OKAY. 1960 01:02:16,166 --> 01:02:18,078 OVER. OH, THAT'S OKAY. LISTEN, UH, YOU DON'T MIND IF 1961 01:02:18,102 --> 01:02:19,979 OH, THAT'S OKAY. LISTEN, UH, YOU DON'T MIND IF WE JUST, UM, KEEP A FEW DOGS IN 1962 01:02:20,003 --> 01:02:21,715 LISTEN, UH, YOU DON'T MIND IF WE JUST, UM, KEEP A FEW DOGS IN HERE FOR A WHILE WHILE WE'RE 1963 01:02:21,739 --> 01:02:23,616 WE JUST, UM, KEEP A FEW DOGS IN HERE FOR A WHILE WHILE WE'RE CLEANING THINGS OUT OVER THERE? 1964 01:02:23,640 --> 01:02:25,451 HERE FOR A WHILE WHILE WE'RE CLEANING THINGS OUT OVER THERE? AWW, NO, NO, I DON'T MIND. 1965 01:02:25,475 --> 01:02:26,419 CLEANING THINGS OUT OVER THERE? AWW, NO, NO, I DON'T MIND. AWW, GOOD. 1966 01:02:26,443 --> 01:02:28,221 AWW, NO, NO, I DON'T MIND. AWW, GOOD. I'LL START BRINGING THEM IN. 1967 01:02:28,245 --> 01:02:30,389 AWW, GOOD. I'LL START BRINGING THEM IN. AWW. 1968 01:02:30,413 --> 01:02:31,691 I'LL START BRINGING THEM IN. AWW. AREN'T THEY CUTE? 1969 01:02:31,715 --> 01:02:33,259 AWW. AREN'T THEY CUTE? THEY'RE ONLY 8 WEEKS OLD. 1970 01:02:33,283 --> 01:02:34,961 AREN'T THEY CUTE? THEY'RE ONLY 8 WEEKS OLD. WELL, NOW, YOU SEE, ISN'T 1971 01:02:34,985 --> 01:02:36,730 THEY'RE ONLY 8 WEEKS OLD. WELL, NOW, YOU SEE, ISN'T THAT SOMETHING HOW RUMORS GET 1972 01:02:36,754 --> 01:02:37,396 WELL, NOW, YOU SEE, ISN'T THAT SOMETHING HOW RUMORS GET STARTED? 1973 01:02:37,420 --> 01:02:39,565 THAT SOMETHING HOW RUMORS GET STARTED? THEY WERE SAYING THAT YOU DIDN'T 1974 01:02:39,589 --> 01:02:41,567 STARTED? THEY WERE SAYING THAT YOU DIDN'T HAVE A PUPPY OVER THERE UNDER 1975 01:02:41,591 --> 01:02:42,736 THEY WERE SAYING THAT YOU DIDN'T HAVE A PUPPY OVER THERE UNDER SIX MONTHS OLD. 1976 01:02:42,760 --> 01:02:43,603 HAVE A PUPPY OVER THERE UNDER SIX MONTHS OLD. [CHUCKLES] 1977 01:02:43,627 --> 01:02:45,138 SIX MONTHS OLD. [CHUCKLES] WELL, ACTUALLY, THAT WAS TRUE. 1978 01:02:45,162 --> 01:02:46,773 [CHUCKLES] WELL, ACTUALLY, THAT WAS TRUE. IT'S KIND OF EMBARRASSING, BUT A 1979 01:02:46,797 --> 01:02:48,074 WELL, ACTUALLY, THAT WAS TRUE. IT'S KIND OF EMBARRASSING, BUT A COUPLE OF OUR PUPPIES HAD 1980 01:02:48,098 --> 01:02:48,641 IT'S KIND OF EMBARRASSING, BUT A COUPLE OF OUR PUPPIES HAD PUPPIES. 1981 01:02:48,665 --> 01:02:50,810 COUPLE OF OUR PUPPIES HAD PUPPIES. [LAUGHS] 1982 01:02:50,834 --> 01:02:51,745 PUPPIES. [LAUGHS] OH. 1983 01:02:51,769 --> 01:02:52,846 [LAUGHS] OH. YEAH. 1984 01:02:52,870 --> 01:02:56,015 OH. YEAH. UH... OH! 1985 01:02:56,039 --> 01:02:56,549 YEAH. UH... OH! HELLO. 1986 01:02:56,573 --> 01:02:57,851 UH... OH! HELLO. OH, HERE THEY COME. 1987 01:02:57,875 --> 01:02:58,818 HELLO. OH, HERE THEY COME. HERE THEY COME. 1988 01:02:58,842 --> 01:02:59,886 OH, HERE THEY COME. HERE THEY COME. HERE THEY ARE. 1989 01:02:59,910 --> 01:03:01,420 HERE THEY COME. HERE THEY ARE. I-I THINK I BETTER GIVE THEM 1990 01:03:01,444 --> 01:03:01,921 HERE THEY ARE. I-I THINK I BETTER GIVE THEM A HAND. 1991 01:03:01,945 --> 01:03:03,422 I-I THINK I BETTER GIVE THEM A HAND. THEY MIGHT NEED SOME HELP WITH 1992 01:03:03,446 --> 01:03:04,190 A HAND. THEY MIGHT NEED SOME HELP WITH THE BIG ONES. 1993 01:03:04,214 --> 01:03:04,690 THEY MIGHT NEED SOME HELP WITH THE BIG ONES. OH. 1994 01:03:04,714 --> 01:03:06,025 THE BIG ONES. OH. STAY. STAY. 1995 01:03:06,049 --> 01:03:07,693 OH. STAY. STAY. OKAY, GUYS, STAY. 1996 01:03:07,717 --> 01:03:11,865 STAY. STAY. OKAY, GUYS, STAY. STAY. STAY. 1997 01:03:11,889 --> 01:03:13,822 OKAY, GUYS, STAY. STAY. STAY. STAY. 1998 01:03:37,079 --> 01:03:42,862 [HORN HONKS] HELLO, KIDDIES! HEY! OH, BOY, ARE WE GONNA HAVE FUN 1999 01:03:42,886 --> 01:03:44,730 HELLO, KIDDIES! HEY! OH, BOY, ARE WE GONNA HAVE FUN TODAY 'CAUSE ME AND SPOT ARE 2000 01:03:44,754 --> 01:03:46,699 OH, BOY, ARE WE GONNA HAVE FUN TODAY 'CAUSE ME AND SPOT ARE GOING TO WATCH A SILENT MOVIE! 2001 01:03:46,723 --> 01:03:47,267 TODAY 'CAUSE ME AND SPOT ARE GOING TO WATCH A SILENT MOVIE! YAY! 2002 01:03:47,291 --> 01:03:49,402 GOING TO WATCH A SILENT MOVIE! YAY! AND THE STAR OF THE FILM IS MY 2003 01:03:49,426 --> 01:03:51,504 YAY! AND THE STAR OF THE FILM IS MY GRANDFATHER, VAUDEVILLE BILL! 2004 01:03:51,528 --> 01:03:52,505 AND THE STAR OF THE FILM IS MY GRANDFATHER, VAUDEVILLE BILL! SAY, MR. BILL, THE 2005 01:03:52,529 --> 01:03:53,807 GRANDFATHER, VAUDEVILLE BILL! SAY, MR. BILL, THE PROJECTIONIST DIDN'T SHOW UP. 2006 01:03:53,831 --> 01:03:54,340 SAY, MR. BILL, THE PROJECTIONIST DIDN'T SHOW UP. UH-OH. 2007 01:03:54,364 --> 01:03:55,441 PROJECTIONIST DIDN'T SHOW UP. UH-OH. CAN YOU LEND A HAND? 2008 01:03:55,465 --> 01:03:56,776 UH-OH. CAN YOU LEND A HAND? OH, MR. HANDS, BUT YOU KNOW 2009 01:03:56,800 --> 01:03:58,111 CAN YOU LEND A HAND? OH, MR. HANDS, BUT YOU KNOW I'D RATHER RELAX AND WATCH THE 2010 01:03:58,135 --> 01:03:58,544 OH, MR. HANDS, BUT YOU KNOW I'D RATHER RELAX AND WATCH THE MOVIE. 2011 01:03:58,568 --> 01:03:59,412 I'D RATHER RELAX AND WATCH THE MOVIE. OH, COME ON. 2012 01:03:59,436 --> 01:04:00,746 MOVIE. OH, COME ON. IT'LL JUST TAKE A SECOND. 2013 01:04:00,770 --> 01:04:01,514 OH, COME ON. IT'LL JUST TAKE A SECOND. OH, OKAY. 2014 01:04:01,538 --> 01:04:02,916 IT'LL JUST TAKE A SECOND. OH, OKAY. SAY, SPOT, WILL YOU SAVE MY 2015 01:04:02,940 --> 01:04:03,582 OH, OKAY. SAY, SPOT, WILL YOU SAVE MY SEAT, HUH? 2016 01:04:03,606 --> 01:04:04,250 SAY, SPOT, WILL YOU SAVE MY SEAT, HUH? [BARKS] 2017 01:04:04,274 --> 01:04:06,019 SEAT, HUH? [BARKS] OKAY, NOW FIRST, MR. BILL, 2018 01:04:06,043 --> 01:04:07,787 [BARKS] OKAY, NOW FIRST, MR. BILL, I WANT YOU TO THREAD THE FILM 2019 01:04:07,811 --> 01:04:09,155 OKAY, NOW FIRST, MR. BILL, I WANT YOU TO THREAD THE FILM INTO THE PROJECTOR... 2020 01:04:09,179 --> 01:04:10,523 I WANT YOU TO THREAD THE FILM INTO THE PROJECTOR... OH, BUT YOU KNOW I CAN'T DO 2021 01:04:10,547 --> 01:04:11,357 INTO THE PROJECTOR... OH, BUT YOU KNOW I CAN'T DO THAT, MR. HANDS. 2022 01:04:11,381 --> 01:04:12,558 OH, BUT YOU KNOW I CAN'T DO THAT, MR. HANDS. I'M NOT EVEN IN THE UNION. 2023 01:04:12,582 --> 01:04:13,726 THAT, MR. HANDS. I'M NOT EVEN IN THE UNION. WHILE I TURN IT ON. 2024 01:04:13,750 --> 01:04:15,061 I'M NOT EVEN IN THE UNION. WHILE I TURN IT ON. NO, WAIT, I CAN'T HOLD ON! 2025 01:04:15,085 --> 01:04:16,562 WHILE I TURN IT ON. NO, WAIT, I CAN'T HOLD ON! NO! NO! STOP IT! 2026 01:04:16,586 --> 01:04:18,064 NO, WAIT, I CAN'T HOLD ON! NO! NO! STOP IT! Shh, QUIET, MR. BILL. 2027 01:04:18,088 --> 01:04:19,232 NO! NO! STOP IT! Shh, QUIET, MR. BILL. THE MOVIE'S STARTING. 2028 01:04:19,256 --> 01:04:20,766 Shh, QUIET, MR. BILL. THE MOVIE'S STARTING. OH, AND THANKS FOR THE HAND. 2029 01:04:20,790 --> 01:04:22,335 THE MOVIE'S STARTING. OH, AND THANKS FOR THE HAND. I DON'T LIKE GOING TO THE 2030 01:04:22,359 --> 01:04:23,002 OH, AND THANKS FOR THE HAND. I DON'T LIKE GOING TO THE MOVIES! 2031 01:04:23,026 --> 01:04:25,438 MOVIES! [BELL DINGS] 2032 01:04:25,462 --> 01:04:27,395 [BELL DINGS] [CALLIOPE MUSIC PLAYING] 2033 01:04:56,125 --> 01:04:57,926 [INDISTINCT CONVERSATIONS] 2034 01:05:03,565 --> 01:05:05,400 [CHEERS AND APPLAUSE] 2035 01:05:43,772 --> 01:05:51,772 [DRUMROLL] [CYMBALS CRASH] [SPECTATORS BOOING] 2036 01:05:59,489 --> 01:06:02,824 [CYMBALS CRASH] [SPECTATORS BOOING] [INDISTINCT SHOUTING] 2037 01:06:08,064 --> 01:06:11,199 SEE YOU NEXT TIME! BYE-BYE! 2038 01:06:22,311 --> 01:06:26,225 GOOD NIGHT, EVERYONE. WE HAD A GREAT TIME. YOU WERE A GREAT AUDIENCE. 2039 01:06:26,249 --> 01:06:27,793 WE HAD A GREAT TIME. YOU WERE A GREAT AUDIENCE. AND THEY ARE THE MOST LOVELY 2040 01:06:27,817 --> 01:06:28,794 YOU WERE A GREAT AUDIENCE. AND THEY ARE THE MOST LOVELY GROUP OF PEOPLE. 2041 01:06:28,818 --> 01:06:30,129 AND THEY ARE THE MOST LOVELY GROUP OF PEOPLE. MAUREEN STAPLETON! 2042 01:06:30,153 --> 01:06:31,130 GROUP OF PEOPLE. MAUREEN STAPLETON! [CHEERS AND APPLAUSE] 2043 01:06:31,154 --> 01:06:33,234 MAUREEN STAPLETON! [CHEERS AND APPLAUSE] [WHISTLES] 224973